#dreamworks tva

[fictionalnormalcy]

I know that as each season of Race to the Edge was released, there was a trailer put out beforehand. Season 3 is the only one that didn't get a trailer. But 1, 2, 4, 5, and 6 did. I definitely remember how wild us here on fandom went over Season 6 trailer. I will admit I legit tear up whenever I watch it.

ANYWAY

I also vividly remember the Riders of Berk trailers, know that those actually were placed in DreamWorks movies.

However I've never known, where were the RttE trailers aired? Can anyone name me a DreamWorks movie they could have put those in?

[coolchevistianofficialsite]

Paydirt Park (2021) - Animated Series Pitch by Charlie Gavin ("Clarence","Harvey Beaks","Big City Greens","Jellystone!")

Pitched and passed by Disney Television Animation,Cartoon Network Studios, Dreamworks Animation Television Animation, Netflix Animation & Nickelodeon Animation Studios

[disneytva]

Aliki Theofilopoulos Inks Overall Development Deal At Disney Television Animation

Zombies: The Re-Animated Series Executive Producer, Showrunner and Disney Television Animation veteran Aliki Theofilopoulos has inked a overall development deal with Disney TVA this thanks to the Animation Guild's magazine "THE KEYFRAME"

Under the deal Aliki will develop new animated series, specials and films for Disney Channel, Disney Junior and Disney+, additionaly Aliki will have full access to legacy Disney IP for potential new animated series based on heritage characters across the company. Aliki Theofilopoulos currently serves as showrunner and executive producer of Zombies: The Re-Animated Series based on the popular DCOM franchise "Zombies" slated to debut 2024 on Disney Channel and Disney+, previous work included being Showrunner and Executive Producer of Descendants: Wicked World and served as Storyboard Artist and Writter on Phineas and Ferb , Additionaly Aliki served as hand drawn- animator at Walt Disney Animation Studios on the feature films Hercules, Tarzan and Treasure Planet.

Beyond Disney, Theofilopoulos work can be seen at Dreamworks Animation Television on the series Harvey Girls Forever!,Doug Unplugs and Dew Drop Diaries.

Theofilopoulos joins these 30 talented animators,artists,storyboard artists and showrunners on inking overall development deals to create new shows,films and specials for Disney across Disney Channel, Disney Junior and Disney+.

[misterparadigm]

Finally got home from the red eye back to Indianapolis from Lightbox! Had a fantastic time, but I'm awful at remembering to take pictures, so here are some big overview shots of the trip, haha.

Thanks to the folks at @bentoboxent,  @netflix,  @sonyanimation,  @oddbotinc, and @waltdisneyimagineering especially for great conversations that really felt engaging and fruitful, and thanks also to @toonboomanimation for getting a plan together for my curriculum, and @scaddotedu for some awesome potential opportunities to further teach design and animation!

Had a wonderful time at @lightboxexpo!

[thedailyplatypics]

Hope I didn’t make anyone mad

[ssadumba55]

Masterlist: Masterlists

Masterlist hashtag: #milo's masterlists

On mobile for me, sometimes the masterlist tag doesn't work so just to make my masterlists more accessible to those looking for them, here's a masterlist of them all.

Jurassic Franchise

Marvel Cinematic Universe

Dreamworks

Riordanverse

Hellaverse

Kingdom Hearts

Criminal Minds

Merlin

Scooby-Doo

Once Upon A Time

Walt Disney Animated Pictures Pt. 1 - Peter Pan, Aladdin, Beauty and the Beast, The Little Mermaid, A Goofy Movie, Hercules, Mulan, Emperor's New Groove, Atlantis: The Lost Empire & Wish

Walt Disney Animated Pictures Pt. 2 - Princess and the Frog, Tangled, Frozen, Big Hero 6, Moana, Encanto, The Nightmare Before Christmas & Mickey & Friends

Pixar

Disney Live Action Movies

Disney TVA

It

Stranger Things

Night at the Museum

Super Mario

Archived Fandoms

[doraeartdreams-aspy]

Fandoms I’m In

Since I’m gonna try and be more active on here,here’s a list of fandoms I’m currently in :

Doraemon

Angry Beavers

My Little Pony G4,G3,andG5…Kiiiiiiinda(G3 is kinda nostalgic)

Pokemon

Amphibia

The Owl House

Steven Universe+Steven Universe Future

Helluva Boss and Hazbin Hotel

Bluey

VeggieTales

The Simpsons

South Park

Family Guy

She Ra and the Princesses of Power(2018)

Kipo and the Age of Wonderbeasts

Green Eggs and Ham(2019)

DuckTales(both 1987 and 2017 versions)

Phineas and Ferb

Spongebob Squarepants

Hey Arnold

Powerpuff Girls(1998)

Animaniacs

Tiny Toon Adventures

Freakazoid

Cuphead/The Cuphead Show

The Amazing Digital Circus

Super Mario

Sonic the Hedgehog

Animal Crossing

Kirby

Legend of Zelda

Spyro the Dragon

Crash Banditcoot

DreamWorks Animation

Madagascar

Disney

Pixar

Animation

Nicktoons

Cartoon Network

Disney TVA

Cars(Disney/Pixar)

Madoka Magica

Regular Show

Adventure Time

Looney Tunes

Gravity Falls

Avatar the Last Airbender and Legend of Korra

Hilda

Hello Kitty/Sanrio

Winnie the Pooh

The Ghost and Molly McGee

Infinity Train

Don’t Hug Me I’m Scared

CentaurWorld

Darkwing Duck

Hamtaro

Invader Zim

Rocko’s Modern Life

Care Bears

LPS(Littlest Pet Shop) 2012

Strawberry Shortcake(2003)

Clannad and Clannad After Story

Sailor Moon

Dragon Ball

One Piece

Jimmy Neutron

CatDog

Rugrats(1991)

Fosters Home For Imaginary Friends

Codename Kids Next Door

Scooby Doo

Tom and Jerry

Hanna-Barbara

Total Drama (Island,Action,and World Tour only)

K On

Sabrina the Teenage Witch (Sitcom and OG Animated Series only)

Beastars

Furries

[picturejasper20]

What are your hottest cartoon takes?

Okay, here we go:

-The cartoon fandom should watch more shows that just Amphibia and The Owl House. (Yes, they are good shows, but there are plenty others worth of watching). -Some Cartoon Networks shows before the HBO Max merger whole thing were decent to good. You people are just mean. (Craig of the Creek is pretty good, try checking it out). -The reason people think shows only have the ¨positive girl protagonist¨ is because they mainly watch Disney TVA shows. This doesn't happen the same way with CN shows. - Not sure if it's a ¨hot take¨ but Elliott from Earth's treatment from the network is one of the worst things i have in seen in modern animation shows. -More animation fans should give a try to slice of life comedy shows. Some of them are pretty good. -More people should give a try to Disney Junior shows. A few of them are great. - I think Elena of Avalor and, to a certain extent, Sofia The First are executed better than Amphibia and The Owl House. - Excessive shipping in cartoon fandoms has ruined the way people interact with the medium. -Tired of seeing the same evil overlord muscular dude as main antagonist in action shows. Please give them some variety. -In addition to the previous point, there should be more variety to antagonists than ¨evil overlord¨ and ¨Sympathetic antagonist that gets redemmed at the end¨. Not that i dislike these, what i'm saying it is that there should other ways to write an antagonist. -Why aren't more people talking about Moon Girl and Devil Dinosaur series? It looks different from most of shows that Disney TVA has done in the lastest years. Plus, it has fantastic animation. - Penn Zero: Part Time Hero is an underrated series. Same goes to Randy Cunningham. - Unlike many people, i didn't fully get into Star vs TFOE until the second season. In fact, i do find Season 1 mediocre in some ways. Some episodes were a hit or miss. I liked the whole development they were doing in Season 2 and part of Season 3. Then the series turned into a weird shipping fanfic. - I don't fully got into Pixar's Up to be honest? Excellent film though. -I do prefer the new age of Pixar trying to be experimental rather than doing a sequel/prequel film for the 10th time even if the results are just decent. (Why are they making Inside Out 2 again?) - A Bug's Life is an underrated pixar film. -I do like Disney and Pixar doing the intergenerational trauma in their latest films. Yes, i do find it more interesting and complex than bad guy number #345 unless i find said character entertaining. However, i don't think they should do this theme in more than 2-3 films. -About Dreamworks, i think The Croods is an underrated film. The sequel is also decent. -Spies in Disguise is an excellent film and it suprises me that more people don't talk about it. It is a film that manages to be silly while tackling a very serious topic. -People think that ¨adult animation is all the same¨ because they don't watch enough adult animation shows. We are living in boom moment for that part of the industry and many are missing on it. Also, i think this is because some of these shows are on streaming services and not everyone is able to access those. -Final Space was a great show that plenty called it ¨another generic bad adult show¨ because of the art style and only gave a fuck about the series when it got cancelled. - Ballmastrz 9009 is genuinely a funny show with good characters and great animation. I don't get why it got overlooked by the general public.

[fictionalnormalcy]

So I finally watched Puss in Boots the Last Wish last week. YES IT WAS FABULOUS!! Yes there were parts that I teared up and others I was like ay this delicious angst. 

But, there’s still one thing I struggle to believe. Back when the movie had just come out, I got spoiled with clips on tiktok. In specificity the scene where the Bear crime family raids Mama Luna’s home. 

The moment I heard Papa Bear speak, I was like hey I know this voice. Although I thought it was Alfred Molina. I went rabid in thinking about it. Because like I’ve said I’ve been in agony that he’s been in 3 DreamWorks Animation Television shows but hadn’t yet been cast in a movie. I thought, FINALLY?? 

However when consulting his wikipedia and IMDB page I was astounded to find it was Ray Winston instead. But I swear that even as I watched the movie in its entirety every time I heard Papa Bear I was like this really isn’t him? Because I swear this is a voice Molina can do. I’ve heard it in other roles! 

The two coming to mind that literally match are the Multi-bear in Gravity Falls and Double Dan in Ralph Breaks the Internet. Go and watch to see for yourself please because I freaking swear

[coolchevistianofficialsite]

Nobody: 

Theories of the fandoms of serialized animated shows when the final episode is around the corner:

[disneytva]

EXCLUSIVE: Thurop Van Orman,Pedro Eboli and Mark Satterthwaite Set Series Development At Disney Television Animation

After a day of animation reveals from the Annecy Film Festival we have some exclusive news as a aftermath, Disney Television Animation has set development orders for two potential new animated series likely for Disney Channel from three prolific creators.

One of the two new development.series come from the minds from Pedro Eboli (Netflix “Cupcake and Dino: General Services”,Cartoon Network LATAM “Oswaldo”, Nickelodeon “Ollie’s Pack” and Discovery Kids LATAM “Bada Bean”) and Mark Satterthwaite (Netflix “Cupcake and Dino: General Services”, Nickelodeon “Ollie’s Pack” and Amazon Prime Video “Gary and His Demons“)

Eboli had a overall development deal with Disney TVAon 2019-2021 however due COVID-19 cuts at Disney BTV, Eboli was dropped alongside Ben Baliresti and S.H Cotugno however Eboli has returned on June 2023 for a second chance with Disney TVA for a potential Disney Channel show.

The second series being developed comed from the mind of Thurop Van Orman (Cartoon Network Studios “The Marvelous Misadventures of Flapjack”,Dreamworks Animation Television “Home: Adventures with Tip & Oh“ and Sony Pictures Animation “The Angry Birds Movie 2“). The development of this series gets back on track with a rejected Disney XD pilot from 2016, the pilot was passed on 2016 alongside Very Important House and Douglas Furs due  a executive change at Disney Channel’s Worldwide on 2015-2017, meaning that the new Disney Branded Television CEO and Disney Television Animation VP of Development and Current Ayo Davis gave a second chance to Orman’s pitch and pilot for a potential Disney Channel show.

[kenzyxart]

Hiya Hiya!!!

Just wanted to let you guys know that I’m creating an indie series with a bunch of friends called, Towards Galaxy’s End!! If you could boost that, it would be really cool!!!

We’ve got a talented team of artists, musicians, and VAs all helping to make this proof of concept really cool!! So if you like magical girls, vampires, and space, you’ll love this!!

Think, Studio Trigger meets Kyoto Ani. Our talented team consist of artists that worked at Disney TVA, DreamWorks, Netflix, Titmouse, Spindlehorse, Netflix, PA Works, and a plethora of other projects and studios!! (And we’re fresh out of college~ 💚💙💚💙💚)

Be sure to stay tuned, and share, share, SHARE!

Will you travel Towards Galaxy’s End, with us?

If you had the chance to come back to life after dying prematurely, would you go back to living your ordinary life or would you seize the moment?

Amina Amelia Watson, or Ami for short, has died but is given the chance to come back to life, but under the guise of needing to become an extinct or going extinct species. Once she returns, she finds out that there are more girls just like her, and decides to form them and form a magical girl group as *reads script* ancient space…vampires? Stay tuned on this wacky journey.

Be sure to check out our website for fun surprises:

[grace-kum]

She-Ra Princesses of Power is finally out! I’ve worked on the Visual Development and Environment concepts for the show for almost two years since the production had started before I decided to bounce to other gigs.  I’ll be posting some of the work I had done on the show, mainly on the BGs and the set designs. Hope you guys enjoy! First up is the Planet of Etheria! One of my early tasks was to design the planet the story resides in and it’s multiple colored moons that circle the planet. The third image is when I did a pass of it as a more flat design before we changed it to a dimensional look.

[theowlsarequeer]

So on Twitter especially, there's been a lot of "The Owl House has better queer representation than x," or "x's representation sucks" and here's why that really bothers me in a full essay on tumblr dot com.

Quick disclaimer: This is about queer representation specifically. A lot of popular queer shows have a lot of other issues with different types of representation, or lack thereof, and that can and should be criticized, and many of them include stereotypes or harmful tropes WITH queer rep that also can and should be criticized. This post is about painting queer representation as a black-and-white thing and calling certain shows' representation "bad" without any nuance

First off, what makes queer representation "good" is subjective. The LGBTQ+ community is an amazingly diverse community in both identities and personal taste, and queer representation in media should reflect that with a variety of different stories to choose from. One queer person might like stories where bigotry isn't a huge plot point, while another might want to see their struggles reflected on screen. One might like the show to be about being queer, while another might like a character's queerness to be a side plot at most. Additionally, there are so many different identities and experiences under the queer umbrella that it's unrealistic and impossible to expect a single show, book series, or movie to include them all, and that could very easily result in certain stories being swept under the carpet. Again, this is why a variety of queer shows to choose from is important. There could be a show with amazing, well-written queer characters and storylines, and you as a queer person might just not like it for whatever reason. That's perfectly fine and normal.

Second, I almost never see differences between studios and networks taken into account. Some networks and studios have a long history of loud and public homophobia (cough cough, Disney, cough cough) and queer representation is going to be significantly harder to include without your show paying the price. While The Owl House is facing a significantly shorter run for a variety of reasons, the decision was made towards the end of Season 1, right around the time of Grom and Wing It Like Witches, and especially considering that Disney funded Florida's Don't Say Gay bill, we can assume that queer rep was at least part of it. Considering that before TOH all we had coming from Disney TVA was the cops from Gravity Falls (correct me if I'm wrong) and after TOH got such a positive response from it's online fanbase Amphibia ended up including some queer characters in it's third and final season, we can already see the impact it had. (Which is why it's still important to watch TOH legally if you can-it shows that there's interest in both story-driven shows that skew older AND queer representation! Unfortunately, money is the only way to get through to Disney.)

At Netflix, however, it's a little bit different with a lot of shows because Netflix originals can often come from other studios (Dreamworks, See Saw Films, etc,) and Netflix is their distributor. This can make it a little hard to determine where queer rep is either coming from or being blocked by. For streaming services as a whole, there tends to be more representation, which is partially because of the major switch to streaming happening right now. I also have a feeling that the general theory is that for a kid to watch Kipo and the Age of Wonderbeasts (fantastic show btw) they'd have to either actively search up the show or at least choose it from their recommended or whatever, while if a kid turns on Cartoon Network or Disney or whatever and a show is playing then they basically just watch it, so for streaming services there's more ways for parents to regulate what their kids are actually seeing. (At least from what I've seen, queer representation is more likely to get a show for kids cancelled but is more likely to be either stereotypical or have a plot that relies on bigotry in shows for adults. And I haven't seen a lot in shows for teens, other than Arcane and Heartstopper.) But whichever way you look at it, queer representation, how hard it is to include, and the variety of stories varies from network to network.

Additionally, shows like The Owl House and Heartstopper are from 2020-2022. We as a community have come so far in the last couple decades, and it's simply not realistic to expect a show from 2012, or even a show from 2018, to be on par with a show from 2021. And the success of shows like The Owl House is largely due to the positive response to previous shows' representation. Same concept as rainbow capitalism: companies are starting to realize that there's money to be found from queer representation and that queer stories are profitable. Which, yknow, is not really the mentality that I'd like to be put into telling my communities stories, but it's better than nothing.

Especially with media for kids, even if a character or story is not the best written, the fact that it was there can be monumental. Looking back as a teenager, the scene in House of Hades where Nico is outed is not really the best or healthiest representation and is not how I would write it in 2022, but at age 8, before same sex marriage was even legalized, I could read about a queer character in an easily accessible and age-appropriate book series that I loved, and that was such a huge step in my acceptance journey. There were multiple copies of almost every Rick Riordan book in both my elementary school library and my local public library, my parents and teachers were already comfortable with me reading the book (even to this day, I'm not really supposed to read books that are visibly queer,) and it was a prominent, three-dimensional character in a series that was my whole life for years. Nico, and later Alex, were the representation I didn't even know I needed, and while today a lot of people agree that they were not the best-written queer characters, the fact that they were there changed my life.

For my brothers, shows like The Owl House and Kipo and books like Trials of Apollo are their Heros of Olympus. And even if they don't turn out to be queer themselves, they at least weren't assholes when I came out. Hell, She Ra taught them how to use they/them pronouns (one of my brothers doesn't quite get it but he has a lot of trouble with spelling and grammar bc of a learning disability and he's trying, which is what matters.) And my brothers, who are 12 and 9 years old, cannot remember a time where they couldn't go to Netflix, Disney+, or their school library and read or watch stories about characters like me. Which, guys, I can't get over how far we've come. I'm 14-16 (not revealing exact age for privacy reasons,) and I can easily remember a time where same-sex marriage was illegal in a lot of states and I had never seen any media with queer characters. And I've watched queer representation get better and better over the years, which inspired me to want to create my own stories too. And while we still have a long way to go, I'm so happy with the way things have been changing.

In short, here's a list of things to consider when comparing and contrasting queer media:

When was this piece of media made? How would this have affected the way these characters are written?

What studio, platform, network, or publishing company is this media from? What is this company's stance on the queer community? What was this company's stance when the media was created?

Has this company or author created any queer media since this particular piece? What does that representation look like?

Are the creators of this media queer themselves? (A little off topic, but always something to consider)

Is it actually queerbaiting, or were parts of this character's story cut in production?

Is this queer representation actually bad, or do I just not like it?

Is this queer media actually bad, or is it just for a different age group (if you don't like shows like She Ra or TOH because they're 'too childish'... they are actually for kids. absolutely nothing wrong with enjoying them, but if they're too childish for you then you might be ready for an adult show)

Did the crew or author face any backlash during production? (For a lot of media, this is a 5-second google search.)

Criticizing media is good and healthy and I 1000% support it, but contextualizing the specific book, movie, or show you're talking about is a necessary step that I very often see skipped.

[rose---child]

disney tva has a interesting past years

you have gravity falls from 2012-2014 but then it ends in 2015

then from 2017-2020 you have the ducktales reboot

then you have amphiba (2019-2022) and the owl house (2020- )

like cartoon network really was the best for a long time but then they lost the spotlight when all people talked about was steven universe (2013-2019;2019;2019-2020) like hbo max still has some good stuff like distent lands was a good series, and craig of the creek is pretty good, and personally young jusitce is good. but disney tva has the spotlight and it feels like amphiba and the owl house are the lasts of a era of good animation, and i mean i dont think thats true, it definetly isant the same as when adventure time was in the spotlight

its also odd that netflix became a powerhouse of really good animation, but i think they had a partnership with dreamworks so that makes sense, i wonder why they didnt just release on nick, speaking of nick, out of the time 2010-now did they really have any shows talked about besides the loud hosue and legend of korra or am i forgetting something?

[worship-of-the-gods]

Devourer of hearts

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