#best turntables brands

[reviewskim]

Top 5 Best Affordable Turntables [Review-2023]

[super-rangers]

Hi there! I come to your ask box to humbly offer some UIW based Rejanis headcannons because they have been rotating in my brain as if they were on the glass turntable of a microwave. I hope you enjoy and I apologize in advance for the length 😅 please add on as you may see fit! thank you for this story!

1. Because the height discrepancy between Regina and Janis is a constant subject of jokes between them, Regina jokingly starts taking those x0.5 lens top-down forehead photos of Janis (the kind that make her look like that one Megamind meme, you know the one) and shows them to her, saying, “This is what it’s like to date you.” The thing that she forgets to consider, however, is that Janis completely leans in to it because that is exactly the brand of goofy humor that she thrives in. And thus begins a growing photo collection in Regina’s phone of just 0.5 photos of Janis, taken at school, every time they go on a date, where ever 😄 (Bonus: on their anniversary, Regina makes two posts. The first, on her main account, is so beautiful and sentimental and more vulnerable than she is usually— a show of how far she’s come and how much more comfortable she’s grown in herself and how much she loves Janis. The other is on her finsta, and it’s just a carousel post of those photos of Janis with the caption, “One year of this POV 🥰🥰🥰”. Janis is comparing them later and says of the finsta post, “You should’ve posted this one on your main instead”

2. In the same vein, Regina sends those Gnometok tiktok videos to Janis (for reference: https://www.tiktok.com/@thefreshestdoug/video/7387230517243972906) along with commentary like, “Oh my goodness, Jan—I had no idea your relatives have had to endure so much 😔”

3. (At the risk of being a little too meta considering the iterations of these characters are based off of the movie musical 😅) in addition to playing the guitar, Janis has a beautiful voice. She really doesn’t think much of it—it’s something she likes to do for herself and is so commonplace for her and done so mindlessly but Regina absolutely loves LOVES to listen to her, even if the singing and humming is near constant sometimes. In fact, and no one knows of this because she knows it’s so disgustingly sappy that she would get super shy and deny it if anyone were to bring it up, but she likes to sometimes ask Janis to sing to her. Of course, Janis always obliges, and has taken particularly to singing her old Hawaiian folksongs or lullabies while they’re cuddling that her mom used to sing to her as a young child. Regina becomes the human embodiment of the “🥹🥰🥹🥰🥹” emojis and melts into a puddle every time

4. As a segway from that last bit, I don’t want to frame this as something that’s remarkable because it’s something that any good partner would and should do, but I am always such a sucker for cultural exchange/learning about and engaging with your partner’s culture as a form of honoring & loving them, and I think that’s something that would be really important to Regina. Like she’ll often ask about customs and she tries her best to commit the little Hawaiian words and phrases she hears Janis and her parents use to memory and even sometimes try to use them too 😄 (her pronunciation is a little off a lot of the time but she’s got the spirit!)

5. As headstrong and stubborn as Regina can be in her own right, after reading about Regina’s reservations re: her and Janis staging a fake fight (though I completely understand where she was coming from), I can’t help but think that at least towards the the beginning of the relationship, whenever she and Janis DO actually get into an argument, she embodies the “my girl is mad at me, hope i die” meme, at least a little bit 😆 like, she doesn’t necessarily make Janis privy to that, but I can definitely see her wallowing in her angst and being like, “Janis hasn’t talked to or smiled at or kissed me in 12 hours and I feel like I’m DYING”

Oh my god I love all of these

1. I'm obsessed with this bc like,,,true. They would 😂 I'm tacking a little bit onto the end of this one lol

"You always post feelings on your finsta. At least, that's what I do."

Regina is instantly on alert bc she did not know Janis had a finsta. Just all up in Janis' face like "You have a finsta?"

And Janis is like "uh. No?"

And thus begins Regina’s hunt. it takes her like an hour at most, and when she finds it, it's just full of pictures of her (both serious and goofy), pictures of their dates, and paintings. The posts range from sentimental to shit like "shes so hot I think I hauve covid"

It has 3 followers: Damian, Cady, and (maybe surprisingly) Karen

2. I had never seen a gnometok video before I'm cackling

I love that headcanon lolll

3. This one fits perfectly on with my headcanon that Regina can't sing! She totally takes every opportunity to hear Janis sing. She's got a playlist titled "songs Janis likes to sing to" and she plays it in the car all the time

4. 🥹😭 that's so cute omggg

Janis one day is like "babe, you've been so sweet learning about my culture, so I decided to return the favor. As you can see, I'm wearing my shoes in your bedroom."

5. Oh no doubt about it. Regina goes an hour with Janis mad at her and she becomes just so depressed. Only her pride is keeping her from groveling

[freddiemercurylegendabovelegends]

Today - March 5th, 1976

Eddie Howell "The Man From Manhattan" 7" single released

Freddie Mercury: producer/piano/bvs

Brian May: guitar

Excerpts from an interview

Jacky Gunn-Smith - Official International Queen Fan Club

Eddie Howell’s ‘Man From Manhattan‘ is one of the best known and best loved of all Queen’s collaborations.

Recorded in mid January 1976 at Sarm East Studios in London, the song was produced by Freddie Mercury, who also played piano and sang backing vocals on the track and featured Brian May on guitar. The record is so reminiscent of “A Night At The Opera” in both instrumentation and mood, that many fans regard it as virtually an “Opera” out-take. When it was launched as a single on Warner Bros records in 1976, it became a turntable hit in the UK and looked set to chart until music industry bureaucracy halted it in it’s tracks.

Birmingham born Eddie Howell began his professional career in the late 60’s, when Chrysalis music picked up on his songwriting demos and introduced him to an independent record producer, who in turn licensed his first single “Easy Street”, as a one-off deal to Parlophone in 1969.

Working as a songwriter throughout the early 70’s, Eddie’s next venture into recording came in 1975 when he signed to Warner Bros records as an artist. thursdaysHe released two singles, “Long Story” and “Can’t get over you”, and his debut LP “The Eddie Howell Gramophone Record”, which featured members of “Brand X” and guitarist Gary Moore.

The album was launched at a promotional gig at Thursday’s club in Kensington. Eddie’s band included Phil Collins on congas, Jack Lancaster on saxophone and Robin Lumley on keyboards. Explains Eddie, ”In the audience that night was Freddie Mercury who had been brought along to the gig by my manager David Minns. It was there that he first heard “Man From Manhattan”, which was a newly written song included in the set. After the gig we met and he was very complimentary about the song and offered to produce it. I remember we all went down to ‘The Elephant on the River’ to celebrate”.

Enthused by the prospect of his first foray into production, Freddie wasted little time in getting started. ”I gave him a two track guitar/vocal demo of the song” recalls Eddie, ”and a couple of days later he called and said let’s get going. Studio time was booked at Sarm East Studios and true to form, Freddie quickly took control of the sessions; ”He did lots of pre-production work on the song’s structure and the harmony arrangements”, reveals Ed. ” He had a mini cassette recorder loaded with ideas for the track, backing vocals and answering phrases”.

”We took a week to record the song”, remembers Eddie, ”which was a long time in those days, but because of Freddie’s involvement, Warners gave us a blank cheque. The sessions were quite intense, there was never a lull. Brian came in to play hismikestone2 guitar parts and the musical rapport between him and Freddie was plain to see, they were on the same page. One day, a hand-held spinning bell-cymbal in the key of ‘D’ was required by Freddie for one ping at the end of the track and the studio didn’t have one, so a runner was dispatched to scour the streets of London in search of one. The session was adjourned for half a day while we waited down at the Shazam Indian restaurant in Brick Lane for the bell to arrive. It eventually arrived and took about a minute to record, it must have been the most expensive ping ever recorded”.

On the final day of recording, a trio of Warner Bros top brass flew in from California and made a beeline for Sarm East studios to meet Freddie. Recalls Eddie, ”They probably thought the red carpet would be rolled out as they were paying for the recording sessions, but instead they were kept waiting in reception for about four hours. When they were eventually granted an audience, the charm offensive was full onlongstory3 and it was all smiles and bonhomie. At the end of the session, after the final playback, Freddie turned to me and said, ‘If this isn’t a hit, sue Warner Bros ‘ ”.

The finished article obviously had a heavy Queen influence with the presence of Freddie and Brian on the track, but ”Man from Manhattan” was far from a tribute to Queen. ”I wrote the song after my first trip to Manhattan in late 74”, reveals Eddie, ”I was reading ‘The Godfather Papers’ by Mario Puzo and the song was about those mafia characters who lead a double life. Musically, I had ‘Dead End Street’, by the Kinks in mind, complete with trombones and a walking double-bass”.

Prior to the ban, ”Manhattan” made top 50 in the UK, top 20 in Australia, Belgium and South Africa and top 5 in Holland, but sadly, as a consequence of the ban, it was never released in America or many of the world’s other major territories.

When it was issued as a single in 1976, Warner’s publicity department played up the Queen connection as much as they could, and “Manhattan” rapidly became a turntable hit in the UK. The record received heavy rotation on the airwaves – particularly in Europe where it became a big hit. Then, just when it looked set to climb the charts in the UK, the Musicians Union mysteriously discovered that Jerome Rimson, the American bassist hired by Freddie for the sessions, had been working in Britain without a permit. This obliged them to place a ban on any and all further UK media exposure due to his ‘Illegally’ recorded playing. A decision which effectively killed off the record.

Having recently regained the rights to his back catalogue recorded during his time with the label, Eddie is now releasing the tracks digitally. ”Man from Manhattan” is first up, more to follow…

(source: https://manfrommanhattan.wordpress.com/)

📸 Pic: Freddie Mercury and Eddie Howell in control room

[anamelessfool]

Papa Knows Best (AO3)

From my "Domestics" Ficlet Series

GEN Young Primo (1962)

Tags: Mother and Son, Vintage Suburban Childhood, TV Rots Your Brain, Single Mom, Latchkey Kid, Fluff and Humor, Maybe I should send this to my Therapist, Sorta Sad Fluff Because That's My Brand

First and foremost dedicated to @fishwithtitz the most badass mom I know (besides my own), @ghuleh-recs because they like my Young Papa HCs. Also special shout out to @thew0man and @can-of-pringles for their unbelievable support.

Ficlet below the cut!

1962

Primo [Irving Robert Olson] was born at the New York City Chapel of the Satanic Church of the Void in 1953 to Sister Nance and Brother Nihil. He and his mother left the Church in 1960. Looking back, the fact that his half-brother Secondo was born the following year was probably a strong factor in Nance's decision.

The world wasn’t designed at all for a single parent household. His mother Nance did what she could to be there, but it was hard making ends meet as a poet and freelance writer so she was often out late, teaching at the nearby college or researching for the occasional newspaper gig. Nance would date other men but none stuck around, especially when they had strong opinions about her son. She preferred being alone anyway.

Primo early on learned to take care of himself, and to understand that she couldn't really attend all the bake sales, meetings and neighborhood events like the rest of his classmates.

He would ride his bike home easily enough, over the train tracks, quickly past the kids shooting bottles off of the rails with bb guns. Primo was the heaviest kid of his age group, and the other boys delighted to remind him of that. (He also was the strongest kid so they kept a healthy distance from him when they started crowing about his weight as he rode past.) He would arrive at the house soon after the train track gauntlet, parking his bike by the front yard vegetable garden. The key would always be under the mat and a sandwich in the fridge just for him. If Nance would be home past five o’ clock there would be a note for him with a silly doodle by the phone.

Primo had a big imagination, but he was never interested in books. The two things he really enjoyed was his portable turntable and the television. He had the entire week’s programming memorized and luckily Nance wasn't around right after school to chide him about too much of it rotting his brain.

One of his favorite programs (besides the Lone Ranger) was a sitcom entitled Father Knows Best. On the afternoons it was on, Primo would scoot up too close to the television, twisting the volume knob until it would not crank any further. He even dared to eat his sandwich right in the living room, the plate balanced on his lap. No one but the bronze Baphomet sculpture on the side table ever witnessed his small acts of defiance. But it was a little ritual that he enjoyed as the music swelled and that familiar house with the white picket fence appeared on the screen.

He felt odd watching it, like he was spying through the window of a classmate’s house. Trying to understand the ins and outs of this perfect family and their small dramas. Often he imagined the television screen was a window to an aquarium, a zoo exhibit featuring a rare organism. Sometimes he felt it was the smiling figures on the screen that were the real people, and he himself was the creature in the enclosure. Those were not very good days.

At the end of each episode Father would strike a dapper figure, poised against the stiff gray couch, wearing an equally stiff but smart suit even in his own home. He'd thoughtfully put his pipe to his lips, nodding at his son standing sheepishly in the middle of the living room. “Now I suppose, Bud, that today you’ve learned the importance of telling the truth,” he would chide smoothly. His voice would keep a manly tenderness despite his scolding. “And because you didn't tell the truth today, you lost the money that you were planning on buying Barbara’s birthday present with.”

“That's the pits, isn't it,” Primo said out loud, half to himself and half to the bronze Baphomet nearby.

But like the namesake, Father always knew best, and the son would get a few new dollar bills, a playful rifling of his hair and an order to go out and play. THE END, announced the title card, and the music would wash across Primo sitting in the living room alone.

“Is Mister Walter coming back this weekend?” Primo expertly captured another one of Nance’s Sorry pawns. It was evening and the two of them were doing their usual after dinner bonding time. It was fun to chat and play board games with his mother, but Primo secretly enjoyed them better when there were three people playing.

“Mr. Walter…hated cats,” Nance muttered through her cigarette. Apparently a lot of them hated cats. Primo thought it odd this was a hard limit for Nance since they had never owned a pet bigger than a goldfish.

“He was alright,” said Primo. “He liked watching TV with me.”

“TV rots your brain,” Nance replied. “Have you been enjoying Robinson Crusoe?” She had gifted the book to him for his birthday and had subsequently planted it in strategic locations to encourage him to read it. He kept reading the first page, getting confused, and then putting it down.

“TV makes sense.”

“Yeah, of course it does. Take a plot, throw it in the mixer and then drink it up. I once got offered a job writing one of those family bilgefests and turned it right down.” Nance had forgotten they were playing the game. She tapped her nail on the table. “You're smarter than that, Irving.”

“Mom, it's your turn,” reminded Primo. He stared hard at the game in front of them. “There was a good Father Knows Best episode today. Bud lost the money for Barbara’s birthday gift.”

“Father Knows Best?” Nance’s neat ponytail twitched. “Irving, you know best.” She moved her piece and collected one of her son’s pawns off the board. “Sorry.”

Primo started to feel her seething agitation, although he knew it was never about him. “Are you…thirsty?”

“Are you offering?” Her small elfin smile started to emerge. “Shall we split a Coke?”

Primo nodded and obediently went to the icebox, grabbing one from the door. He pulled out two glasses and carefully emptied the bottle into them, stooping and staring with intensity as he ensured the Coke was perfectly divided between them. He returned from the kitchen, fully smiling now, and handed one to her. Nance did a silly toast and then they clinked glasses.

Nance sighed and ruffled her son’s hair. “I'm sorry this is hard. But it's necessary. You'll understand soon. This world is full of idiots who wait for things to happen, and it never comes. Who expect things to go a certain way. Who think someone else knows what's best.”

Primo suspected she must have had a rough day. She was usually cheerful, quippy and energetic but today she gloomily tapped the ashes from her cigarette into the crystal ashtray and stared at the Baphomet across the room. At last she sipped her glass and waved her hand around.

“But all of this? All mine. I made this happen. I did it. And I'm not holding my hands out at the sky either. I'm grabbing what I want with my fist.” Nance's face softened. “And I love sharing it with you, son. I choose to share it with you.”

My AO3 | Tumblr Fic List | My Terzo/Omega Fics

Please comment and reblog! Thank you.

[audio-luddite]

I was talking with a guy.

Hey if I am mentioning it here it was about audio.

The question was how to get started in serious audio (lets not call it audiophile yet). It is a remarkably simple and yet complex question. Spend lots of money?

So to start, the front end is the tricky bit. That is source and control. Source is what you are listening too. Control is selection of source, if you have more than one, and basic volume control. In most systems control is the preamplifier.

The back end is the speakers and power amplifier. Actually really simple. What fits in your home and how much can you afford. Easy to change if you want.

The first big issue is source. By that I mean hard copied media or virtual. The first is category is CDs and their ilk such as SACD etc, and of course Vinyl LPs. The second is streaming online.

The second one first. (interesting sentence that but perfectly correct)

Streaming is far from simple. It has the least initial cost for the media as it is just a subscription fee (forever). It has an enormous even overwhelming variety and quantity of content. It also is only permission to use the content, but you do not own it. You can have a huge "collection" but it is virtual. Also there is a controversy about payments to artists.

Often not said is that almost all the streaming services are at or below CD quality. CD quality is not considered truly great by the tribes. That is all I am going to say about that right now.

The hardware is not simple for high end streaming. In very general terms you need a DAC (Digital to Analog Converter), a box to buffer or hold the downloaded files, and a computer to do the downloads and host the streaming service software. That is three boxes. In high end they are all expensive of course.

There are devices that do all three things, but they are not cheap. They also do not have the quality of the "best" systems.

Audiophiles like dedicated computers and streaming servers and DACs of eye watering expense.

In summary the streaming front end is very expensive. In my looking about for adding that to my system it is thousands of dollars. Conservatively about $5000 for my quality goal. Emphasis on that is only the front end.

Now to my thesis.

I say the least cost path to high end sound is with vinyl. WTF?! A high end capable Turntable starts at hundreds of dollars. Much more can be spent, but in today's local classified ads there are dozens under $500 and a few very good ones up to $1000. An older model refurbished unit is perfectly fine for the job. And I mean high end sound extraction. Brands such as Technics, Rega, Thorens, Micro Seki, Kenwood, Pioneer are good candidates.

A high end phonograph pickup or cartridge can be had for under $500 bucks. I have three all around $400 ish or less. I like Grado, and Audio Technica. There are more, but I don't have any of those. Moving coils need not apply. Those are euphonic, which is they add seductive sounds that are not in the source material.

That is the whole vinyl source hardware list. Under $1400 bucks or less and you are up and running. The only caveat is your control preamp needs to have a phono input which most old ones do.

In my case have a high end hybrid tube FET preamp that can be had for $2000 or less depending on the phase of the moon. You need that anyway. My opinion is the preamp is the major contributor to the overall performance of your system.

So that brings the full front end to less than $3400 for a high end system. If you take into account all my extra phono cartridges I still spent less than that. Just.

There is an intriguing option in a high end integrated amplifier from Technics (SU-G700) that is a preamp and DAC and very good class D amplifier with a phono input for about $2400 USD. Just add speakers and turntable and you are over the threshold to high end. It is rather spooky. If I had to start from scratch I would be tempted. Far less than an ARC suite. I could no longer claim I was a Luddite though.

Yes with vinyl you still have to buy LPs, unless you are an old fart like me and have hundreds, but it is actually rather fun. Compared to the initial cost of a high end streaming system the cost of an extensive LP library looks reasonable. I search for high quality boutique stuff usually, but I also find stuff in the racks. Garage sales anyone?

I have high end sound in my home. I dare say it is the best sounding system I have every heard. Vinyl is not a compromise. There is a lot to be said for getting up to flip a record every 20 minutes. Hell I have a watch that nags me to get up and move if I stay seated for more than an hour. (yes I am a geek) It's good for you Mr couch potato.

Obviously to play at this game money will be spent. You can start off modestly and build over time (decades in my case) or jump in. In the end you will have a sonic place to spend time appreciating art at the highest level.

Interesting that I really cannot afford to add high end streaming to my system. I don't need to.

[imsparky2002]

Lil’ Monsters

Welcome to DuPont Daycare for Little Monsters, run by the zombie, Caline Bustier, and the headless horsewoman, Olga Mendeliev. Here’s a look at all the students that attend, and one naughty guest.

Maridoll: This little voodoo doll loves to make clothes and dolls for all her friends, even Lila! She's painfully shy, and doesn't do much talking, but is learning how to come out of her shell. Marinette is scared of getting booboos, because her friends will get them as well. Though she has a tendency to panic, she gets comforted by her friends, especially Alya and Reshma. She's also very very close with her best friends, Adrien, Kagami and Luka.

Average Adrien: The newest kid in the monster daycare, Adrien is the first and only human. A bright and happy little ray of sunshine who can stop hearts with his smile, he’s excited to learn about all his new monster friends and their families. He’s willing to try anything, but doesn’t always understand the limits he has as a human. His favorite people to play with are Luka, Kagami, Marinette, and of course, his best friend, Nino!

SpectrAlya: Alya is a friendly ghost girl, and her dream is to become a reporter when she's older. She's always carrying a little microphone, with her best friend Nino as her "camwaman". Her family helps her run a little blog about her daycare, and she's always looking for a scoop. Since she's just a toddler, it's easy for her to jump to conclusions without getting the full story. Still, she's a loyal pal and will do anything to help the other kids. She wishes that ghosts would be allowed to haunt, 'cause it seems so fun!

FrankenNino: A friendly and energetic little boy who just wants to help everybody get along, Nino can often be found settling arguments between his classmates…when he isn’t searching for his missing limbs. As Adrien’s best friend, he tells the young human everything he knows about monsters. He also loves to make music with his friends, scratching on his little toy turntables, when he’s not helping Alya by filming for her blog!

Max Steam: He may be a robot, but he's a real sweet kid. Max's got a passion for discovering new things, and to show them to his inventor Markov. He likes to use big words, though he doesn't always get the pronunciation right. Kim's his best buddy, and he loves reading books to the werepup. He's also got to be careful, since his hardware is brand new, and he doesn't like tripping over himself.

Alix Gorgon: A spirited little toddler who is always mouthing off to people, this little Gorgon is a world class smartalec! Only her best friend Nathaniel is able to reign her in. She loves to play with her Greek Monster friends Simon and Cosette, and frequently gets into trouble doing crazy challenges with Lacey and Kim. She adores her snakies, who she frequently talks and sneaks pieces of her snack to!

WereKim: The most energetic little puppy on the planet, Kim loves to play with all his monster tot friends. He can be more than a little rowdy, he loves to howl, wrestle and chase his tail. But he’s also a very sweet boy, who loves to give hugs and affection, especially to Ondine, who he has an adorable puppy love relationship. He’s the goodest baby boy in the world!

Ivan Bumble: A baby yeti who uses his strength and size to protect others from bullies. He loves to wrestle with his sasquatch cousin Denise, and his favorite kid is Mylene, his flower. If you mess with her, there'll be hell to pay. Also gives the best hugs, and has a tendency to throw boulders.

MyLeaf: A little girl with a green thumb, as well as green skin. She may only be a seedling, but she's already got a passion for saving the environment. Mess with plants around her, and you're in for a bad time. Still, she is a very timid child, constantly apologizing for other kids getting tripped up by her vines. Her powers also grow different flowers depending on her moods. Loves playing and snuggling with her yeti, Ivan.

Draculeka: A sweet little vampire who tries her best to be regal and mysterious like her piratey mama and rockstar papa, but who can’t help causing mischief with her brother Luka and her best friend Rosie. She loves to play music on her toy guitar, jamming out in a little band with some of her friends. She also has a tendency to get nervous and angsty at times, but her friends are able to put a fanged smile back on her face!

Luka Cullen: A mellow and relaxed little vampire who loves making mischief with his sister, Luka sometimes gets into trouble for hypnotizing the teachers for pranks! He loves rocking out on his toy guitar, especially in the little band he’s formed with his friends. He especially loves playing for his friends, Marinette, Kagami and Adrien! He’s a sweet boy, but very protective of those he loves!

SkeleRose: This little skeleton has both a heart and hair of gold, always livening up the room. She's the first to raise her hand in class, which is easy when your limbs are detachable, and always goes out of her way to help her teachers and friends. If only she could stop losing her bones. Her favorite pal is Juleka, a little vampire who she loves very much. She's the singer in their band "Monster Smash".

Chloepatra: A somewhat bossy little mummy who fancies herself the queen of the school, Chloe likes for things to go her way. She does have a nice side, which mostly shows when she plays with her friends, even if she argues with her sister frequently. She’s incredibly dramatic, utilizing her mummy powers to make a grand entrance. She’s also know to throw the occasional tantrum, and heaven help you if you wake her up from a nap!

Zombrina: This little zombie is quite the braniac! She shambles around helping kids with homework, assisting her best friend Chloe, as well as Miss Bustier, who's like a second zombie mama to her. She doesn't want to hurt her friends, and is content with just nomming on their heads, and chewing on little pieces of brain for snacks.

Nath Goyle: A quiet and artistic little gargoyle, Nathaniel loves to draw little pictures for his teachers and friends. He’s a bit of a stickler for the rules, always monitoring the daycare to make sure everyone is behaving. He loves to play with his best friend Marc, who often joins him for a fly around the playground.

MothMarc: A shy and timid little moth, Marc is easily startled and upset by loud noises and sudden movements. He spends a lot of time off on his own in a quiet corner. But he’s also a very kind little boy who loves to write poems and stories for his friends, especially his best friend Nathaniel!

NeferZoe: The nicer of the mummy duo, Zoe often has to keep her sister from getting in trouble with other kids. She's a sweet girl who loves her scarabs, helping her sister to take care of them. She's got a mischevious time, loving to shamble around and act scary, but she gives the best hugs. Her best friend is CosetTaur, who she often calms down when the minotaur is angry.

CosetTaur: This little minotaur will only ram you if you’re being bad. Cosette is usually a very sweet girl who loves playing with Zoe, and solving puzzles is her favorite thing to do. It feels a connection with Alix and Simon, since they’re all monsters who were villainized by the Greeks.

Ondine Blue: A cheerful, sweet and bubbly little girl, Ondine is always doing everything she can to make her friends happy. She loves to run around and play games with her friends, and encourage them to take care of the ocean! She also loves to play with her puppy, Kimmy, who she can often be seen snuggling with. Oh, and she actually LIKES bathtime!

DracoGami: This little eastern dragon is one of the most stoic of the group. However, she can be a rambunctious kid, as her strict mother can attest to. She loves playing in the water with her good friend Ondine. Kagami has a problem with sharing, at least when it comes to her treasure. Only her partners, Adrien, Luka, Marinette can grab any without fuss.

AstraRore: Sent to Earth from the planet Boreala, Aurore is here to meet all kinds of new monsters, and she couldn’t be happier! Cheerful and curious, Aurore loves to discover new things and solve mysteries in the daycare. She loves all the new friends she’s made, but her favorite friend is Mireille, the little slime.

SliMireille: A cautious little bundle of slime who loves to hang out with her alien friend, Aurore. She gets very anxious about leaving trails of herself on the floor, and doesn't like the sort of chaos that usually occurs in the daycare. That's why they have all sorts of hiding spaces. She and Aurore love all things science, and especially the weather. They have Nino as their cameraman, and give little weather reports.

Denisquatch: A lively and playful little Sasquatch, Denise is always full of energy. They love to run around and play outside with all their friends, dreading days when rain traps them indoors. They especially with their cousin Ivan and friend Kim, and scooping their cyclops friend, Simon, up for a big hug!

IsmaCat: A mischievous little stinker, Ismael loves to make minor trouble around the daycare. Though he’s often pulling small pranks and snarking at people, his friends love him anyway. At heart, he’s a good kitty and a loyal friend who stands up for people.

Flamecey: She's certainly got a fiery temper, that's for sure. Lacey is quick to anger, so it's not wise to try any funny business at her expense. She's already a little rebel, who hates being told what to do without a good reason. Still she's a cheerful and helpful kid. When it gets cold, most kids huddle around her for warmth. She loves doing dares with her friends, Kim and Alix, as well as causing mischief with Ismael.

OperJean: An enthusiastic and theatrical little phantom, Jean loves to put on performances for all his friends! He can be a little dramatic and emotional, but his friends are able to bring him back to earth. His adorable southern accent makes it a joy to listen the songs he performs with his ‘bandmates’. He especially loves singing for his ‘Grimmy’, the little reaper, Austin T.

Austin Grim: He doesn't want your soul, just a hug! This little reaper is incredibly shy, and worries about being seen as scary by humans. Funnily enough, he can't seem to be scary to other monsters! His favorite person in the world is Jean, and the two love to sing songs together, and go on little adventures. He has a passion for collecting little trinkets, and is said to have the cutest laugh.

SiClops: This little cyclops has an eye for technology. He's the first to ask to play on the tablet, and teaches his friends how to play video games. Him and Max help to fix anything that is broken, and he loves to snark with Nathaniel and Ismael. His bestest friend has to be Denise, who does puzzles with him, and gives the best furry hugs. He, Alix, and Cosette are great friends too, and love going on little adventures and making fun of those old Greeks who villainized them.

Harpy Lila: A shifty little harpy, Lila gets more joy out of nothing than annoying her fellow monster tots. She loves to spook and snatch up her classmates, particularly ones that are easy to scare, like Marc and Mylene. She also loves to cause trouble, and is something of a compulsive liar, though no one ever believes her.

Frightful Felix: A mean-spirited and hateful little boy who gets joy out of torturing and scaring others, particularly his cousin Adrien, and Adrien’s monster friends. He likes to dress up in his Jack-O-Lantern costume and cause mayhem. He wants to be like his uncle Gabriel, following his footsteps in hurting and hunting monsters.

This was an absolute delight to make with Weeby, and we came up with so many fun ideas. You’ll be seeing more of this spinoff that’s for sure. Make sure to check out their main Monstrous AU. Also make sure to reblog, reply, post and ask. @artzychic27 @msweebyness 

[hifilounge]

Bel Canto Now Available at HiFi Lounge, Now This Was A Real Surprise!

Hi Everyone,

So it has been a while since we have bought on any new brands, I actually made a decision a few months ago to refine our offerings and go back to just focusing on the brands we really love, HFL is now in its 12th year and we have tried a lot of different kit and brands over that time so it is really refreshing to know exactly what brands we want to support and offer our customers but you have always got to keep your eyes, and ears, open as something may come along that really excites which really has been the case with Bel Canto.

So in all honestly this one has been a real surprise, now I will listen to anything as that is a great way to learn what is out there so when I was asked the other day if I would like to listen to some Bel Canto kit I thought why not, what's the harm but with my current thinking of focusing on the brands we have I had no intention of bringing them into the HFL fold, then I heard the £8900 All In One E1X integrated and I was sold instantly.

Bel Canto E1X With our demo YG Cairn Speakers

Like most people into HiFi I am sure the name Bel Canto is one that is known, I had heard the name before but knew nothing about them, but the only thing that matters to me is sound quality and you know when something is right and the E1X really delivered instantly, yes there is a lot of tech inside its sleek box, it is basically an integrated amp with a high quality streamer and phono stage built in but for me the sound quality was so open and natural I was instantly hooked, there was so much space and air it instantly reminded me of some of the valve amps we have here that have that ethereal spacious sound, you can also alter the treble and bass and it is Roon compatible, it really is a hell of an all in one.

Bel Canto Black EX With the Rega Naia and DeVore Fidelity

Then we tried the next level up, the Black EX Integrated, basically a £17k version of the E1X, this sounded amazing, much more than it’s size hinted to what was possible, such a natural and big sound. I have been looking for a Solid State brand that would work well with the DeVore speakers that we love so much at HFL so the next thing to try was to put the Black EX on our DeVore O/Baby's and 0/96’s and as I hoped It was a great combination, a real alternative to the 300B valve amps that makes them sing normally, I love its simplicity, you can have one of these boxes, a turntable and a pair of speakers and you are good to go with a system that will sound amazing.

Bel Canto Black Control DAC with Wilson Audio and D'Agostino

Next we tried £45k 2 Box Black Control DAC plugged in direct to our D’Agostino Momentum Stereo power amp which was driving our Wilson Audio Alexia V speakers, this is basically a streaming DAC/PRE but what I really love is that like the rest of the Bel Canto range is it actually has analogue inputs and a very high quality phono stage built in so and again you can build a really highend system without loads of boxes, again we got that amazing open sound but just more of it, certainly shone in this system.

Obviously Bel Canto do a whole range of kit so I look forward to exploring some more of their range, I particularly like the idea of the Pre/Power version of the all in ones, but from what I have heard so far I really believe that they will be a great addition to or portfolio as they offer something totally different to what we already offer and sound amazing, I am confident our customers will love it as much as I do.

So at the moment we have all 3 of the above products on demo so please feel free to come in for a listen anytime and please find a link below to Bel Canto on our website - 

All the best,

Paul.

[damnea]

The trouble in the shed strike would have been over right away if the Fat Controller invested in some suitable engine repellent.

The Fat Controller arrived bright and early one morning with a little gift for his three favourite tender engines.

A brand new sign for the inside of their shed.

As the workmen affixed the new sign above the shed doors the engine's faces slowly melted into a mixture of disgust and misery.

There in curly, cutesy font were the words-

Live, Laugh, Lovs

"I ain't living for it." hissed James.

"I'm certainly not laughing." Henry scowled.

"No, no, no! We're not having this, gentlemen we're leaving. Gordon wasn't the least bit pleased with this dreadful new arrangement.

And with that the engines quickly scattered like roaches.

They all huffed out of the shed at once, each blocking one anothers approach to the turntable in a pitiful attempt to escape.

This strange new thing bothered them for some reason.

--- later that evening ---

Thomas was confused.

"And why can't we go back again?" He asked.

"We've all agreed that Tidmouth sheds is no longer habitable, so we've decided as a family that moving out was the best recourse."

Gordon was not going back, not while that horrid decor loomed menacingly above his eyeline.

"But why?" Thomas fussed.

"Humph, rats." Gordon said, with a feigning tone of disgust, "filthy, disease bearing rats. Yes, rats."

"Uhh, and it's haunted too," James said, nodding in agreement, "Ghostly rats."

Henry didn't want to go back either.

"It burnt down too."

The Fat Controller's plan had worked almost little too well. He finally had all of engines working once again, but at what cost?

[nicollekidman]

You have a record player right? If so, would you mind saying what kind it is and if you recommend? Also the price point?

I really want to get some of Taylor’s vinyls but I have no idea what kind of record player to get. I don’t want to spend a ton of money but also don’t want to get something that’s garbage.

i have the RT85 from fluance with A2+ audioengine speakers, it’s in the higher-mid tier (i wouldn’t spend any more than this unlesss i got VERY into vinyl, this is the top of my budget and was intended as an investment piece, but i wanted something genuinely high quality since i buy a lot of vinyl). i would not at all recommend this just starting out, although fluance has other models at lower price points! i’m very happy with it, if i do anything further i’d probably upgrade my speakers.

i’d recommend fluance as a brand but you’ll have to do a bit more research on speakers etc since they just have turntables. if you want something more beginner friendly, you can’t go wrong with audio-technica! they make stuff that’s quality but still made for people just starting out, it won’t be the Best sound but it will be perfect for building a collection! the only thing i’d really stay away from is crosley, i know they’re cheap but the sound truly is ass and if you really intend on using it, it’ll damage your vinyl pretty quick.

[gerogerigaogaigar]

OutKast - Stankonia

This is OutKast at their most stylistically varied. At times they hit the G-funk so hard that they sound almost exactly like P-funk, and at others they are experimenting with drum and bass instrumentals, and yet other tracks see them integrating guitar riffs. OutKast, and Andre 3000 in particular, are always balancing creativity with corniness and Stankonia has the best balance. Plus the hooks are unbelievably catchy. You will have Gasoline Dreams, Ms. Jackson, So Fresh So Clean, I'll Call Before I Come, B.O.B., or maybe We Luv Deez Hoez stuck in your head after listening to this album.

Steely Dan - Aja

This is one of the most meticulously produced albums of all time. You don't even need $1k headphones to hear it. The balance is perfect, every instrument in its right place, crisp and clear. The vocals rise to the top but never overtake the piano or horns, the drums are crisp and punchy yet never overtake the mix. Even if the music sucked ass I would still praise the production. Thankfully the music is also teally good. Steely Dan have perfected their crisp and sleazy brand of lightly funky jazz rock. In typical Steely Dan fashion the songs can mostly be described as 'about some guy or girl'. There's one weird caveat that has nothing to do with Steely Dan but the song Peg is ruined for me because, as big of a Steely Dan fan as I am, I'm an even bigger De La Soul fan so Peg is forever the sample from Eye Know for me. If you don't have the same brain worms as me this shouldn't be a problem.

Guns N' Roses - Appetite For Destruction

I don't hate this album, I actually like it, but I do hate Rolling Stones' attitude towards metal. I can think of like five better metal albums from 1987 that they could shove in here, but no it is only the shit that's most palatable to dadrock audiences. Napalm Death - Scum, Laibach - Opus Dei, Mayhem - Deathcrush, Anthrax - Among The Living, Death - Scream Bloody Gore, King Diamond - Abigail. There that's six, none of them sound at all similar and they are all better than Appetite For Destruction. Sure I could do a real review for this album, but why? What could I say that hasn't been said? That Slash only jas one guitar solo in him that he reuses every song? Old news. That their whole aesthetic is corny as fuck(derogatory)? That their whole aesthetic is corny as fuck(affectionate)? Nothing I say here matters. I do like Nightrain tho. That song kinda goes.

Eric B. & Rakim - Paid In Full

The dynamic duo of 80s hip hop. Rakim was one of the best rappers of the 80s and Eric B. serves as a reminder that hip hop is more than just rapping. In fact Eric B.'s turntablism skills are more often the centerpiece than the rapping such as in Eric B. Is President or the instrumental tracks Eric B. Is On The Cut, Chinese Arithmetic, and Extended Beat. Although Rakim is no slouch and his dedication to internal rhyme schemes influenced a generation of lyrical miracles who would crash and burn trying to live up to Rakim's skill level.

Van Morrison - Astral Weeks

Astral Weeks is jazz pop with folk rock sensibilities. It features lengthy songs with a jazz band backing, but a lot of the instrumentals are also very folk influenced and the production feels more pastoral than jazzy. It's a hazy dreamlike mix of sounds that is fun and delightful to listen to, although I'm a little surprised at how high on the list it is. I'm confused and concerned that we have gotten two Van Morrison albums and zero Tim Buckley's.

Stevie Wonder - Talking Book

Throughout the 60s Stevie Wonder went from child prodigy to teen hit machine and when the 70s began is when he finally entered his 'classic era'. Talking Book was his 15th record but it spawned the biggest hit of his career, Superstition. Talking Book also sees Stevie Wonder evolving as a lyricist. You Are The Sunshine Of My Life expresses a very pure, innocent love that sits a bit outside of how Motown love songs were usually written and Big Brother is the start of Wonder's blunt, serious political songs with upbeat melodies. A landmark album in the funk and soul scene and the start of an era where no one else was allowed to win Grammys

Led Zeppelin - Led Zeppelin IV

Oh here come the very cool tough hard rock boys singing about Tolkein again. Fucking nerds. What is that a mandolin? Lol. This album is so fucking good.

The Band - s/t

Oof, I'm conflicted. On one hand this is an amazing album, on the other it isn't better than Music From The Big Pink. The Band nail a sense of Americana here, especially on The Night They Drove Old Dixie Down and Up On Cripple Creek, but where Big Pink is a fantastic whole album this one is just a very good collection of songs. Swap their places and I have no complaints.

Liz Phair - Exile In Guyville

You have no idea how happy I am to see this album here, let alone at such a high place on the list. Exile In Guyville is one of the most perfect pieces of lo fi indie rock ever made. Liz Phair hits a unique place between the grunge and indie scenes without ever feeling like she's trying for anything other than sincerity. The sparse instrumentation makes it so every note is important and every emotion is laid bare. The rawness of emotion is essential when she's navigating the nuance of different kinds of disappointed and dispassionate. Liz Phair comes off as deeply cynical about men, but also very horny. I respect that. She roasts handsome confident men and then sings longingly about pathetic weirdos. I really couldn't relate more. This album above all others really makes me feel like I could, should make an album myself. The raw production, the simple short songs, the simple but honest lyrics. Exile In Guyville is one of the greatest indie albums of all time.

[brolicarmydjschool]

Best DJ School for Mens in NYC

Welcome to the Brolic Army DJ School by Rob Swift. A DJ platform where expert instructors and informative lesson plans provide a customizable path of learning for beginner, intermediate and advanced DJs!

“The Brolic Army DJ School helps students cultivate the skills it takes to forge their own unique trail to success.”

“Learning to mix, scratch and beat juggle takes a combination of effective teaching and hard work. There is no shortcut to becoming a well-rounded DJ, but having the techniques and styles of practice broken down for you sets you on your journey to long-term success. This is why I created the Brolic Army DJ School. Whether you have no experience DJing and are excited to learn, or if you’re struggling to improve your current DJ game, my courses will take you on an exploration of all I’ve learned throughout the past 30 plus years of creating, mastering, performing and teaching the art of DJing.“

Brolic Army DJ School Courses:

All courses are included in each membership level.

9 Courses:

Basic DJing (4 Videos)

Basic Scratching (4 videos)

Fundamentals of Beat Juggling (10 videos)

Advanced Beat Juggling (3 videos)

Training Camp with DJ Rob Swift (16 videos)

Workshop Archives (24 Videos)

Advanced DJing (2 Videos)

Masterclass (23 Videos)

Advanced Scratching (3 Videos)

Each video is a fully comprehensive guide and contains easy to understand instruction so that members get a total learning experience. Tutorials in scratching and juggling include full history and context taught by one of the OG’s of the game.

More courses are on the way!

Whats Included in the Brolic Army DJ School Membership?

FREE DOWNLOAD pack of original scratch beats

Full access to ALL EXCLUSIVE HD DJ Tutorials, Scratch Workouts and Masterclasses

Access to our MEMBERS ONLY EVENTS such as the Brolic Army Civil War Annual Online DJ Battle + Seasonal online showcases

SITE-WIDE DISCOUNT on all merchandise and branded products

Access to the online community: Forums + opportunity to get featured on the @brolicarmy IG page.

BROLIC ARMY ALUMNI

The Brolic Army has a host of accomplished alumni. Many began with little to zero knowledge of DJing, or had only experienced DJing on controllers. Rob Swift’s Brolic Army DJ School and Community has transformed the abilities of thousands of DJs. Alumni range from from popular Club DJs, to Nationally and Internationally known Battle Champions. The Brolic Army has seen its’ students along their journey to creative expression and mastering the art of DJing.

Join the Brolic Army Dj School and community Now!

BROLIC ARMY DJ SCHOOL COURSES

Course 1- Basic DJing with Rob Swift

Hip Hop icon and pioneer DJ Rob Swift teaches fundamental DJ techniques. You will learn everything hand mechanics to listening and basic mixing techniques. This course will help you manually control the tools of the trade. You will also hone in on your listening and learn basic mixing styles.

Lecture A: Hand mechanics

Examining how to manually control the tools of the trade (turntables, mixer, needles, headphones etc.)

Lecture B: Listening

Analysing the importance of understanding bars, bar structure and quarter, eigth and sixteenth notes.

Lecture C: Mixing and Dropping on Beat

Demonstrates how to transition from one turntable to the other seamlessly by performing straight drops and “baby scratches”

Lecture D: Building a DJ Set

Arrangement: comprehensive details example on how to build a set. Together we explore how to apply fundamental DJ techniques in arranging a fluid DJ set.

Genre and BPM: understanding how to organise various styles of music.

Best suited to beginners or those wanting to improve their turntable instincts.

Course 2- Basic Scratching

In this course we review the 9 cornerstone scratch techniques, the baby, scribble, tear, forward release, forward stab, forward drag, reverse drag, transformer and chirp scratches.

As well as learning each technique, this course is designed to help you learn how to phrase scratches so that you can take your knowledge to the next level, creating scratch routines, improving social media content and more.

Lecture A: Faderless Scratches

Baby, Scribble and Tear and Scratch Workout

Lecture B: Forward Scratches

Forward Stab and Release and Scratch Workout

Lecture C: Intermediate Scratches

Chirp, transform, reverse drag and Scratch Workout

Lecture D: Phrasing scratches

Combining the nine cornerstone scratches.

Each lecture has an accompanying Scratch Workout aka ‘Training Camp’ designed and hosted by DJ Rob Swift to help you practice your scratches and improve your confidence and fluidity.

Course 3- Rob Swift’s Fundamentals of Beat Juggling

Rob Swift explains how to manipulate drum beats, words, etc. on both left and right turntables simultaneously through the application of the 10 Root Movements of “Beat Juggling”. This course is our most popular course from DJ Rob Swift. As a pioneer of beat juggling and creator of the ‘Swing Pattern’ there is no one better to teach these techniques.

1. Backspinning + Backspinning with 1/8th and 1/4 note fills

2. Breakdown Pattern

3. Snare Pattern

4. Offset Backspin

5. Rock the Bells Pattern

6. Swing Pattern

7. Chase/Strobe Pattern

8. 8th Note Linear Single Fills

9. 8th Note Linear Double Fills

10. 8th Note Linear Triplet Fills

Course 4- Advanced Beat Juggling

This advanced beat juggling course will help you take your skills to the next level. Now you have learned the root moves, you will learn to create your own patterns, how to combine all of the root moves to become a more creative beat juggler. The emphasis in this course is creativity and self expression. Beat Juggling is not just being able to do somebody else’s pattern, but creating your own unique patterns and combinations too.

1. Chase pattern with 8th note fills

2. Snare Pattern (Level 4)

3. Total Eclipse’s Rolling Fills

Course 5- Training Camp with DJ Rob Swift

Training Camp with DJ Rob Swift is a practice based course. This course contains four Scratch Q&A practice videos to help those who already understand the fundamentals of the scratch techniques improve and elevate their scratching.

1. Faderless Scratches

2. Forward Scratches

3. Intermediate Scratches

4. Combining the 9 Cornerstone Scratch Techniques

5. Fader Grip

6. The Mix Master Ice Scratch

7. A Guide to Composing a Battle Routine

8. Applying the Mix Master Ice Scratch

9. Orbit Flare Scratch

10. Articulating the Crab Scratch

11. Articulating the Boomerang Scratch

12. Combining multiple scratching patters in a solo

13. Scratch Phrasing

14. Listen and Modify

15. Negative Space Perception

16. Christmas Scratch

Course 6- Workshop Archives

This courses “Workshop Archives” is a hub for past academic, or teaching events and lectures that Rob has hosted and will host in the future. These talks are done in collaboration with other organizations broaching topics that Rob teaches in his courses on the Brolic Army DJ School.

BACKSPINZ DJ WORKSHOP PART 1: Tips for Building a DJ set

MIT Lecture: The 5 Tenents of DJing

BACK SPINZ DJ Workshop Part 2: Personalizing Beat Juggling Patterns

BACK SPINZ DJ Workshop Part 3: Comparing DJ Scratch’s and Steve Dee’s Linear Fills

BACK SPINZ DJ Workshop Part 4: History of Beat Juggling

BACK SPINZ DJ Workshop Part 5: Hand Explosiveness

BACK SPINZ DJ Workshop Part 6: Keep Calm and Composed

BACK SPINZ DJ Workshop Part 7: Why are DJ fundamentals important?

The Mechanization of DJ Art Part 1: Introduction

BACK SPINZ DJ Workshop Part 8: Tips on mastering the “Crab” scratch

The Mechanization of DJ Art Part 2: Learning to DJ the organic way

The Mechanization of DJ Art Part 3: Importance of community amongst DJs

SCRATCH (Directed by Doug Pray) Dr. Butcher & Steve Dee Interview Outtakes

Cali, Colombia’s Binantional Center Lecture

X-Ersize: X-Men Documentary

SHURE In-Store

How To DJ with Honda, Roc Raida and Mista Sinista

The Value of Mentorship in DJing

Perfecting “Chase” patterns with 8th note fills

Table Talk with Rob Swift part 1

Table Talk with Rob Swift part 2

Table Talk with Rob Swift part 3

Table Talk with Rob Swift part 4

Table Talk with Rob Swift part 5

Course 7- Advanced DJing

DJ Rob Swift teaches advanced DJ techniques in this course on Advanced DJing. This course focuses on elevating DJ sets and routines and features tutorials on advanced mixing techniques, and ways of incorporating the three main facets of DJing (mixing, scratching and beat juggling) into your work.

More lessons to come…

EQ Mixing and Looping

Music Editing and Programming

Course 8- Masterclass

This course is a hub for tutorials by our guest teachers. We strive to give a holistic approach to DJing at Brolic Army and how better to do that than bringing the pioneers straight to you.

From Battle routines, to beat juggles and scratches. The ‘Masterclasses’ course is an exciting added feature to help diversify your learning experience.

“It’s important to absorb multiple perspectives on the material taught on DJing. From techniques, to history, to making a career of DJing or just expanding your skill and mindset. The more you listen to and absorb, the more well-rounded you will be as a DJ, carrying the torch into your work, and the next generation.”

Total Eclipse: DMX Routine

DJ Johnny Juice teaches Curating and Composing Scratches

John Swan: “Hit Me Wit’ Da Horns” Scratch Routine

DJ 8-Ball teaches “Tone Play”

Mista Sinista: “S.W.A.T.” Routine

Grandmaster Supreme teaches Body Tricks

DJ P teaches how to DJ on Vinyl

DJ P teaches how to mix Acapellas

DJ P discusses trusting your creative instincts

DJ P discusses curating an energetic set

Grandmaster Supreme on how to build a battle routine

John Swan breaks down Scratch Drumming

Branden Creado on improving your hand control

Mista Sinista: “Method Man” Routine

Mista B: “Mophono” Routine

DJ P teaches the basics of multi-track recording

Mike C teaches fundamental Trick Mixing

Critical examination of composing a Beat Juggle routine with Mike C

Mike C’s guide to recording studio scratches

Framing a Scratch routine with Branden Creado

Mixing in Key with DJ Wigginz

Total Eclipse’s “Ante Up” Routine

Stems DJing – A Beginner’s Guide With DJ Wigginz

Course 9- Advanced Scratching

DJ Rob Swift leads this Brolic Army DJ School course on Advanced Scratching techniques. Expect to learn scratches such as DJ Disk’s “Orbit Flare”, The Invisibl Skratch Piklz’ “Crab Scratch” and other techniques. Each Brolic Army course is updated regularly with new tutorials on a regular basis!

In line with DJ Rob Swift’s typical teaching style, he focuses his tutorials on both the history and the execution of these techniques. Rob Swift aims to empower the next wave of DJs in becoming active participants of the culture, passing down the knowledge for generations to come. Advanced Scratching is no exception.

““This was very clear, concise, and easy to understand. This in turn makes me more excited to practice now that I know what to focus on. Thank you Sensei Swift ?”

DJ Disk’s Orbit Flare Scratch

DJ Q-Bert’s Crab Scratch

DJ Flare’s Boomerang Scratch

I’m ready to start my Brolic Army Journey!

And for a cat like Swift—who has worked with everyone from Linkin Park to the Red Hot Chili Peppers to Mike Patton to Herbie Hancock—truly forward-thinking, revolutionary music just seems to come naturally.

Where it all began…

After years of honing his skills on the wheels of steel under the tutelage of his older brother, father and mentor, Rob Swift was tapped, in 1991, by a Harlem-based DJ crew called the X-Men to join their ranks. Within a year he won the coveted DMC East Coast title and became known, worldwide, as a masterful DJ and a force to be reckoned with.

Their 1997 debut album X-Pressions (Ashpodel) served notice, with dirt-funky tracks like “Word Play” making it clear that Swift the recording artist was on the rise. Five years later, the group’s first major-label debut Built From Scratch (Loud/Columbia) generated the huge hit “It’s Goin’ Down” featuring Linkin Park.

Breaking out as a Solo Artist

After 13 years with the X-Ecutioners, Rob was inspired to establish himself as a soloist and break through with a series of genre-busting albums of his own. The first being 1998’s The Ablist. Sound Event (2002), his second solo effort, set the tone for his ascendant multi-faceted production style, mapping dark jeep beats (“Hip-Hop on Wax,” with Large Professor), Latin Jazz (“Salsa Scratch,” with Bob James) and ambient-electronic funk (the psychedelic “Interview with Colored Man,” with Supernatural) accompanied by the deft touch of a seasoned studio hand.

“Whether it’s as a solo artist or collaborating with other like minded artists, I just want to push the boundaries of what I do”, Rob says. “I’m just trying to figure out different avenues to introduce people to the true art of DJing. However I reach people, the main thing is that we all get to enjoy that musical connection.”

DJ Rob Swift

Rob Swift Today…

Today, Rob Swift has continued his relentless pursuit of fresh directions, expanding his palette into the stratosphere of the academic world. Today Rob spends his time teaching DJ art world wide. He’s lectured at Case Western Reserve University and Cuyahoga Community College (Cleveland, Ohio), Indiana University (Bloomington, Indiana). Participated in on site and virtual workshops for entities such as Backspinz (Charlotte, North Carolina), American Embassy Tajikistan and Colombia. Ran summer camp classes in the art of DJing for inner city youth at Progressive Arts Alliance (Cleveland, Ohio). What’s more, most recently Rob taught accredited courses in the art of DJing at The New School University (NYC).

The Brolic Army DJ School

“Teaching the art of DJing has been nothing short of a blessing from God. To say I’m grateful would be terribly understating the gratitude I feel in my heart towards the opportunity to pass on an art form that has helped me facilitate the opportunity to experience myself as a mentor now. DJing has never been a commodity for me. I’ve never been in it for the money. I do this for the sense of purpose this artform has brought me. It’s helped me create a way to feel useful to people and for that I am enormously thankful.” Needless to say, Rob Swift is always in perpetual motion, continuing to push the boundaries of teaching DJ are with his new online platform, Brolic Army DJ School and connecting with students from all walks of life on a global scale!

Have a question? send us an email and one of our team members, or Rob Swift himself will help you out!

[aaryan-mwa-blogs]

What Questions Should You Ask When Buying New DJ Gear?

Purchasing DJ gear is an investment in your craft, whether you're just starting out or upgrading your existing setup. The market offers an overwhelming variety of options, each with unique features and capabilities. Asking the right questions before making a purchase can help you choose gear that matches your needs, enhances your skills, and offers lasting value. This guide explores the critical questions every DJ should ask before buying new equipment to ensure a smart investment.

1. What Is My Budget?

Start by defining your budget. DJ equipment can range from entry-level controllers to high-end professional gear. Knowing how much you’re willing to spend helps narrow your choices without compromising on quality.

Entry-Level: For beginners, budget-friendly gear around $500-$1,200 is ideal.

Mid-Range: Enthusiasts may spend $1,200-$3,000 for better functionality and durability.

High-End: Professional setups can cost upwards of $3,000, providing premium features.

2. What Is My DJing Style?

Your DJing style determines the type of equipment you need:

Are you a beginner? If so, an all-in-one controller might be best.

Do you prefer vinyl or CDs? Then, turntables or CDJs paired with a mixer are essential.

Do you mix digitally? Look for a controller compatible with your DJ software. Understanding your style ensures you invest in gear that complements your workflow. 

3. Is the Equipment Compatible With My Existing Setup?

If you already have some DJ gear, confirm that your new equipment will work seamlessly with it. Consider:

Connectivity: Does it support USB, XLR, RCA, or other inputs?

Software Integration: Is it compatible with Serato, Rekordbox, Traktor, or Virtual DJ?

Expandability: Can you add more decks, speakers, or effects in the future?

4. How Portable Is the Equipment?

Portability matters if you perform at various venues. Controllers and compact mixers are easier to transport, while turntables and full-sized CDJs may require cases and additional setup time. Consider:

Weight and size of the gear.

Availability of protective cases.

Ease of setup and teardown.

5. What Features Are Most Important to Me?

Every DJ has specific needs based on their style and goals. Before buying, identify the features you value most:

Performance Pads: For live sampling and triggering loops.

Built-In Effects: To add creativity to your mixes.

Jog Wheels: For scratching and precise control.

Pitch Control: For beatmatching and smooth transitions.

Multiple Channels: For mixing more than two audio sources.

6. What Are the Reviews and Feedback From Other DJs?

Research is critical when choosing DJ equipment. Look for reviews from:

Professional DJs: They often provide in-depth insights into the gear’s capabilities.

Online Communities: Forums and social media groups are great for real-world feedback.

Retailers: Read customer reviews on websites like Amazon, Sweetwater, or Guitar Center.

7. How Durable Is the Equipment?

Durability is especially important if you frequently travel or perform at outdoor events. Look for:

Build Quality: Metal chassis and sturdy knobs are ideal.

Brand Reputation: Established brands often offer reliable and durable products.

Warranty and Support: Check if the manufacturer provides a warranty and responsive customer service.

8. Can I Test the Equipment Before Buying?

Testing equipment in-store or at trade shows allows you to experience how it feels and functions. Pay attention to:

Ergonomics: Does it feel comfortable to use?

Sound Quality: Test speakers, headphones, and audio output.

User Interface: Is it intuitive and easy to navigate?

9. What Accessories Do I Need?

A complete setup often requires additional accessories, such as:

Cables: Ensure you have the right connectors for your gear.

Headphones: High-quality headphones are essential for cueing and monitoring.

Protective Gear: Cases and bags protect your investment during transport.Factor these into your budget to avoid surprises.

10. Is There Room for Future Upgrades?

Think long-term. Will your chosen gear grow with you as a DJ? Consider:

Compatibility with advanced software and additional hardware.

Modularity for adding more channels, effects, or decks.

Resale value in case you decide to upgrade later.

11. What Are My Power and Connectivity Requirements?

Check the power source and connectivity options:

Does it require a power adapter, or is it USB-powered?

Are there enough ports for connecting additional equipment like speakers or external hard drives?

12. How Will I Transport and Store the Equipment?

If you’re constantly on the move, storage and transport options become crucial. Look for compact designs or available cases to keep your gear safe.

13. Does the Gear Fit My Skill Level?

Avoid purchasing overly complex gear if you’re a beginner, as it might overwhelm you. Conversely, experienced DJs may require advanced features to fully express their creativity.

Finally to sum up, buying DJ gear is a significant step in your journey as a performer. Visiting professional shops like VIP PRO AUDIO asking these essential questions ensures you choose equipment that meets your technical, creative, and practical needs. Take your time, do your research, and, most importantly, invest in gear that supports your growth and passion.

By making informed decisions, you’ll set yourself up for success—ready to create unforgettable sets and wow your audience with every mix.

[sreseo-blog]

High End Audio, Speakers Amplifiers Turntables, cables, Digital Audio

Joined Home Sound: Raising the Audiophile Consideration with Washington DC

Show:

Washington DC, known for its rich history and social importance, is comparatively home to Joined Home Sound, a head objective for audiophiles looking for the best solid stuff and changed association. Joined Home Sound's obligation to planning a mix of extraordinary sound parts and give pro direction has made it a confided in cover for audiophiles in the country's capital. In this article, we look at the particular characteristics that set Joined Home Sound aside and how it brings the audiophile experience up in Washington DC.

An Energy for Audiophile Importance:

Joined Home Sound was spread out on an energy for top notch sound and an enduring through obligation to audiophile importance. The social event behind Joined Home Sound incorporates experienced sound fans who sort out the subtleties of remarkable sound duplication. This typical energy is the main role behind their obligation to planning a confirmation of sound parts that satisfy the most brought up rules of sonic execution.

Coordinated Course of action of Astounding Sound Parts:

At Joined Home Sound, quality is head. Their sagaciously coordinated mix highlights unmistakable brands and excellent things known for their craftsmanship, movement, and sonic brightness. From speakers and preamplifiers to modernized to-direct converters (DACs), turntables, and enhancers, each part is picked considering its capacity to convey an unmistakable and entrancing sound information.

Revamped Bearing and Sponsorship:

Joined Home Sound sees that picking the right strong aspect is a particular excursion. Their get-together of trained specialists is centered around give modified direction and sponsorship to clients. They track down an entryway to see every individual's unprecedented propensities, listening inclinations, and money related course of action, guaranteeing that clients pursue informed choices that line up with their particular necessities. This changed methodology makes an anticipated and beguiling experience for audiophiles in Washington DC.

Show and Testing:

To see the value in the sonic furthest reaches of sound parts, Joined Home Sound offers an appearance and assessing experience, as a matter of fact. Their exhibit district in Washington DC offers a serious space where darlings can pay thought to different frameworks, looking at and studying changed parts in a controlled climate. This awards clients to settle on certain decisions considering their own hypothetical information, guaranteeing that they track down the best accomplice for their sonic propensities.

Limit and Relentless Help:

Past the secret buy, Joined Home Sound offers propelling sponsorship and capacity to their clients. They understand that the relationship with audiophiles relaxes past the physical store, and they are based on give direction, looking at help, and guidance to guarantee that clients get most noticeable fulfillment from their sound frameworks. This obligation to propelling assistance further supports the relationship between Joined Home Sound and the audiophile neighborhood Washington DC.

End:

Joined Home Sound has gotten itself as a confided in objective for audiophiles in Washington DC who look for the best strong aspects and re-tried association. With their organized plan of uncommon sound stuff, changed heading, and propelling assistance, Joined Home Sound lifts the audiophile experience, permitting darlings to set out on an excursion of sonic pleasure and melodic splashing. In the focal point of the country's capital, Joined Home Sound fills in as a wellspring of viewpoint point for sound fans, assisting them with understanding their sound goals and make exceptional listening encounters.

[audio-luddite]

I did a browse of Tumblr "Audiophile".

OK weird.

Much of the stuff is photos of old stuff from brochures and magazines (like paper OMG). I guess some people kept all that stuff. Grandpa was a hoarder of audio mags? I see lovely ads for crap product. It was crap 60 years ago and still is today (like the BOSE 901). There are some bits showing good stuff but not much. And there are the confused people who don't understand obsession with vacuum tubes and LP records.

There are links to very artistic audio themed soft-core porn. Some are adds for console stereos draped with girls in lingerie. A good stereo will bring the girls in for sure. At least that was thought in the 60s? And there are people posing as golden ears. Some experts might be expert, but you gotta pay the bills no matter the crap information they put out. Number ten in this guy's top ten turntable list is pure crap now and forever.

I have even seen totally phony photo-shopped systems that I know could never exist. You know a turntable has to be at least a bit more than 12" across to fit an LP which is 12 inches in diameter. So that picture just don't scale right.

I guess in summary it is not much fun to look at that tag as there is so much dross.

If you are an audiophile then you probably know good from bad or want to. If you are just interested or new to this then there is a problem. There is a hell of a lot of misinformation conspiracy and noise.

First problem is the term audiophile. It means literally you love sound. The presumption is you appreciate the quality of sound. That is different than liking music in general, or some specific type of music. That would be a musicophile. All it takes is adding -phile to the end of a word.

So if you like music as opposed to just the sound of steam locomotives passing by and care for good clean sound then you are bumping up against this other -phile thing. Do not be intimidated. I assure you that listening to a favorite artist with all the sounds fully resolved and blasting away in your home is a good thing.

It is strange to me that people will spend a small fortune on a sound system for their car and far less in their home. Though I suppose if you live in an apartment loud music will make no friends, but being a big bass thumper in traffic is OK and even expected. Hey if you love that sound well sorry to tell you... yup audiophile.

Now to cost. There can be a lot of money spent. Some people will spend six figures restoring a car from when they were young. It is a hobby where it is possible to spend gobs of money. And there are many people, and companies who will help you spend your money.

You can spend much less and get good results. My equipment has only two relatively new things in it. One Phono Cartridge, and one vacuum tube. All the rest of the electronics are decades old. My speakers are a few years old but I built those as I know best. The cost has been interesting. By selling off older even collectable stuff I have spent effectively no money over the past 7 or 8 years. Yes I bought that stuff once long ago, but economically it was sunk money.

I have the advantage of experience and know the good stuff from the less good. I know what brands to look for. I also know which products have cults around them that blur the flaws. I call myself a "cheap audiophile" as I will not spend more than low four figures on anything. The most expensive thing I ever bought was under 2k bucks. Most was far less than that.

One of the links the tag search brought up was guy who did not understand why anyone would buy Vinyl Records. The equipment is expensive and the media is less available than digital streams. There was one reply about the tangible nature of an album and actually owning a thing rather than just being allowed to access it. I will go further.

I have avoided high end streaming because of cost and complexity. To get good sound out of numbers you need several lumps and most are expensive. You need a computer or a server that is logged into a provider like "tidal" or "qobuz" or "apple music". Then you need a device that can store the bits on a drive either an SSD or even a spinning magnetic disc to avoid drop outs that can be the music server, but not the computer. Then you need a DAC to convert the particular stream to analog sound which is finally fed into your audio system proper. Aside from the subscription (I have apple music) you need three lumps that each cost more than a good turntable if you want audiophile sound.

In order to add a high end streaming line to my system would cost more than the replacement cost of my system as it is right now. So I have a low end solution. I plug my Iphone into my CD player with a nice-ish DAC in it. It is OK sound. But I swear if I play an LP of the same music after hearing it off my iphone to CD quality there is no comparison the LP is better.

And yes when it comes to vacuum tubes I vacillate. They are expensive and wear out. They sound nice. They have more distortion and artifacts than solid state, but it is nice sounding distortion. A big part of this hobby skews preferences to nice sounding distortion. Vacuum tubes and moving coil phono cartridges are prime examples.

My most recent experience was going from a full vacuum tube preamplifer to a hybrid with only one tube. The sound was rich and deep and involving before. Yummy like a good sticky baklava dripping with honey. Now it is detailed and frankly palpable. I can hear a singer part their lips before a phrase. You have to hear that to appreciate it.

I have been recently been tempted with two vacuum tube unicorn amplifiers for a very good price for that type of device. That price is double what a competitive solid state amplifier would be. And like I say at the local pub after my fourth beer, I want another but I don't need another. I am seriously tempted. I have a nascent love for the sound I know is in them. They have a voice and it is good. Actually this is a key aspect of the hobby. It is an emotional response to something. It is irrational.

Welcome to the irrational!

[charlesmwa]

How to Spot Quality in DJ Equipment: What to Look for Before You Buy

Imagine this: you’re about to make your DJ debut, and the crowd is hyped. You press play, and suddenly, your gear glitches. The sound drops, and your moment is ruined. Frustrating, right? That’s what happens when you compromise on quality DJ equipment. Whether you’re a budding DJ or a seasoned pro, knowing how to spot top-notch gear can make or break your performances. Let’s dive into what you need to look for before you buy and why making the right choice matters.

1. Build Quality and Durability

First things first, your DJ equipment needs to be built like a tank. This isn’t just gear—it’s your partner-in-crime during long gigs, high-energy sets, and countless hours of practice. Check the materials. Equipment made from solid metals and high-grade plastics typically lasts longer and can take a beating. Pay attention to knobs, faders, and buttons. They should feel sturdy, not flimsy, when you use them.

Durability doesn’t just mean surviving a few accidental bumps. It also means standing up to repeated use without losing performance. If you’re someone who gigs often or travels with gear, look for features like reinforced corners, scratch-resistant surfaces, and reliable inputs and outputs.

2. Sound Quality

Here’s the deal: your audience may not notice how cool your gear looks, but they’ll definitely notice how it sounds. Quality DJ equipment ensures crystal-clear sound that resonates with the crowd. When shopping, always test the sound. Play a few tracks and listen for clarity, bass depth, and minimal distortion at high volumes.

Cheap gear might sound okay at first but often reveals cracks and static when pushed to the limit. This is especially crucial for speakers, mixers, and headphones. High-quality sound enhances the audience’s experience and helps you perform at your best, so don’t skimp here.

3. Compatibility and Features

Not all DJ setups are the same. Some DJs prefer controllers, while others swear by turntables or CDJs. Before you buy, ensure the equipment you’re eyeing is compatible with your existing gear and software. Check for connectivity options like USB ports, Bluetooth, or traditional RCA outputs.

Features are equally important. A good DJ mixer, for instance, should have EQ controls, multiple channels, and effects options. Controllers should offer responsive jog wheels, touch-sensitive pads, and intuitive layouts. The trick is to avoid paying for features you don’t need while ensuring the gear supports your current and future style.

4. Portability and Size

This one’s a big deal, especially if you’re a mobile DJ. If you’re constantly moving from venue to venue, heavy, bulky equipment can become a nightmare. Look for portable gear that’s lightweight yet doesn’t compromise on quality. Foldable headphones, compact controllers, and collapsible stands are lifesavers.

But keep this in mind: portability should never come at the cost of durability or functionality. Balance is key.

5. Brand Reputation and Reviews

The DJ community is passionate, and there’s a wealth of information online about gear. Before buying, take the time to research brands and read reviews. Established brands with a track record of quality and reliability are usually a safer bet.

Online reviews and forums are goldmines of real-world experiences. What works for one DJ might not work for another, so get a sense of what people love (or hate) about the product you’re considering.

6. Price vs. Value

We all want the best bang for our buck. While it’s tempting to grab the cheapest option, remember that quality DJ equipment is an investment. Instead of focusing solely on price, think about value. A slightly more expensive piece of gear with better build quality, sound, and features will save you money in the long run.

If you’re on a tight budget, consider starting with fewer pieces of higher-quality equipment instead of trying to buy a full setup at once. You can always expand later.

The Hidden Gem: Where You Buy Matters

Here’s a tip that often goes overlooked—where you buy your DJ equipment can be as important as what you buy. Professional audio shops like VIP PRO AUDIO are like secret weapons for DJs. They offer a curated selection of reliable brands and products, so you’re not sifting through endless low-quality options.

You can compare features, demo equipment, and understand what works for your style and budget. And let’s not forget about warranties and after-sales support. If something goes wrong, you’ll have the peace of mind that comes with buying from a trusted source.

Why Quality Equipment Matters

Investing in quality DJ equipment isn’t just about having cool gear—it’s about ensuring your sets run smoothly and your performances shine. High-quality gear minimizes the risk of technical failures, lets you focus on your craft, and, most importantly, leaves your audience in awe.

When you’re up there, mixing tracks and reading the crowd’s energy, the last thing you want is to be held back by faulty or subpar equipment. Quality gear builds your confidence, enhances your creativity, and gives you the tools to succeed.

Final Thoughts

Spotting quality in DJ equipment doesn’t have to be overwhelming. Focus on build quality, sound clarity, compatibility, portability, and value. Do your research, listen to reviews, and test the gear when possible. And don’t underestimate the importance of buying from professional audio shops. They’re your go-to for expert advice, trustworthy products, and top-tier customer support.

Whether you’re spinning for fun or building a career, investing in the right gear will make all the difference. So take your time, make smart choices, and let your beats do the talking.

[achicagoavrental]

DJ Equipment Rentals in Chicago — Chicago AV Rentals

When it comes to throwing an unforgettable party or event, having the right DJ equipment is crucial. At Chicago AV Rentals, we offer a wide range of high-quality DJ equipment rentals to ensure your event sounds as good as it looks. Whether you’re hosting a wedding, corporate event, or private party, our professional-grade gear will help you create the perfect atmosphere.

Why Choose Chicago AV Rentals?

Extensive Inventory

We understand that every event is unique, which is why we offer an extensive selection of DJ equipment. From mixers and turntables to speakers and microphones, we have everything you need to keep the music flowing. Our inventory includes top brands, ensuring that you have access to the latest technology and the best sound quality.

Professional Support

Not only do we provide top-notch equipment, but our team of experienced professionals is here to help you every step of the way. Whether you need advice on the best setup for your space or assistance with the technical aspects of your equipment, our knowledgeable staff is ready to assist. We’re committed to making your event a success.

Flexible Rental Options

At Chicago AV Rentals, we understand that each event has different requirements. That’s why we offer flexible rental options tailored to your needs. Whether you need equipment for a few hours, a day, or an entire week, we can accommodate your schedule. Plus, our competitive pricing ensures you get the best value for your rental.

Delivery and Setup

We make the process easy by offering delivery and setup services. Our team will arrive at your venue, set up the equipment, and ensure everything is working perfectly before your event starts. After the event, we’ll handle the takedown and pickup, allowing you to focus on enjoying your occasion.

Our DJ Equipment Offerings

Mixers and Turntables: Choose from a variety of professional mixers and turntables to create seamless mixes and transitions.

Speakers: Our powerful speakers deliver crystal-clear sound, ensuring your music can be heard by everyone in attendance.

Microphones: Perfect for announcements or toasts, our high-quality microphones will ensure your voice is heard loud and clear.

Lighting: Enhance the atmosphere with our selection of DJ lighting options, including LED uplights and laser effects.

Cables and Accessories: We provide all the necessary cables and accessories to ensure your setup is complete and functional.

Conclusion

When planning your next event in Chicago, don’t overlook the importance of quality DJ equipment. With Chicago AV Rentals, you can trust that you’ll receive top-notch gear and exceptional service. Let us help you create an unforgettable experience that your guests will be talking about long after the music stops.

Contact us today to discuss your DJ Equipment Rentals Chicago needs, and let’s make your event a memorable one!