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discotreque · 3 years ago

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Disco 4.07: ...But to Connect

Well, that was a terrible episode... JUST KIDDING LOL, I LOVED THIS ONE TOO.

Look, there’s plenty of bad-faith criticism of Discovery out there, and sadly too many good-faith bad takes, and way too much boring pissbaby whining—but there are also plenty of valid complaints to make about this show, and I’ve been making plenty of them myself, on this very blog, for three-and-a-half seasons.

The—let’s say “uneven”—quality to date isn’t exactly a surprise, given its clusterfuck of a production history; the well-documented turmoil and turnover in the writer’s room has had an obvious and undeniable impact on the quality of the narrative. (You could even say they’ve had a long road, getting from there to here.)

Everything about this show—the direction, production design, performances, editing, VFX, music—has always been better than the scripts, but it’s not like the scripts were entirely without potential. In fact, the sheer amount of unrealized potential has always been the most frustrating thing to me about Star Trek: Discovery.

Well, I guess I have to find a new most-frustrating thing (and experto credite, I will), because holy fucking shit, y’all… this is what I’ve been saying Disco could be. It’s still not flawless—and they’ve apparently ditched subtlety as thoroughly as they ditched the 23rd century—but I do. not. care. I’m getting one thousand percent more of what I want from this season than I got from the last three seasons combined, and don’t get me wrong—I liked Season 2, and I really liked Season 3—but Season 4 feels like a completely different show. A much, much, much better show.

Buckle up for mid-season spoilers:

Sorry Michael, but my cat Nora wouldn’t fuck with that little holo-toy either—based on her reaction to laser pointers, she needs something she can sink her teeth into—literally—once she catches it. If she can’t pretend to sever its spinal cord, my picky little princess is not interested.

I guess “The Measure of a Woman” would have been too on-the-nose as a title for this episode? Jokes aside, I like how they seem to be positioning Zora as a Data-esque character: the AI who’s a sweet, well-meaning nerd, who’s also still learning organic social graces. Also, the problem with her attaining sentience isn’t that she’ll turn malicious, or pursue her own inscrutable cyber-agenda, but that she loves the crew so much she’s making irrational choices to protect them? AAAAAAAAA 😭😭😭

It figures that Dr. Kovich—who wears glasses and a tie in the 32nd century like a full-time Ren Faire weirdo—also uses a QWERTY-ass-looking keyboard on his holo-computer.

And then he dropped his whole CV in that scene like Michelle Paradise is literally reading this blog? (Ha ha, but also… 🥺👉👈)

Cleveland Booker, I love you like only a lesbian can love a fictional man created by another lesbian, but could you please at least skim The Art of War like, once? If Species 10-C can harness the power of hypergiant stars to—I’m guessing here, based on the themes of this season—accidentally slap entire planets to pieces, there probably isn’t much you can accomplish against them with sheer brute force, my guy. I’m also thinking about the wasp nest on my garage 15 years ago that I was going to ignore until winter (out of laziness), and then one of them stung me on the ear while I was putting my bike away and those fuckers were gone by the weekend. If it’s really a five-minute solution, what’s to lose by asking “Why did you blow up my planet” real quick before trying to kick them in the nuts through subspace?

A real delight to have Phumzile Sitole back as Adira’s old boss, General Ndoye, and in a nifty little hat too! Jonathan Frakes, who directed her previous episode, said in an interview that she’d been planning to quit acting when she booked the gig, but she had such a great time on Disco that she decided to stick with it. So it’s extra wholesome to see her again! I especially loved every time someone proposed violence at the forum and the camera just cut to Ndoye silently nodding like “fuck yeah, blow stuff up.” 😂

President Rillak evaded my expectations once again when Michael suggested she had a personal stake in Earth rejoining the Federation, and instead of hiding behind a bland talking point, Rillak said quite candidly that she was both personally and politically invested. (And it turns out she’s got mommy issues too—take a drink!)

I frickin’ loved how Kovich insisted on… uh-oh, here it comes again… absolute candor when sorting out the issues between Zora and the crew. Emotional honesty: it’s not just a good idea, it’s an overarching narrative theme! (Plus: “We always mean well to ourselves, Captain. The problem is what that means for others.” Ooooof.)

I’m pretty sure that they mentioned Control more times in this episode than in the entirety of Season 3.

Gray and Adira standing up for Zora made me cry happy tears. Say what you will, but I think we’re in good hands with Gen ZZ9 Plural Z Alpha here.

The writers are lucky I don’t mind a little massive amount of didactic speechifying in my science fiction, because for real, I’ve read Peter Watts books that were less transparent about giving every single character an entire TED Talk about every relevant philosophical viewpoint on the table. (Blindsight is still my favourite vampire novel, btw.)

I’m glad nobody except Stamets in full Writer’s Devil’s Advocate mode really entertained Zora’s failsafe solution. “If you stop trusting me, just go ahead and summarily execute me” is uhhhh not really how we treat each other around here, Zora!

Just as I was starting to get sick of Tarka’s shit, he dropped his motive for attacking the DMA—stealing its power source to leave this universe entirely and find his “““friend”””—and Jesus did I ever pivot fast from “this chaotic-neutral mad scientist isn’t quite as endearing as he thinks he is” to just, like, sobbing in my kitchen. I’d say it hit me out of nowhere, but (a) the score reminded me of Jerry Goldsmith’s Star Trek: First Contact theme, one of my favourite pieces of Star Trek music, and (b) I’ve been 1,000 miles from the love of my life for 18 months now because of this fucking pandemic. Tarka might be the most relatable character on this show for me right now. If he’s telling the truth, I hope he gets what he wants—and if he was lying to manipulate Book, I hope Grudge eats his eyeballs.

Speaking of music, I’m pretty sure the theme that played during Paul and Michael’s overlapping speeches has appeared in this season already—I remember finding it unusual to hear so much non-diagetic piano in Star Trek—and maybe even where it changes into the main Disco theme and the woodwinds come in—but combined with the dialogue (or double monologue or whatever) this time around, it really, really hit me.

I did feel like Michael (and/or Rillak?) could have leaned harder on the point that, if first contact with Species 10-C did go awry, they could immediately deploy Tarka’s destructive solution anyway. I’m sure a lot of the pro-violence faction would have agreed that approaching 10-C with a carrot and a stick that big in their back pocket would be a logical move, right? (I know, I know, that’s not what this episode is about, but it was nagging at me the entire time.)

I guess the conflict over leaving Felix at the prison the other week was foreshadowing for Michael and Book being on opposite sides of the vote here. And once again, I’m pretty firmly on one of the sides—Michael’s, this time—but I also feel like I understand the other side, and how they got to their position both intellectually and emotionally, and even though I don’t agree with those conclusions, even though they make my heart feel heavy and sad… I can’t not respect it.

Also, shoutout to the realism of finding yourself on the other side of that kind of ideological gulf from someone you love. There are no good solutions there; the best you can do, I think, is be completely honest with each other and yourselves. And the worst part about Michael and Book’s situation is that they’re already doing that, and I think it’s already done everything it can. 💔 Additional shoutout to the face journeys of both Sonequa Martin-Green and David Ajala for making me feel like my heart got kicked in the stomach.

Anyway. It cracked me up when they established Zora’s personhood by locating her inner clip show device—so we know she’s at least as sentient as Riker, that’s a start. AND SHE��S JOINING STARFLEET??? THIS IS LIT-ER-AL-LY EVERYTHING I’VE EVER WANTED, OMFGGGG 😭😭😭😭😭😭

…though I guess that means Zora doesn’t need Gray as a permanent therapist, awwww. I can’t say I didn’t see it coming, and it’s a storyline that makes sense for him and Adira, but ohhhhh, that goodbye scene was bittersweet. (I’m glad they’ve figured out a way to write queer characters off this show without killing them, lmao.) And Adira knowing, before Gray even had to break it to them, what he wanted to do, and being whole-heartedly supportive and encouraging, was just unspeakably sweet. I’m like twice Adira’s age; how are they such a role model for me?

Another thing I wanted, never thought I’d get, and appear to be actually getting in spades? A genuine romance storyline with T’Rina and Saru! And according to his Ready Room interview, it was Doug Jones’s own idea? He picked up on some Sa’Rina ~vibes~ when he read the script—vibes that the writers apparently hadn’t put there on purpose—and mentioned them to Tara Rosling, who saw them too, and they played a little bit of tension in their Season 3 scenes… and then the writers picked it up for Season 4! I love that so, so much.

I seriously can’t stop laughing at the parallels between Book’s decision to go off with Tarka to destroy the DMA and—spoilers for the Netflix reboot of She-Ra, I guess?—Glimmer choosing to activate the Heart of Etheria at the end of that show’s Season 4. In both cases you have a good-hearted but impulsive character who’s suffered a profound loss and feels a responsibility to stop that from happening again… and tries to do so by unleashing a horrific and destructive power that they don’t understand and can’t control, endangering everyone’s lives and alienating their loved ones. (Also, in both cases, you have me yelling at my TV at 6:30 in the morning.)

Honestly, continuing to parallel Glimmer might be the best outcome for Book: spending the first half of Season 5 in a redemption arc apologizing to Michael (and Grudge) would be better than what feels much more likely for him right now: getting swatted out of space by Species 10-C like—well, like a wasp.

Sparkly princess feelings aside, the “installation” of the spore drive into Book’s programmable-matter interface was by far one of the coolest “oh shit, we’re in the future-future” moments that Disco 2.0 has done yet. More of that too, please. (Finally, my last @ for Book: if you don’t want people calling your ship a “floating bachelor pad,” the very least you could do is give it a NAME they could use instead.)

I wrote this about last year’s finale:

A lot of people were worried Vance was going to turn out to be evil, but I was more worried he was going to end up making a heroic sacrifice for (and/or inspired by) the Disco crew—and he sort of does, but it’s not his life he sacrifices, it’s peace with the Emerald Chain. If the only path to “survival” is as the fraudulently legitimizing façade of benevolence over a corrupt, capitalistic criminal empire, well… that’s the destruction of everything the Federation has ever stood for anyway.

And that’s, by my count, Star Trek: Discovery’s third consecutive season-ending reminder that our principles and ideals, our better natures, must inform every decision we make—every single one, in war and in peace—because a victory that costs you the ability to look at yourself in the mirror isn’t going to feel like a victory at all.

Well. Not only do they seem to be going 4-for-4 on this (profoundly important and perennially relevant) theme, this year they didn’t even wait for the season finale to have Michael Burnham make a big speech about it.

Does that put the back half of this season in uncharted thematic territory? I guess we have to wait five weeks (ughhhhh) to find out. But according to the trailer I saw after the credits, we’ll at least get to see Michael Burnham in some kind of civilian setting tossing around gambling chips like a total fucking badass… so who knows, it might even be worth the wait.

#star trek #star trek discovery #star trek discovery spoilers #disco spoilers #amy's episode notes

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rawiswhore · 4 years ago

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Various WWE Men x Fem Reader- "Whip My Hair"

I know I type my fanfics in patterns, but I'm typing and posting this fanfic on Barbra Streisand's birthday.

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Even though it's considered "selling out", professional wrestlers have done commercials for products forever.

The Rock, Mick Foley/Mankind, Booker T, the Big Show and the Hardy Boyz did commercials for Chef Boyardee ravioli, Andre the Giant did a commercial for Honey Comb cereal in the 80's, John Cena's currently doing commercials for Mountain Dew and Experian, and many wrestlers have done commercials for products for the WWF/E.

You're one of the many wrestling related people who've done commercials--ranging from body wash to makeup to Pepsi to foreign countries advertising cars and cameras.

You've made a comeback in what's now known as the WWE, where you're in the company completely, not just making little guest appearances in the WWE/F like you did in late 2000 to 2002.

In 2003, you signed a deal again with L'Oreal, where you're doing several commercials for that company.

This L'Oreal commercial you've done that year are rather unique.

How is it unique?

Well, for many reasons.

One of the L'Oreal commercials you've done has Barbra Streisand's "Emotion" playing it, and as the first few notes of that song play in that commercial, you're looking at yourself in the mirror, looking unpleased and dissatisfied with yourself.

"Hair looking dull, flat?" you asked as you narrated this commercial, one of your hands playing with strands of your hair, your facial expression looking bored and tired. "Want a new boost?"

The camera then cut to you having a new 1960's Amy Winehouse-like hairstyle.

"Is your man not paying attention to you in bed?" you asked in this commercial, cutting to you lying in a bed with Triple H sleeping shirtless right next to you, where you try to shake his shoulder but he isn't waking up. "Then try L'Oreal's new Volume Boost Shampoo!"

The camera then cut to you flipping your hair back in slow motion like Ariel in that scene in "The Little Mermaid" when she flips her hair back when she's out of the water.

The camera showed how shiny, silky and sleek your hair looked after using this shampoo, while you narrated and demonstrated how this shampoo will make strands of your hair sleek and smooth.

The camera then cut to Rob Van Dam and Shawn Michaels seeing you flip your hair back while they were standing by one of your windows, they were both dressed in white shirts with matching overalls and caps, spraying your windows with window cleaner and wiping them.

Rob and Shawn saw your new silky, bouncy hair through that window, which made them both smile from ear to ear.

This commercial luckily wasn't set in an actual hotel room with 36 windows, so no need to worry about Rob and Shawn falling to their deaths.

The camera then cut to you lying in a bed smirking and smiling, you mentioned how this shampoo will get men's attention.

When you mentioned that, Scott Hall, yes THAT Scott Hall who played Razor Ramon in the 90's WWF and eventually went on to be in that NWO faction in WCW, walked into the room with his jet black hair tied back in a ponytail.

He was dressed in a white "wife beater" tank top and jeans with a little brown leather belt around his waist, a wrench attached to it, looking like he's here to fix your cable.

When he saw you and your hair, his eyes looked at you up and down, his mouth smirking.

The shampoo doesn't make your hair shiny, but bouncy as well, and then cut to you strutting through an office whilst dressed in a business suit, the bottom strands of your hair bouncing.

Eric Bischoff was sitting at a cubicle desk, smiling and grinning while a camera cut to his face.

"Hair becomes bouncier, more animated" you mentioned as you strolled through that office.

The commercial then cut to you coming home and turning the lights on, only to Triple H still sleeping in that same bed.

"Now your lover might pay attention to you" you said as you looked in the camera, your hand on Triple H's shoulder and shaking it back and forth, trying to wake him up.

The camera cut and zoomed in on Triple H's face, his eyes opened and looking at your new hair.

The camera cut to his point of view, the camera looking blurry, only to look clear and show you smiling at him with your new wavier, healthier looking hair.

The camera then switched back to Triple H, his mouth smiled when he saw your new hair, and he lifted himself up from the mattress, sitting up and lifting his hands, playing with strands of your hair.

"So silky and smooth" he gushed, his fingers running through your hair. "Perfect to run through your hair"

However, the camera shot to Shawn Michaels and Rob Van Dam who entered the room and followed you and Scott Hall in the room, smiling and looking at you.

Shawn, Rob and Scott were all smiling and grinning at you, whereas Triple H looked puzzled and confused.

What are all of these men doing in this room?

Triple H looked angry and irate, but he regretted not paying attention to you.

When Rob approached the bed you were sitting on, Triple H got off of the bed and kicked Rob in the groin, where RVD clutched onto his genitals and his eyes shut tightly, looking like he's in pain.

Triple H then made a fist with one of his hands and knocked Rob on the side of his face, where Rob's face turned and RVD lied on the floor.

Shawn walked up to Triple H and the Heartbreak Kid grabbed HHH's shirt, where Triple H grabbed Shawn's T-shirt and ushered him over to one of the windows, hurling Shawn out of that window made of sugar glass that doesn't really hurt.

You smiled and giggled while Triple H beat the tar out of these men, cheering HHH on.

Scott Hall was walking over to you smiling, only for Triple H to wrap his arms around Scott's stomach and body slam him to the carpeted floor.

The camera closed in on Scott on the floor, where Triple H held onto Scott's head and rubbed his face in the carpet.

Your head peered out and tried to see Triple H rubbing Scott's head onto the carpet.

As for Eric, while Eric grinned and walked up to you, Triple H grabbed the back of Eric's shirt and showed him to the door, where Eric's collar moved up to his neck and Triple H pulled Easy E (as Bischoff is nicknamed) to the door.

When Triple H reached the door, he had one hand on the doorknob and opened that door, only for his fingers to wrap around Eric's neck and push him out of the room, shutting the door when Eric was no longer in that room.

You're surprised Triple H isn't doing the pedigree on any of these men.

You smiled and ran up to Triple H smiling and hugging him, wrapping your arms around him and gushing over how strong he is.

The camera then cut to a closeup of this new L'Oreal bottle, only to cut back to you looking at the camera and smirking.

"Because you're worth it" you said as you looked at the camera, Triple H smiling and looking at you.

Why is this commercial unique?

Well, for starters, this is a commercial based on a music video, how many commercials are out there based on music videos, especially for mostly forgotten songs and videos?

And how many makeup commercials do you know have professional wrestlers in them?

This commercial was loosely based on Barbra Streisand's "Emotion" music video, which isn't a very well known song and video.

You did other L'Oreal commercials that were based on Streisand's "Emotion" video, one had you putting on some purple/pinkish eyeshadow and you turned your head to the window, only to find Brian Kendrick scurrying up to you and doing some flips, another had you sitting on Eric Bischoff's desk while the camera cut to your eyelashes looking longer and full.

#triple h #wwe #2003 #2000s #00s #shawn michaels #rob van dam #scott hall #eric bischoff #barbra streisand #birthday #happy birthday #l'oreal #fanfiction

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redshirtgal · 5 years ago

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Look at that deadly serious face. Would you believe there are two amusing stories involving this gentleman? One from a scene involving his character, the other involving the actor behind the scenes.

The idea to bring in a doctor specifically trained in Vulcan medicine was a good one. But we were not introduced to Dr. M’Benga until halfway through the second season in an episode titled “A Private Little War.” It is because of his expertise that we know all those bizarre life scan readings are merely a sign that Spock is concentrating his efforts on healing the severe gunshot wound he had received on the planet.

Up until this point, we have only seen the stern, serious side of M’Benga. But we find in this scene that he has a wicked sense of humor (and an excellent sense of observation). He informs Nurse Chapel that Spock has been conscious enough the entire time and most likely even realized Christine had been holding his hand earlier. And then you see this little grin as poor Nurse Chapel looks mortified and more than a little miffed.

There is one other scene that is not exactly amusing in itself, but has an side story that is. This is the scene where Dr. M’Benga gives Christine explicit instructions about what to do if Spock shows any signs of consciousness. But when the time comes and Spock commands her to hit him as hard as she can, Christine just can’t do more than a weak slap. Then Scotty enters and when he sees what is happening, pulls her away. It’s up to Dr. M’Benga to bring Spock back to full consciousness.

Which he proceeds to do by pulling his arm back... and delivering a wallop of a slap that even Scotty would be proud of.

And which Spock calmly deems quite sufficient. But Leonard Nimoy was actually pretty irate just after the slap. The filming of this episode was already behind. While the crew set up for this scene, Leonard Nimoy pulled the actor Booker Bradshaw aside and told him he didn’t want to have to reshoot the scene (because he had a paid appearance scheduled that evening). So according to Bradshaw, Nimoy told him no stage slap - to give it everything he had. So... when the time came, Booker Bradshaw wound up and delivered a slap so hard, it knocked Leonard off his feet. And the Vulcan ears off Leonard. Which sent the stage crew and everyone else on the set into peals of laughter but Nimoy did not see the humor at all. Bradshaw said to his dismay, the star was quite angry and made it clear that this time, he better make it a stage slap.

We see him one more time in “That Which Survives” when he is asked to find the reason Ensign Wyatt died. Dr. M’Benga replies that Dr. Sanchez (in the background) is already performing the autopsy and promises to report the results to Mr. Spock as soon as he knows them.

Later, Dr. M’Benga’s expression demonstrates his exasperation at not being able to give Mr. Spock an explanation for Wyatt’s cause of death, which Dr. Sanchez had established as cellular disruption. And that’s the last time we see Dr. M’Benga. Memory Alpha seems to think that Dr. M’Benga was meant to be there from the start and that M’Boya was simply a misspelling of his name in that first draft. Yet according David Tilotta in an article on StarTrek.com, Dr. M’Benga was not added to the cast of “That Which Survives” until a few days before filming. In the very beginning, the doctor’s name was given as M’Boya. Then as the script revisions progressed, the character of Dr. M’Boya was dropped and his lines given to Nurse Christine Chapel.. But Marc Cushman’s These Are the Voyages: Season Two backs up what David Tillota wrote, saying that one of the researchers from Kellam de Forest suggested to Fred Freiberger that the name should be changed to M’Benga on September 13th. However, he makes no mention of the previous change of M’Boya to Nurse Chapel doing the autopsy. Still, it does seem likely someone would have realized there was no need to create a new doctor when Dr. M’Benga had already been established as highly regarded by his CMO. Story Editor Arthur Singer turned in a final draft on September 20th and page revisions were added on the 21st. Once Fred Freiberger made a few more changes and created the revised final draft dated September 24th and the page revisions were inserted the next day. Just in time for the first day of production which again backs up David Tilotta’s assertion that Dr. M’Benga was close to a last minute addition/revision.

Dr. M’Benga was played by Booker T. Bradshaw of Richmond, Virginia. Bradshaw’s background is quite impressive. After working at his father’s life insurance company, Booker decided this was not the life for him and entered Harvard University. During his junior year he appeared on the Ted Mack Amateur Hour as a folk singer. Not only did he win three times, but he made it to the finals at Madison Square Garden. Booker did return to graduate from Harvard in 1962 with the intention of becoming a lawyer. Fate intervened in the form of a Fellowship at the Royal Academy of Dramatic Arts in London but not before he had performed at Carnegie Hall. Bradshaw did receive an honors certificate for his time at the Academy of Dramatic Arts which he completed by touring England with his Academy students as part of a Shakespeare repertory theater. *photo credit: http://quod.lib.umich.edu/b/bhl/x-hs8414/hs8414

After finishing the Royal Academy of Dramatic Arts, you would think Booker would head straight into the acting world, wouldn’t you? Oh, he had done some stage plays in Harvard and a few other venues, but another opportunity arose. Bradshaw’s connection in the music world lead him to working for Motown Records in Detroit as their international manager. He specifically arranged the European tours of both the Supremes and the Temptations. According to several stories he could speak anywhere from three to nine languages, depending on the source. Above is a photo of the Supremes as they were about to start their 1965 European tour in London. Not only did Bradshaw serve as their manager but he also did an interview with them that was reprinted here - https://motownjunkies.co.uk/2013/03/02/589

Around 1967, Booker Bradshaw came back to the United States to resume his acting career and joined a repertory theater in Rochester, Michigan run by one of his mentors, John Fernald. Fernald was formerly Head of the Royal Academy of Dramatic Arts. Bradshaw even wrote the lyrics and music for a play produced there titled And People All Around, which was based on the murders of three civil rights workers in Mississippi. He also appeared in several plays at the Ebony Showcase Theater, including Day of Absence and Happy Endings in 1967. One of his co-stars in both plays was Isabel Sanford. Some of you may remember her as Louise Jefferson in The Jeffersons, which ran from 1975-1985. The Ebony Showcase Theater was the first black theater created especially for black audiences in Los Angeles. Above - Booker Bradshaw, Juanita Moore and Isabel Sanford (Louise Jefferson) in Happy Endings. Photo credit - https://filmismemory.wordpress.com/2015/12/29/the-ebony-showcase-theater/

Booker Bradshaw went on to have a very full and successful career in television and film, both as an actor and as a writer. He landed parts on a number of television shows, including several episodes of Tarzan, the Mod Squad, and The F.B.I. In fact, as this newspaper clipping shows (which was actually a press release that appeared in many newspapers across the U.S.), it was thought his role as Special Agent Harry Dane might be a semi-regular one. However, he is only credited with appearing in two episodes. *clipping from p. 35 of The Jackson Sun (Jackson TN), November 7, 1969.

Bradshaw’s movie appearances were fewer, but included two that attained some notice at the time they were released. Above is a publicity photo from The Strawberry Statement (1970) which was loosely based on the Columbia University protests of 1968. He played the character Lucas who is seen on the far right. Fellow Star Trek actress Kim Darby was the female lead named Linda.

But Booker Bradshaw’s biggest role probably was that of politician Howard Brunswick in Coffy (1973). He was the boyfriend of the title character played by Pam Grier. She played the title character, a nurse who is out to get revenge on the drug dealers who were responsible for the death of her sister. Being a folk singer/media mogul/ theater actor/TV & film actor was evidently not enough. Bradshaw also became a quite accomplished television writer. Between 1973-1976 he and David P. Lewis together wrote scripts for shows like Columbo, Planet of the Apes, and McMillan and Wife. Bradshaw went on to do scripts for Different Strokes, Gimme A Break, and four episodes of The Richard Pryor Show. During the 80s he became a voice actor. Sadly, his impressive career came to an end when he died suddenly of a heart attack in 2003.

#Star Trek TOS #Dr. M'Benga #A Private Little War #That Which Survives #Booker Bradshaw #Booker T.Bradshaw

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journey2maya · 5 years ago

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Narratology: Second Draft

Analyse your chosen narrative with close reference to the Hero’s Journey or another appropriate template

For this essay I have chosen to talk about the narrative structure of the 2017 film My Little Pony: The Movie. I will be making a structural analysis with reference to the Quest plot type as described in Cristopher Booker’s The seven basic plots. [1] to paraphrase; in any quest story there is always a priceless goal which drives the hero’s passion to succeed. The hero and some companions must embark on a perilous journey filled with monsters, temptation and helpers, to reach their goal. The story is unresolved until the overriding objective has been secured.[Booker 2004 pg 69] I will be taking a look at how the animation enriches the narrative through choice of design and also touch on how the songs drive the narrative at certain points.

The movie was produced by DHX media in collaboration with AllSpark pictures using Toon Boom Harmony production software [2] which specialises in integrating 3D elements with 2D characters. [3] the film emphasises traditional animation and is supported throughout with modern 3-D solutions. The TV show is animated using flash and along with this change of animation software there also came a change in art style. To quote Art Director Rebecca Dart; for the feature film, the characters became more volumetric overall, meaning they have more of a roundness and softness for the 360 degree world of Equestria and beyond that we created for the movie.” [4] This extract from the ‘art of’ book shows a comparison of the two styles.

Figure 1. A style comparison. Page 20, 2017 [4]

These small changes really make the difference on the big screen and giving the ponies’ ears an inside fold allows the ears to swivel and be more expressive, closer to real life horse ears. The shimmer of the eyes also adds to the depth of emotion and these small changes are an example of how small changes really make the difference.

The plot of the movie is as follows; Twilight Sparkle, Applejack, Rainbow Dash, Pinkie Pie, Fluttershy and Rarity embark on an epic journey to save Equestria from the tyranny of the Storm King. Along the way, the Mane 6 meet new friends and face challenges as they travel beyond Equestria for the first time ever. From this summary we can pick out the key features of a quest story. The call; a sudden threat has arisen that gives purpose to a journey. [Booker, 2005 pg. 70] for this story it’s the threat of the Storm King. The hero’s companions; Apple Jack, Rainbow Dash, Pinkie Pie, Fluttershy and Rarity, along with the dragon assistant spike, accompany Twilight on her quest. The journey; the essential party of any quest story where our hero and their companions go through a series of terrible ordeals, receive help and guidance and are met with challenges they must overcome [Booker, 2005 pg. 73]. For the mane six this spans most of the movie. They go to a range of locations that play respective roles in pushing the narrative and I’ll be looking at each location in further detail. The helpers; characters that serve as an aid to the hero and her companions [Booker, 2005 pg. 77] ( the new friends they meet along the way) the helpers in this particular movie are quite important as they not only help during the journey but they also in what booker calls the ‘final ordeal’ it is the last battle between good and evil, where the hero comes to the edge of their goal [Booker,2005 pg. 78].

At the start of the film we see the ponies preparing for the first official Friendship Festival in Canterlot, Equestrias capital. Everywhere is bustling. The event is highly anticipated and each of the mane six are helping prepare by putting up decorations,and erecting tents and booths to sell many different wares through this we get introductions to our characters, including spike, to show a little of their personality. This is important because it makes the characters seem more real. They’re not just an accessory to Twilight's adventure, they’re individuals and they’re part of it in a big way. Twilight Sparkle, the unofficial leader of the friend group, is being true to character and is worried that the festival won’t be perfect. As the Princess Of Friendship the pressure is all on her to make sure that everypony has a good time. Twilight’s friends rally around her in an attempt to reassure her that everything will be fine in the form of the song ‘We Got This Together.’

This song highlights the mane six’s teamwork and interpersonal relationship as strong. This Song also carries heavy foreshadowing as it implies that true to form, of a quest story, everything is certainty not going to go to plan but that the mane six will indeed face any problem together. However the genial atmosphere is cut with a knife when dark clouds loom over Canterlot, blackening the perfectly clear sky. Normally this wouldn’t be anything to worry about but in the lore of MLP, Pegasi ponies can control the weather. Twilight even gets frustrated because she “ordered perfect weather.” It’s a huge contrast to the previously established setting.

We are introduced to our first antagonist: Tempest Shadow. A jaded unicorn motivated by anger and a wish to be whole again. She is dedicated to being the Storm Kings Hench-pony and chief bounty hunter, all so he can retire her horn after she delivers on the promise to retrieve the magic of the four princesses for the Storm King’s use. Tempest is supposed to look different and like an outcast because it relates to her story arc and past. She has a darker palette than we would normally see which instantly makes her read as an antagonist. She doesn’t look like the other characters and we don’t know her so we shouldn’t trust her. A great example of changes the design department made were for the better.

Figure 2. Design concepts for ‘Cosmos’ as Tempest was originally going to be called.Pg 46 2017 [4]

Tempest asks for surrender which, of course he princesses refuse. This is when things go from bad to worse. An army of Storm creatures are revealed as their air ships emerge from the fog. They come down on Canterlot, capturing ponies who dare to flee.

Tempest turns Three of the princesses,Celestia Luna and Cadence, into obsidian statues.

Figure 3. Cadence is about to be engulfed [5] 2017

Figure 3. Twilight saves Princess Luna from smashing to pieces [5] 2017

The final words of Princess Celestia, to her sister Luna, is to fly south and seek the help from the queen of the hippo…

She is unable to finish what she was going to say and Luna I’m unable to carry out the mission as they are both encased in an obsidian prison.Twilight is the only princess left and so, with her friends, they all make a daring escape over on of the waterfalls that make up Canterlots architecture. Unequivocally this is what Booker refers to as ‘the call’ [Booker, 2005 pg 70]] Tempest's arrival and disruption is the reason why the mane six must embark on the quest the Friendship Festival has gone terribly wrong and the stakes are high. Twilight and her friends have to make this journey to set things right. As said in Booker, ‘surrounded by an atmosphere of menace and construction, the Quest hero and her friends feel under intense compulsion to get away.” [Booker 2005, pg 71] This is exactly what has happened to the mane six and we now have a definite goal- to save Equestria from the Storm King and Tempest Shadow.

The next stage, perhaps one of the most defining of a quest story that Christopher Booker has identified, which is certainly present in the movie, is that Twilight isn’t alone in the journey she has to take. Twilight is accompanied by her friends who each have their own virtues and abilities that contribute to the success of the adventure. Or to the detriment.

Pinkie pie is a particularly important part of Twilights company as she represents one of the 4 basic forms that a hero’s companion should be. A subtle alter-ego whose role is to serve as a foil, displaying qualities of the opposite of those shown by the hero.[Booker 2005 pg 72] for example in the ‘Epic Of Gilgamesh’ whenever Gilgamesh displays assets of courage and confidence it is Enkidu, his brother, who expresses fear and doubt. [Unknown, C.1800 BC tablet 2] In the MLP Movie when Twilight shows concern and worry, Pinkie Pie is only concerned about how much fun can be had and she derails the situation with her silly antics.

Through all the obstacles that the Mane 6 face. Their arrival in seaquestria is the most crucial. It is where Twilight is faced with one of the specific obstacles that Booker notes must be present. Twilight succumbs to a temptation. Seaquestria is the underwater world that the hippogriffs were forced to inhabit to hide from the Storm King. The Queen of the hippogriffs used a magic pearl to turn her subjects into sea ponies. Pinkie pie makes friends with Queen Novos daughter, Princess Skystar and Twilight realised that the pearl can transform the ponies of Canterlot into

An army that can defeat the Storm King however Novo refuses to give her it. The mane six go to leave but notice that Skystar is sad because her new friends are leaving. Twilight, surprisingly, encourages Pinkie pie to cheer her up with a song. When the song is finished we find out that this was just a ploy so everyone would be distracted whilst twilight tries to steal the pearl.

Figure 4. Twilight is tangled in the jellyfish cage that guards the pearl. [5] 2017

This leads to The mane six’s forced exit from seaquestria and more importantly Twilights downfall. Because Pinkie Pie was able to cram a lifetime of fun into one song the hippogriffs were going to give them the pearl as a thank you. Twilights lack of faith in her friends causes a big argument between her and Pinkie Pie which leaves twilight sitting alone on a greyscale beach. This makes her look even more isolated and alone as she is the only colourful thing in the scene. She is captured by Tempest who has been on the groups tail since the start. Tempest shares her backstory with Twilight. This gives us an insight into tempests motivation and creates a vulnerability in her. and she is taken back to Canterlot where we finally see the Storm King in full glory as he is able to steal the magic from all four princesses, channelling it through the staff of succannas, becoming omnipotent in the process. The Storm King casts Tempest aside, refusing to restore her horn as he had promised he would.

After Twilight is captured and left weak without her magic we get the last stage of a classic quest story; the final ordeal Where the heroes come to the edge of their great goal [Booker 2004 pg 78] Twilight’s friends engage in an epic battle against the storm creatures with the help of Skystar and some other friends they made on their journey. Near the end of the battle the staff creates a wretched Storm that takes Twilight, the Storm King and the staff away. Twilight's friends are of course distraught but this is the part in the story where our hero has her last ‘thrilling escape from death’ [Booker 2005 pg 83] and returns with the staff and settles the skies.

Unfortunately the fight isn’t over as the Storm King also survived the storm. it seems like he has the upper hand and is about to turn the mane six into obsidian statues. Tempest jumps in front of the mane six to save them, reforming herself and pushing the Storm King over the edge so he smashes to pieces. The mane six save tempest and together the seven of them release the princesses and save equestria. Our hero Twilight has reached her goal and so the quest has ended.

This version was more focused but it was still too detailed. I took out the images that weren’t needed and I went in a slightly different direction. Choosing only to focus on one of the locations the mane six voyage to so I could focus on it more and make a more detailed and structured analysis.

#narratology

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the-big-sue · 6 years ago

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SOTT Instrumentation

So the tumblr purge killed this post because it was under a Read More and that fucking blows. But Hozier worked with Booker T. on his new EP and that reminded me of this post. So here it is:

So I was going to make an extra long post about the interesting choices in instrumentation on Sign of the Times, but it got…. Very very long. So I’m going to just shorten it to a few of the best bits I found.

The production on the track is incredibly rich and the choices made in the the accompaniment and arrangement are just as indicative of the themes of this song as the lyrics.

The Highlights:

The humanization of the ‘choir’ in the pre-chorus and chorus

The use of flexible irregular rhythm in the ‘chaotic’ act of the song

Water and flight imagery

Unusual instruments and sounds that Mean Something

The unusual resolution

The Pre-Chorus (aka the falsetto part)

In the pre-chorus the most important lyrics in relation to the instruments are “the bullets, the bullets”. As it’s been discussed, the official lyrics have a misprint because these change to “your bullet, a bullet” for the repeated instance in the first pre-chorus. Below is a breakdown of the instruments accompaniment for each pre-chorus

Pre-Chorus 1: ‘the bullets, the bullets / your bullet, a bullet’ - wavering, faint violins

Chorus 1: strings

The faint violins are used to give a slight sense of tense anticipation. The fuller violin section fills out the wall of sound in the chorus.

String instruments are often used to replicate the range of the human voice. A string quartet has two violins, a viola and a cello to replicate a human quartet with soprano, alto, tenor and bass voices. In the context of the progression of the song, this metaphorical ‘choir’ is the least human. Strings do not use air (or ‘breath’) but are manually played.

Pre-Chorus 2: ‘the bullets, the bullets / the bullets, the bullets’ - electric organ

Chorus 2: Synth choir

The use of the electric organ is subtle and fascinating. Organs have heavy association with church imagery. Electric organs have a strong history in rock music. In this case, the use is more Us and Them by Pink Floyd than Green Onions by Booker T. This is the second use of an instrument as a metaphorical ‘choir’ and one step closer to human, as organs use air to generate sounds, imitating breath and the human voice. (In this case it’s an electric organ, but that would be stylistic choice so as to not go too far into the funeral imagery)

The chorus here seems to use a synth choir, meaning computer stored versions of the human voice, or some other kind of harmonic synth sounds. Again that’s even closer to a human ‘choir’.

Pre-Chorus 3: ‘the bullets, the bullets / the bullets, the bullets’ - drum and rhythm guitar arrhythmic breakdowns (tuplets)

Here the metaphorical ‘choir’ drops out to allow the rhythm section to signal the coming chaotic , section (more on that later)

Bridge, Final Chorus + Chorus’ Riff - real human choir

The rest of the song uses real human voices. Finally achieving a kind of harmonic ‘truth’. As someone who isn’t religious but has a long history of singing Christian music, each of these ‘choirs’ resonate differently for me, but overall represent a specific kind of progression.

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The Chaotic Act:

If there’s one thing I’ve been flailing about is the drumming on this song. It’s executed very well, but also designed well to broadcast constraint and chaos.

The song starts with the drumming and rhythm guitar keeping within the established beat, even for the simple breakdowns and pick ups. Even the initial piano is acting equally as percussion and harmonic accompaniment plodding along at the start.

As the song progresses, and particularly from the third pre-chorus on through the bridge, the drums use irregular rhythm which makes the song sound so dramatic. The actual beat of the song doesn’t change too much, but the way the drums break down the rhythm gives the impression of time slowing down and flexing for emphasis. This is also the most ‘chaotic’ part of the song, including the vocal rhythm. (more on that later)

This is a classic rock song move, usually accompanied by guitar solos etc. In this song, it emphasizes a tumultuous moment before finding clarity in the final chorus and chorus’ riff.

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Water and flight imagery

The flight imagery is very easy to identify. There are four moments where a rocket-like whistle noise is used. Firstly in the intro of the song as a moment of foreshadowing. Secondly in the second verse after the word ‘atmosphere’, which is very on the nose. Thirdly in the final chorus when he says ‘we’ve got to away’ aka take-off. And lastly in the final sustained ‘away’ which would be exiting the atmosphere.

The water imagery is more evident in the rhythm. Harry’s promo has been heavy into the water visuals, while still keeping a somber atmosphere, avoiding an association with the ‘purity’ or rebirth elements. Here, water is more of a symbol of trying times, like weathering rough seas. This is where the chaotic section of the song comes in. The drums resemble tumbling waves, the vocal syncopation resembles the beating of waves as well as the kind of off-beat feeling you get when your breath is knocked out of you, and finally the vocal choices on ‘will we ever learn?/we’ve been here before’ sound like gasps for air. *insert Dunkirk drowning gif of doom*

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Unusual Instruments

So other than the core rock band, we’ve covered that the song uses strings, an electric organ, synth vocals and real human vocals.

The lead guitar part starts off as a sighing commentary on the first chorus and throughout. Eventually that sighing turns into wailing in the Chaotic section.

The electric organ is so prog rock to me and I love it. It also gives off a church vibe, but in a alt-church way with the electric organ. To me it re-emphasizes the more somber tone of the lyrics and my personal interpretation of this song as being about grief and loss.

There’s a distinct rocket whistle effect that we’ve already discussed.

For vocal effects, there’s a doubling and echo effect on the falsetto pre-chorus, which mimics the switch into plural pronouns. The falsetto also gives an impression of innocence.

Finally the weirdest and most subtle instrument is the orchestra chime, aka the bell sound. I probably heard this on my 100th listen (I’ve definitely done my part on the streaming front), but at 4:28 there are two hits on an orchestra set of chimes (which are vertical static chimes hit with a soft mallet). This is immediately after the ‘it’s just what we know’ line and ends the Chaotic section. Very much a ‘For Whom the Bell Tolls’ moment, so let’s get literary with the John Donne poem:

For whom the bell tolls a poem (No man is an island) by John Donne No man is an island, Entire of itself. Each is a piece of the continent, A part of the main. If a clod be washed away by the sea, Europe is the less. As well as if a promontory were. As well as if a manor of thine own Or of thine friend's were. Each man's death diminishes me, For I am involved in mankind. Therefore, send not to know For whom the bell tolls, It tolls for thee.

LITERALLY !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ok I’m done with these bells.

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The Ending

The vocal line does not resolve to the tonic (or the primary chord of the key) but the piano line does.

In relation to the flight imagery, this moment comes right after the final rocket sound, which to me is a moment of exiting the atmosphere. We, the listener, do not exit the atmosphere. The voice, or what the voice personifies, exits but does not resolve for our ears. After the vocal line ends, the descending guitar line and drums feel like how you would slow down if you were running towards the edge of a cliff, but with no intention of jump off it.

The human choir takes on a celestial quality. It was previously used as harmonic accompaniment, but in its resolution it moves into polyphony as each vocal part moves to find it’s natural end note before blinking out of the score one by one. The three repeated notes on the piano are counter to the 4/4 (or 2/2) meter, so seem off beat. To me, it resembles how objects in space gently rotate on their axis as they move. As the piano and vocal lines resolve and fade, the final two piano chords seem like the moment the object disappears into the stars so you just have the stars winking passively back at you. (WOW THAT’S DEEP I’M DONE NOW)

#sott analysis #can you believe i had this in a google doc #thank jesus

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your-dietician · 3 years ago

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Best 4th of the July weekend sales at Amazon 2021

New Post has been published on https://tattlepress.com/health/best-4th-of-the-july-weekend-sales-at-amazon-2021/

Best 4th of the July weekend sales at Amazon 2021

We may receive commission from purchases made via links on this page. Pricing and availability are subject to change.

Something to celebrate: Amazon just dropped a jaw-dropping array of 4th of July deals! (Photo: Getty Images)

We hold this truth to be self-evident: When it comes to stellar holiday-weekend deals, Amazon rules.

Prime Day might be in the rearview mirror, but never fear. Amazon is having a massive sale to mark the 4th of July, with discounts as deep as those we enjoyed during “Prime Time” last month. We’re talking incredible deals on TVs and tech, amazing markdowns on kitchen items and fabulous fashion finds (new vacation wardrobe, anyone?).

Of course, with Amazon Prime you’ll get so much more — access to new movies and TV shows, discounts at Whole Foods, exclusive sales and two-day shipping on many, many items. Not yet a member? Let’s fix that: Sign up for a free 30-day trial here. (And by the way, those without Prime still get free shipping on orders of $25 or more.)

Score some steals before they disappear — then get outside for fun in the sun.

Best TV sales

Improve the view: Sony’s got the 4K TV of your dreams, at a fantastic July 4th discount. (Photo: Amazon)

This Sony X80J 65-inch 4K Ultra HD LED Smart Google TV is the latest from a manufacturer that’s long been at the forefront of top-notch home video. No shocker, then, that the display on this set is dazzlingly vivid and detailed. Originally $1,000, this beauty is available for only $898 for the 4th of July weekend!

Sony’s state-of-the-art Processor X1 is the power behind its true-to-life visuals, while HDR (High Dynamic Range) settings make sure colors stay bright and black levels are dark. Get ready: It’s going to feel like you’re sitting in the middle of all the action.

This 4K TV includes Google TV with instant access to hundreds of popular streaming apps like Netflix, Hulu, Disney+, HBO Max, Paramount+, Peacock and much, much more. It even has built-in Chromecast for slinging videos and music from your phone or tablet to the TV. Also: The remote has a microphone that lets you use Google Assistant for voice search and hands-free navigation. Shoppers are smitten.

Story continues

“In one word: Awesome. This is the best TV I’ve seen, for an incredible price and considering its features, it’s a steal,” raved a five-star reviewer. “It can be adjusted to give you absolute black even in a dark room; 4K and HDR are amazing…”

Check out more 4th of July TV sales below:

Insignia NS-32DF310NA19 32-inch Smart HD TV — Fire TV, $150 (was $200), amazon.com

Toshiba 32-inch Smart HD TV — Fire TV Edition, $160 (was $200), amazon.com

Toshiba 43-inch 43C350KU C350 Series LED 4K Ultra HD Smart Fire TV, $320 (was $370), amazon.com

Insignia 55-inch NS-55F301NA22 F30 Series LED 4K Ultra HD Smart Fire TV, $400 (was $500), amazon.com

LG OLED55C1PUB C1 Series 55-inch 4K Smart OLED TV, $1,397 (was $1,800), amazon.com

Samsung 65-inch Class QLED Q80A Series 4K Ultra HD Quantum Smart TV, $1,398 (was $1,700), amazon.com

Sony X90J 65-inch 4K Ultra HD LED Smart Google TV, $1,398 (was $1,600), amazon.com

Vizio 75 inch P-Series 4K Smart TV, $1,480 (was $1,700), amazon.com

Best headphone and earbud sales

Make all your friends jealous — and save $130. (Photo: Amazon)

On sale for $170, from $300, the Beats Solo Pro Headphones sync to just about any smartphone or laptop via Bluetooth, delivering rich audio and sturdy bass. Super sleek, the pro-level headphones come in a cool Light Blue. They’re noise-canceling, so you can block out just about all background and ambient sound to enjoy your favorite music and podcasts…or just a bit of silence.

“These are the best Beats so far…less bass-heavy than previous models. Sound is really crisp,” wrote a delighted five-star reviewer. “Very worth it. The noise canceling feature is so good. You basically cannot hear anything around you!”

The Beats have up to 40 hours of battery life per charge, so you don’t have to be tethered to an outlet all day long. They can pump out a solid stream of music with top-notch audio for nearly two days; most wireless headphones tap out after about 30 hours.

Check out more 4th of July headphone and earbud sales below:

Sennheiser Momentum True Wireless Bluetooth Earbuds, $128 (was $300), amazon.com

Beats Solo3 Wireless On-Ear Headphones, $120 (was $200), amazon.com

Beats Studio3 Wireless Noise Cancelling Over-Ear Headphones, $199 (was $350), amazon.com

Apple AirPods (wireless charging case), $160 (was $199), amazon.com

Apple AirPods Max, $490 (was $549), amazon.com

Sony ZX Series Wired On-Ear Headphones, $10 (was $20), amazon.com

Otium Wireless Earbuds, $23 with on-page coupon (was $46), amazon.com

Beats Ep Wired On-Ear Headphones, $90 (was $130), amazon.com

Best smartphone and tablet sales

The Moto G7 Plus is 40 percent off — down to a mere $150. (Photo: Amazon)

Who said a quality smartphone has to be expensive? Not us! The Motorola Moto G7 Plus — which is on sale for only $150 (was $250) — is equipped with 4GB of memory and 64GB of storage (expandable via microSD card). This Android smartphone, instantly upgradable to Android 10, also comes with a 6.2-inch Full HD+ Max Vision display that’s super sharp and bright. The Moto G7 Plus features a 16-megapixel rear shooter with a five-megapixel front-facing camera for video calls and selfies. Need extra security? It has a fingerprint sensor on its back.

“This phone is better than you can imagine…,” raved a savvy Amazon shopper. “Excellent build quality and body materials. The screen is responsive…. The operating system is the same as in Google Pixel, which is much more expensive. This is faster than any (budget) phone. I recommend it — a good buy for your family members who do not need a lot of unnecessary features, and at the same time you will get a very high-quality device.”

Check out more 4th of July smartphone and tablet sales below:

Apple iPad (10.2-inch, Wi-Fi, 32GB), $299 (was $329), amazon.com

Apple iPad Air (10.9-inch, Wi-Fi, 256GB), $699 (was $749), amazon.com

Marvue M10 Tablet, $96 with on-page coupon (was $130), amazon.com

Samsung Galaxy Tab A7, $179 (was $230), amazon.com

Samsung Galaxy Tab S7, $544 (was $650), amazon.com

TCL 10L Unlocked Android Smartphone, $175 (was $250), amazon.com

Samsung Galaxy Tab S6 Lite, $317 (was $350), amazon.com

TCL 10 Pro Unlocked Android Smartphone, $300 with on-page coupon (was $400), amazon.com

E-Tronic Edge Phone Armband Sleeve, $11 with on-page coupon (was $13), amazon.com

Best gaming sales

At nearly 80 percent off, this game is worth buying in multiples and saving as gifts. (Photo: Amazon)

Amazon has chopped an incredible $47 off NBA 2K21 for PS4 — it’s down to just 13 bucks this weekend. The game features all 30 NBA teams and players, including Trae Young, Devon Booker, Giannis Antetokounmpo, Kawhi Leonard, Zion Williamson, Damian Lillard, LeBron James, Anthony Davis, Steph Curry, James Harden and Gordon Hayward.

NBA 2K21 has all the dynamic, vivid gameplay you want, from multi-player online to one-on-one (you versus the game itself). For the first time ever, it features WNBA teams as well, with players like Brittney Griner, Elena Delle Donne, Liz Cambag and Nneka Ogwumike. Right now, the price is more than right…it’s nuts!

“My son loves this game,” shared a delighted parent. “The players are realistic looking and the commentators are hilarious at times. Overall, I think it’s a great game.”

Check out more 4th of July gaming sales below:

BioShock: The Collection, $19 (was $50), amazon.com

NBA 2K21 (Xbox Series X), $20 (was $70), amazon.com

Mafia: Definitive Edition (PS4), $20 (was $40), amazon.com

Call of Duty: Infinite Warfare (PS4), $15 (was $40), amazon.com

Godfall (PS5), $40 (was $70), amazon.com

Luna Gaming Controller, $56 (was $70), amazon.com

The Legend of Zelda: Breath of the Wild (Nintendo Switch), $48 (was $60), amazon.com

Runmus Gaming Headset, $16 (was $43), amazon.com

Madden NFL 21: Next Level Edition (Xbox Series X), $40 (was $70), amazon.com

The Falconeer: Day One Edition (Xbox Series X), $23 (was $40), amazon.com

Outriders Day One Edition (PS5), $45 (was $60), amazon.com

Immortals Fenyx Rising (PS5), $25 (was $60), amazon.com

Best smart-home sales

Open your front door using nothing but your fingerprint. (Photo: Amazon)

On sale for $150 with on-page coupon (was $200), the eufy by Anker Security Smart Touch Keyless Entry Door Lock recognizes your fingerprint in less than a second, so you never again have to rummage through your bag or pockets for your keys. You don’t even have to remember a passcode. Your fingerprint does the trick. The brand takes your security seriously: it lets you store your fingerprint locally instead of on the cloud, so your identity stays safe and private.

“The more Eufy products I buy, the more impressed I am with the quality,” says one of many five-star shoppers. “…After installing the lock and setting it up, which has to be one of the easiest setups around, I saved the fingerprints for all the members of my family. The fingerprint reader worked flawlessly every time.”

Check out more 4th of July smart-home sales below:

Kamep Wireless Wi-Fi Video Doorbell Camera, $65 (was $130), amazon.com

TP-Link N300 WiFi Extender (TL-WA855RE), $17 (was $30), amazon.com

Moen 7594BL Arbor One-Handle Pulldown Kitchen Faucet, $289 (was $500), amazon.com

Govee Smart Light Bulbs, $11 with on-page coupon (was $22), amazon.com

Govee 65.6ft Alexa LED Strip Lights, $40 with on-page coupon (was $60), amazon.com

Govee 33ft LED Strip Lights, $18 (was $23), amazon.com

Honeywell Home RCHT8610WF2006/W, T5 Smart Thermostat, $107 (was $151), amazon.com

TanTan Smart Table Lamp, $24 with on-page coupon (was $33), amazon.com

Kasa Smart Plug HS103P4 (four-pack), $25 (was $30), amazon.com

Kasa Smart Light Switch HS200P3 (three-pack), $35 (was $45), amazon.com

Best vacuum sales

Grab this brilliant robovac for nearly 40 percent off — and never vacuum again. (Photo: Amazon)

For 4th of July weekend, the eufy BoostIQ RoboVac 11S (Slim) is on sale for just $140 (was $230). Its slim, 2.85-inch tall body glides under furniture seamlessly for a thorough vacuum each time. It’s versatile too: It can transition from hardwood floors to carpet to tile with ease.

The BoostIQ feature makes it “smart” in more ways than one, helping it to automatically increase suction power as needed, and its high-capacity battery delivers up to 100 minutes of run time on a single charge.

“I wasn’t quite sure what to expect … But this is great! I went from having piles of pet hair on the floor to none at all,” wrote a five-star fan. “It is mind-blowing how eufy finds all of this pet hair and dust. My allergies have been reduced by 90 percent. It has truly changed my life and I didn’t need to spend $800-plus.”

Check out more 4th of July vacuum sales below:

Lefant M210 Robot Vacuum Cleaner, $195 (was $400), amazon.com

OKP Life K2 Robot Vacuum Cleaner, $124 (was $300), amazon.com

roborock E4 Robot Vacuum Cleaner, $210 (was $300), amazon.com

Kenmore 31510 Robot Vacuum Cleaner, $150 with on-page coupon (was $259), amazon.com

Goovi Robot Vacuum, $148 (was $210), amazon.com

eufy by Anker, RoboVac L70 Hybrid, $320 (was $550), amazon.com

Hoover SmartWash Automatic Carpet Cleaner Machine, $249 (was $300), amazon.com

ThisWorx Handheld Car Vacuum Cleaner, $32 with on-page coupon (was $37), amazon.com

Yeedi K650 Robot Vacuum, $160 with on-page coupon (was $180), amazon.com

Best home office sales

Three cheers for the red, white and blue (and orange and pink and every other bold hue). This MacBook Air is $100 off. (Photo: Amazon)

What’s so great about the MacBook Air? Glad you asked! A speedy Apple octa-core M1 processor, 8GB of memory, 256GB of on-board storage and the latest version of macOS Big Sur, that’s what. The Apple MacBook Air — on sale for $899 (was $999) — is a sleek and slim speed demon. It’s also super-lightweight at just under three pounds. Pretty too: You can score one of these in Gold, Silver and Apple’s signature Space Gray.

“…I needed an upgrade from my heavy MacBook Pro… I needed something super light and thin — I can just bring [it] everywhere and slide it in my bag,” shared a satisfied Amazon shopper. “I am obsessed with how fast this MacBook Air is. The battery life is on point. I used it for movies and series at work and it lasted for three days. The processor is so good. I open so many tabs at once and it has not lagged on me.”

Check out more 4th of July home office sales below:

Cloud Massage Shiatsu Foot Massager Machine, $240 (was $340), amazon.com

Renpho Neck Shoulder Massager, $30 with on-page coupon (was $50), amazon.com

Vybe Percussion Massage Gun, $150 with on-page coupon (was $200), amazon.com

DamKee Massage Gun, $69 with on-page coupon for Prime members only (was $110), amazon.com

Apple MacBook Pro (M1), $1,199 (was $1,299), amazon.com

Acer Chromebook Spin 311, $261 (was $499), amazon.com

FelixKing Ergonomic Desk Chair, $125 with on-page coupon (was $160), amazon.com

Truweo Posture Corrector, $12 (was $30), amazon.com

Saiji Laptop Bed Tray Desk, $28 with on-page coupon (was $100), amazon.com

Canon Office and Business MB5120 All-in-One Printer, $250 (was $300), amazon.com

Best kitchen sales

Refresh your kitchen with this luxe Cuisinart set — and save $415. (Photo: Amazon)

Whether you’re looking to upgrade your existing cookware set, replace old gear and start fresh, or give an incredible gift, this Cuisinart set is perfect. It has everything you need for easy and creative dinner prep: Two sauce pans, two skillets, a stockpot, a sauté pan, and a steamer. Also stunning: The $415 savings (with on-page coupon). This set is stainless steel and oven-safe up to 550 degrees.

“I absolutely LOVE these pots and pans!” a shopper shared. “They are beautiful in appearance, have some weight to them but not too much, and are made extremely well. The handles to the pans are so comfortable, unlike many pans I’ve used before.”

Check out more 4th of July kitchen sales below:

Elite Gourmet EGC-007 Easy Electric Poacher, $16 (was $30), amazon.com

Cuisinart HM-90S Power Advantage Plus 9-Speed Handheld Mixer, $72 (was $145), amazon.com

Philips Kitchen Appliances Digital Twin TurboStar Airfryer XXL, $300 (was $400), amazon.com

Bayco 9 Pack Glass Meal Prep Containers, $40 (was $50), amazon.com

Gotham Steel Smokeless Grill Indoor Grill, $38 (was $50), amazon.com

Ninja Personal Blender, $49 (was $70), amazon.com

Ozeri ZK14-S Pronto Digital Multifunction Kitchen and Food Scale, $10 (was $15), amazon.com

Mueller Austria Ultra-Stick 500 Watt 9-Speed Immersion Multi-Purpose Hand Blender, $30 (was $45), amazon.com

Bonsenkitchen Handheld Milk Frother, $10 (was $18), amazon.com

Best beauty sales

Your delicate under-eye skin will thank you. (Photo: Amazon)

If the past year hasn’t been kind to your eyes, now you can turn back the clock. This under-eye cream tackles signs of aging and exhaustion (puffiness, wrinkles, dullness — you know the story) and the formula is free of parabens, mineral oil, and fragrances. It’s also allergy-tested and super gentle.

“OMG, this really is amazing!” says a thrilled reviewer. “I have used many eye creams over the last 40 years, and this one works within a few days, and really helps eliminate crows feet around the eye area. I honestly think that it has taken at least five years off my face!…”

Check out more 4th of July beauty sales below:

AuraGlow Teeth Whitening Kit, $38.50 with on-page coupon (was $60), amazon.com

LilyAna Naturals Retinol Cream for Face, $25 with on-page coupon (was $30), amazon.com

CeraVe AM Facial Moisturizing Lotion SPF 30, $11 (was $19), amazon.com

Biolage Hydrasource Shampoo, $25 (was $32), amazon.com

Naturewell Retinol Advanced Moisturizing Cream for Face and Body, $17 (was $23), amazon.com

Anti Aging Serum 3-Pack for Face, $20 (was $25), amazon.com

Belei by Amazon: Vitamin C + Hyaluronic Acid Serum, $14 (was $19), amazon.com

Best style sales

Leggings with a pocket for your cards, keys and phone — genius. (Photo: Amazon)

We can’t overstate the importance of a great pair of leggings: They’re perfect for so many occasions and can take you from couch to gym to real world effortlessly. But the super-popular Ewedoos leggings are a cut above. They have a flattering high waist, an oversized pocket (!), and a leg-lengthening ankle crop.

“These leggings are amazing!” a shopper declared. “They are so comfy and soft…. They are also squat proof! They don’t roll at the waistband AT ALL. Stop second guessing and get these!!”

Check out more 4th of July style sales below:

Leggings Depot Leggings, $10 (was $30), amazon.com

Cthh leggings, $16 (was $30), amazon.com

Prettygarden Ladies Basic Crewneck Belted Office Dress, $30 (was $37), amazon.com

a.Jesdani Women’s Button Down, $35 (was $50), amazon.com

Korsis Women’s Summer Casual T Shirt Dress, $32 (was $47), amazon.com

Ewedoos Women’s Yoga Pants, $17 (was $27), amazon.com

Milumia Women’s Boho Button Up Split Floral Print Flowy Party Dress, $32 (was $44), amazon.com

Best health and wellness sales

A six-pack of the good stuff, on sale for only $26. (Photo: Amazon)

If the past year taught us anything, it’s that we can never have too much Purell. The brand’s iconic formula is a must for any household, whether for cleaning hands or wiping down surfaces. This spray — sold as a six pack of large (32 ounce) bottles, kills 99.9 percent of viruses and bacteria, including cold and flu, strep, norovirus, Listeria, MRSA, VRE, and human coronavirus.

“This is a wonderful cleaning product,” shared a shopper. “…Kills smells like a champ…”

Check out more 4th of July health and wellness sales below:

Wecolor 100 Pcs Disposable 3 Ply Earloop Face Masks, $8 (was $13), amazon.com

Purell TFX Touch-Free Foam Hand Sanitizer Dispenser, $33 (was $109), amazon.com

Microban Professional Sanitizing Spray, $34 (was $38), amazon.com

Purell Advanced Hand Sanitizer Refreshing Gel, $32 (was $37), amazon.com

Lysol Disinfecting Spray, Crisp Linen, $11 (was $16), amazon.com

Lysol, Disinfectant Spray, $7 (was $11), amazon.com

Best mattress and bedding sales

Supportive and soothing, like a good bedmate should be. (Photo: Amazon)

Soft to the touch but firm for the neck, these pillows are made from a plush poly-soybean fiber blend. They’re totally vegan, great for side-sleepers, back-sleepers and stomach-sleepers, and sold as a pair for just $33 ((normally $58)! More than 3,700 five-star reviewers can’t be wrong.

“These pillows are wonderful!” one shopper shared. “I had neck pain every morning from sleeping on pillows with no support. With these, I don’t have to constantly readjust myself to find a comfortable position. They are soft yet firm and provide excellent support.”

Check out more 4th of July bedding sales below:

Smart Queen Cooling Weighted Blanket, $28 (was $60), amazon.com

Queen Mattress Pad Cover Cooling Mattress Topper, $40 (was $60), amazon.com

Utopia Bedding Premium Cotton Blanket, $24 (was $38), amazon.com

LuxClub 6 PC Sheet Set Bamboo Sheets, $35 for queen (was $57), amazon.com

Casper Sleep Pillow for Sleeping, $55 (was $65), amazon.com

Utopia Bedding Gusseted Pillow, $24 (was $31), amazon.com

Utopia Bedding Down Alternative Comforter, $35 (was $57), amazon.com

Best pet sales

Treat your g’boy to a special down-home delight. (Photo: Amazon)

If you’re a pet parent, you know how important it is to ensure that your pups are eating right. While most puppy snacks are loaded with preservatives, dyes and all sorts of nasties, these bites from Amazon in-house brand Wag are made (in the USA) with chicken as the very first ingredient. For the 4th of July, they’re down to $8 from $14, with the on-page coupon.

“My dog is in love with these,” a shopper declared. “Normally she shares her treats when her dog friends come over but not these. If I give them to her friends, she takes them away from them and gobbles them up!”

Check out more 4th of July pet sales below:

Petstages Cat Tracks Cat Toy, $9 (was $25), amazon.com

Rachael Ray Nutrish Dog Treats, $6 (was $14), amazon.com

Nina Ottosson by Outward Hound Dog Brick Interactive Treat Puzzle Dog Toy, $14 (was $25), amazon.com

Outward Hound Hide-A-Squirrel Squeaky Puzzle Plush Dog Toy, $20 (was $30), amazon.com

Milk-Bone MaroSnacks Dog Treats, $7 (was $12), amazon.com

Potaroma 3 Silvervine Catnip Balls, $11 (was $15), amazon.com

The reviews quoted above reflect the most recent versions at the time of publication.

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wknc881 · 7 years ago

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Top Ten Hip-Hop & RnB Albums of 2017

2017 may go down as the poopiest year of the ‘10s. Unless of course you’ve spent the whole year with the TV off and your earbuds plugged in your ears, in which case you may think of 2017 as a pretty solid year for Hip Hop & RnB music. Not nearly as good as 2015 or 2016, but 2017 has given us many new faces and many new favorites, while also reminding us just how much some familiar faces have grown. So what better thing to do than to torture myself by only picking out my personal Top 10 albums for this year. I’m not sure if it was harder picking my top 10 or ranking my top 10, but nonetheless I am a fighter so let us move on to the list.

10. Smino - blkswn

The first time I fell in love with Smino’s music was last year on the Monte Booker assisted track “Kolors”. The song was just a teaser of what could happen when Booker’s atmospheric, groovy beats mix with Smino’s eccentric flow and sharp lyricism. That blend of styles is what eventually would become the St. Louis artist’s debut album, blkswn. Running at 18 tracks long, blkswn can best be described as a long, but never boring, ride through space at 2:00 a.m. in a Honda Civic (and yes I am aware that there is no sense of time in space). Producing nearly the entire album, it is hard to ignore what Booker is able to bring to the table as an up and coming producer redefining the genre of hip-hop. Smino raps on various different topics that range from Netflix and chilling with his shawty to speaking on the black experience in America and delivers this with a very fresh and unique flow. Also, the sequencing on the album cannot be ignored. It’s is so good to the point where you don't know where one song ends and the next one begins, producing a very fluid album listening experience. For sure worthy of a Top 10 position this year.

Favorite Tracks: "Glass Flows", "Netflix & Dusse", "Anita", "Father Son Holy Smoke"

9. Goldlink - At What Cost

Goldlink impressed many critics, fans, and myself with his second mixtape And After That, We Didn’t Talk, which was released two years ago. Instead of continuing his career in LA or another major city, Goldlink decided to stay home and create an album all about home. At What Cost is all about, and for, the DMV (a popular nickname for the area surrounded by Washington D.C., Maryland, and Virginia). Goldlink raps about many DMV related topics, such as go-go music and the increased gun violence and death of many black youth in the area. It’s easy for Kendrick Lamar or Drake to rep their hometown because their hometowns are so popular already. The DMV is a city often underlooked as a major hip-hop city and Goldlink wanted to prove that on At What Cost. With features from many popular DMV artists, like Wale, Mya, and Shy Glizzy, and songs that feature go-go production, At What Cost is a fun, dancey, and entertaining album that let’s the world in on the sounds of the DMV. Also, it would be remiss of me not to mention that “Crew”, with its infectious hook sung by Brent Faiyaz, is one of the best songs of this decade. Don’t @ me.

Favorite Tracks: “Have You Seen That Girl?”, “Meditation”, “Crew”, “Kokamoe Freestyle”, and “Some Girl”.

8. SYD - Fin

Despite the name of the album, Syd’s career in music is far from over. Syd (formerly Syd da Kid) has been around making music since 2011 with Odd Future. Her band, The Internet, has put out 3 albums, including the Grammy-nominated Ego Death released in 2015. In 2016, Syd delivered a few features for artists like KAYTRANADA, Isaiah Rashad, and Common. It was 2017, however, where Syd established herself as an independent and confident voice in R&B. Fin is Syd’s first solo project and she sounds as fierce as she has ever been. Leaving the familiar neo-soul sounds of Ego Death behind, Syd goes for a more contemporary, 90’s R&B flavor on Fin. Focusing on topics of success and relationships, Syd delivers a fresh R&B album in a time where R&B is beginning to become stale in lyrics and trap heavy in production. Syd has struggled with stage fright and anxiety for most of her career, but these past two years, and on Fin, Syd has proven that she is here to be a confident, sexy, and bold R&B artist. Syd’s songwriting ability and magical, lush voice make for a stellar debut album.

Favorite Tracks: “Shake em Off”, “All About Me”, “Smile More”, “Body”, and “Dolla Bills”

7. Princess Nokia - 1992 Deluxe

A few things caught my eye when i first saw Princess Nokia’s 1992 Deluxe: it was an album titled after a year (those albums are proven to be better), her bright smile on the cover, and her totally New York tomboy outfit. New York City’s Puerto Rican culture is huge and is one of my favorites. Unfortunately, there haven't been many representatives of Puerto Rican culture in Hip-hop (Fat Joe is the only one to come to mind). But have no fear, Princess Nokia is here and she is amazing. You may know her from that video of woman throwing soup on a man’s face in a subway after he was screaming racial slurs and two young black males. Yeah, she’s the one who threw the soup. That same attitude is what makes 1992 not just a great, gritty album, but also a very classic New York album. Nokia’s bars and verses are vicious and unapologetic. Nokia raps about her mischievous upbringing (“Bart Simpson”), her tough personality (“Tomboy” & “Mine”), and the beautiful city she grew up in (“Saggy Denim” & “ABCs of New York”). She mixes modern trap production with classic NY boom-bap and clever, illustrious lyrics to create a wonderful peek into the life of Princess Nokia.

Favorite Tracks: “Bart Simpson”, “Mine”, “Saggy Denim”, “Green Line”, “Goth Kid”, “Brick City”, and “Chinese Slippers”

6. Brent Faiyaz - Sonder Son

If Brent Faiyaz’s name sounds familiar it’s because it should. I mentioned him earlier when I was talking about Goldlink’s explosive hit “Crew” that really made Brent Faiyaz a popular name. He also worked on a project with his group Sonder, which was a very soft and smooth RnB album. But Sonder Son sounds completely different from anything he has released before. Sonder Son is the proper introduction to Brent Faiyaz himself and proof that he is more than just a really good voice. Sonder Son is filled with personal narratives and introspection, which is pretty different from most RnB albums you hear nowadays. It does, of course, come with a few love songs as expected on almost any RnB album. But what makes Sonder Son stick out to me the most, and why it’s on this list, is the throwback 90’s RnB production and 90’s feel it has. Faiyaz was born in 1995, but Sonder Son sounds like it was made in 1999. The 22-year old’s clever and mature songwriting and production with beautiful guitar riffs and slow drums makes for a very solid debut release.

Favorite Tracks: All of them but I want to say that “Talk 2 U” is my absolute favorite.

5. Vince Staples - Big Fish Theory

Vince Staples is young, black, intelligent, and loud and Big Fish Theory will not let you forget that. Vince came out with his strong double-disc debut Summertime ‘06 two years ago and in the last two years, Vince has drop any guest features for a wide range of artists (ScHoolboy Q, Gorillaz, Kali Uchis) and even dropped the Prima Donna EP last year. These last two years highlight how much Vince has grown as an MC and has even strayed away from his usual sound and Big Fish Theory is a good example of that growth and change. Vince is still rapping about topics concerning race and politics, but this time in more curt and direct manner than before. With shorter verses and repetitive hooks, Vince wanted to get straight to the point on this album. Fans of Vince Staples will no doubt the huge difference in production this time around. Giving off Yeezus vibes, the production is very industrial-EDM heavy with maybe only one or two songs that actually sound like a traditional hip-hop beat. With features from artists like Kilo Kish, Ray J, Ty Dolla $ign, and a killer verse from Kendrick Lamar, Big Fish Theory is the backdrop to a dark, apocalyptic future. Kind of imagine if Tron was set in Long Beach, California under a corrupt system and that’s what Big Fish Theory sounds like.

Favorite Tracks: All of them

4. Tyler, The Creator - Scum F*ck Flower Boy

Tyler’s debut studio album came out over six years ago and Mr. Creator has come a long way since his roach eating days. Released two years after the experimental album, Cherry Bomb, Flower Boy is Tyler’s most mature album to date from his writing to his production. The first single “Who Dat Boy” (featuring a verse from his buddy A$AP Rocky) was a very excellent return from his two year hiatus and “911/Mr. Lonely” is one of the best (and most fun) songs to come out this past summer. From the very first track, it is clear that Tyler’s production has been highly influenced by very bright and sunny sounds, which matches perfectly with the sunset and sunflowers on the front cover. You can also tell that, from the very beginning as well, that Tyler is getting more personal on this album than he has on any other album he’s put out. Discussing topics of fame, loneliness, nostalgia and his own sexuality, we get a very good look on what’s really going on inside the mind of Tyler, The Creator. As usual, the entire album was produced by Tyler himself and it is some of his best production. With lush strings and vibrant keys, it is very clear that Tyler has been learning how to incorporate more sophisticated instrumentation into his work. And despite the list of popular names that pop up in the features (Rex Orange County, Frank Ocean, Kali Uchis, Lil Wayne), it still feels like Tyler’s show and he is shining brighter than ever.

Favorite Tracks: “See You Again”, “Who Dat Boy”, “Pothole”, “911/Mr. Lonely”, “Boredom”, “November”, but really all of them

3. Kendrick Lamar - DAMN.

I think I speak for most people who listened to DAMN. that the title is more than appropriate. Once I finished listening to this 55-minute project, all I could say was “damn”. From beginning to end this album slaps. And it slaps hard. The transition from the suspenseful intro “BLOOD.” into the Mike WiLL Made-It produced “DNA.” is rush of bars and beats as we are reintroduced to much angrier Kendrick Lamar that we haven’t heard for a few years now. DAMN. is a pretty good painting of what 2017 turned out to be as far as politics and social issues go. Lamar discusses what’s going on his life (“FEEL.”, “LOVE.”, “FEAR.”) as he is becoming even more of a superstar, while also reflecting and commenting on the current state of the people (“LUST.” and “XXX.”). As expected, Lamar’s pen game is as vicious and intricate as ever and the production on this album has been taken new heights. Sounding nothing like his last two LPs, DAMN. further shows how Lamar has probably grown the most among his peers and is definitely one of the best.

Favorite Tracks: All of them let’s be honest it was pretty fire

2. SZA - Ctrl

Ctrl is one of my favorite albums of the year (it’s my #2 duh), but my sister loves the album even more than me and has her own personal connection to the album. So the following review will be told by sister, Carmen. Enjoy.

"This album is one of the most empowering albums of 2017 for women. Solána Imani Rowe is a badass woman who is not afraid to sing what she really feels. SZA released her debut album this past June, after months of delays, and it debuted at number three on the Billboard 200. The types of things she sings about mainly on this album are the empowerment of women, demanding respect from men, sexual acts and behavior, the intimacy and heat of relationships, and just the grimy truth of how people are in today’s society. The first song on the album is “Supermodel” and it is about how SZA slept with her ex-boyfriend’s friend because her ex did her wrong and left her. This was such a dope way to start an album off because she comes straight out and says basically “yeah I’m leaving and slept with your friend oh well that’s what you get”. Not many women in the industry will say something so straightforward. SZA’s lyrics and the way she sings them so confidently is what makes this album very strong. The following track on the albumis the Travis Scott assisted “Love Galore”. SZA wrote this song to tell the story of a man hitting a girl up saying he’ll be down and how he’s a real one but then after he gets what he wants he leaves. This song is one of the most popular off the album because of the boppy vibe it has. It’s something that as soon as you hear the beat and what she’s talking about you just go “ahhh sookie sookie now” and just dance. My personal favorite off the album is “The Weekend” because she sings about the role of the main chick and the sidepiece in the relationship. Many women, and myself love the vibe that the song gives off because the feeling of having someone trying to play and take advantage of you but then the tables are actually turned and you’re the one who’s playing them is like no other. Also it explores the high people get off of sexual behavior because for SZA to be a woman and to tell that man you are only here to give me what I want to please me sexually and that’s it, incredible."

--- Carmen

Although it is not her first album under Top Dawg Entertainment, Ctrl is the proper introduction to SZA and proves she is ready to be a superstar.

Favorite Tracks: “The Weekend”, “Go Gina”, Drew Barrymore”, “Doves In The Wind”, “Garden(Say it Like Dat”

1. Joey Bada$$ - ALL-AMERIKKKAN BADA$$

Personally, I think Joey Bada$$ is the best MC in the game right now. While some people may give the “Best MC” award to Kendrick Lamar, I think if Joey can make 3 more albums like ALL-AMERIKKKAN BADA$$ (ABBA), then he would definitely deserve that title. Joey has put out three solo projects, one of which was his debut album. All three of his previous projects were solid, with clever lyrics and an old school boom-bap aesthetic. However, on his debut album, Joey never really switched things up and basically released another mixtape. I’ve always compared to Joey to Biggie in how he has the ability to sound effortless when rapping and has never really had a bad verse or song in his career. Since we know that Joey is a good rapper, I was really looking forward to ABBA in hopes that he would also be able to construct a good album with a message and a concept. And boy did Mr. Bada$$ deliver. Running 12-tracks long, ABBA is Joey’s most political album yet. Splitting in down the middle, we see in first 6 tracks that Joey takes on a Superman role in addressing racial issues in America and provides lots of hope. The production is rather light and joyful, and Joey has a very calm tone throughout. That is until the last 6 tracks on the album. Starting with “Rockabye Baby”, Joey switches the flavor and starts to release his own personal anger over the issues in America by rapping with a voice that is much more aggressive and production that slaps. Most importantly, though, this album is relevant and could not have come at a better time. Being so young, it is impressive to see an artist like Joey Bada$$ take on political rapping and while also making a good and cohesive project. ALL-AMERIKKKAN BADA$$ is one of Joey’s strongest projects and it was my personal favorite for the year of 2017.

Favorite Tracks: All of em fam

Honorable Mentions:

A$AP Mob - Cozy Tapes Vol. 2

Rapsody - Laila's Wisdom (honestly have not given this a thorough listen or else it might've been top 10)

J.I.D. - The Never Story

Daniel Caesar - Freudian

BROCKHAMPTON - SATURATION II

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playitbyear-laz · 5 years ago

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005

a soundtrack for your time spent indoors.

much love, laz.

PLAY IT BY EAR 005

curated by laz

Spotify Apple Music SoundCloud

Really Love - D’Angelo

WHERE: D’Angelo is my favorite neo-soul artist ever, but Monte Booker’s IG story (@montebooker) put this track back on my radar recently.

WHY: I love how playful and sweet this track is, but what I love most is how the guitar & bass parts pair so perfectly with D’Angelo’s vocals.

Buttercup - Jack Stauber

WHERE: IG Story - Brian Hernandez (@831savage_) although I was told recently that a version of this track is associated with a dancing ferret lol.

WHY: It’s rare to find songs that intentionally distort audio quality all the way through and do it well. Happy that this track exists, despite not knowing at all what the lyrics actually mean lol.

Beauty In The Dark (Groove With You) - The Isley Brothers, Mos Def

WHERE: IG Story - esta (@esta)

WHY: Mos Def does such a perfect job here both vocally & lyrically. Perfect slow dance song -- think I’m ready to put this in my top love songs ever at this point.

kometostai.aintnootherwaytoputitro - Knxwledge

WHERE: Decided to dive back into Knxwledge’s discography after a conversation I had with Larry (@predakon) the other day.

WHY: What’s not to love about a beautifully re-worked soul sample.

Stay Home - Fousheé

WHERE: The good good homie Hector (@_whatthehecktor) put me on to Fousheé.

WHY: Got a special place in my heart for songs mainly featuring vocals on top of a guitar (s/o the Asian-Youtube cover days). On top of that, lately, I’ve definitely been enjoying my time spent at home with people I love more so than being out (things people who are washed say).

Flood - RICEWINE

WHERE: Was riding around in my homie Eric’s (@erc.tng) car when this song came on.

WHY: Streaming platforms would probably categorize this track in the Indie-Pop genre, but I love that I can hear R&B and hip hop influences in the lyrical flow and production.

Memory Well - David Blazer

WHERE: Found out about David Blazer when Trevor (@worldwidewev) told me he had been working with him.

WHY: Go back and listen to some more David Blazer tracks -- dude has range. Love the string section on this track and the overall calming tone.

Call Me When You Hear This Song - New West

WHERE: My coworker Quinn (@quinnpotter) put me on to New West after hearing that my top Spotify artist of 2019 was Daniel Caesar. Some of the guys from New West have worked with Daniel in the past, and that shared influence is pretty clear in this song.

WHY: I love the Gospel influence in this track, from the claps to the chord changes -- feel like its rare to hear love songs these days in this sound palette.

If you want to listen to music from the past weeks:

Spotify Apple Music SoundCloud

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giddayfromtheuk · 7 years ago

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Gidday peeps!

Sorry I’ve been lax on the posting front of late. It’s been a bit busy since I got back from stopping in Muscat seven weeks ago and while I managed to have a little rant about burgers in my last post, finding the time and head space to craft something more has proved a challenge. But I wanted to let you what’s been happening here at Chez Gidday.

First things first – I finished my fourth MOOC, this time on Democracy and Development in Africa, on 14th November and achieved 94%.

Hurrah!

This was quite a hard going course in terms of workload. In each of the seven weeks we were asked to complete several pieces of work – a mix of video lectures and interviews, reading, questions, discussions and essays – which was then capped off by a 3-part exam in the last week. Let me tell you there were many times when I cursed myself for signing up in the first place and then for not being able to walk away and let it go.

But in catching up with a close friend a couple of weeks ago, he complimented me on my commitment and acknowledged my self-discipline as a real strength. Interestingly, one of my reasons for doing these MOOCs was to ensure that my self-discipline ‘muscles’ stayed active. So I’m glad I stuck with it and am proud to say I have the certificate of achievement – as well as a whole lot of new ideas and opinions – to show for it.

My school governor role has really taken off as well. I’ve been attending the monthly marketing meetings as well as making my first visits with each of the dance and the drama curriculum leads at the school. I’ve also spent a day and evening completing my new governor induction training as well as the mandatory safeguarding training. So I’m now in the thick of it and really enjoying it.

Speaking of getting into the thick of it, I took part in an intensive 3-day Property Investment seminar at the beginning of November and also attended the Rethink Mental Illness Members Day the following weekend. Both are areas I’m very interested in exploring over the coming months. Needless to say I don’t think there’ll be any more MOOCs for a while.

Then amongst all of this was my usual smattering of out-and-about-ness.

On the culture front, I had my first ever visit to the Affordable Art Fair…

…and spent another afternoon at the V&A immersed in their latest exhibition Opera: Power, Passion & Politics.

Reconstructed stage for Handel’s Rinaldi

Salome – the start of the women’s movement?

Boards on each opera highlight the exhibition’s themes of power, passion and politics

Both are areas I know little about so I really enjoyed having my eyes and my ears opened and my cultural horizons challenged.

The last seven weeks has also produced a couple of excellent theatrical highlights with the Donmar Warehouse’s production of The Lady from the Sea (by one of my favourite playwrights Henrik Ibsen) and INK (the story of Rupert Murdoch’s purchase and transformation of The Sun newspaper in the UK). And as regular Giddayers know, I love dance so it was with great delight that I went to see BalletBoyz’s Fourteen Days (and was especially moved by the intimacy of Christopher Wheeldon’s piece, Us). Then last weekend I was completely mesmerised by the provocative musical Cabaret that is touring regional theatres in the UK at the moment (and stars singer Will Young as the irrepressible emcee).

Literary-themed events got a look-in too with a walking tour of Fleet Street – called Publish and Be Damned! – on a rather chilly Saturday.

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There was also the chance to listen to readings from the Man Booker Shortlist authors the evening prior to the announcement of the prize winner, the British Library’s annual Equality Lecture by Professor Mary Evans and Gresham College’s free lecture on the wonderful Jane Austen, the last a welcome follow up to the Jane Austen exhibition I visited in Oxford earlier this year. I also went to some fascinating talks about The Future of Work, Artificial Intelligence, The Fight Against Alzheimers and The Future of our Digital Selves.

But amongst all of this, there was one lowlight.

As a long-time Agatha Christie fan, I had been looking forward to seeing Kenneth Branagh‘s remake of Murder on the Orient Express. But it had a different storyline and while the cinematography was gorgeous, the whole film was a bit ponderous and suffered from style-over-substance syndrome. As far as I am concerned, no-one writes Christie better than Christie so in tinkering with her work, Branagh’s effort left me feeling a bit flat.

And then last week I squeezed a 5-day rendezvous in Paris into proceedings (more on that later)…

…so maybe the word smattering was a bit of an understatement.

Not to mentioned that December 1st is only two sleeps away – when I get to open the first window of Mum’s annual advent calendar and put up the Chez Gidday Christmas tree…

*excited squealing*

So stay tuned. There’ll be more Gidday adventures coming to the blogosphere soon!

The busy-ness of life Gidday peeps! Sorry I've been lax on the posting front of late. It's been a bit busy since I got back from

#Affordable Art Fair #balletboyz #British Library #Cabaret #Christopher Wheeldon #Henrik Ibsen #MOOCs #museums #Rethink Mental Illness #theatre #V&A museum #Will Young

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seeksstaronmewni · 6 years ago

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Cool! I just found an FBI WARNING at the end of The Compleat Al (1985) on Shout! Factory TV (via Pluto TV)! It’s the one on FoxVideo/20th Century Fox Home Entertainment releases, which appears at the end as the documentary was distributed by CBS/FOX Video and later FoxVideo. Shout! Factory distributes the documentary and I guess that they forgot to remove the FBI Warning.

I thought that I’d find an “Ear Booker Productions” logo and ended up with THIS.

Tweet version here.

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tyronesmith · 6 years ago

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Sorry negative energy... You are NOT welcome here. Every genuine intention leads to a result. If we could do away with all those negative, self-defeating intentions, Imagine the results of giving free rein to our Positive, Creative, Productive Intentions. Intention can be a powerful force. For it is with intention that thoughts are transformed into results, that goals are achieved, that dreams are brought to reality. Keep Pushing Forward POSITIVE PERSPECTIVES! 📈 Stay Positive! 💯 ** sidenote: National Prescription Drug Take Back Day The National Prescription Drug Take Back Day addresses a crucial public safety and public health issue. According to the 2017 National Survey on Drug Use and Health, 6 million Americans misused controlled prescription drugs. The study shows that a majority of abused prescription drugs were obtained from family and friends, often from the home medicine cabinet. Help prevent drug abuse. Take back unneeded medications for safe disposal. Saturday, April 27 https://takebackday.dea.gov #powerofintention #positivevibesonly #wednesdaywisdom #memes #motivationalquotes #takebackday #negativeenergy #negativity #negativepeople #PSA #nationalperscriptiondrugtakebackday #pushingcultureforward #striveforgreatness #spreadlove #positiveperspectives #positivevibes #peaceloveandpositivity #musicproducer #tyronesmith #tsgrooveinc #producer #composer #influencermarketing #influencer #musicforever #musician #LOVE (at Tyrone Smith) https://www.instagram.com/officialtyronesmith/p/Bwo6MSsBPgR/?utm_source=ig_tumblr_share&igshid=1q9al3dhdqojs

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Tyrone Smith

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https://TyroneSmith.co/

https://www.instagram.com/officialtyronesmith/?hl=en

https://www.facebook.com/officialtyronesmith

https://musicbrainz.org/artist/e8249047-ade5-4060-81da-e953c29f338e

https://twitter.com/tyronesmith?lang=en

https://www.wikidata.org/wiki/Q47457021

https://TyroneSmithMusic.com/

Tyrone Smith American musician, record producer, composer, multi-instrumentalist and entrepreneur (1986- )

Born: 1986-03-18

Dallas, Texas

Home Location: New York City

Alumni of: Booker T. Washington PVA

Alumni of: The New School University Jazz and Contemporary Music School

Composer of: Playing It By Ear

Producer of: New Day Ashe

Producer of: Ready or Not This Party's Hot

Producer of: Playing It By Ear

Founder of: T's Groove Inc.

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thesinglesjukebox · 7 years ago

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youtube

JAY-Z - THE STORY OF O.J. [5.12] Gather round, Jukeboxers; that's if you're still reading...

Austin Brown: Props to No I.D. and Jay for rendering Booker T. Washington in vivid sonics, but I've always been (aesthetically and politically) more of a Du Bois man myself. [5]

Ryo Miyauchi: Unedited Jay-Z, but not entirely in the good way. It's jarring to hear series of off-tangent flow and odd pauses from a rapper who put his words down to the beat with laser-sharp precision. But what's more uncomfortable are his unchecked bickering about the youngin's who don't follow his business model. Those rhymes should've stayed saved as a draft in his mental notepad. [5]

Ashley John: The strength of this song is in the chorus where Jay-Z questions how a black man is perceived, realizing that no matter his achievements, he will still be boiled down only to his skin color. Outside of this, "The Story of O.J." reads more like a lecture from my father, spoken at approximately the same pace. His comments about missed investment opportunities in Brooklyn's Dumbo neighborhood and building his children's art collection land more like whining than wisdom. [4]

Andy Hutchins: The problem with being a black man -- even a black business, man -- in America is that you are always first and foremost a black man in America, near-billionaire Jay-Z would like you to know. (Unspooling a song-length version of little brother Kanye's "Even if you in a Benz, you still a nigga in a coupe" on an album that is, by all accounts, the latest in Jay's 15-year reckoning with adulthood and maturity on wax suggests that he's maybe a bit late to this revelation.) "The Story of O.J." sounds like a guy who watched O.J.: Made in America and talked about it for a whole brunch with Lyor Cohen somehow taking the tangent to a Clintonian prosperity gospel that is about mastering capitalism when you actually have capital. Predictably, it's a mess: The bruising, stunning video harvests centuries of strange fruit, often in ways it doesn't entirely earn; the "Still nigga" lament is undercut by the fascinating bemusement in the "Okay!" rejoinder in the first verse's first bar; the bit about "Jewish people owning all the property in America" is just another draught of the crypto-racist poison that has been part of Jewish and black folks being left to fight for what WASP America has left behind, and risks overshadowing the whole piece; the shot at stacks being faux phones is equally wrong-headed, if clever. But this is Shawn Carter illuminating the difference between himself and Sean Bell, not begging the question -- a rumination on wealth as a black man, over a masterpiece of production from No I.D. that flips a Nina Simone song maybe five other rappers have the clout to touch -- and that is exactly the sort of art he is best suited to make while he waits for Rothkos and Basquiats to appreciate. [7]

Alfred Soto: Even without a video, "The Story of O.J." is explicit about rubbing black stereotypes in the faces of an audience that at the outset of Jay Z's career had its ambivalences about his eager embrace of filthy lucre. His thin, high timbre parses syllables as carefully as any performance before 2001. When he answers questions no one asked about the practical way to spend lots of money, he switches to talking. To my ears the line about Jews owing businesses, juxtaposed against a sample of a Nina Simone ballad about self-love and the faint boredom in Jay's voice, sounds like he's himself repeating cultural assumptions and stereotypes, in the same way another 4:44 tune questions how a black man is conscripted into admiring Sharpton and Cosby. [8]

Jonathan Bradley: Jay raps best when he has purpose: something to prove, a title to defend, a larger construct that can recontextualize our understanding of his corpus. (Kanye learned from the best how to make an ongoing narrative out of a career.) A full album with producer No I.D. is the same kind of artistic constraint that the film tie-in of American Gangster offered; the coherent aesthetic permits him on both occasions to move beyond the trap of having nothing to discuss beyond being an extraordinarily wealthy man who has accomplished all he could in his field. "The Story of O.J." is ostensibly our introduction to a reflective, mature Shawn Carter, though his politics aren't too removed from the "all us blacks got is sports and entertainment until we even" line back in "Can't Knock the Hustle." He still raps in the overly fussy syllables that have characterized his flow for a decade now -- such a marked difference from the astonishing dexterity of his youth -- and the he says the most on this track during a loquacious lacuna: "O.J.'s like, 'I'm not black, I'm O.J.' ... Okay." The beat, a dreamlike slippage of curtailed soul and jazz runs, says more: No I.D. barely permits "black" to escape Nina Simone's lips before shuffling her askew. [7]

Maxwell Cavaseno: Inspired by his appearance on DJ Khaled's "I Got The Keys" and its subsequent video, I spent a good year warning of HOV: THE MOVIE. In my head, Jay-Z was inspired by his wife's artistic strides and his protégé/producer/"buddy" modernizing and conceptualizing with ease, and would finally attempt to assert his place. Vague notions of him rhyming over trap productions doing a rally of black positivity in the wake of Trump's America filled my goading dreams... Rather, I was eventually greeted with a shockingly traddish album of soul samples and a lackluster Jiggaman ponderously musing on his loved ones' strife to give himself vague outlines of "character" while inanely spouting "You don't see me in the club? I don't see you at the BANK" style paeans of success (which awesomely spilled over into vague antisemitism right here!). All of that is on me to feel like I got my hopes up for nothing. Yet even on places where my expectations and Shawn Carter's desires try to intersect, there's disappointment. [2]

Joshua Minsoo Kim: Jay-Z's a hustler baby, he'll sell water to a well. He'll partner up with phone companies to immediately claim platinum certification and convince the world he's still relevant. He'll make a serious album with soul samples that'll have people shouting "the old Hov's back!" despite the rapping not touching his glory days. He'll talk about investing in DUMBO and million dollar paintings and confuse this namedropping for interesting lyricism. He'll roll his eyes at the notorious O.J. quote but then shame young rappers and tout respectability politics. He's a hustler baby, he'll sell mediocre rap to rap fans. [3]

[Read, comment and vote on The Singles Jukebox ]

#Jay-Z #The Story of O.J.

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