#economic honours course

[my-darling-boy]

I say this as a design student myself but like…. Design As An Academic Degree would be far more enjoyable if lecturers believed in design as a creative problem solving measure that can take whatever forms of creative approach it wants and actually encourage a wide variety of subject matter, style, and ideas and Not design as in a monolithic cliquey subgenre of modern/contemporary art defined by white collar avant garde collages profiting off of aestheticising systemic issues, governed by some of the most socially ignorant people you’ve ever met. The entire ethos of this course is pretty much “I don’t know how to tell you what design is, you just have to know how to do it” and then going “No that’s not it” to anything you show them and when you ask them why not they give you a different answer Every Time. This is the only course I’ve ever done that’s given me like negative net information if that’s somehow even possible. My only take away is that whoever runs these degrees isn’t actually teaching design, they’re just teaching you how to be trendy. This is exemplified by the fact not once in two years did we ever take a class or discuss what design even is, how to do it, how to contextually and realistically apply it, and how it has changed over the centuries, yet had an entire year long module, twice, on social networking and gallery exhibiting. Doesn’t help the whole lot is made worse by the fact that lecturers who refuse to acknowledge their style bias will stop at nothing to impose that onto a project to the point you’re nearly having to appease them over the client. Hoping it’s just where I live but I’m sadly gathering this is not an isolated issue

[everhelp]

BA Economics Syllabus: What to Expect in Your Academic Journey

The BA Economics Honours program is designed for students who are passionate about understanding economic principles and their impact on global and national economies. This degree provides in-depth knowledge of microeconomics, macroeconomics, statistical methods, and financial systems. Choosing the right BA Economics colleges plays a crucial role in shaping a student's academic and professional future. Among the top institutions, Alliance University stands out for its comprehensive curriculum and industry-aligned education.

BA Economics Course Details

A Bachelor of Arts in Economics is a three-year undergraduate degree that equips students with analytical and problem-solving skills relevant to various industries, including finance, policymaking, and business. The program provides insights into economic theories, market dynamics, and quantitative methods essential for economic analysis.

BA Economics Eligibility

To enroll in a BA Economics Honours program, students must meet specific eligibility criteria, which typically include:

Completion of 10+2 (or equivalent) from a recognized board.

A minimum percentage requirement, which varies among BA Economics colleges in India.

Some institutions may conduct entrance exams or interviews as part of the admission process.

Subjects in BA Economics Honours

The syllabus of a BA Economics Honours program is structured to build a strong foundation in economic theories and applications. Some of the core subjects in BA Economics Honours include:

Microeconomics – Study of individual markets, consumer behavior, and firm decision-making.

Macroeconomics – Analysis of national and global economies, inflation, GDP, and monetary policies.

Mathematical Economics – Application of mathematical tools in economic analysis.

Statistical Methods for Economics – Learning statistical tools for interpreting economic data.

Econometrics – Understanding relationships between economic variables through quantitative analysis.

Development Economics – Exploring economic growth, poverty, and policies affecting development.

International Economics – Study of global trade, exchange rates, and international markets.

Public Economics – Analysis of government policies, taxation, and public expenditure.

Indian Economy – Focus on economic reforms, policies, and sectoral growth in India.

Financial Economics – Understanding financial markets, investment theories, and risk management.

Top BA Economics Colleges in India

Selecting the right BA Economics colleges in India is essential for a rewarding academic and professional journey. Alliance University is one of the best colleges for BA Economics in India, offering an industry-relevant curriculum, expert faculty, and excellent placement opportunities. With a strong emphasis on practical learning, students at Alliance University gain hands-on experience through case studies, internships, and research projects.

Why Choose Alliance University for BA Economics Honours?

Comprehensive Curriculum – The university offers a well-structured BA Economics Honours syllabus that covers theoretical and applied economics.

Industry Exposure – Students engage with real-world economic challenges through workshops, guest lectures, and internships.

Career Opportunities – Graduates can pursue careers in banking, financial services, government agencies, and research institutions.

Skill Development – The program enhances analytical, critical thinking, and problem-solving skills.

Global Recognition – Alliance University is known for its academic excellence and high employability rate.

Career Prospects After BA Economics Honours

A Bachelor of Arts in Economics opens up numerous career opportunities in diverse sectors. Graduates can work as:

Economic Analysts

Financial Consultants

Market Researchers

Policy Advisors

Banking Professionals

Investment Analysts

Academicians and Researchers

Additionally, students can opt for higher studies like an MA in Economics, MBA, or specialized certifications in finance, business analytics, or public policy.

Conclusion

Pursuing a BA Economics Honours degree from a reputed institution like Alliance University provides students with the knowledge and skills needed for a successful career in economics and finance. The structured BA Economics Honours syllabus, combined with practical learning, makes it one of the most sought-after programs for students interested in economic policymaking and financial analysis. If you are considering enrolling in a Bachelor of Arts in Economics, ensure that you choose from the best colleges for BA Economics in India to maximize your academic and career growth.

[mahendrareddy6595]

Career Paths with a BA in Economics: From Analyst to Consultant

Pursuing a Bachelor of Arts in Economics opens up a world of opportunities in various sectors. The degree equips students with essential analytical, quantitative, and problem-solving skills, making them valuable assets in the job market. This article explores the career paths available to graduates with a BA in Economics, emphasizing the comprehensive curriculum and opportunities provided by Alliance University.

 Understanding the BA Economics Program at Alliance University

Alliance University offers a robust BA Economics program designed to provide a deep understanding of economic theories, quantitative methods, and their practical applications. The program is structured to foster critical thinking and analytical skills, preparing students for diverse career paths.

 BA Economics Honours Syllabus

The BA Economics Honours syllabus at Alliance University is meticulously crafted to cover a broad range of economic concepts and real-world applications. Key subjects include:

- Microeconomics: Understanding individual and firm behavior in decision-making processes.

- Macroeconomics: Examining the overall economy's performance, structure, and behavior.

- Econometrics: Applying statistical methods to economic data to test hypotheses and forecast trends.

- Development Economics: Exploring economic development, poverty, and inequality in developing countries.

These subjects form the core of the program, ensuring students gain a comprehensive understanding of economic principles.

 BA Economics Course Details

The BA Economics course details at Alliance University include a blend of core and elective subjects. Core subjects provide a strong foundation in economics, while electives allow students to specialize in areas of interest. The curriculum is divided into semesters, each focusing on different aspects of economics.

 Career Paths with a BA in Economics

Graduates with a BA in Economics from Alliance University have a wide range of career options available to them. Here are some of the most popular career paths:

 1. Economic Analyst

Economic analysts are in high demand across various sectors, including finance, government, and research organizations. They are responsible for analyzing economic data, forecasting trends, and providing insights that inform policy decisions and business strategies.

 2. Financial Consultant

Financial consultants advise clients on investment strategies, financial planning, and risk management. They use their knowledge of economics to help clients make informed financial decisions and achieve their financial goals.

 3. Policy Analyst

Policy analysts work in government agencies, think tanks, and non-profit organizations. They analyze the impact of public policies, conduct research, and provide recommendations to policymakers. Their work is crucial in shaping effective and efficient policies.

 4. Market Research Analyst

Market research analysts study market conditions to identify potential sales opportunities for products and services. They gather and analyze data on consumers, competitors, and market trends, helping companies make informed marketing and business decisions.

 5. Data Analyst

Data analysts work with large datasets to identify trends, patterns, and insights. They use statistical and analytical tools to interpret data, helping organizations make data-driven decisions. This role is highly valued in sectors like finance, healthcare, and technology.

 6. Consultant

Consultants provide expert advice to businesses and organizations on various issues, including economic strategies, business operations, and market trends. Their analytical skills and economic knowledge enable them to offer valuable insights and solutions.

 7. Research Economist

Research economists work in academic institutions, research organizations, and government agencies. They conduct research on economic issues, publish findings, and contribute to the development of economic theories and policies.

 Why Choose Alliance University for BA Economics?

 Comprehensive Curriculum

Alliance University offers one of the best colleges for BA Economics in India, providing a comprehensive curriculum that covers essential economic theories and practical applications. The program's structure ensures students gain a deep understanding of economic principles.

 Experienced Faculty

The faculty at Alliance University comprises experienced professionals and academics who are experts in their fields. They provide valuable insights, mentorship, and support, helping students excel in their studies and career pursuits.

 Research Opportunities

Alliance University offers ample research opportunities for students. Engaging in research projects enhances students' analytical skills and provides practical experience that is highly valued in the job market.

 State-of-the-Art Facilities

The university provides state-of-the-art facilities, including well-equipped libraries, computer labs, and research centers. These resources support students in their academic and research endeavors.

 Holistic Development

The curriculum at Alliance University promotes holistic development. In addition to academic excellence, students are encouraged to participate in extracurricular activities, workshops, and seminars, fostering overall growth and development.

 Admission and Eligibility

 BA Economics Eligibility

To be eligible for the BA Economics program at Alliance University, candidates must have completed their higher secondary education with a strong academic record. Specific eligibility criteria may vary, so it is advisable to check the university's official website for detailed information.

 Application Process

The application process for the BA Economics program at Alliance University involves submitting an online application form, followed by an entrance examination and interview. The university provides detailed guidelines on its website to assist applicants through the process.

 Conclusion

A BA in Economics from Alliance University opens up numerous career opportunities in various sectors. The comprehensive curriculum, experienced faculty, research opportunities, and state-of-the-art facilities make Alliance University one of the best colleges for BA Economics in India. Whether you aspire to be an economic analyst, financial consultant, policy analyst, or pursue any other career path, the skills and knowledge gained from Alliance University's BA Economics program will set you on the path to success.

Choosing the right college is a crucial step in your academic journey. With its commitment to student success and holistic development, Alliance University stands out as a top choice for pursuing a BA in Economics. The degree equips you with the necessary skills and knowledge to tackle complex economic issues and contribute meaningfully to the field.

[akshayss]

Clinical Research Diploma and UG Courses

Get your Clinical Research Diploma and UG courses with the latest news, updates, and upcoming important dates on myeducationwire. Read in your preferred language and stay informed.

[grunge-mermaid]

why am I, at five o’clock am in the morning, being kept awake by the memory of when I TA’d a Canadian Economic History course and spent way too much time having to write “that’s Dutch Elm Disease not Dutch Disease” on the take-home exams

[amityranchi]

Amity University Ranchi has emerged as an eminent institution that offers a plethora of academic opportunities for students to carve their paths towards success. Among its array of programs, the B.A. Economics Honours course stands out as a beacon of excellence.

[immediatebreakfast]

I really, really need to count how many times any kind of alcoholic beverage appears in a scene, and how factors around it affect the scene itself within the story. Of course the very blantant message of wanting to have a good stage in society plus enjoying the benefits of it while gratifying your own selfish desires without caring how you affect others is very studied, yet I wonder how the theme of addiction plus social class was seen back then.

Knowing that Hyde is described as this "state" of unrestrained freedom that Jekyll has access to in very specific moments where he longs for a out sight view from victorian society. Along with Hyde being this "mysterious" entity which Utterson desperately wants to understand for the sake of his old friend while Jekyll shamefully hides it, and claims that he can "stop it" in a matter of a single spoken promise:

“Utterson, I swear to God,” cried the doctor, “I swear to God I will never set eyes on him again. I bind my honour to you that I am done with him in this world. It is all at an end.”

I do wonder, would the word addiction be used to describe Jekyll? Considering how socially and economically segregated everything was, what would be the cultural language used in late victorian england to describe addiction? It is now known that mentally ill people who were also poor always got the medical diagnosis of "pauper lunatic" no matter what kind of problems they had, yet would a rich person receive the same name?

“I cannot say that I care what becomes of Hyde; I am quite done with him. I was thinking of my own character, which this hateful business has rather exposed.”

What was the line in which something was classified as that? A poor person with an addiction to drugs or alcohol would have been called a lunatic along with some classist and ableist comments of such person being "more prone" to do so... However, if a rich person "got caught" with the same state such as the upstanding member of the community and condecorated doctor Henry Jekyll... Would It be instant social downfall, or would it be carefully twisted into having "too much indulgence".

[aphrmoosun]

[No words]

NOMAE ; Two Shot!

• Pair.

Noa and Mae

• Movie.

Kingdom of the planet of the apes

• Tags.

NoaxMae, yes it is a ship, dont read if you dont ship them, smutt, au, future, humans and apes politics, ape and human relation, Noa is an inocent ape, twoshot, relationship, Interspecies, strong language, honour apes, writer is not English native speaker, if you see errors tell me, etc

• Other Nomae fic.

You and Me

• Part 1.

DO NOT COPY OR SHARE IT ELSEWHERE WITHOUT PERMISSION!

Yours [second part]

The ape and the human were forced to commit to each other. Not that they were really forced, since after their first physical encounter, both were in agreement that their lives were dedicated to each other.

Noa's father was the one who opposed it the most. It wasn't normal to see a formal wedding between an ape and a human, but the political pressure around him, along with his own son's, had been enough to convince him.

For Mae, her life was starting to sound different. No interested boy came near her again. In fact, no boy at all. Noa had promised his father that he wouldn't touch her until they were married, and Mae didn't agree with that at all.

After that night, with barely an hour together, she had already gotten used to his hands and the way he touched her. And he refused to do it. Mae always initiated the approach. First, silly kisses, then touches on his hairy chest, and when she tried to go lower, Noa would run away to the nearest bathroom.

But that had to end.

Their wedding was being prepared by professionals hired by their parents, with a formal and political theme that came with it, which meant that their wedding would take place within two months to give them time to prepare everything.

Mae was sure she could corrupt her fiancé. She just needed a moment alone with him, in an intimate setting, with no one around to listen.

To do that, she planned the ice cream plan. With the excuse of wanting him to try that human gastronomic wonder, Mae managed to convince him to let her visit him at his home.

She had already bought the ice cream, and her hand trembled with excitement as she knocked on Noa's door.

He was the one who received her with a tender look. Mae hugged him, leaving the ice cream aside. Although the ape only half-responded to the hug, she didn't let go.

"Come, let's go to the living room."

Mae observed the house with curiosity. Due to the clan leader being close to humans and having economic power, there was a lot of human technology in the house, from TVs to computers and even a roomba.

"Are we alone?" Mae tried not to sound too excited.

"Yes, my mom went shopping, and Dad is never home during the day."

Noa could be so innocent when he wanted to.

For a moment, she felt bad about her plan to seduce him, but then she thought that it wouldn't hurt him, she just wanted to do what engaged couples did.

Noa led her to the living room, offering her a seat next to him.

"Here, I brought two types of ice cream for us to eat together."

She handed him a chocolate ice cream and took a tutti-frutti one for herself.

She watched him sniffing the ice cream, analyzing it with his gaze, and that made her laugh.

"Go on, try it. It's good."

Noa took her advice, taking a spoonful to his mouth, and she imitated him with her ice cream.

That's when she started to put her plan into action.

She knew Noa loved to look at her, especially her eyes, and she would take advantage of that. She lowered her gaze to her ice cream and left the spoon in her mouth, playing with it with her tongue. She didn't need to look at him to know he was watching her.

"Mae..."

"Yes, Noa?"

She felt him move uncomfortably on the couch.

"Are you going to give me some of that?"

"Hmm, yes, of course."

She took another spoonful of ice cream and brought it close to the ape, but when he was about to try it, she dropped the spoon, making the contents spill all over Noa's chest and lap.

"Oh, sorry."

"Don't worry, it was nothing."

He was going to clean himself with his hands, but she stopped him, grabbing them.

"Let me help you, it was my fault."

The human didn't think twice. She bent down to reach the ape's chest and started licking the ice cream. She knew how hairy apes could be, but it didn't bother her; on the contrary, that act had given her the opportunity to get close to his nipple, licking it in the process.

"Mae!"

Noa got up from the couch, leaving her leaning forward over it.

"We can't do that."

She couldn't respond because the ape was already heading towards another room in the house.

She assumed it was the bathroom, since he always did that every time she suggested something sexual. Mae suspected he was hiding his erection from her or going to relieve himself alone.

She wasn't going to let him do that this time.

She followed him closely, seeing that the room was his bedroom, with a door that he had closed behind him.

Mae tried to open the door, but Noa had locked it. So, surrendering, she sat on the ape's bed and was able to observe the room more closely.

There were posters of sci-fi movies featuring apes and humans. Others were of music groups.

But her gaze fell on the TV. The ape had a TV with a DVD player in it. And then it came to her mind. Noa had learned to touch her by watching a porn movie, which she assumed the ape still had.

She searched through the drawers of the nightstand, didn't find it. But she saw a box next to the closet, so she decided to look there.

Among music discs and Blu-ray movies, she managed to see a very graphic cover.

Happy, she jumped up and put it in the player.

In the movie, two humans could be seen. A boy on top of a girl. He was kissing her breasts and touching her while penetrating her with two fingers.

Mae felt a tingling sensation in her crotch and sat on Noa's bed. His bed. It was soft and smelled like him. She lay down on the bed, feeling his scent.

The room was filled with the girl's moans from the movie. And Mae couldn't resist anymore. She put a hand under her pants, moving her underwear aside, and started touching her clitoris. She caressed herself softly, feeling the wetness in her parts already.

She moved her head, resting her nose on Noa's pillow, and breathed in his scent. The movie faded into the background, her mind going back to the moment when Noa watched that movie, thinking of her. He must have masturbated watching it, thinking of how he would do all that to her.

"Noa, Noa."

She closed her eyes, letting go. Her free hand went up her jersey and bra, leaving one breast out, which she started to massage and touch with the rhythm of her other hand.

She was about to come. Her fingers moved faster, imagining they were Noa's. And with him in her mind, she came violently on his bed.

"Noa!"

That scream tore through her throat, unable to keep quiet.

The orgasm tensed her body, making her arch her back and close her legs abruptly due to the tension.

After a few seconds, she tried to calm her breathing. And when she could open her eyes, she found Noa in front of her.

"Noa." -she whispered, taking her hand out of her pants and trying to lower her bra.-

The ape was faster, sitting next to her and grabbing her hands, placing them above her head.

"Did you enjoy it?" -he asked, to which Mae only nodded, unable to speak.- "More than when I touched you?"

Mae could have denied it perfectly with her head, but she thought of having fun since he had found her like that. After all, that's what she wanted. For him to touch her again.

"More than when you touched me." -she found her voice, speaking softly.-

The ape didn't respond. He just got on top of her, looking into her eyes.

"I don't enjoy anything. Every time I go to the bathroom, I come back worse than before. My hands are so useless that I don't reach climax. The last time I did was because of your small and soft hands around my faro, and that's killing me. And on top of that, you come and touch yourself in front of my nose."

Noa didn't stop talking, and his hands accompanied everything he said. He started undressing her, taking off her jersey and finishing with her bra. He also pulled down her pants to her ankles, the same place where he put her underwear.

"I only think of your hands touching me, and that leaves me unsatisfied because I can't touch you. My hands burn, I touched myself thinking of you, and I don't reach climax because in reality, you're not touching me."

The ape started touching her, caressing her clitoris, sensitive from her previous orgasm.

"You can touch me, and I can touch you." -Mae tried to touch him, but the ape stopped her.- "Please, Noa. I'm yours. My body is mine, but it only responds like that because of you, because it's a traitor. I can't contain it every time I have you near. Neither my father nor yours can stop this."

Mae moved her hips, bringing her wet entrance to the ape's hard faro, and he sighed.

"Mae. I-I can't. If I can't live after letting you touch me with your hands, I don't want to imagine my life after being inside you."

"Please, Noa. In body and soul, I'm yours. If you take me today, I know it will be forever, just like if it's in two months. It doesn't matter when, but it's going to happen, and it doesn't matter if today or in two months. But it will happen, and it doesn't matter if you take me or not, I'm already yours."

Noa seemed moved by those words. The ape's eyes never left the human's.

Mae felt the tip of his virility in her already wet and ready entrance.

"Noa." -she grabbed his strong shoulders, arching her back.-

"Mae, my god, Mae."

The ape's words in her ear were enough to awaken the fire inside her.

He had stopped after inserting a few centimeters, and she needed him inside her completely.

Her hips moved forward, making him penetrate her more.

"Mae, Mae."

The ape of the eagle clan, known for his singing, was singing in her ear. Or at least that's what it seemed to her. A sweet melody that she was ready to enjoy.

Noa sank completely into her, making her scream his name. The ape didn't hold back and started moving inside her.

"Very... tight." -she heard him whisper.- "Please, Mae. I'm not going to last long!"

That information almost sounded like a plea to her. He was asking her to come before him so that he could finish inside her satisfied.

"Noa, Noa."

She squeezed his shoulders, moving her hips. There was no need for him to beg, since the moment he penetrated her, her vagina had started to contract. Each time with more intensity.

"Noa!"

She screamed his name and felt that electricity that only he produced in her again. Her orgasm hit her hard.

"Ah, Mae!"

Noa didn't take long to come inside her a second after she did. Mae felt the warm liquid inside her sliding out when he pulled away.

Both enjoyed the silence while trying to catch their breath.

Mae looked for Noa's gaze, finding his eyes looking at her. She smiled widely, laughing and lying down next to him to see him better.

"Now you're mine too." -she said.-

Noa imitated her, lying down next to her to see her.

"I were already yours. Since the first moment our gazes met."

Mae felt very grateful because her feelings were reciprocated.

. END!

[mdianasims]

Grace Hastings

for @bloomingkyras Travelogue Journey Bachelor Challenge.

Name: Grace Eleanor Hastings Age: 26 (young adult) Aspiration: Renaissance Sim Traits: Horse Lover, Squeamish, Genius, Business Savvy, The Knowledge. Likes: sunrise yoga, spa days with friends (hand massage and manicure are essential), riding along the shore with her horse, grandma's signature Beef Wellington. Dislikes: cooking (would start a fire if left alone in the kitchen), bugs (will drive them away with high-pitched screaming), mucking out stables, people who think they are funny when they're not.

------

Grace grew up in Brindleton Bay, with her parents and younger brother. A lot of her younger years revolved around horses and Grace became a skilled equestrian. Many Summer holidays were spent on her grandmother's estate in Henford-on-Bagley. The family spent their Winter vacations in Mt. Komorebi to go skiing.

In her teenage years, Grace dabbled a bit as a Simfluencer. It did make her more popular in school and even got her elected as prom royalty, in spite of graduating early (the really smart kids aren't usually popular). She still has a love for S-Pop (more of a guilty pleasure these days) and her signature hot pink nails and lips to show for her Simfluencer days. She wanted to take a gap year and travel, but her parents didn't allow it on account of her being too young. So, Grace went to study economics at Foxbury and, of course, graduated with honours.

After graduating university, Grace took a job in her mother's business, something to do with the San Myshuno stock exchange. Instead of using her degree and connections, Grace opted to start at the bottom of the corporate ladder. Which may have been a mistake. Apartment life in San Myshuno didn't agree with our country girl. She got into a relationship with a co-worker and things got messy, both at work and privately. After she broke up with him, she moved back to her parents house in Brindleton Bay. She was more than happy to commute every day if it meant spending more time with her favourite horse, Artemis.

Recently, Grace felt that her job didn't really suit her anymore. And things were complicated enough, with her ex and her mother constantly around at the office. She went back to what she knew best: Social Media. Of course, Grace has to start all over again, but she can take a more serious route this time. It still requires a lot of trips to San Myshuno (because that's where 'it' is happening), but at least she can do so on her own time.

Grace is good at almost everything she does and that makes others perceive her as arrogant. She simply does her best and certainly has her flaws. It's not a coincidence she's participating in a bachelor challenge with a bachelor who enjoys cooking. But that's not her only reason for participating. Grace feels she does have a few things in common with Shawn and hopes they can find that common ground and build on it.

A few notes:

Grace's backstory talks about a few things. I did not actually play through all of that. I created her as a young adult in CAS and then cheated some skills and a job. So she has no degree or reward traits from her teenage years.

I wanted Grace to have the overachiever trait in addition to her 3 base traits. But I spent soooo long on compiling her outfits, that I didn't feel like playing her for a long time as well (I have my own BC to get back to ;) ). Also, respect to people who are good in CAS - we all have our own talents, and mine is in build mode.

I know there was more I wanted to tell you about Grace, but I either forgot or didn't manage to work the into the story the way I imagined.

@bloomingkyras if there is anything else you want to know, feel free to message me.

To conclude this, here's the (mandatory for all BCs) swimsuit photo ;)

[fiaistired]

I want to figure out how old Elias Bouchard really is. When was he born?

In MAG 49 it’s said he joined the institute in 1991 and became head of the institute in 1996 after being body snatched by Jonah Magnus.

In MAG 192 Rosie says that “he seemed far too young for the role he had apparently found himself in” - referring to the head of the institute position.

How young is too young for a head of an institution position? Here’s a first not *exactly* evidence-based assumption - but let’s say it’s probably being below 40 years old. That is based solely on the experience of attending university, I’d say most institute heads at uni are at minimum 40 (also, not exactly related but all university institute heads have PhD’s). (I don’t want to get into too many details here, since I’m not a 100% sure how the higher education system works in the UK, but in my country at least, one must have at least a Habilitation, which is almost like a second PhD, or be a capital “P” Professor, which is the highest university rank, to become an institute head. To achieve these scientific titles, it usually takes a lot of time, so most people are over 40 when they get the position. Or even 50, when it comes to the Professor rank). 

One can assume then, that “Elias” is below 40-ish while he interviews Rosie. Unfortunately, we don’t know when exactly that happens. It could be anytime between 1996 and 2015. 

Some other information we do know about him is that he’s graduated collage with third class honours and has a PPE degree. According to google, students in the UK typically start university at the age of 18. Also, according to google, Oxford has never had a postgraduate degree course in PPE, so Elias has a bachelor’s degree in PPE (which btw stands for Philosophy, Politics and Economics), meaning he was either 21 or 22 when he finished uni. We do not hear anyone mention him finishing any other courses, so we can assume that’s all that he studied.

Another thing we don’t know is at what age he started working for the Magnus Institute. We do know it happened in 1991. The earliest he could have been recruited was at the age of 21 or 22, straight out of university. Making him 26/27 at the time he “got promoted” to the position of institute head, in 1996. As mentioned previously, at Rosie’s interview, where she found that he looked too young for his position, in between 1996 and 2015 (whenever that interview took place) he would’ve been between 26 and 45 years old (at the youngest) depending on the year the interview took place in. Taking my assumption from before, that during the interview he’d be 40 or lower, I’d assume that the interview probably took place anytime between 1996 and 2010 for the comment of him looking too young in his position to make sense. Of course, it could’ve been a few years after graduating uni when he got recruited, which would further push down the date of the Rosie interview. I think the oldest he could possibly be is in his late thirties during it. So, the eldest he could be in 1996, if that is when the interview took place, would be around 40 years old (which I also don’t think it did take place in 1996 since it would make Rosie work as his assistant for 20 years and I’m not certain that she could remain that oblivious to all the weird stuff going on for that long. But what do I know, maybe she’s got a gift for not noticing. I don’t know for sure).

So, in the year of his body being overtaken by Jonah Magnus, 1996, he’s between the ages of 26 and 40. 

We, the listeners, know him mostly from our time spent with him and the archives crew from 2015 onwards. Based on our established age range, in 2015 he would’ve been anywhere between 45 and 59 years old. Which would mean that last time we hear him speak is in 2018 in which he’s anywhere between 48 and 62 years old. 

I don’t know how old his va, Ben Meredith is exactly. I’m pretty sure he’s a millennial? Either way it doesn’t really matter how old his va is, though all we have to picture him by is his voice only, which at least in my opinion doesn’t really sound like the voice of a 62-year-old, but that is straight up just a subjective opinion. Maybe he’s a particularly young sounding 62-year-old?

Some additional information we supposedly get about “Elias” is that he was working as a filing clerk in 1972, which he says to Jonathan Sims in MAG 29, but that contradicts with the information gathered later by Jon and revealed in MAG 49 where he says that Elias joined the institute in 1991. All this might seem like just the lies of Jonah Magnus, but it presents an interesting point of having a conversation take place in 2016 with the reference to his being an institute employee in 1972. In 2016 he’s between the ages of 46 (which would make him 2 years old in 1972) and 60 (which would make him 16 in 1972), neither of which make sense, thought one would think that if he’s older and Jon doesn’t know how old he is exactly, it wouldn’t be that suspicious for him to have worked at the institute in 1972, though that seems like a stretch. Perhaps Jon just didn’t question or notice how it doesn’t really make sense for him to have worked there in that year, or maybe the writing-story-planning team didn’t put that much thought into this particular interaction/the implications of it, or maybe Elias looks older than he is. 

In conclusion, Elias Bouchard was born between the years of 1956 and 1970.

Also, fun fact I did a poll to see what age Tumblr users thought Elias was and they picked between 40 to 50, with 45 to 55 being a close second, so if anyone voted in that and picked anywhere between 45 and 59, I just want to let you know you’re right.

TLDR: Elias Bouchard is (most likely) anywhere between 45 and 59 at the start of the Magnus Archives.

[roxannepolice]

Rant 3/phantom pains of Schrödinger's lore in ChibnallWho/"the history between" doesn't mean much to the author. that is, it does. but it doesn't. but it does. but not really. but./can someone in the group chat please read my time sensitive questions I posted 25 hours ago?

Between bracing myself to finally open the advisors reviewed thesis, waiting for anyone at work to give a newbie a hint, and reading a fairly good criticism of the political stance in ChibnallWho, I guess it's a good time to let go off some steam about this era. Now, an important clarification for tumblr: when I criticize the show, I am not in any way bashing on people who enjoy it! Good for you, and that's why I try to tag these appropriately.

But yeah, this is going to go deep into what I mean when I say the writing in this era is just bad, something even its defenders sometimes concede. This often turns into dicussions of political/social messaging in seasons 11-13, which is as fair criticism as any. Yes, it often veered into confusing to downright appalling. But for me, that's not what "bad writing" means. You can make an excellent story about a likeable rapist and murderer. You can make compelling propaganda of pretty much any economic stance (well, maybe except for "the solution to problems with Amazon is to blow up their trucks so now everything has to be delivered on foot I guess", that's something straight from Monty Python). And of course, the "too woke" "criticisms" aren't anything valid like at all.

No, for me the bad writing in ChibnallWho lies in the general sense of confusion as to who exactly is the target audience here: someone who's very well acquaintanced with the lore(s), or someone who's completely new to the show. Now, this is also inspired by some criticisms of RTD2 is that it is too expository, leading into the show-within-a-show theorizing. And of course, exposition can be done well or not-so-well, and there's good argument some parts of exposition in s14 were on the nose. But the thing about a television series, especially one as long as Doctor Who, is that any episode can be someone's first - and the writer's job is to make it so it won't be their last. What this means is that the audience needs to be provided the information necessary to grasp at least the emotional level of the story, if not every bit of earlier lore logic. In the case of Doctor Who there's also a part of establishing which part of the lore is valid to the story at hand, considering that both within the show itself, but also the huge multimedia lore, there are bound to be contradictions. And that's ok! You have a good story idea that will require a retcon for a better pay off, go for it! Like, if you really think the Doctor should get to save Gallifrey for their 50th birthday, then go ahead, just reduce the Time War to a local conflict between Time Lords and Daleks instead of underlining just how widespread across time and space it was, and logistically impossible to contain by removing one party (this is one of the many cases of "I don't like what Moffat did, but I agree the execution is functional").

Basically, Lancelot having an affair with Guinevre isn't relevant to him storming a wedding and killing mortally wounding giving a fleshwound to the bride's father.

So, essentially my issue with ChibnallWho writing is simultaneously trying to cut itself off from lore/earlier seasons, while relying on it for any emotional pay off. To give a counterexample from this very era's one of best written episodes: when the Doctor goes on about what being turned into a Cyberman means and that she won't lose anyone else to that, that's bloody powerful! And it's powerful regardless of whether you know it's specifically about Bill, or just go on the information provided within the episode - that the Doctor lost someone to this. Unfortunately, The Haunting of Villa Diodati is an honourable exception in this and many other aspects.

So, to start from the beginning. There's a frequent criticism that team TARDIS was overcrowded in seasons 11 and 12 with three companions, to which an immediate defense is that it's not the first time there were three companions at once. Fine. But combine this with the following: it's not just three companions introduced at once, it's three companions introduced at once, plus a brand new Doctor, plus a brand new sonic, plus a brand new TARDIS interior (that's absent for nearly full two first episodes). So you're basically left with four strangers and no point of reference in your getting to know them. And by no point of reference, I mean something that I haven't noticed anyone else pointing out: Thirteen is literally the first Doctor since One to have no established elements in their first season, at all (barring the TARDIS and sonic, again, completely redesigned).

It's a bit hard to discuss One to Two regeneration relying only on stills and audio, but Polly and Ben are there to act as audience proxies for this Beatle-hairstyled guy with a recorder being the old man he was a moment ago. Three's first season all revolves around UNIT, established in Two's era. Four inherits UNIT and Sarah Jane. Five inherits Adric, Nyssa, Tegan and the Master for his welcome. Six has Peri. Seven has Mel, the Master and the Rani. Eight's movie is all about the Master. Even the reboot for Nine has the Nastene consciousness as a hello and the whole season revolving around the Daleks. Ten gets Rose and Tylers, and Cybermen, and Daleks, and Sarah Jane, and K-9. Eleven gets the previously established River Song and a Classic Who villain reunion in the season finale. Twelve gets Clara. Thirteen gets.... Twelve's suit that she should have stayed in and Daleks, nearly three months from her first episode.

And the thing is, I understand how this would have appeared to be a good idea on paper! Complaints about the show getting lost up it's own self-referential ass have been around for years by this point, and even Moffat tried to go for a soft reboot in s10. Chibs literally asking him to set the TARDIS on fire is as symbolic a new beginning as they get. A bold, intriguing idea. As is trying to explore Titanic with nothing but a snorkel.

Because in practice it had two fundamental flaws, one more general and one specific to the story as it unfolded. The general one has been hinted at: this is basically why there's the sense of overcrowding on the TARDIS, while also leaving the audience feeling they don't really know anyone on board. Are we getting to know the new Doctor from the companions' perspective? The companions from the Doctor's? The new villain (and a really unfamiliar one, Toothboy isn't a familiar threat like plastic pollution metaphor or pshysically inevitable end of the world) from an alien's or humans' perspective? The new worlds from all of theirs? We sort of end up relating most to Grace, except she dies in the first episode. The thing is, it is in confrontation with the established that we learn most about the characters. Nothing characterizes Nine more than his interactions with the Daleks, going from torturing one to deciding he can't commit another planetary destruction to stop them. Basically, between a kind straight Black navy officer and a White lesbian strangling her wife in a jealous rage, you're likelier to recognize Othello in the latter. Something tells me this is why RTD had Fifteen interact with another Doctor, Donna, Mel, Kate, UNIT, the Toymaker and even toothied Master before sending him on his own merry way.

The second problem has more to do with the direction the story actually went in. Because just from the above, and indeed after s11 it was a frequent praise of the era, it would look like Chibs is going for something easily accessible to new audiences. Great. But then comes s12 and basically all of the emotional pay off comes from the audience's attitude to the the lore! Or, maybe I'll put it this way: all charitable interpretations of it are rooted in not only lore literacy, but specific readings of established lore. And not only is the lore hardly established for the newcomers, but it's also not established which parts are to be cherry picked for the returning audience. Nowhere is it better visible than in Fugitive!Doctor's TARDIS being a police box. This was clearly meant to tell the audience yes, this is indeed the Doctor's TARDIS, but if you know how much of a deal pre-Hartnell Doctors would be, you'd also know the TARDIS doesn't just look like a police box, it was stuck looking like one in 1963. And so we end up with secret third Doctor theories between classic series 6 and 7.

And this is the fundamental problem with the timeless child. It shakes the lore to the core, but without establishing what this lore is, and how the audience is supposed to feel about it. Oh, you can go for post-colonial criticisms, but that relies on you reading the Time Lords as the british empire, a reading not clear to all of the audience, as exhibited by an actual academic article (because yes, I spent my hard earned money on a collection of academic articles about ChibnallWho and no I absolutely won't share a pdf should anyone dm me) written by an author more rooted in feminist than post-colonial critical theories seeing the new origin of Time Lords as replacing a masculine creatio ex nihilo ethos by that of a feminine explorer-scientist [appreciative]. You're basically supposed to get a phantom pain of a lore that's both alive and dead until observed, the presumed intention being that you will have a positive or negative feelings about the cat, without considering most people will be either abstractly impressed by the metaphor, or equally abstractly disturbed by animal abuse. It's criticising the roman empire by debunking it being founded by Mars's children raised by a she-wolf.

And this is also visible in the Doctor's own reaction to the revelation, which I guess you might argue is complex, but I would say it's more shifting from establishing moment to establishing moment. She goes from being shocked by it (again, no part of the text informed me I shouldn't cherry pick her characterization as including calling Time Lords the most rotten civilization in the universe, also is it even established that's the second time Gallifrey was destroyed?), to describing it as empowering, to apparently not thinking about it for 100 years, to having an identity crisis, to stating her identity is about what she does, to bemoaning the could-have-beens, to deciding she doesn't want to know, to her deepest desire being wanting to know it after all (the vision of ttc in potd). Like, come on, not finding your glasses means your room is messy, not complex. The effect is infantilizing more than anything else, I mean it's been what, three months since the last time a villain informed a heroine she has an epic origin that's also very horrible in The rise of Skywalker? Which impression is amplified by the only clue as to the Doctor's personal, not performed, attitude being that she apparently finds the cliche chosen one story of a boy abused by his adoptive family turning out to be a wizard, and a special wizard at that, comforting. Probably not the intended reading that wouldn't even be available if Rowling got cancelled earlier, but there as things are.

And of course, this has a lot of bearing on how thoschei dynamic is executed. On the one hand we have the entire emotional pay off rooted in the "history between them", on the other vague references to Classic Who and expanded universe, on the third characterization of the Master that is rooted more in fanon Freud-for-dummies woobification than anything this character's motivations have ever been established as. Like, between the charitable reading "Thirteen is hostile to the Master because of the events of s10" and the anti-charitable reading of "Missy's development was retconned in the Master's hostility", the answer is, it doesn't bloody matter to the story at hand, or else it's the writer's job to point to it as meaningful (again, as Maxine Alderton did with cybermenification in THOVD). Another case of "I don't agree with Moffat, but I agree the execution was functional", but you can juxtapose this with the way Simm!Master was presented in s10 - yeah, he got cured and kicked out of Gallifrey; that's really all you need to know, because his role in this story is being an unrepentant asshole and no amount of gifs slowing down John Simm turning his eyes down before saying "Eh, you wouldn't understand" will change that. The same goes for "see, the Master didn't destroy Gallifrey over everything that's been done to them, but over Theta being hurt uwu" interpretation - neither the reading this was the motivation, nor anything relating to the Master suffering from the Time Lords have been established in the text, neither as it unfolded nor as a pay off reveal! This basically relies on the attitude that the most charitable reading is by default the intended one, which is how you end up with "op means that Taylor Swift being gay shouldn't make you ignore all other gay women musicians".

A little bit of an aside, but people remember O was an actual person the Doctor met in unknown circumstances, not just a creation of the Master from the beginning, right? Like, this is taken into account in all "he's so desperate to be friends again uwu" readings, right?

So this is why "if the history between means anything" quote falls flat to me. The meaning is rooted in lore that's brushed aside in the same breath. The author relies on it being meaningful for the audience, while providing only the bare bones of "we were friends, but took completely different paths" background, and that by the end of the first act. Just as he relies on the audience having an emotional attachment to the lore without doing anything to create that attachment.

[cryingpariah]

Buggy: Galdino, give it to me straight, what are our numbers looking?

Galdino: I cannot lie…THEY'VE NEVER LOOKED BETTER!

Buggy: BUGGY'S DELIVERY SERVICES IS A HIT! NOTHING CAN STOP US NOW-

Cabaji: Uh Boss? There’s *gulp* someone here to see you!

Buggy: Who? The Navy? The other Warlords? Hell I’d even take Strawhat! We're swimming in beri and have powerhouses on payroll! Nobody can ruin my good mood today!

Cabaji: It's..The World Economic Journal's courier, Jackie.

[The Buggy Pirates gasp in horror. Buggy looks around confused.]

Buggy: The who's what?

Alvida: You've seriously never heard of her? The Living Log Pose herself!

Galdino: Heiress apparent of the Underworld!

Mohji: They say she keeps her fingers to the pulse of the whole world! That no secret is truly safe while she is alive!

Buggy: *sweating up a storm* WELL WHAT COULD SHE WANT WITH US?!

Galdino: *dramatic gasp* She must have taken offence! We are technically encroaching on her business! She has to be here to make an example out of us!

Buggy: CABAJI WHATEVER YOU DO, DON'T LET HER IN-

Jackie: Hello!

[The Buggy Pirates scream and scramble to hide behind Buggy's tent body.]

Jackie: Wow you guys are jumpy! Been burning the midnight oil? Cause let me just say, been there.

Buggy: Don't think I don’t know why you’re here Living Log Pose!

Jackie: You already know? Sorry for being so late with this then!

Cabaji: *whispering* Mohji, plant some flowers at my grave 😭😭!

Mohji: *whispering* Of course Cabaji 😭😭!

Jackie: *cracks knuckles* Let’s not beat around the bush here, there’s something I’ve been meaning to say to you ever since I heard of your little operation..

Buggy: 😭😭😭

Jackie: THANK YOU!

[A shocked pause.]

Buggy: …Par-don?

Jackie: Oh my seas your delivery services has been a godsend! I've been able to sleep in til noon! And I can take half days now! I really can’t thank you enough!

Galdino: *peeking out* So you’re not here to cut our heads off, put them on seastone spikes and put it on the front page as a warning to all who try to encroach on your job?

Jackie: 😵‍💫😵‍💫 You pirates really do have the strangest of imaginations. I wouldn’t do that even to my worst enemy!

Alvida: But you’re-

Jackie: Jackie, just Jackie is fine really. I’ve never been one for grandiose titles.

Buggy: So… you came here to thank me?

Jackie: And congratulate you! Not everyone can start up such a successful business, especially not a pirate of your notoriety Warlord Buggy. And what an exceptional crew you’ve gathered at that! It's all very impressive!

Buggy Pirates: ☺️☺️☺️☺️

Buggy: *flattered* Aw shucks you’re making me blush kid! It’s nice to be recognized for the hard work you put into this sort of thing! Delivering is truly a thankless job!

Jackie: I've been saying that for years! Glad to see someone else gets it!

Buggy: Well what are you standing in the doorway for? Come on in, I’ll give you a tour of our humble facilities! Maybe even swap some trade secrets??

Jackie: It'd be an honour and a delight! As long as I can get an exclusive with the Star Clown about your daring dive into the world of courier work and the Impel Down breakout if we have time…

[murphyellents]

Snake's Trident,

For the year of the snake artpiece I want to honour the Ukrainian defenders fighting for the safety of Europe. If you do not know the context two years ago the brave Ukrainian defenders responded to a radio message to surrender snake island with "Fuck you Russian Battleship".

Nowadays the Russian battleship got promoted to being a submarine as the Russians would say. I do wanna wish you all a prosperous new year and of course the economic collapse of the Russian state. Happy Lunar Year!!! 新年快乐!!!

[akshayss]

Emergence and growth of IIITs in India

Learn more about the emergence and growth of IIITs in India through our related posts. Stay updated with the latest news and upcoming events on MyEducationWire.

[scotianostra]

Happy Birthday the Scottish actor Peter Mullan born 2 November 1959 in Peterhead. I love Peter’s work and rate him as highly as Brian Cox and If ever there was a story of rags to riches it is Peter Mullan, born in Peterhead the family later moved to Mosspark in Glasgow. Mullans father was a drunken violent man but despite this Peter did well at school, at least till the age of 14 when the climate at home forced him out onto the streets and into a gang, spending less and less time at school. In his own words he was aggressively lobotomising himself but admitted he kept up his reading on the sly “You couldnae tell the gang you were reading Carl Jung.” he said. I’m not sure his heart was in the gang culture as he says he was “kicked out” after a couple of years, he returned to school and sailed through his Highers and started at Glasgow University at 17. His dad died of lung cancer on his first day. Mullan studied economic history and drama and despite suffering a nervous breakdown in his final year still managed to graduate. He went on to teach drama at Borstals, prisons and community centres while becoming involved in the left-wing theatre movement that flourished in Scotland in the 1980s. In 1987 he made his professional acting debut with the Wildcat theatre company in a political pantomime. Bit parts in Scottish films and TV series followed, The Steamie, Taggart, of course, and Rab C Nesbitt, as well as The Big Man and in Braveheart, he uttered the words, “We didn’t come here to fight for the” Danny Boyle, Shallow Grave and Trainspotting were another two films that Mullan served his apprenticeship in. The breakthrough came when Ken Loach chose him in the title role of “My Name is Joe” he gave a brilliant portrayal Jekyll-and-Hyde character , a recovering alcoholic whose humanity and warmth masked a frightening capacity for brutality. He won his first award at Cannes as Best Actor for the role. Around the same time Mullan was starting to get into directing, three surreal comic dramas set in the Glaswegian working-class world and then his first full length film, he not only directed but wrote the excellent Orphans an odyssey of four working-class siblings roving round Glasgow in the 24 hours after their mother dies. Channel Four, who funded the film chose not to distribute it as they didn’t think it would attract a large commercial audience. The film however was shown at Film festivals around Europe and won numerous awards, in interviews, Mullan has said that once Orphans started winning awards Channel Four apologised and asked if they could distribute it, an offer he refused. Since then Peter Mullan has not looked back, directing and penning The Magdalene Sisters and Neds as well as starring in amongst others, Harry Potter and the Deathly Hallows, War Horse, Hector and Tommy’s Honour, on the small screen he was one of the main characters in ITV series The Fixer, The BBC Two drama Top of the Lake, and in the excellent drama series Gunpowder. More up to date Peter has appeared as Jacob Snell in the first two seasons of the Netflix series Ozark, all three series of the BBC Two sitcom Mum and a recurring role in the popular TV reboot of Westworld. He has also starred in the Netflix fantasy drama Cursed. We will next see Mullan alongside Colin Farrell and Tom Courtney in the BBC series The North Water. Peter was also one of the participants of the National Theatre of Scotland’s Scenes For Survival project, which featured talents from the country’s arts industry making lockdown-related short films as a response to the country’s theatres having to close during the coronavirus pandemic.

Mullan has been busy in the past few years, appearing in TV shows Liaison, Payback, After the Party and LOTR: Rings of Power, as well as the film, Baghead a Horror film which has average reviews on IMDb. Outlander fans look out for him in the spin off series Outlander: Blood of My Blood, a prequel to the popular Starz show, it follows the parents of both protagonists from the original series. Tony Curran is also cast as a younger Lord Lovatt. It is follows the parents of both protagonists from the original series it is expected to premiere in 2025 on Starz. He has a few oter projects on the go, the most hard hitting will no doubt be an ITV mini series called Lockerbie which will focus on the investigation into the crash on both sides of the Atlantic and the devastating effect it had on the small town and the families who lost loved ones.

[amityranchi]

Exploring B.A. Economics Honours at Amity University Ranchi

Amity University Ranchi has emerged as an eminent institution that offers a plethora of academic opportunities for students to carve their paths towards success. Among its array of programs, the B.A. Economics Honours course stands out as a beacon of excellence, attracting individuals with a passion for commerce and a drive to understand the complexities of the modern economic landscape. Let us delve into the key aspects of the B.A. Hons. Economics course at Amity University Ranchi, including its eligibility criteria, curriculum, and the unique advantages it offers to aspiring economists.

B.A. Hons. Economics Course Overview

The B.A. Hons. Economics course at Amity University Ranchi is sketched out to furnish students with a deep understanding of economic theories, principles, and their real-world applications. This curriculum serves as a launchpad for students who aspire to pursue careers in economics, finance, policy-making, research, and more. By compiling theoretical knowledge with practical insights, the B.A. Hons. Economics course enables learners with the analytical skills and critical thinking necessary to comprehend dynamics.

Curriculum Highlights & Eligibility Criteria for B.A. Economics Honours

The B.A. Economics Honours Eligibility at Amity University Ranchi ensure that individuals with a genuine interest in economics can embark on this enriching academic journey. To be eligible for the program, candidates must have completed their 10+2 education from a recognized board. The eligibility criteria thus focus on nurturing a diverse student body, encouraging individuals from various educational backgrounds to explore the captivating world of economics.

The B.A. Hons. Economics course is thoughtfully crafted to offer a thorough understanding of economic concepts, microeconomics, macroeconomics, international economics, and more. The curriculum encompasses a blend of core economics courses, elective subjects, and practical projects, enabling students to tailor their learning experience. Enabled with multidisciplinary flexible choice-based credit system, the university focuses on leveraging the talent and innovative capabilities of its learners and making them industry ready.

Moreover, the curriculum emphasizes experiential learning, enabling students to engage with case studies, simulations, and research projects that mirror real-world economic scenarios. This hands-on approach nurtures practical skills alongside theoretical knowledge, fostering a holistic learning experience.

Advantages of Choosing B.A. Hons. In Economics at Amity

Distinguished Faculty: The B.A. Hons. Economics program at Amity University Ranchi is guided by a faculty team comprising experienced academicians and industry experts. The mentorship program ensures that students receive a versatile education that combines academic rigor with real-world insights.

State of the Art Resources: The university provides access to ultra-modern infrastructure, including globally agile classrooms, advanced research facilities, and libraries stocked with an extensive array of literature. These resources create an environment conducive to academic excellence and growth for the learners.

Holistic Development: Amity University Ranchi places equal importance on integrated development, offering students opportunities to engage in extracurricular activities, workshops, seminars, and internships that enhance their interpersonal skills and overall personality.

Networking Opportunities: The university fosters a vibrant community of students, faculty, and alumni. This network provides invaluable opportunities for students to interact with industry professionals, guest speakers, and alumni who have excelled in the field of economics.

In conclusion, the B.A. Hons in Economics at Amity Ranchi is a gateway to a promising career in economics. With its inclusive eligibility criteria, comprehensive curriculum, experienced faculty, and emphasis on practical learning, the program equips students with the skills and knowledge needed to thrive in various economic domains. Aspiring economists looking for a dynamic learning environment need not look further than Amity University Ranchi to realize their academic and professional aspirations. For more info visit https://amity.edu/ranchi/ 

Source : https://sites.google.com/view/ba-hons-economics-course/home?authuser=1