#dub fx

[vjpathfinder]

What if creativity wasn’t just an expression, but a key to unlocking higher dimensions of time? What if art itself was a form of activation, a bridge between worlds, and a pathway to expanded consciousness? In this episode, we explore how visionary creativity intersects with time, technology, and collective evolution—revealing the deeper meaning behind 'Time is Art.' What does it mean to truly live in synchronicity with the creative force of the universe?

In Episode 22, Time is Art – The Visionary Path of Creative Activation, hosts Ruben Llinás (Kin 113) and Mikuak Rai (Kin 126) welcome VJ Pathfinder (Kin 239, Blue Overtone Storm)—a pioneering visual artist, scenographer, and Galactic Culture activist—to explore the intersection of art, activism, and planetary evolution.

For over 31 years, VJ Pathfinder has been channeling multidimensional art, weaving together live performance, AV production, creative coding, and immersive scenography to create transformational experiences. As CEO of P.A.N. Poland, his work bridges technology, visionary creativity, and time-consciousness, aligning deeply with the ethos of Time is Art.

This conversation lands on Kin 239, Blue Overtone Storm—VJ Pathfinder’s birth energy, a powerful signature of transformation and catalyzation. We will explore the role of art as a tool for planetary activation, the importance of making the daily Psi Chrono Units (Psi Bank) conscious, and how accessing higher-dimensional knowledge—such as the Arcturus Probe transmissions—can guide our collective evolution.

What does it mean to live the frequency of ‘Time is Art’? How can visionary artists serve as navigators of the shift toward a regenerative, noospheric future? And what deeper synchronicities are unfolding as we approach the Golden Intersection of Timelines?

NS1.37.8.18.239 | LilCount: 161577 | MVLC: 13.0.12.6.15 Galactic Moon, Kali 25 Kin 239 Blue Overtone Storm Blue Rhythmic Storm Year Monday, March 3, 2025

[conte-olaf]

L'unica cosa bella dell'inverno è che non ti si scalda la birra quando esci a fumare....

[all-skedaddle-and-no-bop]

raviolis so hard to draw

[asteroidtroglodyte]

Become on a little trip with me

How does he move like that!?

[indifferent-depravity]

TW: dub-con, ignoring a safeword, heavy impact play

Minors DNI 18+

A/N: daddy's back baby! don’t forget requests for everything are open so if you’d like to see anything from me feel free to drop it in my ask box :)

buy me a coffee!

help me escape abuse

my Etsy shop

~~~

The acrid smell of burning fills the kitchen, smoke curling above a pot long forgotten on the stove. You push through people, shouting as you reach the stove, “Shit! Shit shit shit shit!” You fumble with the knobs to turn the burner off, ignoring the heat burning your hands as you drag the pot off the stove.

You grimace as you assess the damage, a thick burned sludge at the bottom of the pot is all that remains of the once-perfect demi-glace. “Chef!” You freeze at the sound of Carmy’s voice, giving him a sheepish look as he stops next to you. Anger radiates off his body, mouth pressed in a firm line, “what the fuck did you do? You had one fucking job!”

“Carm, I-I’m sorry, I must’ve bumped the heat too high before I went on break. I-I can start-” he holds his hand up, eyes hard as he glares at you and your voice catches in your throat.

“It’s too late! I had that simmering for 12 hours!” You open your mouth to defend yourself and he shouts, “I want you out of my kitchen! Go! You fucked over the whole service, I don’t want to see you!”

You flinch, casting your eyes to the floor as tears fill your eyes, “I didn’t mean-”

“Now Chef! I’ll deal with you later.”

You nod and quickly flee the kitchen, heart pounding as the door to the restaurant closes behind you.

~~~

Your head snaps up as the door bangs open, “C-Carmy, I’m so sor-”

Carmy shakes his head, mouth pressed in a firm line as he crouches to undo his boots. His voice is dangerously calm when he speaks, “I don’t want to hear it. Do you know how much you cost us because of your fuck up? I couldn’t make half the beef I ordered for this specific service.”

You nod, picking at the skin around your thumb, “I-I know, it was just an accident and it’ll never happen again. I promise.”

He nods and swipes his tongue across his lips, hands moving to his belt, “We’ll just have to make sure, won’t we?” Your heart stutters in your chest, ice filling your veins as you watch him slowly pull his belt free of his jeans.

“C-Carmy, no...” Your voice is shaky as he stalks toward you, twisting his belt in his hands.

“The punishment needs to fit the infraction, honey.” You shake your head, backing away from him. Carmy laughs icily, a dangerous fire filling his eyes, “Don’t run from me, just take your punishment like a good girl.”

“No! I already said I’m sorry!” you plead, inching your way around him toward the door. His face morphs into an angry scowl and he strides toward you, your breath catching in your throat. You trip over your feet in your haste, grasping at the wall to stay upright and away from him.

Your hand falls from the wall as you reach the bathroom and you bolt into it, slamming the door shut just as Carmy comes into view. You fumble with the lock, tears obscuring your vision as his voice filters through the door. “Hiding, really? I thought you were better than this, honey.”

The knob twists as he tries to open the door, letting out a strangled shout as you manage to get it locked in time. You let out a shriek as he slams his fist against the door, backing away as far as the room allows, “You-you need to calm down! We can just talk about this like adults!” You call through the door, voice weak with fear as the door rattles against his fist.

He goes silent on the other side of the door and you take a deep breath, trying to settle your racing heart when the door bursts open, anger darkening Carmy’s features as he pushes into the room. You scream, holding your arms out to keep him at a distance. He easily knocks your arms out of the way as he grabs your hair in a vice grip, forcing your head back. He speaks through gritted teeth, nostrils flaring with anger, “You just made this worse for yourself, you know that?” 

Your lip trembles as you silently plead with him, hands coming up to cup his face, “C-Carm, please, I know you don’t want to do this.”

He shakes his head with a mirthless laugh that sends a shiver down your spine, “You don’t know what I want, bitch. What I wanted is for you to be a good girl and accept the punishment I deemed fit to give you.”

You shake your head against his grip, “N-no, I need you to stop! R-red! This isn’t funny anymore!”

Carmy releases your hair and for a moment you see your Carmy, the Carmy that would never raise a hand to you. He’s gone in a flash, replaced with cold fury as he loops an arm around your waist and hauls you out of the bathroom, unimpeded by your fight against his grip.

“Carmy! Let me go!” You shout, digging your fingers under his arm, trying desperately to escape his grasp.

“Oh no, you’re not gonna get out of this, honey!” He chastises, dragging you toward the bedroom, “I gave you too much leeway and now I’m going to fix it.” He throws you onto the bed, catching your ankle before you can scramble out of his reach, and brings his belt down across your ass.

You yelp and kick out, catching Carmy in the stomach. His breath leaves him in a wheeze but his grip stays firm around your ankle. He huffs out a laugh and climbs on top of you, “You’re a feisty one, aren’t you!” He teases, pinning your legs down with his body weight as he brings his belt down harder.

You sob as a throbbing ache blooms under his belt, twisting your fingers in the bedspread. He pays your pained noises no mind as he peppers your ass with harsh strokes of his belt, your jeans doing nothing to dull the blows.

Carmy is breathing heavily when he finally tosses the belt to the side and leans over you. He grips your hair, forcing your face towards his, “Do you understand why I had to do this, honey?” You nod and let out a hiccupping sob, tears leaving scalding tracks down your face.

“I-I’m sorry,” You gasp and just like that he’s back to being your Carmy, softening his grip and gently carding his fingers through your hair. He leans in and kisses your cheek softly, shifting his weight off your legs.

“We’re almost done, okay? Just one more thing so you remember not to make the same mistake again.” You nod, taking in a shuddering breath as he slides down your body. You remain lax as his hands move around your waist and pop open the button of your jeans, gently pulling them down your legs.

Carmy’s hands are gentle as they smooth over your thighs, pulling them open to make room for his hips. His fingers prod your core, a quiet whine escaping your throat as the rough calluses catch deliciously on your clit. He shushes you as two fingers slowly sink into your cunt, stretching you for his cock with quick precision, “This isn’t for you, honey. I’m going to use you, cum in you, and then all will be forgiven.”

You squeeze your eyes shut as his fingers disappear as quickly as they appear, the sound of his jeans being unzipped filling the room.

~~~

You’re still laying in the same position when Carmy comes back into the room, carrying a wet washcloth. He kneels next to you and starts gently wiping his cum from your thighs. You flinch, mustering enough strength to shift away from his hand. He sighs, resting his hand on your hip as he tries to continue cleaning you up, “c’mon honey, let me help you.”

You shake your head, mortified tears burning your eyes as you shift away from his touch again. Carmy scoffs and tosses the wet cloth on your back, standing to his full height. “Fine, don’t accept my help. I’m going for a smoke.”

[kindlingandhawthorn]

beta reader? discord?

I'm looking for a beta reader for the first time in probably 20 years... or maybe a discord community to toss ideas back and forth with...

I'm currently writing explicit (bdsm/kink, abo, dub-con/non-con recovery) fic. This IS a new psued (not someone new to the internet/fandom/etc.) and that's because I don't really want to cross the streams as it were, between this fiction and the rest of my digital footprint.

I have a ton of momentum behind me right now in the form of 50k words of Justified kink (ha!) in one series (I already posted part 1), another ~50k of Justified ABO, as well as the start of four more Jacob Pitts-centric fics (fandoms include Justified, The Pacific, and one very bizarre Sinner-influenced prostitute AU- I don't even know, guys)

So... if you're interested in beta reading, know someone who is, know of a discord (and maybe don't mind coaching someone through joining a discord for the first time?) or are just willing to signal boost, I'd be grateful.

Tagging this with applicable fandoms and pairings. ALL of which I seem to be showing up to 10-15 years late with Starbucks.

[askcharaandfriends]

So when I watched your dubs of the Mettatonland arc in AFAC, I noticed that some of the sound effects sounded off. If you want, I can give you a link to all of the sound effects used in the game. Really hope you don't take any offense to this, I'm just genuinely asking if you want the link.

Early on, I used a crappy mic, went to YouTube and typed in "undertale sound fx" and hit record. In my ears, it works. I simply have been too lazy to fetch a better set. It's a lot of sounds! It takes organizing! I've not the spoons. But I won't say no to a link to that. I may change my mind one day and it would be nice to have it on hand. I have also recorded other sounds with varying levels of quality. And sometimes I alter the sounds for a specific effect. You may have heard that as well.

[nocentis]

x

[pheadhones]

my current favorite drives & distortions

gorilla glasses diy by gci, asd, ds4 supra distortion by crock and a parallel mix of asd and a distorted sub octave synth

[vjpathfinder]

👾 DUB FX feat Mr Woodnote 🎼 Riga [Latvia´2024] ✨

soundmaster: Vladi // lights by Niccolo // vizuals: Pathfinder

[triceratops-333]

01. Reservoir Dub "La Junta Radiente" 02. Pula Dub "Version" 03. Pula Dub "Original" 04. Mad Professor "Backward Sucking" 05. Pinch "Chamber Dub" 06. Bitter Sweet "Phaser Edit" 07. District "Transmission" 08. Stereotyp "Um-dois-Tres" 09. A Tribe Called Quest "Bugginout" ...

09. A Tribe Called Quest "Bugginout" 10. Fu-Schnickens "Ring The Alarm" 11. Boogie Down Production "Necessary" 12. Shy Fx "Bambaata 13. Dread Zeppelin "Whole Lotta Love" 14. Nina Hagen "Africa Reggae" 15. Bus feat. Mc Soom T "Keep Life Right" 16. Lady Apache "Shot the sherif" 17. Freestylers "Phenomenon On" 18. ??? "Stayin alive..." 19. Miss Thing "Love Guide" 20. Goldfrapp "Utopia"

[salamispots]

yALL :'D

comic dub was made by GabaLeth over yonder at youtube, @lethalityrush on tumblr!

do you think Link's used the master sword to chop up veggies

[conte-olaf]

Guarda "DUB FX - NO MORE - FEAT. STEPPA STYLE & NAPPY PACO" su YouTube

We don't need we don't need

We don't need no war

We don't need we don't need

We don't need no war

[twinroomies]

Godamnit, I've been busted! Did Akane tell you who I am, or do you have some sort of 4th wall powers? /j

All jokes aside though, thanks for having me!

Fun fact: I actually have a reason for the name Cara. Well, kinda. It's mostly because of Kris and Frisk being almost anagrams except for one letter. The car pun was completely unintentional, but man, ngl, THAT SHITS CRAZY, I LOVE THAT /pos

Also, with every ask I send, Cara gets another bar of extra-dark chocolate in the fridge. (No, I will not explain where I get them.)

~Chocolate Anon.🍫

I don't think Chara's gonna eat the random chocolate, they're untrusting of suspiciously appearing cocoa products, but it's the thought that counts! Also, I'm sure Asriel will do something silly with them eventually. As for how I know who you are: ya'll, I also read Twin Runes! HOW QUICKLY WE FORGET OUR FAVORITE DETECTIVE (Ignore the person who asked about them like less than 24 hours ago)!

Ye. That's me. I'm the Kris. Moss. I've done a few other silly little things around Twin Runes as well, but it all started with my fandub, where I'd draw custom little parts for the comic to give it a bit more movement and life! Oh, uh, I guess while we're here, now's a good of time to mention it as any, it's been in the FAQ a while but I figure it's good to have it as a note out here as well:

PSA: YOU HAVE TO ASK TO DUB TWIN ROOMIES

Now, you might wonder to yourself "Why the change from Twin Runes to Twin Roomies", and the answer is simple! New artist, new rules, really just how it is. Akane gets a LOT of requests to voice Twin Runes, so many that it'd be really hard to keep up with directly communicating with that many people about permissions and such. No such issue here, and as someone who's been doing voiceover for a while now themselves it's always been etiquette to ask permission if not outright given, and I'd like to reserve the right to say no. Now, am I GOING to say no? Probably not, but if you're offended by the idea of having to ask the person who's script and art you're using as the foundation of your adaptation for permission to make such an adaptation? I don't want you adapting my stuff! I'm not hard to reach, worst comes to worst you can use the very inbox this ask was submitted in and as long as you use an account I can reply to you privately to tell you "go ahead"! I might even just end up, gee, I dunno... putting your video at the end of one of these posts because it's super cool and I LOVE the way it turned out?

The Dubsoul team did a FANTASTIC JOB with this video, and because they reached out they had access to EVERYTHING I HAD. That's the original foley, that's the music track in the background, the FX seperated, the subtitles both on the video and as a .srt file, etc.! ANYWAYS! TLDR; It's my stuff, you gotta ask, don't be the next Kyotosomo or I'll suplex you, okay? Thanks, Chocolate Anon, and sorry your post got hijacked a bit!

[petermorwood]

Sound FX oopsie or not?

I was watching a couple of episodes of "The Crown" last week, and picked up yet again on something I'd noticed - heard - before. Unless there's something going on that I don't know about, the sound the show used for phones is incorrect.

They (w)ring wrong. In fact they ring American.

UK / Irish bell-ringer phones, the ones I grew up with - and which you'd expect to hear in Buckingham Palace, Balmoral etc. - had a short double ring, like so: Brringg-Brringg ... Brringg-Brringg ... Brringg-Brringg.

US bell-ringer telephones had a single long-ish ring, like so: Brrriiinnng ... Brrriiinnng ... Brrriiinnng.

It probably sounds unimportant for those too young to have heard these phones unless they've installed a "old phone ring" in their mobile.

However for people who grew up with a particular ring (not that long ago, the phones in those pics brring'd on in homes and offices on both sides of the Pond well into the 1990s) the incorrect sound can be as odd as, for instance, seeing US or Irish / UK cars driving on the wrong side.

It takes a couple of seconds, and then "Oh, that's not right..." (or not left, as appropriate).

Despite more on-line searching than I should have wasted time on, I haven't found either "goof" or "reason why" to explain how those phones in "The Crown" rang the way they did, and it's an itch I'd love to scratch.

*****

Another sound error is depicting modern British emergency vehicles as having two-tone (dee-dah-dee-dah) horns. Not any more - even though an EV going somewhere in a hurry with lights and sounds on is AFAIK still "running blues and twos".

Nowadays "twos" have been replaced by wailer, yelper and oth-er kinds of electronic siren - none of which, IMO, are as efficient as the two-tone either for cutting through ambient noise or indicating which direction the sound and vehicle is coming from.

I've also got a memory of a documentary sometime in the past year about the Battle of Britain and the Blitz (i.e. 1940-41) where whoever dubbed in the sound-effects clearly assumed that a dee-dah tone has always been the British police-fire-ambulance warning.

Ahhh... No.

British emergency vehicles in the 1940s didn't use sirens, horns or klaxons; they were fitted with hand-operated or electric bells. At that period, the two-tone warning called a Martin-Horn...

...was AFAIK exclusively German...!

All this sounds picky-picky, but while using the wrong plane or ship or vehicle because no example of a real one exists any more is one thing, making a mistake in something as inexpensive and easily-reconstructed as a period sound is another matter.

Of course it's a well-known truism that while the contract for a movie / show's historical consultant says they must be paid, there's no matching contract clause that says they must be heeded, so for the sake of their scholarly reputations those consultants sometimes demand to be removed from the credits.

Looking at you, Ridley...

*****

ETA: Some days later, with that original post still queued, I may perhaps have found an answer. :->

I've just watched "Thirteen Days", that rather good, properly tense movie about the Cuban Missile Crisis, in which Kevin Costner's character had two phones at home. The black one was domestic with a US single ring, the red one was Official...

With a UK-style double ring.

Without bothering to re-watch each relevant episode of "The Crown", I'm now thinking those "incorrect" phone-rings may all have been internal lines and - like the Official phone in "Thirteen Days" - had a different ringing pattern to denote they weren't a "civilian" call.

In addition, the Costner character and his wife both react to the double ring with alarm, indicating they know its significance.

All of the above makes sense when you consider that custom ringtones were half a century in the future, and there's only so much the electrical pulses driving a pair of metal bells can do...