#easter egg end credit
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Loki Crazy Credits s2 ep5
Did anyone else notice that the end credits themselves were different? The lines were now seen to be curving slightly and getting more pronounced as the credits play out. The letters in the names and titles are also changing slightly and then more drastically. A letter would be lifted or lowered compared to the rest of the word or shifted to lay on its side. It is different than any other credit from this show. The normally straight lines start to resemble the sacred timeline which is branching off into multiple timelines.
Resembling the destruction of the temporal loom
#loki#loki season 2#end credits#crazy credits#alternate credits#season 2 episode 5#s2 ep 5#loki laufeyson#loki s2#loki series#mobius m mobius#credits#timeline#branching timeline#end credit graphics#easter eggs#easter egg end credit#temporal loom#season two#possible spoilers#spoilers for season two
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Need help from Deadpool & Wolverine Movie fans
Right before the final credit scene there is an Easter egg paragraph. I wasn’t quick enough to read it but the first few words were “Rob is an anchor being in….”
Did anyone catch what it said? Google is entirely unhelpful, so I need some human intervention. THANK YOU!!!!!!
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Five Nights at Freddy Photodump under the cut because I am a magpie and I like to take shiny things from everywhere I go
#( 𝐈 𝐬𝐮𝐩𝐩𝐨𝐬𝐞 𝐈 𝐬𝐡𝐨𝐮𝐥𝐝 𝐛𝐞 𝐢𝐧𝐬𝐮𝐥𝐭𝐞𝐝 ┊ out of character )#( ik the mun reveal was a jumpscare but deal w it i am excited#( also not me screetching in every damn scene#( balloon boy can go fuck himself because he jumpscared me THRICE and it was completely unscary and i screamed all THREE#( i stayed w bestie until the lights went back on waiting for the easter egg i know scott cowthon put in the end and everyone was gone#( the cleaning lady told me “uh... if you wait for another scene it doesn't have any” and i was like I AM NOT WAITING FOR A SCENE+#( I AM WAITING FOR THE EASTER EGG I KNOW COMES AFTER THE CREDITS and she gave me a weird look and went away#( i kept screaming I HAVE BEEN WAITING SINCE 2K12 FOR THIS AND LAUGHING LIKE A MANIAC#( i also called the kid who sat behind me and left as soon as the credits rolled an uncultured swine#( how dare he leave before the easter egg#( anyway 10000000/10 movie & experience would recommend
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we dont talk about balloon boy... BUT THE EASTER EGGS AND REFERENCES WERE SO COOL 🫶🫶 SAME WITH THE OPENING THEME WOW THAT WAS SO FIRE!!
- boxing fyodor anon
the opening has to be one of my favorites. i low key wanted to go back and rewatch it just for that alone :,)
#⚘ besitos ♡#boxing fyodor anon#ooo the easter eggs#mmmm i’ve was ready to see what they do with the puppet#but the end credits has me thinking perhaps a second movie ?? 👀#fnaf spoilers
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Anyone else catch the Backson easter egg during the end credits for Strange World?
#strange world#disney#walt disney animation studios#don hall#winnie the pooh 2011#the backson#easter egg#end credits#spoilers kinda
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my only complaint with this ENTIRE movie is that it feels very similar to a Marvel movie like that’s it that’s the only complaint i have i don’t know what it has gotten so much hate
#like! and like it’s mostly the end credit scene and just general vibe/some of the shots#but also!!! i think they utilize lighting in a beautifully artistic way#I COULD FUCKING SEE THE ENTIRE MOVIE ARE YOU KIDDING ME THATS SO RARE#and yeah i’m sorry i think the commentary of western forces of good choosing to look over countries#under military states and picking and choosing who they save us incredibly important#black adam has been shifting to an anti-hero archetype for years in the comics#and also again so sorry but i think a movie should be enjoyable not something where you’re#picking out everything that isn’t a callback or easter egg or accurate#hawkman my beloved of course and just yeah#i think it was a good movie and will need a film bro to explain to me why it was not because j don’t agree :/#eris: watching#movie: black adam
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a lover's pinch | five
joel miller x f!reader
pairing: professor!joel miller x f!reader rating: explicit, 18+ minors dni summary: you and your professor enjoy a day in new york. warnings/tags: au, university professor joel, age gap [20 something years diff], ethically dubious relationship due to inherent power imbalance, oral [m receiving], a smidge of cock worship, spoilers for antony and cleopatra by shakespeare lol, flirting, these fuckos kinda go on a date, prof joel is man of the arts idgaf, a tlou2 easter egg, oral [f receiving] and then oral [f receiving] again, sex acts in public, jealousy, sexting/nudes, unprotected piv sex, exhibitionism, dirty talk, light choking, overstimulation [f], pain kink, kinda dom!joel, describing men as pretty and beautiful because I LIKE IT, soft!joel. word count: 8.3k series masterlist | main masterlist a lover's pinch playlist a/n: so this whole thing is almost entirely sucking fucking and flirting, and i hope you enjoy it before we encounter angst. all credit to willy shakes for the passage from A&C that joel reads in the opening scene. thanks king for inspiring the title of this series lol xo this is part five of ALP. you can read the previous parts here: one, two, three, four.
Sunday.
The sound of paper rustling wakes you. Muted scrapes of page shifting against page.
Through your lashes you can see a thin reed of sun streaming in the window, flaring across the end of the bed to warm your skin. And there’s a dull ache between your legs; a rhythmic throb that dances and twists through your core, through the muscles in the inside of your thighs. The type of pain that is warm – soft in its caress, like the trail of a lover’s fingertips down your spine. A sort of remembrance, or celebration. And you welcome it eagerly; delight in the sharp reminder of how it felt to welcome his body inside yours again. The hot sting of every third second, the meticulous pulse and ache of flesh that you hope stays with you for days.
Another page turns.
You tilt your head to the side, eyes open a mere crack, and smile at the secrecy of it. At the private sincerity of this man who lies awake, sporting nothing but the thin veil of a sheet, gaze fierce and focused on an endless stream of text that raps his attention. It’s a type of heaven for him, you realise. This resting place, as calm and tranquil it is. The only weight that bears down is in the place where his wrist bends, hand coiled around the spine of a book, fingers poised, flicking impatiently against the corner of a page, begging to turn it, to see more.
You take in every ripple of muscle, every dip and curve and freckle and scar. The jut of his elbow. The hard line of his jaw. Watch pink lips part and purr as he whispers the words on the page to himself, and think about how perfect that mouth felt between your thighs.
His fingers pinch the corner of a page, pressing it down into a dog ear before he moves onto the next. You wonder what piqued his interest, what collection of words made him want to mark it, to leave a trail for himself to come back one day and remember.
You break the silence finally. “What are you reading?”
Joel flinches, glasses jolting to the tip of his nose.
“You’re awake.”
“I am,” you hum. When he stares at you for a moment you just smile, snaking a hand out from the sheet to tap the page of his book. “Tell me.”
“Shakespeare,” he murmurs, a faint blotch of red rising at the base of his neck. You want to kiss that blush—taste it. Want to know if his skin smells like you. “Antony and Cleopatra.”
“I love that one,” you yawn. “Where are you up to?”
“Act five,” he says. “Cleopatra’s big scene.”
“Will you read it to me?” you smirk.
There’s an upward shift of an eyebrow. The spark of a curious glint in his eye.
“Really?” he drawls, unimpressed.
“Please?” your smile softens into something kind, something honest.
With a sharp sigh, and a quick adjustment of his glasses, Joel begins to read.
“Give me my robe, put on my crown,” he begins slowly, as if unsure. “I have immortal longings in me: now no more. The juice of Egypt’s grape shall moist his lip: yare, yare, good Iras; quick.”
His voice is a low vibration, a honeyed sound that drifts through the air and has goosebumps raising across your skin. You watch his mouth shape the words, enamoured. Savouring every glimpse of his teeth, every slip of his tongue between them.
“Methinks I hear Antony call; I see him rouse himself to praise my noble act. I hear some mock the luck of Caesar, which the gods give men to excuse their after wrath. Husband, I come. Now to that name my courage prove my title.”
His hair is a mess. A shock of greying curls that have flattened against his scalp after a night of being pressed into his pillow, threatening to spring up again. That dull pain flares in your core again and you rub your thighs together in an attempt to quell the ache. But something stirs there—low, prowling just behind the pain. Something wet and wild that whispers his name.
“I am fire and air,” Joel continues obliviously, licking his thumb to turn the page with ease. “My other elements I give to baser life. So; have you done?”
Slowly, listening—hanging—you shift against the mattress. Allow the sheet to fall down to your stomach, exposing your breasts to the morning air. Your nipples stiffen, chest tightening as he glances at them from the corner of his eye. He pauses, mouth ajar. Swallows. Brown eyes return to the page, and he continues to read.
“Come then, and take the last warmth from my lips.”
Your hand drifts across the mattress, hidden from sight as it traverses the soft plains of the sheets, the blankets, and then the skin of his thigh. Bare, but smattered with soft hairs that tickle your palm and fingertips. Goosebumps tear across his skin and his breathing hitches; the faintest cracks in his calm façade. You surpass where you can see him hardening, fingers floating up his side to rest against his stomach. Gently, you feel across the soft slopes and curves of his tummy. Glide your finger over the dip of his belly button and smile when he clears his throat, legs shifting in a restless dance. And then your hand shifts down. Past his happy trail, past the dark curls at his base, to wrap your fingers softly around his length.
“Farewell, kind Charmian,” Joel’s voice deepens. “Iras, long farewell.”
You lower yourself on the bed, dragging the sheets with you until they rest wayward and wrinkled around his knees. Your cheek nuzzles against his thigh as you stroke him, humming in delight as his cock stiffens in your palm.
Joel sighs. “You don’t have to—”
“Keep going,” you hush, glancing up. He watches you over the top of his glasses, gaze darkening. There’s still sleep in the corners of his eyes, and it’s so soft, so domestic, it almost hurts. You look down, simpering as you admire the sight of his cock, now fully hard and leaking in your grasp.
The head is swollen, a flushed shade so reminiscent to that of his lips that you want to kiss him. But his skin is warm and smooth, like silk as you nuzzle his length against your face. Feel his wetness streak across your skin, over the closed line of your lips, the apple of your cheek. “Joel,” you urge him quietly when he still doesn’t speak.
“Have I the aspic in my lips?” His voice is hoarse when he continues; wanton, rough with sleep and desire. “Dost fall?”
You lathe soft kisses against the tip, along the vein that pulses along the side of his shaft, against the tight swell of his balls, taking your time with him. You giggle when he sucks in a sharp inhale, the muscles in his thighs tightening beneath your cheek.
“Such a pretty cock,” you whisper, swiping your fingers over his weeping head.
“Yeah?” he exhales and drops the book against his stomach, fingers reaching to tuck a loose strand of hair behind your ear. “Gonna show me how much you like it?”
“Mhm,” you bat your eyelashes up at him.
Joel raises the book again, slowly, eyes unfocused and glassy but still watching—still devouring—the way your lips purse around his tip. His stomach tightens when your tongue leaves soft kitten licks against the slit, lapping at the salty precome that rests there.
“If thou and nature,” he murmurs. “Can so gently part.”
And it’s almost painful, the way he sounds. Exhalations of tragic Shakespeare mixed with soft gasps, with curses loosed beneath his breath. The occasional revered whisper of your name, spurring you on.
His free hand settles at the back of your head, thick fingers curling in your hair as your lips part to take him deeper inside your mouth. “Fuck,” he groans, hips shifting against the mattress. “That’s it, baby, god you’re good at that.”
You hum around the weight of him, stomach warming at the praise. Swirl your tongue generously around his girth, lathing saliva over his skin until it’s dripping down to his balls. You cup them gently in your palm, massage him as your lips drag to rest around his tip again, paying close attention to the way he gasps and sighs when the point of your tongue dances along the ridge at the underside of his head.
“Sensitive there?” you ask quietly, eyes flitting up to look at his face. His cheeks are flushed, eyebrows furrowed as he nods.
“S’good,” he confirms, fingers tightening in your hair as you rub that spot again. A fresh bead of precome oozes from his slit and you smile, fingers curling around his length to tap his tip against the flat of your tongue. “Jesus,” he mutters, eyelids fluttering. “Yeah, good girl.”
You shift down on him eagerly, letting the heavy weight of him slip against your tongue, inside the warmth of your mouth, until he’s pressing against the back of your throat and you can hear him moaning.
“Got the prettiest fuckin’ mouth, baby,” Joel whispers. “S’like a fuckin’ dream, seeing those lips on my cock again.”
You whimper and swallow around him. A tear squeezes out of the corner of your eye, trailing a shiny path down to your chin. In steady, measured movements, your head bobs up and down on his length, guided by the gentle press of his hand.
“Yeah,” he sighs. “Take it all, baby, yea—yes.”
You relax your throat and take him deep enough to feel your nose brush against the rough hairs at his base.
“The stroke of death is as a lover’s pinch,” he reads, the cadence of his words stilted and breathy. “Which hurts, and is desired.”
Suddenly, his hips jut upward and you gag, throat constricting around him until your eyes are wet and blurry. He tugs gently on your hair, pulling you backward until you part from him with a splutter, messy strings of saliva dangling between your swollen mouth and his cock.
“God damn,” he swipes a finger across your lower lip. “Doin’ so good, sweetheart. So so good."
You think your eyes water more at that. Sweetheart.
“I want it,” you slur, lids heavy as you make eye contact with him.
“What do you want?” he pushes, cupping your jaw in his large palm. “Tell me.”
“Want you to come in my mouth,” your face warms and you lick your lips, fingers stroking him slowly. “Want all of it.” Everything.
“Okay,” Joel soothes, and then his hand drops from your hair so he can grip himself. Gently, he glides the tip along your bottom lip, trailing his salt across the skin of your chin, your cheeks, your nose, before finally pressing the head back against your tongue. “Take it, come on. It’s yours.”
He presses between your lips, jaw tensing, and his eyes drift back to the book as you begin to move.
“Dost thou lie still?” he reads. “If thus thou vanishes, thou—Christ—thou tell’st the world.”
Your lips are tight around him, mouth sucking and moving in tandem with the strokes of your fingers, wrapped loosely around his base. Carefully, you shift to straddle his shins, forearms resting heavily against his thighs as you bring him to the brink of his orgasm. Yours.
“Fuck,” you hear him spit, and then he’s arching forward, the splay of his palm moving down the length of your spine until his fingers slip into the crevice between your ass cheeks. Gripping and squeezing the flesh there until you’re moaning too, the vibrations of your voice muddling with the wet sounds of your mouth against his cock.
It doesn’t take much longer for coherent thought to evade him, Antony and Cleopatra flung to the wayside of the bed as his broad hands cradle your head, the tip of his cock nudging the back of your throat with every thrust. Your entire body is hot, slick with sweat, the musky scent of Joel filling your nostrils with every rushed inhale. The sounds he’s making turn rougher, deeper; raspy grunts and exhales that are almost animalistic in their intensity, and then—
“Fuckin—look at me,” he bites out, and watery eyes flutter open to meet his gaze. “Need to see those pretty eyes when I fill you up.”
And fuck you’re wet. So wet that it’s seeping onto the skin of your thighs, drooling out of you as you clench around sweet sweet nothing, cunt desperate and begging to be filled again. Tightening your fingers around his cock, you drag your mouth back to suck gently around the pulsating head, and when he comes it’s with a drawn-out, laboured groan that fades into harsh mutterings of your name and fuck and so fuckin’ good at that god damnit and that’s it, swallow it all baby, it’s yours, it’s yours, it’s yours.
You pull off him with a gasp, sucking in deep desperate breaths as you fall onto your back beside him.
Soft sheets stick to the sweat on your skin, and you close your eyes, vaguely aware of how the two of you breathe in sync; a high-strung cacophony of sharp inhales and heavy exhales.
After a few quiet moments you ask, “What time is it?”
“Eighty thirty,” he answers. The mattress jostles and tilts as his large frame shifts on it.
“Probably time to start the day,” you grumble, throat raw and tired.
But you can feel hands on your waist, nudging you backward until your head is slumped amongst the soft pillows again. And when your eyes peak open Joel is getting comfortable between your legs, glasses forgotten somewhere out of sight, hands pressing your thighs into the mattress to reveal your glistening sex to him.
And he says, “No,” shaking his head slowly, near-black eyes piercing as his lips lower to meet your cunt. “Not yet.”
You were unsure, initially, whose idea it was.
Unsure of who spoke first; if you or him brought up the idea of the museum. Unsure if he mentioned the bookstore or you mentioned The Iliad. Unsure, unsure, unsure.
But as you stand on the outskirts of Central Park—showered, dressed, sure—eyes scanning the front window of the shop, the glass overflowing with newspaper cuttings and novel covers and author profiles and ads for signings – you are certain that it was him. Certain that he asked what your plans were for the day, head resting on your thigh, lips and beard still glistening with your come. Certain that you mentioned going to the museum, and that those brown eyes lit up, mouth splitting into a smile as he revealed that he had plans close by. Certain that he introduced the idea of going together.
A bell tinkles and your gaze sharpens, watching as his broad frame slips out the door with a brown paper bag tucked under his armpit. Joel ticks his head wordlessly to the side and you fall into step next to him, two sets of shoes scuffing against the pavement in a perfect rhythm.
“Can I see it?” you ask, eyes roaming curiously around the street.
“Sure,” Joel holds the bag out and you take it carefully, fingers peeling back paper so you can take a peak inside.
“The cover is beautiful,” you breathe, fingers tracing vibrant swaths of gold and red, the white lettering that spells The Iliad. You balance the spine in your palm, curious to flick through to the first page. To see the acknowledgements, her author photo, anything. And as your eyes skirt over the very first page your feet stutter to a stop, pulse increasing as you spot the black marker on the page. A messily scrawled signature.
“Joel.”
Joel says your name, pausing a few steps ahead before turning back to face you. “What’s wrong?” he frowns.
You hold up the page, brows lifted in awe. “She… how did you get a signed copy?”
“We’ve met a few times in passing,” he admits sheepishly, eyes glancing between the book and your face. “I’ve always admired her work, and she offered to set a copy aside for me here. She’s very impressive, the first woman to—”
“The first woman to publish an English translation of The Odyssey,” you interrupt. “Yeah, Joel, I know exactly who Emily Wilson is.”
“And now she’s published The Iliad,” he hums. You begin walking again, the museum in sight now. “I’m lookin’ forward to readin’ it. Especially now that I’ve heard all your thoughts about how women and men translate differently. I’m sure it’ll be on my mind as I go.”
The skin on your face prickles and tightens under his attention. You’re still smiling, a wide and satisfised flash of your teeth, when the two of you reach The Met. Still smiling when he pays for your tickets and leads you toward the Cloisters.
You wander together through the exhibit. Medieval, Bohemian, Byzantine. Jean Pucelle, Robert Campin, Tilman. You catch Joel staring at the Bust of the Virgin, one hand on his hip, knee jutted out as he admires her elegance, the tenderness with which her face was carved.
“You like her?” you tease.
His shoulders stiffen and then relax into a sort of indignant laugh.
“I like terracotta,” he smarts, reaching out to pinch your forearm. When he pulls his hand away you see his eyes dart over your shoulder – a quick glance around the room to see if anyone noticed.
“Oh of course,” you nod, a mock serious expression on your face. “Me too. Terracotta virgins.”
“You know,” he huffs, turning to face you head on. “You oughta start showin’ me a bit of respect. Where’s your reverence for an authority figure, huh?”
“Authority?” your eyes widen, smirking broadly as you take a step forward, the material of your jacket brushing against his. “And what authority might that be?”
“I could fail you,” he murmurs, glancing down at your lips. “Tell everyone you’re the worst student I ever had. Never does as she’s told, always talkin’ back.”
“Oh, Professor,” you whisper back, fingers curling around the hem of his shirt, your snark emboldened by his. “I hate to say it, but you’re not very convincing in your distaste.”
You don’t wait around to see his reaction, turning on your heel and heading into the next room. Your cheeks are sore from smiling at the end of it, eyes tired from reading, and then you reach the courtyard gardens. See the cloisters. See the Romanesque columns with their fluting grooves that lead into arches, see the vast green garden with its flowers of yellow and pink and purple. Herbs and flora border the walking paths, filling the air with the scent of thyme and rosemary, and you can’t help but grin.
“Not bad right?” Joel’s voice comes from behind you.
“Not bad at all,” you turn to smile at him. “Would’ve been cooler if they had some dinosaur bones around here though. A museum should always have a dinosaur.”
“A dinosaur,” he repeats, quietly amused. “Of course, you like dinosaurs.”
“I thought, uh,” Joel clears his throat then. Glances away for a second. “Thought you might like it here; that it might remind you of your time in Greece.”
The words make your chest go all warm and tight. He looks so handsome, so easy in the middle of it all. Dark features and broad shoulders softened by the smell of flowers.
“It does,” you nod. “A little bit.”
“What was it like?” he asks.
“Greece was…” you trail off as you remember it. White sand beaches, turquoise waters, boreks and Doric columns, seemingly endless nights spent translating sheets and sheets and sheets of ancient texts. “It was wonderful, really. I feel so lucky to have had the opportunity, and Professor Samaras was a phenomenal instructor.”
Joel nods, fingers looped and resting across his stomach as he digests your answer.
“Good,” is the response he settles on, finally. “I’m glad. You… you deserve that. You work hard, and your presentation was solid.”
And it’s been less than twenty-four hours, but those words bring you calm now, not frustration like they did last night. So you smile, and thank him, and don’t stop yourself from asking him something in return.
“Have you really never been?” you ask, eyes squinting inquisitively as you watch his face, searching the emotions that flitter across it – near impossible to decipher, as always. “You said you weren’t interested, that first night when we spoke about it… but I would’ve thought… I don’t know, maybe a semester abroad or… or a fellowship?”
“Never,” he looks away. “Always too little time, too little money, too many responsibilities.”
You nod slowly, watch him curiously. You wish you could peel back his skin and see inside of that gorgeous brain, that heart. Understand every trouble, every missed opportunity that weighs on his shoulders.
“There’s still time,” you offer. “You’ve got so much time, Joel.”
Joel looks at you and you can see in his eyes that he’s grateful for the words. See that the earnestness with which you speak brings him some kind of solace, some kind of hope.
His fingers graze the skin of your wrist, curling around it to hold you in place beside him. Your body stills, eyes training carefully on the garden; the green of the grass, the pink of the flowers that bloom amongst it all. One of his fingers searches the skin at the inside of your wrist, swiping and rubbing over the tendons and veins there until he finds where your lifeline pulses. And then he strokes that spot, a calm, meticulous glide of his fingertip, over where blood thrums and rushes inside your body.
The tickling sensation has a painful knot of want curling in your chest, but you don’t stop him. Don’t pull your hand away, don’t take a step back. And with every stroke against skin, you feel it as if it where between your thighs—the soft curling of a finger between your folds, against your clit. It feels feverish, like a steady flame that spreads across your skin, up your chest to lick at the inside of your ribcage.
“Soft,” he says, his voice low and thoughtful. “You’re so soft.” And it sounds painfully like, you’ve got so much time.
And you look at him and he knows. Your face says it all.
Says, let your hands wander wherever they like. Says, if you touched me here—now—I wouldn’t say a word, wouldn’t tell a soul. Says, everything I have to offer is yours if you could only bring yourself to take it. Says, and if your hand won’t wander, won’t stray, I’ll take it in my own and show you where to touch.
So you lead him back inside. Quiet, discreet, slipping past patrons and staff and guards until you find a bathroom. Tuck him inside and smile at the snap of the lock shifting into place behind you.
Joel’s knees meet tile with a soft thud, and dark eyes hold yours as he peels your trousers down, as he drags the slick fabric of your underwear to the side, as he presses the soft cut of his mouth between your legs. He watches you, steadfast, cheeks ablaze and pupils blown as his tongue works you open, calloused fingers holding your left thigh over his shoulder.
And after you’ve come, face pinched and hidden behind your palm, he pulls away. Skirts wet kisses down the inside of your thigh, against the shell of your kneecap, to the bruise that colours your shin.
And he whispers, “Does it hurt?” with his fingers tracing tender splotches of purple and blue.
And you whisper, “No.” with your fingers brushing the curls off his forehead.
Afterwards you walk through the park, pressing through streams of tourists and locals alike; a lively crowd that parts and flurries around the two of you as you push forward. He fields your questions about Emily Wilson, about the years he spent doing his PhD, parrying seamlessly with queries about the West coast, about your undergrad, your roommates.
The bubble doesn’t break until Joel gets the text. Cursing softly, he turns away from you, eyes focused on his screen.
“Everything okay?” you ask.
“Yeah, yes,” Joel says, fingers flying across the touch screen, typing out a response before he tucks his phone away. “I, uh, look I actually forgot that I have somethin’ I need to do tonight.”
“Sounds mysterious,” you smile, eyebrows raised expectantly. But your smile wavers when he doesn’t match your teasing, face relaxing as you wait.
“Rachel and I planned this dinner a few weeks ago,” he explains. “When we both agreed to attend the conference.”
“Oh,” you blink. “That’s nice.”
“It’s this thing we do,” Joel offers, shifting on his feet. “A tradition, I suppose. To celebrate another conference done.” And you remember, I’ve been to twenty of the damn things. His twenty to your one.
“That’s nice,” you repeat, and hold your smile when he checks his phone again.
Hold it when he tells you he should go, that he needs to get ready to meet her. Hold it when he hesitates, staring at you for a moment. Hold it when he presses a chaste kiss to the side of your head, lips meeting your temple, the weakest point of your skull, before turning to walk away from you.
Only when you’re alone do you let the smile fall.
After a lonely dinner, you find yourself back in your hotel room, thinking about Rachel.
Folding your blue dress into a neat square, and then a smaller square. Tucking it into your duffel bag, thinking about the rough sound of her laugh. The soft curve of her jaw, the sparkling greys that curl through her dark hair. You fold your underwear, pack that too, and think of her fluorescent toenails and her dangling earrings. Think of how sure she is; how intelligent, how charismatic. And then you think of yesterday – of her hand on Joel’s arm, soft fingers curling around the sleeve of his blazer, carting him around the conference. Leading him. Standing by his side, making him laugh.
And it burns, this hot feeling in your chest. Something dark green and scalding, fiery enough that you feel the need to sit on the edge of the bed and press your palm against the skin above your breast to tamp it down. Feel your heartbeat there, the rise and fall of your chest with each breath, and tell yourself that this feeling is cruel and unforgiving but that it is wrong. You lay out your clothes for the airport, wrap yourself up in the coarse hotel robe and push away the images your mind creates of them at dinner together. Push away the thought of her foot nudging his beneath the table, the thought of them sitting beside each other, thighs brushing like yours had on the bench last night. Because it’s wrong. Joel isn’t like that. Joel wouldn’t do that.
When Nora calls, you pick up on the second ring.
“How did it go?” she squeals, and you feel your shoulders relax at the sound of her voice.
“It was good,” you respond. “I feel good about it. Glad it’s over though.”
“You never answered my text—" the line crackles a little, muffling the last word of her sentence. “I was worried something bad might’ve happened.”
“Fuck,” you apologise. “Yeah, I’m sorry about that, I—I got caught up with something, I… I wasn’t looking at my phone.”
There’s a beat of silence over the phone. Another fried, crackle over the line.
“Oh you cheeky bitch,” she gasps then. “You could’ve just said you were getting some!”
“Nora—” you try, stomach dropping.
“Who the fuck was it?” she continues eagerly. You can almost picture the way her eyes would widen if she were here with you, hands clenched excitedly at her sides as she pushes for all the gory details. “Was it someone from the conference? Oh my god, was it someone from UNE?”
“No, no,” you rush, feeling an anxious heat rise in your chest. “It was just a random guy, we… I met him at a bar afterwards, it’s no one from Maine. No one from the conference.”
Another pause.
“And?” she asks finally. “How was it?”
You consider her question for a moment. Remember the way he undressed you in the dim light of his hotel room – slow, cautious. Remember the way he looked at you. Those dark brown eyes feasting over every inch of flesh, every mark, every freckle, every scar. The feeling of his hands on your breasts, his bare chest against yours as he pressed inside of you.
Quietly, earnestly, you say, “It was amazing,” and smile when she hollers down the line.
And this feeling is so much kinder, you think. The relief and the warmth that comes with being able to tell someone. To talk about him, even if you’re not really talking about him. Even if she can’t really know the truth.
You put her on speaker, still listening and laughing as she rattles off question after question. Did he go down on you? How big was he? Wait he was older?! You bitch! How old?! That’s hot. Fuck, I need to get laid.
“You really do,” you chuckle, laying down against the pillows and typing out a text to Joel.
Are you enjoying your dinner?
He replies within minutes.
Yeah, the restaurant is nice.
What are you doing?
“Hey Nora?” you interrupt. “I actually need to go.”
“Oh,” she huffs. “Alright, alright, I get it. You’re gonna go get fucked again. Good for you bitch.”
“I love you,” you laugh, already typing out a response to him. “See you tomorrow when I get home.”
Well my bags are packed, and I just tucked myself into bed
You watch the text bubble appear, disappear, and reappear over three times before it vanishes completely. Minutes go by; maybe ten, maybe fifteen, and then—
Show me.
Grinning, you loosen the tie around your robe to reveal a flash of the skin across your chest; the curve of your left breast, the peak of your nipple. Take a picture and make sure he can see your finger snagged between your lips, resting against the softness of your tongue.
For a moment you worry. Feel a spike of fear in your chest that if you send it someone else might catch a glimpse of his screen – that Rachel might see it. But then another text comes through, and you feel that fear melt into a warm pool of liquid.
I know you want to show me, sweetheart.
So you do. You click send and wait, teeth catching against the nail on your thumb.
The response is almost instant.
Jesus.
Are you wet?
You know I am
Are you touching yourself?
No
Good.
Dinner finished early. Where are you?
You send him the address of your hotel. Call the lobby and tell them to let him up. And when he arrives, you’re waiting for him on the balcony. You hear the heavy pad of his footsteps crossing the room, and then the slide of the glass door. Feel the broad span of his chest press against your back; outstretched fingers that glide around the curve of your waist to settle over your stomach.
Joel doesn’t say a word, nosing at the frizzled kinks of hair at the base of your neck. One of his hands drifts upward, fingers curling beneath the neckline of your robe, just grazing the curve of your breast. You let your eyes fall closed and think this feels like coming home. Think, if this moment could last for hours, for days, for ever, that would be enough, and I’d never ask for another thing. Think, where have I been all of my life, and why was it not here with him?
You say, “Let’s go inside,” as he touches your nipple, and feel him shake his head.
“No,” he says. Presses his hips against your ass, rough denim brushing the backs of your knees. “Want you here.”
You start to say Someone might see, but Joel pushes you forward again and your stomach presses against railing. Your eyes dart down toward the street, the road. To cars and pedestrians and tourists.
“You don’t want that?” his lips brush the side of your neck as he speaks, the softest pressure. He tugs at your robe, guiding it down past your shoulders, elbows, until it pools around your feet. “Don’t want them to see us together?”
“That’s not—” you gasp as his teeth sink into the skin of your shoulder, hot tongue gliding over already bruising flesh. “Fuck, Joel.”
He groans against your skin, lathing wet kisses past your neck to the top of your spine. His hands are on your waist and your stomach and your tits and his jeans chafe against your bare ass, zipper catching every now and then. But your mind is hazy, a blur of thoughts that can only focus on the feeling of teeth and lips, on something long and firm pressing through the material of his pants, rutting slowly against you.
“You’re hard already,” you breathe, surprised—delighted.
Joel grunts, distracted. “Been hard since you sent me that picture.”
A shaky breathes leave your lips as his hand skirts down your stomach, your hipbones, until his fingers slip past the glistening seam of your cunt – tender and swollen and aching.
“But that’s what you wanted, hmm?” he rasps. You whimper as his fingers circle over your entrance, collecting your slick and dragging it upward. A flinch rips through you when he touches your clit, the nerves fraught after being given so much attention throughout the day. “You like knowin’ how much I want you? How badly? You like that I’d leave dinner early just to come here and fuck you?”
Face on fire, you nod; caught out. And then he takes another step forward, bending you further over the railing and pressing himself against you, hard enough that you can feel his cock between your ass cheeks, denim scraping the sensitive skin there.
“That is how much I want you. All the fuckin’ time,” he says. “Get it?”
“Joel,” you stutter urgently, voice almost a squeak. Your thighs shake, knees close to buckling as his finger rubs slow circles against your clit. “S’too—fuck, Joel, it’s too sensitive.” It burns, too much – but his touch only serves to stoke the fire in your belly until it’s a roaring, raging thing, begging for more of too much.
“I know, honey,” he groans, and you think you can hear the sound of his zipper coming undone. “You sore?”
When you don’t answer immediately Joel’s fingers still, body straightening as if he’s about to stop, about to pull away.
“Don’t,” you say quickly. “Just—”
“M’not goin’ anywhere,” Joel hushes. “Does it hurt?”
You hesitate, stomach tightening when his fingers start to move again. “It’s… yeah a little, but it’s…”
“But you like it? Like it when it hurts a little?” he fills the silence, and you can hear the change in his voice. Hear how it deepens, a gravelly effect that has your cunt tightening. You cringe, turn your head to the side in the hopes that he won’t see your reaction. But he doesn’t let it slide. Of course not. “Talk to me.”
“Yeah, yes, I like it,” you admit, exhaling a relieved sigh when you hear his belt hit the ground.
“Good,” he says, and then you can feel him, hot silken skin on your own, the wet glide of his cock against your ass check.
His knuckles brush against you as he adjusts himself, and the weight of his tip at your opening is not unlike the brush of his fingers along your bruised shin. Tender, careful – the touch of someone that would never hurt you. Not unless you asked him to.
When Joel rocks his hips forward, cock splitting you open around his weight, the stretch is long and deep. A sweet, searing burn that has you balancing on the tips of your toes, mouth hanging open as you grip the railing and take it. The night air is cool against your skin, but warm hands land firm on your hips, thumbs circling and rubbing away the goosebumps there
“God,” he grunts into the hinge of your jaw, teeth nipping at the muscle there. “You’re so wet, so needy. Want this cock all the time, don’t you?”
You can only moan in response – a choked, whimper of a noise that scratches its way out of your throat as he bottoms out. His thighs are warm and thick against yours, body practically moulding itself to you as you squirm, cunt pulsing around the thick length of him.
He gives you a moment to adjust, waits to feel you relax against him, and then he’s moving. Slow, powerful thrusts that have you feeling him in your stomach, and wishing you could see his face. Wishing you could watch his nose scrunch up, his lips curl into a snarl as he fucks you. Wishing that everything you’re feeling could be reflected back to you in his face, the way it was last night.
“Thought about you all night,” he says in your ear, a dirty little confession, whispered only for you to hear. “You know how sick that is? At dinner with my colleague, my friend, and I couldn’t get this perfect cunt out of my head. S’drivin’—me—fuckin’—crazy.”
And it’s sick, it’s awful, but you feel your lips peel back, face breaking into a toothy grin at the words. That envy, that jealousy, that dark green sticky feeling - all of it for naught because you were right. Joel Miller is yours.
“Yeah?” you pant, pushing your ass back into him and smiling even wider when he grunts, blunt fingernails digging into your waist. “What were you thinking about?”
“’Bout how tight you always are,” he kisses the side of your neck, tongue flicking incessantly against the skin there. “How perfect you felt around me last night. How you take it so well.” He bites down, sucking until the skin throbs, another mark left in his wake. “How, if I can help it, I’ll never wear a condom when I fuck you again.”
You curse, head lolling back against his shoulder. The confession makes you ache. “Please,” you mutter desperately. “Joel, please.”
“Thought about fillin’ you up,” he continues eagerly. “Fuckin’ you so hard, so deep with my come that you’d feel it for days. And you’d be mine.” His hips snap forward in a particularly harsh thrust and you grunt, cringing as the railing bites into your ribs. Mine mine mine.
“I’m yours,” you moan as he fucks you, a steady smack-smack-smack sound filling the air as his hips collide with the meat of your ass, over, and over, and over again. “You know I am.”
And you want to know what he thinks of that, want to know what comes next, but the sound of laughter echoes up from the street suddenly, and you tense, eyes snapping wide open. Joel doesn’t slow down.
“Look at them,” he hushes, voice quietening some.
His hand raises to point somewhere over the balcony, but you don’t see where; eyes trained on his fingers, his skin, the blue veins that swell and pulse beneath it. Your eyes try to follow it, but you’re looking the wrong way, following the hard line of his wrist, the corded veins in his forearm, his bicep, trying desperately, shamelessly, to catch a glimpse of his face.
“I said look at them,” his voice deepens, an authoritative tone taking over as his long fingers grip your jaw, angling it down until you do as he says.
You can see three of them. Squinting, you try to make out their faces from four storeys up. Stumbling down the street, laughing loudly, bumping shoulders as they walk.
Joel’s hips press forward and you gasp, eyes rolling back as his swollen tip nudges the deepest, softest place inside of you.
“Wait,” you whisper hoarsely, body jerking forward with every practised thrust of his cock. Say again, “Someone might see.”
“I hope they do,” he growls, hand falling to drape over your neck.
His fingers press gently against either side, cradling your pulse point in the palm of his hand. Your brain goes foggy with the pressure, mind buzzing and blurring. The sensation of his broad grip against your throat mixes with the drag of his cock between your thighs and it’s intoxicating; a high that you’ve never experienced before, and never want to end. You don’t realise how loud you’re gasping, moaning, keening his name, until you hear him laugh. A rough, elated sound.
“I knew it,” he chuckles, and you tighten around him, fingers fumbling backward, seeking purchase at the soft flesh of his hips as he continues rocking into you. His hand drops from your neck to your tits, and he squeezes.
“Admit it. Admit you fuckin’ love it,” Joel pants, every word punctuated by a white-hot press of his cock and a heavy exhalation against your neck. “Dirty little thing—you want them to see. Say it.”
“Fuck,” you cry, spine arching as you push backward, meeting the movements of his hips.
“Fuckin’ say it,” he snaps, all hints of laughter gone now, his rough drawl only offset by the fond way his hands play with your tits. Careful, kind; every pinch, every squeeze, every caress a generous and tender display.
“I want it,” you blubber, sight blurring into a mess of streetlights and skyscrapers and strangers on the street. “W-want them to see how you fuck me, how you take care of me.”
“That’s it,” he groans, and you can feel the way he twitches inside of you, cock jerking against your walls in hot fast movements.
“Want them to know,” you continue, and there’s tears streaking messily down your cheeks, your lips moving faster than you can control. “Want them to see us, see how good it is, how perfect.”
And it’s too much now, you think. Finally, too much of too much. The railing is bruising against your stomach. Every stroke of his cock, every graze of your nipples – Joel’s touch akin to the end of a frayed wire, sparking and spitting embers wherever the two of you come into contact. Your cunt is on fire, every inch of sticky wet flesh throbbing and smarting.
“Fuck,” he groans. “Can feel you squeezin’ me, baby, you gonna show them how you come for me? Gonna let them hear it?”
“I can’t,” you choke out, shaking your head numbly. Yours lungs are on fire, mouth dry as you try fruitlessly to suck in breath after breath. “Fuck, I don’t think I can—”
“Hey,” his voice calls. A rough finger wipes across your cheek, smearing the salty tears further across your skin. “You can, you can, I can’t—I fuckin’ need this, need it.”
“It’s too much,” you gasp frantically. But your words aren’t matched by the desperate grind of your hips. Aren’t matched by the way you twitch and shake between him and the glass, abdomen tensing tighter tighter tighter with every thrust. “Fuck, I’m—I’m close but it’s too much, Joel, it’s too much, I can’t, I can’t—”
He pulls out quickly. You gasp wetly at the loss, at how your walls clench and suck around that empty warm space in his absence. Deft hands grip your waist, tilting and turning you until your back is against the railing now, and his mouth is between your legs, wet lips and tongue so soft in comparison, so soothing against that burn.
There’s no shying away now, no stuttering or whining – you simply melt, thigh softening around the curve of his shoulder, allowing him to hold you up as his tongue teases and coaxes you to the edge of your third mind-numbing, toe-curling orgasm that day.
And you don’t notice at first how his bicep shifts and flexes beneath your thigh. Don’t notice how he groans and sighs against your messy cunt, panting and muttering your name as he strokes his cock in tight, wet jerks. And when you come, gushing into his mouth, his eyes snap open, endless spheres of deep brown gazing up at you, desperate to see. Your legs tremble with the force of it, hands grappling for purchase on his shoulders, in his hair. And with your lips parted, tears drying on your cheeks, you watch the way his face crumples—wrecked. How eyebrows furrow and eyelids flutter shut. Joel’s mouth slips away from you, teeth sinking into the flesh of your thigh, something to ground him as he grunts, a low, ragged sound, before you feel him come in warm, thick spurts against your calf.
“Fuck,” you mumble deliriously. Can hardly hear yourself over the roar of your pulse in your ears. “So good, you’re so beautiful.”
Joel’s face is flushed, skin tinged with a deep red that settles across the highest peaks of his cheekbones and disappears into his beard. And when his eyes open again, drowsiness swimming beneath those heavy lids, you can see the way they shine. Glistening with something wet, something earnest. You thumb gently at his waterline, swiping away the tears like he’s done for you.
His lips press a chaste kiss to the pad of your thumb, tongue snaking out to lick his tear from your skin, and you think you must repeat it, So beautiful, because he smiles. Breathing heavily, eyes wet, he grins for you. A flash of white that he quickly smothers against the skin of your leg.
After catching his breath, Joel leads you inside and helps you shower. Stands outside the glass door, hand gripping your elbow to brace your shaking frame as you glide soap over your arms, down your legs. His fingers dig in firmer when you slip a hand between your thighs, whimpering as warm water streams over the sensitive skin there. He doesn’t flinch or shy away when specks of water flick out and dampen his shirt.
“You okay?” he asks as he helps you out, wrapping a towel around your shoulders.
You nod, mind still foggy, and let him rub the coarse fabric over the skin of your arms, your legs, drying you off before he tucks you back into your robe. And when he leads you back into the room, helping you carefully onto the bed, a flash of concern splits across his face. He takes a step back, a step away, until his back is brushing against the wall.
You lay down on the bed, heavy limbs splayed haphazardly across the soft blankets and pillows. Your robe is open, the tie still forgotten somewhere on the balcony, revealing the skin of your stomach, your thighs, still dotted with warm droplets of water.
And Joel's not far, not really; tucked away in the corner of the room, unsure, arms hanging listlessly by his sides as he stares. Takes in every inch of you as if it’s the first time all over again. Perhaps, as if he’s worried it will be the last.
“I should go,” he says, painfully unconvincing.
“Yeah,” you agree quietly, eyelids heavy as you stare back at him.
Your lips part in a soft yawn as you scratch languidly at the skin over your ribs, and dark eyes follow the movement of your fingers. Watch how your skin smarts and pulls beneath your fingernails until you sigh in contentment, the itch disappearing.
“You gotta be up early,” he says.
“I do.”
“And it’s late,” his eyebrows raise.
“Is it?” you smile. Raise your eyebrows in return and laugh when he sighs, hands twitching at his sides.
“Are we really doing this again?” you ask, smile slipping when you notice his frown. The twisted furrow of his brows, the curl of his upper lip. As if all of the features on his face have pinched together in the middle. Something churns in your stomach; a sick feeling that rises to lodge at the base of your throat. Waiting. “Talk to me.”
“M’tryin’,” he admits quietly. “Tryin’… tryin’ to be good. I want to be good.”
Your heart drops. And then, driven by some emotion that you can’t name, don’t want to name, it climbs its way back up, lurching forward in your chest. It claws and scrapes and tears itself out through a crack between two of your ribs, flinging itself across the room at him.
“You are good,” you whisper. Feel your bottom lip wobble, unsteady but sure. Certain of nothing but this as the words slip out. “You’re good, Joel. We are good.”
And when he smiles you think you can see it in his teeth. Little fragments of your heart; the beating core of you, dark red and macerated in the cracks of his canines, the lining of his gums.
Joel closes his eyes and repeats the word. A softly murmured, Good, as if the word itself confounds him, and you think you must be imagining the red smeared across his chin. Your blood seeping out past his lips, dribbling down to stain the skin of his neck.
“I hope you’re right.” He takes a deep, steadying breath. One that shakes the planes of his broad chest, makes it rise to its fullest potential before he sucks another in, shoulders relaxing, and walks across the room towards the bed.
Towards you.
thank you for reading! x
#i hope you wanna know what happened at the dinner with rachel#cause i'm gonna tell you#my writing#fic: a lover's pinch#professor!joel#ALP#joel miller x reader#joel miller fanfiction#joel miller smut
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SPOILERS!!! REFERENCES AND EASTER EGGS IN F&C ep. 10: CHEERS
The finale!
Pawn Swan! This was another character who first appeared in Steve Wolfhard's post-finale loredump about the 1000+ world. I never expected to actually see him in the show.
Nuts how this is like the third time we've seen Simon's ass. I love how Shermy is just chilling and playing video games while GOLB lets this random old man take a turn at the wheel.
This establishing shot of Fionnaworld shows that it's very small. By the time it is restored at the end of the episode, this ominous white border is gone and there are more buildings, implying that it became a complete world.
I can't believe Gary was thirsting after Scarab in this situation.
There is a shop called Evergree Flowers; likely a reference to the episode Evergreen.
This shop window advertises that you can learn to kick bugs. Appropriately enough, Cake kicks Scarab through this shop window while in her Godzilla form.
The Betty statue has become GOLBetty.
It should be clear by this point that Casper and Nova are a parallel to Simon and Betty, with all of their decisions being made by Casper with little consideration for Nova due to their unbalanced power dynamic. This is why Simon realises that he should have been more considerate of Betty's dreams, rather than single-mindedly chasing the Enchiridion and the crown.
The credits confirm that genderswapped Ash is named Ashley. I wonder what happened to her after she fell into the void. Probably nothing good.
Poor Marshall never gets to finish his songs. Truly he is the genderswapped Marceline.
The name "GOLBetty" is now canon; Simon uses it in this scene.
I'm not sure what's happening to GOLBetty here. A loose thread to pick up if this story ever gets a continuation, perhaps.
Simon steps through several different universes, including all the ones we saw during this miniseries. I'm not sure what this world full of tiny bears is meant to be.
Some kind of industrial capitalist hell universe.
This is the Water Park Prank artstyle, implying that Water Park Prank takes place in a separate but canon universe. So Water Park Prank is now canonically canonical! (what a ridiculous phrase)
Some kind of Jake universe.
A universe featuring Magwood and his volcano lair, from the episode Evergreen.
The snail! It's not dead after all. And it's a great way of symbolising a return to regular Ooo, as is the reappearance of the smiley butterfly.
This was a strange selection of characters. I hope Jay hasn't left his younger siblings on their own if their dad is dead. At least baby Finn won't have to grow up in Vampworld, though part of me liked imagining what that would have been like.
Fionna mentions that his is her top fantasy. The other two of her top three fantasies were Cake being able to talk and a kingdom made of candy.
She gets a hammer, like she had in the dream sequence at the very beginning of the miniseries.
Kheirosiphon goes back to working in a teashop, just like he did on The Drift before he was imprisoned by Scarab. Also Marshall's outfit here is incredibly gay, it's great.
There is an ad here for a daddy issues themed comedy night. Sounds like Marceline's kind of place.
Prismo's face glitches for a second. Ominous.
Simon definitely needs to move out. This is probably an even more important realisation than coming to understand his influence over Betty.
In the credits of this episode, Simon is finally at peace.
And with that, the miniseries is over! Back to the long wait. Will this be it for Adventure Time? Or is there yet more to come...
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End Credits Easter Egg
X-Men '97
Season 1 Episode 10: Tolerance Is Extinction - Part 3
#I'm screaming#I may never stop#I figured they'd go this route#but my god#ahhhhhh#xmen 97#x men 97 spoilers#xmen 97 spoilers#x men 97#X-Men 97#apocalypse#en sabah nur#ahhhhh#gambit#remy lebeau#my GIFs
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I waited 9 years of my life to see:
-Child actors somehow outperforming the adults
-A MatPat cameo
-A cop threatening to point blank shoot an innocent civilian that's still recovering from his childhood truama
-A SHIT TON of Easter eggs
-Horror icons that gave made me stay up all night be used for a cutsey montage where they build a fucking fort with our protagonists (okay it was kinda cute)
-Characters that had nothing to do with the games
-Fucked up lore
-A script that feels like it's a crappy Netflix movie
-And the Living Tombstone song being played at the end credits
And I loved every second of it. Bring on the terrible sequels
#five nights at freddy's#blumhouse#freddy fazbear#chica#bonnie#foxy the pirate#william afton#springtrap#balloon boy#the puppet#scott cawthon#jason blum#video games#video game movies#horror#childhood#adulthood#josh hutcherson#matthew lillard#golden freddy#fredbear#nightmare#mangle#baby#funtime animatronics#animatronic#october#movies#universal#matpat
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November is usually my Shining month, and so I want to bring forward again something I have been repeating for a long time now but that I don't see being picked up a lot by people. A detail that is well-hidden inside the Doctor Sleep movie, but that makes the piece even more infinitely appreciable and shows it was made by true Shining fans.
And this detail is... the ghosts of the Overlook Hotel.
Now, when this bunch appeared during the final scene some familiar faces could be spotted. Grady of course, the Injured Guest from the "Great party, isn't it?" scene, the Twins, and of course the Woman of Room 217 -sorry, 237. But there are other faces there - seemingly random people in fancy outfit just for the sake of it. People were confused as to who these people were...
But all you have to do is look at the end credits. And you have a big surprise.
The familiar faces are confirmed to be the ghosts we always thought we were, or to correspond to famous ghosts of the original novel. The twins are confirmed as Grady's two daughters, while the woman in the white dress (not on the picture above but you can her in the scene) is Mrs. Grady. Meaning we have the whole Grady family as ghosts. The woman of room 237 is confirmed to be indeed Mrs. Massey, just like in the book ; as for the Injured Guest (only referred to as "injured guest" in the original scripts of The Shining), the sequel decided to make him Horace Derwent. Meaning he likely can switch between a young/attractive and older/more gruesome form, just like Massey's ghost, since in the original movie Derwent was clearly seen though not named in the scene with the man wearing a dog-bear-like costume (the script confirms it is supposed to be a dog costume though).
Alright, but what of the others? Now this is where things get interesting! The bald man to the right of Grady? That's Vito the Chopper. Yes, the Vito the Chopper from the novel by King, the mafia boss who got his head blown off in the Presidential Suite - as for the two men near him, they are his two bodyguards, Victor T. Boorman and Roger Macassi. Also from the book. These three characters are actually an Easter egg for those who read the book (and we know from the original treatment of Kubrick's movie that the criminal paradise-era of the Overlook and the murders at the Presidential Suite were originally supposed to play a big role in the cinema version of the story too).
But things get even better with the last ghost of the group. He doesn't appear in the picture above either, like Mrs. Grady, but you can notice him during the scene, a large man right behind Mrs. Grady when the ghosts first appear (he is played by Marc Farley). And the ghost's name, as revealed in the credits is... James Parris.
Now, fans of the novel might wonder "Wait... Who's that? I don't recall reading about him". And indeed, you did not! At least if you just read the regular version of the novel! James Parris is however a true character of the Shining, a true victim of the Overlook Hotel, a character written about and invented by Stephen King... But he is part of the deleted prologue of the novel, "Before the Play". You know this prologue that was not part of the published novel but was released in various TV magazines several times, and then finally re-added to the main novel in the collector Cemetery Dance edition of "The Shining"? You must have heard of it - even before the Cemetery Dance release the prologue was going around the Internet, published on small fan websites and discreet literature blogs...
And James Parris was, according to the first part of this prologue (detailling the building and creation of the Overlook... and its first victims) the second owner of the Overlook Hotel. A man that was touched by the same obsession and madness for the hotel that had overtaken Watson's grandfather (the actual builder and first owner of the Hotel), and, if I recall well, ended up dying of a heart attack on the hotel's garden-grounds (near the topiary beasts if I recall well, but I am not too sure, I haven't read the prologue in a while).
So all of that to say - not only did they bother placing an Easter Egg for the fans of King who had read the original book ; but they also placed an Easter Egg for those that knew of or had read the Before the Play prologue, which most regular fans of the novel never even heard about! If this isn't commitment to researching your source material, I don't know what is!
#the shining#shining#doctor sleep#overlook hotel#ghosts#stephen king#stanley kubrick#kubrick's the shining#king's the shining#references#before the play
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Oh my god, season 2 is The Tales of Crowley Hoffmann
I guess this has to be a series now too. Part 1 l Part 2
When Aziraphale wants to perform a show-stopping magic trick in S2E4, he is shown the "Professor's Nightmare," a rope trick, and references "Prof Hoff himself" at the end of the minisode.
Because we love double meanings so much around here, I decided to actually watch the Powell & Pressburger epic opera film "The Tales of Hoffmann," assuming it was the another P&P easter egg and the other Hoffmann (not the magician) that was being referenced.
One, this movie is unhinged. Two, this season IS The Tales of Hoffmann. Allow me to explain...
There are shot for shot quotes literally everywhere throughout the season.
P&P The Tales of Hoffmann (Automaton Ball) & Good Omens Season 2 "The Ball"
P&P The Tales of Hoffmann (Hoffmann watches Stella perform) & Good Omens Season 2 "The one with the zombies"
P&P The Tales of Hoffmann (Clerk in Automaton Ball) & Good Omens Season 2 "The Ball"
P&P The Tales of Hoffmann (Tale of Antonia, Hoffman & Antonia) & Good Omens Season 2 "The Clue Crowley & Aziraphale"
P&P The Tales of Hoffmann (Prologue) & Good Omens Season 2 "The one with the Zombies"
P&P The Tales of Hoffmann (Tale of Giulietta Banquet scene) & Good Omens Season 2 "The Clue Banquet scene" *By the way Hoffmann wears a goatee for this tale
P&P The Tales of Hoffmann (Prologue "Dragonfly dance") & Good Omens Season 2 Prologue "Before the Beginning" *This is Stella and un unknown devil drangonfly, NOT Hoffmann
P&P The Tales of Hoffmann (Tale of Antonia) & Good Omens Season 2 "The Clue"
P&P The Tales of Hoffmann (Tale of Antonia) & Good Omens Season 2 "The one with the Zombies"
P&P The Tales of Hoffmann (Automaton Ball) & Good Omens Season 2 "The Ball"
P&P The Tales of Hoffmann (End credits through Hoffman's glasses) & Good Omens Season 2 end credit scene.
Stella & Aziraphale. This one makes me laugh.
There are SO MANY MORE, but tumblr has an image limit. Seriously, it's nuts.
2. It seems simple and straightforward, but it's not at all
" Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann (...) was in some way an admission(...) that they couldn’t go on making their edgy, over-the-top melodramas after the rejection and interference they’d suffered (but) there’s a case for considering The Tales of Hoffmann as one of the finest and boldest works that Powell and Pressburger produced, so far ahead of its time as a wholly “composed” film, combining visual and musical elements, that it has still not been fully appreciated... Late in his life, Powell himself said that he thought it was one of the best films that he and Pressburger had made. What makes the film so remarkable is a series of paradoxes: the fact that it virtually reinvented the freedom and fantasy of silent cinema while making full use of Technicolor and a stellar cast of dancers and singers..." - Criterion, The lives of marionettes
3. The structure of the story is the same as the show
Here is the story of the Movie** (Not really the Opera that inspired it) In the prologue, we see the dance of the dragonflies onstage at a ballet. Count Lindoff (very bad dude) is spying on both the principal dancer Stella, and the audience member Hoffmann (who's admiring her). Lindoff is behind the scenery. During her dance, Stella passes a love note to her assistant for Hoffmann. The bad dude intercepts it out of jealousy. During the intermission, Hoffmann goes down to the tavern next door, watched by his sort of buddy in red, Nicklaus. People ask him to tell stories to while away the time, and so he tells 3 stories (actually four but we'll get back to that).
We launch into 3 tales/minisodes in other times and places : 1. The Tale of the Ball of the Automaton where he falls in love with a robot. He is humiliated. 2. The tale of Venice (Giulietta) where he falls in love with a courtesan/double agent who crosses him. 3. The tale of Antonia, where he falls in love with a girl who feels trapped by her living dad, her dead mom and a mysterious bad dude (Lindoff). She is murdered in a ring of fire, but becomes a ghost and is resurrected and sent back to earth. At the end, we snap back to the tavern in the real world. Hoffmann reveals that these three women are all metaphors for how he feels about Stella, his true love. He's drunk and depressed now, thinking she never sent for him after the show. Stella arrives in the tavern looking for Hoffmann, ready to run away, but now accompanied by Lindoff (dressed as an angelic figure) who followed her. She looks to Hoffmann to save her, but he's too blinded by the fact that he doesn't think she loves him back to pick up on the signal. He gives up, and she goes back up the stairs guided by Lindoff. Her assistant (who was bribed by Lindoff at the beginning) is given the go ahead by Lindoff to go back to the tavern and taker over. They close the door to the tavern, while she walks up ethereal stairs with the bad dude. THE END.
The one story that doesn't fit into the minisodes and is told in the real world is Kleinzach. We understand by the end of this one that this is Hoffmann's self loathing about never being good enough for Stella, because Stella is perfect and Hoffmann is ugly and deformed. The main love interest attempts to steal Kleinzach's essence through a mirror by the end. 4. Powell & Pressburger recast four actors in new roles In The Tales of Hoffmann, P&P decided to recast four of the principal actors/dancers from the film The Red Shoes in new roles, wanting to recreate the magic that they brought to the first ballet film. Sound familiar?
5. Crowley is Hoffmann
"The Tales of Hoffmann" original 1881 costume concept for Hoffmann & Crowley costume sketch for S2E3 1827 Edinburgh. Glasses are a really important aspect for Hoffmann in both the opera and the movie versions of The Tales of Hoffmann. Hoffmann is gifted metaphorical magic glasses that he wears to be able to perceive his love in a way they aren't really in real life. In the opera, he wears dark glasses to shut out the real world, not just as a metaphor. Check out a modern day version of the opera's Hoffmann costume :
He's french and slamming a beer but you get it. Crowley also canonically loves watching movies. It would make so much sense that his minisode recountings with him and Aziraphale would resemble different styles of movie that he loves. Seeing as we see him drive away at the end as the last character, an argument could be made for him being the ultimate narrator of the story in season 2.
6. The original American release of The Tales of Hoffman had 14ish minutes cut out of it by the studio. So we all know by now that whole debacle about having the clocks jump 14-15ish minutes during the kiss?
"The Tales of Hoffmann found an audience far wider than expected, despite Korda’s misgivings about the movie’s running time and his decision to cut 14 minutes out of the film for its American release." - Criterion, The Tales of Hoffman
I have been unable to unearth what the difference between the American & British versions of the P&P Tales of Hoffmann is, if you know let ME know. I want to know! _____________________________________
And I HAVE SO MUCH MORE. This is long enough already so I'll save the more detailed stuff for a new post.
**The opera is a whole other beast. You can read about it here, but basically there's a lot more going on in the opera because the composer died before finishing it, and multiple versions exist after the original uncompleted score got lost IN A FIRE. Anyway. Here's part 2
#good omens meta#good omens season two#art director talks good omens#go season 2#good omens 2#go meta#good omens season 2#go2#crowley x aziraphale#anthony j crowley#aziraphale and crowley#aziraphale x crowley#crowley and aziraphale
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FAZGANGG ROLL OUT ( FNAF MOVIE RAMBLES + EASTER EGGS !!!!!!!!!!!!!!! ) PT 1
MAJOR SPOILERS AHEAD ! ! ! !
ok first off i cant put into text or words about how i fucking insane i am about this movie so uhm ahahaha im not gonna or i might explode my head off and end up looking like cc's foxy's plush. THIS MOVIE WAS THE MOST LOVINGLY LOVING LOVE LETTER TO THE FANBASE AND I COULD NOT BE MORE NUTS ABOUT IT
SO IM GONNA WRITE ABT ALL THE LIL EASTER EGGS I NOTICED DURING MY WATCH OF THE MOVIE !!!!!!!!!!!!!!! ( many more rewatches to come )
UPDATE : PICS ADDED ! ! !
MATPAT AND CORYXKENSHIN CAMEOS ( NO MARKIPLIER D: )
do i even have to say anything about this??
MATPAT SERVING THEORIES SO HARD HE GOT HIRED AS A WAITRESS
CORY BREAKING ANKLES AS AN UBER DRIVER
the theater went ballistic yeah
SPARKY THE DOG CAMEO / FINALLY CANON LOL
MAN OH MAN WHATT I DDID NOT EXPECT THIS ONE.
In the movie we get a full glimpse of a disassembled sparky suit in parts in service -> max gets stuffed inside this suit later on or a suit next to sparky
the diner that matpat works at is also called Sparky's ( lol foreshadowing )
this is still pretty unreal to me.
FNAF BOOK LORE PLAYS A BIG PART IN THE STORY
There's a scene towards the end of the movie where Abby is hiding from foxy and runs to hide behind some arcade games -> reference to the sequence where Foxy is chasing Charlie in the silver eyes (lighting is almost one on one too)
The animatronics realize they're getting manipulated by afton /spring bonnie when Abby shows them the truth through a drawing depicting spring bonnie's true nature -> reference to Carlton showing the dead children that spring bonnie / afton is their enemy through drawing spring bonnie as their killer
CARL THE CUPCAKE
i just find it kinda funny that the guy eaten alive by cupcake was named carl seeing as how carl was cupcake's fanon name
also he can defy gravity too ig
THE SHIRT CARL ( ONE OF THE GOONS WHO CAME TO TRASH THE PLACE ) IS WEARING HAS A PRINT OF FNAF 6'S DRIVING MINI GAME
Chica's magic rainbow from FNAF world gets its own branded ice cream parlor chain :
EVERYTHING ABOUT ABBY HANGING OUT WITH THE FAZGANG.
Spaghetti and Pizza analogy
this one is a bit more obvious but I like how its used as away to illustrate how mike had to choose giving up abby or cc ( i refuse to call him garrett he is either evan or chris. )
Hospitalized Vanessa Theory
Now that Vanessa is hospitalized could she be filling the roles of cc or mike in fnaf 4 ( mainly cuz of hospital hallucinations )-> shes traumatized by the animatronics and could hallucinate back to her days in the hospital ( if she wakes up or if its a dream sequence or something not sure ) ; also could also work since she's afton's daughter
LIVING TOMBSTONE END CREDITS LETS FUCKING GOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!
point where i died in the theater and ascended
so yeah yk id say the trap was sprung successfully
I am the most normal about this movie
#fnaf#rambles#fnaf chica#fnaf freddy#fnaf foxy#fnaf bonnie#fnaf mike#fnaf abby#william afton#fnaf william afton#fnaf vanessa#theories#spoilers#fnaf movie theory#fnaf movie spoilers#matpat#coryxkenshin#fnaf cupcake#fnaf carl the cupcake#carl the cupcake#ALSO DONT LISTEN TO THE CRITICS THIS MOVIE GOES SO HARD. I AM A CHANGED MAN ADFTER VIEWING HIT GAME FIVE NIGHTS AT FREDDY'S MOVIE ADAPTATIO#five nights at freddy's#Spotify
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Code Red | Chapter Seven: I Love Older Men
pairing: dbf!Joel Miller x f!reader (no outbreak)
summary: Your big date with Joel is finally here and you end the night on a good note, or a good feeling perhaps.
content warnings: SMUT, 18+ only blog MDNI. Enemies to lovers, dads best friend Joel, age gap (readers in her twenties and Joel is in his 40s), slow burn, first date jitters, reader has hair Joel can brush from her face, no other descriptors, Joel puts reader on the dining table, finally getting some smut, eh? oral sex (f receiving bc he's a ladies man), orgasm denial until you agree with him, power imbalance, dirty talk, thigh smacking, biting, a few sips of beer but no one is buzzed, horny overload, cum eating if you use a monocle, pulling Joel's hair and riding his face/nose, slight PDA, a tiny easter egg if you find it, and one (1) sleepover. NO use of Y/N! Let me know if I've missed something!
authors note: Hi, I love you first off for keeping up with this and my life when it gets crazy and I dip for a little. Thank you for all the support on Code Red, it means the world to me. This can be read as a stand alone if you're unfamiliar with the series but it'll make more sense reading it in order || wc: 4K || notif blog so you don't miss a thing ||
“Why do you have to wear that shirt?” Joel asks as your front door swings open, his hand pushed against the door jam to prop him up.
You giggle and look down at the bedazzled shirt that was tight enough to push your tits together nicely. It came as no surprise to you that Joel didn’t like the words printed on it and covered in rhinestones. ‘I Love Older Men’ twinkles in the sunlight as Joel swings open your front door, already taking your house key to lock the door behind you.
“It’s not funny, you’re gonna draw attention to us.” He gripes, putting a hand on your hip behind you as you sit down. His attitude was already starting to get on your nerves but you refuse to let him ruin this, especially over a shirt.
“Hey! Enough, it’s just a shirt. Is it really such a bad thing if people look at us?” You ask, dipping your head down to look at him.
Joel meets your eyes and licks his lips while thinking about what to say. You cup his cheek and raise your eyebrows at him playfully.
“No, I just-” He starts and you cover his mouth quickly to cut him off. Joel gets the hint and rolls his eyes at you before closing the door shut and getting in on his side of the truck. He starts the engine and puts his hand on the back of your headrest to back out of his driveway, open palm against the steering wheel turning it quickly.
His cologne smells warm and spicy, with a tad of amber mixed in there which surprises you for someone like him, not seeming like he’d be into expensive cologne. Absolutely captivating, the way he does everything so effortlessly and somehow makes you want to bury your face in his chest while he talks for hours and hours. Joel turns forward and starts the long drive ahead of you two. You were unsure where your date actually was, Joel wanted to keep it a surprise from the last time you spoke about it, which you didn’t mind in the slightest.
Joel looks over a couple of times and leans his arm against the door while he steers the wheel.
“You gonna stay over there the whole time or you wanna sit in the middle?” He asks, almost waiting for you to laugh and tell him no. You fight back a smirk and sigh dramatically before sliding over into the middle seat right next to him.
“Better?”
“For now.” Joel responds and his tongue lingers over his bottom lip for a split second before disappearing into his mouth again.
“Where are we going? Please don’t tell me you’re taking me to Home Depot…Joel are you taking us to Home Depot?” You half whine and look up at him with your hand resting on his knee.
“Now why on earth would you think I'd take you there for our date? Give me a little more credit, would ya? Just sit back and enjoy the ride please?” His arm tightens around your shoulders and pulls you into him more. You giggle at his growing annoyance and put your sunglasses on as you rest your head back, looking out the window watching the telephone poles whiz by.
One of the few times you ever felt this calm and relaxed was with Joel or when you’re alone. He makes it so easy to forget all of the stress and the issues constantly circling your brain about your dad, the future of not knowing, everything that bothers you. None of it ever seems that important when you’re with Joel.
You two hum to the radio and talk here and there, mainly enjoying the comfortable silence you shared. He turns right and the sign for the aquarium starts to get closer.
“You remembered the aquarium? Oh my god, Joel!” You exclaim and sit straight up to see the view better. Your excitement was too much for you to notice Joel taking glances at you with the biggest smile on your face. It was apparent to him you thought he forgot about the aquarium comment you made months ago. Little did you know he bought tickets as soon as you mentioned it that day. Even if you went just as the weird friend dynamic you briefly were, Joel still would’ve loved it no matter how much he would’ve pretended not to, no matter how much he wants to deny it.
He pulls into the parking lot and finds a parking spot a little far away from the doors but neither one of you mind. With your purse on your arm, you climb out of his truck and stand in front of it while you wait impatiently for him to get out.
“You ready?” He asks, coming up right next to you. His finger hooks under your chin and brushes his thumb down softly as he gives you a smile.
“Absolutely.” You respond back.
You two start towards the door, his arm brushing against you every time he gets close. Every time you feel his pinky touch your hand, you want to just reach out and hold his hand. Joel being the brooding older man, he’s not too big on PDA. You were the exact opposite. You wanted the whole entire town to know you were dating Joel Miller, you wanted to hold his hand while you wore your silly little shirt and have everyone stare at you both, like they could even begin to know the situation.
When you get inside and turn in your tickets, Joel watches the glimmer in your eyes sparkle as you take in everything around you. The tanks full to the brim with fish and coral, touch tanks tucked back behind the glass and metal staircase leading upstairs, the glowing hallway leading to so much more, the gift shop you were definitely going to stop in before leaving. In awe at the artwork covering almost every inch of wallspace, you were mesmerized. Two children run in front of you and scream wildly as they chase each other, causing Joel to grab your hand instinctively and pull you out of the way before someone gets stepped on.
You look down and his fingers interlock with yours and neither of you say a word or pull away.
“Where to first, baby?”
-
Hours pass and your feet are starting to hurt but you’re having too much of a good time to admit to Joel he was right about your shoe choice being awful. It was absolutely worth the pain though, walking the entire aquarium to get the full experience. Joel didn’t complain once no matter how many times you got weird looks for your shirt. He’d walk up to the dolphin tank and put his on the glass, the same glimmer in your eye from when you arrived was the same one he had. You two end up in front of the jellyfish tank that went up to the ceiling with glass, blobs of pink and orange jellyfish floating up and down all over the tank. Joel takes a seat on the bench in front and leans his arms against his thighs as he watches closely.
You sit next to him and rest your head on his shoulder, admiring the pink jellyfish at the very top that keeps sinking to the bottom just to go straight back up.
“Did you have a fun time?” Joel asks.
You don’t answer right away to not seem eager. “Yeah, this was a lot of fun. Never a dull moment with you though.” You giggle quietly as you remember earlier when he made someone’s child cry because Joel apparently “took the stingray” the child was touching and it decided to swim to Joel’s hand you forced into the touch tank. You’ve never seen him move so fast until that moment.
Joel chuckles with you as he knows exactly what you’re thinking about.
“I told you not to make me do it and you see what you did? You made someone's child cry, they’re never gonna come back here now.” Joel can’t finish his sentence because you both are laughing so hard and he leans his head on yours.
There wasn’t that need to fill the silence with Joel. You could sit there with him for hours and not share a word and still be comfortable, that’s not something you come by everyday.
“Well, you wanna stop in the gift shop before we go?” Joel questions as he picks his head up off yours.
“Yeah! I wanna see what stupid thing I can convince you to buy me.” You jump up and step towards the tank a few times, turning around to look at Joel.
He rises to his feet and walks towards you slowly, head cocked back slightly. The look he’s giving you makes your heart start to race and you can feel your cheeks getting warm with every step closer he gets to you. Somehow you managed to be the only two people in the jellyfish exhibit and you were thanking your lucky stars for this.
“Convince me, huh? Convince me how, baby?” His mocking tone sets your body on fire and you suddenly can’t speak.
Joel gets right in front of you and tucks his hand against your cheek, his long fingers brushing softly on the skin right below your ear.
“You don’t have to convince me to do anything, sweetheart. I’d do anything you want.” He kisses your lips gently.
“I’d buy you anything you want.” He kisses your jaw.
“I’d build you anything you want.” He kisses your neck softly.
You would’ve fallen to your knees had he not pulled away and chuckled at you, seeing how pathetic he made you for him so fast.
“Fuck off, Joel.” You try to play it off like you weren’t going to risk it all had he kept going.
He takes your hand once more and walks with you to the gift shop, his hand hardly leaving your waist as you meander around the store.
Torn between the pack of pens with different aquatic animals on the top and a turtle shaped beanie, you asked Joel which one you should get.
Joel turns around from the little container of pins he was looking at and takes a good glance at the options.
“What about this?” He holds up the metal pin that has a starfish printed on the center, with big ugly yellow letters that say, ‘I’m a star!’.
You blink once at him and turn back around to hide your laugh.
“That’s so goddamn stupid, Joel. I’d hate to be called a starfish.” You put the hat back and just as you look up, you see it. The stupid thing you want Joel to get you.
Yanking the clownfish plush off the shelf, you grin widely and turn back around to him and shake it in his face.
“This, this is it. Isn’t it the cutest thing you’ve ever seen?” You look back down at the stuffed animal, admiring all the details on it. Without missing a beat, Joel doesn’t look away from you and nods. “Yeah, it is.”
-
On the drive home you stopped for food and ate in the parking lot while Joel gave you his typical old man history recap of all things Austin, Texas while you nodded like you were following the entire time. You caught most of it, but some stuff you were lost about and you didn’t have the heart to make him explain. Nodding and smiling usually did the trick.
Joel pulls into his driveway and stops right next to the little light pole on your side so you can see where you’re walking. Joel gets out after turning it off and walks around the front of the truck to meet you halfway. With an arm stretched out towards you, he grabs it and holds it there for a moment.
“Do you wanna maybe, um…see the new curtains I put up the other day?”
Your brows furrow and you can feel a laugh building up inside.
“W-what? Are you inviting me in to look at your curtains?” You have to make sure you heard him correctly. This seems like Joel’s way of getting you inside but he won’t explicitly say it. He needs an innocent excuse to get you inside before he makes his move.
He scratches the back of his head awkwardly and turns away causing his bicep to come into the light and grab your eyes.
“Yeah, I am.” He refuses to elaborate or change his question to the truth, curtains is what he’s sticking with.
“Well let’s go, Mr. Miller.” you reach up and pat his chest before heading towards his front door.
“C’mon, you know I hate when you call me that.”
“I know, that’s why I love it.”
He stands close enough behind you that you can feel his chest on your back while he unlocks the front door.
“Such a brat.”
The door swings wide open and you’re hit with the familiar smell that is Joel. The cologne with the faint scent of laundry detergent and somewhere a reed diffuser sitting neatly on a table. You take in all of the photos on the walls of him and Sarah, the home looking lived in and not empty. This is what you’ve been waiting on ever since you moved in. You wanted to see inside this house so badly. To see the room you’d constantly look down to when you couldn’t sleep and needed someone but he wasn’t awake. To see the room where you could hear every argument he had with Michelle over you.
“Everything you thought it’d be in here?” Joel questions and walks from behind you to the stainless steel fridge in the next room over as you stand in the doorway of the living room.
“It’s so cozy in here, I didn’t think it would be. Figured you’d have a lawn chair in here with a fold up table or something.” You joke and turn around with your arms crossed over your chest.
Joel looks at you with a fake disappointed face and closes the fridge before grabbing the two beers off the counter he got out.
“Don’t be a smartass, or I’ll have to fix that for you.” Joel states firmly, standing right next to you.”
With your breath caught in your throat, you take the beer from his hand hesitantly and think about whether or not you should say what you’re thinking. Fuck it though, right?
“Fix it how, Mr. Miller?” The playful tone in your voice makes Joel turn slowly towards you and sucks his teeth quickly before setting his beer down on the coffee table to the left of him.
“What’d I say about calling me that. You just love to push my buttons don’t you? Gets you off knowing you’ve annoyed me for the day, huh?”
You take another sip of your beer and smirk against the bottle.
“Yeah, I do.” You answer confidently.
Joel’s strong arms wrap around you and tug you close against him which causes you both to grunt and he holds you there, his face inches away from yours.
“And what if I told you every time you do that you make me wanna bend you over and have my way with you until you say you’re sorry?”
There it is.
You shutter a breath and meet his eyes which don’t seem so brown anymore. They’re dark with lust and it’s the one thing you’ve been wanting to see from him.
“Doubt it, I don’t think you can break me.”
Your lips ghost over his before they crash together and he groans in your mouth instantly as he picks you up for just a moment and walks you over to the dining room, setting you at the end of the table. You swing your legs as he steps back and admires how you look with the dim lighting around you.
“You would want that, of course. Should’ve known you’re a dirty girl. Tell me how you want me, baby.” He leans in and holds the back of your neck as he trails kisses along your jaw and throat, trying to make you respond.
The harsh but passionate kisses cloud your mind and you can’t answer fast enough.
“Tell me pretty girl, tell me how I can make you feel so good and have you right where I want you.”
God, you need him so badly.
“I-I like it rough. Manhandle me but still make me feel wanted, like you can’t get enough of me.”
Your answer coaxes out a groan from Joel and you can’t help but smirk.
“Oh is that so? You want me to toss you around, maybe pin you down right here and give you that attitude adjustment I’ve been wanting to give you since I saw you on your dads porch?” Joel did one thing well, and it’s being condescending.
He lays you down on the wooden table and pulls his hand out from the back of your neck and down the middle of your breasts slowly, all the way to the top of your pants. A scoff comes from his mouth and he tugs on the belt loop near your button.
“‘I love older men’...so fuckin’ naughty. Have you ever been with one or are you just talkin’ a big game?”
Joel undoes the button on your pants and wiggles his thick pointer finger inside the waistband of your panties, smoothing over your skin teasingly.
“N-no, I haven’t been with one yet.”
“Perfect. Now, take these off.” He yanks on your pants and stands still between your legs while you lift your hips up to shimmy them off. Halfway down your legs he grows impatient and shucks them off you, tossing them onto the floor. Joel kneels down and his face is dangerously close to your aching cunt.
“Joel, please- I need you…I need you so damn bad.” You whine, grabbing at his hand that’s holding your waist.
“You need me to what, baby? Use your words, I know you can do it.” He mocks.
Colored embarrassed that he was wanting you to explicitly say you want him to eat your pussy was an understatement. You didn’t mind a challenge.
“I want you to lick my pussy, Joel. I wanna feel your tongue on me and make me scream because you do it so well.” As soon as the words leave your lips, his tongue is licking at your wet panties. Tasting every bit of excitement he got from you until you whimper for him to do more.
“You want me to show you what I can do, pretty girl?”
Joel doesn’t wait for your answer and he grabs your hand, hooking your panties on your fingers to have you hold them to the side.
“Be a good girl and hold these for me, yeah?”
You nod in response and close your eyes just in time for his warm tongue to flatten against your clit. His moans muffle against your folds as his hands grip your hips harder, pulling you close to his face as he laps at your soaking pussy. Quick and rough flicks from his tongue go against your clit and you can already feel your legs shake. Your back arches off the table and instantly your hand goes in his hair, gripping the salt and pepper little curls tightly.
“Ohhh my-fucking god, Joellll!” You cry out and his right hand leaves your hip to the middle of your torso to pin you back down.
“Stay still.” He commands and buries his face between your thighs, his beautiful nose bumping your
clit. Your eyes begin to roll back into your skull and he groans louder the harder he licks at you, tasting every inch of skin he can get his mouth on. Joel rubs his thumb over your clit as he bites your thighs and follows with a soft slap to see how far he can push you.
“Y-yes oh keep doing that, baby.” You whine and buck your hips to get more friction against his thumb.
“So eager for me to make you come, darlin. God you’re gonna fuckin’ kill me.” Joel growls out and takes his thumb off you for a moment and your eyes shoot open to see where the release you were needing, had gone. He admires the glistening slick coating his skin and licks it clean before connecting his tongue with your clit once more.
“Say yes and I’ll let you come, okay?” Joel groans between licks and looks you in the eyes.
You sit up more to look at him with a confused look on your face.
“Say yes to w-what?”
“Come work for me at my shop. Be my receptionist so I can see you all the time. I can’t fucking be apart from you all day anymore.” His licks get more passionate and fast, consistent against your overworked clit and you feel the pressure starting to build in the pit of your stomach.
“What? Y-you want me-fuccck-to work with you?” you barely whimper out as you begin to pant and grind against his face.
Why did he want to bring this up right now? Was he afraid you’d say no so he waited until he had you in the palm of his hand to ask? Jokes on him, you wouldn’t have turned that down at all, anything to see him more than you were now, and you’d be getting paid to fuck off all day with him?
“Say yes.” He grunts and keeps going, pushing you to the edge of your orgasm.
Your eyes close and your head falls back, moaning with every lick and every move of your hips you make against him.
“Yes yes yes yes yes okay I will.” You squeak out and you come on his face, riding his tongue as you end up spacing out from the euphoric high. Never has a man ever made your ears ring from coming, until tonight.
Joel gives your pussy sensual kisses before he trails them up your stomach until he gets to your lips. You kiss him eagerly and taste yourself on his tongue, already wanting more.
“So I’ll see you there, Monday morning at 10 a.m..” He chuckles and kisses you a few more times before standing straight up and admiring the work he did on you.
All spread out on the dining room table wasn’t how you saw tonight ending, but you got so much from today. A great date and a job, and head? You were a winner today.
He grabs your hand and helps you up slowly, adjusting your panties the way he found them. You smile at him and look around for your jeans, groaning at the thought of putting them back on.
“Hold on, stay there.” Joel says and he disappears around the corner to another room. He comes back with a pair of basketball shorts and hands them to you.
“Here, put these on, baby.”
Fresh warm shorts from the dryer. What a fucking gentleman. You put them on and get a chill immediately from how warm they are.
“Can we watch a movie before I go home maybe?” You ask, not ready to leave his house quite yet. Joel nods and sits on the couch and you follow suit, cuddling yourself into his side. He finds something to watch on a streaming service and kisses your forehead.
“Don’t fall asleep now, I can’t carry you to your house.” He jokes and you elbow his side playfully.
Soon the TV sound was getting quieter and quieter as your eyes got heavy, until you were completely passed out in Joel’s arms, with him dozing off himself. Trying to fight his sleep to stay awake, he only lasts about ten more minutes before he grabs a blanket from the chair, covering you both up to sleep.
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6 Things I Learned from the Lisa Frankenstein Commentary
We don’t get movies like Lisa Franeknstein often, which is a shame because it’s endlessly charming yet delightfully twisted. While it disappointed at the box office, it has "cult classic" written all over it.
The coming-of-age horror-comedy is out today on Blu-ray and DVD. Among the special features is an audio commentary by Zelda Williams. Here are 6 things I learned…
1. Catch Me If You Can inspired the opening credit sequence.
The opening credit sequence, which briefly depicts the Creature's love story from his previous life in the style of Victorian shadow box art, was inspired by Catch Me If You Can.
"We wanted to do something interesting with the credits in this bit. I was really inspired by Catch Me If You Can, which I thought the opening credits were particularly interesting and helped establish the story before we ever got to it. And because Creature doesn't speak this whole movie, I wanted an opportunity to show what his life would have been like."
2. The film was originally intended to be rated R.
Although Lisa Frankenstein pushes the PG-13 rating as far as it can go, it was originally intended to be a hard R. Williams cites the party scene, in which Lisa originally smoked a laced joint rather than drinking a PCP cocktail, as a difficult revision.
"This is where stuff got a little complicated when we were going from R-rated to PG-13. Originally there was a coated joint they were passing around. This is one of the only scenes that I'm not sure I'm as fond of in comparison to the joint stuff. Most of the rest of the changes were fine, but this one I find very strange. It's just a very different reaction and interaction than what used to be there. However, these are the things that happen when making a movie."
3. Creature is an homage to Day of the Dead's Bub.
Not only Lisa is seen watching George A. Romero's Day of the Dead in the film, but the Creature is an homage to its iconic zombie, Bub.
"Creature for me is definitely an homage to Buster Keaton, but he's also an homage to the zombie you just saw on screen, Bub, who was in Day of the Dead, a Romero movie that I'm very fond of. It was an incredibly emotive and a very intelligent zombie and ended up getting revenge against the asshole in the movie. It was one of my favorite monsters ever made, so when I could put that on screen during the movie, it made me very happy."
4. Zelda hid a tribute to her father, Robin Williams.
Williams is the daughter of Robin Williams, and she included his 1983 comedy album, Throbbing Python of Love, among the records scattered on the floor in Lisa's living room.
"Oh, there's Dad! We used one of Dad's vinyl albums because we had to scatter some across the floor." She refers to it as "a little, mini Easter Egg for me."
5. The police officers are named after John Waters.
The police officers in the film are Officer John (played by Walker Babington) and Officer Waters (Sylvia Grace Crim) — named on a whim in honor of cult filmmaker, John Waters.
"They asked me to name the cops, because obviously they needed to have name tags, so I named them Officer John and Officer Waters." She thought no one would notice since they're so small, but a viewer pointed it out at a test screening.
6. The film is sprinkled with movie references.
Williams wore her influences on her sleeve with her directorial debut, and she pointed out several references on the commentary:
A Trip to the Moon (clip featured in Lisa's surreal dream sequence)
The Cabinet of Dr. Caligari (stylistic inspiration on the dream sequence)
Weird Science (the party scene)
Suspiria (red lighting during drug sequence)
My Boyfriend's Back (camera shot from inside a grave looking up at characters)
Kill Bill (weapon point-of-view shot)
E.T. (a boy on a bike — played by Diablo Cody's son — at the end)
Notting Hill (reading together on a bench at the end)
Lisa Frankenstein is available now on Blu-ray, DVD, and Digital via Universal.
#lisa frankenstein#zelda williams#diablo cody#kathryn newton#cole sprouse#article#review#dvd#gift#liza soberano#henry eikenberry#joe chrest#carla gugino#horror#horror comedy
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So!
I really really liked Transformers One!
The visuals were gorgeous, the characters were interesting, more under the cut
I especially liked the designs of the Quintessons, and the Quintesson ships. I liked how the ships themselves seemed like living organics up close, like some sort of massive arthropods.
I'll admit that initially learning Elita's VA had worried me, but I think Scarlett did manage to capture Elita's personality in a very interesting light— so much that I mayyyy have forgotten she was Elita's VA until the credits😅
there were so many recognizable characters in the background, but since I was. Well. In a theater and not in a place where I could pause and screenshot things I'm sure I missed quite a few Easter eggs
May I return to how much I loved the visuals??? Iacon felt alive and busy, and even though you can tell the surface was ravaged by the Quintessons it was full of so many interesting details. I fucking loved the shifting rocks and mountains
oughhh Airachnid was so cool, she gave me heavy xenomorph vibes.
I may or may not have quietly called D-16/Megatron Optimus's wife several times in the theater. I don't think my Grandma heard me as she was screwing around on her phone the majority of the time.
The transformations were pretty cool
Sentinel was the utter bastard I knew he'd be
They didn't kill the Quintessons or even directly go up against them, (which I was expecting them to go against them) which makes me think they might be saving that for a sequel or something.
LOVED THE END SEQUENCE OF D-16 FINALLY BECOMING MEGATRON AND ORION PAX BECOMING OPTIMUS PRIME, visually it was so cool
Alpha Trion's altmode was cool
I didn't expect it to have been Sentinel to scratch the first decepticon badge into Megatron's armor as a mocking gesture
Didn't expect the future decepticons to be called the High Guard, and to have their ties to the Thirteen Primes
again I loved how beautiful everything was, again and again
hehehe mild swearing in a PG movie
Probably more I can't think of right now!
Things I questioned / think could've been changed:
... I'll admit, as much as I love Megs, his character and progression from miner to leader of the decepticons felt a little out of character to me. I understand this is a new continuity with its own rules but I almost felt like Orion and D-16 should've been swapped. Idk, just an opinion. It felt very weird to hear D-16 go "mnnn but maybe we're better off as just miners, we're cogless :/", and I feel like his turn to seek violence was a bit fast.
I've seen the inclusion of Bee/B-127 as part of the original four questioned since the first trailer released, and while I liked him in the movie I do agree he might've should've been another character. Though, I'm inclined to suggest he maybe should've been Dion, and died somewhere at the end of the movie.
I'm a little disappointed we didn't get to see other possible Cybertronian cities like Tarn, Kaon, Vos, or Praxus. Idk if it'd've been realistic for them to include them, but still.
.Still not sure about Chris Hemsworth as Orion/Optimus.
Idk. I liked a lot of things about the movie, but there were a few things here and there, you know?
#maccadam#transformers#transformers one#tfone spoilers#transformers one spoilers#tf1 spoilers#tf1 Orion Pax#tf1 Optimus prime#same guy#tf1 megatron#tf1 d-16#tf1 elita one#tf1 elita#tf1 bee#tf1 Airachnid#tf1 sentinel prime#sentinel prime#tf1 alpha trion#alpha trion#Quintessons#tfone#tf one spoilers#you cannot stop me from using the tag ''tf1''
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