#early 2010s me coded media

[talesfromthecrypts]

Sam Reid as Tolbert McCoy in Hatfields & McCoys (2012)

[fceriestcrdst]

my autistic ass avoided watching the x-files because i knew it would consume me....

& now here i am fully consumed even though I've only watched the first few handful of episodes of s1 (i'm regaining spoons needed for media consumption), but let me tell you w h a t!!!!!!!!!!!!! i was so excited i started crying because it combines unbridled pining, a skeptic & her believer husband partner, true crime, weird mythology, aliens (which i already knew abt obvi), unlikely besties who are prepared to square up at all times (re; scully being cold towards the agents mocking mulder & mulder being ready to fight g o d whenever anything happens to scully).

i just love the show a lot & i expected this but goddamn!!!!!! it's wormed into my spin category & now my alien spin is returning along with my 'unexplained happenings spin!!!!! i'm being consumed i tell you!!!!

[absolutelynotsanebaby]

I was talking to my mutual about Cole when I had a surge of Thoughts so per usual you all have to hear them now. I was considering a couple things, namely his development and place as the "strong guy" on the team and his masculinity (and how it presents in the show vs in fanon).

Cole's pretty often typecast as the gruff strong guy in a lot of fan-media (from fanfics to fanart etc) which isn't wrong because he was like that, especially within the early seasons. The way he spoke, the way he acted, his place as a sort of leading force. In season three you even see him in that stupid lumberjack fit (said affectionately), it's all very traditionally masculine. Which fits his whole Strong and Big guy of the team role (the five man band archetypes etc etc). However, it's interesting to say because at his core, he's very emotional and very driven by a strong sense of internal compassion (with a canonical affinity to children). Which obviously none of that is opposed to masculinity but these traits begin to show more as the gruffness pulls back. The first real example of that I think is in ToE with his fight with Jay. I don't read him as being invested in their fighting the same way Jay was. Jay was fueled by insecurity and a very strong sense of jealousy and possessiveness. Cole? I think he was just reacting to Jay's aggression, which didn't put Nya in a better position but it is a difference. 

So when their match rolls around, he's the first one to realize what they're doing is stupid and give in. He reaches out emotionally to Jay. However, Jays still is a friend so that is easy to write off as a symptom of friendship. And then following ToE we have possession and DOTD which I think are where he really begins to develop, and have the strongest examples of what I'm getting at. I'm going out on a limb and saying that I really see his prior gruffness as a sort of armor, to be good enough for the team (insert that one Wu note of him staying up late before missions) and also there his whole rebellious streak against his father trying to force him to be someone he's not. (Note: I wouldn't be surprised if how Lou raised him really had a impact on all this) Then, we get to Possession and both his self worth and self image are shook badly by literally dying. He outright says he's not a ninja anymore, which I think he based a lot of who he was on (<- which is why struggling with it hit so hard).

Finally DOTD comes up and I think we see the strongest example of where his compassion really become a core trait. It's his fight with Yang. He had no reason to reach out to him, to be honest he had the right not to, but he did and it worked! He didn't get out of DOTD in the end with brute force, he got out of it with emotional support (his team showing up), a stubborn adherence to his moral code, and reaching out to Yang with empathy. From that point on, I think he's softer and more prone to being emotional, it's like there was a very real shift. To circle back to Jay, because I think he makes for a good comparison, he does not develop like that post ToE. Actually, the issues carying from s3 (though, they do exist prior just not as starkly) all the way to Skybound where it gets violently (literally) addressed. Jay fans can probably say it better than me but the season is about his insecurity and treatment of Nya and there's a reason both Nadakhan and Cliff are like that (read: they're parallels). It's just interesting because both Cole and Jay have issues with self worth and image but they present and develop very differently. 

There's also the fanon aspect with those two that's really funny. I think everyone's aware of the infamous fanon-bruise, the 2010s-yaoification. Uwu Jay, Big Strong Man Cole, and how weirdly racist it is. It's just funny to note because the issues projected onto Cole in fanon are ones Jay has, like, in the show. Cole's the more emotional and compassionate one of the two, but because of the strong guy role, it gets flipped around in fanon. Going by the 'traditional' (read: toxic) masculine standards, in terms of personality and character, I think Jay more closely aligns. It reminds me of this post I saw once, it was of Hunted where Jay was making the plane (?) and Cole was with baby Wu. It called Jay the 'mom' and Cole the 'dad' which I find kind of funny because if you look at it through that hetero-normative lense, it really should be the other way around. Cole's the one caring for the baby pretty consistently, Jay's the one making a machine and Working. Did Jay just get called the 'mom' there because people think of him as smaller and weaker and therefore more feminine? Did Cole get called the dad just because he's strong and considered bigger? It's interesting. Fanon does Cole really dirty sometimes.

To get back on topic of Cole's narrative development, then we get to MOTM (like a bajillion years later which no I'm not complaining except I am). Cole's characterization in MOTM is so fucking good. MOTM does a fantastic job at tying together several of his strings. It ties in Lilly, his self esteem, his staunch morality, affinity towards leadership, and compassion into one, pretty bow. MOTM puts Cole back into a leading role, and it gives him several groups to reach out to (Vania, the munce and geckle, the uppily). It draws back the insecurity present in him, letting it show again to be addressed. It even ties in his relationship to Wu in a really lovely way to me. MOTM is the season where Cole finds who he is, his identity and his place as his mothers son.

Speaking of that, I have a very strong love for male characters who exemplify who their mothers were and what they taught them. The scenes with Lilly really put his entire character into a different perspective. At the start he was this tough kid fresh off grief and pressurized so strongly by his dad and himself and he goes through loops and hurdles of strength and identity and by the end he finds himself exactly where he needs to be. Where he's the strongest and it's in his mothers footsteps, as someone both emotional and strong. It's a really lovely character arc to take him on, and though I haven't watched DR, I've heard they continue that on. 

Anyways, consider it positive masculinity, consider it anything else. I just had a lot of thoughts to share and hope I don't sound too 'reading-too-deep' about it. Bye bye Kar ramble over.

[batunatu]

i'm not an expert on 2000s fashion but i think people confuse jecka's preppy style with this trashy y2k tiktok style, everyone has their own version of the character, but it seems strange to me when the characters' aesthetics are portrayed in a more tiktok-ified way than the late 2000s reality of what fashion was like... yikes, wth they were wearing??

considering that it is a highschool, there would be a dress code, in most of her outfits she only wears skinny jeans and shorts. also, when nicole and jecka use the coach's bribe money, she wears this dress and it's huhhh 😭😭😭

i think jecka would wear something like that, it was a weird time bc it was late 2000s to early 2010s

plus, these shirts skfnkdkd

i feel like people tend to draw her in a more trashy way, i don't think she wears that many accessories like borderline emo scene, also, i've seen people draw her as a gyaru, okay?? its a cute headcanon but it was the US in 2009, jecka would know what a gyaru is?? i guess people often confuse trashy with gyaru??😿

I'm sorry, it gives me a little ick when a piece of media is realistic and the fandom tiktokifies it to the max.

anyway, this isn't an attack or targetted, i was just thinking about this a while ago.

[centrally-unplanned]

This was a good article on the cultural trope of the "menhera", mentally-ill girls with a focus on self-harm that is its own aesthetic and trope. It has relatively little "academic culture studies bullshit" you have to wade through to get to the actually good information, fresh air for me!

The history of the term it outlines is a datapoint for pattern confirmation of how so much internet culture evolved from the 2000's to the modern era. Early 2000's 2ch pioneered the term self-referentially, a tag for their own identity as depressed, largely-male otaku & neets. Discussions of self-harm came up in those threads, but menhera was never used in them; it was a more general term. Then, starting in the mid-2000's, 2chan had a growing population of highly social-political, vaguely-right-coded posters, in newly founded boards like nyusoku, who started using the word for outsiders; both other online-types but also young girls as part of gender discourse. Here is was primarily pejorative; attention seeking BDP-cursed losers.

But like so many things these communities were never isolated, nor were they monocultures; plenty of women and others with different views hung out on them, discoursed about it, and so on - and the terms captured real things in the culture, so the first mover lock-in was a go. And then in the 2010's, the internet massively changed with the rise of smartphones. In Japan "everyone" was already online a little bit earlier, but still the growing ease of uploading diverse content allowed ideas that were previously inaccessible in text-heavy forums broke out via comics, photos, videos, etc - with the people best positioned to take advantage of that being those who had been around the web for a while, and knew all this weird 2ch stuff. A raft of mainly female artists started drawing autobiographical-ish comics explicitly labelling themselves as menhera; all the same so-called negative behaviors, but made cute, funny, and self-aware.

That early media proceeds to be humorous and mocking, but still "authentic" to the artists, who are depressives themselves. But after that initial earnest era, the symbols get tropified - now you can just cosplay Needy Streamer Overload and it is just a look, a costume you take on and off as you see fit. As the article is obligated to do when it quotes Hiroki Azuma, it is now part of the "database" of internet culture.

You can sub a lot of culture objects in Japan & America both into that same timeline - a mixed of social & technological forces pushing niche internet ideas into the mainstream where they are sanitized. Though here Japan's depolitical culture made this transition easier - I don't think wearing "self-harm bracelets" to give you that ~slit-wrist aesthetic~ plays quite as well in the West because of expectations that sensitive topics be treated with more seriousness. But you can learn as much from the divergence as you can from the consensus, so that just adds to the parallel for me.

[lex-loudestwoman]

Kaylor Swiftgron: Which Muse Inspired Which Songs on Red & 1989

On the precipice of 1989 TV's release and amidst the Kaylorification of 1989 TV's rollout, I thought it'd be a good time to figure out which muses aligned to which songs. I did my research, which includes: lyrical analysis & music video analysis, the timing of when songs were written, which producers and co-writers were credited to each song, social media posts, and where the girls were in real time. Shout out to @sophietv for her incredible work on the Kaylor timelines and evidence, and to @swiftgronmasterpost and @swiftgronmasterpost for their work to outline everything from Achele to Rivergron to Swiftgron. Round of applause to you both!!

Let's get into it!! (and if you want to just see my conclusions for which songs are about which muse, scroooolllll to the bottom)

The Red Muses

2011

Red was written in two phases. First, she worked with her producer from Speak Now & Fearless, Nathan Chapman. They wrote 25 songs together between February and October 2011. She took these songs to Scott Borchetta and he congratulated her on a finished album, but she wanted to experiment with other producers and writers to play with new sounds. So, after October 2011 she started working with a handful of other producers to write more tracks for Red. Here's a breakdown of Red songs by producer.

Nathan Chapman:

State of Grace

Red

All Too Well

I Almost Do

Stay, Stay, Stay

Sad Beautiful Tragic

Starlight

Begin Again

The Moment I Knew

Girl At Home

Martin & Shellback:

I Knew You Were Trouble

22

We Are Never Ever Getting Back Together

Message in a Bottle

Bhasker: Holy Ground

Wilson: Treacherous, Come Back...Be Here

Walker: Everything Has Changed

Lind & Bjorkland: The Very First Night

McKenna: I Bet You Think About Me

The first time we know for sure Dianna and Taylor interacted was on September 4th, 2011 at the Fairfax Flea Market, which implied that the songs Taylor wrote with Chapman weren't about Dianna.

Karlie and Taylor dated (I think) starting in the summer or early fall of 2011. I think they weren't expecting anything super serious, but it was one of those flirtations that starts out strong and feels good with them and all of the sudden you're in love and you barely believe it and feel ridiculous for knowing but you have a feeling this person is for you, maybe forever... It sounds right for Taylor who has admitted how fast & hard she tends to fall for people when she's in love.

Taylor attended the Rodarte Spring/Summer 2012 fashion show during NYFW and sat front row next to Anna Wintour on Tuesday, September 13, 2011. Karlie walked in the show (slay). This was also the day that Taylor spent with a Vogue interviewer for her iconic January 2012 Vogue Cover and Article where she is quoted as saying "I love Karlie Kloss! I want to bake cookies with her!" She said this straight after leaving the Rodarte Fashion Show.

Interestingly, Karlie was quoted in a magazine as having been introduced to Taylor Swift at the Met Gala and they joked about baking cookies together! They both attended the Met Gala in May 2011, just four months before the Rodarte Fashion Show/Vogue Interview day! So it's pretty weird that Taylor would say the exact same thing, unprompted, when she saw a photo of Karlie Kloss at a fashion designer's studio on the exact same day she sat front row for a fashion show Karlie walked in!!

I imagine that Taylor and Karlie fell into something new and beautiful and sweet by accident. The Rodarte Show was on a Tuesday, maybe they met up for coffee the next day on Wednesday, September 14th in NYC? Who's to say!

All that said, I think Begin Again is about Karlie. It was written sometime between February and October 2011, which would've been a really, really fast turnaround for it to be about Dianna. Between the music video and the lyrical connections, it's very Kaylor coded. Starlight also could plausibly be about Karlie because they attended the Met together in 2010 and 2011, and their 2011 dresses were sparkly and tbh Karlie looked hot AF.

But, let's also remember that Taylor is on tour and just got herself out of two on-again-off-again, fairly toxic relationships, and as she said herself in Begin Again that the last 8 months she's been heartbroken and scared to get hurt from love (earliest would've been June 2010-February 2011 and latest would've been February-October 2011). Plus she's not even 22 years old, so she's not necessarily good at being in relationships yet. She's in a messy place, and she falls in love like a ton of bricks.

I think that this delicate, precious new thing with Karlie didn't work out (not for malice or hurting each other, just life) and over the winter they were distant but were still in contact.

2012

On January 17, 2012 we get tweets from BOTH Karlie and Dianna about the *iconic* Vogue article. This makes me think:

1. Karlie is still interested in exploring this new relationship with Taylor

2. Dianna and Taylor have kept in touch and have a lil something something going on, a little curiosity they might want to explore

3. Taylor likes public attention, and she likes feeling wanted, and she's got two hot ass women who want her. Do you blame the girl for being messy!?!

Dianna and Taylor attend the same pre-Oscars party on February 24th, 2012, and this is where I think Swiftgron starts to take off. Dianna is all happy and heart eyes online for the next three weeks until the Speak Now Tour ends. They're spotted together frequently in March and April. The Shirley MacLaine birthday party thing happens April 25th, Dianna's circus birthday party is April 28th, and I would bet anything they started hooking up sometime these first two months. I think Holy Ground was written about Dianna's birthday party, with the note on the door with the joke we made, and that was the first day.

Taylor writes Everything Has Changed and Run on May 15th, 2012, with Ed Sheeran, and records both EHC and The Last Time on May 28th, 2012. Everything Has Changed seems Swiftgron (thanks Gaylor twt for helping me figure out that the freckles are IN Dianna's green eyes bc girl bye I was full of questions). The Last Time is almost certainly about Liz.

But Run is very Kaylor coded! The pale blue eyes, use of darling, the laugh like a child (Begin Again), locket, picture frame...

On May 31st, 2012, Dianna is bearding hard with Henry Joost to distract from her appearance with GLAAD. I have a working hypothesis that Taylor Swift hates beards and is not a fan of having to use them or be with people who have them. I just don't think it works for her with how insanely famous she is, the guys are hyperscrutinized and she's honestly not very good at being a convincing heterosexual woman. I think there's some conflict between Taylor and Dianna because of the beard.

By June 10th, 2012, Taylor has written 22, WANEGBT, and IKYWT. I am inclined to believe that WANEGBT is about Emily or Liz. Same thing with IKYWT. 22 is about her besties and living life and being carefree and embracing all of the beauty and pain of falling in and out of love and everything that is your early 20s.

We get the whole Hyannis Port x Kennedys summer week of pap walks featuring Swiftgron all over the place! But it seems like they probably break up later in July. This was a hot and cold relationship for real.

WANEGBT is released on 8/13 and Dianna tweets at Taylor (like never ever?). On September 29, 2012 Dianna and Naya Rivera are on a cheeky, lil sexy vacation in Paris. Taylor goes to Paris that same weekend to film Begin Again at the Love Lock bridge (Karlie is also in Paris but there's no evidence to show that they saw each other at all).

However, I wouldn't put it past Taylor and Karlie to have seen each other while Swiftgron was cold. Perhaps in September 2012 right around when she filmed Begin Again?

October 17, 2012 Taylor writes This Love in LA according to her diary entries. So I think This Love is about the Swiftgron reconciliation for whatever happened this summer. Things are good for a bit, they go to the Ripple of Hope gala together on December 3rd, 2012. They're pictured together on December 6th, 2012 and Dianna's all cryptic online about her secret love.

Quick Aside: Karlie and Josh have been "officially together" ever since June 2012, but they were first seen together in November 2012 when they both attended the VS Fashion Show. I'm under the impression that these gay celebrities in their early twenties only needed a beard when they were in another relationship they were distracting away from. They didn't need a beard, they could just say they were focused on friends and their career (aka 1989 era). So who was Karlie dating in mid 2012 that needed to be covered up with plausible deniability? This would've been in the works for a bit before they launched it in November 2012.

Also, super interesting that Karlie also met Taylor for the "first time" at the 2013 Victoria's Secret Fashion Show, hmm? Anywayssss.

2013

I think everything Swiftgron blew up on February 14th, 2013 with the 'I Do' episode of Glee where Dianna Agron and Naya Rivera hook up on screen. Taylor made a whole big deal about this episode containing one of her songs and encouraged her fans to watch, but her song wasn't in the show (tweet was later deleted). But picture this: Happy Valentine's Day, watch your girlfriend hook up with the girl she told you not to worry about!! And then learn that they actually did hookup when y'all were on a break, like two weeks before y'all got back together!! Oooh boy!! I'm pretty sure this was what inspired Babe (in the music video Taylor was the mistress, but IRL Taylor was the main character who got cheated on instead of the mistress!!).

Dianna is a mess on Twitter after that and there might have been about two months of back & forth, maybe some breakup sex, but I think Swiftgron died dead by the time the article about them secretly dating dropped on April 16th, 2013.

The Red tour started on March 18th, 2013 and I can't imagine that made things any easier for Swiftgron. Meanwhile... I think Karlie and Taylor re-reconnected in this time period.

The 1989 Muses

2013

Taylor wrote 1989 while on tour for Red (except for This Love, according to the diary entry it was written on 10/17/2012). I think the breakup songs are about Dianna and the love songs (excluding This Love) are allllll Karlie.

If Taylor and Karlie did reconnect in Fall 2012, then Spring 2013 would be a long six months later...

Taylor and Karlie "meet for the first time" (which we have so much proof that it's not but like, okay, fine) on November 13, 2013 at the Victoria's Secret Fashion show. We know this isn't their first meeting or flirtationship, but it certainly is their first public outing to test what people say about their friendship.

Then, I'd wager Taylor plays "cat & mouse for a month or two or three" until they officially are girlfriends on March 6, 2014. Yay!!!

Songs About Dianna:

Red: Holy Ground, Everything Has Changed, Come Back...Be Here, Better Man, Babe

1989: Clean, Wonderland, All You Had To Do Was Stay, I Wish You Would

Songs About Karlie:

Red: State of Grace, Treacherous, Stay, Stay, Stay, Starlight, Begin Again, Message in a Bottle, Run, The Very First Night

1989: Welcome to New York, Blank Space, Style, OOTW, Wildest Dreams, How You Get the Girl, I Know Places, You Are in Love, New Romantics

[sleepy-achilles]

My top 3 sherlock and Dr Watson

1. The first Sherlock Media I ever watched. Softest spot for this duo in general. Look at em. They are perfect. Perfect angst, perfect fluff.

2. My latest favourite, woulda been number 1 if I didn't have such a soft spot for Rdjude, the way they care so much for each other has me sobbing. The dancing man part 3 broke my heart. They are literally are the good parts of the fanon made Canon (yk the ones that don't fetishise sherlock into a baby girl because he's on the spectrum? No they make John the baby girl instead, jk jk jk...unless....) them and Maria are so family coded it's unbelievable. The bits we get to hear of them outside of the cases warm my heart. How they all care so much about each other and how Sherlock knows he struggles with people and willingly seeks John's help. How patient Sherlock and Maria are when John is rambling and getting excited about his podcast. How Maria just puts up with them both and they both appreciate and care for her in return.

3. Broke my fucking heart so much. Got me into the johnlock fandom for sure. Used to watch it with my best mate. Was riding the high of the first sherlock film when this first hit our screens. They still break my heart. One minute they are soft and fluffy and the next they are ripping my heart out and stomping on it. No middle ground with them at all.

Also can we note how this is each generation of Johnlock? The yk..1800, early 2010s and then 2024.

But also that 1 and 3 lose their watsons to Mary but 2? His Mary didn't make that date. Maybe..just maybe we might get that Johnlock we want. (Lets face it, rdjude want johnlock too but they are yet to give us the NEXT FUCKING MOVIE CMON ROBERT AND JUDE YOU CANNOT DO WHAT BEN AND MART HAVE TO ME)

Man I love johnlock. Wish they wouldn't hurt and queerbait me so much.

[lucienne-thee-librarian]

While my brain is on the topic: I genuinely cannot imagine a show like Quantum Leap being made and being what it was even ten years ago. And that is insane in the best way.

Hell, even five years ago feels possible, but like a stretch. Irl changes in actual rights are one thing:/ but I think it'd hard to overstate just how much the state of trans representation has changed, on every level, throughout the 2010s and early 2020s. Visibility isn't everything, but it truly does matter.

Like, this show has a nonbinary character, played by a nonbinary actor, in the main cast, and it's treated as the utterly normal thing it is. And Ian is not a side character brought in for brownie points with at most one character trait tops besides that. They're a genius and a clotheshorse and they're neurotic about Ziggy and too secretive sometimes and a workaholic and loyal and an alien true believer (apparently which. Honestly why NOT, this is a show where time travel and body swaps are canonically a reality. Aliens feel almost mundane in comparison) Ian is a person, not a PSA.

THAT, to me, is why, by the time the show does get around to its Big Damn Trans Episode it doesn't feel like "okay great time for Ian, or some one note trans character to get hate crimed to wring pity out of a clearly presumed cis audience because clearly nothing else will make you respect this poor unfortunate soul". It's not that feeling at ALL, even if Ian has an entire Moment talking about *spoilers* their past suicide attempt. Partly because they hired a trans writer who knew what she was doing, (that's the thing too!!! The fact that ANY trans writers are making it in should NOT be a big thing but unfortunately it is) and an actor with talent...but also the show itself had worked Ian organically into the cast, and the universe, without clearly resting the audiences entire presumed sympathy on that pain. It let us get to know them alongside the rest of the cast. Ian makes jokes about Ben exploring his gender while being in the body of a woman and nobody bats an eye.

Shows like Euphoria, whatever you want to say about it, just wouldn't have happened back when I was a kid. A trans lead character who's a romantic lead and played by an actress who's actually trans, not a cis man in drag who's praised for his Bravery for a Controversial role? And the show didn't immediately get axed after one season or less, and protested into oblivion?? And there are several others too!! Pose is so fucking good it honestly makes me sick, like we could and should have had shows like this ALL THE TIME. Even cartoons nowadays?? It feels like we're being spoiled even if it's really what should've been normal all the time, because I remember when it was a DESERT. And the tumbleweed would call passersby slurs. Like. I think if you did not grow up or see a lot of media from the 90s and even 2000s you DO NOT UNDERSTAND how bad it was. A nonbinary character much less one being treated seriously but as a human being in a show on NBC???? Most networks would've laughed that idea out of the office upon first pitch. Nevermind the question of if they would've been played by a cis man. Of course they fucking would've. More than likely anyway.

What we have now, even if there's a lot more that there could be, is something I genuinely cannot imagine ever getting greenlit this much even as far back as my childhood or young adulthood. Most trans characters if they even existed thru the 90s and even 2000s, were either playing outright into the Straight Cis Dude Got Trapped by the Eeeeevil Trans Villainess trope (who is not just a villainess for any actual wrong things she does, but specifically for Lying and Being Trans...which is given WAY more cinematic weight of disgust and outrage by the cast than her crimes lbr. Soap Dish, literally every other 90s comedy apparently for some fucking reason I'm looking at you fuckers) ...OR the Mentally Troubled villains of crime shows whose gender was mainly coding. They were well-meaning but poorly written side characters at best. And usually even those, were left unhappy and rejected, traumatized, or dead. Orange is the New Black at least let their trans woman survive and the depiction of her pain feels like it's coming from the right place. But that was still The one type of sympathetic portrayal you were likely to get. And I may not be trans, don't have my own skin in this game, but it's still so heartwarming to see. We've got to look for what good we can right now, and I'm so glad even this much has changed. It's for the best.

[love-kurdt]

How to Write a Good Fanfiction: A 5 Step Manual

Hello! My name is @love_kurdt, also known as Eva, and I’m a Wattpad Veteran of the early 2010s, where the genres of Slash Fics, Y/N, and Imagines ran rampant. I spent years of my life as a kid scrolling through my iPod touch, weeding through Wattpad’s plethora of profiles, on a quest to find quality fanfictions. I found a handful, which I added to a specific reading list to come back to when I needed a break from screaming into my pillow because of the sheer audacity of thought-criminals who called themselves writers.

When I’d reached the point of reading the same five works over and over in a never ending cycle, I decided to make the life-altering decision to start publishing my fanfictions online. Granted, I was only thirteen at this point, so my writing wasn’t spectacular by any means, but I came to discover that over time, the mere acts of reading and writing can light a spark of inspiration that can carry you to creative success.

I’ve been writing my own works for over ten years now, and can confidently say that I have cracked the code to writing a good fanfiction that will have your readers captivated instead of cringing. Please don’t get me wrong– if you want to just write fanfic on the internet for fun, and not to write a novel, that’s great, too! That’s what the internet is for; exercising your free will. But this manual is tailored towards those who want to hone in on their craft and gain a substantial following as strictly fanfiction authors. So without further ado, let’s jump into it. Godspeed!

Step 1: Choose Your Fandom

What show, movie, or book has drawn you in and left you feeling like there should be more to the story? When one of those media comes to mind, you’ve chosen your fandom!

Step 2: Do Your Research

When writing fanfiction, it’s kind of an unspoken rule that you need to know the canon of the fandom you’re writing about. The canon is also known as the source material. For example, if someone were to write a Draco Malfoy x OC fanfiction (*cough* a 200+ page Draco Malfoy self insert fic written at 11 years old in a series of notebooks bound together with multiple layers of Gorilla tape *cough*), the canon would be the Harry Potter series by J.K. Rowling. It’s, in essence, what “really” happened. It’s totally fine if you want to write a non-canon compliant fic, too! In fact, they’re extremely popular, specifically within the “fix-it” genre, which usually involves characters that died in the canon but the author kept alive in their fanfiction. Either way, you should have a general idea of how the canon functions within the context of the fandom, so you can make creative choices that diverge from or stick to the canon.

With the canon comes the fanon, which is basically a compilation of fan theories and headcanons that are often common themes in both canon and non-canon compliant fanfics. A pretty niche example of this is the Byler fandom (the ship between Stranger Things characters Will Byers and Mike Wheeler), where there’s an official list of theories on Tumblr that are used in many, if not most Byler fanfictions. There’s FlickerGate, where the flickering of the garage light in Season 1 is actually Will and Mike in the Upside Down in Season 5. There’s BirthdayGate, where the antagonist, Vecna, manipulates the minds of everyone in Hawkins to forget Will’s birthday, which is a central plot point in a lot of Byler fics since no one seems to remember it, not even his best friend. There’s also LetterGate, where Will confronts Mike in the canon about not sending any letters after he’d moved away, but the theory reveals that Mike wrote plenty of letters– he just never sent them because they ended up turning into love letters, which in turn resulted in internalized homophobia. You get the picture. Most theories reach far into the land of delusion, but it doesn’t stop writers from creating incredible work that could easily be mistaken for a script.

But Eva, what if I just think the characters are hot and I don’t give a shit about the cannonball? I can’t tell you what to do, my friend, but I highly suggest you at least consider the canon so you can avoid all the petty, obnoxious gatekeepers in some fandoms who can be unhinged enough to send death threats if you leave out a significant canonical detail. But you do you!

Step 3: Choose Your Platform

There are three popular platforms to choose from: Archive of Our Own (ao3), Tumblr, and Wattpad. There are also a few other lesser known or dead pages such as fanfiction.net, but I honestly wouldn’t bother with those, since they’re more infiltrated with anons and bots nowadays.

This is where you want to think about 1) where most of the members in the fandom you chose reside, and 2) the demographic of readers you want to reach. For example, I observed a higher number of Nirvana fans on Wattpad than the other two platforms, which is why I chose to post my full length Kurt Cobain fanfiction, “You Know You’re Right,” on there. It also helped that my favorite author of another Kurt Cobain fanfiction on Wattpad, @/ugh-nirvana, had hits in the hundreds of thousands, so I was confident that my book would do well on that specific platform. On the other hand, the Stranger Things fandom is in full swing on Tumblr and ao3, so I chose to post those fanfictions on there rather than on Wattpad. It all just depends on who’s where.

You also have to consider how active you want to be on your platform(s). Tumblr is more of a blog situation, while ao3 and Wattpad are solely for publishing the work. If you want to have a life beyond the realms of the world wide web, choose Wattpad or ao3, as inconsistent updates are a bit more accepted than on Tumblr. But if you want to throw yourself headfirst into a fandom and put your whole author-ussy into your fanfic, then Tumblr is the platform for you.

You should be aware, however, that Tumblr involves a lot of upkeep, as well as constant, strategic, and active participation within your fandom. Visual aesthetic is vital to any functional Tumblr blog. Most profiles have directories, with color coded links to each work’s homepage, which is linked to each individual chapter, which are then distinguished by a unique GIF to capture a prospective reader’s attention while they’re scrolling through copious amounts of content. And there are always new ideas and theories in development in certain fandoms, so it’s crucial to keep up with recent updates in order to stay relevant.

After all is said and done, you don’t have to get married to one platform for the rest of your life. You can choose to be exclusive to one or two platforms, or publish everything on all of them! The decision is ultimately yours!

Step 4: Obey the Writer’s Trifecta of Consistency

Yes, I came up with this term, and yes, it should be a real thing. Because in every piece of writing, whether it be fanfiction, a short story, an actual book, a screenplay, what have you, it is critical to be consistent in your People, your POV, and your Plot. Let me explain.

People

Your people, or your ensemble of characters, consists of three hierarchical levels: your protagonist/antagonist, your side characters, and other background characters. I should emphasize the importance of building character profiles for everyone, including your pre-existing characters from the fandom, but specifically for your original character(s) if you have them. That way, you know who serves as a major plot device, who serves as someone who just helps time move faster, and those who are mentioned by name but have very little significance to the events of the story. I’m going to reference Harry Potter again, since most of the world is familiar with the characters. Harry and Voldemort are the protagonist and antagonist; Ron Weasley, Hermione Granger, Professor Dumbledore, Hagrid and company are side characters; and Peeves, Seamus Finnigan, and Blaise Zabini are background characters. Keep this hierarchy in check; don’t let your main characters fade away, and don’t let your background characters shift to the forefront for no reason. If you do plan to move a character up or down the ladder, make sure to have clear motive as to why you’re bringing this character into or out of play.

2. POV

Your POV is the point of view in which you’re writing from. Assuming you’ve been in a typical middle school English class, you’ve heard of the first, second, and third person points of view. I cannot tell you how many times I have read fanfictions that jump from one POV to another, sometimes within the same sentence. I open the door and see Kurt Cobain standing in the corner of the room. She walked across the floor to meet him there. See what I did there? I jumped from first person present tense to third person past tense. Do not attempt this at home.

The least common of the three points of view is the second person, or what I like to call the Y/N point of view. In fanfiction, second person POV is often used in self-insert fics, where instead of a character’s name, it’s replaced with “you.” That’s why a lot of romantic character x reader fics are so popular. You should feel free to use this one, especially if that’s the kind of vibe you’re going for, but I’m going to elaborate a little bit more on first and third person, as they’re a bit more “literary.”

The first person POV confines the narration to the mind of one character. It can also be done with multiple characters, but be sure to do it so it’s painstakingly obvious to the reader whose POV you’re writing from. Also note that if you plan to write multiple first person POVs, try to keep that number on the lower side, as a large number of POVs can get really complicated really quickly. Third person narration can be done from two angles: limited or omniscient. Limited is more similar to first person, in which you’re confined to one person’s viewpoint, but they aren’t the narrator; you’re just seeing the story through their eyes. Omniscient is my favorite, because you can narrate from a bird’s eye view with the freedom to travel from mind to mind and read their thoughts.

Building character profiles can be really helpful when developing both first or third person POV; if you connect with a particular character more strongly than the rest, that should tell you whose POV you should write in. If you choose to switch POVs, be sure to do it either on an alternating/rotating basis, or if you repeat, it should be apparent as to why that particular character is the “voice” of that scene.

3. Plot

Dare I say that Plot is the most important step of them all, so do not skip this one, whatever you do! The biggest mistake most fanfiction writers make is having a concept but lacking a plot. It’s like biting into an apple just to discover it’s a lemon. Many writers are capable of starting off strong, but once their initial story begins to meander, traveling into uncharted territory, their brainchild can become a monstrosity.

In order to write a solid plot, it’s pretty common knowledge that you need to have a beginning, middle, and end in place. It doesn’t need to be overly specific or down to the last detail, you just need to figure out how your characters make it from point A to point Z (the larger scale), and how points B through Y factor into the plot (the smaller scale). There are a few routes that you can take in order to do this: you can write the entire thing ahead of time without any input, you can write the entire thing with the feedback of a beta reader or proofreader to help you work out any kinks or mistakes before you publish it for the entire platform to see, or you can publish it gradually and take feedback from your readers as you go. Should you go with the last option, though, you should be made aware that if you aren’t already an established author, it may feel like you’re talking to a wall, and you will likely feel discouraged from writing the story altogether.

I find it helpful to outline the whole thing. I have a closet door in my house dedicated to a Dave Grohl true crime fanfiction I’m working on. I’ve written the entire story from beginning to end on index cards, split into four different parts with each card representing a chapter. What’s good about outlining is that I can edit my story as I go along. If I decide to change something, I can add or remove an index card, then replace or rearrange the other index cards to work around the change I made, and that way, I don’t have to start over from scratch. It’s helpful to see everything laid out in front of me, so I’m not left at the end of a completely improvised plot with a slew of loose ends that I’ll need to go back and edit. It’s also better than publishing each part individually then having to redo everything after your readers have already seen it. And I don’t know about you, but I enjoy it when I’m able to save some time, energy, and lengthy explanations to random people online. That is, unless you enjoy constant feedback from readers, in which case you can change the plot on a chapter by chapter basis based on their feedback.

Consistency in all of these respects is key. I cannot emphasize this enough. Keeping all of these elements in check will help you create a sort of cohesiveness that will neatly wrap the story up with a little bow on top. 

Step 5: Use Relevant Tags and Content Warnings

Repeat after me: tags matter! Again: tags matter! When you’re about to publish your fanfiction, you’re going to be given the option to add tags to your work. For my first few years spent on Wattpad, I had no idea what tags were, so I didn’t use them. Thankfully, the platform was still pretty small, so people still found my work pretty easily. Nowadays, though, it’s nearly impossible to find what you’re looking for without searching excessively specific tags and using a million filters. It’s unfortunate, but look at it this way: there are so many people contributing to so many fandoms that the content is seemingly endless!

What you’re going to want to do is add as many tags as you can but keep it as simple as possible. I know that sounds kind of oxymoronic, but I mean it in a way that all of your tags relate directly to your story, and not just to the fandom itself. A lot of readers feel misled when they’re scrolling through their filtered search page for, let’s just say, a Byler fanfic, and end up neck deep in a Mileven fanfic in disguise. That’s not a fun experience.

Lastly, please remember that you are publishing your work on the internet, and you don’t know who may encounter your work! Listen, we live in a world where everything needs to be overexplained, everything needs trigger warnings, and everything needs to be neutral or else someone is going to hate you. I get it. I’ve been writing fanfiction for a long time. It might be annoying to add content warnings, especially if one of those warnings spoils a major plotline, but if I’m being honest, I’d rather be safe and add the damn warning than not add the warning and be responsible for someone’s worsened emotional or mental state. Bottom line, it’s just fanfiction! Let’s do our due diligence to create a community full of love and understanding for everyone!

After that, you should be all set to publish! Let’s review one more time for the road:

Choose Your Fandom

Do Your Research

Choose Your Platform

Obey the Writer’s Trifecta of Consistency

Use Relevant Tags and Content Warnings

If you’ve stuck around for this long, thank you so much!

I hope this manual helps you along your fanfiction writing journey, wherever it takes you <3

[gordonramsei]

⏾ ⬫｡*₊ JELLY BEAN ! - a fansite theme .

jelly bean is a t umblr fansite theme reminiscent of the type of themes we used to see in the early 2010's themes . she's fully responsive to user screen size , super adaptable , and can be utilized for basically any purpose u see fit ! if u encounter any errors , shoot me a message and i will fix it asap !

⏾ ⬫｡*₊   specs   :

extremely  customizable  !

(  optional  )  animated , subtle floating glow orbs in the background

(  optional  )  multiple accent titles .

( optional  )  black and white images .

header image repeats along the x - axis depending on user screen size .

a hover about section .

sidebar faq .

events calendar .

affiliates and social media section .

toggle  post  sizes  .

one  free  link  .

navigation  tab  w/  six  free  links  .

navigation  description  +  bonus  text  area  .

complete  list  of  credits  &  inspirations  are  detailed  in  the  code  .

⏾ ⬫｡*₊  want access to this theme  ?  

purchase for $6.00 usd on payhip or subscibe to my patreon to get this theme and all my other patreon exclusives !

click the source link  to  be  directed  to  a  live  preview  !

[jarvis-cockhead]

Okay one person has given me an excuse to yap so:

An Overview of Moz Politics

Disclaimer this is super informal but essentially I think I've cracked the Morrissey code as to why he seems to hold so many conflicting beliefs at once. My finding is that he doesn't, actually, his beliefs just play out differently within the UK vs the US. This means a man can side with both Bernie Sanders and Nigel Farage and not be contradicting himself, somehow. Anyway. The key Moz policies to be aware of:

- Anti royalist & despises the monarchy

- Hates Thatcher

- Hates the Conservatives (I think it's very funny that in 2010 he backed up Marr on saying David Cameron isn't allowed to like The Smiths)

- Anti war (? evidence inconclusive especially recent events, this is mostly an assumption based on his 2013 criticisms of Bush for the Iraq war)

- Believes Obama should've done more to tackle police brutality

- Sexuality inconclusive but we know he supports gay rights. Criticised Trump for not having any sympathy for the victims of the Pulse shooting

- Speaking of Trump, in 2017 when asked if he would push a button to kill Trump, he said yes, "for the safety of the human race"

- Early in the 2016 election he endorsed Clinton but later praised Bernie Sanders as "sane and intelligent" and said the media should've given him more coverage

However 😸

- His views on animal rights have led him to support PETA and call Chinese people a 'subspecies' because of their treatment of animals

- Said in 2019 he thinks Farage would be a good prime minister

- 'Nearly voted' UKIP (2013)

- Doesn't like the EU, presumably voted leave

- Claimed to have nothing against people from other countries but said in 2007 that British identity is disappearing due to immigration

- Endorsed Anne Marie Waters far-right party For Britain in 2018. "She believes in British heritage, freedom of speech, and she wants everyone in the UK to live under the same law. I find this compelling"

- Supported anti-islam activist Tommy Robinson under the guise of free speech, "It's very obvious that Labour or the Tories do not believe in free speech"

- In response to racism accusations he claimed that "everyone prefers their own race"

All of this is taken from his Wikipedia page, and there haven't been any updates on recent politics, so as of right now this is all we have to go off.

The TLDR:

Morrissey hates conservatives and capitalism, he's pro 'the people' and British heritage, and is so far up himself he'll let his animal rights beliefs turn into abhorrent racism.

His own personal description of his politics:

The way I've come to understand it is that when it comes to British politics, since he hates capitalism, the Conservatives (and he doesn't seem to think much of Labour either), the monarchy, and seems very strong on heritage, his views align closer to working class far-right groups like UKIP and For Britain. In America on the other hand you're a bit more limited to Republican vs Democrat, and of course he isn't going to support the super capitalist Republicans. He also doesn't have any ties to heritage to muddy his choices.

His racism in relation to animal rights is it's own thing but clearly shows he has no issues with racist views.

... And that's essentially it. Probably the only Morrissey hypocrisy is him stating in 2004 that The National Front Disco is him expressing sadness and regret for anyone who joins far-right movements, when later he'll go and do... Just that. Aside from that, he's very unchanging in his principles. It just depends on the playing field.

I don't care to go into the morals and ethics of liking his music/The Smiths, he just fascinates me as a person. Do I still wish he'd get his head out of his own arse? Absolutely.

[sapphire-weapon]

I think the fact that so many people want to label Leon/Ashley as canonically "sibling- coded" is because they feel threatened in the way they view other of Leon's relationships, they can tell Leon and Ashley have chemistry and they try to convince themselves that they have a familial bond going on (like Ellie/Joel) so that they can justify not shipping them and making people who ship it feel bad/weird.

Because nowadays so many people can't just dislike something, they have to make up a reason why it's morally wrong and unacceptable so that way they can bully people that think differently and feel like their own personal opinions are objective and right while everyone else is wrong smh. This is mostly the case with younger fans (tho a lot of people older than me does this too lmao) so that's why I don't really find it frustrating bc it's most likely they have limited real life experience. Plus they might not be that good at interpreting canon from contextual clues yet.

In my case though I think a lot of these people are actually doing the opposite tbh because to me it just shows that they recognize that Ashley's relationship with Leon is real and they can't even concede that they're friends in the canon because they know it could lead to something else if followed through in the story, they admit there's potential there subconsciously with how hard they try to make it seem otherwise with nonsense claims. It's like when insecure guys feel uncomfortable but try to seem tough by buying big trucks and having guns on them all the time lmao.

So, I've talked about this before -- about how the "sibling coded" or "problematic age gap" discourse is just modern-day fandom's way of slutshaming and engaging in casual misogyny in a societally acceptable way.

I'm pretty confident in saying that anyone in my generation who slaps "siblings" on Leon and Ashley are probably people who have another ship and have had it for a while and don't want Ashley getting in the way of it, tbh LMAO

Like.... my generation has co-opted the current generation's vernacular, but make no mistake about the kind of bitches we are. We're ship war bitches. That's all we've ever been AND WE ARE NOT GOING TO CHANGE OUR WAYS NOW fjdskfh

But if we're talking about the current generation...

Media illiteracy is a big factor in this. It's no secret to anyone that the US education system took a massive shit starting in the late aughts/early 2010s, and things like critical reading skills aren't being taught in schools anymore.

I graduated high school in 2007. Two years later, I went back to visit an old English teacher to get a letter of recommendation, and he was lamenting to me that he'd just given up. It wasn't worth trying to explain the deeper themes of Beowulf to kids who didn't care, because the only thing that mattered was getting them to pass standardized tests.

So, now, without an overt, explicit declaration of love or something visually concrete like a kiss, kids literally do not have the skills to parse through a text and pick out themes and tropes and use of symbolism and imagery. They were never taught how to do it.

But there's a more culture-based thing happening here, I think. It's this fucking mess of a cocktail of internalized misogyny paired with learned helplessness, social anxiety, intense sheltering possibly exacerbated by the pandemic shutdowns, peer pressure, and internet purity culture.

I think it's pretty safe to say that fandom is predominantly made up of women and teenage girls. That was true in the 60s in Star Trek fandom, it was true in my generation, and it's still true today. And what I've seen happening today is that young women are absolutely terrified of their own sexual agency -- because the internet keeps telling them that, if you're under 18, it is wrong and bad and unacceptable for you to engage with anything even remotely sexual and how dare you express your sexuality -- and you'd better not do it not just because it's wrong and bad, but also because you are GUARANTEED TO BE PREYED UPON IF YOU DO. SEX IS DANGEROUS ALL OF THE TIME AND YOU'RE LITERALLY TOO YOUNG AND TOO STUPID TO UNDERSTAND ANYTHING SO DON'T TRY TO EVEN THINK ABOUT IT. Because if you're 17 and he's 18, he's a pedophile!!!!!!!!

I just.

So, we've now basically turned an entire generation of young women into the same type of young women who created the BL genre in Japan. These are women who were too afraid to explore their sexuality on their own, and it felt safer to do it with two male characters, because it was always more "okay" for men to be sexual. This is happening here in the West, now.

Slash ships have always been a thing in the West, but not to the degree that they are today. In today's fandom, if you have an M/F ship at all, you are outnumbered by at least 3:1 -- because M/M just "feels" safer for a lot of the current generation.

So, I think young women look at the Remake portrayal of Ashley Graham, and they identify with her. A lot. They're probably around her age, and her personality is very relatable to the kind of girls who play video games. Ashley's clearly introverted, but she's a fast learner who just wants to help, and she's got a good heart and a weird, kind of awkward sense of humor.

And, not only do these girls identify with Ashley, they're probably thirsty as fuck for Leon.

But that's terrifying to them.

Because they have been taught to fear their own sexual agency. The idea that an attractive, traditionally masculine, older man would be romantically or sexually interested in them is immediately categorized in their brains as wrong and bad -- and they don't want to think of Leon in that way.

So... for them, it can't be romantic. It can't be sexual. But there's clearly something there, but Leon would never abuse or prey on anyone so... that bond must be a perfectly innocent familial affection. That's what it is. That's what it has to be, because anything else forces them to face the uncomfortable reality even young women like them go on dates and have sex -- and sometimes, it's with men like Leon.

So, they thirst over Leon at a safe distance through Luis, primarily. Or they self-indulge on reader fic, because that's so much easier to write off as "just a fantasy" and not a statement on who Leon actually is as a character.

And it's just kind of sad, man. It sucks to see this happen to an entire generation of young women.

That's why I don't really get mad when I see the "siblings" shit out in the wild. I just feel sad for those people -- because they can't just say "I don't like the ship." They're so insecure and neurotic that they have to think of a reason why the ship is literally impossible to ever happen so that they don't have to be worried about it.

One day, they'll finally suck a dick for themselves and learn that it's not that serious. It's really fuckin not. Dicks are stupid, and the boys that are attached to them are even dumber.

[kafus]

random infodump about the various pokemon related shit i do online and beyond (this is about fandom/community stuff and not my actual in-game accomplishments):

i'm a moderator for the ribbon master discord, which is a community dedicated to getting as many ribbons as possible on individual pokemon (i have many ribbon masters myself!) technically i'm also a mod on the community reddit but uh i just let the other mods handle the reddit lol. i've been in the rm community for 4 years now

not me specifically but ayano who i share a brain with runs the pokemon fansite blue moon falls which has a lot of comprehensive articles and custom coded tools pertaining to RBY/GSC and the rest of gens 1 and 2 (she's the reason that the internet has all those nice gifs of stadium 2's idle animations now btw)

in speaking of ayano, she's also a full odds shiny hunter and is a decently well known name in that community due to her resources and general friendliness lmao

i'm not as active /w it atm because my art focus has been more on human characters but for the majority of my life i was what people would call a "pokefurry" and i have a metric fuckton of pokemon artwork under my belt

on that note i've written pokemon fanfiction on occasion too though nothing major

i'm a casual VGC competitor - i ladder in-game relatively often, keep up to date with the meta, and i attended my first regionals this year and met up with a lot of pokemon folk in the process! i hope to attend more events in the future

i'm planning on getting involved with a local pokemon convention near me to distribute mystery gifts for old pokemon games the same way a toys r us would in the early-mid 2000s

i have been a part of and donated money to a few indie pokemon sites and projects, including pokemmo, gpx plus, and pokemon eclipse (previously known as pokemon the moon rpg when i was a kid and played it for the first time!). in speaking of eclipse even though i don't play it anymore i'm the reason that a 3d model for shadowobliveon exists lol

i know a tiny bit about romhacking and made a romhack of firered that lets me play the entire game as kafu once, with kaf as my rival. i also have a bunch of personal lost media of "story" videos i made as a young child by stitching together recordings of fake cutscenes i romhacked into pokemon ruby

i made all these really shitty pokemon fangames when i was around 10 years old and i'm kind of obsessed with them

apparently i'm a pokemon horizons fan now and people keep acting like im the second coming of christ in terms of likodot on twitter so maybe that means something (LIGHTHEARTED I AM JUST SHOCKED BY THE POSITIVE ATTENTION)

i own more pokemon plushies than what's healthy and i wish i could show them here but a lot of them are in a storage bag rn

my pokemon game collection is also fucking ridiculous but i'm too lazy to put all that together for a photo. for what it's worth i own at least one copy of every single mainline pokemon game before the 3ds era including all alternate versions (diamond pearl AND platinum instead of just one for example) and almost all spinoffs aside from like, 3 of them

i'm probably forgetting shit tbh the 2010s are like a blackout void to me sorry

i've been a pokemon fan since 2004 though when i was 4 years old i am in hell

[mahoutoons]

i really do not get all the hatred sonamy fans get in the sonic fandom.

"but they're so toxic!!"

so are all other ship fandoms. i've had experience with toxic shippers of other ships. but you won’t see me generalizing the ship's fandom over them. every ship has its fair share of toxic fans. so why is it that only sonamy fans get all the heat for being toxic? i'm not denying that there are bad eggs in our fandom but i don't think its fair yo act like we're a special breed of toxic. i've seen fans of other ships with r*pe on amy yet people don't use them to generalize the whole ship's fandom.

"they think their ship is canon!!"

in the 2000s-2010s, maybe we did have a lot of fans who thoight that way. but nowadays whenever sonamy fans claim its canon, its always done in a joking way. its what fans lf literally every other ship do. i've seen people jokingly say "x ship is canon" because character a looked at character b funny. but no one ever attacks them for it. so why is it that only we get attacked when a lot of the time we aren't even serious?? we KNOW our ship will never actually be canon. we KNOW sega has no intention of changing their dynamic as of now. we're just having fun with the moments we're given. especially in recent media. why do y'all froth at the mouth over that. don't like it? just ignore and block.

and to be honest? as sonamy is now, it can be considered semi canon. like, give me a platonic explanation of the "amy, i should've made up my mind sooner" line in frontiers. IF sega decides to make them a couple, their dynamic still won't change. it'll still be very subtle except they're actually a couple now and you won't even notice it. and even then no one's stopping you from liking other ships. and if they are, well the block button exists for a reason.

"but the fanfics-"

i have my beef with old sonamy fanfics. but i have a feeling the people who made them were young kids and teenagers. i'll bet a lot of them have grown up now and have better things to do in life. now i hardly see any sonamy fanfic that villainizes sally or makes sonic an asshole for the sake of angst. the more extreme shippers from the 2000s-early 2010s should not be used to judge shippers today.

imagine if i used the sonadow shippers i encountered in 2014 deviantart, who were mostly allocishet girls who shipped them because they fetishized gay men, made both of them extremely ooc (anyone remember the terms seme and uke?), and of course hated amy for getting in the way of their ship, to judge the sonadow shippers of today who are now mostly mellow and enjoy their ship in peace, it wouldn't be fair now would it?

"the age gap is problematic!!"

most of the ages in sonic make no sense! there's a line in sonic forces where infinite claims sonic has defeated eggman for decades, and sonic's only supposed to be 15. granted using sonic forces may not be the best example but it shows how little sega cares about the ages. and now they've even been renoved from sonic channel. AND even ian flynn himself has said not to worry about pairings like sonamy and knuxouge because there's nothing wrong with them.

and i KNOW people are gonna take this to mean "so shipping things like s0nt@ils is okay now??" no, because tails is still coded as a little kid. sonic and most of the cast are coded as teenagers.

there's people who ship tails and fiona, and that's an actual toxic ship with an actual problematic age gap. but they don't get half the heat that sonamy shippers get.

"sonamy is a ship for the cishets"

really now? i guess my lgbt cars has expired guys. maybe that's a good thing because i was born and raised in a country where its illegal to be lgbt and my parents are kinda religious. and even the country where i'm originally from is pretty homophobic despite gay marriage being decriminalized. who knew all it took to solve those problems was to ship sonamy?? thanks guys.

do you see how stupid that logic is? a fucking ship doesn't determine your sexuality. i don't want to kiss women any less because i ship sonamy.

[lokiinmediasideblog]

"I Remember it so you don't have to": MCU Loki in the 2010s: Rape Culture, Villain Queer-coding, and Homophobia

-----------------------

I know Loki is Tumblr’s sweetheart since 2011 (and that subsets of Loki fans are insufferable, fuck those that harassed and singled out Kate Herron and Sophia Di Martino because Sylvie). But a part of me will always be protective of the character outside of Tumblr despite his popularity. I hate seeing bad takes about how Odin was a wonderful father and king, and Loki was just an ungrateful bastard.

Although Tumblr (and many AO3 fics) seem to excuse Loki of all wrongdoings (letting the Frost Giants in and the attempted genocide), I see the opposite outside of it, where he even gets blamed for Hela getting out of her imprisonment. And I have seen a horrible take saying that he should have been left to die as a baby because “he ruined Thor’s life” by some Odin apologist that clearly lied about liking Loki. So he seems to be quite polarizing in that respect based on social media of choice and demographic of users. And some people get a little weird about the Loki hate because how dare you like the sympathetic villain that isn't as masculine as the heroes (I will go more in detail and show some examples).

I joke around that I defend Loki from Redditors because I especially dislike the takes of cishet men that get offended when a girl said she preferred Loki over Thor, and pretend to be “concerned” over “impressionable young women and girls that will get into abusive relationships”. And if you haven’t seen those, well I did while growing up, and I took them personally.

The Nostalgia Critic, one of the men behind the death of media literacy and criticism, even made a video complaining about the phenomenon of Loki thirst. It made me spitefully not care about any other Avengers (2012) character. It’s still up on YouTube, and it was a bit patronizing. Also, he thinks Thor 1 Thor looks like a girl (joke?), make of that what you will...

There was also a propensity to make homophobic jokes about Loki in parody skits. Loki was not canonically queer yet in either the movies or the comics, but he was queer-coded and people could tell, based on the jokes and quips directed at him. There’s one parody skit where Thor and Loki go to court-appointed therapy and one of the jokes is that Loki likes to fuck himself with bananas or “plantains because they’re bigger.” One of the worst parody skits was The Key of Awesome’s Thor:TDW parody.

Loki is put into a “normal” prison instead of the “glowy” kind he kept escaping from. The main joke was Loki getting raped in prison. And that now he can’t act all “haughty” about Thor’s request for help, and is instead the "desperate" one. And you’ll see some old comments over how hilarious that is. And people arguing about how weak or powerful Loki is and bringing the Norse myth about him being raped by a horse into it as proof that the terrible “joke” makes sense and could happen in cannon.

An example that almost made it into the screen is a deleted scene in Thor Ragnarok that I refer to as “the director’s barely disguised fetish”, where instead of falling for 30 minutes, Loki gets locked in a portable restroom while men continuously enter to piss. Loki’s trying his best not to get pissed on. Thor opens the stall giggling, and of course Loki is rightfully angry about being trapped there. It seems to veer into the “bad guys deserve sexual assault as punishment” to an uncomfortable degree.

I often just keep quiet on MCU Loki defense discourse because:

1. Loki is a popular character with many defenders.

2. Subsets of Loki fans are ridiculous and use false pretenses to harass writers and actors. And the discourse that arises from this is mind-numbing and pointless.

But I remember all this crap from the early 2010s, and I am not fond of Loki being deemed "Just evil, whiny, and ungrateful". There’s also the very questionable tropes from earlier Thor comics (hell some of these should ellicit WAY more backlash than Sylki if you really care that much about rep). I also don’t like being told what characters I should and shouldn’t like, and I have taken that personally ever since.

A part of me feels a bit unintentionally gaslighted when people act like there was no backlash to Loki being popular. It has the same vibes as the increduloulity of Gen Z regarding how BAD homophobia in the 2000s and early 2010s was.

[creativity-central]

Blog 11: Queer Animation

Hello everyone, and happy Pride Month! Though the month is coming to a close, the amount of content I’ve seen supporting queer identities did not cease or lessen at any moment, something that’s warmed my heart. So, I’ve decided to throw my own hat into the ring - or maybe, my own cap. This isn’t much of an art lesson, but to be supportive of queer identities is to recognize and take queer history into consideration of how one acts, and the history of queerness has influenced art in entertainment, especially as of recent.

With all the recent attention brought towards shows that are canceled or restricted due to queer inclusion, it may intrigue some to look into how entertainment became so restrictive. From the early to mid 1900s, the Hays Code was enacted in order to regulate what was and wasn’t allowed to be depicted in media. Among the several detrimental restrictions this brought out, it prevented the depiction queer people and behavior. On top of the majority opinion on queer identities at the time, this would oppress their expression heavily for a long time.

However, many people would fight against the Hays Code by depicting said banned material, and notable shows from the 1900s like Bugs Bunny and Tom & Jerry that, while not having queer characters outright, would depict fluid gender expression, drag, and implied queer relationships all under the guise of “comedy” in order to be published. It may seem irrelevant now, but this proactivity would be a domino in the trail of pieces that would lead to the progress queer media has reached today. The Hays Code was temporary, of course, and overpowered by the sheer amount of content against it, making its rules less and less meaningful.

In the late 1900s and early 2000s, shows like South Park and the Simpsons would begin to include queer characters outright. While some didn’t draw attention to their identities, some shows included homosexuality as a major theme, such as Queer Duck. It was in the 2010s that animation and entertainment would change the way they represented queer identities drastically, with protagonists and major characters being confirmed queer and in queer relationships on screen. The most notable shows that provided the stepping stone for queer expression include The Legend of Korra and Steven Universe, both with lesbian couples and the latter dedicating an entire episode to their marriage and kiss.

Despite the extreme positivity these shows brought on through their inclusion, it was and still is a prominent opinion that these shows were not confident enough in their expression, that true supporters would indulge more into queer expression in the shows they created. While things like queer baiting and such can be worthy of criticism, it’s important to remember the roots of queer depiction in entertainment and recognize the progress that’s been made as well. After the lesbian wedding in Steven Universe, the episode and show would be censored in various countries and reduce profits, causing Cartoon Network to end the series prematurely and force the crew making the show to close it on a half baked ending. When such a “small” example of queer inclusion is met with that drastic reaction, it means that unfortunately, not everyone can be satisfied just yet with what show creators are able to depict in their stories.

Even more recently, the cancellation of The Owl House after the reveal of a bisexual protagonist in a queer relationship and other queer characters caused it to end before it could even have a proper length third season, ending much sooner than Steven Universe while being much more ambitious with its inclusion. Of course, there are more fortunate examples of queer representation, but this show, alongside Pride Month, are what drove me to dive into the history of queer entertainment. The difference between now and then is great, and the fight for better queer representation shouldn’t be fought while slandering the predecessors to today’s shows.

On the topic of predecessors, while I have retold a bit of queer history in entertainment, this is just the top of the iceberg. Not only that, but talking to queer elders about their history will be way more meaningful than any research you do online, especially when they’ve lived through that history. With the internet, making these connections has never been easier! As Pride Month comes to a close, your support of queers should not. Learning as much as you can about the past from reliable sources and people will give you a much clearer perspective of the queer community and its progress over the years, and may improve how you consume, critique, and create queer media. With that, I’ll be wrapping up this already long enough post. Once again, happy Pride Month, and see you later!