#dusk 1882

[artthatgivesmefeelings]

William Adolphe Bouguereau (French, 1825 - 1905) Atardecer (Evening Mood), 1882 Museo Nacional de Bellas Artes de Cuba

[amore0429]

William Adolphe Bouguereau (French painter) 1825 - 1905

and Studio assistants

Le Crepuscule (Dusk) (aka Twilight or Evening Mood), 1882

oil on canvas

127 x 66 cm.

Havana Museum of Fine Arts, Havanna, Cuba

[creativeprojectmatthewlowth]

Claude Monet

Claude Monet was a French painter and was the founder of the impressionists. Monet loved to paint nature and show their perspective of nature using a large scale. Monet had painted many watercolours of nature and specialised in water lilies.

Garden Watercolour 56 x 38 cm

This painted of Monet's caught my eye due to the softness of the colours giving it a tranquil atmosphere. The warm tones of the tree to the left of the painting helped to bring a welcoming feeling inviting you in. The way Monet paints this makes you feel like you are then and feeling the sun on your face and seeing the wind due to the movements of the painting helping you to experience what Monet saw.

Claude Monet, Path in the Wheat Fields at Pourville, 1882. Oil on canvas; 23 x 30-1/2 in (58.4 x 77.5 cm)

Monet loved to paint with bright vibrant colours helping the viewer feel peaceful and looking at the painting Monet helps to capture the details of the wheat field showing the wind blowing the wheat and seeing the clouds in the sky showing that it was windy.

San Giorgio Maggiore at Dusk, 1908 - 65.2cm x 92.4cm (Sunset in Venice)

This is one of Monet's most known paintings found in the national art gallery of Wales In this oil painting Monet used vibrant colours to portray the famous sunset in Venice. I like how symmetrical this painting is due to the top and bottom both having blow then moving through the sunset to the red. This painting shows passion and happiness showing the beauty of sunsets.

[robinird]

Le Crépuscule [fr.]

Dusk + details.

William Adolphe-Bouguereau (1825-1905)

Realism. French academicism.

Ca. 1882. Oil on canvas.

National Museum of Fine Arts of Havana (Havana, Cuba)

[artmialma]

William-Adolphe Bouguereau (1825-1905) French

Le Crepuscule (Dusk)  1882

[myfairynuffstuff]

Janus la Cour (1837 - 1909) - View of a Road Winding its Way Through an Open Landscape at Dusk. 1882. Oil on canvas.

[deabastetcat]

Aidan Turner🎨Dante Gabriel Rossetti

Lovesight

Dante Gabriel Rossetti (1828–1882)

When do I see thee most, beloved one?

When in the light the spirits of mine eyes

Before thy face, their altar, solemnize

The worship of that Love through thee made known?

Or when in the dusk hours, (we two alone,)

Close-kissed and eloquent of still replies

Thy twilight-hidden glimmering visage lies,

And my soul only sees thy soul its own?

O love, my love! if I no more should see

Thyself, nor on the earth the shadow of thee,

Nor image of thine eyes in any spring,—

How then should sound upon Life’s darkening slope

The ground-whirl of the perished leaves of Hope,

The wind of Death’s imperishable wing?

Quand'è ch'io meglio ti vedo, mio amato?

Quando nella luce gli spiriti dei miei occhi

dinanzi al tuo volto, loro altare, celebrano

il culto di dell'Amore che grazie a te si rivela,

o quando nelle ore del tramonto, noi due soli,

baciato forte ed eloquente nel muto rispondere,

il tuo volto traluce nell'ombra del crepuscolo e solo la mia anima vede la tua come sua?

Oh amore, amore mio!

Dovessi io non vedere più te

o neanche, in terra, l'ombra di te,

né il riflesso dei tuoi occhi in una fonte,

come suonerebbe,

per l'oscuro pendio della vita,

il turbinìo delle perse foglie di speranza,

l'aliare dell'imperitura ala di morte?

[caixxa]

Caixa's Hockey rpf masterlist

All my fics are on my Ao3 account (caixa).

My football rpf masterlist

Most of them are locked and only visible for logged in users.

All longfics are complete.

Most of my works are in English, some are also available in Finnish, my native language.

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In English:

Series

Aho

boy from the north country - Aho/TT, Finnish hockey boys and Carolina Hurricanes ensemble. Friends to lovers to established relationship from 2016 to 2020. Fluff, angst, smut, strong emphasis on fluff. 1 and 2 are my earliest works in the fandom.

hot tramp, daddy’s little cutie (Rating: M, Length: 5240 words)

Jussi at Jussi’s (in the brightness of my night) (E, 29025, 5 chapters)

When dusk and dawn embrace (T, 2594)

Thick ice, thin ice (T, 4655)

Ikuinen vappu (T, 1598, middle part unfinished

Do not film this - Aho/multi (TT, Andrei, Rod, Roope are the main ones; also C.Price, Pekka, Juuse...). Porn industry AU. Don't let the wall of tags scare you, it all makes sense - the main character is a polyamorous porn actor who films with multiple partners and has various developing relationships going on in his personal life.

camera ready (E, 89185, 43 chapters)

money shot (E, 77472, 33 chapters) - sequel to 1

Do not film me (E, 12387, 15 chapters) - prequel to 1

Country Comforts (E, 38277, 19 chapters) - spin-off of 1, farm/ranch/sugardaddy AU

Andrei and Sebastian: Flowers by caixa-says-bye (caixa) - G/T - super short deleted scene from 2

King and Prince of Carolina - Aho/Williams, Aho/Rod and Aho/Williams/Rod, daddy kink, love triangle, smut with feelings and plot, heavily influenced by real-life events.

LET'S GO (E, 2505)

Still of the Night (E, 6803, 5 chapters)

Lost and Found (T, 900)

Moral Compasses and Magnetic Fields (E, 3090)

don't twist my arm, don't hold your breath (E, 5565)

CCTV (E, 10169)

Sour Grapes - Aho/Wardo, 2017-2018, cheating, smut, angst

Pinot Noir (E, 15730, 2 chapters)

Pinot Blanc (E, 29321, 3 chapters)

Pinot Gris (E, 9454, 2 chapters)

Brut Rosé (E, 4541)

2088 - Sexy times set in spring 2021 when Aho/Necas offensive pair hit it off

2088 (E, 2823)

Flight Delay (E, 6691)

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Martin/Marner

Bad Porn M&M's - What it says on the tin

his boner is a foot-long concrete dildo (E, 2969)

add a dash of ginger - M/M/M with Fred A. (E, 2160)

Rinne/Saros

Built To Last - post-retirement, All Stars 2022

Into The Great Wide Open (fluff, T, 2130)

Learning To Fly (but I ain't got wings) (smut, E, 3641)

Sunburn Treatment - fluff and smut

Sunburn Treatment (M, 1940)

White Peaches (M, 3318)

Zegras/Drysdale/Getzlaf

Quack Damn You - celebratory threesome smut

1000 x 1000 (E, 1900)

Bring Your Daughter To The Slaughter (E, 1232)

You’re Filthy Cute and Baby You Know It (E, 2824)

Various

Boys of Summer - off-season 2021 in Finland, developing relationships in  independent stories that share the same timeline

Summer Kisses (Rinne, Saros, Aho, E, 29220)

Dog Days of Summer (Miro, Eeli, Saros, M, 11516)

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One-shots

Aho/TT

For Shits and Giggles (Aho/TT fluff, T, 1105)

Joy Division (division by zero) by caixa-says-bye (caixa) (Aho/TT, Aho/Hine, TT/Esa, E, 1583, unfinished)

Letters from a New Home (Aho/TT, other Canes pairings, Historical AU, M, 11897)

look there brother baby and see what i’ve seen (M/M/M Aho/TT/TvanRiemsdyk, E, 5254)

one hundred percent yours (Aho/TT, established relationship bondage smut and domestic fluff, E, 1882)

The Perks of Having a Road Roomie (Aho/TT, friends to lovers fluff, M, 4600)

Aho/VM Savinainen - originally in Finnish

Aho/others

I Know a Little (also Aho/TT, Team Finland, T, 4926)

Midnight in Paris (Team Finland, M, 9142, 6 chapters)

Kesäranta (Aho/Hine, WJC 2016 squad, T, 1500)

Railing the Derailed (Aho team gangbang, emotions, E, 3706)

Kitty Got Claws (Aho/Rod, Kink bingo, Face slapping, biting and bruises, pwp, E, 3158)

Ruby Room (dirty floors and sticky tables) (Aho/Granlund, Kink bingo, Winner's Room, preds vs Canes 2021 playoffs, E, 3700)

need you now (Aho/Hine, Hintzkanen, Ex Sex @ NHL media Day in Paris, E, 7285, tästä asti aikaa in English)

Summer Kisses (Aho/Rinne/Saros, Aho/Rinne, Rinne/Saros, off-season, E, 29220, 5 chapters) 

When the Night Comes Falling from the Sky (Aho/TT plus multiple hook-ups to kill time on a road trip, M, 3662)

The Nip Bit (Smut, E, 853)

Bennguin

Forgetting Martin Nečas (Kuokka/Necas, Angst, T, 1119)

the more you are like this the less I care (jealousy, T, 480)

Various pairings, Canes

I Wasn't Born To Lose You (HFleury/NHanifin, Angst, T, 3876)

A Crowded, Hazy Bar (Football rpf x hockey rpf crossover, Burky/Zlatan, Caps ensemble, smut, M, 2377)

Various pairings, Caps

I think I thought I saw you try (Vrana/Kempny, College AU, M, 6217)

Russian Techno (Ovi/NIcke, getting together, T, 2955)

milk (Burky/J Carlson/G Carlson, M/M/F, E, 2518)

Dog Daddy Comes To Town (T Rask/Seguin, M, 1261)

Various

Dog Days of Summer (Saros/Miro/Eeli, M, 11516, 5 chapters)

House Rules (MattMcDrai, ensemble, Kink bingo, watersports, E, 1879)

ingénue (Pavs/Kivi, Dallas Stars, smut, E, 2522)

lay all your love on me (JHughes/Hischier, JHughes/JStaal, Winner's Room, smut, E, 2004)

Pearl Cleavage (Zegras/Drysdale, Kink bingo, frottage, body worship, E, 2153)

Raise, Grow & Repair (J Gardiner/Mo Rielly, Leafs, Not hockey players AU, Remix work, E, 6092)

You Could Be Happy (B Jenner/R Murray, post breakup, fluff and angst, T, 577)

windsor knot (Burky/Bedsy, Cup celebration daddy kink smut, E, 2229)

Various short or unfinished works

Worth It, Baby, Worth Everything – Juuse Saros (Saros/Reader, Fluff, T, 3243)

Wings of a Butterfly (Zegras/Drysdale, Wing!fic, weird biology, fluff and smut, E, 6022)

Crawdaddy by caixa-says-bye (caixa) (Rinne/Saros, Aho, musicians AU, T, 830, unfinished)

Suddenly Love Died (TT/Reader, angst, T, 659)

two friends but one broken heart (TT/Esa, angst, T, 593)

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boy from the north country - Suomenkielisiä versioita sarjan englanninkielisistä osista. 3 ja 4 on kirjoitettu ensiksi suomeksi ja käännetty myöhemmin englanniksi.

Jussi Jussilla (eli Kalajoen hiekat) (Jussi at Jussi's)

Suomeksi:

Etelässä kuulemma jo illat pimenee (When dusk and dawn embrace)

Sinun vuorosi loistaa (Thick ice, thin ice)

Ikuinen vappu

MM-kisat, Savinainen/Aho

Minä suojelen sinua kaikelta (MIdnight in Paris)

Tappiolla tappiin (I Know a Little)

Hine/Aho, Hintzkanen

tästä asti aikaa

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Go, read and comment, please! Ask me for recs or warnings, or if you need an invitation to get an Ao3 account.

Okay to reblog but please don't tag with player names if possible. I won't police anyone's blogging, it's only my humble request 🙏 thank you!

The fics are in alphabetical order except inside series, where they are listed in the order they are in the series.

[leavetaking]

i. 7 a.m. ii. early sunday morning iii. sun in an empty room iv. approaching a city v. rooms by the sea vi. drugstore vii. summertime viii. house at dusk xi. summer evening x. cape cod evening

"Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house."

Edward Hopper (American, 1882-1967)

[vcam1952]

Mary Blood Mellen (1817–1882), "Near the Coast at Dusk,” #womenartists #mysealikes https://www.instagram.com/p/CQbuqfjn-hE/?utm_medium=tumblr

[corkcitylibraries]

Frederick Douglass Series | Part 1

Frederick Douglass escaped slavery as a young adult in 1838 and became an influential leader in the struggle for abolition and women’s suffrage. His dedication to and passion for the protection of human rights brought about transformations in the US constitution.

This year marks the 175th anniversary of Frederick Douglass’ visit to Ireland.

Douglass Week, which runs from 8-14 February 2021, coinciding with Frederick Douglass’ assumed birthday, commemorates this revolutionary man’s visit to Cork.

Cork City Libraries will publish a four part series, during Douglass Week. This series will chronicle Frederick Douglass’ childhood, his experience as a slave and escape from slavery, his time in Ireland and, in particular, Cork, his two wives, his meeting with Daniel O’Connell and his achievements as an abolitionist, orator and suffragist.

 Frederick Douglass – his early life

By Deirdre Swain

Frederick Douglass was born into slavery in Talbot County, Maryland. He did not know the exact date of his birth, but he estimated that he was born in February 1817. He did not know his father, and he barely knew his mother, as she had been taken away from her children to work as a slave. He was initially brought up by his kind grandmother, Betsey Bailey, until he was painfully separated from her at the age of around six years old. This was when he was old enough to become Colonel Lloyd’s slave, overseen primarily by a woman he called Aunt Katy. It was at Colonel Lloyd’s home plantation that he met his siblings for the first time, but he did not feel a connection to them; they were like strangers to him. Aunt Katy was cruel and used to punish Frederick by starving him. In his writing, he describes one instance when his mother defended him against Aunt Katy and fed him generously. At that moment, he no longer felt that he was “only a child” but that he was somebody’s child. He never saw his mother again after that, but he had warm memories of her and respected her greatly. She was the only black person in the area who could read.

Image: https://commons.wikimedia.org/wiki/File:Frederick_Douglass_MET_DT1144.jpg 

From a young age, Frederick was very aware of the injustices of slavery and held strong convictions about it. He was told as he was growing up that God had made black people into slaves and white people into masters. But he was conscious that not all black people were slaves and not all white people were masters. His Aunt Jennie had run away and gone to the “free states” and was free. Frederick was no more than 7 or 8 years old when he reflected on the fact that escaping from slavery could be an option. Although his first few years in slavery were not as harsh as later experiences, he felt wretched due to Aunt Katy’s cruelty and the lack of food and proper clothing, and he was constantly struggling to keep warm. He wished he had never been born.

Happily, his luck changed and he was sent to Baltimore to Mr. and Mrs. Hugh Auld. This was a kind family, and Frederick was very happy living there. Mrs. Auld was like a mother to him, and she taught him to read. Frederick was in Baltimore for 7 years. Unfortunately, in 1833 he was then moved to a harsher slaveholder, Master Thomas, who then sent him to a man called Covey, who was known as “the negro breaker”. He had to spend a year as Covey’s slave, working from dawn to dusk, and he endured brutal and horrific treatment there. He was regularly beaten so badly that he bled, and he had sores on his back that wouldn’t heal for weeks because his clothes were coarse and kept the wounds open. He constantly had a sore back from being whipped with sticks or cowskins. The first six months were unbearably hard for Frederick, but something happened halfway through the year which brought about a change in his luck once more. He was unable to continue working one day because he felt desperately weak and sick with dizziness and a terrible headache. Learning of this, Covey kicked him and hit him in the head. Although Frederick was weak, he used all the strength he had to walk back to his old slaveholder, Master Thomas, to plead his case with him, telling him that he could not stay with Covey, for Covey would soon kill him. Master Thomas, however, defended Covey’s brutality and reproached Frederick for being lazy. As Frederick describes in his third autobiography, the slave is always seen to be guilty and worthy of punishment and the slaveholder is always presumed innocent. When he finally went back to Covey’s, Covey sneaked up on him and threw him to the ground. However, Frederick was determined to fight, and he resisted and defended himself. The fight went on for hours, but Frederick would not let Covey hit him. He didn’t get injured, but he injured Covey. The law of Maryland assigned hanging to slaves who resisted their masters. However, Frederick was neither publicly whipped nor put to death, and Covey never hit him again after this. Frederick believes that this was because he was ashamed that a 16-year-old had won the upper hand against him in a fight. This incident was the turning point in Frederick’s life as a slave. It gave him confidence in himself as a man, a human being - that he was not a mere slave - and made him determined that he could be a free man one day.

Image: https://commons.wikimedia.org/wiki/File:Frederick_Douglass_MET_DP254780.jpg

In 1838, Frederick did finally escape slavery. “Free” black people had “free paper” documents, and Frederick was able to get hold of a similar authorised document: a “sailor’s protection”, which bore on it an image of the American eagle. The journey was very risky, and he felt like a murderer on the run. Nevertheless, he did manage to make it safely to New York in the space of 24 hours. Here, he was a free man, but he was still in danger of being found and brought back to slavery. However, he moved to Bedford, Massachusetts to work as a caulker, and there was no fear of being recaptured there. The name his mother had given him was Frederick Augustus Washington Bailey, but he changed his name to Frederick Douglass as an extra precaution against slave-hunters.

It was soon after this that Frederick became involved in the anti-slavery movement. He began reading the abolitionist newspaper, the Liberator, and he attended a lecture by Mr. Garrison, its editor. He began attending anti-slavery meetings, and in 1841, he went to an anti-slavery convention in Nantucket, at which he was invited to speak. This was the start of his new life as an abolitionist.

 References

Douglass, F. (1882). The life and times of Frederick Douglass: From 1817-1882. London: Christian Age Office.

Images: https://commons.wikimedia.org/wiki/File:Frederick_Douglass_MET_DT1144.jpg

https://commons.wikimedia.org/wiki/File:Frederick_Douglass_MET_DP254780.jpg

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[miserabella]

edward hopper // vincent van gogh

girl at a sewing machine (1921) // young woman knitting (1881)

shakespeare at dusk (1935) // girl in the woods (1882)

corn hill (1930) // cottages (1883)

study of a seated woman (1899) // worn out (1882)

[robinird]

L’Aurore, Le jour, Le crépuscule et La nuit [fr.] Dawn, Day, Dusk and Night.

William Adolphe-Bouguereau (1825-1905)

Realism. French academicism.

“Dawn is Bouguereau’s first artwork in a series of the times of day. Others include Dusk (1882; National Museum of Art, Havana); Night (1883; Hillwood Museum and Gardens, Washington, DC); and Day (1884; private collection, USA). Though each allegorical figure’s personality is as different from the others as night is to day, a continuity exists among them – in their poses, loosely draped garments, and the landscapes they occupy. The paintings, a study in complements and contrasts, share a harmony of line, form, and color. Although the artist exhibited each work at the Paris Salon, they never hung together; he sold them to his dealer Adolphe Goupil, who in turn placed them with American collectors”

[thunderstruck9]

Edward Hopper (American, 1882-1967), Shakespeare at Dusk, 1935. Oil on canvas, 43.8 x 63.8 cm.

[ao3feed-lokiangst]

Deserving

read it on the AO3 at https://ift.tt/2WiZAYS

by KleoHoney

Loki goes after what he deserves.

Words: 1882, Chapters: 1/1, Language: English

Series: Part 1 of Heroes After Dusk

Fandoms: Marvel Cinematic Universe, Thor (Movies)

Rating: Mature

Warnings: Creator Chose Not To Use Archive Warnings

Categories: F/M

Characters: Loki Laufeyson, Loki Odinson, Tony Stark, Thor Odinson

Relationships: Loki/Reader, Loki Odinson/Reader

Additional Tags: Fingering, possessive, Jealousy, Loki in love, Thor - Freeform, gala - Freeform, tony stark - Freeform, drunk, Smut

read it on the AO3 at https://ift.tt/2WiZAYS

[lawrenceleemagnuson]

Edward Hopper (1882-1967) Shakespeare at Dusk (1935) oil on canvas 43.8 x 63.8 cm