#ebooks kindle free for prime

[anmolsmsblog]

Vortex Visions (Vortex Chronicles Book 1)

Price: (as of – Details) In a world on the brink of destruction, Crown Princess Vi Solaris must choose between her magic and her throne. With her empire faltering from political infighting and a deadly plague, Vi’s rare and deadly power may be the key to saving her people. To master her powers, she trains in secret with a mysterious sorcerer from a distant land. Despite her initial fear, Vi…

[icepixie]

If my Kindle could quit gaslighting me by leaving off the "read" tag on books I'm pretty sure I've read, that would be great.

[laurenthomanbooks]

Well this is a little bizarre, but my book I'll Stop the World is an Amazon First Reads pick for the month of March! That means the Kindle ebook is free for Prime members and $1.99 for everyone else.

You can also still preorder a hard copy of the book (or the Audible version). Official launch date for the book is April 1, 2023 -- First Reads is just an opportunity for an early sneak peek!

If you do preorder the book, let me know by March 31, 2023, and I'll send you stuff!

Uh, also, Mindy Kaling would like you to read it.

(If you're feeling REALLY adventurous, here's why I think my book is best experienced without knowing what it's about)

[moghedien]

converted all my kindle books to epub and ordered a kobo and I think this officially ends my being stuck with anything in the amazon ecosystem

might finally bite the bullet and replace my kindle with a kobo

[mostlysignssomeportents]

Tiktok's enshittification

Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

I call this enshittification, and it is a seemingly inevitable consequence arising from the combination of the ease of changing how a platform allocates value, combined with the nature of a “two sided market,” where a platform sits between buyers and sellers, hold each hostage to the other, raking off an ever-larger share of the value that passes between them.

When a platform starts, it needs users, so it makes itself valuable to users. Think of Amazon: for many years, it operated at a loss, using its access to the capital markets to subsidize everything you bought. It sold goods below cost and shipped them below cost. It operated a clean and useful search. If you searched for a product, Amazon tried its damndest to put it at the top of the search results.

This was a hell of a good deal for Amazon’s customers. Lots of us piled in, and lots of brick-and-mortar retailers withered and died, making it hard to go elsewhere. Amazon sold us ebooks and audiobooks that were permanently locked to its platform with DRM, so that every dollar we spent on media was a dollar we’d have to give up if we deleted Amazon and its apps. And Amazon sold us Prime, getting us to pre-pay for a year’s worth of shipping. Prime customers start their shopping on Amazon, and 90% of the time, they don’t search anywhere else.

That tempted in lots of business customers — Marketplace sellers who turned Amazon into the “everything store” it had promised from the beginning. As these sellers piled in, Amazon shifted to subsidizing suppliers. Kindle and Audible creators got generous packages. Marketplace sellers reached huge audiences and Amazon took low commissions from them.

This strategy meant that it became progressively harder for shoppers to find things anywhere except Amazon, which meant that they only searched on Amazon, which meant that sellers had to sell on Amazon.

That’s when Amazon started to harvest the surplus from its business customers and send it to Amazon’s shareholders. Today, Marketplace sellers are handing 45%+ of the sale price to Amazon in junk fees. The company’s $31b “advertising” program is really a payola scheme that pits sellers against each other, forcing them to bid on the chance to be at the top of your search.

Searching Amazon doesn’t produce a list of the products that most closely match your search, it brings up a list of products whose sellers have paid the most to be at the top of that search. Those fees are built into the cost you pay for the product, and Amazon’s “Most Favored Nation” requirement sellers means that they can’t sell more cheaply elsewhere, so Amazon has driven prices at every retailer.

Search Amazon for “cat beds” and the entire first screen is ads, including ads for products Amazon cloned from its own sellers, putting them out of business (third parties have to pay 45% in junk fees to Amazon, but Amazon doesn’t charge itself these fees). All told, the first five screens of results for “cat bed” are 50% ads.

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

This is enshittification: surpluses are first directed to users; then, once they’re locked in, surpluses go to suppliers; then once they’re locked in, the surplus is handed to shareholders and the platform becomes a useless pile of shit. From mobile app stores to Steam, from Facebook to Twitter, this is the enshittification lifecycle.

This is why — as Cat Valente wrote in her magesterial pre-Christmas essay — platforms like Prodigy transformed themselves overnight, from a place where you went for social connection to a place where you were expected to “stop talking to each other and start buying things”:

https://catvalente.substack.com/p/stop-talking-to-each-other-and-start

This shell-game with surpluses is what happened to Facebook. First, Facebook was good to you: it showed you the things the people you loved and cared about had to say. This created a kind of mutual hostage-taking: once a critical mass of people you cared about were on Facebook, it became effectively impossible to leave, because you’d have to convince all of them to leave too, and agree on where to go. You may love your friends, but half the time you can’t agree on what movie to see and where to go for dinner. Forget it.

Then, it started to cram your feed full of posts from accounts you didn’t follow. At first, it was media companies, who Facebook preferentially crammed down its users’ throats so that they would click on articles and send traffic to newspapers, magazines and blogs.

Then, once those publications were dependent on Facebook for their traffic, it dialed down their traffic. First, it choked off traffic to publications that used Facebook to run excerpts with links to their own sites, as a way of driving publications into supplying fulltext feeds inside Facebook’s walled garden.

This made publications truly dependent on Facebook — their readers no longer visited the publications’ websites, they just tuned into them on Facebook. The publications were hostage to those readers, who were hostage to each other. Facebook stopped showing readers the articles publications ran, tuning The Algorithm to suppress posts from publications unless they paid to “boost” their articles to the readers who had explicitly subscribed to them and asked Facebook to put them in their feeds.

Now, Facebook started to cram more ads into the feed, mixing payola from people you wanted to hear from with payola from strangers who wanted to commandeer your eyeballs. It gave those advertisers a great deal, charging a pittance to target their ads based on the dossiers of nonconsensually harvested personal data they’d stolen from you.

Sellers became dependent on Facebook, too, unable to carry on business without access to those targeted pitches. That was Facebook’s cue to jack up ad prices, stop worrying so much about ad fraud, and to collude with Google to rig the ad market through an illegal program called Jedi Blue:

https://en.wikipedia.org/wiki/Jedi_Blue

Today, Facebook is terminally enshittified, a terrible place to be whether you’re a user, a media company, or an advertiser. It’s a company that deliberately demolished a huge fraction of the publishers it relied on, defrauding them into a “pivot to video” based on false claims of the popularity of video among Facebook users. Companies threw billions into the pivot, but the viewers never materialized, and media outlets folded in droves:

https://slate.com/technology/2018/10/facebook-online-video-pivot-metrics-false.html

But Facebook has a new pitch. It claims to be called Meta, and it has demanded that we live out the rest of our days as legless, sexless, heavily surveilled low-poly cartoon characters.

It has promised companies that make apps for this metaverse that it won’t rug them the way it did the publishers on the old Facebook. It remains to be seen whether they’ll get any takers. As Mark Zuckerberg once candidly confessed to a peer, marvelling at all of his fellow Harvard students who sent their personal information to his new website “TheFacebook”:

> I don’t know why.

> They “trust me”

> Dumb fucks.

https://doctorow.medium.com/metaverse-means-pivot-to-video-adbe09319038

Once you understand the enshittification pattern, a lot of the platform mysteries solve themselves. Think of the SEO market, or the whole energetic world of online creators who spend endless hours engaged in useless platform Kremlinology, hoping to locate the algorithmic tripwires, which, if crossed, doom the creative works they pour their money, time and energy into:

https://pluralistic.net/2022/04/11/coercion-v-cooperation/#the-machine-is-listening

Working for the platform can be like working for a boss who takes money out of every paycheck for all the rules you broke, but who won’t tell you what those rules are because if he told you that, then you’d figure out how to break those rules without him noticing and docking your pay. Content moderation is the only domain where security through obscurity is considered a best practice:

https://doctorow.medium.com/como-is-infosec-307f87004563

The situation is so dire that organizations like Tracking Exposed have enlisted an human army of volunteers and a robot army of headless browsers to try to unwind the logic behind the arbitrary machine judgments of The Algorithm, both to give users the option to tune the recommendations they receive, and to help creators avoid the wage theft that comes from being shadow banned:

https://www.eff.org/deeplinks/2022/05/tracking-exposed-demanding-gods-explain-themselves

But what if there is no underlying logic? Or, more to the point, what if the logic shifts based on the platform’s priorities? If you go down to the midway at your county fair, you’ll spot some poor sucker walking around all day with a giant teddy bear that they won by throwing three balls in a peach basket.

The peach-basket is a rigged game. The carny can use a hidden switch to force the balls to bounce out of the basket. No one wins a giant teddy bear unless the carny wants them to win it. Why did the carny let the sucker win the giant teddy bear? So that he’d carry it around all day, convincing other suckers to put down five bucks for their chance to win one:

https://boingboing.net/2006/08/27/rigged-carny-game.html

The carny allocated a giant teddy bear to that poor sucker the way that platforms allocate surpluses to key performers — as a convincer in a “Big Store” con, a way to rope in other suckers who’ll make content for the platform, anchoring themselves and their audiences to it.

Which brings me to Tiktok. Tiktok is many different things, including “a free Adobe Premiere for teenagers that live on their phones.”

https://www.garbageday.email/p/the-fragments-of-media-you-consume

But what made it such a success early on was the power of its recommendation system. From the start, Tiktok was really, really good at recommending things to its users. Eerily good:

https://www.npr.org/transcripts/1093882880

By making good-faith recommendations of things it thought its users would like, Tiktok built a mass audience, larger than many thought possible, given the death grip of its competitors, like Youtube and Instagram. Now that Tiktok has the audience, it is consolidating its gains and seeking to lure away the media companies and creators who are still stubbornly attached to Youtube and Insta.

Yesterday, Forbes’s Emily Baker-White broke a fantastic story about how that actually works inside of Bytedance, Tiktok’s parent company, citing multiple internal sources, revealing the existence of a “heating tool” that Tiktok employees use push videos from select accounts into millions of viewers’ feeds:

https://www.forbes.com/sites/emilybaker-white/2023/01/20/tiktoks-secret-heating-button-can-make-anyone-go-viral/

These videos go into Tiktok users’ ForYou feeds, which Tiktok misleadingly describes as being populated by videos “ranked by an algorithm that predicts your interests based on your behavior in the app.” In reality, For You is only sometimes composed of videos that Tiktok thinks will add value to your experience — the rest of the time, it’s full of videos that Tiktok has inserted in order to make creators think that Tiktok is a great place to reach an audience.

“Sources told Forbes that TikTok has often used heating to court influencers and brands, enticing them into partnerships by inflating their videos’ view count. This suggests that heating has potentially benefitted some influencers and brands — those with whom TikTok has sought business relationships — at the expense of others with whom it has not.”

In other words, Tiktok is handing out giant teddy bears.

But Tiktok is not in the business of giving away giant teddy bears. Tiktok, for all that its origins are in the quasi-capitalist Chinese economy, is just another paperclip-maximizing artificial colony organism that treats human beings as inconvenient gut flora. Tiktok is only going to funnel free attention to the people it wants to entrap until they are entrapped, then it will withdraw that attention and begin to monetize it.

“Monetize” is a terrible word that tacitly admits that there is no such thing as an “Attention Economy.” You can’t use attention as a medium of exchange. You can’t use it as a store of value. You can’t use it as a unit of account. Attention is like cryptocurrency: a worthless token that is only valuable to the extent that you can trick or coerce someone into parting with “fiat” currency in exchange for it. You have to “monetize” it — that is, you have to exchange the fake money for real money.

In the case of cryptos, the main monetization strategy was deception-based. Exchanges and “projects” handed out a bunch of giant teddy-bears, creating an army of true-believer Judas goats who convinced their peers to hand the carny their money and try to get some balls into the peach-basket themselves.

But deception only produces so much “liquidity provision.” Eventually, you run out of suckers. To get lots of people to try the ball-toss, you need coercion, not persuasion. Think of how US companies ended the defined benefits pension that guaranteed you a dignified retirement, replacing it with market-based 401(k) pensions that forced you to gamble your savings in a rigged casino, making you the sucker at the table, ripe for the picking:

https://pluralistic.net/2020/07/25/derechos-humanos/#are-there-no-poorhouses

Early crypto liquidity came from ransomware. The existence of a pool of desperate, panicked companies and individuals whose data had been stolen by criminals created a baseline of crypto liquidity because they could only get their data back by trading real money for fake crypto money.

The next phase of crypto coercion was Web3: converting the web into a series of tollbooths that you could only pass through by trading real money for fake crypto money. The internet is a must-have, not a nice-to-have, a prerequisite for full participation in employment, education, family life, health, politics, civics, even romance. By holding all those things to ransom behind crypto tollbooths, the hodlers hoped to convert their tokens to real money:

https://locusmag.com/2022/09/cory-doctorow-moneylike/

For Tiktok, handing out free teddy-bears by “heating” the videos posted by skeptical performers and media companies is a way to convert them to true believers, getting them to push all their chips into the middle of the table, abandoning their efforts to build audiences on other platforms (it helps that Tiktok’s format is distinctive, making it hard to repurpose videos for Tiktok to circulate on rival platforms).

Once those performers and media companies are hooked, the next phase will begin: Tiktok will withdraw the “heating” that sticks their videos in front of people who never heard of them and haven’t asked to see their videos. Tiktok is performing a delicate dance here: there’s only so much enshittification they can visit upon their users’ feeds, and Tiktok has lots of other performers they want to give giant teddy-bears to.

Tiktok won’t just starve performers of the “free” attention by depreferencing them in the algorithm, it will actively punish them by failing to deliver their videos to the users who subscribed to them. After all, every time Tiktok shows you a video you asked to see, it loses a chance to show you a video it wants you to see, because your attention is a giant teddy-bear it can give away to a performer it is wooing.

This is just what Twitter has done as part of its march to enshittification: thanks to its “monetization” changes, the majority of people who follow you will never see the things you post. I have ~500k followers on Twitter and my threads used to routinely get hundreds of thousands or even millions of reads. Today, it’s hundreds, perhaps thousands.

I just handed Twitter $8 for Twitter Blue, because the company has strongly implied that it will only show the things I post to the people who asked to see them if I pay ransom money. This is the latest battle in one of the internet’s longest-simmering wars: the fight over end-to-end:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

In the beginning, there were Bellheads and Netheads. The Bellheads worked for big telcos, and they believed that all the value of the network rightly belonged to the carrier. If someone invented a new feature — say, Caller ID — it should only be rolled out in a way that allows the carrier to charge you every month for its use. This is Software-As-a-Service, Ma Bell style.

The Netheads, by contrast, believed that value should move to the edges of the network — spread out, pluralized. In theory, Compuserve could have “monetized” its own version of Caller ID by making you pay $2.99 extra to see the “From:” line on email before you opened the message — charging you to know who was speaking before you started listening — but they didn’t.

The Netheads wanted to build diverse networks with lots of offers, lots of competition, and easy, low-cost switching between competitors (thanks to interoperability). Some wanted this because they believed that the net would someday be woven into the world, and they didn’t want to live in a world of rent-seeking landlords. Others were true believers in market competition as a source of innovation. Some believed both things. Either way, they saw the risk of network capture, the drive to monetization through trickery and coercion, and they wanted to head it off.

They conceived of the end-to-end principle: the idea that networks should be designed so that willing speakers’ messages would be delivered to willing listeners’ end-points as quickly and reliably as they could be. That is, irrespective of whether a network operator could make money by sending you the data it wanted to receive, its duty would be to provide you with the data you wanted to see.

The end-to-end principle is dead at the service level today. Useful idiots on the right were tricked into thinking that the risk of Twitter mismanagement was “woke shadowbanning,” whereby the things you said wouldn’t reach the people who asked to hear them because Twitter’s deep state didn’t like your opinions. The real risk, of course, is that the things you say won’t reach the people who asked to hear them because Twitter can make more money by enshittifying their feeds and charging you ransom for the privilege to be included in them.

As I said at the start of this essay, enshittification exerts a nearly irresistible gravity on platform capitalism. It’s just too easy to turn the enshittification dial up to eleven. Twitter was able to fire the majority of its skilled staff and still crank the dial all the way over, even with a skeleton crew of desperate, demoralized H1B workers who are shackled to Twitter’s sinking ship by the threat of deportation.

The temptation to enshittify is magnified by the blocks on interoperability: when Twitter bans interoperable clients, nerfs its APIs, and periodically terrorizes its users by suspending them for including their Mastodon handles in their bios, it makes it harder to leave Twitter, and thus increases the amount of enshittification users can be force-fed without risking their departure.

Twitter is not going to be a “protocol.” I’ll bet you a testicle¹ that projects like Bluesky will find no meaningful purchase on the platform, because if Bluesky were implemented and Twitter users could order their feeds for minimal enshittification and leave the service without sacrificing their social networks, it would kill the majority of Twitter’s “monetization” strategies.

¹Not one of mine.

An enshittification strategy only succeeds if it is pursued in measured amounts. Even the most locked-in user eventually reaches a breaking-point and walks away, or gets pushed. The villagers of Anatevka in Fiddler on the Roof tolerated the cossacks' violent raids and pogroms for years, until they were finally forced to flee to Krakow, New York and Chicago:

https://doctorow.medium.com/how-to-leave-dying-social-media-platforms-9fc550fe5abf

For enshittification-addled companies, that balance is hard to strike. Individual product managers, executives, and activist shareholders all give preference to quick returns at the cost of sustainability, and are in a race to see who can eat their seed-corn first. Enshittification has only lasted for as long as it has because the internet has devolved into “five giant websites, each filled with screenshots of the other four”:

https://twitter.com/tveastman/status/1069674780826071040

With the market sewn up by a group of cozy monopolists, better alternatives don’t pop up and lure us away, and if they do, the monopolists just buy them out and integrate them into your enshittification strategies, like when Mark Zuckerberg noticed a mass exodus of Facebook users who were switching to Instagram, and so he bought Instagram. As Zuck says, “It is better to buy than to compete.”

This is the hidden dynamic behind the rise and fall of Amazon Smile, the program whereby Amazon gave a small amount of money to charities of your choice when you shopped there, but only if you used Amazon’s own search tool to locate the products you purchased. This provided an incentive for Amazon customers to use its own increasingly enshittified search, which it could cram full of products from sellers who coughed up payola, as well as its own lookalike products. The alternative was to use Google, whose search tool would send you directly to the product you were looking for, and then charge Amazon a commission for sending you to it:

https://www.reddit.com/r/technology/comments/10ft5iv/comment/j4znb8y/

The demise of Amazon Smile coincides with the increasing enshittification of Google Search, the only successful product the company managed to build in-house. All its other successes were bought from other companies: video, docs, cloud, ads, mobile; while its own products are either flops like Google Video, clones (Gmail is a Hotmail clone), or adapted from other companies’ products, like Chrome.

Google Search was based on principles set out in founder Larry Page and Sergey Brin’s landmark 1998 paper, “Anatomy of a Large-Scale Hypertextual Web Search Engine,” in which they wrote, “Advertising funded search engines will be inherently biased towards the advertisers and away from the needs of consumers.”

http://ilpubs.stanford.edu:8090/361/

Even with that foundational understanding of enshittification, Google has been unable to resist its siren song. Today’s Google results are an increasingly useless morass of self-preferencing links to its own products, ads for products that aren’t good enough to float to the top of the list on its own, and parasitic SEO junk piggybacking on the former.

Enshittification kills. Google just laid off 12,000 employees, and the company is in a full-blown “panic” over the rise of “AI” chatbots, and is making a full-court press for an AI-driven search tool — that is, a tool that won’t show you what you ask for, but rather, what it thinks you should see:

https://www.theverge.com/2023/1/20/23563851/google-search-ai-chatbot-demo-chatgpt

Now, it’s possible to imagine that such a tool will produce good recommendations, like Tiktok’s pre-enshittified algorithm did. But it’s hard to see how Google will be able to design a non-enshittified chatbot front-end to search, given the strong incentives for product managers, executives, and shareholders to enshittify results to the precise threshold at which users are nearly pissed off enough to leave, but not quite.

Even if it manages the trick, this-almost-but-not-quite-unusuable equilibrium is fragile. Any exogenous shock — a new competitor like Tiktok that penetrates the anticompetitive “moats and walls” of Big Tech, a privacy scandal, a worker uprising — can send it into wild oscillations:

https://pluralistic.net/2023/01/08/watch-the-surpluses/#exogenous-shocks

Enshittification truly is how platforms die. That’s fine, actually. We don’t need eternal rulers of the internet. It’s okay for new ideas and new ways of working to emerge. The emphasis of lawmakers and policymakers shouldn’t be preserving the crepuscular senescence of dying platforms. Rather, our policy focus should be on minimizing the cost to users when these firms reach their expiry date: enshrining rights like end-to-end would mean that no matter how autocannibalistic a zombie platform became, willing speakers and willing listeners would still connect with each other:

https://doctorow.medium.com/end-to-end-d6046dca366f

And policymakers should focus on freedom of exit — the right to leave a sinking platform while continuing to stay connected to the communities that you left behind, enjoying the media and apps you bought, and preserving the data you created:

https://www.eff.org/interoperablefacebook

The Netheads were right: technological self-determination is at odds with the natural imperatives of tech businesses. They make more money when they take away our freedom — our freedom to speak, to leave, to connect.

For many years, even Tiktok’s critics grudgingly admitted that no matter how surveillant and creepy it was, it was really good at guessing what you wanted to see. But Tiktok couldn’t resist the temptation to show you the things it wants you to see, rather than what you want to see. The enshittification has begun, and now it is unlikely to stop.

It's too late to save Tiktok. Now that it has been infected by enshittifcation, the only thing left is to kill it with fire.

[Image ID: Hansel and Gretel in front of the witch's candy house. Hansel and Gretel have been replaced with line-drawings of influencers, taking selfies of themselves with the candy house. In front of the candy house stands a portly man in a business suit; his head is a sack of money with a dollar-sign on it. He wears a crooked witch's hat. The cottage has the Tiktok logo on it.]

[traegorn]

My original post on where to buy The Witch and the Rose was getting too long, so instead of reblogging it, I'm making a new one.

For those who (somehow) missed it, my debut (non-graphic) novel The Witch and the Rose is now available for purchase. It's a contemporary fantasy novel. It's got a witch, it's got queer people, it's occasionally a little spicy, it has the occasional bleed through of my witchcraft opinions... it's fun! It's the first book in a series, and I think folks will enjoy it.

So let's talk about how folks can buy it!

For one, it's on Kindle (also, if you pay for Kindle Unlimited, you can read it right now for free), but there's also a dead tree version too. While eBooks are exclusively through Amazon right now, the dead tree version comes in two (identical) forms. First off, there's the version listed on Amazon. This is the fastest way to get it, and probably the version with the cheapest shipping (since it qualifies for Prime).

I know some folks don't like Amazon though, which is why there's a separate Paperback edition done through a different printer. You can either order that directly, or booksellers can order via ISBN 9798869132666.

So, to quote the eminent critic Jay Sherman, "Buy my book!"

Random stuff under the cut:

The Rose House, a Victorian relic in the quaint college town of Parrish Mills, harbors a dark secret. A malevolent spirit haunts its halls, and seeks to claim the home’s newest owner, young professor Riley Whittaker. Riley seeks the aid of the enigmatic Mia Graves, a captivating witch with a mysterious past. Only Mia can stand against the vengeful spirit's spectral grip and the lingering enigma of Lila Rose, another ethereal resident of the haunted mansion. In a dance between danger and desire, Mia must unravel her own darkness to save Riley from the clutches of the supernatural.

Amazon:

Non-Amazon:

[annleckie]

Hey, anybody interested in a short story by me and just out today?

It's only available on kindle, and it's part of an "anthology" thingy with great stories by Nnedi Okorafor, Rebecca Roanhorse, James S.A. Corey, and Veronica Roth called The Far Reaches. You can buy each story individually for, like, two bucks apiece, they all have audio versions, and they're free for Prime members or Kindle Unlimited members.

[dominiquewildauthor]

Attention Romance Readers!

Are you ready for it?

Over 450 participating authors with over 600 romance books that are waiting for you on Kobo Plus!!! Read all you want for as little as $7.99 a month.

Almost all of my titles are on Kobo Plus, so this is a great time to read as many as you want!

Search for your next Kobo Plus read broken down by category ➜ ➜ https://koboplusromancebinge.com/ 

On Kobo ➜ ➜ https://www.kobo.com/us/en/p/kobo-plus-romance-binge

Do you love a deal? So do I! Kobo Plus is a subscription program that offers you unlimited reading and/or listening for one low monthly price! Bonus: The first month is F-R-E-E

Sign up to Kobo Plus here ➜ ➜ https://geni.us/KoboPlusUSClick to Learn More!: Kobo Plus Romance Book Binge!

What is Kobo Plus?

Ya know how we have Netflix, Prime, Hulu, and HBO Max? Each service has it’s own benefits, because they each have different content. Because YOLO (you only live once), and even on a budget we deserve to treat ourselves! What if I told you there is another subscription service similar to the one featured on Amazon that has THOUSANDS of romance books in both ebook and audio format and is available to customers in the US, AU, CA, UK, IT, NZ, BE, and NL? 

That subscription service is through Kobo, and your first month is FREE! 

Have you seen a post on social media, or an ad on Facebook referencing a book you really want to read? Well, it could be on Kobo Plus – and the borrowing format is easy. If you see a book you want that’s in Kobo Plus, you simply add it to your Kobo account and read it whenever you want! (as long as you have the subscription service, of course) As a bonus, none of the books in Kindle Unlimited are in Kobo Plus, and vice versa. You’re guaranteed to get new books through Kobo Plus, even if you have Kindle Unlimited. What is Kobo? An app you can download to your phone or tablet, like you’ve downloaded the Kindle App to your phone or tablet. They also have a branded e-reader like the Kindle. You must have the app or the e-reader to get your free month of Kobo Plus – and to continue with the program, if you so choose. 

Search for your next Kobo Plus read broken down by category ➜ ➜ https://koboplusromancebinge.com/ 

On Kobo ➜ ➜ https://www.kobo.com/us/en/p/kobo-plus-romance-binge

Sign up to Kobo Plus here ➜ ➜ https://geni.us/KoboPlusUS

[amies-books]

SEVEN bookish apps all readers need

Picture this: You, curled up with a cup of coffee (or tea) and a well-loved paperback. Now, imagine enhancing that experience with the wonders of technology. In this blog post, we'll explore the modern side of reading – the best bookish apps that seamlessly blend with your reading habits. So, whether you're a digital explorer or a paperback purist, join me on this journey to discover apps that add a new chapter to your reading adventures. ☕📱📚

My top favorite app is GoodReads. GoodReads not only helps you track your progress and share reviews but also lets you connect with readers all around the world. You can join groups, comment on each other’s updates and reviews, and even “friend” readers that you want to keep in touch with. GoodReads also has a shelves feature which can be used for organizing your books. 

Price: free 

Two apps that I always recommend to readers are Libby and Hoopla. Both have a similar structure where they connect to your local library and allow you to read books for free from the comfort of your home. Libby allows you to have multiple library cards whereas Hoopla only allows one. While they both connect to your library, in my personal experience, the variety of books are completely different. Libby has more “mainstream” books where Hoopla has not as popular books. Libby’s limit depends on your specific library and Hooplas limit is a monthly amount. 

Price: Free 

Another app I love is Everand (previously Scribd). Once I started listening to audiobooks, I started searching for a cost effective way to listen to audiobooks. That’s when I found Everand. Everand is a monthly subscription that gives you unlimited access to an entire library of ebooks and audiobooks. I use this app for 90% of my reads that I don’t physically own. They have a lists feature that helps you organize your tbr and will recommend you new titles based on what you’ve already read or saved. 

Price $11/ month 

I believe all readers should have the kindle app on all their devices. The kindle app gives you access to tons of ebooks all on one device. You can use your amazon prime membership to access “Prime Reads”, amazons library of 1,000’s of books that are free to prime members and you can also sign up for Kindle Unlimited (or KU). KU gives you access to 100,000’s of books and new releases for a set price each month. (US is currently 11.99) additionally, some of the KU books come with free narration! 

Price $12/ month 

This leads me into the next app I love, Audible! Audible is a subscription based audio book app. The base plan gives you 1 credit each month that you can use on any book available in Audibles library. Audible also has a “membership library” which is full of audiobooks you can listen to without using a credit (as long as you have an active subscription). Audible can pair with your kindle so you can use your audiobook to follow along with the ebook and it can even pair with Alexa so you can listen to audiobooks on your Alexa devices too! 

Price $16/month 

Lastly is my most used app, Instagram. I have an Instagram account solely for posting about books. I use this account to connect with other book lovers, authors, and publishers. Having a Book Instagram account (or Bookstagram) has helped turn my love for reading into being apart of a community. I’ve made so many friends and been give so many amazing opportunities from having a bookstagram. 

Price free 

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Hello friends 👋 I’m sorry I haven’t been able to get a message out recently but not for me not wanting to do anything. I have been working on several different projects in my attempt to nail down my income streams and I have a ebook out now. Relationship Coaching: speak love: mastering Communication in relationships on Amazon kindle and I made it free for those who have prime or the Kindle app…

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Sammy and the Pizza Monster: A Funny and Interactive Children’s Book for Early Readers, Pre-K, Grade 1 and 2nd Grade (Sammy Bird)

Price: (as of – Details) Have you ever been chased by a pizza monster? Of course you haven’t. But our little friend, Sammy, isn’t so lucky. He will need to use his wits to find a way to escape. But will Sammy be successful? Read the book to find out! About the Sammy Bird SeriesThis is a picture book series about a quirky bird named Sammy and his amusing misadventures with his friend, Turkey.…

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@Free -amazon' gift [CARD}+ {cODE} 2024

Here are some valuable or important ways you can utilize Amazon Gift Cards:

You can use Amazon Gift Cards to shop online for a variety of products available on Amazon’s website. You can subscribe to services like Amazon Prime using the cards. You can use your gift card for a free trial of Amazon Music Unlimited to get ad-free music streaming.

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You can buy Kindle ebooks or get a free Kindle Unlimited subscription to access a huge library of ebooks. You can also get audiobooks from Amazon Audible using a gift card. You can purchase apps and games from the Amazon App Store with the card. You can use Amazon Gift Cards to make great gifts and even your recipient gets the freedom to choose their own items. The Amazon Cash service allows you to add cash to your Amazon account at participating retailers. Amazon provides different gift card formats like e-gift cards, print-at-home cards, mailed cards, and greeting cards. You can add the money to your AmazonPay wallet and then use the wallet balance to make online recharges like electricity, DTH, prepaid recharges and many more. You can even use the Amazon Pay wallet to buy other gift cards like Google Play Gift Cards and Apple gift cards.

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The ad-free Kindle Kids has dropped below $100 for the first time this year

The Kids edition is the same as Amazon’s entry-level ebook reader, only with a few added perks. | Image: Amazon I will be the first to admit that the Kindle deals we saw during Amazon Prime Day in July were lackluster at best. Only the note-taking Kindle Scribe saw a discount worth highlighting, though, thankfully, we’re starting to see prices drop across the entire lineup. Right now, for…

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Clever Fox Publishing is reshaping the self-publishing landscape with their innovative Guided Publishing Packages. These packages cater to the diverse needs of authors, ensuring a seamless journey from manuscript to market. With three main tiers—Essential, Standard, and Premium—Clever Fox Publishing offers a comprehensive range of services that bring your literary vision to life.

Essential Packages The Essential tier is ideal for authors seeking a thorough yet efficient publishing experience. This tier includes three distinctive packages: Quick Publish, Clay Print, and Papyrus.

Quick Publish This package is perfect for those who need to get their book to market swiftly without compromising on quality. It includes:ISBN, copyright, and barcode Publishing consultant (shared) and email support from a publication manager, Unlimited illustrations and tables Discounted author copies, Regular-sized paperback format with high-quality paper and regular lamination,National online distribution via Amazon, Flipkart, and ZiffyBees Authors receive 100% royalty on sales, tracked via an author dashboard.

Clay Print Building on Quick Publish, Clay Print includes:Standard cover design (one sample), Standard interior formatting and beautification, One round of author proofing, Three author copies (with additional copies available at a discount), Certified e-copy, National online distribution

Authors also receive one promotional poster.

Papyrus This package offers more comprehensive services, including: Standard cover design (one sample) with limited illustrations and tables, Six author copies, National and global distribution (print in India and eBooks globally), Setup of a Goodreads page, Social media advertising, Amazon Prime listing

Standard Packages For authors seeking broader exposure and additional support, the Standard tier includes Bamboo, Bamboo Select, and Wood packages.

Bamboo Publish This package features:Government copyright, Shared publishing consultant and manager, Publishing/marketing roadmap, Book title SEO check, One cover design sample, Limited illustrations and tables, Standard interior formatting, Two rounds of soft copy proofing, Nine author copies (with additional copies available at a discount), Book publishing guide, Certified e-copy, Free registration for the Clever Author award It includes national and global distribution through platforms like Amazon, Flipkart, and more, and a one-week Facebook and Instagram paid ad campaign.

Bamboo Select In addition to Bamboo Publish features, this package offers:Two cover design samples, Standard content editing/proofreading for up to 20,000 words, Twelve author copies, Three eBook giveaways, Kindle promotion, Press release, Two promotional posters, Extended social media and Amazon advertising campaigns (two weeks each), Influencer marketing, YouTube/Instagram promotion

Wood Publish The most comprehensive in this tier, Wood Publish includes:Advanced cover design, Unlimited illustrations and tables, Content editing for up to 50,000 words, Advanced interior formatting, Sixteen author copies, Five eBook giveaways, Ten bookmarks, Premium online store listings, Global distribution Amazon A+ content, Extensive social media campaigns, One-month Facebook, Instagram, and Amazon ad campaign

Premium Packages The Premium tier offers the highest level of support and global exposure, featuring Wood Select, Parchment, and Parchment Select packages.

Wood Select This package includes:Advanced cover design with unlimited illustrations, Content editing for up to 70,000 words, Premium interior formatting, Twenty-two author copies, Two print copy giveaways, Physical store distribution in one city, Comprehensive marketing strategies,Social media, YouTube, podcast releases Amazon A+ content, Extensive two-month advertising campaign

Parchment Publish It provides:Dedicated publishing consultant and manager, Standard editing for up to 110,000 words or line editing for 30,000 words, Twenty-six author copies Five print copy giveaways, Physical store distribution in two cities, Advanced social media, Amazon, and YouTube campaigns, Virtual book launch, Extensive book reviews, Influencer marketing, Podcast releases

Parchment Select The ultimate package featuring:Custom book size, Premium paper quality, Plagiarism check report, Basic cover design, Thirty-two author copies, Ten print copy giveaways, Physical store distribution in three metro cities, Amazon A+ content in three countries, Three-month advertising campaign, Participation in book fairs, Best-seller guidance

Conclusion Clever Fox Publishing’s Guided Publishing Packages are meticulously designed to meet the needs of every author, from first-time writers to seasoned professionals. With a strong commitment to quality, transparency, and author success, Clever Fox ensures your book gets the attention it deserves. Choose the package that best suits your needs and let Clever Fox Publishing transform your manuscript into a masterpiece.

[cocktailsfairytales]

💥 ATTENTION KOBO READERS💥

Are you ready for it?

Over 450 participating authors with over 600 romance books that are waiting for you on Kobo Plus!!!

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All of them ➜ ➜ https://www.kobo.com/us/en/p/kobo-plus-romance-binge

Do you love a deal? So do I! Kobo Plus is a subscription program that offers you unlimited reading and/or listening for one low monthly price! Bonus: The first month is F-R-E-E

Sign up to Kobo Plus here ➜ ➜ https://geni.us/KoboPlusUS

What is Kobo Plus?

Ya know how we have Netflix, Prime, Hulu, and HBO Max? Each service has it’s own benefits, because it fulfills a need and want. Because YOLO (you only live once), and even on a budget we deserve to treat ourselves!

What if I told you there is another subscription service similar to the ones featured on Amazon that has THOUSANDS of romance books in both ebook and audio format and is available to customers in the US, AU, CA, UK, IT, NZ, BE, and NL?

That subscription service is through Kobo, and your first month is FREE!

Have you seen a post on social media? An ad on Facebook referencing a book you really want to read, only to find out it isn’t in KU? Well, it could be on Kobo Plus – and the borrowing format is the same as Kindle Unlimited.

What is Kobo? An app you can download to your phone or tablet, like you’ve downloaded the Kindle App to your phone or tablet. They also have a branded e-reader like the Kindle. You must have the app or the e-reader to get your free month of Kobo Plus – and to continue with the program, if you so choose.

Search for your next Kobo Plus read broken down by category ➜ ➜ https://koboplusromancebinge.com/

All of them together ➜ ➜ https://www.kobo.com/us/en/p/kobo-plus-romance-binge

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#YOLOwithKOBO #LaramieBriscoe #Kobo #KoboPlus #ReadfreewithKoboPlus #freebooks

[allthingsdarkanddirty]

💥 ATTENTION KOBO READERS💥  

Are you ready for it?

Over 450 participating authors with over 600 romance books that are waiting for you on Kobo Plus!!!

Search for your next Kobo Plus read broken down by category ➜ ➜ https://koboplusromancebinge.com/ 

All of them ➜ ➜ https://www.kobo.com/us/en/p/kobo-plus-romance-binge

Do you love a deal? So do I! Kobo Plus is a subscription program that offers you unlimited reading and/or listening for one low monthly price! Bonus: The first month is F-R-E-E

Sign up to Kobo Plus here ➜ ➜ https://geni.us/KoboPlusUS

What is Kobo Plus?

Ya know how we have Netflix, Prime, Hulu, and HBO Max? Each service has it’s own benefits, because it fulfills a need and want. Because YOLO (you only live once), and even on a budget we deserve to treat ourselves! What if I told you there is another subscription service similar to the ones featured on Amazon that has THOUSANDS of romance books in both ebook and audio format and is available to customers in the US, AU, CA, UK, IT, NZ, BE, and NL? 

That subscription service is through Kobo, and your first month is FREE! 

Have you seen a post on social media? An ad on Facebook referencing a book you really want to read, only to find out it isn’t in KU? Well, it could be on Kobo Plus – and the borrowing format is the same as Kindle Unlimited. What is Kobo? An app you can download to your phone or tablet, like you’ve downloaded the Kindle App to your phone or tablet. They also have a branded e-reader like the Kindle. You must have the app or the e-reader to get your free month of Kobo Plus – and to continue with the program, if you so choose. 

Search for your next Kobo Plus read broken down by category ➜ ➜ https://koboplusromancebinge.com/ 

All of them together ➜ ➜ https://www.kobo.com/us/en/p/kobo-plus-romance-binge

Sign up to Kobo Plus here ➜ ➜ https://geni.us/KoboPlusUS