#edit: fixed some of the proportions :p

[amelia-yap]

persuasion skills 101

[hillnerd-art]

how to draw faces

So awesome human being @smallpumpkinboi​ posted an wonderful WIP sketch earlier and said ‘Can someone please explain to my why, everytime, without fail, my eyes are always too high??’ I offered to give my two cents, and asked if it was ok for me to make it a public post- they said yes :) This ended up going long- but hopefully it’ll be handy for people. :D 

BEFORE YOU DRAW- some tips to keep in mind:

1) do some warm ups! (sketches and drawing exercises)  yup! artists need warm-ups just like athletes! :D)

2) Get the structure drawn first!  don’t get into details, shading, or color until you have the structure DRAWN (Aka, the major features are all placed, the pose is in place etc)

So let’s look at some heads, y’all! :D

what’s with that ball so many people draw before they do a portrait? You know the one:

In and of itself it’s confusing. It’s like,  Faces aren’t shaped like this. Where am I supposed to put the eyes? The mouth? The nose??  HERE ARE SOME HEADS I VERY QUICKLY DREW USING THE ‘CIRCLE METHOD’

Wait a moment! Do you see what’s going on? Do you see how I messed up? OH NOOOO - I wasn’t using the circle method consistently! Look at those proportions!!! Look at the placements! There’s all using different ratios!

Look at how the noses were placed in different ways

Omg! And the eyes too. 

Oh my gosh! What do I do to fix this? How can I do it the same every time? Which is the RIGHT way to draw a face?

Want to know how to draw using the PERFECT ratio?

Here’s THE secret:

THERE IS NO ‘PERFECT RATIO’

Depending on the face shape, depending on the style of drawing, age of the character being drawn etc. you might change up the placement of eyes, noses, mouths etc. But the one thing you need to know is:

Faces and heads are all different.

Some people have tiny little squished faces, some people have LONG faces. They’re all different.

‘AHHHHH!’ HILL- YOU ARE MAKING THIS MORE CONFUSING FOR ME!!!’

I know! I’m sorry! But wait wait wait. I’m getting to stuff that’ll help. I swear!

Even though there’s ‘not a perfect ratio’ there are ratios that play into certain styles better.

Cartoons, especially, can be all over the place on how they do ratios. Like, look at Prince of Egypt and how they place the eyes SUPER high on heads- vs, like, Disney- who likes to place eyes for heads super low (they love to give women the proportions of doe-eyed children.)

            __________________________________

A ratio I generally like is what I use for REALISM/REALISTICALLY PROPORTIONED PEOPLE

Here I’ll be going into a general breakdown of the proportions for an ADULT head.  

Remember- every face is different!!! There is ENDLESS variety to faces. The variety can and does affect every feature- from eyelids, to noses, to brows, to foreheads etc.

These varietes vary person to person, and also there are varieties and commonalities you see more often in certain populations- be it race, sex, or ethnicity. 

I am not giving examples of ALL these varieties here today as this is just a general guide to proportion. However if anyone wants me to go more in depth on this topic I’m happy to. :D Let me know in the comments.

________________________________

THE PROPORTIONS OF A  HEAD

                  __________________________________

NOSE

            ________________________________

EYES AND EYEBROWS

               ________________________________

JAW, CHIN and MOUTH

             ________________________________

EARS

            ________________________________

WE TEND TO THINK ABOUT DRAWINGS IN A 2-D WAY

Which makes sense. It’s a 2-D drawing!

BUT HEADS ARE 3-D

Heads are a three-dimensional object. When it’s a straight on portrait like above you can get away with not thinking about it as much. A bit of shading here and there- and bam! You drew a face! :D 

 But what about when that dang head has the AUDACITY to TURN?

All of a sudden it’s a whole lot harder to draw.

            ________________________________

3/4 VIEW OF HEAD

ahhhhhhhhh the proportions feel different now!!!! 

DON’T BE SCARED. They aren’t different, they have just TURNED. 

Ron here has slightly different proportions to Hermione up Above. 

He has a longer face, longer nose, a bigger more defined jaw, slightly lower brows, thinner lips  etc.(

I made the ‘circles’ the same size- but in reality- his head is bigger than hers. REMEMBER!!! People have different size heads!)

But even with all that, a ton of his proportions are the same as hers.

When you turn a head, the main things people forget to take into account are:

And some are getting FORESHORTENED- aka- they look all SQUISHED AND SMALL.

a lot of the time with my ‘cartoony lines’ this little sliver disappears altogether.

Even though there’s suddenly foreshortening happening to the features of the face

YOU CAN SUDDENLY SEE SOME THINGS BETTER

BROW BONE

EYELIDS, BROW BONES AND BROWS ARE VERY VERY VARIABLE FOR PEOPLE- LOOK CLOSELY AT IMAGES OF DIFFERENT PEOPLE OF VARYING RACES, GENDERS, SEXES ETC.

Again, this is just a general guide.

So now we’re going to look at  @smallpumpkinboi​ ‘s awesome WIP piece

(gonna refer to them as SPB when talking about them later :) )

LET’S PRAISE THIS DRAWING, BECAUSE IT HAS A TON TO PRAISE

As you can see, they have been VERY SUCCESSFULLY using the ‘circle method.’

They have some wonderful proportion going on! Look at those brows, eyes, nose and jaw! They are very well placed.

Also, look at some of this early shading they started? It’s very effective and really gets across MASS well. :D 

Also, the expression? It’s really well done. Like, super arresting!

You should be very proud of this Work in Progress, SPB!!! 

Earlier SPB said “Can someone please explain to my why, everytime, without fail, my eyes are always too high??’”

Your eyes are NOT necessarily ‘too high.’ 

I think what’s happening here is you are applying ‘straight on 2-d proportions’ to a turned head, but aren’t entirely familiar with how to do this. This is making you struggle a bit with certain features when they are at an angle.

Source images are very helpful, but also remember that source images can be at weirder angles than just a head turning left to right.

The image you were working from was actually INCREDIBLY challenging, as not only is it 3/4 view, but the model’s head is slightly turned UP.

look at all that angle happening! super hard to draw :P

So the artist has a choice here: 1) change the drawing so it matches the pose

2) use the source image as inspiration for color/shading/expression- but find a simpler pose to work from that more matches the angle drawn.

Either choices is a valid one! :D But it’s probably easier to do #2

So here are some things you could edit

And define the brow bone, so that it hits the corner of the eye. That’ll fix your ‘eyes too high’ problem really quickly! :D 

For a drawing of a face, the eyes are correctly placed as far as height goes!- but they are very different from the proportions of the model.

For future drawing keep in mind proportions- like eye distance, mouth size, and think about defining jaw/ear shapes. Getting structures  (like eyes, ears, mouth and nose) firmly in place before you start shading/putting in details will help a lot! :D

HOPE Y’ALL FOUND THIS HELPFUL

If ya’ll would like other tutorials, or want help with your drawings, let me know! :D 

My hands aren’t all the way well, but I’m the road to recovery and love helping people- so while I can’t draw-draw much right now, I can do this! 

[foreverzerodragon]

My finished Loki painting study 💪 As I was close to finish it I discovered more and more things to fix, like colors and proportions. Cannot avoid looking at it and compare with the reference a lot of times 😅 I was planning to do it as a "quick study" and focus on things like colors, lights and shadows, but ended up adding more and more details... 😐 Also as the reference was "blurry" I decided to make the same "movie/cinematic effect" to my painting so I added some noice and high-pass. The painting itself was almost completely done in one layer. I used only one more layer for the black movie bars, and in the end some more layers for the color correction, noise, contrast and high-pass. Only used two brushes from the Colorpedia Deluxe Brush Set by @renderwave_colorpedia and @redrighthandcomics I hope you like it because I'm really proud on how it ended up 😁 (likes, comments, shares and saves much appreciated and welcome 💚) I will try to upload the process video 🎥🎬 in the next days after I can edit it properly (it was difficult to record because my recorder didn't really help me 😑) . . . #Loki #Laufeyson #thevoid #variant #tva #multiverse #marvel #1layer #SebF #ForeverZeroDragon https://www.instagram.com/p/CRfVQYsDBhf/?utm_medium=tumblr

[artistic-writer]

Forged in Ireland

Title: Forged in Ireland by @artistic-writer Rating: P for penis innuendo and T for its real rating. Summary: Humourous Forged in Fire AU. Four novice bladesmiths, three of them Irish, compete in one of the toughest competitions of its type, Forged in Fire. Killian Jones, his brother Liam Jones, Graham Humbert and David Nolan. Who will win? Who has the skills to best the other men? A/N: Thank you to my kickass beta, @hollyethecurious - I’m posting this for @kmomof4 who i promised a fic to yesterday, but them posted a whump fic instead.  No one dies in this one ;)

Taglist: @resident-of-storybrooke @hollyethecurious @kmomof4 @hookedonapirate @winterbaby89 @courtorderedcake @cocohook38 @branlovesouat @teamhook @snidgetsafan @sherlockianwhovian @shireness-says @wingedlioness @lenfaz @therooksshiningknight @ilovemesomekillianjones @bmbbcs4evr @blowmiakisscolin @deathbycaptainswan @onceuponaprincessworld @chinawoodfan @seriouslyhooked @snowbellewells @doodlelolly0910 @darkcolinodonorgasm

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"Great men are forged in fire. It is the privilege of lesser men to light the flame."- John Hurt

They had never met until now, apart from Killian and Liam, who were brothers. Graham, a tall, curly haired, blue-eyed bulk of a man, was also from Ireland. The three of them had made it through to round two of one of the toughest competitions currently aired on American television. Forged in Fire. Four bladesmiths competing against the clock for the grand prize, which, as they had all learned when the fourth competitor, David, had been eliminated, was much tougher than they had anticipated.

“We’re sorry, David, but your blade did not make the cut.”

Red-faced and in slight shock, David had gathered his tools and left the studio, or the forge as it was known. He hung his head as he walked out of the room, metal tools rattling in his tool bag, lifting it again as he had been instructed by the production team. They were going to put a slow motion shot of him leaving and they wanted him looking tall and proud, his own opinion on getting eliminated voicing over the sequence.

“It’s tougher than you think, and I respect the judges. It was the right choice. I just didn’t make the best knife today and that’s okay because I’ve learned a lot.”

“David’s knife was good,” Graham whispered to Liam, their forges right next to each other back in the studio. “I thought I was going for sure.”

“Aye,” Liam muttered under his breath with a nod, setting his footing into a wider stance behind his anvil.

“This is tough,” Killian whispered to both of them, tucking his chin to his chest to hide his words.

“Bladesmiths!” Wil Willis bellowed out over the forge, making all three men turn to face him. “Round two,” he grinned devilishly. Killian gulped. “You have three hours in which to attach handles to your weapons using the items offered to you,” he motioned to the well-dirtied metal racking in the corner of the room, stacked with offcuts of all kinds of materials, “turning them into fully functioning weapons for our judges tests, which include a rope slice and sleeper chop.” Liam, Killian, and Graham all followed the motion of his arm, eyes scanning the pieces of odd materials. “But,” he added dramatically, and they all returned their gaze to him. “They must include a guard and an element from this.”

They all held their breath as the host reached for the silky red sheet covering an oddly shaped object. With a flick of his wrist, the material fell away to reveal a huge, brass ship propeller sitting neatly on the table in front of them.

“Oh, Jesus,” Graham uttered, his words lost on a chuckle.

Killian looked over to his brother, both ex-naval men, and smirked. It was ironic, in a strange way, that the thing that had carried them across oceans would now, potentially, sink them.

“Bladesmiths, your three hours begins...now!” Willis yelled and all three men scurried to the pantry.

“I have no idea what I am going to do,” Graham mumbled to himself. His blade had received the most attention from the judges because of a slight warp in his tang. He could fix this easily by hiding his tang in a cylinder of material as a through tang, but which to choose? His eye scanned the shelves, flitting back and forth before he fixed his gaze on some deer antler. It was big enough to drill and shape into a comfortable handle, so he grabbed it before either Jones brother had a chance to.

Killian went to the top shelf immediately, spying some Micarta. It was one of the strongest materials and would stand up to the tests set out by the judges, but as he reached for it, so did Liam. They both looked at each other with a smirk, fingers holding the grey material tight.

“Age before beauty, brother,” Killian quipped with a wry grin, releasing his hold on the scale.

“No, no, I insist,” Liam said with a nod, offering Killian the piece. “Shit before the shovel, little brother.” He’d uttered the words under his breath, and they would probably be edited out of the final cut of the show, but it was mostly lost in Killian’s laugh. “Here, take it. For your little knife,” he smiled.

“I assure you, brother,” Killian began, pushing the Micarta back into Liam’s hand. “My knife, much like other things, will be much bigger than yours.”

Liam took the Micarta with a smirk, heading back to his workbench, whilst Killian grabbed some African Blackwood. It was strong and would fit his blade well, the rustic, camp knife style with a Celtic twist. Traditionally, Celtic knives were shorter, more like a small dagger, with a single loop handle and leather wrapped handle, but the shows specifications meant he had to go bigger. Killian had made a Viking Seax, a single edged blade with, traditionally, a handle made of natural materials, a knife style that had a reputation as a great chopper.

“I’ve made a Seax. It’s strong, and it’s a great chopping blade that will knock my brother right out of the competition. I’m going to cut off a piece of the prop, flatten it out and slide it between the scales and my tang, giving my handle a third layer.”

Killian ran to the tool bench, eyes searching over the dusty surface until he found what he was looking for. The grinder, fitted with a diamond cutting disc, was in his grasp before he could blink, and he then ran to the propeller in the front of the forge.

“Looks like Killian is taking a huge chunk of that flat edge side of the prop,” said David Baker, historic weapons expert and advisor to Hollywood.

“He is most likely going to flatten it out and use it somewhere in his handle,” J. Nielsen, another of the judges, pointed out, watching Killian whizz across the room with the section of propeller he had ground off.

Killian was at his anvil in a second, gripping the brass in his tongs and whacking it flat with his blacksmith’s hammer. The sound of metal on metal rang out, a bead of sweat on Killian’s brow falling to his anvil. The forge was hot, heat from the four propane forges still lingering in the air, and with each collision to his anvil, Killian felt the ricochet in his wrist and his forearm.

“Hitting that brass a little hard there, brother?” Liam teased, brushing past Killian with his own part of the propeller. He had popped off the boss cap, unscrewing the bolt that held the shaft in place, testing the weight in his hands. “When are you going to learn that hitting something harder doesn’t always yield the best results.”

“And when are you going to learn, brother,” Killian began, grinning from ear to ear with a filthy smirk. “The force from a hammer is proportional to the size of the tool. I cannot be held accountable if my tool is bigger than yours.”

“So you say,” Liam sniggered, shaking his head at his brother’s cockiness.

“Have you ever heard a complaint?” Killian raised an eyebrow at his brother who met his comment with silence. “I didn’t think so.”

“Layers will add integrity as well as a sleekness to my blade. I’m going to slip the brass under the scales to give my knife a really sexy look, kind of like a brass vest under a wooden jacket.”

Once he had the brass as flat as he could get it, Killian got back to his table and set about tracing the holes of his tang so he could drill out the brass and African Blackwood. Killian knew Liam’s plan. He had already watched him put a thread on the end of his tang so he could just screw the brass bolt in place and shape it on the belt sander. It was ingenious, really, but Killian liked the challenge of creating the perfect handle for his blade.

Glancing to his right, Killian spotted a frown on Graham’s face.

“Uh oh,” Willis thought out loud, spying Graham’s mistake instantly. All three of the judges followed his nod of direction, sucking in mouthfuls of air through their teeth in a triple wince. “Looks like Graham has messed up his material.”

Graham, in his haste to repair his warped tang, had misjudged the size and angle of the hole needed in his deer antler and had managed to drill right through the side of it. He sighed audibly, shaking his head from side to side before swiping his hand over his brow. Antler dust stuck to his sweaty forehead and the muscles in his jaw ticked.

“You can fix it,” Killian encouraged, his voice shaking Graham from his self directed rage. “Get some dust and epoxy,” he instructed selflessly.

It was like a lightbulb went off in Graham’s brain and he rushed to the saw, gathering what dust he could so he could mix it with some epoxy resin and steel dust. His handle would be off colour, but it would be functional, and that was the most important part of the competition.

“Thanks, mate,” he called to Killian who simply gave him a nod of assurance.

“Did you see that?” Willis asked the judges, directing his question at Doug Marcaida, an edged weapons specialist. “Killian just helped his fellow competitor.”

“He’s a source of inspiration,” Doug nodded humbly. “Great men are forged in fire,” he began, pointing out Killian who continued to work on his blade handle with a stern focus. “It is the privilege of lesser men to light the flame.”

“Did you just quote Doctor Who?” David Baker asked his colleague, aghast the man had delivered such a poetic quote from a TV show character.

“John Hurt,” Doug laughed. “As Doctor Who.”

All three men were at the same stage. The materials they had collected had been sized and cut into a rough shape using the huge bandsaw, and they are all currently hunched over their workbenches mixing epoxy. Two syringes full of the two resins were squeezed into each other on a flat surface, mixed with a flat spatula made of wood, the chemical reaction happening almost instantly. Graham added his dust to the epoxy, turning it into a lump consistency that wasn’t as easily spread over his tang as the glue Liam and Killian were using. They all rushed to get their handle scales in place, tapping them gently with a hammer.

“No, no, no!” Liam cursed, turning from his bench dramatically and running his steel greyed hands through his curled hair.

“Tap, tap, tap, crack. I’m done. Now my blasted brother is going to win.”

“Oh no,” one of the judges said. “Looks like Liam has broken one of his scales.”

Liam ground his jaw in frustration. He had hit the handle material too hard at just the wrong angle and it had snapped the top corner of his scale. He stared at his knife, shoulders tensed, fists balled in anger. In his anticipation to get his handle fixed he had lost his patience with tapping the delicate material with the hammer, chipping of a corner. It was a little too much to cover with some strategic sanding, so he had no choice but to start again.

“It’s going to be tricky getting those scales off now,” judge J. Nielsen told host Wil Willis. “His epoxy is already set.”

“Fuck!” Liam grunted, sure his outburst would most certainly not make a final cut.

Killian looked up from his own project, his brother’s cheeks pink with a mixture of heat and fury. He looked at Liam’s faux pas, sitting in front of his brother like a mockery of his skills, and his lips turned up into a smug grin.

“Problem, brother?” Killian taunted, looking back to his own work. His epoxy had set, fusing two brass plates between his tang and his outer wooden scales. It was perfect. All he had to do was sand it to shape.

Liam didn’t answer, punting his toe into the edge of his table.

“Shorten it,” Killian barked over the sound of Graham grinding his handle behind him. Liam looked over to him, raising an eyebrow in Jones brother fashion. “It’s only a tad, Liam,” Killian added, leaving his bench to pick up his brother’s knife. He pointed at the end, rubbing his grease covered thumbnail over the butt of Liam’s handle. “You can cut a smidge off, add an extra layer of new material and then thread your bolt on the end.”

Liam looked up at his brother, astounded by his commanding nature. He barely had time to respond before Killian thrust his knife back into his hands and Willis was announcing a time frame.

“Bladesmiths! You have thirty minutes remaining!”

Graham began humming a tune to himself as he pushed his knife handle against the sanding belt. Dust flew towards the floor and into his face, the mask he was wearing shielding his most from most of the splinters of antler. He was rushing, grinding in the wrong direction when all of a sudden the knife slipped from his grasp and his fingers were pushed against the coarse sanding belt, his knife point stabbing into his palm.

“Jesus, fuck!” He screeched, his Irish accent much thicker than it had been all day.

“Maybe, my reaction was bit drastic, but at least now I can say that literally my blood, sweat and tears are in that blade.”

“Oh, we got blood!” David Baker announced, tapping J.Nielsen’s arm in excitement.

“Is Graham going to need a medic?” Willis frowned, arching his neck to see more clearly.

“Are you alright, mate?” Killian asked Graham, his voice muffled behind his own face mask. He lifted his head, shutting off his machine to silence the screech of the belt, placing his knife on the bench beside it. “Is it bad?”

Graham hissed, clutching his hand to his chest. Killian motioned him closer and encouraged him to show him his hand, dark crimson flowing from his palm as soon as Graham opened it. Killian shook his head, looking up to catch the eye of Wil Willis, motioning with his arm.

“Can we get a medic in there?” Willis said, concern etched on his face.

Paramedics rushed to Graham’s aid. Liam downed his tools and for the first time ever, in the history of the entire show, the clock was stopped. Graham had sat on the floor under a medic’s instruction, and his leg was shaking, knee tapping the floor to distract from the pain throbbing through his hand.

“Is he going to be able to continue?” Baker thought out loud.

Graham was lost in a huddle of men, Killian pushed out by the circle by the medics. He looked over to Liam, his face pale, absolutely no colour in his cheeks, a solemn look on his face.

“When I reached Graham, I saw that his palm was sliced nearly to the back of his hand. His little pinkie finger was almost cut clean off, and the first thing I think is, he can’t possibly continue. The second thing is, that means it’s down to me and Liam. I’d be lying if I said I wasn’t a tad disappointed to be entering the final round because of an injury, but that won’t make besting my brother during the final any less satisfying.”

After the drama had cleared and Graham was on his way to the hospital, the forge fell silent once more. Liam and Killian stood before the judges table, part finished blades wrapped in protective blue cloth in their hands. Killian shuffled his feet, scuffing the dust with the toe of his boot, and Liam was nervously gripping his blade.

“Due to Graham’s medical elimination, there will be no need for further testing of your blades,” Wil Willis began, addressing both of the men in front of him. “For the first time in this competition’s history, we have brothers competing for the title and the check for ten grand.” He had his fingers tented, pointing to each brother in turn. “Congratulations on making the finale round. How do you guys feel about that?”

“No finer opponent,” Liam shrugged, looking sideways at his brother who had his trademark smirk and raised eyebrow plastered on his face.

“May the best man win,” Killian added, bobbing excitedly on the balls of his feet.

“Liam, Killian, we asked you here to forge a blade in your signature style, and we have not overlooked the fact that most of our competitors in this competition were Irish, so now we are sending you back to your home forges to recreate an iconic weapon from Celtic history.”

“The instant Wil Willis mentions Celtic, my heart flutters. Our family has strong Celtic roots, so beating Liam is going to be all that much sweeter.”

Liam looked to his brother, the same gleeful expression lighting up both their faces at the host's words. He hadn’t even revealed the weapon yet and they were both poised to explode with excitement as he reached for the red, silk cloth covering it next to him.

“And that weapon is...the Irish Ring-Hilted Sword.”

The covering fell away from the sword in slow motion, the glint of the silvered pommel catching their eyes. It was beautiful. A long, hefty sword with a distinctive design that simultaneously caused joy and terror to course through them both. What looked like a simple design was actually a long list of complex crafting techniques the show's host was about to divulge.

“You’ll have five days at your home forges in which to complete this challenge,” Willis said enthusiastically, a wicked grin on his face. “Your blades must meet the following parameters. The length of your blade must be between twenty nine and thirty one inches in length, it must be double edged, and include a fuller on both sides of the blade, that runs at least three quarters the length of the blade. You must have an ‘s’ shaped guard, with forked terminals, with at least three prongs on each terminal. Additionally, you must include a ringed pommel, through which you can see the tang. Bladesmiths, after five days you will return to present your swords to our panel of judges, and after they have thoroughly tested them, and inspected the quality of your work, they’ll declare one of you the Forged in Fire champion, who’ll walk out of here with a check for ten thousand dollars. Good luck, Bladesmiths. We’ll see you in five days.”

“Unfortunately, for Killian, he is not used to wielding such an impressive weapon, so it’s going to be easy to, once and for all, instill in him that he will always be the little brother.”

“My older brother seems too preoccupied with the size of the weapon when it’s really about how the sword will perform. I assure you, I’m up for this challenge, and when I forge the better weapon, and I will, whoever is jabbed with it, will most certainly feel it.”

After five days in their home forges, and after extensive rounds of judge testing - including both brother’s hearing Doug Marcaida declare that their blades ‘would cut’ - it was settled once and for all.

Killian Jones did indeed have the bigger knife.

[uchicagoscrc]

Turning 21: The Transition from Territory to Statehood in Illinois

Illinois became the 21st state in the Union on December 3, 1818, making 2018 its Bicentennial year. This month we are joining other Chicago-area cultural heritage institutions in celebrating the Illinois' Bicentennial by hosing a special pop-up display of archival documents and rare books from our collections: correspondence, maps, books, and more that date to the time period when Illinois was transforming from French-held "Illinois Country" to the 21st state in the Union.

This exhibit is a part of Chicago Open Archives, a month-long series of events throughout the city and suburbs connecting community members with the collections, programs, and services of local archival repositories. Learn more at http://chicagoarchivists.org/coa 

The physical exhibit of reproductions will be on display at the University of Chicago's Joseph Regenstein Library throughout the month of October, with some original materials on display in the Special Collections Research Center. For those of you who cannot visit in person, scroll down for a virtual view of our selections for this exhibit.

Transition from Territory to Statehood in Illinois

The oldest item displayed is a 1778 letter that was written when Illinois was a part of the American Revolutionary War's western theater. The letter, signed by George Wythe, George Mason, and Thomas Jefferson, congratulates George Rogers Clark on his appointment as the leader of a military expedition to the Northwest Territory. This was the beginning of a secret mission during the war later known as the Illinois Campaign, or Clark's Northwestern Campaign. Clark was ordered to seize control of Kaskaskia, Vincennes, and several other villages in French and British-held "Illinois Country." In the letter, the Virginia General Assembly mentions Native American raids in the territory which were instigated by the British. They also assure Clark that he and his soldiers will receive bounties of land as compensation. The nearby hand-drawn plat map demarcates the tract of 150,000 acres granted to Clark's soldiers in 1784.

Transcription of letter:

To George Rogers Clark                                Williamsburg Janry 3, 1776

Sir,

            As some Indian Tribes to the westward of / the Missisippi have lately, without any provo- /cation massacred many of the Inhabitants upon / the Frontiers of this Commonwealth, in the / most cruel & barbarous manner, & it is intended / to revenge this injury & punish the Aggressors / by carrying the war into their own country. / We congratulate you upon your appoint / ment to conduct so important an Enterprize / in which we most heartily wish you / Success, and we have no Doubt that some / further reward in Lands in that country / will be given to the Volunteers who shall / engage in this Service, in addition to the / usual pay. If they are so fortunate to / Succeed, We think it just & reasonable that / each Volunteer entering[?] as a common Soldier in this Expedition, should be allowed three / hundred acres of Land, & the Officers in the / usual proportion, out of the Lands which may be conquered in the country now in / the possession of the said Indians; so as / not to interfere with the claims of any / friendly Indians, or of any people willing / to become Subjects of this Commonwealth, / and for this we think you may safely / confide in the justice & generosity of the / Virginia Assembly.

                          We are Sir Yr Most Hble. Servts

                                                                              G. Wythe                                                                                                            G. Mason                                                                                Th. Jefferson                                                           

Letter from Virginia General Assembly to George Rogers Clark, January 3, 1778. Historical Manuscripts Collection, Box 24, Folder 15.

Plat of the Illinois Grant, 1784. Reuben T. Durrett Collection of Portraits, Illustrations, and Cartographic Material, Box 2, Folder 12.

Following the Revolutionary War, some, such as Gilbert Imlay, profited from the land grant system as surveyors. The 1797 edition of Imlay's popular A topographical description of the western territory of North America… served as an encyclopedia of North America for new settlers.

Imlay’s description of the Illinois country:

“The triangular tract of land at the head of this great vale, and between the Mississippi, the Ohio, and lake Erie (as that lake is vulgarly called), the country of the Illinois, is the finest spot of earth upon the globe, swelling with moderate hills, but no mountains, watered by the finest rivers, and of the most delightful climate; the soil, as appears from the woods with which it is clothed, is of the most abundant fruitfulness in vegetation. It abounds with coal; and there are multitudes of salt springs in all parts of it. There are mines of iron, copper, and lead. Wild rye grows here also spontaneously.” (p. 101)

Imlay’s Topographical description also reproduced the text of one Mr. Patrick Kennedy’s journal of an expedition in 1773 from Kaskaskia to the head of the Illinois river.

Imlay, Gilbert (1754?-1828?). A topographical description of the western territory of North America… London: Printed for J. Debrett, 1797.  F352.I33 Rare c.1

The practice of granting Illinois land to volunteer soldiers continued in the War of 1812. American Nicholas Biddle van Zandt's 1818 Description of Military Lands describes three tracts of bounty lands, including the Illinois Military Tract which was situated between the Mississippi and Illinois rivers. The aim of Van Zandt’s text was to “give a faithful, a substantial, and, it is hoped, a satisfactory view of the Illinois and Missouri territories” and to aid settlers in selecting “the very spot upon which he may fix his habitation and his home.” Van Zandt also describes the Illinois Territory as a whole including an early description of the Chicago River and its potential as a “safe and commodious harbor for shipping” and the means by which the sand bank blocking the entrance to Lake Michigan might be removed. 

Van Zandt, Nicholas Biddle. A full description of the soil, water, timber, and prairies of each lot, or quarter section of the Military Lands between the Mississippi and Illinois rivers. Washington City: Printed by P. Force, 1818. F547.M6 V28 1818 Rare c.1

 Numerous accounts of the Illinois Territory were published, many with hopes of attracting emigrants. Irish author Thomas Ashe expounded upon the natural history of the area in Memoirs of mammoth, and various other extraordinary and stupendous bones…

Ashe, Thomas (1770-1835). Memoirs of mammoth, and various other extraordinary and stupendous bones … found in the vicinity of the Ohio, Wabash, Illinois, Mississippi, Missouri, Osage, and Red Rivers. Liverpool: Printed by G. F. Harris, 1806. QE882.U7A8 Rare c.1

Adlard Welby’s A Visit to North America and the English Settlements in Illinois with a Winter Residence in Philadelphia included a description of the German settlement of Harmony, Illinois. Harmony was a settlement mostly comprised of poor Germans, though any person who agreed to live by the communal rules was allowed to join the community. The settlement lived by the principle of a communion of goods. That is, all of the harvested crops went into a communal store, and each person received the necessary amount of food. The tavern owner told author Adlard Welby: “We have every thing we can want, for our comfort and something more.”

Welby, Adlard. A Visit to North America and the English Settlements in Illinois with a Winter Residence in Philadelphia. London: Printed for J. Drury, 1821. E41.W44 1821 Rare c.1

Morris Birkbeck, a British emigrant to the Illinois Territory who would later serve as Secretary of State of Illinois, described his American travel experiences and the establishment of the English Settlement, in Illinois Territory in Notes on a journey in America, from the coast of Virginia to the Territory of Illinois. First published in Philadelphia 1817, Notes, and its follow up, Letters from Illinois (1818), were wildly popular with multiple editions being published both in the United States and abroad, including multiple translations. The hand-colored map on display was published in the 1st London edition of Birkbeck’s Notes and includes all of the land traversed by Birkbeck’s party. Note the interesting placement of the borders of Indiana and the Illinois Territory; the location of Birkbeck’s settlement in the southeastern portion of the territory, on the Little Wabash River is captioned “The Prairie Settlement.”

Birkbeck, Morris (1764-1825). Notes on a journey in America: from the coast of Virginia to the Territory of Illinois. London: Printed by Severn & Redington, for Ridgway and Sons, 1818. E162.B617 1818 Rare c.1

Birkbeck’s Letters from Illinois recounts his experiences living in the English Settlement and served to introduce Europeans (and hopefully convince them to emigrate) to the advantages of America.

Birkbeck, Morris (1764-1825). Letters from Illinois. London: Printed for Taylor and Hessey, 1818. F545.B61 Rare c.1

British emigrant John Woods’ Two years’ residence describes his journey from England to the English Settlement in Illinois, along with the flora, fauna, agriculture, buildings, and business in the region. Woods' “Map of the allotments” shows the towns and ranges of the lower portion of Illinois.

Woods also provided a description of Birkbeck’s settlement, Wanborough:

“Mr. Birkbeck’s settlement, called Wanborough, is situated at the north-west corner of the English Prairie, and contains 25 cabins, a tavern, a store or two, and several lodging houses; and several carpenters, bricklayers, brick-makers, smiths, wheelwrights, and sawyers; also a taylor and butcher ... The building lots, at Wanborough, are some of five, and others of two and a half acres, laid out, like most of the American towns, in streets that cross each other at right angles, running north and south; the cross ones east and west. The lots are in the woods, but a considerable quantity of the wood is now cleared.” (p. 160-161)

Woods, John (-1829). Two years’ residence in the settlement on the English Prairie, in the Illinois country, United States: with an account of its animal and vegetable productions, agriculture, &c. &c., with the habits and customs of the back-woodsmen. London: Printed for Longman, Hurst, Rees, Orme, and Brown, 1822. F547.E2W9 1822 Rare c.2

  As Illinois inched closer to statehood in 1817, Cook and Blackwell - the first printers in Illinois - published a list of laws, many to establish county seats and courthouses. (Cook County, Illinois is named for printer Daniel Cook).

Laws passed by the Legislative council, and House of representatives, of Illinois territory, at their fifth session, held at Kaskaskia, 1816-'17. Kaskaskia, I.T.: Printed by Cook and Blackwell, printers to the territory, 1817.  KFI1225.2 1816, Lincoln Collection

Counties and major cities in early Illinois were very different from what they are now. Kaskaskia was the capital of the Illinois Territory from 1809 to 1818. Located on the Mississippi River, it was flooded many times and the decision was made to move the capital to Vandalia in 1819, 70 miles northeast of St. Louis. Louis Beck's 1823 A gazetteer of the states of Illinois and Missouri… includes a plan for the new capital and the neighboring streets. It also describes Chicago as a small place of 10 or 15 homes in Pike County.

Beck, Lewis C. (1798-1853). A gazetteer of the states of Illinois and Missouri…Albany: Printed by C.R. and G. Webster, 1823. F539.B390 Rare c.1

[aharris00britney]

ASKS 10

‘less weird hairs,’ pics of me, real life questions, seasons thoughts, kpop stuff, ‘are you a boy’ erhdfnv, tutorial questions, edits, ‘safe’ cc, and umm yeah never go camping in the actual woods ok

Anonymous said: Can you do Less weird hair? I Like how good Mesh You make but all styles look Really Weird I never Would use them. I just want Usual hair? Thanks you            

Firstly, thank you for the meshing compliment, but tbh I think I make pretty simple hair styles? Like I don’t do many crazy things especially recently? Idk, I hope you like some of my hairs and can find something that fits in your liking :/

Anonymous said: Hi I really love you content and I was wondering if you’d ever do a “goddess locs” hairstyle?            

Ok I am gonna be super straight forward about this, making hairstyles like this is really challenging for me. I have tried a ton of times and I just can’t get the meshes to work out the way I like. UV mapping is a pain in the ass, making the hairline match well, and making sure none of the mesh strands are broken is next to impossible for me. Most creators that make hairstyles like this do them from scratch or spend a long time working on them for them to look right. I’m not saying ‘no’ because I am going to try to play around with some seasons meshes (I have hair ideas) but no promises :(

Anonymous said: BLACKPINK COMEBACK

i know omg jennie snapped, I wasn’t planning on buying the physical album but I ended up caving in and getting the pink versions ;-; I hope I get Jennie or Lisa photocards

Anonymous said: i know your theme is by gukthemes, but what is it called?            

PAPILLON by GUKTHEMES

Anonymous said: Are you ever gonna do a face reveal?

I have posted a pic of myself before in one of these ask posts, here are three more from the past few months :P

Anonymous said: Fav kpop group(s)???            

1). LOONA (bias Kim Lip) 2). BLACKPINK (bias Jennie) 3). RED VELVET (bias Joy) 4). CLC (bias Yeeun) 5). DREAMCATCHER (idk their names but the rapper)

Anonymous said: You play pokemon go still?

Yes! I collected cards/figures growing up and watched the show before school every morning. I’m not a ‘game’ fan but the mobile app is fun. Actually I played the Wii U Pokemon tournament game but it was boring so :/

Anonymous said: are you going to buy seasons? do you think it is worth it?

I got it from CDkeys for $25 lmao, so yes :P I can’t run the live mode so I kind of am just getting it for the new CAS assets :/ but I think the pack looks really good. Everyone always says ‘it looks like the best EP so far’ every time something new comes out so I’m not gonna say that but we will see :D

Anonymous said: whats ur skin blend called?            

Fruitpunch! You can get it here

Anonymous said: when are you going to be done camping?

I am back home now lmao I assume you sent this when I posted about not having service there :P but I was camping for 3 days? I know it was 2 nights at least refdbv also omg some camping stories:

► I didn’t have my voice for the entire trip bc I got sick with laryngitis, and now koby (the guy i shared a tent with) has it too erfdbvc

► It was blazing hot like omg I was dying, there werent showers, bathrooms, anything with AC. The tents were boiling hot, the ground fucking hurt, and it was just hell ok this isnt even a story I just need to complain.

► There was a racoon family outside the tents the first night, and we thought it was a bear bc we were literally in the middle of the woods, like it wasn’t a campsite with other people, it was the forest ;-; anyways we were legit so freaked out and up for 2 hours just listening to them walk around the tents and god it was so scary rfbdv

► As I said, I had no service so I missed the larvitar community day in pokemon go -_-

► I suck at cornhole so I was the cheer leader for a team UwU

► A deer jumped out right in front of the fucking car like RIGHT IN FRONT OF IT omg we were so close to hitting it like... it was fucking scary

► We went walking on a trail that was down a mountain and once we got down we discovered that the chairlift up was CLOSED so we had to walk back up and it was a nightmare bc we had all just drove like 30 minutes to shower in crappy no pressure no heat showers and we were all sweaty again by the time we got back to the top ;-;

dont go camping

Anonymous said: Your last edit creeps me out.

LMAO why? It isnt meant to be sexual or scary?  

@achinghearts88 said: I really love Sims 4 cc but I constantly struggle with finding safe sites and have accidentally downloaded a virus trying to get cc before so I'm kinda frightened now. What advice do you have for getting safe cc? Thanks!

Hello! I use an adfly skipper + adblock, and if both of those don’t work then I just don’t download the cc. For some creators (nolan-sims, simduction, isjao, ivo-sims, and others) I will turn them off because I know these creators aren’t ones that use the sketchy adfly stuff, but for others that I don’t know well I leave it on. I use: U Block origin and adfly skipper (both on firefox)

Anonymous said: I couldn't find a "contact me" thing but your AHarris00Britney has a broken mesh I think.            

??? idk what this means im sorry ;-; what hair are you referring to?

Anonymous said: an amazing creator and a loona fan???? i stan            

My mind... your mind... our mind..

@chocooosims said: hey, I love your cc, you are such a good creator! :) I'm not sure if someone already ask you that, but have you ever considered making a tutorial where you show us how you create maxis match hair? I mean, I know that I can already find on Internet  tutorials about frankenmeshing hair. But the thing is that you are one of the only creator who do more than simply merge 2 EA's hair together. So, I would really love to see a tutorial of how you are creating your cc! :) Thx for your time!! 

I am making a BIG tutorial right now of me making a hair from start-finish and it is around 3 hours not speed up. My guardian angel is going to edit it for me tonight and then I will try to have it posted next week sometime

Anonymous said: what university are you going to?

Radford :D it is in Virginia

Anonymous said: Just wanted to let you know you're a king           

thank you lmao I wish it were true, stan loona or be beheaded

Anonymous said: r u a guy or girl or non binary etc. also are you lgbtq+ at all? not to judge, just wondering :)

uuh, I’m a gay guy lmao idk about all the other terms like cis/bianary ;-; i like the anatomy exclusive to the male body

edit: rip so someone messaged me asking what I meant by “anatomy exclusive to the male body” and I was like ?? bc I meant i like d**k, and i explained that i didn't like using cuss words on my blog bc my account got shut down/deleted/reported last year and was completely gone for two days while I emailed my butt off to get it back. Also, I was trying to be funny by sounding proper and using big terms like anatomy/exclusive instead of just saying “i like penis” bc that just isnt as fun to say imo. My anatomy teacher never used words like v*gina/p*nis and would say stuff like that, and I always found it funny and I guess that was another reason I worded it that way. Anyways if you think I was being transphobic, I apologize. I hope you don’t think that I am transphobic bc of that? If you want to message me and talk to me about how I can word stuff better then I am around 24/7 mostly, but I’m not going to fight with anyone who is just looking to argue because that is childish. I am sorry to those that got offended but I got one message about this so if something like this happens, message me like this person and ask what I meant so that it isn’t blown out of proportion. Again, I did not think that it would be taken that way and I am sorry if you felt that I was making fun of a trans person. <3

Anonymous said: What do you see in the corner of your room when you get sleep paralysis  (;            

James Charles with breasts on the beach and im not sharing this photo anymore it is demonic OK

Anonymous said: hi! i installed your non-default eye recolors but i'm having a glitch with them. my female sims lose their face in cas and it's just like an empty spot where the face should be. i have the default eyes installed too so i know it's not an issue with a missing mesh but i'm not sure how to fix it.            

Hello!! I don’t think this is my eyes because I’m not experiencing this glitch? Did you run a S4S batch fix over everything? I think that causes this glitch sometimes but I am unsure. Try repairing your game and if you have the “no EA eyelash” mod then redownload that and replace the old file.

@sephirajo said: I found your sims 4 mods and I love the hairs! They're so amazing and pretty.            

thank you so much!

Anonymous said: In your collab with wildpixel, I F**KING love the Ivy hair; do you have any recolours of it or any of the other hairs in the collab?

all the hairs in that pack are recolored in the anathema and sacharinne palette :) and I reblog all recolors of my cc over on @aharris00britneyrecolors

[misscaptainbear]

Continuing work on the FF1 Amano edition. Got the forest and the imps looking much better, and started work on the fonts and UI elements. Ignore the warrior, that's a failed test, turns out realistic proportions are just garbage. If anyone knows of any chibi art by yoshitako amano of the characters, hit me up, otherwise I'll have to come up with an alternative way of creating those sprites.

I am running into major problems with the emulator though; Mesen (https://github.com/SourMesen/Mesen) is pretty damn crashy when trying to record using the HD pack builder. I can usually only export 5-10 sprites before the emulator gives out, and that repo hasn't been updated in a while :| This is a long shot given my limited followers, etc, but is there a better fork with these things fixed? I feel like the authors of the zelda hd pack (https://www.romhacking.net/forum/index.php?topic=31559.0) would know or some such.

Anyhoo it's not stopping things, just annoying. I could conceivably also just build and debug the damn thing but I don't really feel like it :P

[leighmhis03]

HOW TO DEAL (AND PLAY) 코인카지노 RULES OF DRAWING CARDS #518

It is a very simplified and dumbed-down version of the game, so it’s not something you’ll want to play if you want a challenge. If that is the case, then going over basic Texas Holdem strategy and hitting “normal” tables might be a better option. http://query.nytimes.com/search/sitesearch/?action=click&contentCollection&region=TopBar&WT.nav=searchWidget&module=SearchSubmit&pgtype=Homepage#/몰디브게임사이트 For generations of Americans, casino gambling meant Las Vegas -- and the name evoked either glamour or tacky glitz, depending on the listener. After the lead to a trick, the player who made the lead (and her partner(s)) may not examine the previous trick. But the other players may still do so. Alongside the evolution of these traditional designs, in most countries there have also been persistent efforts to publish more fanciful cards, either as artistic essays, or with some purpose other than simple card-playing: for example, instruction,propaganda, or even amusement.

There are unique occupational health issues in the casino industry. If the licensee selects Pay table D, Envy Bonus payouts shall be made according to the following payouts for Envy Bonus Qualifying Hands based upon the amount of the Progressive Payout Wager placed by the player receiving the Envy Bonus: A player shall receive the payout for only the highest ranking five-card Poker hand formed. The Card Players” by Theodoor Rombouts, oil on canvas, early 17th century, Residenzgalerie Salzburg. The most common are from cancers[37] resulting from exposure to second-hand tobacco smoke[38][39] and musculoskeletal injury (MSI)[40] from repetitive motion injuries while running table games over many hours.

The indices only appeared in the early 1900s; in older editions (such as the one on the right) the cards had no numeral nor letter to show their value. The fact of being additional details explains why in modern editions they overlap the courts' names. Though none of the cards games has a great dedication like blackjack. ST pachinko machines do not offer this mode; after it ends, the machine spins as in kakuhen. Once no more jackpots have been made, the pachinko machine reverts to its original setting. Thus, while the outcome of any particular hand significantly involves chance, the long-run expectations of the players are determined by their actions chosen on the basis of probability, psychology, and game theory.

Ancient Chinese "money cards" have four "suits" which each represent different denominations of money. Nonetheless, as shown by the recent closing of three Atlantic City (New Jersey) properties, consumer demand is not infinite, and cannibalization occurs if too many casinos target a given population base. One card is dealt from the red deck and one is dealt from the blue deck. The shooter throws the "cubes" and the color of the cube that is higher selects the color of the card to be used to settle bets. 온라인현금바둑이 Playing cards are usually slightly rounded, rectangular, handy pieces of card board with a typical size of 6 x 9 centimeters.

Similar to bingo, cards are drawn at random and players mark the called cards on their boards with dried beans or chips. Like the don't pass line bet, don't come bets are no-contract, and can be removed or reduced after a don't come point has been established, but cannot be turned off ("not working") without being removed. Pachinko (パチンコ) is a type of mechanical game originating in Japan and is used as both a form of recreational arcade game and much more frequently as a gambling device, filling a Japanese gambling niche comparable to that of the slot machine in Western gambling.But it would make it very easy for a player to identify the price he’s paying.

The commune has a large forest in the east with the rest of the commune mixed forest and farmland. The origin of gambling is considered to be divinatory: by casting marked sticks and other objects and interpreting the outcome, man sought knowledge of the future and the intentions of the gods. a graduate degree. (See Figure 3.5.) About 28% had some college credits or an associate's degree. Nearly half (44%) had not attended college. This compares roughly with education levels on a national basis.$1 All hardways 2.78% per roll, $11.34 per hour, $227 per trip

But understand that regardless of how well you play, sometimes -- the majority of times, in fact -- the house edge is going to grind down your bankroll. Other games that use poker hand rankings may likewise be referred to as poker. Even so, not all gambling activities use edge to play.This means that unlike any of the Class II states (which have a fixed number of winners, analogous to scratch cards), Oregon and South Dakota lottery players compete against a house edge rather than other lottery players.

It also assesses whether differences exist between socio-demographic groupings. Full pay Loose Deuces (25-17-10), once common but now rare, is one of the highest return versions of video poker offered. ensure that chance is allowed to play a major role in determining the outcomes of such games, weights, handicaps, or other correctives may be introduced in certain cases to give the contestants approximately equal opportunities to win, and adjustments may be made in the payoffs so that the probabilities of success and the magnitudes of the payoffs are put in inverse proportion to each other.In the 1937 comedic short story "All's Well with Bingo", by British writer P. G. Wodehouse, the main character Bingo Little plays roulette at the Monte Carlo casino, betting on black.

[nemaiza]

So much hair 😱 Photo credit: @nyane ✍🏻 I’ll need to fix the proportions before I paint this one, but I had a lot of fun drawing the hair and I can’t wait to paint it 🥰 ✍🏻 Tomorrow morning is for cleaning and general domestic duties (after an hour of writing!!) but for the rest of the weekend I plan to sketch, sketch, and then sketch some more! I can’t wait! 🙌🏻 ✍🏻 The great thing about working from home is that I have SO MUCH energy for art and I am FINALLY getting into the flow of editing my novel. Some things are not so great, but I’m trying to focus on the positives ☺️ ✍🏻 Hope you like this sketch! 😘 ✍🏻 #isolationcreation #roughsketch #sketching #creativeoutlet #sketchbookdrawing #artsygirl #dailyarts #femaleface #redpencilsketch #facedrawing #artistsoninstagram🎨 #nyane https://www.instagram.com/p/CBD9U6WhrxN/?igshid=tcjjj6zq3agb

[fitnesswayreview-blog]

Ultra Fast Keto Boost - Now Anyone Can Live Without Fat

Ultra Fast Keto Boost

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Youtube - https://www.youtube.com/watch?v=6bCXTtm6etY

Google PDF - https://drive.google.com/file/d/1aaHc1AvTrfjFqIF0VUNY8N-WYQlXAiMc/view

Google Presentation - https://docs.google.com/presentation/d/1TVm8BkqJ6LQO4h7gEjMoHdEZrhjxRXluv4UkOTDNv60/edit

Google Drawing - https://docs.google.com/presentation/d/1TVm8BkqJ6LQO4h7gEjMoHdEZrhjxRXluv4UkOTDNv60/edit

Google Docs - https://docs.google.com/document/d/1ZkvP_QeuKw4B6Sah5M_I3k179dyCI3PmdnAUbR3xIXY/edit

Google Sheet - https://docs.google.com/spreadsheets/d/1c0tkMHdOvGrJ3ioc5cWLmJnb6pfz_v7eFFecAQkt_6M/edit

Google site - https://sites.google.com/view/ultra-fast-keto-boostbuy/Ultra-Fast-Keto-Boost

Google Site - https://sites.google.com/site/ultrafastketoboost2020/

[sosicreatesart]

Ok in stories I said idk if I’ll post everything I’ve drawn these three days and I decided to posttt, the second one is a little watercolor painting I did the other day then realized I almost never use bright saturated colors when water coloring so I swatched some of the bright colors and then drew this little character (third slide) and then yesterday decided to paint her in acrylics (first slide) and I luvvv, also coming from watercolor, painting digitally was weird cause it’s not building up color with layers like watercolor, but even this short amount of time of digitally painting I guess I developed a technique that I guess works with an opaque medium and I painted in acrylics like thissss I’m so proud of myselfff, I mean I was going in with no real plan but it’s still kewl, also I edited it a bit digitally in procreate to color correct, add the bokeh and also warped it a bit to fix proportions, cause there’s no canvas mirroring to see mistakes traditionally ._. But anyway I luv her uwu I’ll post the rest tomorrow 🤩 Commissions are open, dm to discuss✨ TeePublic link in bio ✨ . . . #art #artist #sketch #sketchbook #pencilsketch #painting #drawing #gouache #watercolor #gouachepainting #watercolorpainting #digitalart #digitalpainting #digitalillustration #procreate https://www.instagram.com/p/B5sdh-nBWAu/?igshid=1jufufw218191

[airasora]

Hey dudes, dudettes and dudles!

My oh my I do wonder who Lina is gonna make the pigeon send a kiss to? ;D Just kidding, I’m not fooling anyone and I know that xD This is another teaser for my upcoming 9k subscribers video which will focus on my newest OTP Hollina :D

This edit was incredibly annoying... It took forever to mask Snow White’s body and the pigeon, and trying to change Snow’s proportions so they matched Lina’s proportions a little better was just... no. But I’m still pretty happy with this xD Might fix it up later on, but this is how it looks for now :P

Because the gif is long and the quality therefore sucks, have some pictures too ;D

[cerealmonster15]

Do you have any advice on drawing halo spartan armour?

hwell,

wwell,

well..,

yes and no. mostly no, because i am a coward who always Avoids Drawing Armor bc i am afraid of it, so i dont have much experience results to show there.

BUT, as far as learning to draw things in general, and general advice that i plan on eventually following when i stop bein lazy, is lots of reference photos. drawing things from “life” and sort of copying what you see, then comparing what you’re doing with the source, then fixing or redrawing where you made mistakes can help you with learning where you’re consistently messing up and help you notice details you often forget. 

maybe start with a simple and very basic sketch out of just the essentials and basic shapes youre going for, then slowly add more details, but trying to stick with adding detail gradually all over, bc if you try and focus on lots of details on like, just one portion, you could end up with really wonky proportions [thats a mix of my advice + stuff my drawing teacher taught my class WOO]. but maybe taking it one section at a time might help you learn it better [like, if youre drawing a full body, youd wanna do the all over/gradual adding detail, but if you wanna learn bit by bit maybe you’d just practice drawing a bunch of chest pieces?? i dunno, that one’s just an idea lol]

but as far as specific armor stuff, i cant be much help there as i dont have the Experience. 

THIS IS A VERY GOOD LOOKIN GUIDE ON DRAWIN RVB/HALO ARMOR THAT I’VE HAD SAVED! i havent tried it out but i really love that artist and theyre very good with drawing armor. this guide also mentions having them good ol’ reference photos. a good rule of thumb for drawing anything is having some nice references nearby ;p

SPEAKIN OF REFS, THIS POST HAS SOME GOOD HALO ARMOR PIECES TO TAKE A GANDER AT SOLO,  so u can get some good angles there 

i think once you get the general idea you could probs do some simplified versions of it too. ive seen some real basic designs that still look Really Great

you could also creep thru some art tags of cool rvb fanartists and get some inspiration there [as long as ur not like, copying or tracing anyone’s work, it can help ya get over some blocks to see different approaches that various people will take to different tasks]. my cool hip radical mutuals @gdipalomo @amvial @mercuryblacksleg and @scribbleboxfox have some pretty sweet takes on how they do armor if u creep thru their art tags enough c;

EDIT: im also a fan of how @fandomescapades and other artists do the underarmor thing c; so that’s a fun alternative 

[thehittop10us]

Top 10 Product Photography Cameras | Commercial Photography

The market today is flourishing on-line. on-line business is considerably captivated with stunning product photography. The budget and your active expertise with the camera will decide that camera you'll purchase. does one need to finish up shopping for a rich camera which is able to cause inconsistent results? No!! we tend to won’t enable you to waste cash. business photography has gained most importance within the previous few years thanks to the increase in the e-commerce business. a decent product shoot is that the backbone of the E-commerce business.

For the photographs which will be revealed on e-commerce websites, on billboards or in magazines, the camera ought to have high-quality product imaging. in a very retail business, sales are driven thanks to image promoting solely. The potential customers are wooed with fine product pictures that stand out and replicate the complete. This complete promotion is achieved with the assistance of best Product Photography.

The first issue whereas choosing a camera is that the budget and therefore the product photography instrumentality needed. The obtainable gear is from five hundred $ to ten,000 $, however the options that are vital to you and therefore the quantity you're seemingly to pay ought to go parallel whereas selecting the simplest. The second issue is product photography lighting. Lighting is incredibly vital for-

Jewellery photography

Tabletop Photography

E-commerce Photography

The list of prime ten terrific digital icon shoot cameras for best Product Shoot is compiled here. every camera has some specifications which is able to facilitate your produce the simplest shot. the merchandise pictures of a still object are largely shot with a rack thus, quick shutter speed and smart image stabilization don't seem to be really necessary.

Mostly, product pictures are shot with a mid-range aperture like f/8 to stay the complete product focused . So, whereas fixing your priorities, a lot of technical details ought to be listed before zeroing on the one you wish. you want to have information regarding the merchandise shoot in order that you'll be able to opt for the simplest Photography Cameras for a Product shoot.

But, before that, allow us to discuss the 3 main sorts of cameras:

DSLR The cameras that have a digital single-lens photographic camera associate degreed a mirror is there within the camera body that reflects the sunshine coming back from the lens up into an optical optical device. These are wide used for business Product Photography.

Mirrorless A mirrorless camera doesn’t need a reflex mirror, that may be a key part of DSLR cameras. It accepts completely different lenses and is additionally referred to as a “mirrorless interchangeable-lens camera” (MILC). Its body is dilutant as there's no mechanical mirror.

Point and Shoot It is a compact camera referred to as a P&S. it's a still camera that has straightforward operation victimisation focus free lenses. it's flash units in-built and therefore the pixels are smaller.

Let us take a look at the simplest cameras for E-commerce product photography:

1. Nikon D7200

Price: $1,200

It is a DSLR camera that clicks nice details with the high megapixel of twenty four.2. it's nice focusing in a very low lightweight setting and additionally best for Product photographers searching for a budget camera. This camera will click awe-inspiring and high-quality Product pictures. you'll be able to sure enough add Nikon D7200 in your bucket list of best product photography Cameras.

2. Canon Eos 5D MK IV

Price: $3,500

It’s a DSLR with a sixty one AF system to assist build concentrate on multiple or specific subjects in your photos. slightly screen and 4K Video is on the market at 30p or 24p for medium video footage. Its a rich business Photography Camera however lacks the feature of weather protection. It’s best for skilled photographers and not suggested for beginners. It’s best to photograph design, food, fashion, etc. Canon Eos 5D MK IV is your selection for Product Photography camera if you've got a really smart budget.

3. Sony Alpha A7R III

Price: $3,199

Sony cameras are already thus illustrious ones for business Photography. Sony cameras are well created for best Product Photography. A mirrorless one with durable battery life, this camera has increased eye AF to observe a subject’s eye for clear and sharp photos. it's a screen which may be leaning for various angles. It avoids hazy photos thus it’s best for intermediate or advanced photographers. Product shoot photographers get colourful and sharp pictures for his or her product photos. The videographers additionally search for this camera because it provides higher quality videos. tho' it'd appear pricey however imagine what proportion business it'll offer to your complete. you'll be able to sure enough add Sony Alpha A7R III in your list of best Product Photo Shoot Cameras

4. Canon Eos 70D

Price: $1,200

The DSLR camera is Wi-Fi enabled. this is often a novel feature for this eighteen MP camera that may be a very hip get.

5. Nikon D850

Price: $ 3,299

Another high-priced product icon shoot camera for the professional, however you wish awe-inspiring images!! it's DSLR with the full-frame device and forty five.7 megapixels. It captures the minute details of your product. it's a tilting bit screen that helps you to mess around with angles and therefore the product is showcased from all points of read. This I in person like to have in my bucket list of best product Photography cameras.

6. Sony ALPHA SLT-A99V

Price: $2,800

This 24.3-megapixel has advanced integrated BIONZ image process engine and a twin AF system. it's a full-HD 60p/50p pic recording. it's a gem for the lens collectors.

7. Sony Alpha SLT-A77

Price: $1,500

It is a plastic bodied DSLR with twenty four MP APS-C CMOS device and a pair of.4M dot OLED optical device. It is a decent product icon shoot camera for beginners.

8. Pentax K-3 II

Price: $ 829

This DSLR incorporates a weather protection. It will handle rain, cold and mud well than a non-sealed possibility.

9. Fujifilm X-T20

Price: $999

It’s a mirrorless camera. Its management over automotive vehicle modes and alphanumeric display tilting is there to attain completely different angles and slightly screen monitor for straightforward navigation. this is often best for photographers WHO need to require advantage of the camera’s settings to form vivid and bright pictures. This camera is product photography worthy.

10. Olympus OM-D E-M10 Mark II

Price: $ 450

This camera is simple to use and incorporates a ton of art filters, frames and effects to place the finishing touches on your pictures while not a photo-editing program.

Good Product photography is needed at each stage within the e-commerce business and everybody appearance for the simplest camera for product photography.

Buying a rich high-end camera is a frightening task once a listing of such enticing cameras is ready up before you. however it's right that the simplest one depends on your wants. the fundamental to the advanced, there are cameras that have distinctive ability to capture the product with best lightweight and details. however if you're a complicated artist WHO is trying to encroach upon the international market, the simplest and therefore the most costly are for your job. Hope you likeable our list of prime ten Product Photography Cameras.

[euro3plast-fr]

Case study: Creating a digital strategy for a multichannel retailer

Sajjad Bhojani, Head of Multi Channel Marketing and Developments outlines the Dunelm process for digital strategy creation

Our recent research on managing online channels shows that many businesses still don't have a digital strategy, although a good proportion now do. Our templates and guides give ideas on how to structure digital plans, but there is also the question of what is the best process for developing online and multichannel plans and reviewing performance against targets. To help answer this question I spoke to Sajjad Bhojani,
 when he was Head of Multi Channel Marketing and Development  at Dunelm and asked to explains their process for strategy creation and ongoing management of online channels. (This case study was originally in 2014, but we're sharing again to fit in with our multichannel marketing theme, since there are some interesting learnings).

Dunelm is the UK’s largest homewares retailer with a portfolio of 140 out-of-town superstores with the ‘Simply Value for Money’ proposition. Its online store features over 17,500 products  under the brand name Dunelm (formerly Dunelm Mill) with reserve and collect now available from their site. This Ideas and Advice site section shows how they are using a form of content merchandising to showcase their range of products.

Their annual report reveals that multichannel growth was one of four key strategic objectives in 2013 which were Enhance (specialist proposition); Expand (Store Portfolio); Grow (Multichannel) and Develop (IT and Logistics infrastructure) . In 2013 online sales accounted for 4.1% of total in 2013 increasing to 4.5% in the final quarter.

Many thanks to Sajjad for freely sharing the Dunelm process midway through last year, we both hope it will help professionals and students looking to understand best practice for processes of creating multichannel strategies. The answer to the second question has a great summary of how multichannel retailers can vary their marketing mix online.

What is your process for creating a digital marketing strategy?

The business has an ongoing three year plan, which is revised every 18 months or so.  It has the standard Profit and Loss projections for the online sales part of the business. Project P and L is based on estimates of growth in traffic and sales based on conversion models. These targets stay fairly fixed within that period, but are re-reviewed as part of the annual planning process.

For introducing new features to the site and improving our digital marketing we have an 18 month roadmap for development of new features and are currently adopting a new agile model for faster delivery.

What's included within your Ecommerce strategy?

I see the 4Ps of the Marketing Mix as still vital to take strategic decisions for multichannel retailers.

Product relates to the range of products we offer on our site, similar to the stores, and how we prioritise them through merchandising such as featured offers on the home page or different categories. Product and merchandising also includes stock  management and availability – key conversion drivers.

With Price multichannel retailers need to consider whether they have consistent pricing with stores, this is the approach we have. The right approach for Pricing will vary by market. For example, I don’t believe that in our sector, channel-specific pricing such as online discounts is right. But it may be in other sectors such as Electrical where price checking can be important and pure plays are dominant.

We fundamentally believe in a multi channel approach thus price consistency is just as important as brand consistency across all our channels. Though as part of our great proposition we always aim for competitive pricing. Web exclusive pricing – was probably more  relevant earlier on in the development of Ecommerce to encourage use of web, but we don’t want or need to encourage customers to try the web now and unnecessarily erode margin now.

There’s also the risk that differential channel pricing can be confusing. Customer’s are multichannel they don’t see Dunelm as two different companies. However we do offer free delivery for consistency too, although this is currently for orders over £50 or £150 for furniture.

For me, Place online is about offering the right experience, but also offering the right product or content for each online journey. Merchandising search listings for example (“searchandising”)  is really important. You have to decide the combination of featuring products with stock, offers or best sellers which will vary as retailers will runs different promotions and campaigns at any one time. Increasingly customers use the web as a research tool before visiting stores whether that be to find where their local store is or latest trends, colours and styles.  As such the the site needs to provide this content in a way that’s easy to find and deliver it an enjoyable experience.

Place today, also involve mobile access to our site. This has grown significantly so that it is now 20% of out traffic. But is a browsing channel, so conversion rates will be lower.  It’s used for different applications depending where the consumer is. If you look at our target audience of busy females, they are always on the go and are increasingly using their  smartphones and for research and store locator while shopping.  We try to encourage use of mobile through in-store features like point-of-sale posters and shelf-ticket labels explaining the benefits of mobile whilst trialling in store WiFi

We use different forms of qualitative and quantitative research both online and in store about usage of website.  However, it is difficult to have a complete “single view of channel”, since it’s not possible to collect email address consistently across channels for example.

Place also relates to how you combine online and in-store experiences. We want to provide a service that fits around the varied needs of our customers, that's why we've expanded our delivery options to include Reserve and Collect where customers can reserve products online for free and then collect in-store at a convenient time.

Promotion is about driving visitors using the channels available to all such as search, affiliate and display. There is also promotion to existing customers using Email marketing where we look to encourage increases in average order frequency and breadth of categories purchased in, those are our KPIs here. Many customers will have bought in single category, so the CRM programme will encourage the next purchase. This is another area we’re looking to refine and we now have a specific role within the team for this.

How do you manage conversion rate improvements and the implementation of new features on the site?

We’re not that advanced at this stage in our use of conversion rate optimization since we’re currently updating our Ecommerce platform to the latest edition of IBM Websphere. For example, we’re planning AB or multivariate testing in the future. We see it as more of a priority to introduce better personalization features onto the site. We do have basic product recommendations based on wisdom of crowd, but human intervention is required to implement the rules.

We’re around 12 months from an active customer experience improvement programme, but the intention is to implement a tool to help use these approaches. It’s not simply a case of choosing the right tool, resource is a big challenge too, we need a specific analytics resource and content/copy creation resource to make the updates.

Instead, what we currently do when we introduce new features we involve users to check that the experience is effective. This is typically a two-phase process where we review the experience with customers based on an initial working version of the page. For example, we may be improving our product page template, so we will create working wireframes for customer review before building the full template. We will then test again with customers to make minor changes when in User Acceptance Testing (UAT).

What is your process for getting the right investment in marketing channels?

How we assign our online marketing budget overall is simple overall - it’s based on Return on investment (ROI). For every £1 of investment we have to generate a return within a fixed revenue target from a combination of the site or instore (through Reserve and Collect), although we need to understand contribution to in-store better. To ensure that we’re using the right mix of digital media, we have to drill down to consider different types of investment, for example brand investments such as display advertising and direct response elements such as paid search (Google AdWords).

Direct response is directed at hitting the sales target with investment re-reviewed each month. What’s important is how you test and learn. It’s an evolving strategy with separate budgets identified for each channel and different KPIs for search and display since the intent is different.

Search is hugely important, it’s core to most retailers including us, but you have to separate investments and analysis for brand and non-brand search behaviour. Brand searches are where people know about us already and they search for Dunelm on its own or with a product name or category. It’s important to connect these searchers with the right product, but even more important to attract visitors searching more generally. To help here we have invested in a non-brand SEO strategy, which has involved improvements to site content and architecture, on-site optimization and off-site optimization looking at linking patterns. This is a fixed-line investment, which has seen significant improvements year-on-year.

We have a rolling series of test for different channels. For example, we have a display retargeting budget where we conduct different trials each month. We are reviewing budget for prospecting – attracting new customers via Ad networks and have a new affiliate programme too.

As we review the effectiveness of our media spend we review relative return on investment from different categories, for example focusing on higher average order items. With the breadth of our product range we need to! For each category we review brand, non-brand, direct response and email sales for the previous year and then where can show.

With the importance of branded search, non-branded search visits is separated out as a separate channel in our analysis. The team has a weekly visit and sales target to hit. Year-on-year performance weekly review is a key part of setting performance targets and spend analysis. We also have separate targets for reserve and collect against home delivery linking through to profitability of these channels.

Recommended Guide: Multichannel retail strategy template

Chris Jones has developed this detailed spreadsheet which can be used to audit and prioritise improvements for Multi channel Ecommerce strategy.

Download our Multichannel retail strategy template.

from Blog – Smart Insights http://www.smartinsights.com/online-brand-strategy/multichannel-strategies/digital-strategy-process/

[myteeplus]

Official angel of god shirt

Official angel of god shirt

I was being nice sorry I see some potential and you can learn you already started and that’s something edit don’t forget to learn proportions and anatomy. Try to draw every day and copy trace fix those traces then draw your muscle memory is key listen to music enjoy the character it gives you a better and sharper drawings give them a little personality in there design like Kakashi looking…