#dual turntables

[stone-cold-groove]

From the classic audio files: a 1971 ad for the Dual 1209 turntable.

[eightiesfan]

1979

[bastiaan12]

💙💙💙💙💙💙🤎🤎🤎🤎🤎🤎 life goals.

[jfk-blown-away-blog]

Will Wood & The Tapeworms - SELF-iSH

[reviewskim]

Top 5 Best Affordable Turntables [Review-2023]

[goronwy]

Helloween is back again with another great album "Helloween" was released on June, 21 2021. The Vinyl edition contains 3 LPs. My personal favorites are ... Skyfall, Cyanide, and Out for the Glory ... It's not easy to decide 🤘 . . . #wetterau #germany #analogrulez #vinylrecords #helloween #helloweenofficial #hellowenband #analogmusic #turntable #german #hessen #heavymetal #dual #metalmusic #dualturntable #ortofon2mred #qualitytime #vinylcomnunity #vinylcollector #vinyl #vinyllover (hier: Maibach, Hessen, Germany) https://www.instagram.com/p/Cmv4IQ6oU78/?igshid=NGJjMDIxMWI=

[trivialbob]

In addition to yesterday being PTO from work, I took today and tomorrow off too. As fall approaches I usually like to set aside a few weekdays to wash windows and purge the house of unneeded items.

This morning I blasted through my home office, going through every drawer and cabinet. I found an old Garmin watch that I haven't used in years. It may still work, but it's large and clunky. The heart rate monitor is a separate strap that goes around the chest. It never felt comfortable to me.

These things wouldn't fetch a dime on eBay. I ran many miles and races with that watch. There are many nice memories around its worn-smooth, sweat-etched edges.

But I'll never use it again. My latest Garmin, like Hugh Hefner's youngest wife, is thinner, lighter, and does more things than the old one.

There's no point in keeping that old watch only to have my kids throw it away when I'm gone. I may as well benefit now having a desk drawer that isn't overflowing with junk/memories.

I also threw out of miles of cables and cords. Those RCA cables that connected my dual tape deck, turntable, and CD player to the cool Sony receiver I bought when I got married? Well, since I don't have any of those components anymore is there really any reason to keep the cables? Uh, no. Does anyone need a charging cord from a 1998 Palm Pilot? I have one, at least until the garbage truck arrives today.

It relaxes me, being able to see the bottom of drawers or having cabinets that close without a solid nudge from my shoulder.

Those clean windows make rooms a lot brighter as well.

[manic-maniac-man]

Yasuhiro Mihara Aw05 Gap special interview

Keeping it simple

This season marked the Miharayasuhiro brand's full-fledged Milan runway debut. The show, which started at 9:30 am on the last day of fashion week, was bathed in a clear morning light and marked by a laidback atmosphere. "I stripped the show off all excess," says the young designer, "I wanted it to be simple. I wanted to show the clothes in a pure way without relying on BGM with impact, a vibe of a venue, or an eccentric presentation. I did the show in a small space with a limited number of guests. So this time it was a very homey ambience. It was totally different from the Tokyo catwalk." The show's unspectacular venue had courtyard where laundry dry- ing above and other evidence of the day-to-day life of Milan were in full view. "It's been turned into a gallery," explains Mihara, "but originally it was a bakery. I was looking for a small space, and somebody found it for me. But it turned out to be smaller than I expected. I was really surprised when I first saw it!" The space was so small it looked as though audience seated on opposite either side of the catwalk could have touched palms with just a little stretch. It was in this cramped space that Mihara chose to set up turntables. "I decided to give the turntables the same function as a clock," he says. "We set up turntables all through the venue, each playing a different track, so everybody would be picking up on dif- ferent rhythms to feel an individual sense of time. Then, through the almost uncomfortable proximity of models to spectators, the sound of models' footsteps and the wind they walked, through all of these things, there was a romantic feel." Thus with the small white-walled space and simple background music, Miharayasuhiro's collection was presented simply yet intensely and with plenty of impact.

Respecting color

This collection was titled "The Complexity of Points of View," but Mihara explains that he purposely doesn't publish a theme or con- cept for his shows. "Publishing that kind of stuff can be pretentious and, in a way, dangerous," he says. "I'm very interested in the 'moment of blankness," he continues. "For example, when

punching something with a staple, you're not thinking anything, that you would hardly right some kind of power in that instant. I yearn for that power of feel seless. I'm interested in dodle that is for ahave no punning or purpose - like a doodle that is praised for an artistic meaninghe questions remain of how the clothes, and Mihara him Belf, would be interpreted by the people that see them. His philoso phy is that if you have to have a theme, leaving it up to the values, phy is that and thoughts that will be, the process and rer is the optimum way. "In my case," he says, "the process and mentality Delhind my creations are the concept. I'm talking about the com plexed dual nature of opinions - everything has a different explana fion according to whom you ask. There are always different per. tipectives. But this, for me, is an essential thing, so rather than a theme that's limited just to this season, it's something that's always

been inside me." Mihara says he is not very attached to colors or concrete things. "There are such things as colors that expected in fabrics," he explains. "For denim the most appropriate color is blue, for a trench coat it is beige, for military items, and so on. I believe these generic colors to be very important. But, whether it's fashion or just clothes, if there is no reality it is just a fantasy. So this time, I sort of let myself off a bit and changed things. I showed colors that are not colors. I tried to respect the colors that the shape of clothes deserved. The result was a lot of black and white."

The right time to head overseas

Miharayasuhiro's Milan debut follows the defection from the Tokyo Collections of Under Cover and Number (N)ine. Mihara reflects on what is widely considered to be a big loss for the Tokyo fashion scene. "At this stage, I can't say I found a reason for choosing Milan after being in Tokyo for 10 seasons. This season I'll show in Tokyo in an exhibition format, but in the future maybe we'll do both shows simultaneously, I don't know. To be honest, doing a show in Tokyo and Milan at the pace of once every three months is very dif- ficult unless you're a big brand." Mihara says the reason he chose Milan for this season's show was an advice from the people around him. "I did the collaboration with Puma, and my name was known. worldwide, but that was it. Many people were asking me why I did- n't do show overseas. People have been saying that to me for over two years now. At that time I felt the timing wasn't right, but it began to seem more appropriate." So why did he not follow his compatriots to Paris? "People often ask that question, but like I said, I'm not fixated on making it overseas. Many people see show- ing overseas as some kind of status issue, but if you ask me, that's a big mistake. I did it because I thought it was right for me, and the reason I chose Milan was just because I happen to have a lot of friends there. It's not the show that's important, it's actually an act of creating that's important. Of course, as a means of communicat- ing your beliefs to many people, as an epicenter, a show or exhibi- tion is very important." It remains to be seen where Mihara will decide to settle his so-called epicenter, but the brand is sure to continue to show in a place where his creations shine at their best. "The act of making things will give you something more than simply performing the act itself. I want to cherish the spirit in it.

[hyperculture]

everyone let's all buy turntables <3333 #audio-technica #technics #dual #audiophile #turntable #vintage #records

[stone-cold-groove]

From the classic audio files: Dual turntables ad - 1975.

[eightiesfan]

Dual Stereo - 1981

[bastiaan12]

Stereo Space Odyssey.

[jfk-blown-away-blog]

Another favorite from my collection

[gauthist]

I lovr u yamaha tape deck. I love u pioneer receiver. I love u 200cd sony cd player. I love u dual 1019 united audio turntable. I love u sony xbr televeisions. goodnight everyone vuv<3