#either by entirely not depicting them

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[theswedishpajas]

Magma art dump of random gay Stanley things (Featuring me! Go figure!)

Anything that isn’t in some kind of blue or yellow is by one of my friends

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)

[beneathsilverstars]

i know i was just complaining about stylizing loop's body but i figured that out and moved on and it turns out the head is so much harder 😭 i'm very happy with canon loop head and post-bodycraft loop head but the in-between phase is kicking my ASS and i can't just half-ass it bc figuring out the in-between head is the ENTIRE POINT of this WHOLE PROJECT....

i think part of the problem might be that unlike with the body, i do have an extremely clear idea of what is happening with the head physically and how it would look irl, it's just. a very difficult thing to draw. so i keep rejecting ideas that look good bc they're not my actual headcanon, but then also rejecting attempts to faithfully depict the headcanon bc they don't look good. head in my hands

[hadesknockedupintheunderworld]

A surprising amount of people seem to believe that the true end goal of a strong platonic relationship is for it to be familial (like siblings or like parent and child. Distinctly in a nuclear idea of family), and that the only two possible end goals for strong relationships are to either be family (in a nuclear family way) or to be lovers and it shows

[fideidefenswhore]

It’s a watchable piece of faux history, but the movie does not know what to do with its own heroine, content to leave her to the clutches of its villain: Henry.

yeah, i don’t think i’m going to be a fan of this one. 

[cherrysnax]

horror where person w did is the villain: lame boo tomato tomato

horror where person w did is the final girl (gender neutral):

[tinseltina]

i wish olympus overdrive could've been the webcomic that got a huge following a physical publication and a netflix series instead of lo/re oly/mpus.

[inkskinned]

no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

[prokopetz]

I have all the usual criticisms of the Always Evil Species Who Are Ontologically Okay to Kill trope in RPGs, but I have to admit a soft spot for RPGs that do this trope, except there's only like six of them.

Like, they're explicitly identified as a species, with a name, and they have their own language, culture, clothing fashions, architectural styles, etc., all clearly distinct from any of the setting's mainstream cultures, but to all textual evidence this entire species and culture consists of half a dozen people. There's no indication that they're a remnant of a once-greater civilisation, and in fact they're often depicted as either immortal or very long-lived in a way which precludes that possibility.

I know I'm putting a great deal more thought into it than the authors of the games in question ever did, but I have to wonder how that works. How do you get an entire fully realised culture out of a group of people whose total population has evidently never exceeded a single digit? Is this like an art project for them? Are we dealing with a bunch of evil theatre kids? Was there a discussion about the skulls?

[mebis-reblogs]

Simplifying the five urges murals for better understanding of what's depicted

I have seen some still struggle to understand what's going on on these murals, even after knowing what they represent, so I made these

Karma 1: strife, conflict, wrath

Left is stabbing right with a feathered lance

Right one doesn't seem armed, and is attempting to stop left one from going further

I have said this before but the red feathers remind me of the red cloth on explosive spears

Could be a thematic choice, could be a coincidental artistic choice

The weird blocky many eyed backpack looking thing seems to be connected to the mask, but since it's not entirely fused I decided to omit it for the sake of clarity

Karma 2: procreation, propagation

Seriously what's with the tube

Hand holding within the shirtless sleeve

Fun how the left one's mask has a red veil

Karma 3: bonds, community, exchange

From the hand holding to the shoulder pad boombox, this might be my favorite

Did you know this mural's concept art has them doing either a fist-bump or a finger heart?

Left one is giving (or receiving?) an obnoxiously big necklace

Right one is holding a scroll with the karma 3 symbol (contract? receipt? marriage?)

Right one also has a tail nub (vestigial?) and is also the second one of these to have a stripped pattern

Maybe some benefactors had a stripped skin, just like some humans; some humans are also born with vestigial tails

Karma 4: hunger, gluttony

That's a whole ass rosittere chicken

Or is it a lantern mouse? Unlikely given how much purposed organisms have changed but who knows

Also, 4 tits

Karma 5: self-preservation, ego, survival

Holding two shields to shelter from incoming knives, simple as that

[english-history-trip]

Ever see a depiction of St. George and the Dragon? It's pretty fair to say if you've seen one, you've seen them all: Georgie on a horse stabbing a flailing dragon creature, princess piously kneeling in the background, vague landscape alluding to the homeland of the artist's patron.

The most varied part is the dragons. No one had a real definition for the thing, it seemed. For your pleasure and entertainment, I have ranked some medieval depictions based on how impressive George's feat seems once you see the dragon.

Paolo Uccello, 1456

This is a terrifying beast. The hell is that. Uccello was one of the first experimenters with perspective, so the thing also looks surreal, like it's taking place on Mars, or a Windows 95 screensaver. I would not want to fight that, I would not want to be tied to that. (Sometimes the princess is tied to the dragon for some reason.) 10/10

Horse thoughts: Maybe if I look at the ground it will be gone when I look up

Unknown artist, c. 1505

This is a rare change of form for the dragon; it's the only one I've seen actually flying (or at least falling with style). It doesn't look particularly deterred by the spear through its throat, either. Also, George looks appropriately nervous. On the other hand, it hasn't got teeth, it seems to be fuzzy rather than having scaly armor, and George is bolstered by his army of Henry VII and his children, most of whom definitely didn't actually die in infancy. Still, wouldn't want to fight it, wouldn't want my pet sheep near it. (Sometimes the princess has a pet sheep for some reason.) 9/10

Horse thoughts: I am so glad I wore my mightiest feather helmet for this

Raphael, 1505

We are coming to Dragons With Problems. This guy looks about comparable in size to George, and does have wings, but doesn't seem to be using these things to his advantage (and has he only got one wing?) And how does he deal with the neck? He does have a comically small head, but holding it up with such a twisty neck seems complicated at best. But most egregiously, he is doing the shitty superheroine pose where he is somehow simultaneously showcasing his chest and his butt, with its unnecessarily defined butthole (more on this later) (regrettably). 8/10 bc it's Raphael

Horse thoughts: AM I THE BESTEST BOI? AM I DOING SUCH A GOOD JOB? WE R DRAGON SLAYING BUDDIEZ

The Beauchamp Hours, c. 1401

We had a spirited debate about this one at work. Again, the dragon has gotten smaller, and this one hasn't got even one wing. He's basically a crocodile. So the debate became: would you want to fight a crocodile if you had a horse and a pointy stick? Would the horse trample the animal, who can't get on its hind legs, or freak out and throw its rider? Would the pointy stick be enough to pierce the croc's thick hide? In this case, George seems to be controlling his horse and putting his pointy stick in the dragon's weak spot, so we can be impressed by his skill and strategy. However, his hat is dumb. 7/10

Horse thoughts: Dehhhh

Book of Hours, c. 1480

Here we have the same kind of croco-dragon, but George's focus on his strategy has gone out the window. He's flailing around, not even looking at his target, he's about to lose his pointy stick, he hasn't got a hand on the reins, and his sword seems to only be poking the invisible dragon over his shoulder. All he's got going for him is that his hat is slightly less dumb. 6/10

Horse thoughts: Yay, new friend! Come play with me, new fr- what is happening

Final dragons put behind this Read More for your safety:

Rogier van der Weyden, c. 1432

I'm thinking this guy is at least semi-aquatic. Webbed feet, wings that seem more like fins, bipedal but top-heavy, jaws that seem more for scooping than biting. Maybe she's crawled up here from the nearby body of water to lay her eggs, and this is all a big misunderstanding. Moreover, George's dagged sleeves seem entirely impractical for the situation. 5/10

Horse thoughts: i got my hed stuk in a jar and now it is this way forever

Unknown artist, c. 15th century

I hate this. I hate everything about it. Why has it got human eyes and teeth. Why is its nose melting. Why has it got a dick on its face and balls under its chin. The fin/wings are back but they look even more useless. Also, George is shifty as hell, schlumped over in his saddle with his bowler hat thing over his eyes. The baby dragon at the bottom eating some hapless would-be rescuer is kind of metal. 4/10 at least the thing is gonna die

Horse thoughts: I Have Smoked So Much Crack

Book of Hours, c. 1450

Remember what I said about the buttholes? First, sorry. Second, yeah, we're back to that. I'll admit this one is less about the danger from the dragon itself than the very specific choices the artist has made. They didn't need to do that. It's a lizard. They don't even have. And it's like they had an orifice budget and they skipped an exit wound for the spear to focus. Elsewhere. It's so detailed. And George had an even dumber hat. 2/10 take it away

Horse thoughts: I Have Smoked So Much Weed

Book of Hours, c. 1415

This is just bullying. There isn't even a princess. That is clearly an infant. Look at that smug look on George's face as he swings his sword that's bigger than the whole little guy. This is the equivalent of when DJT Jr. hunted those sleeping endangered sheep. 1/10

Horse thoughts: ....yikes

And this is the previous one, but now the baby dragon is cute. He's chubby. He's got toe beans. He's Puff the Magic Dragon. His eyes have already gone white, implying that George is just kicking its corpse around for funsies. What's the difference between the dragon and the lamb in the background? That the dragon is dead, like our innocence. This George is truly deserving of the dumbest hat of all. 0/10 plus one more butthole for the road

Horse thoughts: Perhaps it is we who are the buttholes.

[thebibliosphere]

I was just playing gotham knights again and noticed some passive dialog regarding Babs having a back brace, which is at least acknowledging that there was damage done, but I'm a little sad for the loss of some really cool disability representation. What are your feelings on her (and on a similar note Batman's) miraculous recovery from paralysis in DC?

I think Gotham Knights handled her disability fairly well, considering this is a universe where magic, nanobots, and puddles of evil green goo that can heal the dead exist. All things considered, it would have been very easy for them to either erase it entirely or just handwave and say, "She worked really hard and got better," as previous iterations of the canon have done.

Because she did work hard and get better, but the hard work is ongoing because they depict her issues as chronic.

She's got a limp (it's the most obvious in her Talon suit with no cape in the way), which means she can't rely on speed or high kicks like the others can (I mean, she can kick, but it's her slowest motion, and until you max out her suit, it's the most liable to get her thrown to the ground), so she falls back on precision and her tech.

Jason punches for maximum pain, Dick moves with dizzying speed, and Tim's gonna sneak up on you and drop you like a rock, but Babs is going for the pressure points with ruthless precision. Not to mention her drones.

The conversation with Tim, realizing she might need help boosting her suit to compensate for her pain/strength issues, is a nice little way of making the player aware that she's got these ongoing problems because, honestly, a casual observer could mistake her back brace for athleisure wear if they didn't recognize the shape of it. It's also a good way of throwing in some exposition about how she's still going to physical rehab and that her PT would like her to "wean off" her back brace, but because her PT doesn't know her actual job as a vigilante, Barbara admits she can't and is essentially finding ways to manage her own care and create her own accommodations. Accommodations which they are all shown to be willing to help with.

It's a nice little touch when superhero narratives tend to revolve around self-sacrifice to the point of self-destruction. Alfred giving Dick into trouble for pushing himself too far and hiding injuries is a nice touch, too, even if it's like trying to bail water on the Titanic with a teacup.

I also like that not only do you see her wheelchair lurking around the Belfry—along with the disability adaptations they put in place, like the ramps, the wheelchair elevator, and the desks that move up and down to wheelchair height—but that she also still uses her chair from time to time.

[ID a screenshot from Gotham Knights showing the Belfry. Light streams in through a giant clockface, showcasing a bank of computer screens. In front of the screen, Barbara Gordon is using her wheelchair as Dick Grayson stands behind her, probably making a bad pun.]

Whether she's using it because she's tired or simply because it's more comfortable than the computer chair is never revealed. Nor is it brought up or commented on. It's just something that's normal for Barbara to do, and I like that. I like that it's normal. It's not a part of herself she's trying to erase. She works with it, not against it.

Is it perfect? No. Do they outright erase her disability like so many of the comics are guilty of? Also, no. I'd argue that, in fact, they kept her disability. They just changed the nature of it.

Barbara now has a dynamic disability, one which fluctuates and requires different management based on her day-to-day (or night) activity. She's in active treatment for it and will be for the rest of her life. Are some of the physical feats she achieves realistic for someone with an injury of her nature? Not really, but again, this is a world where nobody stays dead, and there are zombie assassins coming out of the walls. I'll take the attention to detail and care they put into her story any day over the "Willpower Fixed My Spine" narrative we could have gotten.

As for Bruce getting healed by magic, again, it's Batman. Comic book logic is wibbly-wobbly at the best of times, and realistically speaking, they couldn't leave Batman paralyzed. His whole deal revolves around being stealthy and punching the shit out of people. He wouldn't be Batman anymore, and frankly, I don't trust the comic writers as far as I could throw them to handle that right.

By contrast, the Gotham Knights writers handled Barbara with much more care and nuance than I ever expected. And I'm thankful for that.

---

*I also like that both Dick and Barbara are often shown wearing joint braces. Dick's are especially reminiscent of the way gymnasts and people with hypermobility tape their joints to reduce pain and prevent injuries. It's a nice little touch. They're not invincible. Their bodies hurt. They're just like me but with money and much bigger problems like giant killer robots and zombie assassins.

[spread-the-influence]

OH COOL ! A MASTERPOST !

a horror-comedy fan comic based on The Amazing Digital Circus where ragatha's the host of a parasitical virus and it becomes everyone's problem ! neat-o beans !

* this is also a VERY buttonblossom / pomni x ragatha-centric AU so if you don't enjoy that ship i don't recommend engaging with this sorry

[DISCLAIMER!] while this comic is mostly lighthearted in tone , this comic and au will contain topics that could disturb sensitive readers ! this includes ; graphic violence , depictions and discussions of emotional abuse , depictions of mental health issues , self-harm imagery , obsession , and discussions of suicide . any more specifics will be tagged in the pages , but these are the ones that encompass the Entire comic basically !

( also i hope it's a given that i'm not romanticizing the toxic yuri in this au , )

if any of these topics make you uncomfortable , it's alright to click away or block the #tadc influence au tag .

!! if you want to support this comic , try sharing and talking about it in other platforms OR throw some money at my ko-fi page ! it'll be radical either way !!

LINKS

>> READ THE BEGINNING !

or , if you prefer ...

* TABLE OF CONTENTS ( returning reader or just someone who's not up for scrolling through the tags ? here's the table of contents ! contains links to the comic pages all in one place , any extras , and possible relevant posts in the >>info; tag ! )

* FREQUENTLY ASKED QUESTIONS ! ( questions that i have constantly been asked ! )

* AU POST ! ( for those who have read the comic and are curious about the au — and people that want to spoil the first half of the comic for themselves . i don't judge ! )

* INFO CARDS ! ( info cards for the characters , just for funsies ! will contain blank templates for any ocs (: )

TAGS

[ highlighted are those of relevance + may be interesting ! ]

>>COMIC; - the comic ( be warned things will be out of order )

>>INFO; - specific asks about the au answered !

>>ASK; - old roleplay posts if you want to see em

>>MISC; - answered asks / non-comic stuff

WARNING: ESSAY - mod rambles

>>DOODLES; - doodles from yours truly

>>PRE-FLUENCE; - stuff before the horrors

>>POST-FLUENCE; - stuff after the horrors

>>ANIMATIONS; - ... animations

>>OFFICE LORE; - pre-circus

>>REBLOGS; - ... reblogs !

>>EXTRAS; - some extra or ' ambiguously canon ' comics !

GUIDELINES & BOUNDARIES

READ THE FAQ , PLEASE ! there are some questions that are , well , frequently asked ! so please read the faq and only send an ask if the question's not there

this is NOT an ask blog ! i will sometimes play along with ask blog-esque asks , but that's only just once in a while — so just please only ask me , the mod , for anything about the au !

you can call me mod bee . i go by she/her in this account

keep it impersonal please ! i would prefer if the asks are related to the au , my art , or tadc . i'm fine with being asked about my interests or what i think of something but otherwise , i appreciate if you do not ask about my life or what timezone i'm in .

my art is free to use ! feel free to use it as an icon , in an edit — anything really as long as you don't sell it or it's not used to spread hateful messages ! my only condition really is to credit me

reposts are fine ! just please make it clear that you did NOT create the art and LINK the account . i gave the free rein to repost the art , all i'm asking is to please respect these conditions !

please do not dm me . i do not like dms . any form of communication is only through the ask box .

i am uncomfortable with nsfw asks so please don't send them . i am fine with suggestive humor , though

remember to spread the influence.

[anniflamma]

Trigger warning: topic about SA, aka Im gonna rant about the suitors plan

----

So, I’m going to talk about something I actually dislike ALOT in Epic: The Musical. The whole subplot about the suitors wanting to gangrape Penelope. The more I think about it, the more I realize how unnecessary this addition to the story is.

If you removed it, it wouldn’t change the outcomes of the story at all. Odysseus would still kill them. Nothing has ever stopped him before— neither the infant, Polites’ ideology, nor the fact that he willingly led his remaining crew to certain death while always ensuring his own safety above theirs. But somehow, a group of 20-year-olds is the line he can’t cross????? Like, “Oh no, they’re just rude guests, I can’t kill them!🙁” It doesn’t make sense. Odysseus would kill them either way, they don’t need to be wannabe gangrapists to motivate him. It’s entirely in character for him to do so without additional justification.

I understand why Jorge added this to the story, is to raise the stakes. Odysseus has just defeated the personification of ruthlessness itself (Poseidon) by using a fucking jetpack and punching the god really hard. Symbolically, Odysseus has taken the title of “ruthlessness” for himself. So, what can the next threat be that’s stronger and more menacing than Poseidon? Ah yes.... it's the gangrapists /s

For me, it would be more thematically fitting with Odysseus’ ruthless nature to not have a justifiable "motivation" to kill the suitors. Imagine instead if they were portrayed as having the same youthful energy as Telemachus. Like a bunch of rude young men! And then the story could show an adult man brutally murdering a group of young people with no mercy. Then, the song ends with Odysseus seeing Penelope’s horrified face as she looks around the throne room splattered with the blood and gore of her guests. At that moment, Odysseus realizes he’s messed up, putting his biggest fear, which is Penelope rejecting him (something he expresses in Keep Your Friends Close) at risk of becoming a reality. And then, the musical end with Odysseus begging Penelope to accept him despite what he has become. Like what I said, the outcome will still end up in this moment despite with or no sexual violence. I mean, the suitors wanting to kill Telemachus is enough as a motivation. Ody don't really need that much.

I dunno , I think this would hit harder, rather than "Ahh you saved me from the rapist my husband! Thank you!~😍 " "All for you baby girl~~ 😘"

The gangrape plotline only exists to make Odysseus look good for the audience, making him into the good hero who saves the damsel with zero screentime, and reassures that the suitors are antagonists. But it does also puts Penelope in a position where she has to take Odysseus back, or else she risks being seen as “ungrateful” by the audience. I promise you, if Penelope were to reject Odysseus after he saved her from the suitors, most of the fanbase would despise her for it. Of course, that won’t happen, Penelope will accept Odysseus no matter what he does, cuz that is what her characterization is. She is Odysseus' happy ending, if she rejects him then the story wont have a happy ending.

The sexual violence just isn’t necessary. Especially when Jorge went out of his way to make the relationship between Odysseus and Calypso as vague as possible. There’s no explicit statement in the musical that Calypso assaulted Odysseus, and I’m Not Sorry For Loving You is even depicted in a sympathetic light. That was a deliberate choice. So, why remove and downplay the sexual assault from the original story with Calypso, only to add a sexual assault subplot towards Penelope that wasn’t in the original?

It’s unnecessary. Just let Odysseus commit cruel and ruthless deeds without a "good justification" or feeling bad about it afterward for once.

However, the last saga isnt out yet, so there is a possibility that Jorge have rewritten it. I do hope that he removes it, but at this moment, it looks like it will be in there. Welp, maybe he pulls the rug under my feet with a twist or some sort. We can only wait and see!

[astrophileous]

A Well-Kept Secret

Pairing: Spencer Reid x Female Reader

Synopsis: While working on a case in D.C., Spencer didn't expect to hear a familiar name being mentioned as the sole surviving witness. Or, in which the team discovers Spencer's well-kept secret.

Warning(s): established secret relationship, mentions and/or depictions of death/physical violence/gun violence/injury/attack, signs of trauma, survivor's guilt, curse words, hurt/comfort, nudity but it's not sexual, allusions to sexy times, mentions/implied alcohol consumption

Word Count: 5900-ish

Author's Note: hiya! I decided to write this lil piece after seeing the fic challenge posted by @imagining-in-the-margins abt the family/found family trope. I had a lotta fun writing this one and I think it's got potential to be something more. So pls comment or message me if you wanna see me exploring with this idea (either turning it into a series of connected one-shots or multi-parters). Don't forget to like/comment/reblog and give me a follow :) I hope you enjoy! 💞

Criminal Minds Masterlist

When Hotch had notified the team to haul their asses up and drove all the way to D.C., Spencer never expected that it would also entail him having to suffer through a mini heart attack.

The series of attacks around D.C. had been dominating the 6 PM news segments in the entire country. What was initially perceived as a suspected sequence of robberies gone wrong--since the first two targets to have been hit were a bank and a prestigious auction house--soon turned into a nationwide panic as people realized that there was a bigger game at play.

After the third attack was found to have occurred in the headquarters of one of the top, up-and-coming renewable energy startups in the states, the D.C. police finally started to entertain the idea that perhaps they hadn't been dealing with their usual petty robbers at all.

And naturally, that was when the BAU had been called in.

As soon as the team entered the Metropolitan PD bullpen, they were struck with the smell of panic and the sight of chaos.

"Agent Hotchner?" A middle-aged man in a gray shirt and blue tie appeared in front of them. "My name is Detective Mills, we spoke on the phone."

"Of course, Detective." Hotch shook the other man's hand. "This is my team. Agent Prentiss, Jareau, and Dr. Reid. I have two others already at the latest crime scene. What can you tell us so far?"

"As you can see--" Detective Mills gestured towards the frenzied scene behind him, "--the entire D.C. area is going haywire after news broke out about yesterday's attack. The public is demanding the city to be put on lockdown, and I'm getting pressure from above as well. We received information that nearly half the city has called in sick today."

"A classic response to mass paranoia," Spencer noted.

"Well, paranoia or not, I just want to start getting some answers." Detective Mills began to lead the team further into the bullpen. "I have every pair of hands I could spare in this. If they aren't out there chasing leads, they're here interviewing the victims, friends, and families."

"Any luck so far?" Emily asked.

"Nothing more than what you've probably seen in the files."

Detective Mills pushed open the door to an office in the corner, away from the havoc in the center of the station.

"Lieutenant Jeffreys retired a couple of weeks ago. The lucky bastard." Detective Mills scoffed jokingly. "It's the most decent space I can spare at the moment. Think you'll be fine in here?"

"It's more than enough, Detective. Thank you," Hotch replied.

"What about the witnesses from yesterday's attack? Have you had the chance to interview them?" JJ asked as the rest of the team started setting up.

"Some of my men are with them right now. But I doubt they'll have anything useful. Just like the other two cases, the attack happened while most of the office was out. The rest left behind were DOA at the latest scene."

"They're rapidly devolving," Spencer pondered out loud as he skimmed over the case files. "They went from killing a non-compliant security guard during the first attack to executing almost every witness in the last one."

JJ raised an eyebrow. "Almost?"

"It says here there is one survivor." Spencer showed the word he had underlined in the case overview to JJ.

"Yes, there is," Detective Mills confirmed. "I had one of my men talk to her. There's not much she could give us. Thing is, she wasn't even supposed to be there."

"What do you mean?" Emily asked.

"She didn't work in that office. She was a consultant who just happened to be visiting. Poor girl's pretty shaken up. She hid in a supply closet the entire time. She was the one who found the bodies and called 911."

"So, the perpetrators never checked the rooms while they were holding the victims hostage?" Hotch questioned.

"Not according to her statement, no. See, I thought it weird myself. Do you have any idea why?"

"Not sure." Hotch hummed, deep in thought. "Perhaps our UnSubs didn't think to check because they didn't know someone was in there. Detective, you said all of the victims were the only employees of the company who didn't attend the event downtown, correct?"

"Yeah, they were the only ones who weren't listed as attendees. Why? Do you think those people were specifically targeted?"

"Unfortunately, we can't rule out anything yet this early in the investigation," Hotch said. "We need to talk to the witnesses to know more. JJ?"

"On it." JJ nodded. "What can you tell us about yesterday's sole survivor, Detective?"

"Not much. I didn't interview her personally, one of my men did. She works at a consulting engineering firm in town," Detective Mills replied. "I believe her name is... what is it called?"

When Detective Mills mentioned the name, Spencer's heart instantly crashed inside of its cage.

"What?" His hand had stopped scribbling on the board. In a matter of miliseconds, Spencer had crossed the room towards the doorway where Detective Mills was standing. "What did you say her name was?"

Dumbfounded, the detective stared at a dread-stricken Spencer before spelling out the name once more.

"Why? What's wrong?" Detective Mills asked in confusion.

JJ touched Spencer's shoulder. "Hey, you okay?"

But Spencer, either too alarmed or merely choosing not to acknowledge both questions, asked instead, "Where is she? I need to see her."

"In the waiting room by the pantry--"

Spencer didn't even wait for Detective Mills to form his complete thought before dashing out. JJ exchanged a glance with Emily following Spencer's sudden exit, perplexed by his odd turn of behavior.

"I'll go get him," JJ announced before leaving the room, chasing after a flurry of wavy hair and a wool-knitted purple vest sprinting across the bullpen.

The roaring commotion inside the station was almost loud enough to rival the intensity of your racing thoughts.

Almost.

At this point, you didn't think there was anything you could do anymore. The vivid images from yesterday's attack were playing continuously in your head. There was nothing you could do to stop them.

Rubbing your eyes from exhaustion, you mourned the loss of sleep that you failed to get the previous night. As if the waking nightmares weren't torment enough, the images had somehow translated even more cruelly into your subconscious. You could barely close your eyes for three seconds without feeling like you had been brought back to that place.

Cold, cramped, and alone. Fearing for your life in the tiny supply closet that smelled more like death than bleach.

At the sound of the door opening, you quickly turned around in your seat to hide your face away from prying eyes. The last thing you needed at that moment was having a complete stranger seeing you fall apart in the middle of a police station.

But when the voice came carrying the sound of your name, it wasn't the voice of a complete stranger you had heard. It was a voice you knew more than you probably knew your own. A voice you loved and a voice you had longed to hear for the past gruesome twenty-four hours.

"Spencer?" You turned back towards the door, seeing the face you adored most in the whole world staring back at you.

"Sweetheart."

At the speed of a lightning, Spencer dropped to his knees in front of you and gathered your broken little pieces into his arms.

Spencer's touch was everywhere. Your hair, your neck, your shoulders. As if he was checking whether you were real. That you were actually there inside his arms, and you were not a simple imagination that his mind had conjured up.

Surrounded by the safety of his embrace, you could feel the shattered pieces of yourself beginning to mend once more.

"Spencer," you uttered his name again as you pulled away, still in disbelief that he was physically there with you.

"I'm here," he promised you as he cupped your face gently.

"Spencer, what are you... How..."

"My team is working your case. We arrived half an hour ago," he explained simply. "Sunshine, why didn't you tell me? I thought you were still in Alaska?"

You had previously apprised Spencer that you would be hard to reach during your trip since you would be spending most of your time at the power plant site where cellphone receptions were scarce. So when an entire day went by without him ever hearing from you, Spencer didn't have any reason to be worried.

Never in a million years would he have ever predicted that you'd be caught in the middle of a hostage situation.

That thought alone caused Spencer to squeeze your hand a little tighter than usual.

"I'm sorry, Spence," you said sincerely. "My trip ended earlier than planned. I arrived back yesterday morning. I actually wanted to surprise you last night. After yesterday's... incident, I wanted to call you, but my phone was shot--"

"Wait, what? You were shot?"

"No! No, baby. Not me. Just my phone," you assured him. "But that's why I couldn't call. I did attempt you once using this station's phone, but it went straight to voicemail."

At the new piece of information, the colors immediately drained from Spencer's face.

"That was you? Fuck. I didn't--I didn't know. I rejected the call because I didn't know it was you."

"Hey." You stopped his guilty rambling with a hand to his cheek. "It's okay. I'm okay. I'm just glad you're here."

And then, because Spencer needed to make sure that you really were okay, he pulled you back into his arms and held you even tighter this time.

"Uh, Spence?"

The sound in the doorway snapped you both out of your mutual reverie. You looked up to see a blonde woman there, staring in an equal mixture of shock and confusion at the sight in front of her.

Spencer begrudgingly untangled himself from your arms before getting up to approach her.

"JJ, do you mind if I do the cognitive for this one?" Spencer asked.

The woman--JJ-- shifted her eyes a few times between you and Spencer. "Um, of course. I'll just go and inform Hotch. Tell us if you need anything."

After JJ's departure, Spencer closed the door again to award you both a much needed privacy.

He grabbed a wooden chair from the corner and dragged it before sitting down right in front of you.

"I need to start the interview now, sweetheart. Think you're up for it?"

Your whole body went rigid for a matter of seconds before you forced it to restart again. It was gone as soon as it came, but Spencer noticed it just the same.

"Look at me," Spencer ordered softly, using his delicate finger to nudge your face up until he was looking straight into your eyes. "I know it's scary. I don't want you to have to relive yesterday either, but it will help us catch whoever did this."

"I've told the police everything I knew yesterday. I was hiding the entire time." Like a coward. "I didn't see anything. I don't have anything else that could help you."

"I know that, sunshine. But as I've told you before, our method is slightly different. We won't be just focusing on what you saw, but also what you smelled, or maybe even heard." Spencer took your hands then, squeezing affectionately. "I'll be here with you the entire time."

The nod you gave him was hesitant, but it was a start nonetheless. You listened intently to Spencer's words and closed your eyes just as he had instructed.

"We'll start at the beginning," you heard him say. "Why don't you tell me why you went there yesterday?"

"I, uh, received a call from my friend, Nick, after my plane landed. We had been communicating back and forth since his company seeked my consultation for one of their upcoming projects," you began. "I wasn't even supposed to work because I had requested the day off. But Nick said it didn't have to be a formal meeting, so I agreed to meet him."

"Tell me what you remember after arriving at the office."

Your mind traveled back to that specific time one day prior. You remembered walking into the place and seeing its unusual state of vacancy even though there was still a good half an hour left before lunchtime.

"I just assumed everyone had gone to lunch earlier and shrugged it off," you recalled.

Spencer nodded his head. "Did anything else strike you as out of the ordinary?"

"No? I don't... I don't know. It was only my second time being there, I'm not sure what was normal and what wasn't."

"Okay. That's okay. You're doing good so far, sweetheart," Spencer quickly interjected, trying to get you to calm down before your distress could turn into a full-blown panic. "Now, what did you do next?"

"I followed Nick into his office."

Nick was keeping his promise true. It hadn't felt like a formal meeting, just two old college buddies reminiscing about the past and discussing possibilities of the future that, of course, included the company's upcoming project which you would be working on with him.

"I excused myself to the bathroom at some point," you added. "When I first heard the commotion, I thought nothing of it. It's like the idea that a group full of armed men had taken over the building didn't even cross my mind. I mean, why would it? I was on my way back to Nick's office when I saw them."

You recalled turning a corner after exiting the bathroom only to see those figures carrying machine guns and shouting at everyone to get on their knees or put their hands above their heads. You remembered sprinting the way you had come from and opening the first door you could reach that just happened to be the supply closet.

"Let's go back to the moment you saw them," Spencer urged gently. "How many people were there? Do you remember any conspicuous detail? Maybe one of them had tattoos or spoke with an accent. Anything that distinguished them."

Taking a deep breath, you tried replaying those crucial seconds slowly in your head.

"There were four of them. I couldn't see much. They were all wearing identical black clothes."

Suddenly, an unexpected piece of memory rushed to the front of your mind. You opened your eyes in shock, meeting Spencer's curious gaze that had been kept intently on you the entire time.

"I think at least one of them is a woman," you told him.

Spencer's eyebrows rose in surprise. "Are you sure?"

"One of the guys said something about... fucking this place up. And then she laughed. I heard her. It was definitely a female laugh."

"Good. That's good."

"Yeah? Do you think it'll help?"

Spencer nodded assuredly, bringing his hand to leave calming strokes on your head. "I know it will. You've done a great job, sweetheart. I'm proud of you."

The praise Spencer gave eased the tension in your shoulders. As if having been granted fresh air after decades of confinement, you were finally able to let yourself breathe again.

Spencer continued his loving strokes on your head. Little by little, the weight of his touch melted the resolve you had built into a pathetic puddle on the floor. Without its mental shield protecting you, your tears sped forward, gathering in your eyes until they spilled on the vast path down your cheeks.

"Hey, hey." Spencer's voice was laden with panic after seeing you start to cry. "Sunshine, what is it? What's wrong? Talk to me."

"I-I just... God." You struggled to get the words out in between sobs. "I'm a coward, Spencer."

"What?"

"All of those people... They died because I was a fucking coward."

Your admission tore into the air before stabbing Spencer right through his chest.

"Sweetheart, you know that's not true."

"But it is!" you cried out, pulling away from Spencer's grounding hold around your shaking body in favor of your own arms. "I was a coward. I ran and hid because I was too scared to die. Too scared to fight. If I had just tried a little harder, I could've called for help. That way, maybe all of those people wouldn't... And Nick wouldn't..."

A haunting image flashed behind your eyes. The image of Nick's limp and lifeless body on the floor, among those of the others. You remembered crying next to him, punching his chest, body, and arm despite having seen the gunshot wound on his forehead. It took you another five minutes before you eventually managed to gather yourself together, found a phone, and dialed 911.

Not that it made any difference. They were all already dead.

Spencer could hear his heart breaking at the sight of you curling into yourself, recoiling from his touch because you somehow believed you didn't deserve his affection at that moment. If Spencer could just transfer all of your pain towards him, he would. Seeing you beat yourself up that way over something that happened and was done to you was the worst kind of torture he ever had to endure in life.

And Spencer had been through more kinds of torture than the general population in the world.

Deciding that he had seen enough of your self-deprecating torment, he reclaimed your hands inside of his palms and urged you to look at him.

"Are you hearing yourself right now?" Spencer asked incredulously. "How can you even think that way? Sweetheart, what happened to those people, to Nick, it is not your fault."

"B-but, if I hadn't run away--"

"Then you would've died, too," he cut you off. "Sunshine, there were four of them with machine guns. No one stood a single chance against them. Those people were there to kill. There was nothing you could've done."

It was a hard pill to swallow, but Spencer needed you to hear it.

He needed you to know the truth no matter how unacceptable it was.

"If you hadn't hid from them, we would've found seven bodies there instead of six. And I--" Spencer took a shuddering breath, "--I would've lost you."

Your shoulders deflated at his revelation. "Spence--"

"So please--" he searched your eyes then, using his thumb to sweep away the remaining tears under your eyes, "--stop holding yourself accountable. I promise I will do everything I can to find those people and make them pay for what they did."

Spencer's vow triggered a new wave of tears that compelled you to sink into his awaiting arms. He let you stay there until you had cried your tears dry. It was something he also secretly needed for himself after suffering through the short-lived horror over the mention of your name in relation to the heinous case. He just needed to make sure that you were okay.

A few minutes passed by with you in his arms. Eventually, Spencer had to tear himself away to finish his job. He asked you to wait as he wrapped up the transcript of your cognitive interview, along with his professional report over it.

"I need to run somewhere real quick. I promise to be back in a couple of hours," he notified JJ as he handed her the interview report. "Tell Hotch for me? Thanks."

Without waiting for his friend's reply, Spencer rushed back to the waiting room before leading you out to take you home.

Back at your apartment, Spencer guided you towards the direction of your bathroom as soon as you had stepped into the threshold.

"Are you trying to get me naked, Spencer?" you remarked playfully after he refused to let you take your clothes off yourself.

"Yes." The gleaming mischief in your eyes caused him to flick your nose lightly. "Just to get you ready for your bath. Get your head straight, will you?"

You scoffed at his back as he turned around to check the water temperature in the tub.

Once you were submerged safely inside, Spencer left the bathroom to give you some privacy. Meanwhile, he began rummaging through your drawers to pull out a change of clothes, a towel, and a clean sheet for your bed.

By the time you exited, Spencer had changed your bedsheets and lit one of your favorite candles on the bedside table. He asked you to sit down on the bed as he kneeled before you, helping you put on the pajamas he had picked out with little prints of sunflowers on them.

None of Spencer's touches were sexual. They swept over your skin with the care of an artist handling their most precious work. When his eyes found yours, you swore you could almost cry from the intense adoration that seemed to shine so brightly out of them.

As he guided you to lie on the bed, you were surprised to see him following suit. He got under the covers with you, pulling you close to tangle every inch of your limbs with his.

"I love you, Spencer," you admitted to his chest, heart heavy with the deep appreciation and overwhelming affection for the man beside you.

Spencer looked down at your confession, finding his favorite pair of eyes already looking earnestly at him. Instinctively, he reached for your chin with his fingers, tugging your face upward until he could capture your lips with his.

The kiss was slow. Careful. Filled with silent promises and discreet reassurances. When you both parted, Spencer didn't pull himself away. Instead, he let his forehead touch yours while his eyes stayed closed.

"Will you be here when I wake up?" you asked quietly.

"Yes, sweetheart. Now go to sleep."

Although the two of you knew his answer was a lie, you both chose to pretend otherwise. You knew Spencer still had responsibilities to fulfill, along with a promise to you that he intended to keep. You knew that when you woke up later that evening, Spencer would already be long gone, and you would be forced to bask in the traces of himself that he had left behind.

But for now, Spencer was still there, in the comfort of your bedroom, lying on the bed next to you. And that knowledge alone was good enough for you to finally drift further into the land of sleep, surrounded by the warmth of Spencer's loving embrace.

"I'm telling you," JJ insisted, looking at her entire team minus Spencer and Hotch. "There was definitely something going on between them. Why else would he request to take over the cognitive for me?"

"Maybe he was feeling generous," Rossi deadpanned, earning an unimpressed glare from JJ.

It had been a full week since the BAU team had arrived in D.C. to investigate the series of gun attacks in the city. Just the day prior, they had successfully made their fourth arrest, bringing this case to yet another satisfying conclusion in the eye of justice.

If nothing else was amiss, they should have been on their way back to Quantico in less than an hour. In the meantime, though, JJ felt obliged to gather her team members in the middle of the bullpen to share her suspicion about a certain scene she had accidentally caught on their first day working the case.

"Pretty boy did seem more emotionally involved in this case than he usually does, though," Derek pointed out.

"Right? Right?" JJ replied almost too enthusiastically. "Come on, aren't you guys at least half as curious as I am about who this mystery girl might be? Don't you wanna try finding out who she is while we're still here?"

They all stared at each other in hesitation.

"Or, we could just ask Spencer directly and let him explain?" Emily suggested, receiving incredulous looks from the other three in response. "Yeah, you're right. What did you say her name was again?"

"I don't remember," JJ answered.

"It must be listed in the files somewhere, right?" Derek immediately sprung into action, reaching towards the scattered case files that might contain the name they were looking for.

"Just to be clear, I am not taking any part in this." Rossi sighed.

"Got it!" Derek waved the offending file in hand, giving it to JJ, who instantly began skimming over it.

"Alright. Says here that her name is..."

JJ read the name aloud when unexpectedly, an answering sound sprouted from behind them.

"Yes?"

Every single one of them turned in shock at your voice. You smiled at their wide-eyed expressions, waving your hand a little awkwardly in the air.

"You!" JJ exclaimed.

"Me?"

Emily nudged JJ in the ribs, making the blonde woman wince.

"Y-you're the witness from the startup case, right?" JJ said, trying to rectify the situation.

"That's me."

"What can we do for you, Miss?" Rossi asked, stepping forward and away from the rest of the group.

"I'm actually looking for Spencer. Do you know where he might be?"

"Spencer Reid? You know Reid?" Emily asked.

Before you had the chance to reply, the man in question came strolling into the bullpen, rambling animatedly to Hotch who was walking beside him. The moment Spencer caught sight of you, though, he immediately abandoned Hotch's side and rushed towards where you were standing.

"Hey, what are you doing here?"

"Looking for you, of course," you told him, fitting yourself easily into Spencer's side as his arm went around your waist. "Hi, Hotch."

The older man called your name in greeting. "I got your message. You wanted to talk to me?"

"I wanted to ask you--well, all of you, actually--" you glanced around at the other team members, "--if maybe you all would let me treat you to lunch? As a thank you for your hard work on the case."

Hotch nodded in response. "It's fine with me. We don't have to be back until tonight, anyway. Everyone?"

Instead of replying to your offer, Emily voiced aloud the question that was circling everyone's mind.

"You know her?" Emily looked at Hotch before dragging her eyes away towards you. "And you know him? You know each other? How?"

You gazed up at Spencer's eyes, seeing them shining with the same mirth as the one you felt dancing in your stomach.

"I guess this is supposed to be the part where I introduce myself, isn't it?" You chuckled.

Extending your palm, you shook each of their hands while telling them your name, them responding back with theirs even though you already knew who was who long before you had even met them.

"I still don't understand," JJ admitted after you finished shaking her hand. "How did you know Spencer and Hotch?"

Once again, you looked into Spencer's eyes, a question bouncing around in yours. Spencer's nod of affirmation was the only go-ahead you needed.

It's time.

"I'm Spencer's girlfriend."

"She's my wife."

You turned your head towards Spencer in shock.

In front of you, Spencer's teammates were causing an uproar.

"Wait, what?" Emily stared dumbfoundedly.

"You have a girlfriend?" Derek asked in disbelief.

"You're married?!" JJ shrieked.

"Hold on a second," Rossi interjected, holding his palms out as if to tell everyone to stand down and calm themselves. "So which one is it? Girlfriend or wife?"

And that was how you found yourself sitting in the private VIP room of your favorite restaurant in the city with some of Spencer's closest people on earth.

"That's the craziest story I've ever heard," Emily pondered in astonishment.

Rossi, Derek, and JJ were all wearing an identical look on each of their faces after hearing the story of how you and Spencer met: by drunkenly getting married in Vegas after only knowing each other for barely one night when you both weren't even twenty-two yet.

"If someone were to tell me yesterday that there's another member of this team who also went to get married while drunk in Vegas, I would have never even thought of mentioning Spencer's name," JJ mused.

At your curious expression, Spencer explained, "Rossi also got drunkenly married in Vegas to his third ex-wife,"

"Why didn't you two get a divorce?" Emily suddenly asked.

It was something that everyone who knew about your situation with Spencer had questioned at one point or another. The real answer was because you and Spencer had both been reluctant to go through the nasty and lengthy legal process of getting a divorce. Therefore, you decided to part ways without doing anything about it, vowing to only track each other down if one of you ever needed to end the bond because of another impending marriage or any other urgent matter.

But that reason alone was usually not enough to appease people's curiosity. And over the years, you and Spencer had poked fun over that particular fact by coming up with the most outrageous lie you could muster up.

"She wanted to get a divorce," Spencer fabricated smoothly. "I persuaded her otherwise because I had this inkling that someday we were gonna fall in love."

Usually, any other people would coo sweetly at Spencer's statememt.

But these weren't any other people. These people were Spencer's family in more ways except flesh and blood, and even without their profiling skills, you knew they could see right through Spencer's little deception.

"That sounds like bullshit to me. Doesn't that sound like bullshit to you?" Emily asked, turning to JJ for support.

"Yeah, that was bullshit, alright," JJ claimed vehemently, prompting an innocent-looking grin from Spencer and a series of chuckles from everyone else.

"When did you two start dating, then?" Rossi spoke up from one end of the table.

"About two years after Vegas, right?" you estimated, to which Spencer nodded in confirmation. "He strolled into my place of work while he was on a case, and then he asked me out."

Derek sat up on his seat after hearing the new information. "Wait, when was this? Why didn't I know about this?"

"The beginning of my second year in the BAU," Spencer offered. "Elle knew."

"Elle? Elle Greenway? You told Elle but not me?" Derek looked offended.

Spender shrugged nonchalantly. "Elle was assigned with me that day."

"Unbelievable." Derek slumped back down in his chair. "Penelope is gonna freak when she finds out what she missed today."

"Penelope? Oh, she already knows," you told him.

That revelation earned a collective disbelief look across the entire table.

"Yeah... I, uh," you cleared your throat, "I actually just went shopping with her two weeks ago."

"You've got to be kidding me," Emily muttered.

"You told Penelope but not me?" Derek sounded hurt as he pointed his accusatory stare at Spencer. "You even told Hotch!"

"I didn't tell Garcia. She dug through my history and found it out herself. Had to bribe her with candies and chocolates for a whole month to keep her quiet," Spencer grumbled. "And I had to tell Hotch. We needed to add her number to my emergency contact list."

Despite Spencer's concise explanation, Derek still seemed unsatisfied by the whole ordeal.

"How long have you known?" he finally decided to ask Hotch.

"A while," the man answered from his seat at the opposite end of the table from Rossi. "They even babysat Jack a few times for me."

"I don't believe this," Derek scowled. "Pretty boy's got himself a girl for the last six years, and I never knew? Outrageous."

"Technically, we've been married even longer than that," Spencer responded, as if he was unaware of the imminent glower that Derek was sending his way. "Eight years since Vegas."

"That's longer than any of my marriage," Rossi remarked before sipping his drink.

The laugh that resonated upon Rossi's little comment elicited an affectionate smile on your lips.

"So, you live in D.C., then?" JJ asked, at last stirring the conversation away from the topic of your and Spencer's secret marriage-slash-relationship.

"I do, yeah. But most of the time, I live out of my suitcase," you answered. "My firm has clients all over the country. A few overseas, as well. I'm lucky if I even get to have an entire week to sleep uninterrupted in my own bed."

Even then, you truthfully quite enjoyed the work you had to do. You didn't mind having to travel some place new every other week. In fact, you somehow believed that your constant need to travel for your job, and Spencer for his, was one of the reasons why the two of you worked so well together.

Although people might think that two adults who had to travel for a living were a recipe for a disastrous relationship, you and Spencer had so far proven otherwise. Because of your respective schedules, you could sympathize more with the other anytime they had to go somewhere urgent for work. It only made you savor every single second you spent together because of how much precious each one of them became.

The rest of lunch unraveled with the same bucket of smiles, jokes, and laughter. It felt good to finally tell the few people who meant the world in Spencer's life the truth about your relationship. It was also a huge relief to see them opening their arms and welcoming you into the family without an ounce of hesitation.

"Hotch?" Spencer called out after everyone exited the restaurant. "Will it be okay if I stay in the city for one more night?"

"As long as you promise to be back for tomorrow's briefing," Hotch reminded sternly, but the meaningful look he passed over you before he entered his vehicle spoke of a thousand things left unsaid.

"It was so nice meeting you," JJ said as she took you in her arms. "And I'm sorry again about your friend."

"Thank you. And thanks for all of your hard work in catching those guys."

"Of course, it's what we do." JJ smiled as she pulled away. "Invite me and Emily the next time you and Penelope hang out, okay?"

"Will do," you promised.

You watched as every single one of them scrambled into the two black SUVs, waving your goodbye until the cars drove out of your sight.

"I think that went well," you commented before looking up at Spencer. "Do you?"

"I think it went as well as it could."

"So--" you began, circling your arms around Spencer's neck, "--we have more than twelve hours until you're expected back at Quantico. What do you wanna do?"

Spencer nudged your nose with his. "I can think of a few activities we can partake in."

"Really?"

"Really."

Just as he was a hairbreadth away from pressing his lips to yours, you suddenly tore yourself out of Spencer's arms.

"Like getting some frozen yogurts?" you asked giddily, smirking at the dumbfounded look that you managed to put on Spencer's face.

"Fine. Let's go get some frozen yogurts."

Spencer had to hide his amused grin at your elated squeals. He was more than content at that moment to let you produce those addictive sounds at the mere prospect of frozen yogurts.

But later that night, he had a whole different set of activities lined up to pull those same sounds out of you once more.

And it might or might not potentially involve an entirely different yet creative use of frozen yogurts as well.

Spencer simply just hadn't decided yet.