#either way i hope linda gets more character development... and i want to see what happens between mitsuo and chinami too

[mayushiis]

honestly golden time would be a way better show if the opening and ending themes weren't entirely centered around banri and koko. by making koko the sole focus of the show, they make it seem as though there isn't even a slight possibility that banri could choose linda over koko, which really diminishes the effect of the emotional cheating drama when banri's feelings for linda resurface and koko witnesses it happen. really, i'd be all here for ghost!banri trying to ruin his present self's relationship with koko if the theme songs had just made the outcome a little more ambiguous! focusing on only one of the two love interests either makes it obvious from the beginning that the one girl wins, or it just ruins the ending if the other wins and it turns out that the intro/outro animations were a fake-out the whole time :|

[hangovercurse]

Nerd Love

After years of working together, Pete still manages to break you.

Request: “Hi! Can I get a Pete imagine where you guys work on SNL together and you have few skits together and during one of them you can’t stop laughing”

Pete Davidson x Reader

Warnings: Cursing

Word Count: 2237

“Live from New York, it’s Saturday night!” You hear Kate and the host of the week announce before Lorne motions that the cameras had cut for commercial break. You and Pete had a sketch together in exactly 12 minutes and 45 seconds, and you were trying to cool your nerves.

You loved your job, writing on SNL was something you had dreamed of since you were in middle school, and now it was your reality. Of course, it was hard, the hours were long and the work was demanding. But having Pete by your side made it all bearable.

You had met on your first day, getting hired one season after him. You two were deemed the “babies” of the cast because you were the youngest, so naturally you got paired up. A lot.

At first it bothered you that you only really ever worked with one person, but after your first few episodes you grew to love Pete. Your energies matched so well, and whenever you wrote together you easily built of each other.

After 6 years of working on the show together, you had become really close friends. You were with him through all of his hard times, and you were one of the few people he let visit him in rehab. In return, he stuck by your side through everything, even when the internet tried to cancel you for an interview that was taken completely out of context.

You couldn’t pinpoint when, but at some point, you had developed real feelings for him. Obviously, you’d never tell him, not wanting to mess up your amazing friendship. But they still flourished, especially when you would be up until 6 am writing sketches and goofing around in the writer’s room. Of course, the comments from fans didn’t help your feelings either. They loved you guys. Anytime you posted Pete on your social media, they were all over it.

But you guys had denied the dating rumors countless times since they’d started 5 years ago. Even though having to hear the words “we’re just friends” over and over killed you.

You were lost in thought when Pete came up behind you, hands grabbing your shoulders and shaking you slightly. “Ready bookworm?” He asked, moving to stand next to you.

“Only if you are, Mr. jock-man.” You laughed, rolling your eyes.

The sketch you and Pete had written was a young couple on a really fancy date to celebrate their 6-month anniversary. Your character was going on the date with Kyle Mooney’s character. Both of you were the stereotypical nerd couple with glasses, suspenders, and everything else. Pete was playing your waiter, who obviously did not give a shit about his job. He was the stereotypical jock character. Your character was super attracted to him and kept paying attention to him. He loved the attention and would do things like show you his (reaaaallllyyy) lame tattoos, tell you about sports, and everything that nerds don’t like. Kyle obviously didn’t like that and kept trying to get your attention in the weirdest of ways.

It was pretty funny in rehearsals, almost too funny. Seeing Pete act so out of character was hilarious to you and having to overdramatically flirt with him felt ridiculous. You barely made it through in rehearsals without laughing, so you had to hope you could do it on stage.

“Y/N, Pete, and Kyle. You’re up.” The stagehand told you, and you grabbed Kyle’s hand, walking to the stage.

The sketch started and you were doing okay. You and Kyle had your conversation about your anniversary and your favorite Star Wars movies. But then Pete walked onto the stage in his ridiculous waiter getup. His white shirt was unbuttoned at the top and wrinkled, his black pants hanging low on his hips, and his apron only half tied. You bit your tongue to keep yourself together.

“Welcome to White Oyster, what do you want?” He said in a very bored voice. You acted interested, eyes raking up and down him. You felt ridiculous and had to swallow a laugh.

Kyle pushed his glasses up on his nose, “me and my girlfriend are here for our six-month anniversary, so we would like the couple’s special.” His nerd voice was incredible.

“Okay. Anything else?” Pete’s voice remained monotone.

You bit your lip, “do you recommend anything else?” You asked, trying to sound nerd-sexy.

You could see Pete struggling to contain a smile. “I mean, whatever. Food here is shitty anyways.”

Kyle’s mouth gaped, “can you not speak like that around my girlfriend, please?”

The sketch continued with you making flirty remarks towards Pete, him being very bored and unaware, and Kyle trying to direct your attention. After your second attempt at flirting with him, you could feel yourself breaking down.

“So, I was wondering. Do you have any tattoos?” You asked him, your elbow on the table, twirling a piece of your hair in your finger.

Pete nodded, pulling up his shirt to show the big MOM tattoo on his side that was drawn on earlier. You felt a giggle slip out, completely out of character.

You tried to cover it up and continue, “wow, you really must love your mom, huh?” Another chuckle leaving your mouth, “that’s kinda hot.”

Kyle looked at you with wide eyes, “Linda!” He screamed the name of your character

Pete shrugged, “Nah, I did it myself. It says WOW, like world of warcraft.”

You couldn’t help the laugh that fell out of your mouth, and one followed from Pete. This was a disaster. You tried to regain your composure, knowing Kyle was probably really frustrated right now. “I just think tattoos are so cool. You don’t have any, do you Darren?” You asked Kyle’s character, eyes narrowing at him. You heard a chuckle from Pete beside you and you bit your cheek.

Kyle faked looking flustered, “N-no. But I have all 7 of the Harry Potter books and 4 collectors wands.”

Pete nodded, “Oh cool, I have a Harry Potter tattoo.” He pulled up his arm to show his real tattoo.

Your eyes went wide, “Wow. That’s way cooler.” You batted your eyes up at Pete, making him break even more. Watching his face go red and his mouth lifting up with laughter made you squeeze your eyes to hide your laughter.

“But babe!” Kyle was starting to break now too. “You love my Harry Potter stuff!”

“It’s cool, I guess.”

The sketch continued with you and Pete laughing anytime you looked at each other, your energies feeding into one another. You both tried really hard to keep it together, but something about flirting with Pete made you so giddy inside that you couldn’t help it.

Eventually the scene ended and the lights went down. You knew the cameras probably caught an extra few seconds after the close of the sketch, meaning they caught you and Pete breaking down into fits of laughter.

You somehow made it offstage, faces red. “We’re so gonna get fired.” He said through giggles.

“I’m so sorry,” You started, trying to take breaths through your laughs. “I don’t know why I couldn’t hold it together.”

“You looked ridiculous.” Pete laughed, pointing at your glasses.

 After the show you made your way back to your dressing room, changing into your day clothes and getting ready to leave. You finally checked your phone, which had been off the duration of the show.

Your twitter feed was filled with clips of you and Pete laughing through the sketch.

They’re so cute together #goals

Love their friendship

Get you someone who looks at you like Pete looks at Y/N

Poor Kyle ☹

The way they can’t get through a skit because they’re too in love

And they say they aren’t dating…

Can’t believe the unprofessionalism

Pete and Y/N are dating… no one can convince me otherwise

The flirting!!! The looks!!!

I would like Pete and Y/N to get married and adopt me please

Your heart melted at all the comments, a sigh leaving your mouth. You watched the video and noticed the way he looked at you anytime you broke character, it was the same way you looked at him all the time.

You shook your head, convincing yourself you were imagining it. You couldn’t afford to think like that, it would ruin your friendship.

A knock at your door pulled you out of your thoughts, “Y/N, wanna go grab a drink with me?” It was Pete.

“You can come in.” You called, and he did so. “I don’t know, I was thinking I might just go home. I’m pretty tired.” You really just wanted to go home and sort through your feelings for the umpteenth time that month.

He nodded, watching as you tossed various items in your bag, “you were great tonight.”

You giggled, “Pete I barely made it through our sketch, it was a disaster.”

He rolled his eyes, walking over to where you were at your vanity. “I messed up too, but it was fine. No one noticed.”

You leaned into the mirror, fixing your makeup slightly. Pete was very close to you, watching you through said mirror. “Trust me, Petey. Everyone noticed.” You laughed, standing up straight again.

Your back was inches from his chest, and you could suddenly feel a different sort of tension in the air. But you didn’t make any move to shift away from him. He gave you a quizzical look through the mirror and you took out your phone, turning to him.

You took in a breath at the proximity. You weren’t close enough to kiss or anything, but his chest was only a few inches away from you. You shook away the thoughts you were having and opened your twitter, letting him scroll through the tweets. He chuckled and shook his head as he read them, eventually handing you your phone back.

“People really like us together.” He said, smiling.

You rolled your eyes, “They have for the past like, 6 years, Petey. We’re funny.” You smiled moving to turn back to grab your bag, but his hand grabbed your hip and made you stay facing him.

Your mind went blank at his touch, trying to figure out if this was real or if you were just really really tired. “That’s not what I meant.” He said, quieter.

You laughed, looking away from his eyes, not really knowing what to say. “I mean, people have always thought… stuff like that.” You mumbled, trying to figure out what the hell was going on.

Pete’s eyes were searching your face, taking in every detail. “Have you ever thought about, like, why people think we’re…” He trailed off, but you knew what he was implying.

You blushed, looking down at your toes. “I mean, I guess we’re together a lot and we get on well. People just like to make assumptions, I guess.”

“Yeah, and I’m sure it doesn’t help that I can never keep my eyes off of you, even when the cameras are rolling.” He said, a chuckle following.

You smiled, looking back up at him, your brain trying to process what he just said. After a few moments of silence, you spit out a “why are you bringing this up?” Your voice was soft, almost a whisper.

He sighed, hand moving from your hip and rubbing his face lightly. “I don’t know, I’ve just been thinking a lot.” You gave him a look that told him to continue. “I mean, I think it’s kind of obvious that I like you.”

Your mouth dropped, “obvious? Pete Davidson you have been far from obvious about your feelings.” You really thought you were dreaming, hearing those words from him was just impossible.

“Are you kidding me? How many sketches do I have to write just so I can flirt with you? Have you not picked up on the fact that literally every sketch I write for you to be in we’re playing some sort of couple?” He laughed, stepping towards you, and grabbing your hips again. “Dude, and I thought I was oblivious to this shit.”

“In my defense I’ve spent the past like 6 years trying to convince myself you didn’t feel the same way.” You said, a smile crossing your face.

Pete rolled his eyes, leaning closer to you, “now why would you wanna do that?” There was a playful tone in his voice, but you couldn’t help your serious answer.

“Because I didn’t wanna read the signs wrong and mess up our friendship.” You sighed.

Pete’s smile softened, “Y/N I literally want to kill you right now for making me wait this long.” You giggled, leaning closer to him. “But you’re cute so I guess I can let it slide.”

“If I kiss you will it make up for it?” You asked, batting your eyelashes.

Pete pretended to think about it, “hmmm, maybe. You should definitely give it a shot to see.”

You rolled your eyes, wrapping your arms around his neck and pulling him into you. Your lips touched his and it was like everything in the universe suddenly aligned. His mouth moved against yours in soft, perfect motions. His hands pulled you closer into him, your bodies molding together like it was meant to be.

When you finally pulled away for breath, he pressed his forehead against yours, a wide grin on his face. “So, about those drinks?”

[realm-sweet-realm]

What are your headcanons on Henry and Linda's relationship?

I'll be honest, prior to this, I hadn't really considered Linda and hadn't really developed her character beyond a bland housewife stereotype. As a result, a lot of these will just be headcanons about Linda. I hope you enjoy this.

-Henry met her at a college party held at some undergrad dorm at the age of twenty: a party that Joey (at 29) felt too old to join him for and possibly the first one he'd attended without him. He used lines that Joey had taught him to get her phone number and relied on Joey for relationship advice once things got rolling as well.

-Joey wasn't jealous at first. He thought that Henry would always put him first and that helping Henry with his relationship would just make him more loyal.

-Joey did get to meet her and had a rather stereotypical view of her. A sheltered girl from a traditional, religious family with a good bit of money, taking some insubstantial classes until she could find a husband. Sure to give Henry the kind of life he was sure Henry would reject over the one that he planned to build with the studio. He didn't hate her, though. The narrative of Henry choosing him only had value if there was something to choose against. Linda could pick up on Joey's subtle coldness towards her and found him a bit creepy as a result.

-Joey is also pretty wrong about Linda. She wasn't meek- she was more assertive and outgoing than Henry. She wasn't just taking classes until she could find a partner. It might have started that way due to her upbringing and the time period, but Linda realized during her first semester that she wanted to pursue engineering, and she worked as an engineer for years after she graduated. She didn't have anything against Henry and Joey's friendship- she was glad that Henry had someone who inspired him so much artistically.

-She also wasn't as set in her traditional ways as Joey thought- she was discovering all kinds of new things about herself as a newly independent youth, just like Henry was. And Henry had to admit that it was kind of nice to have someone on his level, who didn't act like they had all the answers.

-One of Henry's favourite things to do for a date was to have a picnic down by the river. It was a beautiful place with plenty of green space, and sometimes concerts would be held there. He also dragged Linda to more than a few art shows (generally with Abby and Joey along as well), and liked taking her to movies.

-Once the studio got started, Henry was buried under work, but he always made time to call Linda. Always.

-It wasn't enough. For one thing, Linda was worried about Henry and mad that Henry wouldn't do what was necessary to look after himself. He was always tired, and told her about some very manipulative things Joey was doing and how often he had to work through the night. It hurt to see. The other part of it was that Linda knew her needs wouldn't be met if they stayed together. She wanted a family, and didn't know if that would be possible if Henry stayed. She was ready to give him the "it's me or the studio" talk by the time he finally decided to leave.

-Henry proposed to her the same day he landed a job elsewhere. She accepted, and they moved across the country together so that Henry could work for Disney. It was a huge leap of faith for them both, but they don't regret it in the slightest.

-Linda encouraged Henry to stop contacting Joey after leaving. Joey was still having boundary issues and it was bringing Henry a lot of stress and little else. Sadly, Joey just wasn't worth having in his life anymore.

-Children came soon after that, with Linda staying home to look after them. They had three boys and one girl. Henry is a very lax parent because he was raised with a lot of freedom and responsibility. Linda isn't too uptight, either, but she does keep them on somewhat of a tighter leash.

-Henry was drafted and Linda was a Rosie the Riveter during the second world war. It was a difficult time for both of them-Henry being away from his family and fearing for his life, and Linda having to put a brave face on for the kids she had to raise alone for the next three years. Their reunion was nothing short of pure joy.

-Henry, Linda, and a couple of their kids (not all of them could make it) were taking a brief vacation to New York when Henry disappeared. It's something they did now and then since Linda's family lived in New York. They were happy. They'd raised some wonderful children and gotten through their toughest times together. Henry was nearing the end of a successful animation career and Linda had been back in the workforce for a while and was quite enjoying it. And then Henry went to visit Joey and never came back.

[uomo-accattivante]

Great article about Paul Schrader’s The Card Counter - a poker movie that’s not really a poker movie...

Some filmmakers write a hit movie and spend the ensuing years trying to escape its shadow. Paul Schrader never flinched. Forty-five years after his “Taxi Driver” script put him on the map, the writer-director has developed a body of work loaded with alienated anti-heroes compelled to violent and reckless extremes for the sake of a higher calling.

That includes “The Card Counter,” in which Oscar Isaac plays guilt-stricken Abu Ghraib vet William Tell, a man with a gambling addiction compelled to help the revenge-seeking son (Tye Sheridan) of a former colleague. Taking justice into his own hands, Isaac’s William Tell slithers through the Vegas strip in search of questionable salvation, not unlike a certain Vietnam vet named Travis Bickle did from the driver’s seat. As if to cement the comparisons, “The Card Counter” features Martin Scorsese as an executive producer, marking the first time the two men share a credit since 1999’s “Bringing Out the Dead.”

For Schrader, “Taxi Driver” comparisons are inevitable in all his work. “My tendency is to look for interesting occupational metaphors,” Schrader said in a recent interview. “‘Taxi Driver’ hit the bull’s eye of the zeitgeist and it doesn’t die. There’s no way I could’ve planned for that, but it does inform the stories I tell.”

At 75, Schrader continues to churn out movies much like his compatriot Scorsese, albeit on a much smaller scale. “The Card Counter” is the latest illustration of the secularized Christian dogma percolating through his work. “Our society doesn’t like to take responsibility for anything,” he said. “But I come from a culture where you’re responsible for everything. You come into the world soaked with guilt and you just get guiltier.” In his own prickly fashion, Schrader makes movies steeped in empathy for lost souls in search of redemption despite the daunting odds. “We’re all certainly capable of forgiveness,” he said, and chuckled. “Anyone who says otherwise is wrong.”

The “Taxi Driver” dilemma looms large in nearly all of Schrader’s work, from the dazzling high-stakes activism of “Mishima: A Life in Four Chapters” all the way through Ethan Hawke’s eco-conscious priest in “First Reformed.” While the latter, Oscar-nominated effort brought Schrader new fans, “The Card Counter” is an even more precise distillation of his aesthetic — a moody, philosophical drama about the vanity of the personal crusade.

Schrader, who has labeled his homegrown character studies as “man in the room” dramas, embraces the parallels as usual. “There is this kind of myth that the taxi driver was this friendly, joking kind of guy who was a character actor in movies,” he said. “But the reality is that it’s a very lonely job, and you’re trapped in a box for 60 hours a week.” He saw the same logic with gambling, a wayward profession generally depicted in the movies in the context of escapist romps, rather than the somber rituals that afflict most players. “I thought about the essence of playing cards every day, or sitting in front of a slot machine. It’s kind of zombie-like,” Schrader said. “You see commercials of people in casinos laughing. But it’s a pretty glum place. Today with slots you don’t even have to pull the lever. You just sit there and let the numbers roll.”

The gambling figure led Schrader to the bigger picture of his character’s conundrum. “I was wondering why someone would choose to live in that sort of purgatory,” he said. “He doesn’t want to be alive, but he can’t really be dead, either. What could cause that? It can’t be a simple crime, murder, or a family dispute. It has to be something unforgivable. And that was Abu Ghraib.”

After the fallout of that debacle, William did time in a military prison, and reenters society before the movie begins. That was a world the filmmaker wanted to understand in clearer terms. Though Schrader has received blowback for his controversial Facebook posts in the past, in this case, the platform was an asset: He used it to track down soldiers who had done time in the United States Penitentiary in Leavenworth, the only military prison in the U.S., to better understand the initial claustrophobic world that Tell endures, as well as the conflict between the justice he’s received and what he deserves. “This man has been punished by his government, set free, and paid his due, but he doesn’t feel that,” Schrader said. “What does he do then? How does he fill his time? That’s how it all began.”

Schrader himself toyed with gambling when he lived in Los Angeles early in his career, but soon gave it up. “I very quickly realized I was only interested in gambling if it was really dangerous and I didn’t want to expose myself to that kind of danger,” he said. Years later, though, the experience helped inform his story. “There is this whole fantasy of gambling movies from ‘The Cincinnati Kid’ to ‘California Split,’” Schrader said. “But poker is all about waiting. People will play 10 to 12 hours a day and two to three times a day, a hand will happen where two players both have chips. Now you’ve got a face-off. But that doesn’t happen very often. Most guys who are there are running the numbers, the probability.”

He envisioned “The Card Counter” as a repudiation of the traditional poker movie, which builds to the giddy release of a final tournament. When that moment arrives in the movie, Schrader takes the movie in a bleak, shocking new direction. “It’s not really a poker movie — that’s a red herring,” he said.

William is immersed in his casino journey when he encounters Cirk (Sheridan), the crazy-eyed son of another Abu Ghraib soldier who committed suicide. Cirk blames the soldiers’ former commander (Willem Dafoe), and hopes to loop William into the plan. Instead, the older man decides to take Cirk under his wing to talk him out of the act, which doesn’t prove so easy. In the process, the gambler forms a curious bond with La Linda (Tiffany Haddish), a gambling agent and pimp whose icy, relentless drive to make the most out of the poker circuit brings William some measure of companionship on his wayward journey.

It should come as no surprise that the “Girls Trip” breakout is nearly unrecognizable in the role of the calculated La Linda, which is also a distinctly Schraderish touch: From his work with Richard Pryor in 1978’s “Blue Collar” all the way through Cedric the Entertainer’s supporting turn in “First Reformed,” Schrader has made a habit of seeking out comedic actors willing to play against type. That’s partly opportunistic on his part. “They’re eager to do it because they want to expand their palette, so you can get them for a price,” Schrader said, chuckling again. “That’s necessary, given the kind of films I make.” But that’s not all: “They will always find a way to be interesting, even when they’re not getting a laugh.”

Which is not to say that the process comes easily to them. Haddish recently told the New York Times that Schrader had to coach her out of speaking in a comedic sing-song. The filmmaker put it in blunter terms. “On the first reading of the script we had, frankly, she wasn’t very good,” he said. “I told her to go back and read every single line without emotion. Then I said, ‘You’re not going to do that in front of the camera, but you can’t hit every line either. So let’s pick five or six lines you can hit where you get a smile or reaction.’ Quickly she got that it was a different rhythm.”

As for Isaac, whose disquieting turn suggests a maniac lingering just beneath the surface, Schrader once again turned to metaphor. “I told him to imagine himself on a rocky coast in the ocean,” Schrader said. “Waves are going to come up and get you all day every day. They’re going to try to batter you. Let them. The waves will go away. You’ll still be there. Don’t compete. In the end, the rocks will win. You have to learn to trust that the way these things are put together has more power than the individual movement.”

William’s routine includes an odd ritual in which he covers all the furniture in his various Vegas hotel rooms with white paper. While the motivation is never explained, Schrader said it stemmed from an experience with production designer Ferdinando Scarfiotti on the set of 1982’s “Cat People,” when Schrader realized the man was doing the same thing. “He said, quite simply, ‘I have to live here surrounded by these ugly hotel furnishings,’” Schrader recalled. The concept inspired the new movie’s most compelling visual motif. “Casinos are very ugly places. There are no exceptions,” Schrader said. “Often you aspire to finding pockets of beauty and there weren’t really any here except the only place he could control, which was his hotel rooms, where he could privatize his visions. I came up with this ritual for him to control those visuals.”

At a certain point, Schrader himself couldn’t control the visuals of “The Card Counter” for more prosaic reasons: After an extra tested positive for COVID-19, the production shut down last March, with five days of shooting left, and couldn’t resume until July. Though Schrader initially took to Facebook to fume at his producers, the pause eventually opened up an opportunity to tweak his vision. “I edited the film and put in placeholders for the five or six scenes of consequence that I hadn’t shot,” he said. “I didn’t have a fully finished film but I could screen it for people. Normally you only get that privilege if you have a big-budget film and you’re allowed reshoots.” The early audience included Scorsese, who provided a crucial note. “I asked Marty, ‘What am I missing?’ He said to me that the relationship with Tiffany and Oscar was too thin. So I rewrote those scenes.”

Schrader asked Scorsese to take on the executive producer credit as a favor. “I said, ‘Marty, wouldn’t it be nice to share a card again? I thought it would help sell the film but it would also be a cool thing to do after all these years,’” Schrader said. “Then a couple of weeks later his agent called wanting to work out a deal. What deal? I asked Marty and he said yes. That’s the deal!” Now, the pair are trying to collaborate on a new long-form TV series based on the Bible, though the timing has been delayed by production on Scorsese’s upcoming “Killers of the Flower Moon.”

In the meantime, Schrader has been mulling over the way “Taxi Driver” not only continues to inform his storytelling but the world at large. “Hardly a week goes by that I don’t notice or hear some reference to it,” he said. “But I don’t know how you’d tell such a story today. A number of writers have tried and I don’t think they’ve succeeded because it has to come out of a certain place and time. We have plenty of these incels around, but they’re not as original or revealing as they were 45 years ago when that character came on the scene. I wouldn’t know how to write about it.”

Instead, his next project is a love triangle called “Master Gardener,” which he hopes to shoot in Louisiana before the end of the year. He has several other potential scripts ready to go after that. And while he has expressed trepidation about the future of cinema in the past, he’s not convinced that audiences have given up on it yet. He recalled a conversation he had with Cedric the Entertainer when “First Reformed” made the rounds. “He said off-handedly to me, ‘You know, I didn’t realize there were so many people who liked serious movies,’” Schrader said, and chuckled once more. “Well, yeah, there are.”

“The Card Counter” premieres next week at the Venice Film Festival. Focus Features releases on September 10, 2021.

###

[bulletballet-arch]

REALLY LONG  CHARACTER  SURVEY. RULES. repost ,   don’t  reblog !    tag 10 ! good  luck ! TAGGED. I took this from Minnie’s archived Bioshock blog. I’ve been looking for this meme all this month. TAGGING. @hammurabicomplex. @bluuxriising. @ Me - for Sal on @bulletsoverbensonhurst​. @immaterialed (charlie) @soypeor (bella) @svmmercmance​. @mrflayed. and you!

BASICS. FULL  NAME :�� Eve Delores Littlejohn NICKNAME : Evie, Little Evie (by her maternal side of the family), Delores, Didi NAME  MEANING / S  Eve is from the ancient Hebrew name  חַוָּה (Chawwah), which was derived from the Hebrew word חָוָה (chawah) meaning "to breathe" or the related word חָיָה (chayah) meaning "to live". Delores is a variant of Dolores, meaning "sorrows", taken from the Spanish title of the Virgin Mary María de los Dolores, meaning "Mary of Sorrows." Littlejohn is a surname that has historically been found in England and Scotland. With potential origins being either ‘to distinguish a beloved child that was not the eldest.’ Or, ‘a contradictory nickname for a large man.’ HISTORICAL  CONNECTION? : She’s named after her grandmother, Evelyn Hollins.

AGE : 42 BIRTHDAY :  June 2 ETHNIC  GROUP : Black-American. Meaning she’s mixed with a lot (Some of her relatives are respectively Creole and Italian) but uses Black as a catch-all term. NATIONALITY :  American LANGUAGE / S : English, Italian, Spanish, Latin, some French SEXUAL  ORIENTATION :   Bisexual ROMANTIC  ORIENTATION :  Biromantic RELATIONSHIP  STATUS : Verse dependent, usually married -or connected- to Salvatore Scozzari in some way. CLASS : Upper-Class HOME  TOWN / AREA :   Brooklyn. Spent time between Bedford-Stuyvesant - with her paternal grandfather and Park Slope - with her maternal grandparents.  CURRENT  HOME : In her childhood home in Bedford-Stuyvesant. PROFESSION : Ballet Instructor. Former Professional Ballerina. ( Other verses see her as a professional thief. )

PHYSICAL. HAIR : Black. In terms of her natural hair, Eve has springy, 3C hair she seldom shows off because she was raised in a family where straightened hair was deemed presentable and professional.  EYES : Thin almond eyes. Dark brown. NOSE : Straight and small. FACE :  She has a prominent, high forehead, that’s accented with high cheekbones and a pointy chin. LIPS :  Full. COMPLEXION : She has a light brown (tawny) complexion.  SCARS : None major. TATTOOS : None. HEIGHT : 5′4″ BUILD : Eve has a slender build. One of those people who have been small and petite since childhood. Despite this, she also stays skinny because she is obsessively conscious of the food she consumes. The older she gets the more she weighs, however. USUAL HAIR STYLE :  Her hair is cut short. Reaching her shoulders in a neat, even bob. She either curls it in a retro fashion or curls the tips. For work she wears it in a traditional, pinned bun. USUAL FACE LOOK : In public, she appears stoic for the most part. Any emotion shown (such as the length of a smile) is carefully calculated. She has to seem perfect.  USUAL  CLOTHING : Form fitting dresses. Incredibly chic and fashionable for the time. Shoes include heels - never open-toed, unless she has on stockings. Extravagant earrings. Jewelry that can include either necklaces, crosses, pearls, or dainty rings. Prone to wearing black sunglasses in public.

PSYCHOLOGY. FEAR / S : Thunderstorms, airplanes, creatures like weasels, snakes and ferrets, break-ins, men she doesn’t know, harm coming to her children ASPIRATION / S :  Formerly wanted to become a major [black] ballerina in the elite world of ballet, now she just wants to expose more [inner city children] to dance through her job. Personally, she wants her children to change the world in some form or fashion, too. Eve also has good ideas on improving the community, but at the moment has no idea how to go about these ideas. POSITIVE  TRAITS :  Generous, compassionate, patient, protective NEGATIVE  TRAITS : Strict, sullen, hard to read, represses her emotions, secretive MBTI :  Advocate - INFJ-T ZODIAC :  Cancer TEMPERAMENT :  Melancholic ANIMALS :  Lioness VICE / S :  Pride & Lust FAITH : Christian. Grew up Baptist, but Catholic influences have been around her since childhood. Attended a Catholic High School in Park Slope, her grandmother Evelyn was also a practicing Catholic.  GHOSTS ? : Yes and no. She feels that objects formerly owned by the deceased posses the essence of their previous owners and that they essentially live on through these pieces of property. AFTERLIFE ? : Yes. REINCARNATION ? :  No, but it’s a romantic concept. ALIENS ? : No. POLITICAL  ALIGNMENT :  Democratic ECONOMIC  PREFERENCE :  She likes being where she’s at now. But honestly, being upper class is all she’s ever known. SOCIOPOLITICAL  POSITION : Bourgeoisie, basically. The Littlejohn’s represent The Historical Black Elite.  EDUCATION  LEVEL : College level. FAMILY.

FATHER :  William ‘Bill’ Littlejohn MOTHER : Linda Littlejohn ( nee Hollins ) SIBLINGS : None EXTENDED  FAMILY : Amos Littlejohn (paternal grandfather) Liza Littlejohn (paternal grandmother) Evelyn Hollins (maternal grandmother) Giuseppe D’Aietti (maternal grandfather) and a wide host of cousins, aunts and uncles.

FAVOURITES. BOOK :  Night Song by Beverly Jenkins. The Color Purple by Alice Walker. Some sort of old, French erotic novel that was published before she was born. MOVIE : Eve watches films along the lines of...Waiting to Exhale, Beaches, The First Wives Club and Fatal Attraction. She loves Made-For-TV movies from the time period. In regards to plays, her favorite one is Sunday In The Park With George. 5  SONGS :  Meet Me On The Moon / Essence of Sapphire / No One In The World / People / The First Time I Saw Your Face  DEITY :  Persephone  HOLIDAY : New Years Eve, Christmas, Thanksgiving. Major holidays during the colder season. MONTH :  October SEASON :  Autumn PLACE :  The dance studio she works at. WEATHER : Sunny, but cool. SOUND : The voices of Anita Baker and Sarah Vaughn. A skilled hand running over piano keys. Soft trumpets. Running water. Cats making chipper little meows. SCENT / S :  Perfume, floral scented lotions, her partner’s cologne TASTE / S :  Caramel, the tang of dark chocolate, strawberries coated with either chocolate, or sprinkles of white sugar. Light Vinegar.  FEEL / S : Performing in front of an audience. Hot water engulfing your skin after a long day. Satin - whether it be the fabric of her clothes or sheets, your fingers tightly intertwined with another’s, feeling your significant other’s chest raise and lower against your skin with each breath they take. ANIMAL / S : Cocker Spaniels, Afghan Hounds, Cats, Birds - she loves all ( well, a majority ) of animals. NUMBER :  Doesn’t have one. COLOR :  White, Pink, Gold.

EXTRA. TALENTS :  Dance, Eve is trained in ballet when it comes to her main verse. She has attended ballet classes since the age of eight and ever since then she placed all of her focus into it. Similarly, Eve has always had the makings of a good artist - as a child she enjoyed drawing and had informal art lessons with a man who lived in the basement of her grandfather’s brownstone, but she never invested into that half of her. BAD AT : Singing, Being interviewed, Public Speaking (as in Speech Giving), Decision Making TURN  ONS :  Charisma, Leadership Skills, Temperature Play, Phone Sex, Heavy Kissing, Light Roleplay TURN  OFFS :  Public Sex, Tearing [ Her ] Clothes, Threesomes, Cruelty, Senseless Violence HOBBIES :  viewing plays & some musicals, reading romance novels, shopping, working out (she was into the whole celebrity VHS tape exercise trend), playing tennis, decorating AESTHETIC :  Vintage Black Glamour, Black Ballerinas, Champagne and Wine Glasses, Paintings by Melinda Byers and Edward 'Clay' Wright QUOTES :  "I'm bad with words, I hope you're good in reading eyes." / "There are truths I haven't even told God. And not even myself. I am a secret under the lock of seven keys."

FC INFO. MAIN  FC / S : Lynn Whitfield ( A Thin Line Between Love & Hate ) ALT  FC / S : Kylie Bunbury ( Twisted ) OLDER  FC / S :  Lynn Whitfield ( Greenleaf ) YOUNGER  FC / S : N/A VOICE  CLAIM / S : Lynn Whitfield

MUN QUESTIONS.

Q1 :   if  you  could  write  your  character  your  way  in  their  own  movie ,   what  would  it  be  called ,  what  style  would  it  be  filmed  in ,  and  what  would  it  be  about ?       A1 : Recently I decided that if/when I try to write anything serious about Eve again, it’ll center on her being a jewel thief because it presents me more fun, and emotionally diverse, opportunities. That and I have a very specific cover image in my mind. Ideally, her adventures would be a series of books. I have no title in mind, no idea about how ‘it would be filmed’ ( although a style replicating 90s films would be excellent, film grain and all. ) but, I do have a bunch of plots in mind that I really don’t feel like typing out here.  

Q2 :   what  would  their  soundtrack / score  sound  like ?         A2 :  Her score would have a vintage sound (or a jazzy Spike Lee sound, if you will) with instrumentals by Dorothy Ashby (a Jazz Harpist) the Ahmad Jamal Trio, Pharaoh Sanders, Yusef Lateef and Tarika Blue. For music with lyrics, the soundtrack would include the likes of Julie London, Sarah Vaughn, Ella Fitzgerald, and Dionne Warwick.

Q3 :   why  did  you  start  writing  this  character ?   + Q4 :   what  first  attracted  you  to  this  character ? A3 :  Whenever I make NPCs for my character’s lives I actually can’t just let them just be NPCs. I start thinking about them too much. Developing them too much. And then I’m like, ‘wow! I really like this character!’ Eve was a different character when I began writing her, and likely wouldn’t be considered the same character as she was previously, if I told someone in real life who knows about my writing (like my grandma) about all the changes she has undergone. Originally Delores was a university professor, because I thought it could lead to interesting interactions with college-age muses. And her previous history with the mafia was also something interesting to tap in. But then I started thinking about what was realistic, what wasn’t realistic, what did I feel comfortable/interested writing? What didn’t I feel comfortable/interested in writing?  So as time went on, things would alter about this character. And the new things I came up with attracted me more. 

Q5 :   describe  the  biggest  thing  you  dislike  about  your  muse.         A5 :  I have a love/hate relationship with Eve’s quiet demeanor. On one hand, I think quieter characters need love and the ability to be fully dimensional but on the other hand, writing louder characters has always been more fun for me. But really, Eve’s guarded behavior makes writing her stressful in some cases with others because sometimes...if I’m going to be honest...people don’t know how to carry a thread and interact with someone of her demeanor effectively. 

Q6 :   what  do  you  have  in  common  with  your  muse ?       A6 : We’re both black, we’re both into art (although our exact interests and aesthetics with art differ)

Q7 :   how  does  your  muse  feel  about  you ?         A7 : Realistically she would think I need to take better care of myself.

Q8 :   what  characters  does  your  muse  have  interesting  interactions with ?   A8 :  We skippin’ this question.

Q9 :   what  gives  you  inspiration  to  write  your  muse ?       A9 : Films such as, “Waiting to Exhale,” “The Kitchen” and “Widows.” Books by Alice Walker, like “The Third Life of Grange Copeland” as well as her short story, “Roselily.” The historical mob figure Stephanie St. Clair.

Q10 :   how  long  did  this  take  you  to  complete ?       A10 : A few hours.

[thebestofoneshots]

Christmas Times

Pairing: Bucky Barnes x reader

Prompt: In which you and Bucky have to get the Christmas tree for the compound and decorate it afterwards. Set on an AU whee Bucky joins the team before civil war happens.

Notes: Some Christmas fluff because I’m getting festive. Also Sebs new IG post inspired me I couldn’t stop myself.

Warnings: I mean reader does bump into her very mean aunt but she gets put on her place so it’s nothing you can’t handle.

You stood outside the door only a few seconds before knocking on the door.

“Yes?” You heard his husky voice from the inside of the room. So he was sleeping. He had a late mission last night you recalled, it made sense that he would still be sleeping.

You opened the door “hey! Sorry to wake you, But we need to get the Christmas tree for the common room.”

He was lying on the bed, covers on top of him but arms over them, the silver arm shinning with the small rays of sunset that slipped from the window, you could see his muscular frame. His now short hair a little messy on the pillow. “A Christmas tree? Doesn’t Tony have like a bunch of people that decorate and stuff?”

“Yes... he does. But apparently is a tradition that someone from the team buys the tree and decorates it. Said it was our turn.”

He drew a deep breath “Ok, then. I’m coming,” he smiled and stood from the bed. He was only wearing a pair of tight boxers and he turned quickly to grab his jeans so you couldn’t see much more than his muscular back, and obviously his ass, but you blushed anyway. You’d develop a small crush on the Winter Soldier since you joined the team.

“I’ll uh... wait outside,” you said and started going out.

“No, it’s fine I’m ready,” He said turning around. Still shirtless and walking to his closet to put on a shirt quickly. You turned to the side to hide your blush. Is not like you hadn’t seen him shirtless before, he went for a swim every other day. But his environment was different, it felt homier? Perhaps... “You ok?”

“What?” You asked turning your face back to him.

“You seemed... lost in thought.”

“Did I?... I didn’t notice. Shall we go?” You said skillfully changing the subject and started walking outside. “You know? I’m lucky I got paired with you to get the tree,” you spoke, a small smile appeared on his face as you did. He enjoyed spending time with you as well. “Your super soldier strength will come in super handy...”

“Is that the only reason you’re lucky? I was hoping it was because of my magnetic personality,” he joked.

“Oh, curse is not the only reason Buck,” you smiled as you playfully punched his arm.

The two of you got to the parking lot by then and grabbed the truck. You took the driver's seat since you knew the modern New York better than he did.

“Do we need to get ornaments as well?” He asked as you passed a few Christmas stores.

“Tony said he had some saved but we could buy anything we liked, every avenger has added their own special thing to the tree of something like that, that’s what makes it special,” you explained.

“When did you even talk to Tony about this? I thought he was in Europe.”

“Oh, he left a video recording and told FRIDAY to help me with whatever else.”

“There!” He said pointing outside “over there there was a very beautiful one,” he explained. You had to continue for a bit to be able to get to the other side of the road and then a bit more to find a parking spot but after a while, you finally stopped.

“I’ll follow you,” you said as you got out of the car and closed it by pressing the small button on the key. A few minutes later Bucky and you were looking at the many different trees in the garden.

“(Y/N)?” He called as you absently looked at one of the trees.

“Mhm?”

“Wouldn’t it be better if we got a plastic tree? Reuse it every year? To avoid climate change and deforestation?”

“You’ve been watching way to much Discovery channel,” you giggled “but actually, I was wondering the same thing and I googled it, apparently a plastic tree is worse unless you reuse it for more than 5 years, and it’s wasteful either way because I’ll end up on a landfill. But Tony promised he’d plant 10 pine trees for every Christmas tree used in the tower so that’s even better!”

“We should buy two then,” he said with a smile.

All right, let’s take a picture, you said as you took out your phone and posted him in front of a Christmas tree. As you were taking the picture you saw someone that made you quickly lower your head and fast walk towards Bucky to use him as a hiding spot.

“What?” He said looking around alert.

“Nothing, just. My aunt is there! I haven’t seen her in a while, and she’s just going to continue nagging me about getting a boyfriend “ you explained “so I’m just gonna, go hide for a while,” you said and quickly walked behind some trees leaving Bucky in that same spot.

As you hid in between a few trees and turned your back pretending to be really distraught by a random tree when someone taped on your shoulder. You frowned and cursed under your breath before turning with a smile.

“(Y/N)!” She smiled pulling you into a hug “I thought it was you back there.

“Aunt Linda! How’s it been?” You asked her smiling.

“Oh just fine, that’s what. I wanted to come here with your cousins but they were too busy to come. So I had to come to get the tree all by myself. What about you? Did you come alone too? I know you don’t have many friends anyway but maybe you convinced someone to help you...” she smiled.

“I... ugh—“

“—doll! I finally find you! I lost you a few trees back, I was about to tell you I found the perfect tree for home.”

“Bucky I...“

“Home?” Your aunt asked with a raised eyebrow.

“Aunt Linda this is—“

“—Her boyfriend,” Bucky answered pulling one of his charming gentleman smiles from the ’40s, “you can call me James,” he stretched his arm “it’s a pleasure to meet you, ma’am.”

“Well it’s a pleasure to meet you,” she smiled “such a handsome man! Never thought my niece would get a man like you. You’re out of her ligue.” Yes, that was Aunt Linda, poisonous words and all. And people wondered why you were hiding from her. “And to be honest, I was starting to think she was lesbian. 25 years and you’re the first one.” She finished.

You smiled “And there would be nothing wrong with me being a lesbian, would it?” you frowned. Bucky pulled you closer to him, with his flesh arm on your waist.

“Oh, of course not honey but you know, you’re already the family’s black sheep. You wouldn’t wanna make it even more evident. People would talk.”

“People like you I suppose,” spit Bucky from the side. He seemed to be getting rather angry at her. He clearly hadn’t had the brilliant opportunity to spend a whole Christmas with her and her vicious words or he’d understand she was actually being polite.

“Oh no darling, I would never, but some people on the family can be very creative, in a negative way if you know what I mean. So... how did you two meet?”

“At work.” You answered quickly, wanted to get away from there as soon as possible.

“Oh... at work...” she replied viciously, “well it’s not a surprise since you’re always working.”

“Yes, the minute she walked into the office for the first time she caught my eye. She wore a black suit and was walking alongside our boss looking like an angel. But it wasn’t until we got our first assignment together that I fell completely and utterly in love with her. With her mind and her voice and her everything. She has this way of analyzing situations and finding solutions, it’s incredible.”

You looked back at Bucky and then to your aunt who stood there with her mouth agape. You looked back at Bucky again and thought to yourself ‘damn he was a good actor. Little did you know he hadn’t been acting.

But then a busy woman walked passed really fast, pushing Bucky and casing his glove to fall on the floor. The glove that covered his metal arm.

She pulled his hand towards hers to look at it as you leaned to pick the glove up. Bucky seemed uncomfortable.

“Oh, you don’t have a hand.”

“It’s my whole arm actually,” Bucky corrected. You’d think no one would dare to say something offensive in a situation like this but there was Aunt Linda for you.

“Oh, that explains it.”

“Explains what?” You questioned.

“How such a handsome man would fall I love with you. He’s not complete. He IS on your ligue...”

And that was all it took. “You stop right there! First of all, him lacking an arm does not make him any less of a man or any less attractive. Second, he is one of the sweetest, nicest, bravest humans I know. And third of all, he is a veteran and lost his arm fighting for your country so you should show some respect!”

Your aunt looked at you perplexed. And blinked a bunch of times. “I didn’t mean to... I...”

“Aunt Linda, I didn’t—“

“—I’ll talk to your mother about this.” She said before turning around and leaving.

You and Bucky shared a look and started laughing at her offended frame as she was liked away. At first, you tried to hold it, but once she was far away enough the two of you were almost crying.

“That’s a character.”

“See why I was hiding?” You told him after taking a deep breath. Once the two of you finally cooled down, you noticed that you still had his glove on your hand. You looked at it and a free taking a deep breath you handed it to him. “I’m really sorry about that,” you said as you handed him the glove “but also thanks for stepping in and pretending to be my boyfriend. Although now the whole family is going to ask me about the mysterious James...”

“I’ll be happy to assist as your boyfriend whenever any other family member shows up,” He smiled.

“For what’s worth, I truly meant everything I said earlier. Your metal arm does not take away any of your worth Bucky,” you told him as you rubbed his flesh arm a little. There was nothing else you could do to comfort him, even knowing how delicate the subject was for him, especially it being originally made by hydra. “Anyway... did you really find a tree or were you just making that up?”

“I did!” He smiled. “Come!” He grabbed your hand to pull you through the made of trees towards the one you wanted. Once you got it, between the two of you you manage to load the tree on the truck and after a short drive stopped by a small Christmas market.

You walked along with Bucky through the beautiful Market but separated from each other when you stopped to look at some of the ornaments. You’d found a small shop that would vinyl cut whatever you wanted on a beautiful golden orb. “Hey (Y/N),” you heard as you stared at the machine from that small shop. You turned to find Bucky with a small bag in his hand. “I found the perfect ornament for you,” he said as he opened the bag and pulled a small crystal mermaid from it.

“She’s beautiful,” you said staring at it with awe. “How did you find her?”

“She was on a small store somewhere over there,” he said pointing to the right, trying to stop you from noticing he had maybe spent too much money on her because he couldn’t stop himself after seeing how perfectly fitting it would be.

“Thank you, Buck. I can’t believe you remembered I love mermaids so much...” you smiled. “Either way, I actually found something that would be perfect for you.”

“You did?” He raised an eyebrow.

“Yes! just you wait,” you winked and walked towards the small shop you’d found and ordered a little special thing. They said it would take around 20 minutes so you went back to Bucky.

“Let’s get an ice-cream,” you said as you pulled Bucky to a small ice-cream shop and ordered a few cones.

“You have plum taste?” You asked as the small lady nodded. “Two balls of plum in one and the other chocolate and blueberry please,” you ordered with a smile.

They gave you your ice creams in just a few seconds. And you walked back to the earlier shop alongside Bucky, the ornament was ready. You paid for it and held it behind your hands to show Bucky with a surprise. “All right close your eyes.”

He did as told. And you placed the ornament on his right hand and gave it a small squeeze to indicate he could open it. He stated at it for a while. The golden ornament had a shield on it. Like Steve’s original shield but with silver and red in the center. The cold slopes through the cracks between his shield, making it look just like his new arm. “You don’t like it...” you said since he hadn’t said anything.

“Like it?” He asked in disbelieve “I love it!”

You finally let out the breath you were holding. The shopping time was finished and the two of you hoped back on the truck to drive back to the compound.

Once there, the two of you brought the tree down and place it in the center of the common room. “FRIDAY? Where are all the decorations for the tree you told me about?”

“The box is behind the counter,” Explained FRIDAY.

“Yes, it is!” Said Bucky while pulling a very big plastic box from behind the counter.

He brought the box next to the tree and the two of you started looking through the box. Finding small ornaments and guessing which one was chosen by who from the team.

The first thing you did was add all of the lights, you choose the colourful ones and started filling the tree with them. After you started placing all the different ornaments. Leaving the two new ones you had purchased for the end, just like FRIDAY had advised you too.

“It looks nice,” you said as you smiled to yourself feeling accomplished. The shiny tree looks as beautiful as ever, the lights bouncing around from one place to another.

“We still have these,” pointed Bucky out taking the ornaments that the two of you got at the market.

“You’re right!” You said as you carefully took the mermaid from his hand and stared at the tree for a place to put it in. After a few seconds, the two of you started moving but neither noticed until your hands collided. The two of you were trying to place the ornament in the same place.

“Are you imitating me?”

“No. It was just the empty branch,” he pointed “the no es empty branch.”

“Well yes, it is the emptiest spot,” you agreed “all right, this is what we’re going to do, I’ll place mine over here,” you pointed at one spot “and yours can be here,” you pointed at another one, right next to yours.

“Deal,” he said as he placed his ornament. You placed your small mermaid later and it appeared as if the mermaid was looking at Bucky’s shield. Just like in the real world, you thought to yourself. Little did you notice Bucky was the one staring at you right then and there.

“We still need to add the star,” you said getting the delicate Swarovski star from the small box, of course, Tony would have a Swarovski star.

“Oh I’m not touching that, I don’t want to break it,” he said stepping out. “Tony doesn’t have much tolerance for me anyway.”

“Don’t be silly, I can’t reach the top anyway. The tree is too tall.”

“I’m not touching it.”

“Bucky!”

“I’m not. But I can carry you,” he shrugged.

“That would be less stable than just placing it in the top,” you reasoned.

“I’ve made my mind.”

“FRIDAY, do we have a ladder?”

“No, but you could use that chair over there.”

Bucky went for the chair and brought it to you. Placing eight on the side of the tree. You tried to step on it “this is so unstable...”

“Don’t worry I’ll watch your back,” he said as he tried to keep the chair shady with his hands.

“This is ridiculous James, you could’ve just placed it without an issue.” You mumbled as you slowly placed the star on the top. But your shoelace caught onto the side of the chair and you tripped and fell.

Luckily for you, Bucky was paying attention and he quickly grabbed you from the waist to stop You from falling face-first on the floor, instead, you fell on top of him since your weight had grown the both of you on the floor.

First thing you did as soon as you gathered everything that was happening is that you removed your weight from his chest by sitting in his stomach with one leg on either side of his torso, “Can you breathe?” You asked placing your hands on his face to look for any signs of trauma.

He smiled when he noticed how concerned you were “yes I Can breathe doll, I’ve been thrown from higher placed bc way bigger men.”

“But it was a hard fall, and my weight. Could have pulled all the sir from your lungs.”

“I didn’t... no need to worry,” he smiled again.

You drew a relieved breath and smiled too. After that, you rolled off him and instead of standing up you laid on the floor next to him as well.

The tree stood majestic and tall in front of the two of you. “We did an amazing job,” you mumbled.

“It’s because we’re an amazing team,” he responded. A smile appeared on your face when you heard those words.

“We should decorate Christmas trees more often,” you giggled. “But next time you’re placing the start!”

“And miss the opportunity of having you on top of me again? No way!” He joked. The two of you laughed again.

“Thank you, Bucky!” You said then as you gave him a quick fast hug, the two of you still lying on the floor.

“What for?”

“You always make my days brighter,” you said, trying to sound casual.

He turned his whole body towards you, his steel-blue eyes staring directly into yours. “I could say the same thing, doll.”

Find more Bucky fluff over here 👈

Feedback is always appreciated ✨

[ordinaryschmuck]

What I Thought About The Mitchells vs. the Machines

The Falcon and the Winter Soldier is up there as one of the best installments of the MCU. Sure, the action and CGI sucks, and the season finale could use a bit more polish, but there is so much more of what it does right. It brings up an engaging discussion through Karli; the bromance between Bucky and Sam is incredible; Zemo's surprisingly a riot, and U.S. Agent is a character whose inner psychology is something I would like to study. Plus, the series really dives deep into the themes of race and the realistic hesitance that comes with making a black man Captain America. It's easily an 8/10 series that is worth an in-depth discussion.

But f**k that s**t, because I'm talking about The Mitchells vs. the Machines instead!

I know it might be questionable that reviewing a movie starring a predominantly white family of idiots saving the world instead of the TV series about the powerful journey of a black man taking the mantle of an American icon...but this movie is fun, alright? And yes, I'm going to spoil it to explain how. So if you still have a Netflix account, I highly suggest you check it out when you have time.

Because, random people on the internet who most likely won't read this, this Ordinary Schmuck who writes stories and reviews and draws comics and cartoons is going to explain why The Mitchells vs. the Machines might just be my favorite film of the year (steep contest, I know).

WHAT I LIKE

The Animation: Let's get this out of the way right here and right now: If a single person ever tells you that this movie has awful animation, or the worst animation they have ever seen, just go ahead and assume that person is an idiot. Because holy hot cheese sticks, does this movie look amazing!

Say what you want about most of Sony Pictures Animation's movies, but you have to admit that they nail making a CGI movie looking like it could be in 2D. And The Mitchells vs. The Machines is the peak of that style. Every character in nearly every frame looks like they could work well if the movie was hand-drawn, and I love it. I am addicted to seeing films that look 2D with a 3D makeover because there has to be ten times the amount of effort to get that look just right, what with modeling each character in unique ways to nail that style wherein a hand-drawn film, you could just, well, draw it. Not to mention that the cell-shading and certain hand-drawn elements also add to the aesthetic.

Plus, there is so much attention to details, such as most of Katie's character model being covered in sharpie, or how you can see a hint of Eric and Deborabot 3000's drawn on faces even though their black screens are showing something else. Seriously, you can listen to any criticism this movie gets, but don't you dare let someone get away with telling you that it looks awful. It doesn't. It's incredible, and I SO wish that I could have seen it all on the big screen.

The Comedy: On top of being incredibly well-animated, this movie is also incredibly funny. Like, really funny. I shouldn't be surprised since it's made by the same people responsible for Clone High and The Lego Movie, but yeah, I found myself laughing, chuckling, and snorting with nearly every joke in the film. Not every joke works, to be fair. But because of the fast-paced humor, the bad jokes are almost immediately followed up with better ones soon after. What's even better is that the writers know when to take a break with the humor and let some surprisingly compelling drama take over. And even then, when there are jokes during the dramatic moments, they add sincerity to the scene rather than take anything away. Looking at you, The Amazing World of Gumball...I mean, I love you, but sheesh, you need to learn to let a solemn moment play out.

Anyways, the comedy is hilarious. And while I won't spoil every joke, I will go over some bits that might have gotten to me the most.

Katie Mitchell: Let's just go ahead and add Katie Mitchell to the list of characters I highly relate to on a personal level (which is getting longer by the minute, hot damn). But jokes aside, I really like Katie. Her love and desire to make movies is something I identify with, and her goal to just go to a place where she feels like she belongs is easy to understand. Trust me, if I found out there was a group of weirdos who like the same things I do and enjoy the things I make, I’d be willing to pack everything I have and go to them as fast as possible too. Plus, I feel like a lot of us can relate to a character who lives in a household where people question if our career goal is something we can make a living with. I remember two years ago when I told my aunt that I wanted to make my own animated series, and her reaction is a little too similar to Rick's when Katie showed him her movie. They mean well, but sometimes it's for the best to have a cheerleader rather than a critic, especially if that person is family.

Now, Katie isn't perfect as her enthusiasm can get a little annoying at times, and her desire to leave can be conceived as a little too harsh as well. Still, she's pretty cool and serves her role as a protagonist pretty well...also, if the movie gets a sequel, let's hope she and Jude become cannon by then. GIVE KATIE A GIRLFRIEND, DAMN IT!

Aaron Mitchell: But as great as Katie is, it's this goober that earns the reward for my favorite character. At times it looks like Aaron is nothing more than a source of comedy, but he handles some dramatic moments really well. Partial credit goes to Michael Rianda for that one. Yeah, having a child actor would have made Aaron sound more like a kid, but no other voice could have fit him better than what Michael offers as he comes across as weird but never obnoxious.

Also, let's give the writer points for making a character who is clearly neurodivergent. Yet also refraining from having him be annoying or useless to the rest of the cast. No one ever really disrespects or belittles Aaron and instead chooses to work with him rather than against him. Especially Katie, who forms a solid sibling bond with Aaron as a fellow weirdo. It's genuinely sweet to see, and I loved every minute that the writers showed that just because someone acts on a different wavelength doesn't mean they shouldn't be treated any less because of it. You get that with Katie, a little bit, but I see it much more with Aaron, for some reason. And I love him every minute, so that’s a win.

(Plus, I may or may not have had a dinosaur phase when I was younger, so go ahead and add him to the list of relatable characters too.)

Rick Mitchell: This is probably a character you will either love or hate, and I can see both sides of that argument. Because on the one hand, I really like Rick Mitchell. His motivation is clear and understandable from the first set of home videos with him and Katie, both near the beginning and the end. Sure, he messes up a lot, but he is still a man who cares deeply about his daughter, as well as his entire family. He gets to the point where he would make great sacrifices for all of them, especially Katie. Plus, it's just pleasant seeing a cartoon dad who isn't a complete idiot or overprotective regarding his daughter's love life.

However, there are times when Rick comes across as an irresponsible d**k. When he does things like smash the family's phones without telling them or giving them screwdrivers for "presents," you're either gonna find that funny or you won't. Personally, I enjoy Rick and his antics, and I have no problem with irresponsible cartoon dads. As long as they don't cross the line toward Modern-Peter Griffin territory, I've got no problem with dads like Rick, who I believe has never even got that bad. Still, some people might think differently, and I can't blame them. Because after getting great cartoon dads like Greg Universe, I can understand if some people won't be interested in characters like Rick Mitchell.

Rick’s and Katie’s relationship: Alongside the top-notch animation and gut-busting comedy, Rick and Katie's relationship is what I consider the movie's most essential asset. These two are the main characters of the film, and as such, they develop through each other. And what's crazy is that they have very conflicting goals. Katie wants to escape and be with her people, where Rich just wants one last chance to have a good memory with Katie before she leaves. To do so, they first have to understand each other. Katie has to learn why Rick is so desperate to spend time with her, and Rick has to realize why Katie is, well, Katie. What I love most about it is that they try. These two don't spend the entire movie arguing and being at each other's throats until a sudden "Oh" moment in the end. No, there are actual moments when they genuinely try to understand one another and fix their relationship. It's nice to watch, and I especially love when it cuts to Linda and Aaron celebrating each time Katie and Rick get closer to each other. When recommending this movie, I'd say come for the animation and comedy, stay for the phenomenal relationship building.

Monchi: There are probably people already comparing Monchi to Mater or the Minions due to being a comic relief with nothing else to add...but gosh dangit, do I love this little gentleman. Maybe it's because I'm a dog person, but I find Monchie to be incredibly adorable, and I will fight anybody who disrespects this king of kings. Probably not physically, 'cause I'm a wuss, but I will verbally. So WATCH IT!

“HeLlO. i Am DoG.”: Have I mentioned that this movie is funny?

Rick’s videotapes of him and Katie: And right there. Rick's motivation for everything is set in stone through a solid case of visual storytelling.

PAL: The writers do almost everything they should have with this character. PAL might not have the most creative evil plan in the world, but to me, a villain can have a generic scheme as long as they're funny. Thankfully, PAL is funny. Not only is the idea of a smartphone ruling the planet hilarious in all the right ways, but Olivia Colman delivers such a great cynical energy that the character needs. The way PAL reacts to people explaining why humans are worth living is just the best, and her flopping around in a fit of rage successfully gets to me.

If I had to nitpick, I'd say that I wish PAL had more of a meaningful resolution to her character. The movie builds up that she makes a big deal about Mark dropping her, so it feels weird that neither of them really get any actual closure with each other. I'll get more into that in the dislikes, but I wish PAL had more of a fitting end than just dying after accidentally getting dropped in a glass of water. Other than that, she's a great comedic villain for a comedic movie.

PAL MAX Robots: These guys are the funniest characters in the movie. Half of it is the bits of visual humor, while the other half comes from the solid line delivery from Beck Bennett. Especially with Bennett's and Fred Armisen's Eric and Deborahbot 3000. These two are definitely the comedic highlights, as nearly every line they say is both hilarious and kind of adorable at times. And just like with Monchi, if you dare disrespect these characters, I will fight you. Because they are funny, and I will not hear otherwise.

PAL demonstrating what it’s like to be a phone: Have I mentioned that this movie is funny?

(Don't disrespect your phones, kids. Otherwise, they'll try to take over the world.)

PAL turning off the Wi-Fi: Again, have I mentioned this movie is funny?

“I love the dog. You love the dog. We all love the dog. But at some point, you’re gonna have to eat the dog.”: It's the sick jokes that get to me the most. Everyone booing Rick afterward is just the cherry on top.

Attack of the Furbies: Have I. Mentioned. That this movie. Is funny?

Seriously, if you haven't lost your s**t during every second of this scene, then you never had to deal with the demonic entity that is a Furby. In a way, I commend you. But you also don't get to appreciate the comedic genius of all of this. So I also weirdly feel bad for you.

The Mitchells deciding how to celebrate: You don't have a real family if you spend more time arguing about how to celebrate after saving the world than you do about how to save the world. I don't make the rules. I just abide by them.

The PAL MAX Primes: There's not much to say about them. The PAL MAX primes look and act pretty cool, are brilliantly animated, and raise the stakes while still being funny at times. I love 'em, but I don't have much to analyze with them either.

The origin of the moose: ...I'd make the "I didn't need my heart anyway" joke, but to be honest, it's still shattered after WandaVision.

(For real, though, this is a really effective scene that establishes why Rick makes a big deal with the moose and why he might feel hurt that Katie is willing to disregard it completely)

The Theme of Technology and Social Media: There's a theme about how family is important, and working hard on making things work is worth the effort. But that's a bit too generic for my tastes, so instead, I'm gonna talk about the equally important message this movie has about technology. Because as twisted as she is, PAL makes a great point. The technology we have today helps us in a variety of ways. It's especially useful with sites like YouTube, allowing content creators like Katie to reach out and share their voices. The only issue with technology is how people use it. Take note that the main reason why the Mitchells stand a chance against PAL is by using her own tech against her. Yes, over-relying on all the advancements around us can be dangerous, but if we're smart with how we use them, we can get by just fine. This movie isn't about purging all technology like most robot apocalypse stories are. Instead, it's about using it correctly and not being helpless sheep the second the Wi-Fi gets turned off. Which might just be the most unique thing this movie has going for it story-wise (more on that later).

The Climax: The Mitchells vs. The Machines has everything that I think I climax should have. First off, it utilizes callbacks and jokes that I wouldn't have thought twice on actually coming in handy for how the Mitchells win the day. But showing that Monchi causes the robots to malfunction turns a pretty "eh" joke into a solid case of foreshadowing.

Second, everyone does something. Some characters do more than others, sure, but the fact that every Mitchell, even Monchi, has a hand in beating PAL and her robots is a great sense of writing to me. It shows that you really can't cut anyone from the main cast, as they each add value to how they are essential to the plot. Even Aaron, who arguably does the least in the climax, still manages to be the catalyst to what is easily the best scene in the movie. Speaking of which...

Linda Kicks Ass: By the way, that's the actual name on the soundtrack. I'm not even kidding. Check it.

Anyways, for the most part, Linda seemed like a decent cartoon mom. She's insanely supportive but still has the common sense to keep her foot down, like agreeing with Rick to stay safe in the dino stop the second the apocalypse starts. A pretty fun character, for sure, but nothing too noteworthy...but the second she loses her s**t, Linda Mitchell frickin' SKYROCKETS to the best-cartoon-mom territory! Believe me when I tell you that seeing her slice and dice robots like a middle-aged female Samurai Jack is as awesome as it is hilarious. Does it make sense how she can suddenly do this? No, but at the same time, who gives a s**t about common sense?! Because this moment was epic, and I don't think I'll ever get tired of watching it over and over again.

Rick Learning How to Internet...Again: I consider this the funniest moment in the movie. Trust me, the Furby scene is a close, close, CLOSE, second...but I think this scene was funnier.

The final goodbye: This is what I'm talking about when I say humor adds to the dramatic moments. The Mitchells saying "I love you" in moose is pretty funny, but it's also a sweet moment given that this is absolutely how this family of weirdos would say goodbye to each other. And, yeah, I got a little misty-eyed during this scene. Especially when Rick saw Katie pocketing the moose. That s**t just cuts deep, man.

Alex Hirsch Voices a Character: ...That's it. I look up to Alex Hirsh as everything I want to be as a creator, and the fact that his name is on this movie fills me with joy. He's also a story consultant, so that can also explain why the movie turned out as great as it did...although there are some imperfections.

WHAT I DISLIKE

Katie-vision: What's Katie-vision? Well, throughout the movie, we get to see how Katie views the world as there are these hand-drawn elements that look like effects Katie would add if she was the one who made the movie. At times it can be subtle and cute, like when this little beating heart appears when Katie is talking with Jude and her other friends. It's when the movie is in your face with Katie-vision does it get annoying. Like showing how Katie is lying about being certain she can drive up a vertical ramp or signifying what is the Rick Mitchell Special. Even if you justify that this would be how Katie would edit the movie, it still doesn't change how obnoxious these moments can be. For instance, Monchi is justified to be essential for the plot, but that doesn't mean people won't hate him...I'll still fight them if they do, but that's beside the point.

I can totally accept this being a personal issue, as I'm sure some people enjoy it. As for me, I think Katie-vision works best when used subtly instead of crudely.

The Meme humor: It's something similar here. Because some people like meme humor...but I don't. To me, it just dates your story if you reference memes even once. Now, a show, movie, or book being partially dated is nothing new. We Bare Bears, a series that I love, reference memes, apps, and social media constantly. Yet, the show still has a timeless feel to it as it doesn't rely on those references too much. The Mitchells vs. the Machines doesn't rely on memes as much either. But even then, that doesn't make a difference about how annoying that gibbon monkey joke was. Seriously, what the f**k was that? And how is THAT the joke that gets used twice!?

Underutilizing Mark Bowman: It really bothers me how this guy barely does much. I mean, Mark Bowman is the main reason that anything happens in the movie. Because he mistreated PAL, Mark acts as the catalyst for events to come. So the fact that he could have been written out the second PAL takes control doesn't make sense to me. It's worse since I could see more potential with his character through his relationship with PAL. These two could be anti-Rick and Katie, as Mark and PAL show what happens when people disrespect their family. So separating them halfway through the story, and keeping them as such, is a huge mistake as it results in neither having a proper resolution to their arcs. Like I said, Rick and Katie develop through each other, and the same could have happened with Mark and PAL. It doesn't, making it something that I can't help but feel disappointed about.

The Poseys: These are characters I feel like work better with multiple appearances. Sure, they only have the one joke about being a perfect family, but at the same time, you can make a joke like that work. Look at Yvonne from Shaun of the Dead (Which might just be my favorite movie). That's a bit-character whose only purpose is showing how better she is than Shaun despite being in an eerily similar situation. But she works well as we constantly see how great she's doing in every instance we see her. The same could be done with the Poseys, as using a similar joke for one scene is underutilizing great potential to make an already good movie into a better one.

Plus, if you're gonna shoehorn in a romance between Aaron and Abby Posey, the least you could do is have more than one scene developing that...just saying.

Katie’s and Rick’s “Oh” Moments: I want to make it clear that I actually like these scenes. They're well written and effectively emotional. My problem is that they also happen two seconds apart. There's nothing wrong with having a character realize the error of their ways through a tear-jerking moment. It's a popular tactic for a reason. And given how both Rick and Katie are the protagonists, they both need their own "oh" moment. But you gotta space them out, as it makes things easier to see the emotional manipulation that you're clearly trying to pull on the audience. They work, but putting them back to back is an issue easily solved with at least two minutes of padding, not two seconds.

Katie’s Death Fakeout: This is one of the few instances that a joke doesn't work in the movie, made even more annoying with the fact that I could see the punchline a mile away and kept thinking, "Just get to it already." I'm pretty sure no one bought this, especially when Katie didn't look like she could have gotten killed in any way after throwing PAL. It's poorly handled and proof that even the funniest comedies have a stale joke every now and again.

Nothing New is really being done here: Keep in mind that in terms of style, this movie is incredibly innovative. And here's hoping future animated projects can take notes. But narratively speaking? Yeah, there's nothing really new that this movie is offering.

A story about how technology will be the death of us? Been there.

A story about a group of idiots miraculously saving the world? Done that.

A story about a father forcing their teenager on a road trip so they can spend quality time with each other, thus ruining the teen's chance of hanging out with their girlfriend? Believe it or not, I have seen A Goofy Movie...multiple times...both as a kid and as an adult.

Now, I have no issue with a movie's plot being a bit by-the-books, and in some cases, cliche. If done effectively, and if I still have a good time, I don't think there’s much to complain about. And there isn't with The Mitchells vs. The Machines. The problem lies with that I'll forget this movie along with the dozens of others like it in a couple years. Which might just be the biggest issue any film can have.

---------------------

Overall, I'd give The Mitchells vs. the Machines a well-earned A-. It has nitpicks, sure, but it's still a blast to watch. It might not be innovative or groundbreaking as movies like the last Sony Pictures Animation movie, Spider-Man: Into the Spiderverse. However, it is fun. And when the world is burning down around us, it's nice to have a fun movie that can distract us from all of it. So feel free to log in to Netflix the next time you're in the mood for a film that is great for the whole family. You won’t be disapointed

(And I will talk about The Falcon and the Winter Soldier pretty soon. I just needed to get this out of my system first.)

[tildehummingbird]

Spoiler about Catherine and the Soul Riding

(I posted this over at sso forums, so if you see a thread like this there, it's me hehe)

So, I've done the Catherine Quests and I've completed them and as a lot of other people, I was mad. 

I mean, I had so many questions: If Aideen is in everyone, and destiny doesn't matter, then what's the need for Soul Riders, if anyone can do it? Destiny and being the "chosen one" is the whole entire concept of this game, and changing the route NOW, or at ALL doesn't make any sense, and they're probably gonna lose a lot of players that are interested in lore because this doesn't make any sense. Then what's even the need for a 5th rider? What's even the need for this game at all, if a 5th rider isn't needed then just follow the storyline in Starshine Legacy and don't add the 5th rider. If anyone can do it and if Aideen is in everyone, then explain why we're the only ones in this whole entire generation that can handle all powers at once, why can't any of the other riders in Jorvik? Why was Elizabeth so surprised that we could in fact use all powers? What was the need for the beginning cutscene? It literally told us "In times of despair, a sisterhood of Soul Riders will ride forth to protect the island from the evil that seeks to rip the world apart. It is foretold that a sisterhood led by a heroic and fearless girl will appear on horseback to bring hope and light back to those who believe that all is lost... Are you that girl?" I don't know dude, it doesn't even matter if I am because apparently anyone can be that girl, so who cares if I am? Then why were we able to literally fly on our horse? Why would Fripp be so adamant about our protection to the point of where he put his own life on the line, just so we could be protected? The message of "anyone can be a hero" is great, however that's not the point of this story and it never has been.

All these questions and no answers, so I thought we could theorize a bit so that, together, we could try to understand a bit more about this and understand what even happened, what it means and where it is going.

I was checking the star stable tag on Tumblr, and I saw a post by @sso-emberwood that pointed out a lot about Catherine: She didn't even want to be Aideen at all, all she wanted was a normal life with Thomas and her baby, to be free from this prophecy and these duties. Not only that, but The Keepers of Aideen aren't exactly the most telling bunch, so she would know as much as we do: nothing. She wasn't a fan of the prophecy thing, she wasn't a fan of being the only one who's special and different, and she rejected the whole idea, so it would make sense as to why she'd project that onto us, too. Not only that, we saw that she lost her horse, and therefore "half a soul", as Linda described it so maybe she really doesn't get it anymore.

Either that, or maybe we perceived what she said wrong. I went back to check on what she said, so I'll write it here: "We needn't wait for Aideen's return. The goddess is reborn with every horse and rider who open their hearts and form a true bond. Aideen's gift is love. She's been with us all along. In me. In you. At least that is what I believe."

So, to start off, I think that last part is very important. That's what she belives - referring back to what we know is fact: she didn't like the prophecy, and she wanted to define her own destiny and not be controlled by it - so it would make sense for her and her character that she'd have these beliefs. To her, all you need is Aideen's love because Aideen's gift lives in everyone. Now, it is true that Aideen's Gift lives in everyone because Aideen's gift IS for everyone in the island of Jorvik, and I even have Rhiannon dialogue to prove that the Keepers of Aideen agree on this too. This bit of text is from one of the Soul Riding quests, where Rhiannon takes us to South Hoof:

"Have you ever noticed there's something different to the nature of Jorvik? The grass is greener, the birdsong sweeter. But most importantly, the horses are happy and free. They have all this land to roam, and we Jorvegians share this land with them. This connects us to horses on a deeper level. The other Druids put so much focus on the Soul Riders, Guardian Horses, Aideen herself....but they forget to see the magic that's right before their eyes. The magic of Aideen's gift." At this point, you're given two choices: either "I already know that." or "That's what they all say." Regardless, she'll say "Is that so? You've probably heard folk talk about it as if it's some kind of friendship between horse and human. But it's so much more than that. It's what pulled me to travel up North to care for magical horses. It's what makes Nix so special to me. It's even why I'm a Wild Whisperer...On Jorvik, our deep bond with horses is magical. You've been training exceptionally well. During this time, the bond you have developed with [horse name] has flurished. But you haven't just strengthened the bond between both of you. You've connected to the nature of Jorvik on a deeper level, and with that have honed a magical link to all the horses in this island. Close your eyes, and listen to the sound around us. Can you feel how everything is connected?", yet again you can choose between "Yes, it's magical." and "Uh...no." she'll say "You clearly have an affinity for this. I'm impressed. Sometimes, if you focus clearly, you may notice a spark of something powerful. That's the presence of a wild horse. It's one of the ways we Wild Wardens sense they're nearby and ensure their safety. So now you know. Aideen's Gift ties us to all the horses on Jorvik, and it is something to treasure. You can use this knowledge to improve your riding skills. Pay close attention to your horse, and the horses around you, and you will find harmony. This is what I wanted to share with you weeks ago, but I thought you weren't ready to understand. However, I was wrong. Your dedication to Soul Riding has proven just how much you care for the horses on this island. I'm proud of you, [player name]. Thank you for helping protect the horses on Jorvik."

Aideen's Gift is what makes you have such a good connection with horses and it is what makes Jorvik's people and horses special - however, that's certainly not enough to lead Soul Riders into battle. Love isn't enough to defeat Garnok - you need to be chosen for it and destiny DOES matter, no one else has any power in any circle, only the people who are born specifically to have it. However, Catherine is right, but I'm not exactly sure that she understands that that's not why we are unique and that's not what makes us fit for battle instead of literally anyone else - we're unique and the reason as to why we're the only ones who should be able to go into battle is because we don't just have Aideen's Gift like everyone else - we are Aideen. Catherine is Aideen too, we are her and she is us. Cause all of the reeincarnations of Aideen are the same thing, different body. Us and the Soul Riders don't just have Aideen's Gift, we were reincarnated to be her and the soul riders were reincarnated to be what they are today.  Catherine very visibly rejected and left behind her duties and gave up being a soul rider after she lost her horse - she completely rejected even looking for a reeincarnation of it like we did with Anne - but when she did, we were born, because Catherine gave up which meant that another reeincarnation was needed, because it needs to be Aideen herself, not just someone who has the gift - she kept the gift, but she no longer had what it takes to be that girl, and didn't want to either, so someone who did was born.

And again, the Druids make it very clear that their mission, and their end goal is he rebirth of Aideen. A couple of days ago I got a lore book from the Soul Riding missions called "Druids and Horses: A Partnership" that said this: "Aideen's Gift enables druids to continue to protect Jorvik, feel spiritually closer to the land, and ultimately fulfill their mythical goal of the rebirth of Aideen" and  "[...] a network of spiritual people whose sole mission is to protect Jorvik through ensuring the return of the goddess Aideen." 

Which means they acknowledge that they're waiting for a specific someone to be born, so that that specific someone can lead the sisterhood into battle, when the final battle comes, which means that they acknowledge that it can't just be anyone. Waiting for someone special is the whole point of the Keepers of Aideen - they are literally called Keepers of Aideen, no Aideen reborn, no Keepers of Aideen.

Also, in the mission "Strenght in Numbers" with Rhiannon in the Soul Riding, she said that what made her leave Jorvik was that she saw a hooded figure in the forest, and it felt like it was draining the life out of her and her horse, so she left because she was afraid, but she came back upon Elizabeth's request for help, and she when she saw how much closer the Keepers of Aideen were, she decided to stay, but after she says she says: "What really opened my eyes was you, [player name]. Your dedication, skill, and sheer talent has given me faith in Aideen's Light that I haven't felt for a while." Everyone has something like this to tell us, I think there's a reason for that. One of the most important ones so far was for example, when Darko was able to enter the Stone Ring, threatening to destroy the keystone, and Fripp says: "I would sooner destroy the keystone than let you take [player name]. She is more important than you imagine..."

The reason as to why I choose to share the Rhiannon one is because it is recent, just like Catherine's memories which means the story and the objective remains the same, with the only difference that we know Catherine's perspective and why she failed and why the sisterhood fell apart, which will be important in the future, because if you don't remember, the dark riders are trying to recruit Nihili (previously known as Elise) who is the 4th Dark Rider. So far, we've only seen her horse but what we do know about her is that she has the ability to cause discord within the Dark Riders, but I'd imagine she'd have influence on us, as well, and that's why she'd probably be recruited. The Dark Riders know that the previous sisterhood failed due to discord and fights within the group, so it wouldn't be surprising that they'd try to make that happen yet again.

Apart from all of this, I simply don't think Catherine knows enough about this whole thing to be the one to reveal it to us, and I also think the "big reveal" was anticlimatic and not well done, at least in my eyes, because *assuming* this is the route they're going with...eh? What? Why was it so...dry?

Also, if you go back to the very first news post on Catherine's diary, it says "This chapter of the Soul Rider story arc is a standalone quest and is not mandatory to complete in order to play future quests with the Soul Riders." and if they were to add SUCH an important reveal then it wouldn't be a something you could choose not to do, it would be a mandatory, integral part of the story -  this seems like very important information, right? If we don't do this quest, and just move on then in the world and in a story sense, MC wouldn't know that there's technically no Aideen to look for. It doesn't make sense if this is really what they're going to do...Unless it's not and this is just Catherine's opinions on the matter.

Overall, I'm just not a believer yet - I still think this is just Catherine's thoughts. As @sso-emberwood said, the only one who could actually tell us anything for sure is Fripp. He knows way more than everyone in the Keepers of Aideen. But he's sick still, and has been since 2017 the poor guy. I don't think we should assume anything yet, and I certainly don't think the game has changed directions. If it did, I'll be honest with yall - my interest would not be the same and I think it would be that way for a lot people as well and I think that's fair. You can't just come in and suddenly change the route of something that has been hinted at and is supposed to be the point of the game, it just doesn't make any sense. If so, then there's no need for this game or for a 5th rider.

[bonesgadh]

My thoughts on the final season of Orange is the New Black:

Obviously, some heavy spoilers below:

If you ask me, Piper’s storyline outside Litchfield was, for the most part, a complete waste of time. Instead of having her getting stoned with her brother or going to that pointless retreat, why didn’t they have her doing something productive like helping other former inmates or writing her book?

Speaking of the book, I’m high-key disappointed they gave the memoir storyline to Judy fucking King. Call me cheesy but I was looking forward to the show ending with Piper writing her book just like she said she would in season 6. Such a missed opportunity.

I really, really wanted Taystee to be cleared of Piscatella’s murder. I don’t understand why they gave so much importance to Suzanne writting what really happened and Taystee showing the text to her lawyer if it wasn’t going to make a difference in the end. Chekhov’s gun, anyone?

I’m so relieved she didn’t kill herself. I guess as long as there’s life there’s hope fucking Cindy will confess the truth and justice will be served. In the meantime, I was happy Taystee found a new meaning to her life and decided to help other inmates have a better shot at rebuilding their lives after prison.

Daddy’s death caught me by surprise. That said, I didn’t notice her absence at all for the reminder of the season. I guess she was a one-hit wonder character.

I have the feeling they had no idea what to do with Frieda so they just had her do weird stuff like accumulating trash. 

Thank Christ they got rid of Badison so early in the season. Cringiest, most annoying character in the history of television.

Aleida is so stupid lmao. I get she wanted to protect her daughter from that pedophile but she fucked up. I was rooting for her to rebuild her life and I was disappointed at her.

I liked Suzanne coming to terms with her sentence and being more comfortable around people and making new friends. It’s what she deserves.

Why is Cesar out of jail? Didn’t Aleida say he was supposed to stay there until he was an old man?

So Yadriel isn’t Pepa’s biological father?

Shani, man. Her relationship with Nicky was so cute and you could tell she was different from Nicky’s other flings. She didn’t act like a stallion around her, she was sweet and considerate with her and her backstory was very sad. I’m pissed they weren’t endgame because they made such a good couple.

There was no need to kill off Lorna’s baby. That was unnecessary roughness.

What happened to Maritza left me devastated. That final sequence of her getting into the plane and all the other women who were deported as well slowly disappearing until there was no one left gave me fucking chills. It was tough to watch but it had to be done to make a point of how a good portion of the immigrants who get deported are young adults who have never lived anywhere else besides the US, but still they are not considered citizens.

I absolutely adore Fig. Her character development was one of the best in the show. Also I LOVE HER RELATIONSHIP WITH CAPUTO OMG.

Piper’s sister-in-law is annoying af. I bet she is one of those anti-vaccinations freaks.

Alex looked so damn hot in her flashback oh my god. 

Goodall is adorable! For real, what a gorgeous baby.

I was not expecting CO Fischer to make a comeback.

Healy is still a piece of shit.

I can understand why Piper developed feelings for Zelda. She represented the potential life she could lead now that she was a free woman, the opportunity to start over and leave prison behind (like Sophia advised her to). However, there wasn’t anything exciting about being with her, it was way too safe and that’s the exact opposite of what she had with Alex. 

Polly is even more annoying than she was before but Larry didn’t get on my nerves this time around, which surprised me. Maybe because his little prep talk is what pushed Piper to follow Alex to Ohio or maybe it was the nostalgia. Idk, but they brought him back in a nice way.

I felt really bad for Vinnie. He wasn’t only grieving for his son but he also had to see Lorna fall into that complete state of denial.

Sophia’s comeback was everything. She looked like a goddess and she seemed so happy and in control of her life. I thought we wouldn’t see her again after she got released from prison but I’m glad they managed to bring her back even for a couple of scenes.

Totally random statement but Piper looked very attractive at the benefit gala and the morning after. I don’t know if it was the hair or the way they did her eyes but she was smoking hot.

Danielle Brooks is the best actress in the show. Don’t @ me.

McCullough is the archetype of the psycho ex. I legit thought she was going to shoot Piper when she confronted her at her house.

Alex knows Piper so damn well. She is aware of the fact that Piper tends to run away from stuff when things get complicated and her choosing to have an affair with McCullough was her way to try to protect herself. Then again, I really thought they had moved on from that phase. 

Fig lying about being pregnant to help that woman get an abortion was such a strong moment. Also her calling out the double-standard of the guard who was opposed to the woman aborting but wanted her to get deported? Legends only.

Lorna is such a racist but I can’t bring myself to dislike her. If anything I’ve always felt a bit sorry for her.

Linda is such a bitch.

Tamika was the only warden who actually cared about making a difference. I’m sad she got fired because of something that wasn’t even her fault but her good deeds made a profound impact.

McCullough is so damn unstable but I can’t blame her for developing such strong feelings for Alex. She’s quite irresistible.

Alex acting all unattached and cold as she was breaking up with Piper was painful to watch. I knew it wasn’t real but for a hot second I thought that was it for them. 

The ICE storyline was out-of-this-world amazing. So powerful and brilliantly done, quintessential OITNB.

If you had told me six years ago I would cry like a baby with Pennsatucky’s death I would have laughed at you.

But for real, POOR PENNSATUCKY. I’m sorry she had to die for Taystee to stay alive.

Because of the ‘a fan-favorite character dies in the final episode to mark the end of the show’ trope I had the feeling they were going to kill either Red, Alex or Taystee. I was legit surprised when the final death was revealed to be Pennsatucky.

That Poussey flashback had me in tears.

Alex and Nicky’s goodbye scene was so sweet and I love they talked about eventually reuniting. They were my brotp.

What Larry told Piper when she visited him at his place was very interesting. When Piper told him she loved Alex he told her he believed her, but that he also thought she loved what Alex represented. I believe that was true at some point—well, for most of the series—and, unconsciously, Piper believed that as well. But, if anything, what they went through in season 7 helped Piper realize she did want to be with Alex. The extra limb analogy was amazing and I don’t think Jenji could have picked a better way to explain their relationship.

Hellman is the new warden? Gross.

My favorite part about the old inmates’ cameos was that they were shown doing the same stuff they did in Litchfield: Boo being tired of everyone’s bullshit, Yoga giving the mandala talk to new inmates, Gina feeling exasperated and Norma calming her down, Watson running and Alison checking her time, Angie and Leanne being stupid, Brook mooning over stuff.

I only missed two characters making a cameo: Sister Ingalls and Miss Claudette. I know most fans wanted to see Bennett again but fuck that coward.

Also wtf happened to Bayley? I kinda wanted to know.

Karla’s story broke my heart. I’m glad they included her character because her story is the story of millions of immigrants that are separated from their children, forced to return to their home countries and endure harsh conditions while trying to make their way back to the US.

Blanca really went out there and said “fuck it” to the american dream, didn’t she? In my opinion she had the best ending out of all the characters. I’m so happy she reunited with Diablo and is ready to live her life with him at last. My girl deserved it.

Maria’s storyline was so ‘meh’. It was way too similar to her season 6 storyline.

My mom Gloria had the second best ending. I was afraid they were going to punish her because of the phone thing but thankfully asshole Luschek finally did something right. I was rooting for her to have a happy ending and I’m glad she got it.

Also was that little girl living with Gloria and her kids her granddaughter? Because she was definitely younger than her sons but Gloria’s flashback stated her daughters are older, so I’m confused.

I really need to know if Aleida killed Daya. I hate it was left so open.

Flaca choosing to help immigrants was so sweet. I bet one of the reasons she did it was to stop them from suffering Maritza’s fate.

Fig and Caputo are adopting!

Cindy did not deserve a good ending after she ruined Taystee’s life. That made me so angry. I was really hoping she would confess the truth.

In the end, McCullough made Alex a favor by having her transferred to Ohio. She went back to minimum security, she was with friends and people she knew and far away from all the crap in max.

What happened to Red and Lorna was devastating. Red losing her identity and her memory was so tragic because of what a badass she was. Also I knew Lorna would lose it after her son’s death but it was heartbreaking. They deserved better.

It sucks balls Nicky lost every person who was important to her but despite that I liked her ending because, even though she suffered heartbreak after heartbreak, she found a way to keep herself sober and now she will help others the way Red helped her. It was the best way she could honor her.

Despite literally everyone around Piper advising her to leave Alex behind and forget about her (from her parole officer to her dad to Larry to Sophia) the fact that she chose to follow Alex to Ohio was a pleasant surprise to me. It showed her growth and how much she really wanted to be with Alex, and that she was not a mistake in her life but her life. I was never a Vauseman shipper but even I knew they had to be endgame, any other ending wouldn’t have made any sense. I feel bad for the shippers because it was a very tough season for them but love prevailed, so congrats.

I didn’t catch the Piper Kerman cameo until I saw someone mentioned it on twitter. That was so cool! Also I don’t know if this was intentional but I liked the visual parallel between Larry Smith & Piper and Piper Kerman & Alex. Larry waited for Piper for as long as she was in jail and never abandoned her, so I choose to believe Kenji and Co. are hinting at Piper doing the same thing for Alex.

It was a good decision to show us a glimpse of Piper’s new life. She has a stable job, a new home, she is studying about criminal law and using her time in a productive way, and also she looks happier than we ever saw her.

In conclusion, I liked the season very much. Orange is one of my favorite shows and I think they ended it in a very nice way. It was very well executed and, unlike other final seasons I have watched over the years, it never felt rushed to me. It was the best season in at least a couple of years and I’m in love with the series finale, I stand by my original statement that it is the best one I have ever seen.

I give it a solid B+, four-out-of-five stars, 8.5 out of 10.

Orange forever, indeed.

[mantra4ia]

Desires: Lucifer season 5 on Netflix

Created: August 21, 2020. Last Modified: August 22, 2020.

Preface: Alright my Lucis, here’s the sitch: it’s been a minute. Life got a bit chaotic I wasn’t able to start season five quite on time when it premiered on August 21st because I haven’t finished the great 2020 Lucifer rewatch. I’m nearly done however and should be able to jump into it either later today or tomorrow, which is why beforehand I want to — as I’ve traditionally done for a few seasons — create a desires list and keep a tally throughout the season to see how many are met. I am going to try to pace myself, not binge, and watch a single episode a day so don’t spoil me. Likewise I will tag my spoilers. Here we go... #21DaysofLucifer

Season 3 and 4 Roundout - Desires Fulfilled / Questions Answered

✔We’ve seen other demons “like Maze” and a bit of what havoc they can reek. Well sort of. To be quite frank, although it was cool to see them possess the recently deceased, it wasn’t as impending doom as I was expecting. They didn’t seem nearly as disciplined or intimidating as Mazikeen, even Dromos, more bored and desperate.

✔ We’ve seen a little more or the heavenly host in Remiel. Remi was cool, if a bit intense. Her character, and her affinity to Amenadiel was a nice foil to see how far his character has come in evolution. But again like Uriel was for Lucifer, she kind of became a driving force character device to push Amenadiel’s growth. So I wonder if we’ll get to see more of her or not.

✔ (s3) The backstory of Lucifer’s arrival in LA, finding LUX, and making a deal with Amenadiel.

✔ (s3) Cain finally went to hell, YES! Not that I didn’t like Marcus Pierce/Tom Welling, there were some great interactions there, but I just think he was a wishy-washy antagonist based on how he was written and I can’t wait to trade up for Michael.

✔ Maze finally had some happiness and attachment to this silly mortal coil and it slipped away! Why Eve why? I love Maze’s bonding with humans, Linda, Trixie, Chloe. But I love that after a Millennia of serving, and then watching Amenadiel and Linda be happy in a family unit, that she might actually make her own and my hopes were dashed. 

Things we got that we didn’t even know we wanted. SO GOOD:

Season 4 ep 8: Amenadiel bonding with Caleb and confronting community violence, police brutality, and systemic racism. It was a rough episode to be sure, but absolutely needed,

Chloe talking Lucifer down and out of a self-hatred spiral and his transformation into full-fledged devil and back again.

Lucifer playing Creep on repeat while missing the detective (even after insisting in a therapy session that “he’s not a teenager playing Adele on repeat) and Mr. Said Out B**** trying to rob Lucifer and gun point and ultimately get rich. What a fun twist.

The Dan and Maze Los X’s fight. They are wicked good at laying down the  hurt on the criminal element and I was wondering when they’d pair up again after dispatching Warden Perry.

The devil in a bar fight! I mean, it’s only fair since the ladies had their brawl. I love how this fight sequence was filmed in bursts of slo-mo from various angles, involved everything from fists, to tasers, knives, bottles, and the infamous pool cue, and they picked the perfect song for pacing (Jake Bugg, Lightning Bolt, could listen to it all day on repeat.)

Time for all good demons to go home / Enough, you will bow down to your king. Go home! (aka appropriate use of Devilish intimidation face)

Amenadiel vs Remi 

A Rocky montage with Lucifer and Amenadiel / Amenadiel’s face the first time Lucifer drives the Corvette

Lucifer at the roller derby

Chloe the YA fangirl

Maze teaching Trixie about knives, with each handle decorated in a different toy.

Amenadiel and Chloe catching up: your father is so proud of you. Like and angel BOSS!

SEASON HIGHLIGHTS:

★ (s3) Amenadiel taking Charlotte home

★ Dan being comforted in his grief by Amenadiel

★ Amenadiel’s wrath and the brotherly duo tag team to lay the hurt on the drug dealer that got Charlie killed. It’s been a while since we’ve seen warrior angel ready to dispatch anyone in his way. And it was glorious!

★ (s3) Lucifer’s almost driving lesson with Trixie “Morningstar”

★ (s3) Maze torturing Lucifer by making him think he’s the Angel of San Bernadino

★ (s3) Amenadiel and Lina helping to dispose of Lucifer’s wings

★  Lucifer kicking Julian, Tiernan’s son, through a glass pane window

★ The goodbye kiss between Lucifer and Chloe

 DIDN’T LIKE:

☒ (s3) Cain playing guitar and singing. What is he, a crime lord, a top cop, or an act that the improv club wouldn’t take? 

☒ Eve. I liked Eve, but we mostly got to see one side of her around Lucifer, and a kind of floundering an confused side when she was with Maze. The side that I would have liked to see more of was the maternal side that came out when she briefly talked about Abel or was interrogated by Trixie. That made her more layered.

☒ Father Kinley. That dude is just meh.

☒ Dan’s broken heart and rebounding with Ella. Don’t get me wrong, its a good arc, but I don’t see it lasting

☒ (s3) Abel and Reese. Those were two side stories I could have done without, although they had great moments of humor. I quite enjoyed Reese’s character, and although I didn’t like Abel Lucifer’s stick-figure comic illustration of Cain fighting with him over a rock was quite enjoyable.

WHAT I TRULY DESIRE: SINFUL SEASON 5, my BURNING QUESTIONS, and SPECULATIONS

Obviously, don’t spoil anything for me, but if any of my desires end up coming true in any of the first eight episodes maybe drop me a hint in the comments...

A big time jump. We need to see the lasting impact of Lucifer’s absence. I know that time in hell works differently per that episode where Lucifer saved Chloe and almost got stuck in a loop, but we still need enough time to elapse that the impact is felt on the mortal side. Or, we need to see the passage of time through a series of events without Lucifer, like a montage of character development. At least a year or so, if for no other reason then Trixie is growing up and I actually want to see her take driving lessons with Lucifer.

Last season Maze gave baby Charlie a gift, something she’d wished she’d had growing up, and previously had alluded to the language of demons, her many siblings, and teased her mother, the mother of all demons. Will we finally get to meet Maze’s mom Lilith (or however they address her)? And, in spite of Mazikeen’s found family, she still has restlessness and abandonment issues. Will her mom finally finally bring her peace, or will clashing with her resolidify Maze’s purpose on earth?

A Decker/Mazikeen team-up or girls night out 2.0 would always be appreciated. At this point its probably 4.0 if you count the bar fight and the bachelorette party.

Will we see tougher, scarier demons, or are they just warmup to the really scary depths of hell?

Speaking of hell, more hell. Tons of hell. I want to know the minutia of all the mechanics. If Lucifer’s gotta be down there in self-imposed exile, he may as well show us around. Pour us a drink.

Will Lucifer see Cain in Hell? Not that I’m dying to see more of “sad Cain” but it would be interesting to see a more dark or desperate or cunning side to him at least now that he’s actually neck deep in torment. Or, alternatively, I’m hedging my bets that he could be a good candidate to light the fire under Lucifer’s *** to get of hell back to the earthly realm. Even in hell, I’m betting Cain would have a soft spot for Chloe, and if news reached Lucifer that Michael were trying to abscond with his life and with Chloe, it would give Cain and Lucifer one last bit of “A-Hole brothers” common ground to bond over. Like “Brothers, am I right? Go kick, get Chloe back, I’ll still have enough guilt to torture me with in a few thousand years when you get back,”   

Will Lucifer fall into peril in hell of once again potentially getting distracted and stuck in a hell loop? Will his servants be satisfied with his return? Will Amenadiel bust him out.

Mr. Said Out Bitch needs a role reprise. He’s been in every season opener 2-4, we’ve gotten to know his undergarments very well.  Its high time we get to know his name and story. He’s put in the work!  

Amenadiel should be running LUX in Lucifer's absence. We got a tease of that in previous seasons (remember when he asked what would Lucifer do?) its time for that to come to fruition. Plus, any excuse to put DB Woodside in a suit, just because he wears them so well. It would also be interesting if, after that tragedy he’s experienced, Amenadiel will start taking after Luci. Maybe not the punishing, not yet, but wanting to seek out evil and corruption. It has been teased since s1 “fall as I did.” Perhaps he’ll start developing a taste for his bother’s line of work whereas he found it repugnant in the early days

Dan and Maze or Dan and Ella pair up. Both Dan and Maze are due for some happiness.

An Azrael reboot, when need more of her. She’s the angel of Death for pity’s sake. I don’t know if the original actress is still available or if they would have to recast, or if the character concept by Netflix would even be the same, but I need Azrael to be capable of sweet and unassuming and on a coin flip downright menacing.

More of Lucifer as a godparent, bless! And maybe a cool montage of “cousin” Trixie and Lucifer co-babysitting Charlie please.

Whilst on the subject of Lucifer and parenting, and without putting Trixie too much into harm’s way, I need to see what “I would do anything to protect that little urchin” looks like. Trixstar ride or die.

Father Frank, come back! I need a cameo or recurrent role pleeeeease.

Trixie in every episode. This is non-negotiable, much like chocolate cake. Beatrice is an all-star. In fact, I’ve decided that when Dad/God finally does show up, Trixie needs to be the one to get to know him / introduce him first. She’s been captain on the celestial cheer squad for four seasons, she’s earned this.

Who's going to see through Michael's facade first? I mean, I know that trailer shows Maze torturing it out of him, but as far as intuition goes, I've got a 50/50 split between Trixie and Linda, with an honorable mention to Dan.

If Michael is Lucifer's twin, does he have the same angelic compulsion skill set? Or something different? And will it work on Chloe or is she universally immune?

A “be like Mike” pop-culture reference. ******Spoilers: ******* all the trailers have revealed Michael already, so they owe us this for letting the steam out.

As far as pop-culture, how many movie and TV references will we get from Lucifer and ensemble this year? I expect A-game, from sci-fi to 80s action, on par with the previous likes of Parent Trap, Star Wars, Home Alone, Kim Possible, and Rocky.

Will Amenadiel’s necklace make a reappearance, even after he put it around Caleb’s neck in the morgue? Heavenly artifacts have a way of causing trouble in this show.

Will what finally learn what, if any, significance there is to Lucifer’s ring? Again, as all my fictional writings will attest, I really kind of want it to be a stolen little trinket from him Dad.

Plot twist: will we get to see Hell and the silver city all in one season, or is that too devilishly good to ask? It would be intriguing if Lucifer fell from Heaven for rebelling and now some threat like, for example, the mother of demons would pose a threat to the gates such that Lucifer was called upon to defend them. Not expecting anything Endgame level with a host of Angels popping up like sorcerers...but it is food for the imagination.

Plot twist: will Michael, duplicitous twin that he is, be revealed as the reason that Lucifer does not lie and can’t stand liars? Will be get a Michael back story? Is he perhaps the true rebellious son? see: my original fan conjecture here.

Additional links to previous recaps, roundouts and wishlists: 

Season 1: Best Moments // Season 2: Predictions, Desires, Roundout, Best Moments // Season 3: Speculations, Quick-shot summary 

[bunnylouisegrimes]

Episode 8 Review

The usual spoilers

Alright, this episode was pretty good in the beginning with some stuff here and there I didn’t like, but that ending... that ending leaves a sour taste in your mouth.

Normally I start with the bad first, then the good, but I feel I should do chronological order for this one since most of the good is before the bad.

For starters, I enjoyed the very beginning with Chris at his dad’s funeral. For once, seeing an aspect of Vic’s childhood was interesting. You feel pretty bad for Chris because of the rough childhood he had, and you feel bad because he became his father. It’s good that he’s definitely changed tho. He pissed me off (and I’m sure everyone else off) last season, and to see him get emotional all those years before is definitely something. Seeing him grow now is rewarding.

I do really like how both of Vic’s parents see her bridge and are amazed by it. Idk why, but I always find it incredibly satisfying in a story when all the characters understand something/everything. I’m sure we all do, but clarification in a story has always brought me a satisfaction comparable to that of watching those satisfying video complications on YouTube.

How Bing is alive still... I have no idea. Maybe because he was sitting and that helped slow down the blood flow? Honestly, I really wanted them to get information out of him, then have him die. Look, there is a part of me that feels bad for him and sorry for him, but his actions are way less forgivable than Charlie’s. If you ask me, despite him talking with Vic (and hell, maybe at this point he does feel bad for what he did, although that is hard to believe because he did genuinely enjoy raping people, and rape is one of those actions it’s very hard to find really any redemption in once you commit it), I don’t see anyone forgiving his ass, and they shouldn’t. I also think Bing has always been a ticking time bomb. Who knows, if Charlie hadn’t come into their lives, he could’ve hurt Vic if she came off as “too nice” to him. We see what he did to his mom, despite her loving him and being the only good person in his life. He interprets love as something darker, and while it’s horrible that he thinks that way, and I understand what his childhood did to his mind, he has the knowledge that it’s wrong to do it (I mean, he has to subdue people with the gas, and he clearly sees his victims are unwilling) and he should stop it, yet he doesn’t. Charlie actually believes that what he’s doing is right, and there is a part of you that can see that in some regards, he is right, keeping kids away from harmful parents. What good comes out of rape? The only good that comes out of it is the benefit to himself for getting his sick pleasures. He does it all because he can and likes it, no other purpose. He could’ve gotten help, he could’ve tried to keep that all in and express it in a safe environment, he could’ve restrained himself from doing these things... yet he didn’t. If he had just killed the parents and strictly did nothing of a particularly cruel nature, you could understand Bing more and respect his character. But since he didn’t... it makes things harder. Is it respectable that he admitted he’s wrong? Yes. Should he be forgiven? Well... not really, at least imo. If Bing has any redeeming qualities, there are very few. Since he is kept alive, I hope he’s either rotting in prison or kept in a place where he can maybe get help that he needs. I think most importantly, I’m more than a little annoyed at this whole, “Yeah, we’ll write the rapist more sympathetically before we do the main antagonist, who’s actions are questionable and one could understand his intent. He doesn’t rape anybody and finds the act repulsive and kills rapists... but he’s less sympathetic just because he’s the main bad guy 😀.” Yeah, okay writers...

Moving on from the only truly bad thing in the episode before the ending, everything else seemed to be fine. I’m concerned with Maggie and Tabitha’s relationship, I really hope they’ll be okay. Tabitha was badass getting the respect and recognition she deserves for the work she does. Even though she made the stupid decision of going into that church by herself and possibly getting killed, I do love the balls she has, I just hope she doesn’t get herself killed by being stupid. Her and Maggie are a great couple and I love them. I feel bad for Vic and I hate that she feels so low about herself. I did like her talking with her dad. The confrontation with Millie was interesting, and I’m curious to see what’s in store with that. Based on the “next time” preview at the end of the episode, we finally make it to Christmasland, and I’m very interested (but also a little anxious) about what’s gonna happen next.

Now, the ending... this damn ending...

First of all, when Maggie was confronting Wayne, why didn’t she grab his ornament? Maggie is not a stupid character. Did she get hit by the car last season and not make smarter decisions on how to avoid it (ex, maybe getting in between two other cars)? Sure, but we’ll cut her slack, it was a very in the moment thing. This? I mean... they were anticipating this. You mean to tell me she couldn’t have thought of trying to get that ornament out of his hand and taking it away from him? She tricked the Hourglass for Christ’s sakes. It looks like from the preview she’s collecting their ornaments, but still, especially in that moment, she would’ve grabbed his. It might’ve made Wayne have a strength over his old self... what’s weird is in the book, he’s holding onto both sides of himself throughout his entire journey, in this they’re making it seem as though he has no control anymore. Which leads me to my next point...

Where is Craig in all of this? What, so his efforts didn’t do dick? What was the point in having him the last two episodes? I believe in the book, Wayne’s grandma (aka Linda McQueen), is helping him in a spirit form, and also by him “thinking backwards.” Craig was helping him by reminding him of Vic and staying by him. It would’ve made so much more sense for Craig to be by his side still (or hell, in the car if he can’t leave it and telling Wayne to “remember the plan”), Wayne “puts” the ornament on the tree (or Maggie takes it off after he puts it on), and Craig stays by him. Nope, let’s make his character useless. Who knows if he’ll return next episode, I’m hoping he will, but even if he does, it’s still annoying that his character has done little to nothing at this point when there was so much potential, and it seems to be almost too late. I’m glad Wayne didn’t eat Maggie or Lou like I feared (Lou did get a nip I suppose, which was a little unneeded if you ask me). I was hoping for more potential from Craig, guess we’ll have to see if there will be...

Another point: WHY THE HELL IS THIS CAR TOO OVERPOWERED? Seriously, it makes no sense. You can make Charlie’s abilities as op as you want so long as it’s not ridiculous, I could see that. But the car? That’s his total weakness. It can be stronger than the average car, but if lighting it on fire deals with it, explosions would. That is beyond lazy writing.

Now, the worst part: Chris’s death. Of course, let’s kill a character when he just seemed to redeem himself (but the character that rapes people and can’t really be redeemed, we’re gonna keep him alive, maybe he’ll get a redemption arch 🙂). Once again, writers, why are you making the most stupid choices? While his death wasn’t as stupid as his death in the book where officers shoot him down when he’s trying to protect Vic from one (this is all under Tabitha’s command, let’s just say she’s not that great of a cop in the book or with Maggie, I enjoy her character changes for the show), his death, the way I see it, is still insulting and pointless. Realistically, they could’ve kept him alive, what is the point of not? Also, I know that bike is heavy, but why wouldn’t Vic get up and kick some ass? Of course, her bike would act up just as the Wraith is coming towards her (what is the point of that too?). I really think Chris’s death was just for shock value and filler, and to make Charlie look like an even worse villain (because they reeeeally want to drill this point home, if the way his backstory is presented in the show wasn’t proof enough, which is stupid because we UNDERSTAND WRITERS. It’s you guys that don’t understand that Charlie is established as the villain through being the antagonist and his conflicting actions). While I’m glad they didn’t kill an even more important character (ex, Maggie or Lou or Vic), it’s still stupid to waste all that character development on Chris just for him to go out anyways, all for shock value filler and to make Charlie worse. Again, not saying he’s a saint, not saying it’s out of the realm of possibility for him to want to get revenge on Vic this way, but still, isn’t he already getting revenge on her through Wayne (plus, to him it’s poetic justice that he’s “saving” him from her). There’s really no point to Chris’s death. This reminded me heavily of TWD when they would pull that shock value filler crap with killing characters, and making a villain look worse than needed (an example is what they did with Negan in the show by writing him as even more evil and less redeemable than he is in the comics). I genuinely hope they don’t pull more of this.

All in all, this episode had it’s good moments I enjoyed, but there was definitely some stupidity and bad moments I despised. Let’s hope these last two episodes where shit gets more serious will be better. I’m hoping this show does not turn to crap through a series of stupid decisions, much like TWD did. I will be sorely disappointed at AMC...

[frumfrumfroo]

What are your favorite movies and TV shows outside of SW? I’m looking for new things to watch since SW was so disappointing

My tastes are pretty eclectic, so I will stick to just things that are either similar to sw or are in the reylo-esque romance wheelhouse and have happy endings:

Chuck. It is a goofy, light-hearted action-adventure show with extremely endearing characters and a very prominent central romance (seriously, heavy romance and there is a lot of payoff for it, you will be FED- it's kind of slow burn but also shockingly NOT slow burn, they are deep into it pretty much immediately). The main couple is the classic Stoic Badass gradually softened by an innocent they have to protect who is a liability in battle but full of the Power of Heart. Chuck is The Heart btw. He is of that vanishingly rare male Beauty (of B&tB) type. He's incredibly generous and open, Sarah is prickly and closed-off. It is Quality. Very much a gender-swap of your typical cliche anime couple lol. I would recommend stopping at the mid-season finale in season 4, because it's downhill from there. The beginning of season 3 is very rough, but it's definitely worth it to stay for the back half, imo. There are several great endings to choose from before things go to shit, so we don't need to talk about the finale. Probably the most tonally similar to SW thing possible without being high/space fantasy. More humour, more silly, but definitely has a spiritual kinship. Has the best THE BEST 'secret revealed' scenes I have ever seen in anything. If you're into that and were hoping for that in ep IX, you need to watch Chuck.

The Shop Around the Corner. 1940 romance/drama film. You've Got Mail is a remake of it. Jimmy Stewart being profoundly adorable, Frank Morgan (aka the Wizard of Oz), various amusing side characters, and an absolutely deathless double blind 'secretly in love with the workplace nemesis' plot that can and probably has been a great reylo AU.

Mirromask. Fantasy/coming-of-age film. Touted as a 'spiritual successor' to Labyrinth by the filmmakers (one of whom is Neil Gaiman) and let me tell you, that is extremely apt. Beautiful, magical, laden with symbolism and Mask Discourse, and has a great ship. I quote it regularly.

Speaking of which, I'm sure you've seen Labyrinth? If you haven't seen Labyrinth, drop everything and watch Labyrinth.

Legend (the Ridley Scott director's cut, not the theatrical cut). Sumptuous fairy tale, runs on proper fairy tale logic, stunning to look at and overall captivating. Tim Curry. Tim Curry as a lonely tragic lord of darkness who tries to seduce the heroine and has drippingly overwrought monologues.

Howl's Moving Castle. Fairy tale adventure/romance film. Beautifully animated, has the ending you want.

The Silence of the Lambs. Thriller/drama film. Actual masterpiece. Use it as a gateway drug to read the books and rejoice that Clannibal is canon and it is spectacular. Just SotL and Hannibal, you don't need to read the other two. Stan Clarice Starling and revel in that ending. Most triumphant 'villain'/heroine ship of all time (he is not technically a villain but for shorthand's sake).

The Adventures of Baron Munchausen. Terry Gilliam 1988 fantasy/adventure film. THE TRIUMPH OF IDEALISM OVER CYNICS I CANNOT STRESS ENOUGH HOW HEALING IT WAS TO WATCH AFTER THE TROS BULLSHIT HIT. Jonathan Pryce's spiritual villain is basically Chris Terrio and it is cathartic to see imagination and sentiment conquer him.

Sabrina. 1995 romance film. Modern fairy tale with Harrison Ford. Rejecting what you thought you wanted all your life for the thing you actually need, growing up but still believing in magic, beautiful character development across all the leads. Could be (and is irrc) a fantastic reylo AU.

The Scarlet Pimpernel. 1934 adventure film. High romance, secret identities, play-acting, people who aren't at all what they appear to be, falling in love with your own spouse, Big Heroism, guile and wit and audacity. It makes me do little kicks like a happy baby. This is one of the 3-5 films constantly tied for my favourite film of all time. There is a good quality rip free on youtube. Watch it and fall in love with Leslie Howard (this is possibly my favourite acting performance of all time).

Oh, related note. Pygmalion 1938 or My Fair Lady. (The musical is based on this film and borrows from it heavily, including its much more romantic ending compared to the original play.)

The Mummy. 1999 action/adventure/romance film. Very tonally similar to sw. A fucking great time, A+ characters.

EVER AFTER. 1998 romance film. The flawless and perfect and best ever Cinderella adaptation. This is the most satisfying film in history, maybe, the ending is so good it is amazing it exists. Also, it has Richard O'Brien being slimy. Huge selling point. Grapples with identity and stewardship, is brilliant.

Fruits Basket. drama/romance anime. I haven't watched the new version yet, but it's following the manga so I know the story. The original anime didn't do the whole plot (because they caught up with the source material) but it's wonderful and I still recommend it. The central ship is (spoiler.........) a B&tB type where we eventually discover the main love interest both feels like a figurative monster and turns into a literal monster. He has an incredible speech about his relationship with people's fear, it makes me weep. I called the endgame from the first episode and always thought it was obvious, but there is a red herring love triangle dynamic. It's really not annoying, though, because it is a red herring. (I hate love triangles)

I am Dragon. Russian monster romance film. Beautiful, simple fable with a really great heroine.

Jane Eyre. 1943 Gothic Romance film. It's Jane Eyre, byronic hero x sensible heroine love story with much atmosphere and Gothic drama. I stan this version because I am an Orson Welles fangirl and I'm also not convinced it can be improved upon. Elizabeth Taylor's film debut btw.

Hellboy. 2004 action/adventure/romance film. Defying destiny, reconciling identity, monster romance. The complete package and a great time. Tonally similar to SW and probably thematically closest to it out of this whole list. Don't watch the sequel.

Beauty and the Beast 1987 tv series. Exactly what it says on the tin. Deals with the classic B&tB themes, but in a different way. He's not cursed and will never transform into an ordinary man. The first season is very episodic and 'case of the week', but the second season gets more into character drama. It's dated, but if you give it a chance you can get past some of the cheese factor and it's really a unique experience. Its concerns are SO atypical that it feels like something fandom would make rather than a mainstream network show. It was so massively, insanely popular with women at the time that a record of Vincent (the beast) reading poetry topped the album charts. Also Ron Perlman and Linda Hamilton. Stop at season two. Point of interest: George RR Martin wrote for this show.

Stargate (the movie not the series) sci-fi fantasy about a nerdy guy who accidentally a hero.

Possession. 2009... mystery/supernatural/romance. Okay. This is a whole thing. Lee Pace and Sarah Michelle Gellar. It's based on a Korean film I've never been able to find for some reason, but being Hollywood they ruined the romanticism and nuance of the original in the theatrical cut to make a shitty punative ending. However. If you buy it on dvd and go to the alternate ending (which follows the original story) with around 20 minutes left (scene after Lee Pace's character wakes from a bad dream-go to deleted scenes and select the alternate ending), you will get a very, very interesting character study/thriller/redemption about sincerity within deception, compassion, and a major question about second chances with a positive answer. It's kind of dark and kind of astonishingly idealistic at the same time. The heroine makes a very powerful choice, twice over. It's fascinating. If you're into the conflicted and uncertain period in reylo, the part where he is most ambiguous, and you wanted more of that and much darker shades to it, you might be really into this. Also, it should be noted, there is a MASSIVE height difference and they show it off. The film is flawed (and the seams show on the Hollywood rewrite) but idk, it's fascinating. Shocking to me that they even got to shoot the original ending. It is pretty balls to the wall with its themes on forgiveness.

I would recommend getting into kdramas because there is a wealth of female-gaze tropey amazing content, but always check the ending before getting invested. My all-time fave is the 1st Shop of Coffee Prince, but it's not sw related at all lmao. It has a happy ending with all the elements you'd want, but it's not satisfying in execution, so that's it's major flaw and I find that pretty common with kdramas. One that is maybe more relevant is My Love from Another Star, which has a hero who is a little bit like Ben in personality. The heroine isn't my favourite, though. It does have a decent ending.

Oh yeah- brain fart. Kurosawa films and classic westerns were both very influential on SW. Or you can combine both and watch The Magnificent Seven.

[inawickedlittletown]

314 Some Thoughts

(This is 1,600 words omg...but I guess I had a lot to say. Under the cut for spoilers.)

Heist episode. I am here for it. And I hope we get another heist episode next season because the writers know how to write a good heist and Ocean’s 9-1-1 is an episode I enjoyed a lot last season. The set up for the episode was just on point from the stylistic choices made at the beginning of the episode so that we learn their names to how well planned everything is and how the idea of taking control of the 9-1-1 call center just makes sense in terms of the real crime — the art heist. I just loved that. 

The set up for the roles each of the “bad guys” is taking is also not only interesting but looking back a misdirect in the role of Tiffany to the whole operation. Also the whole bit with the security guard, Jake, since we the audience don’t know that he’s involved. In fact, we think he’s dead for a moment. 

Maddie managing to send Chimney an SOS in saying “I love you, Howie” from last episode and sending the ball rolling is still impressive writing to me. When things get tied together within storytelling — that does things to me. Chimney immediately finding it odd and trying not only to call her back but also to call 9-1-1 before making the decision to call Buck in the end — I loved that entire sequence. In general there has been so much work put into prior episodes to set up this one from the whole bit with Maddie and Chim to what happened to Josh and they’ve done an amazing job pulling it off. 

Also it’s 8am, where was Buck coming from? Because since we know that this episode takes place the morning after the dinner Chim and Maddie had then we know that Chimney wasn’t working which to me means that Buck likely wasn’t working either. So Buck was either out somewhere all night (insert side-eye), or he was out somewhere super early in the morning looking like that because Buck in regular clothes — that also does things to me. Actually...it kinda looks like he was just fetching his mail and Oli said on twitter Buck was getting home from work. 

While we don’t see it, we know that Buck tries to call Maddie. No answer. Tries to call Josh. No answer. I love that Buck does have Josh’s number at all. It’s also interesting that Buck and Chim while worried don’t know what to do or even if they should be worried. They just both know that something is up and yet there is no real urgency between them because as Chim says she’s at the call center. What could possibly have happened there? Oh, if only you knew. 

At the call center we have the whole hostage situation escalate. We see the epi pen when they’re collecting everyone’s things and they oh so obviously show it so early on because it will come back into play. It’s subtle enough and yet another instance of good writing by showing the weapon and then putting it aside until it’s needed. 

This episode is all about this crazy situation and how it goes down both within dispatch but also about how those outside it figure out that something is going on. Both aspects of it make the episode have a certain intensity, it uses dramatic irony in a way that has us wanting the characters to have all the info that we do. 

One of the very impressive things about this episode is how the people working at dispatch never actually give up and that they try their hardest to use their skills and their knowledge to figure out the situation and find a way to get help. From how they figure out what area of LA they don’t want dispatch to send anyone to, to how much information they are taking in from what they overhear Greg and the others saying. Not once do they give up even. 

Josh thinking quickly on his feet and sending Athena to Chimney’s apartment despite the fact that he’s also dealing with Greg there and memories of what he’d just gone through because of Greg — I just love that so much. I also really appreciate that Josh not only knows Chimney’s address but also Athena arriving there and not already knowing that it’s Chimney’s place brings them all that closer to figuring out what’s happening. Chimney keeping Buck on the phone but then just hanging up on him while he goes off with Athena, did either of you expect for Buck to just stay out of it? 

Also prior to Athena arriving, Chimney was 100% ready to go out to dispatch himself and I’m sure Buck would have joined too. 

I saw a bit of talk about confusion about Buck showing up right where Athena and Chim were but he knew where they were going so it all made sense for him to show up and spot her car and just get in front of her to get her attention. I also don’t think either Chim or Buck were thinking about calling anyone else at that moment. I saw a bit of complaints about Buck not reaching out to Eddie because why wouldn’t he but I see it as perfectly reasonable because there is no time for any of that and because Athena also tells them in not so many words not to. She doesn’t even necessarily want Buck there. Buck has more things to worry about than trying to call Eddie or Bobby or Hen or really anyone else when they can’t do anything to resolve the situation. 

In the meanwhile, the situation at dispatch gets worse because as far as Greg knows, Tiffany is screwing up by taking too long and then there’s also Terri making an attempt to pull the fire alarm and Josh being brave and saving him. Not only is that happening, but the heist team is falling apart and they’re turning on each other and don’t even know that really they’re all being played all along anyway. 

The truly scary moment was seeing Athena walk into dispatch and how absolutely close to being shot she was. But then Sue steps up and saves her and not just that, she manages to pass on yet another message. Code 77 - ambush - proceed with caution. It’s the last thing they needed to finally be able to say that something was truly going on. Next they take Athena’s car off of the GPS system. And then all the rest of the police, RA units, firetrucks all go off of GPS and they are ready to go. Obviously this makes the heist team suspicious, but that also sort of breaks them apart further. 

Linda is the real MVP because she’s the one that pretends to have an allergic reaction. Greg somehow believes her and doesn’t even see it coming when Maddie stabs him with the epi pen instead. And then dispatch takes the building back and it is amazing that they manage it But Sue shooting at Foster. Loved the strength of that. But then we have Josh facing the possible death of the guy that tricked him and beat him up and then took him and the rest of dispatch as hostages and he jumps in to give him CPR because it’s the right thing to do but also because he wants Greg to suffer in prison and face his crimes. Of course, Greg is somehow the one that tells the police everything. 

I admit that I did find it a bit strange that Buck wasn’t standing with Chimney when Maddie came out. However, I didn’t find it strange that he hung back and let Chimney and Maddie have the moment. It also reads like closure to everything we had in the previous episode between them and to me it felt important to show how much Maddie has come to rely on Chim. She doesn’t really need Buck...she has Chimney. 

Throughout the whole thing one thing that was consistent was Buck’s belief that Maddie would be okay and that she could handle herself. He and Chim are worried but even when Chimney and Athena are headed over to dispatch, it’s Buck that tries to tell them that they can’t give themselves away. I think this shows so much growth in Buck — the lack of running into things without much of a plan other than a need to go. And we already know that Chimney is level headed despite his worry. They’re letting Athena handle it and I think they both realize that Athena and the others can handle it and will be doing their best to get everyone out alive.

In the end we get a recap of everything that happened. I love that this is split between Athena and her family and then Buck, Maddie, Chim, and Josh. This would have been the perfect moment to insert Albert into the episode and maybe Eddie and Hen as well. After all, we get a tiny bit of Bobby. But instead we really focus on the full story of the heist and we find out about Jake and Tiffany and how poor Josh got involved in the whole mess. 

Overall, this was an enjoyable episode. It was a bit of fun and I think it absolutely fits into the show. It is a bit stand alone other than the Madney stuff and yet that works within the context of the show since it takes place in the course of a day. I know the lack of development for anything other than Madney frustrates a few people but I absolutely enjoyed it and I can’t wait to see what we are in store for next week with Eddie Begins. 

Honorable mention to how the bad guy named Oliver was “the muscle” because that entirely felt like they were calling Oli out. 

-

My Meta/Reviews Masterpost

[cassandra1447]

Lucifer 5A Thoughts

Lucifer season 4 was great. It had a nice solid plotline, it had great character development for pretty much everyone, I actually thought the Eve-Lucifer-Chloe triangle was done both purposefully and realistically with reasons why all three of them acted as they did, and just generally felt like a breath of fresh air after the mishmash that was season 3.

I had few complaints - a few but not many. 

I was super hopeful about season 5. Guess what I binge-watched this past weekend?

Me:

Cue rant (under cut b/c there are spoilers aplenty and if you liked this season - please keep scrolling)

To be fair: I have only watched season 5 once. 

Unfortunately, I have no desire to watch it again. 

First of all, the lack of creativity.

Maze betrays Lucifer (again for like the 10000th time)

Michael being a jerkass - I’ll grant them his fear mojo, but could you have reached for any other concept than Lucifer vs. Michael? Or give him something more interesting than an ego-problem to fuel his evilness?

Ella’s boyfriend - look, there’s foreshadowing and there’s eye-rolling, damn it really, this guy is clearly only here to serve a plot point and he’s either going to be the victim or the murderer

Ella deserves a genuine good person and good relationship - WTF did you have to do that to her? There’s no point besides hurting her

It would have been better - and more surprising - if he had been a truly decent person even if the relationship ended up not enduring

And then there’s Chloe...and oh dear...

“Being a gift” consternation

Okay, yes Chloe is allowed to be upset and to be struggling with the divine side of things - in fact, I actually liked how they depicted that in Season 4

But in Season 4, when Chloe’s reactions hurt Lucifer, there’s a clear consequence. It’s part of why he turned to Eve, and there are a couple of excellent moments - the part where he confronts Chloe about neither being an angel like she wants or the devil like Eve wants for instance - that showed Lucifer was coming to understand himself and to stand up for his own sense of self to a degree

This time round, we get a lot from Chloe but little from Lucifer aside from him desperately wanting to be with her and willing to do just about whatever she wants to have that 

And unfortunately, whereas by the end of season 4, we definitely get Chloe seeing past the divine bombshells and remembering that she cares about Lucifer for himself - that progress is completely nullified by the “you’re a miracle” bombshell and I didn’t need to see that again

Also - WTF does Amenadiel’s spiel to Chloe about seeing Lucifer truly work on her anxiety over being made for Lucifer? Did I miss something? Chloe’s upset over this seemed to me to be because of a lack of free will - not that she didn’t know who Lucifer was. Why - when free will is such a major deal for Lucifer - was that not discussed? Why did no one - Lucifer for example - come out and say “Humans have free will. Period. You can choose to walk away from me or tell me to go, and I will. I don’t give a damn what my Father did or wants or intends. It’s your choice.”

The “I love you”

I do not get why Chloe doesn’t know if Lucifer loves her. He may have not used the three words but he literally told her the prophecy (his first love) was about her not Eve. Or what about “I would do it again”? Or any of the many actions through which he’s demonstrated that he cares about her, that he values her, that he loves her. 

And okay, maybe she needs those three words to be 100%, absolutely sure, okay. Then just ask him. How do you feel about me? What do you want from this relationship? Where is this going? You know, normal adult questions.

I’m not expecting Chloe to do emotional labor for Lucifer but if she needs something from him, she needs to ask him. I think that’s fair.

It also highlights a problem with Chloe’s empathy for Lucifer IMO - it feels like she’s once again so caught up in her emotional turmoil, she’s incapable of even seeing his. This is someone who literally just returned from thousands of years in hell, who has a family  had cast him out and treated him like the worst, has been vilified by humanity for millennia, and because of all of this has a low sense of self-worth and has come to believe that he’s a monster - love is something Lucifer literally hasn’t been shown in millions (billions?) and until very recently hasn’t been in a position to express love in return - and you expect him to drop an “I love you” nonchalantly?

Again, it’s okay to have Chloe focus on her emotions rather than Lucifer’s. But if I say something hurtful to someone - even if I’m under duress - it’s still hurtful. I still owe them an apology. 

The “not in relationship” evasion

Despite the fact that Michael lying was such a key factor in Chloe knowing he wasn’t Lucifer and Chloe clinging to the fact Lucifer doesn’t, Chloe doesn’t seem to make the connection that telling the truth to Lucifer is essential

One unaddressed factor from last season - Chloe lied to Lucifer and allowed him to think that everything was fine and that she wanted a relationship with him...and then on what he happily thought was a date almost roofied him (at minimum, who knows what was really in that vial).  Lucifer subsequently found out about the plan - so there’s a historical basis for her to lie to him about how she feels (in order to betray him) -  Chloe, he already thinks he’s unworthy of you, he’s already used to people he loves hurting him - you need to be straightforward with him

This includes not evading (or lying) about being in a relationship with him. 

At least she does eventually tell Lucifer she needs time & space I suppose

Mojo switching

Why? Just why? It happened and then it stopped. What?

Various other characters:

Linda:

Why did we only have like 2 therapy sessions? Why did Linda not get to do her job this season? Her sessions with Lucifer did help him grow - why the hell didn’t she help Lucifer & Chloe work through some of their issues

I don’t like having her plot this season revolve around children. It’s a personal thing I know - but it’s such a default plot device to use with female characters. 

Amenadiel

IDK about the timing of filming for this season but it felt really off-key to have a black man depicted as thinking the best way to make the world safer for his son to be aggressively trying to work with the police. Season 4 had an episode that dealt with the endemic racism in our justice system - why in the hell was that not carried into this season? Why don’t we see Amenadiel protesting or volunteering with a local group trying to address the systematic racism? 

Where the hell did the “reflection” thing come from? I never saw Lucifer’s mojo as reflecting, more bringing to the surface what someone already felt/wanted/knew. And even if I buy that - Amenadiel never had people behaving as if he was reflecting love before. Oh and for Lucifer’s mojo, for it to have a visible impact, he generally has to be intending it to (except for when he’s in his devil form). There’s a few examples in earlier seasons where there’s an indication there’s a low level field continuously but nothing like what Amenadiel had happen in the convent. And doesn’t that give Amenadiel two powers (time + love mojo) while Lucifer and Michael only get mojo? 

Maze

Oh look, Maze betrayals Lucifer again. Never seen that before. 

1 freaking episode with Trixie!!! And it’s also the only episode with Lucifer & Trixie and Lucifer being adorable with Trixie and then - oh, it’s not that Trixie likes Lucifer, it’s that she’s being paid by Maze to get information  (╯°□°)╯︵ ┻━┻

WTF does Maze believe Michael? He’s a lying liar who lies. I can’t believe Maze would be that stupid. 

God

Just no. 

Previous seasons seemed to be having the message that God isn’t responsible for your life, you are. Lucifer has a similar realization at the end of season 4. So why are you going to muck that up by making God an active participant???

Other things that bug me:

Lack of LGBTQ+ representation

The old-timey bit doesn’t count IMO - Lucifer gender-flipped characters at Trixie’s request so any LGBTQ+ moments aren’t genuine

Lucifer & Maze are attracted to men and women (no defined label - maybe bisexual or pansexual) but there are no moments where either of them actively show it (or someone of the same gender was obviously attracted to them); I think we get a single line about Lucifer having been with both men & women but that’s all I can recall

Is there a single non-hetero couple depicted on screen (that didn’t have to be gender-flipped)? Seriously. I’m asking. 

Ella’s treatment

Already talked about this - but it was blatantly obvious the boyfriend plot served no purpose for Ella herself, just was a way to get this character looped in for other plot purposes

Chloe’s horrible advice to ignore Ella’s internal alarm bells. I don’t - how - what - yeah, feeds into what I said earlier about Chloe being too wrapped up in her own turmoil to be able to see from even a impartial (let alone another’s perspective)

Azrael! Why do you not use this sweetheart of an angel who has an established relationship with Ella? If you had to do this terrible Ella + bad guy plot, then for heaven’s sake, at least give us Azrael to warn Ella? Or something? 

Lilith was good...but where is Eve? There’s not even a throwaway line of “Eve’s in Madagascar” or show some postcards she sent to Maze or have Lucifer check-in on her and say “Eve says hi” - does Eve still exist? It’s not like Eve understand about “being made for someone” and maybe help Chloe, right? 

The Mock-Lucifer show episode -

 if you have an episode in your show that’s parodying your show...it had better be because you work for a secret government agency and it’s being allowed b/c the government can claim anyone trying to blow the whistle got it from the TV show (Stargate fans out there?) - otherwise, no. 

I know Lucifer likes to use the case-of-the-week to mirror what’s going on with Lucifer and the rest outside of the case - but this is too blatant, to the point it feels condescending

I didn’t actually want to know the story of Lucifer’s ring. Officially at least. Leave me some mysteries please, something to speculate about with other fans, something to develop headcanons for, something to write fanfic about - the story itself was fine, but doesn’t seem necessary

Hell Repercussions

Despite Michael using it as an excuse why “Lucifer” was behaving weirdly, once Lucifer is back, there’s little to no indication of the impact Hell had on Lucifer - thousands of years, and he’s pretty much the same as the moment he left Earth

Could have had Lucifer regress somewhat because he no longer had any support structure, was among literal demons who aren’t good for socialization, and perhaps had to revert to a more violent and vicious version of himself

Could have had Lucifer return to being more hedonistic - which would have been a good point of tension with Chloe - because he was starved of anything good in hell and is now trying to soak in as much life as possible (music, drink, drugs, parties, maybe flirting/dancing)?

One thing I did like was Lucifer talking to a human in hell - could have done something with Lucifer trying to help humans who felt guilty for things which shouldn’t qualify for eternal torment - connecting with semi-decent humans in hell b/c he couldn’t go back to Earth and b/c he has more empathy for them now (although I would argue Lucifer has always been kinder towards humans than other angels - look at the very first episode and how he treated Deliah)

Did no one try to contact Lucifer in hell? Amenadiel could have visited, he could have brought letters or messages from the humans in the know...did no one think of that? To help ease Lucifer’s isolation even in the smallest way? It felt like - as soon as Lucifer left - everyone was just like ‘well, he’s in Hell now, that’s too bad.’

What I did like:

Dan

He’s struggling and he knows it, and he’s trying to be a better version of himself while knowing he’s deeply flawed

The scenes with Dan & Lucifer working a case together are some of my favorites 

While I do wish he had recognized Michael’s ploy - in light of his history of doing something morally questionable “for the greater good” and his current self-examination - his reaction makes sense to me. He’s terrified and he reacts very honestly and directly; I think Lucifer would far prefer Dan’s reaction of just shooting him to Chloe’s reaction that involved her lying to him and allowing him hope only to learn she planned on using his feelings for her to allow her to get close enough to use the poison (and send him back to hell). 

Lucifer & Trixie - loved it (up until the elevator scene at the end)

Lucifer’s very practical solution of marking Michael so they couldn’t be confused - brutal yes, but practical 

This turned out way longer than I thought it would. I could be wrong - I did only see it once so it’s entirely possible I’ve missed something or don’t remember something - and I know we’ve got more episodes to come that may improve the season.

But compared to season 4 which had a tight plot that worked in concert with the character arcs, my initial impression of season 5 is overwhelming disappointment. I expected better than I got. 

[guiltycharge]

anonymous asked:  do you think Louise suffers from any kinda trauma or mental illness? I mean she does have a kinda crazy life at times.

hi so i wouldn’t necessarily say louise suffers trauma but i would in a way say she has experienced some stressful situations and has handled said stressful situations better than how a normal kid her age would. i’ve said many times in the past that louise does in fact have ADHD , i’m still debating on if it’s diagnosed or not or if the belcher’s insurance simply doesn’t cover the medication needed for it. because we clearly see she handles a lot of her problems without fully thinking them through, she does takes action and worries about the consequences later. as well as her behavior during class, tapping and leg swinging, talking about twenty different things in one conversation, hyper fixating on one thing for a period of time before finding a new hyper fixation. 

concerning the crazy shit she’s been through, please know i don’t acknowledge 100% of the things that have happened to louise as there are quite literally ten seasons worth of shit that could be considered traumatic to louise, i’ll be including the ones that stuck with me personally the most to louise’s character.

in the episode, Fort Night , s3e2 , louise and her friends are trapped in their fort after a truck boxes them in between a cement wall and a dumpster. the ramp to the truck had fallen on top of the for so there was almost no way for them to escape unless the truck moved. the kids were stuck there for a few hours until one of the boys used a hanger to press a button to lift the the ramp off the top of the fort. unfortunately, he pressed the wrong button and the ramp started going down, about to crush them. tina then suggested they used the heavy things from the dumpster (as there was a very small hole into the dumpster) to stack them and maybe stop it from crushing them. the kids then used things like paint cans and cement bricks and started stacking them. This actually cause the truck itself to be lifted giving the kids a small opening to crawl out before it collapses.

this definitely left a big impact on louise and has developed her to have a fear of tight spaces. it’s a fear she never thought she’d have but after that night and seeing how she could’ve died really left her shaken up. she never tells anyone this fear as hoping it never has to come up, but if there does come a time where she needs to go into a small space she simply dips or uses the excuse that she isn’t small enough. the same goes for large crowds of people , it’s bad enough she’s small so people can hardly see her but being surrounded by people much taller than her makes her feel like she’s suffocating.

now, in the episode World Wharf ll: The Wharfening (how Bob Saves/Destroys the Town) (Part 2) Calvin (the Belcher’s landlord), s4,e22 decides not to sell the Wharf (the towns amusement park on the boardwalk) after Bob convinces him not to. The reason he was initially going to was because Calvin’s brother (Felix) wanted to sell it to some investors , wanting to build condos on there. Felix doesn’t like this and kinda snaps, tying bob and felix under the pier at gun point. his intention that they would drown once the tide comes in. luckily bob had his phone on him and eventually managed to text Linda letting her know that him and Calvin were under the pier. well not really. because bob was tied up and couldn’t see what he was typing, the message looked like it was a drunk text.

after some deciphering, the family realizes that bob is tied up somewhere and go on a search hunt to find him. they eventually realize he’s under the pier and when they get there Felix is there too, having a change of heart, but then his girlfriend shows up to stop anyone from doing anything. taking Felix’s gun and pointing it at Linda and the kids demanding they jump in the water and drown themselves. but when she gets impatient she decides it’ll be easier to just shoot them. Bob then distracting her giving Linda the opportunity to crash her paddle boat into an unstable pillar causing a small portion of the pier to collapse around them. the police show up , arrest Felix’s gf (as Calvin told them it was all her because he knew his brother wouldn’t make it in prison) and that’s it. The Belcher’s go home as if nothing happened.

But a lot happened. So Louise, she spent a lot of this episode with her family trying to find Bob, and she wasn’t completely worried for his safety at first. Because they knew he was with Calvin, so she just assumed it was some silly antic he had gotten himself into with their landlord and they would’ve found him soon. But they didn’t, after a few hours and still no luck, Louise was genuinely getting scared for his safety. As we know and have seen in the past, Louise has a very close relationship with Bob. And though she may not express it as much as she would like to, she loves him and looks up to him a lot. Thinking about what her life might be like without him around , those thoughts were beginning to swarm her mind.  

Now while she was relieved they found him under the pier, having a gun pointed at you and then at your dad. I mean, if Bob hadn’t come up with a diversion the entire family would’ve witnessed him getting murdered. Thankfully, that didn’t happen. But it did leave an impact on Louise and wanting to appreciate her dad more and have even more hate for the rich. Louise doesn’t talk about this incident, if anything I’m sure the entire family has made a silent agreement to pretend it never even happened. 

But there are instances where after this event,  Louise will spend a little more time with Bob than how she normally does. Like on a regular work day, she’ll ask if she can work in the kitchen with him, just so he’s around. 

In conclusion, if/when Louise experiences something traumatic she copes by trying to pretend it never even happened. And if someone asks her about it, she’ll either deny it happened or tries to change the subject.

[fialleril]

I know that before JLA and JLU, there was SAS and BAS, but how cool would it have been to have spin-offs of all the original members of the Justice League with their own shows? Lantern and Flash getting prequels, where they're being heroes, J'onn and Wonder Woman getting more integrating shows where they're adjusting to being part of human society, and finding out what Hawkgirl was up to between JLA and JLU.

Oooh, I’m so here for this. Consider:

J’onn’s show is set in the period between his leaving in “To Another Shore” and his surprise reappearance in “Destroyer”. We get to watch him adjusting to life as a human, trying out different appearances and identities until he finds one that fits, and meeting the woman he eventually marries. Also, almost every episode features some kind of supervillain shenanigans, and the big question is always, “Will J’onn be forced to reveal his identity this time?” But every time he either manages to resolve the situation in his civilian identity, or else another member(s) of the Justice League shows up and handles things. Sometimes they figure out who he is and there’s a heart to heart. Sometimes he just disappears into the crowd and goes home to his wife.

Diana’s show has the usual villain of the week bits, but it also deals a lot with diplomacy and big political issues. Climate change is a recurring theme. Also Diana punching fascists. That happens a lot. And because I actually kinda liked the fact that JLU Diana didn’t have a secret identity, consider this: Diana’s mainly used to engaging with “Man’s world” as a diplomat and as a member of the Justice League, but she decides she wants to have more genuine, unscripted experiences, so she goes to the person who she most associates with exuberant, infectious enjoyment of life: Queen Audrey of Kasnia. Every three or four episodes Diana swings by Kasnia and sneaks Audrey out of her palace and then they go out and just enjoy themselves. (Of course, there’s also probably a lot of episodes featuring various political plots in Kasnia, but that’s not as fun.) Oh, and Diana and Audrey totally fall in love.

I think with John, Shayera, and Wally, I’d actually rather see them get sequel shows. Shayera’s time between Starcrossed and her reappearance in JLU is a really interesting open question, but as a premise for a show I feel like it would be pretty depressing, because she’s so completely sunk in self-loathing for that whole time. A younger John prequel could be interesting, with lots of opportunities for space adventures. Ultimately, though, I think JLU left so many things unresolved with him that I’d still prefer a show about him to be a sequel. As for Wally, he really grows into himself through JL/JLU, so I’d most like to see what he does after that. So:

Shayera and John’s plot lines were both so bound up with each other throughout JLU that it might actually work best to give them a show together. Their show would finally resolve the Shayera/John/Mari love triangle, but because I kind of hate love triangles I actually hope it would be resolved pretty early on. It would be cool to see Mari as a recurring character after the inevitable break up, though, and I’d really love to see her and Shayera developing a strong friendship. Other recurring themes in this show: lots of space adventures, ongoing Thanagarian drama, possibly more time travel shenanigans, eventually baby Rex Stewart. Also featuring frequent guest appearances by Wally, Rex Mason, and Dr. Ivo’s android, who has become Shayera’s all-knowing robot bff.

The three part opening episode of Wally’s show features him befriending Piper and then the two of them teaming up against a big bad, and by the end of the third episode Piper’s switched sides and is crashing in Wally’s apartment because his parents kicked him out and now he’s not a Rogue anymore, either. In the next episode some kid named Bart shows up with superspeed and claiming to be from the future. Suddenly Wally’s got a crime-fighting partner and a sidekick. There’s a running gag of people who think Wally eats a lot / talks too fast / doesn’t think things through / etc. meeting Impulse and being just…astounded. Also for probably the first season Wally and Linda dance around each other like idiots. He’s perfectly casual with her as Flash while she gets super flustered, and then as Wally he’s an absolute mess around her while she’s perfectly witty and at ease. Eventually she finds out his identity in some dramatic way and they work things out. The Rogues are regularly involved, and it’s anybody’s guess whether the next episode will feature one of them trying to rob a museum or teaming up with Flash to defeat some other (more genuinely evil) supervillain. There are regular holiday episodes and in every single one the Ultra-Humanite somehow ends up helping Flash bring holiday cheer to a bunch of kids. No matter how often this happens he always acts extremely put upon about it.