#dreams versus reality

[wickedzeevyln]

Deep Pockets

Thoughtless What would it be like to get there, to look outside a window, searching, confused, lost, and see that everything I love and know is no longer there? Even as I smudge this screen with thoughts and shuddering emotions dressed as words, I can’t help but feel powerless in recounting the tale of dashing through time’s wilderness. The snapping jaws of life, like the teeth of a bear trap,…

[studyhelianthus]

"Daydreaming is terribly inconvenient, when reality is dire. The complexity of this situation is quite the bitch!" - Melissa Allegories 🪷🌸

[eagle-longing-for-rostau]

[rosykims]

who do i have to seduce at bioware to guarantee a moment in veilguard where lavellan gets to tell solas to grow up. just point me in their general direction and i'll take it from there

[soft-october-night]

That episode of the wonder years where Kevin realizes his dad is obsessed with the stars because he always dreamed of being a ship's captain but is instead working an awful office job he hates in order to support his family

[waterfallofroises]

Little Black Dress

Roommate Vi x Reader

Warnings: none? (Lmk if there are)

Vi was sprawled across the couch when you stepped out of your room, the soft rustle of the fabric of your dress catching her attention first. Her gaze shifted up, her eyes widening as you spun to face her, revealing the backless dress. The deep black fabric clung to your curves, and the way the dress cut away at the back left Vi momentarily speechless.

She took in the curve of your spine, the faint, delicate line of muscle tracing down your back, and the small scar just below your shoulder blade. It was a part of you she’d never noticed before—something so personal, so subtle, yet so striking. Then, her eyes lingered on a sliver of ink peeking out just above the waistline of your dress: the faint outline of a vine tattoo that seemed to wrap its way around your side.

You weren’t the type she’d ever expect to get a tattoo—at least, not one like that. It was bold, intricate, like a piece of art that told a story only you knew. She couldn’t quite place why, but the sight of it had her throat going dry. For a moment, she forgot how to breathe.

"Vi, should I wear my hair up or down?"

Your voice snapped her back to reality, though it was almost a second too late. She blinked, trying to refocus, but you were still standing there in that damn dress, completely unaware of the effect you were having on her. The question was innocent enough, yet it made her pulse quicken in her chest. You spun around, lifting your hair to show her both options—up versus down—while your bare skin glinted slightly in the low light.

"Vi?" you repeated when she didn’t immediately respond.

She glanced up, finally catching your gaze, and saw that tiny, teasing smile curling at the corner of your lips. She could feel her heart skip a beat as she stammered.

“Uh�� yeah, yeah,” she muttered, her throat tight. She didn’t know how she managed to speak at all. She couldn’t tear her eyes away from your back, from the way your skin seemed to glow under the soft lighting. “Wear it up," she blurted out, the words escaping before she even had time to think. She swallowed hard. Her mouth felt so dry, she thought she might choke.

You nodded in agreement, a knowing smile on your lips as you turned to face her. "I was thinking the same thing," you said with a quiet laugh. Your smile was a small thing, but it made Vi’s chest tighten, like her breath was getting stuck somewhere between her ribs.

“Are you sure you’ll survive without me tonight?” You teased, a playful glint in your eyes. The joke didn’t quite reach her brain. Her thoughts were still racing at a million miles a second.

“Oh, I’ll be fine, Cupcake,” she replied, the nickname coming out a little breathless. Her voice cracked slightly, but you didn’t seem to notice, or maybe you were just being nice. She wasn’t sure which one was worse.

It felt like hours later when you finally reappeared, walking out of your bedroom again, dressed to the nines. Vi could feel her pulse quicken just from the soft click of your heels on the floor as you stepped into the hallway. You were wearing the same black dress, but now with the addition of lipstick—bold red against the soft curve of your lips. She was still on the couch, trying to act casual, but it felt like she was trapped in some kind of fever dream.

You caught her eye as you paused in front of the mirror, adjusting the shade of red on your lips. It was just enough to drive Vi wild—everything about you screamed confidence, sophistication, beauty. When you turned to her, her chest tightened in a way that felt almost painful.

"How do I look?" You asked, your voice light, teasing, as you did a slow 360 in front of her. The heels clicked again, sharp and rhythmic, and it felt like every step was somehow messing with Vi’s heartbeat.

It took everything in her to keep her hands to herself. Her mind was swirling, her body on the edge of doing something she couldn’t undo. She clenched her fists to keep from reaching out and touching you. The way your skin looked so soft—too soft—made her want to trace every inch of it. The way your dress clung to your curves made it feel like she was drowning in desire.

“You look amazing,” she managed to say, the words coming out as a strained smirk. She had to look away for a second, pretending to focus on anything but you. She tried to sound confident, but she knew she wasn’t fooling anyone. Not even herself.

You beamed at her, your smile widening. The way your eyes sparkled, the way you tilted your head ever so slightly, made her wonder if you even knew just how much you were affecting her.

“Thanks,” you said, voice softer now, as you walked past her, your scent lingering in the air like a reminder of everything she couldn’t have. "Now, let’s see if you can survive without me tonight."

Vi barely heard you over the pounding in her chest. If she wasn’t careful, she'd end up doing something incredibly stupid—like admitting that she couldn't survive a second without you.

[fight-nights-at-freddys]

MASTER POST OF PROSHIP RESOURCES!!! <3<3

this is just for links (bc i just have No Way of formatting this properly), so for more in-depth stuffs and credits, head to the google doc, or the carrd !! :3c

Fiction ≠ Reality

Violent media -

Does Media Violence Predict Societal Violence? It Depends on What You Look at and When

Video Game Violence Use Among “Vulnerable” Populations: The Impact of Violent Games on Delinquency and Bullying Among Children with Clinically Elevated Depression or Attention Deficit Symptoms

Extreme metal music and anger processing

On the Morality of Immoral Fiction: Reading Newgate Novels, 1830–1848

How gamers manage aggression: Situating skills in collaborative computer games

Examining desensitization using facial electromyography:Violent videogames, gender, and affective responding

'Bad' video game behavior increases players' moral sensitivity

Fiction and Morality: Investigating the Associations Between Reading Exposure, Empathy, Morality, and Moral Judgment

Comfortably Numb or Just Yet Another Movie? Media Violence Exposure Does Not Reduce Viewer Empathy for Victims of Real Violence Among Primarily Hispanic Viewers

Fantasy Crime: The Criminalisation of Fantasy Material Under Australia's Child Abuse Material Legislation

Being able to distinguish fiction from reality -

Effects of context on judgments concerning the reality status of novel entities

Children’s Causal Learning from Fiction: Assessing the Proximity Between Real and Fictional Worlds

Reality/Fiction Distinction and Fiction/Fiction Distinction during Sentence Comprehension

Reality = Relevance? Insights from Spontaneous Modulations of the Brain’s Default Network when Telling Apart Reality from Fiction

How does the brain tell the real from imagined?

Meeting George Bush versus Meeting Cinderella: The Neural Response When Telling Apart What is Real from What is Fictional in the Context of Our Reality

loli/shota/kodocon -

If I like lolicon, does it mean I’m a pedophile? A therapist’s view

Virtual Child Pornography, Human Trafficking and Japanese Law: Pop Culture, Harm and Legal Restrains

Lolicon: The Reality of ‘Virtual Child Pornography’ in Japan

Report: cartoon paedophilia harmless

‘The Lolicon Guy:’ Some Observations on Researching Unpopular Topics in Japan

Robot Ghosts And Wired Dreams Japanese Science Fiction From Origins To Anime [pg 227-228]

Australia's "child abuse material' legislation, internet regulation and the juridification of the imaginationjuridification of the imagination [pg 14-15]

Multiple Orientations as Animating Misdelivery: Theoretical Considerations on Sexuality Attracted to Nijigen (Two-Dimensional) Objects

Positive Impact on Mental Health

Art therapy -

The effectiveness of art therapy for anxiety in adults: A systematic review of randomised and non-randomised controlled trials

Efficacy of Art Therapy in Individuals With Personality Disorders Cluster B/C: A Randomized Controlled Trial

Effectiveness of Art Therapy With Adult Clients in 2018 - What Progress Has Been Made?

Benefits of Art Therapy in People Diagnosed With Personality Disorders: A Quantitative Survey

The Effectiveness of Art Therapy in the Treatment of Traumatized Adults: A Systematic Review on Art Therapy and Trauma

The clinical effectiveness and current practice of art therapy for trauma

Writing therapy -

Optimizing the perceived benefits and health outcomes of writing about traumatic life events

Expressive writing and post-traumatic stress disorder: Effects on trauma symptoms, mood states, and cortisol reactivity

Focused expressive writing as self-help for stress and trauma

Putting Stress into Words: The Impact of Writing on Physiological, Absentee, and Self-Reported Emotional Well-Being Measures

The writing cure: How expressive writing promotes health and emotional well-being

Effects of Writing About Traumatic Experiences: The Necessity for Narrative Structuring

Scriptotherapy: The effects of writing about traumatic events

Emotional and physical benefits of expressive writing

Emotional and Cognitive Processing in Sexual Assault Survivors' Narratives

Finding happiness in negative emotions: An experimental test of a novel expressive writing paradigm

An everyday activity as treatment for depression: The benefits of expressive writing for people diagnosed with major depressive disorder

Writing about emotional experiences as a therapeutic process

Effects of expressive writing on sexual dysfunction, depression, and PTSD in women with a history of childhood sexual abuse: Results from a randomized clinical trial

Written Emotional Disclosure: Testing Whether Social Disclosure Matters

Written emotional disclosure: A controlled study of the benefits of expressive writing homework in outpatient psychotherapy

Misc -

Emotional disclosure about traumas and its relation to health: Effects of previous disclosure and trauma severity

Treating complex trauma in adolescents: A phase-based integrative approach for play therapists

Emotional expression and physical health: Revising traumatic memories or fostering self-regulation?

Disclosure of Sexual Victimization: The Effects of Pennebaker's Emotional Disclosure Paradigm on Physical and Psychological Distress

Kink/Porn/Fantasies

Sexual fantasies -

A Critical Microethnographic Examination of Power Exchange, Role Idenity and Agency with Black BDSM Practitioners

Women's Rape Fantasies: An Empirical Evaluation of the Major Explanations

History, culture and practice of puppy play

What Exactly Is an Unusual Sexual Fantasy?

The Psychology of Kink: a Survey Study into the Relationships of Trauma and Attachment Style with BDSM Interests

Punishing Sexual Fantasy

Women's Erotic Rape Fantasies

Sexual Fantasy and Adult Attunement: Differentiating Preying from Playing

What Is So Appealing About Being Spanked, Flogged, Dominated, or Restrained? Answers from Practitioners of Sexual Masochism/Submission

Dark Fantasies, Part 1 - With Dr. Ian Kerner

Why Do Women Have Rape Fantasies

The 7 Most Common Sexual Fantasies and What to Do About Them

Sexual Fantasies

Pornography -

The Effects of Exposure to Virtual Child Pornography on Viewer Cognitions and Attitudes Toward Deviant Sexual Behavior

American Identities and Consumption of Japanese Homoerotica

The differentiation between consumers of hentai pornography and human pornography

Pornography Use and Holistic Sexual Functioning: A Systematic Review of Recent Research

Claiming Public Health Crisis to Regulate Sexual Outlets: A Critique of the State of Utah's Declaration on Pornography

Pornography and Sexual Dysfunction: Is There Any Relationship?

Reading and Living Yaoi: Male-Male Fantasy Narratives as Women's Sexual Subculture in Japan

Women's Consumption of Pornograpy: Pleasure, Contestation, and Empowerment

Pornography and Sexual Violence

The Sunny Side of Smut

Other -

Fantasy Sexual Material Use by People with Attractions to Children

Fictosexuality, Fictoromance, and Fictophilia: A Qualitative Study of Love and Desire for Fictional Characters

Exploring the Ownership of Child-Like Sex Dolls

Are Sex and Pornograpy Addiction Valid Disorders? Adding a Leisure Science Perspecive to the Sexological Critique

Littles: Affects and Aesthetics in Sexual Age-Play

An Exploratory Study of a New Kink Activity: "Pup Play"

Jaws Effect

The Jaws Effect: How movie narratives are used to influence policy responses to shark bites in Western Australia

The Shark Attacks That Were the Inspiration for Jaws

The Great White Hope (written by Peter Benchley, writer of Jaws)

The Jaws Myth [not a study BUT is an interesting read and provides some links to articles and studies]

Slenderman Stabbings

Out Came the Girls: Adolescent Girlhood, the Occult, and the Slender Man Phenomenon

Jury in Slender Man case finds Anissa Weier was mentally ill, will not go to prison

2nd teen in 'Slender Man' stabbing case to remain in institutional care for 40 years

Negative effects of online harassment

How stressful is online victimization? Effects of victim's personality and properties of the incident

Prevalence, Psychological Impact, and Coping of Cyberbully Victims Among College Students

Offline Consequences of Online Victimization

The Relative Importance of Online Victimization in Understanding Depression, Delinquency, and Substance Use

Internet trolling and everyday sadism: Parallel effects on pain perception and moral judgement

The MAD Model of Moral Contagion: The Role of Motivation, Attention, and Design in the Spread of Moralized Content Online

Morally Motivated Networked Harassment as Normative Reinforcement

When Online Harassment is Perceived as Justified

Violence on Reddit Support Forums Unique to r/NoFap

"It Makes Me, A Minor, Uncomfortable" Media and Morality in Anti-Shippers' Policing of Online Fandom

[shorthaltsjester]

no but i really can’t stop thinking about like. the intricacies of a sending spell. the fact that liliana tells imogen she loves her but doesn’t tell imogen she trusts her. the fact that relvin doesn’t say he loves imogen but does tell her he thinks of her often, he misses her, and he hopes she’s happy (and suspects she is, given how she was in gelvaan). and the fact that imogen is so filled with love in all the complicated and imperfect ways that she would have to be with the examples set out for her. my head is in my hands about the fact that though imogen is a homebody type, she was a wanderin’ spirit in gelvaan because gelvaan was never going to be a place she could stay with her powers and those people (as made clear by imogen’s attestation that she wouldn’t have lasted if laudna hadn’t come along) and the fact that we know relvin did in fact, to imogen’s words, do his best trying to mitigate the relationship between her and the town. even after she’d left, it’s clarified that relvin tried to limit the rumours that grew about what imogen did in her exit, despite the violence of it that imogen admits to.

there’s just something about the contrast of the two sendings that is really punching me in the chest in terms of like. something with the temults that i find especially compelling is the kind of . idealizing that can come when you have a distant parent, especially when the contrasting closer parent is obvious in their imperfection. because i think what’s compelling about the liliana and imogen dynamic is that, on both sides, what they’re each reaching for is an idea; imogen for the saviour from her dreams that told her to run and liliana for the toddler from her past that she set off to save. what’s compelling about relvin and imogen is the exact opposite; they’ve both seen too much of the other, imogen facing the realization that all children have eventually about their parent’s humanity, pushed to 11 because she can hear his thoughts. but i think the sending spells speak to the reality that, though the relvin relationship is certainly the one with the most obvious ache, it’s an ache comprised of presence and grief for an actual relationship that has devolved, versus the one with liliana which was never truly there, and is more melancholia for something they do not have.

the messages relayed between imogen and liliana literally say “i love you” but they’re also the update messages of a soldier conveying her perhaps ill-given trust to a potential turncoat. with relvin’s message, though he doesn’t say i love you, there’s a history to the relationship they have inherent in the contents of the message and the words imogen initiates it with. speaking to her father, imogen can say the words “thank you for doing your best” and feel the truth of them, but she does not extend that to her mother. and like. that’s It for me. that’s the deliciousness of relvin and liliana and imogen. that relvin stayed and was imperfect but there, and the reality is what stains and strains imogen’s relation to him now, but that liliana left and maintained the perfection of Protective Mother in imogen’s dreams, and the reality coming into conflict with the dream — where liliana is protective mother but for a daughter that’s as imagined as imogen’s dead mother was — is what both gives imogen hope and keeps her from committing entirely to any idea of who her mother actually is. the temults can be something so awful and wonderful and human and monstrous actually.

[bleue-flora]

[original post]

@marshymashers hope it's okay to respond to you in a post, my answer was getting too long, so here we are. :)

First off, Tubbo isn't autistic. He has stated on multiple occasions [clip] [clip] that he isn't and it is none of our business to question him or diagnose him. That is incredibly disrespectful to Tubbo and anyone actually diagnosed with autism. He has stated that all the way back in 2022 that he is not, so please refrain from going around diagnosing people in real life and spreading false information. It is none of our business what diagnosis someone does or does not have unless they want to come forward and tell us.

Yes, Tubbo is dyslexic, as am I, which does mean he is neurodivergent, however dyslexia and autism are not the same.

According to the National Institute of Mental Health (NIMH): "Autism spectrum disorder is a neurological and developmental disorder that affects how people interact with others, communicate, learn, and behave." [link]

According to the National Institute of Child Health and Human Development (NIH): "Some of the most common learning disabilities are the following: Dyslexia. People with dyslexia have problems with reading words accurately and with ease (sometimes called “fluency”) and may have a hard time spelling, understanding sentences, and recognizing words they already know." [link]

In my post, notice I am not talking about neurodivergence as a whole, but specifically autism and the effect it has on communication and behavior. I also did not and have not said that autism excuses behavior nor is any type of shield to be used to paint Dream as innocent. Again, my point here was not about the wrongdoings, but about the communication I have seen over the past few days that speaks to a pattern that I have experienced over and over for 20 years that only after my diagnosis and people willing to hear me out as a result has subsided. I am talking about a 3 hour stream where Tubbo and Dream repeated the same things to each other over and over and couldn't seem to understand each other no matter how many times they said it. That is what I am talking about. Because I believe not that autism should be used as a shield but as a lens to view the situation more clearly.

All I'm saying is if people went into the discussion with the mindset that this could be a moment of autism misunderstanding not malicious or manipulative intent, then it would be more productive. Instead over and over the assumption is that Dream has ill intent so everything that is rumored and hinted at or said is viewed under that lens.

For example, it is a very common characteristic of an autistic person (or person with adhd) to mix up names. So, on one hand, people could see Dream calling Tubbo "Tommy" multiple times in that stream as Dream not seeing them as separate people and only seeing Tubbo as Tommy's best friend, and using Tubbo as a way to talk to Tommy, or whatever. But in reality, I can say with absolute certainty that Dream just screwed up the names on accident, as is common place for autistic people. There was no ill intent behind it in the slightest, it was simply an accident. That's all. Do you see the difference? By constantly viewing Dream under a lens of malicious intention we are mistaking what could just be a more innocent moment of autistic difference for wrongdoing. And all I'm saying is that until people give Dream the benefit of the doubt or grace that it could be an autism miscommunication, things will never resolve or change.

And yes, execution is at the end of the day the result and it doesn't matter whether you meant to hurt someone or not, you still did. But knowing intention is the difference between Dream being an imperfect autistic guy versus a movie villain. And whether rumors about him should be taken at face value to be true or whether we should give Dream the benefit of the doubt first.

In addition, if we don't take into consideration that Dream sees a situation differently because he's autistic and therefore an explanation of his wrongdoing may not make sense to him, then we are going to just assume he isn't taking accountabilty when in fact, he really just doesn't understand. In the same way, that Tubbo doesn't understand his reasoning.

For example, with the perception that Dream and his friends are misongynistic and sexist:

Tubbo's reasoning:

there are multiple accusations you haven't refuted of you calling a woman a whore + you singled out Aimsey and Hannahrose in your stream + you disrespected Caiti in that situation by getting involved and sending hateful fans after her + downplayed your involvement and the situation's point by not including it in your vid => you are sexist and misongynistic and need to clean up your act with how you treat woman.

Dream's reasoning:

there are multiple accusations you don't refute of you calling a woman a whore there is one accusation that I don't remember but don't want to call someone a liar, from awhile ago when I used whore more in my joking slang with my close friends + you singled out Aimsey and Hannahrose in your stream in my stream I mentioned many creators, including Aimsey and Hannahrose, to highlight my points about rumors, misconceptions and mispeaking + you disrespected Caiti in that situation by getteing involved and sending hate after her I provided information as I was a witness of a situation involving my best friend + downplayed your involvement and the situation's point by not including it in your vid I didn't include it in the video as Tommy didn't call me out for doing something in it and the situation is George's and Caiti's to discuss not mine => you are sexist and misgynistic and need to clean up your act with how you treat woman contrary to Tommy's statement I am not sexist or misogynistic, nor are my friends as there is no proof.

I don't think Dream is trying to dodge accountability, because (unlike some creators) over and over we have seen him own up, apologize and admit he was wrong or out of line and try to make things right in a reasonable manner. He has proven that he can and does take accountability, in this instance he just simply doesn't see why he needs to as he doesn't follow Tubbo's train of thought and reaches a different conclusion, in the same way Tubbo isn't following Dream's train of thought... anyways I really hope that makes sense or clears things up for at least someone lol. :)

[gigidragonbbxxx]

success story

"The opposite happening in the 3D does not mean you are not getting your desires. It could probably be part of the "how"."

I just wanted to tell a story from one of my own friends in the law of assumption community. afaik, she does not have a tumblr. I will be either changing details or keeping things vague for privacy but this story is true and just happened last week.

The quote I have above is a paraphrase from Dylan James. I don't listen to everything he says and sometimes I have conflicting opinions BUT I appreciate the knowledge that does resonate with me and when I came across this saying it had me thinking: how is this true?

Well, I got my answer.

My friend lives in Seattle. She's from a European country and here for work and school. Her sponsorship for her green card was through her work. My friend is a master manifester. She's manifested men, her move to the States, people repeating her affs back to her. She had been affirming for a while that she made a certain salary (six figures so let's just keep it at $100,000).

My friend would keep affirming "I love my job and I make 100,000"

The reality was that her workplace environment was toxic as fuck and she wasn't being paid what she deserved but bc of her green card, she wouldn't be able to leave.

BUT GUYS. What do we always affirm?

Everything and anything will MOVE and BEND for me to get what I want.

This past week my friend got fired and of course, she freaked out.

So what did she do? Did she spiral?

no reader. she's a master manifester. she cried while affirming. she cried as she listened to aff tapes. she kept on affirming. she sent me voice notes rampaging.

SHE WAS STRESSED BUT SHE PERSISTED.

and guess what unfolded?

she found a dream job that paid exactly what she wanted, had better working conditions, AND she found a lawyer who saw a great loophole for her green card. i can't elaborate further regarding that.

the funny part is her being fired versus her quitting meant she had to get a severance package so she's getting paid as she's settling into her new job.

her losing her job = the way for the universe to give her the new one

THE OPPOSITE HAPPENING DOES NOT MEAN YOU ARE NOT GETTING WHAT YOU WANT THIS IS PERSISTING!!!

PERSIST.

xx, gigi

[brighteuphony]

Got a bunch of Sasuke-centric asks, so here we are!

Sakura has some complicated feelings about Sasuke.

In my AU, Sakura was born to civilian parents who didn't really want her to become shinobi, even though that had been her dream for as long as she could remember- and it was no secret in the Haruno household that they were hoping she'd drop out, or at the very most, be career genin.

So Sakura never really had anyone to believe in her and had to go into the academy (late!) as a civilian-born, meaning she was automatically behind in development (and status) compared to the clan kids. (I headcanon that until the Academy, Sakura didn't ever spar with anyone, versus clan kids who had probably learned how to wield kunai before they knew how to walk).

So Sakura worked hard and did her absolute best to get the barest minimum that clan kids were afforded by default. Unfortunately, her best, without the resources/opportunities, just wasn't good enough. And Sakura knew it. Academically, she was brilliant, but that's not enough to be a good shinobi. And somewhere deep down, Sakura (at the very least Inner Sakura) knew it.

It's why I headcanon that she developed such a violent temper. People who are secure in themselves don't have such explosive, uncontrolled outbursts- it's why she picked on people like Naruto, who was probably the only person below her in the pecking order (maybe Tenten? But they're equals I guess). It's why she's so quick to anger and usually has those responses OUT of combat- it's because that's the only place her violence is actually effective.

It's also why she's such a teacher's pet- she needs validation from others to try and fill the gaping void.

So when Sasuke appeared on the radar, and everyone wanted him, so did Sakura. Because if she got him, she would do something that no one else- clan-privileged and better- could do. In fact, she staked most of her identity (her hair, her diet, her clothing) on it.

None of this was conscious. She really did have a crush on Sasuke, but the seed of it was born from a very misguided desire to prove herself on an even playing field.

After all, she didn't have a clan upbringing/resources to teach her how to find self-worth and actualization through her skills (she went home, and her civilian parents praised her for things that absolutely didn't matter in shinobi reality, amazement that she could throw a kunai! how good her grades were! and how cool it was that she could jump high!)

(and Kakashi absolutely didn't help, lol), so she defaulted to what she knew- which was being a regular girl with a regular crush.

Now, as an ~adult, she's come to the painful realization that her love for Sasuke was just a goalpost. Ironically, she set her sights on someone who would inadvertently feed into all of those insecurities, and because Sakura didn't love/believe in herself, she accepted Sasuke's abuse.

She also understands that she ran into the Chidori/Rasengan deathmatch of her own stupidity, but she just can't forgive Sasuke for leaving. For never owning up. 'Cause that's just coward behavior..

Basically, Sasuke's cruelty was just a reflection of her own self-loathing, and unfortunately, Sakura just wallowed in denial and ended up paying a hefty-ass price.

So if she ever sees Sasuke again? Honestly, she doesn't know whether she wants justice or revenge. It's complicated.

Whew- that was a text dump....

Once again, thank you so much to everyone for all the interest and asks! I'm so happy we can all share Naruto rotbrain together.

[astradyke]

Please write the dissertation on how phil deals with dan's self deprecation :)

hi! i am not certain what exactly you are referring to, but i will be using my best guess that you are referencing what i talked about in this post about a certain minute and a half from a certain video. if that's not what you meant, shoot me another ask! but assuming that's it, well, without further ado...

a deep dive into 19:57-21:26 of What Dan and Phil Text Each Other 2

What Dan and Phil Text Each Other 2 was released December 21st, 2021 on AmazingPhil's channel. this video was released around two and a half years into Dan's hiatus (two years from their joint hiatus). setting aside the several YouTube Originals including Dan as talent, the next upload released on his own channel would be Why I Quit YouTube, released May 2nd, 2022. the sole reason i mention this video is for the contextualization of what was occurring during What Dan and Phil Text Each Other 2-- this video was taken at some point after Dan had learned that his dream show, Dan Is Not Okay, was not going to be actualized, a reality that he described as traumatic.

i want to be explicitly clear that i am NOT intending to speculate on what was transpiring in private, nor am i romanticizing severe trauma. this is a frame by frame commentary post about publicly available content.

the outro to this video begins at 19:52, with a single frame that cuts at 19:57. At 19:57, Phil says: "Bunch has happened with you that we did not text about," to which Dan emphasizes, "That I can't talk about." Dan begins speaking on his own at this point, but you see Phil's face shift as he prods Dan to "talk a bit" about what is going on-- his eyebrows furrow, he's making direct eye contact with the camera, and he seems to be frowning. As Dan talks calmly yet vaguely about the circumstances we later learn about in Why I Quit YouTube, Phil's face shifts from the previously described expression to one where his cheeks puff up, his eyebrows still furrowed-- clearly annoyed. This shift happens as Dan is talking:

"Look, quite a few things, dreams of mine-"

"-got quite catastrophically torpedoed..."

Phil's face is like this for only a second before he relaxes it, though he still looks noticeably unhappy after. There is a jump-cut ~20:12, where Dan now has his hand resting against his face, while Phil emphatically expresses: "Like, Dan has been so close to almost giving you something, and then it's been taken away."

at this point, Dan carefully starts saying that several of these projects might happen in the future-- to which Phil looks a little defeated:

before looking irritated, even more-so than before, when Dan says: "... but I cannot to just wait for them or be gone in the meantime."

again, relaxes again after a few seconds, and only begins to look positive when Dan describes that "somehow, some way, in the new year, I will be back."

... okay, so why did i show you any of that? mainly because i think it is significant to contrast the way that Dan approaches this subject versus how Phil does. Dan is plagued with vestiges of bitter professionalism and a sort of sadness as he tries to allude to the nightmare of his last two years, which makes sense in the context of his indecision over how to respond to what happened. all that Dan has experienced has forced him to constrain his emotional responses, as he has spent two years walking along a very similar edge with his literal dreams at stake. Phil, meanwhile, has a subconscious reaction to what Dan is saying, and without intending to, expresses across his face the shifting emotions that Dan feels unable to show.

to me it mirrors something we see in the I TRY TO GIVE DAN A HAIRCUT!! video. In this video, Dan continuously expresses uncertainty about promoting his book, being repeatedly encouraged by Phil to talk about it-- only for Phil to insert a segment at the end of the video to promote it more fervently. Dan is forcibly holding back, versus Phil openly expresses what Dan feels he cannot do in that moment. when Dan is wading through complicated emotions in order to treat the subject of his recent trauma respectfully, Phil is pantomiming what Dan cannot say in that moment, what he is not safe to say: that he got completely fucked over. Phil is communicating what we would spend five months knowing nothing about, in a way that exposes nothing except the fact that he was by Dan's side, feeling a fraction of his pain, throughout it, and that Dan didn't deserve it. that Dan is not at fault for his own absence.

at 20:35, Phil perks up and expresses that "the world has missed your sarcasm," voicing not only his own excitement ("I'm braced") but also the audience's excitement to see Dan return to YouTube. Dan laughs, before asking: "have they, though?" here, Phil very earnestly says, "yeah!" he is slightly shrugging, eyebrows rising (i couldn't capture a good visual here, sorry). the conversation is quickly hijacked by Dan, who continues to say "maybe this has been good for the world"-- Phil makes an expression here that is convoluted to read, mixed with both irritation/skepticism but also losing a degree of seriousness-- and starts laughing to himself as Dan goes onto say, effectively, that maybe things are better without him there at all. this is a very noticeable part of a lot of Dan and Phil content: Dan makes a self-deprecatory remark, Phil responds very earnestly, and then Dan continues to take it in a joking direction, so Phil picks it up and jokes back.

this feels jarring, at first, because at the time that this video released, i remember being surprised at how dark Dan was being, in a place that was clearly meant to be laughed off but was not executed like his typical cynicism. Phil follows along with laughing about it, because they are professionals and moving along is a quick way to handle something that does not need to escalate to an intervention/argument, but Phil does not joke about this from the beginning-- he is very earnestly assuring, at first, before realizing that Dan is doubling down, and he backs off. and he actually does this a lot across their videos: following Dan's lead.

20:48 is when Phil starts the actual outro of the video. at 20:51, after thanking the audience for watching the video, he gestures at Dan and turns to say: "Thanks, Dan-" to which Dan cuts him off to say, "Thank you for tolerating my presence." Phil continues his earlier sentence, correcting Dan by saying, "for treating us with your presence."

this is done (1) immediately and (2) deliberately. there is no shift in Phil's facial expression, no muddling or joking about what he is saying. Dan, in this moment, is reverting and doubling down on the self-deprecation we started to hear just a moment ago, and Phil is responding to it not by cutting Dan off, or bantering about it, or scolding him, but by very clearly correcting it. Dan is asserting what he believes to be the truth-- this does not read like his regular cynical humor-- and Phil is, in turn, asserting his truth just as confidently: that Dan is, as he said at the very beginning of this video, "a gift" for the audience. That Dan is creating something beautiful, that it's not his fault what is happening to him, and that both the audience and Phil want him.

the outro continues on, and Phil does his promotional stuff, explicitly including Dan in pretty much everything he promotes. here's my best attempt at a screenshot where you can see how close the two of them moved together over the course of this video; this is Phil telling people to subscribe to Dan.

Dan then says, at the very end of the video, that "it has been... a year." Phil doesn't express much facially, but he does say a very clear, "yeah." as Dan goes on to close out the video. in the end cards, Dan's end card says: "DANIEL!" obvious excitement and endearment here.

... okay, that's cool Mare, but you started writing this two hours ago and i don't understand why i needed to read any of that?

this video holds a very different tone to the others in the series, which is possibly why it is not a favorite for many people. it is a funny video, undeniably, but it is very clear in hindsight that this was shot while Dan was in a relapse. which is why it is so meaningful and loud to me that Phil not only brought this series back unexpectedly, but also exhibits this 'pressing forward and pulling them both back' strategy. they laugh about texts, Phil does their joint promotions, and then Dan says something self-deprecatory-- Phil steps up to sincerely counter it, and then pulls them both back as the next jump cut happens. the two of them are in-step, here, matching each other: Dan and Phil alternate discussing Dan's solo work issues; Phil picks up when Dan is trying to make a joke and joins in on it; when Dan self deprecates, Phil takes the same exact sentence and changes a singular word without a visual second thought. they do this all together.

there are a lot of ways to navigate self-deprecation. notably, when arising from a serious internal crisis colored by depression, you can't reason them directly out of it-- it's an immutable truth, to them, something that the world has affirmed. when Dan says that the internet would be better without him, that his presence is merely to be tolerated, you can tell that in the moment of this video's filming he did genuinely believe this. Phil recognizes that any attempt he makes to combat this has to be subtle enough to look over, but clear enough that the audience registers it in their head. it has to be said like it is an obvious truth, because to Phil (and us) it is an obvious truth. and it has to be done in line with Dan, not cutting him off or speaking over him, but by giving him the agency to express how he feels, and informing him, gently, that Phil is in love with him even if Dan is struggling to love himself.

Phil wanted us all to know in this video that Dan was being mistreated, even before any of us knew what that actually meant. even as Dan dealt with the psychological repercussions of this on his own mentally, it reminds us that Phil was there the entire time, Phil saw it and he grieved, too, because if the hiatus showed us anything it is that Phil loves Dan's solo work and his creative mind more than pretty much anything, aside from Dan himself. he also tried to emphasize, at the beginning and the end and even in the foundations of the video, that Dan being there was a treat! not something to be taken for granted! that Dan was something special, something the world desired, and yes that may sound obvious given that we were all there eagerly waiting for joint content, but in the context that Dan was being used for billboards and specials and whatever the fuck just because he could, that he was conscripted into projects and then forgotten about, that his own dreams 'fell through the cracks'... yeah.

a major reason why the hiatus years are so fond in my heart is that they are a clear period of time where you can see Phil's relentless devotion to Dan. he does the most that he can to support him-- he brings him onto a fun joint video, he promotes his merch, he really promotes his book, he coaxes Dan to talk more about solo projects, and he emphasizes that he wants him there. and this is all why this video in particular is so meaningful to me. it's the two of them, unexpectedly for us, bringing back a series where they revel in their insane psychic connections with each other, and it's Phil saying over and over and over again-- this person is with me. i am by his side. i am proud of him, and i radically refuse to take him for granted. he can never go anywhere that i won't follow him.

and that, that is everything.

[maybeitsalivescribbles]

Superpowers: a recap

You know, I often tend to skip superpowers under the rug when I write my snippets- which is kind of a problem in a Hero/Villain setting.

So this is a recap to help me remember the possibilities, in case it can help anyone else:

LIST OF POWERS

Classical set

Super strength

Super endurance

Super speed

Telekinesis

Teleportation

Forcefields

Laser eyes (classical because of Superman, but I still think this is bonkers)

Immune to superpowers/elements/illness/etc

Flight

Healing (themself or others)

Can speak to animals/plants

Hypnotism

Immortality

Wish-granting

Astral projection

Miscellaneous

Can steal power from others (forever or it’s temporary)

Has non-human animal anatomy (reptilian scales, horns, produces poison, etc)

Can break into parts and reassemble

Can make clone(s) of themself

Immune to gravity (the fall doesn’t kill you, can jump as high as you like, can crawl on walls, etc)

Super instinct (can sense when something’s wrong, when someone is lying)

Can control fibers/clothes

Can create portals to anywhere else

Control of one single type of object (doors, trains, cars, paper, etc)

Control anything made by humans

Music powers

Can force everyone to dance

Can control voices/can take voices away

Can control volume of any sound

Charm people when they play an instrument/sing

Can summon music whenever they like

They get an upgrade (super strength, etc) every time there’s music

Elemental/Nature powers

Can control fire/ashes

Can control electricity

Can control water/ice

Can control plasma

Can control air/wind/gazes

Can control earth/magma

Can control metal

Can control light/shadows/colors

Can walk on water/wind/lava/rainbows

Can breathe underwater/in space

Can burrow into earth

Can control temperature

Can control the weather

Control of life forms

Can control humans

Can control beasts

Can control plants

Can control...mushrooms, I guess ?

Can control viruses and bacteria

Can control blood

Everything they touch die

Everything they touch come back to life

Can accelerate/slow down aging

=> is the life form conscious while under control ? Can they fight back? Do they have to be okay with it?

Sense powers

(Reminder: human senses are hearing, vision, touch, taste, smell, vestibular)

Better senses (better sight, better hearing, etc)

X-ray vision

Can see every place they like or eavesdrop everywhere

Can manipulate the senses of others (can heighten them or cancel them)

Can inflict pain

Emotions

Their sheer presence induces an emotion (fear, love, etc)

Can force to feel an emotion/heighten or dull emotions

Can project their own emotions into others

Empathy (they feel the emotions of others)

Shapeshifter

Can reduce/aggrandize their size

Can seem much older or younger

Intangibility

Invisibility

Strechability

Can take the form of another thing/person

Can take the form of any human

Can take the form of anything (animal/plant/object/liquid/gas/etc)

Reverse Shapeshifter: can transform others into an animal/stone/plant/anything

Mindpower

telepathy

illusions

possession/mind control

can mess with memory

can mess with dreams

Time powers

Can time travel (future/past)

Can froze time

Can predict the future/see the past

Oh now that's just cheating

Reality wrapper

Luck

Everything they create becomes real

Can choose any superpower they want according to the situation

GENERAL QUESTIONS

Is the character okay with their power ?

they hate it it’s a curse to them

they wish it were different (stronger, another power altogether, etc)

they don’t mind

they really enjoy it

it’s their whole identity

Etc.

If they hate it, is it because:

it hurts

it could hurt someone/something else

it’s useless/ it’s not offensive

it goes against their personality

people hate it too

it makes people treating them as a tool

Can they control it?

they’re a walking disaster

using it makes them sick

perfect control, natural or learned

they don’t even need to think about it

etc

How powerful it is?

(Ex control of fire: can barely light a match versus can set in fire the whole country)

Characters with weak powers my beloveds. It's about them fighting when they know they will lose, putting everything they have in the fight, keeping their head high when people sneer at them. It's about them enjoying their power without having it to be useful, or forcing them to be creative and smart about/around it.

Overpowered characters my beloveds. It's not about them winning the fight because the answer is obvious, it's about them dealing with too much power in a fragile world, the gap between them and the others, how it impacts their relationships, their morality - never hesitate to make a character like this. It can be terrifying, it can be hilarious, it can be great. No trope is bad, it all depends on how it's used.

What is the source of their power ?

failed experiment?

successful experiment?

got them from a supernatural being?

got them from their family?

got them from a magical object?

When did they get it ?

when born?

during childhood ? Teen years ?

grown-up ?

Was it expected or not?

Is getting this power a one time thing or to they need to renew it ?

(via sacrifice, offering, a special food/medicine, a good/bad deed, etc)

Can they give it to someone else?

Can it go away/fade?

Does it grow stronger/weaker with age?

Is it affected by the health of the character ?

(Is the power weaker when the character is sick, or is it stronger as a defense measure ? Does it become unpredictable?)

Does it hurt using it/not using it?

(Because it takes too much on the body/because it forces to repress an important part of the self)

Does the power change their personality in a good/bad way?

(Does it corrupt them, does it force them to see the world in a new light, etc)

Can their power combine with someone else’s ?

Do they have a weakness/something that cancels their abilities?

Do they have special needs because of it ?

(Do they need glasses, headphones, medicine, a special diet, etc)

Are they immune to their own power or do they take damage ?

(Ex : is your character able to control fire is fireproof or not?)

How much do they rely on it?

they use them for everything

they use them often

they could do without

it’s barely an afterthought to them

they never use it

etc

How do they use it ?

Raising their hand

With their eyes

With some object

They don’t have to do anything

Etc

How does this power is perceived by the others?

This makes them a god

This makes them a star

This makes them totally mundane

This makes them look really stupid

This makes them a nuisance

This makes them someone to be killed at all costs

Etc.

About the suit

Is that for protection ?

Is it an uniform ?

Is it here for the vibe ?

Does it strengthen their abilities?

Does it have gadgets ?

How (im)practical is it ?

[whatsnewalycat]

Designated Person | 10

Pairing: Francisco “Catfish” Morales x F!Reader

Chapter 10: Flat Tire

Rating: Explicit (18+ only)

Word Count: 6.9k+ (nice)

Tags / Warnings: reader pov, infidelity, past romantic & sexual relationship, angst, food & eating, blackout, movie references, car problems, alcohol & alcoholism, 12-step programs, lying, conflict avoidance, crying crying crying sorry, internal conflict, monologue, toxic relationships but listen we're tryna get better, journal entries, nightmares, ptsd, flashback

Notes: WHAT UP PARTY PEOPLE?? MAKE SOME NOIIIISE (insert dallas buyers club matthew mcconaughey scream crying in his car). Sorry for being a bummer lol sometimes growth hurts but we're gonna get thru this I swear. Ok thank u let me know what you think!!!

[ Previous Chapter ][ Series Masterlist ][ My Masterlist ]

-----

Blackouts work like magic. 

One second you’re perched on a barstool, trying not to sway or slur your words while ordering another drink, and the next you’re jolted awake by the thud of a door closing. 

Heart pounding in your chest, you sit up and look around, breathing a sigh of relief to see you somehow made it to your bedroom last night. 

You grab your phone off the side table, swiping away the missed calls from Frankie and Leah, then discover that you apparently re-downloaded a dating app in your alcohol-induced fugue state. Judging by the number of reply messages in your inbox, you must have hit up every man in the tri-county area who was “looking for a good time.”

Perfect. Of course you did. Why wouldn’t you? Bad decisions and dick has never ever steered you wrong. 

You read one typo-filled exchange between yourself and Russ K, 34, before deactivating the account and uninstalling the app. 

When you set your phone back on the nightstand, you notice a mason jar filled with ice water and frown. Beside it sits a small plastic container holding four neon orange tablets and two white tablets. A sticky note on the table reads ‘Went to a meeting, be back this afternoon’ in Frankie’s handwriting. 

Alarm trickles through your veins and inspires a wave of nausea you can’t ignore. Clasping your hand over your mouth to hold down the rising bile, you jump out of bed and beeline to the bathroom. 

After emptying the sparse contents of your stomach into the toilet, you lean back against the cool tile wall and search the ceiling for answers. How did you get home last night? Did you say anything to Frankie? 

You think about the ice water and over-the-counter pills left on your nightstand, then think about the note Frankie left. However you got home, he must know you were hammered. Which means you definitely interacted with him while blacked out. Do you even want to know what you said to him? 

Mortification twists your stomach when you imagine the possibilities. You could have tried to fuck him or murder him or anything in between. Given how you feel about him right now, it’s impossible to predict. That fact alone makes your mouth start to sweat again. 

So… no, you don’t want to know what you said to him when you were drunk. You don’t want to know how you got home or why the fuck your hair is damp. All you want is to get through this fucking day without hurling again. Maybe greasy food and a NASCAR nap, too. 

With this new clear goal in mind, you pick yourself up off the bathroom floor and set about making your low-stakes dream a reality. 

—

You wake on the couch to the soothing lull of commentators giving a play-by-play of the Rays versus Yankees game. A thick web of fatigue clings to you, fighting against your efforts to open your eyes and sit upright. 

“Hey.” 

Instinctively, you look towards the noise at the other end of the couch, locking eyes with Frankie. His face droops with this wounded expression that gets under your skin. Diverting your gaze to the TV, you cross your arms and try to keep your demeanor aloof despite the deep ache in your chest. 

“How are you feeling?” 

You choke out a humorless laugh and shake your head, keeping your eyes trained on the screen. A few tense seconds go by before he accepts that you will not be answering his ludicrous question, so he takes an alternative approach. 

“I brought home cubanos from that place you like. For, um… for family dinner. If you still wanted to do that.” 

Home, he says, as if the word meant something to him. As if he didn’t match every brick you laid in the foundation of this relationship with paper mache blocks. As if he didn’t take a wrecking ball to whole fucking thing regardless. 

Maybe to him home is just a place he rests his head at night, not where he anchors his heart. A matter of physical location rather than a feeling. You, on the other hand… never felt quite at home in this house until he started living here. 

Are you crazy for having felt like that? Like home was a space you held with him and him alone? 

Your parents were right. You make too much of things. You’re overdramatic. 

Why would he love you? Why would he choose you over his wife? You knew what you were getting into when this started. 

Stupid girl. 

“I understand if you don’t want to, though.” 

His voice brings you back to yourself. You blink hot tears from your eyes, then wipe them from your cheeks, trying to hold yourself together despite the whisper of ‘stupid girl stupid girl stupid girl’ at the back of your head. 

“Can we… can we at least talk about it?” 

You wince as a fresh batch of tears surges up your throat. Rising to your feet, you shake your head and manage to choke out, “Just forget it,” before fleeing to your bedroom. 

—

I slept most of the day yesterday so it took me forever to fall asleep. Also Frankie was walking around the house all night. At 11ish, I heard him talking on the phone, then I think someone picked him up. I texted him to see where he went because I’m unfortunately still his designated person. He said he was with someone from AA and he’d be back soon, just needed to talk. I couldn’t fall asleep until I heard him come in at 1. He wasn’t stumbling around so I’m guessing he was sober??? Hopefully he was. I don’t want this to get in the way of his recovery. Which I sort of hate. I wish I could delete the feelings I have for him. I wish I didn’t care. But I guess I do, so… I don’t know. This fucking sucks. Leah said I should kick him out, but I don’t want to fuck up his program. Maybe I’ll talk to Ralph today and see what he thinks. The thing is… the more people I talk to, the more I just want to talk to Frankie. Nobody makes me feel like he does. More than the lies, this is what bothers me the most. The fact that I can feel this way and he just doesn’t. I don’t understand how he can’t feel it, too. I thought this was real. But I guess I always do. I guess he’s just a really good liar and I am just a stupid girl. 

Tossing the notebook aside, you sit up to grab your mug off the side table. Wisps of steam rise from the coffee and dissolve into the air. The image blurs as a thick, wretched sensation twists up your throat. 

God fucking damnit. 

Every time you think you have no more tears left to cry, you prove yourself wrong. They just keep coming. Yesterday you waded in and out of these sudden fits where crying was all you could do. It reminds you of all the other times he broke your heart, but especially the last time. 

After Angie caught the two of you fucking, part of you hoped that maybe she would leave him. From what you understand, though, he convinced her to stay. Called you a mistake. An ‘isolated incident’ or whatever. Fucking asshole. 

Anyway. 

Seeing each other became logistically and emotionally difficult. Participating in an affair is much easier when it’s still a secret, for obvious reasons. He tried to see you when he could, which wasn’t nearly as frequent as you wanted. When you did see him, he was drunk. You’d pick him up from the bar, or he’d come over after Angie went to bed, but he was always at least five drinks in and counting. 

You bailed him out of jail twice in those six months. Once for drinking and driving, once for getting in a fight over a fucking pool game, of all things. 

He seemed so walled-off from you, too. Like he detached from his emotions when he saw you. Maybe it was because of the liquor, but a million other reasons are just as likely. After sex, he would leave. The sex was… well, it was still good, but… different. Rougher, impersonal. It felt less like making love and more like fucking. 

You still loved him, though. You still had fantasies of having a real, normal relationship with him. Despite all the evidence to the contrary, you still wanted to believe that he was meant to be with you. 

Stupid girl stupid girl stupid girl

And then, well… 

Your phone starts to ring. It’s Ralph. 

You take a few quick sips of your coffee, then set the mug aside to answer. 

“Hello?”

“Hey, kiddo. Do you have a minute?” 

His tone, less jovial than normal, gives you a small burst of anxious energy.

“Sure, what’s up?” 

“I just got off the phone Mr. Morales and he briefed me on the, ahhh… situation over there.” 

Unsure what to say, you fold an arm over your belly and stare down at your lap. 

“I understand that things are a bit tense due to an incident that occurred on Saturday, is that correct?” 

“Yeah,” you nod, voice wavering, “Yeah, I, um… I overheard him talking to Angie, and… well, basically I found out he’s been lying to me.” 

It sounds so pathetic when you say it out loud. 

“Uh-huh. He lied about the nature of his relationship with Mrs. Morales.” 

“Correct.” 

You prepare for Ralph to tell you it’s not a big deal. Brace yourself for the inevitable scoff, or for him to accuse you of overreacting. 

So he lied to you, so what? You knew who he was. You knew he had a family to keep together. You should have known better than to get involved with him. Stupid girl, why would you put yourself in that position in the first place? 

“And this isn’t the first time he lied to you about this particular matter, am I understanding correctly?” 

“Well…” you frown and shake your head, “No, not really. When we were together before, he was pretty explicit that he wouldn’t leave her. I just… I just thought… I don’t know. It’s dumb. I’m fucking dumb.” 

Ralph doesn’t respond right away, so you add, “Sorry. I’m still in my feelings.” 

“Don’t sweat it, I think I’m picking up what you’re putting down,” he pauses here to clear his throat, then recounts, “Before, he told you leaving her wasn’t a possibility. And despite my warning going into this, the two of you re-established your romantic relationship, he told you that kind of relationship was effectively over with his wife. Which wasn’t true.” 

“Correct.” 

“Ok. Got it. Has Mr. Morales exhibited any unusual or suspicious behavior since the incident on Saturday?”

After thinking about it, you tell him, “I wouldn’t call this suspicious exactly, but yesterday he left a note saying he was going to an AA meeting, which isn’t normal. And late last night someone picked him up. I texted him to check in and he said he was with someone from AA, talking.” 

“Do you believe he was being truthful?” 

“Yeah, I do,” you shrug, “I mean, I’m obviously not the best at detecting his bullshit, but I’ve seen him under the influence more times than I can count and he didn’t seem… like that.” 

“Well, that’s good. And it’s good you checked in with him, I take that as a positive. You are still responsible for him while he’s on parole.” He sighs, “Which brings me to my next question. Are you thinking you want to continue serving as his designated person, or should we start looking for alternatives?” 

A lump rises in your throat. You swallow it down, wincing at the tears that burn behind your eyes, “I, um… I’m not sure yet. Can I have a few days to think it over?” 

“Sure. How about this. Why don’t you take some time, maybe go to one of those Al-Anon meetings I told you about, and I can stop by Saturday to have a sit down with you and Mr. Morales. Does that sound agreeable?” 

“Ok,” you nod, “Yeah, that sounds good. We can do that.”

“Alrighty then. I’ll shoot you an email with some details sometime today and we’ll go from there.” 

“Thanks, Ralph.” 

“Call me if anything comes up, ok kiddo?” 

“Will do.” 

After hanging up, you put in a load of laundry and wander around the house, stopping by the fridge to stare at the cubano Frankie brought home for you yesterday. You roll your eyes with annoyance as you grab it, then you return to the couch and put on Eternal Sunshine of the Spotless Mind. 

—

By the time Frankie comes home, you’re four feature films deep in your angsty post-breakup movie marathon and feeling indignant enough not to surrender the common space to him. 

His eyebrows do this little surprised jump when your eyes meet his, and he glances at the TV, “Reality Bites?” 

You don’t respond, just curl deeper into the couch and return your attention to Ethan Hawke’s spiteful cover of Add It Up.

He kicks off his work boots and walks into the kitchen, coming back a minute later to ask, “If I make something for dinner, will you eat it?” 

Your stomach rumbles at the thought of food. Without looking at him, you shrug. 

Accepting the non-verbal answer, Frankie returns to the kitchen and starts bumbling around, cussing and grumbling under his breath. Eventually, though, he seems to get the hang of it. 

Just as the end credits of Reality Bites start rolling, he enters the living room holding two plates and sets one on the coffee table for you, then takes a seat at the opposite end of the couch. 

You sit up, crossing your legs as you pull the offering into your lap, and toss the remote control to his side of the dividing cushion. He wordlessly searches for something else to watch while you study the avocado-filled hot dog buns. 

“What is this?” you ask. 

“Completo. Hot dog topped with good shit, basically. Avocado, tomato, onion, condiments.” He selects play on Moulin Rouge, then looks at you and shrugs, “Ma would make it for me when I had a bad day.” 

You stare at him for a moment, then roll your eyes and shake your head as you turn to the TV, “I see what you’re doing.” 

“What’s that?” 

“Kissing my ass.” 

He chuckles, shifting a little, “Yeah, well… yeah.” 

The movie starts to play. You don’t mention that this will be the second time you’ve seen it today because he probably knows that. After taking a bite of the completo, you hum at the mix of flavors and textures as you chew. 

“Good, right?” Frankie says through a mouthful. 

“Mmm,” you nod in agreement. 

He swallows, glancing between you and his food before asking, “Can I ask why you haven’t kicked me out yet?”

When you contemplate how to answer, the reasons all snarl into a tight knot of which you can’t quite make heads or tails. 

“No.” 

“Fair enough,” he murmurs, letting his gaze linger on you, “Do you want me to give you some privacy, or…? Because I can go—” 

“It doesn’t matter, Francisco, just stop talking.” 

“Ok, but—” 

You hold your hand up to him, “Shhhhhh.”

He sighs, but accepts the silence. Tension resides in the air at first, but slowly dissipates as you clear your plates, then settle into the couch. And although your eyes stay trained on the screen, you can’t make yourself pay attention. 

You keep wondering why he lied about being with Angie. He’s never had a problem making that clear in the past, even if it meant breaking your heart. Is it because he lives with you? It’s possible he didn’t want to risk getting kicked out, so he kept it a secret. 

Then why get involved with you again? Did he think this was the best way to stay in your good graces? Has he been manipulating you this whole time? 

It’s possible. It’s also possible you’re another one of his bad habits he can’t kick. A coping mechanism. Disposable, like always. 

You remember the night you asked him to come over so you could talk to him about something important. He promised to be there at eight o’clock, which is when you planted yourself on the front porch swing to wait for him. At nine o’clock, his truck came rumbling down the street and parked in front of the house. 

“What’re you doing out here?” he smirked as he climbed the porch steps. 

“Waiting for you,” you glared at him, observing his fluid movements when he plopped down beside you.

“I went and got a drink, lost track of time.” 

He wrapped an arm around your shoulders and drew your stiff body closer to kiss your cheek.

Something hot flared in your chest, and you distinctly remember wishing he would show up sober for once. This wasn’t the scab you wanted to pick, though. 

He tilted your chin up, pressing his lips to yours, breath heavy with whiskey, then pulled back to frown at your lackluster response. His body swayed a little as he studied you, “What?” 

“I need to talk to you.” 

“Ok,” he leaned away from you with a scoff, “Well, I’m here. Talk to me. Tell me how I fucked up this time.” 

You winced, “Don’t do that.” 

Crossing his arms, he stared at you, all fucking wobbly and drunk, irritation folding his facial features. He shrugged, “Do what?” 

“That! You’re being an asshole.” 

“Oh, I’m being an asshole?” he mocked, “How’s that?” 

Rage simmered beneath your skin. You let out a chuckle of disbelief, shaking your head as tears pooled in your eyes. After taking a moment to gather yourself, you spit out, “Do you love me?” 

“Do I—?” he furrowed his brow like he didn’t understand, shifting in his seat, “Do I love you?” 

“Yes, Frankie. Do you fucking love me or not?” 

His indignation melted. Shoulders slumping, gaze going soft. He swallowed hard and looked out at the street as if searching for an escape hatch. Emergency brake. Make it stop. 

“Because I love you. I’ve been in love with you for so long… and-and I still don’t know what the fuck I am to you.” 

He seemed frozen, staring at something a million miles away without sparing a reaction. 

Nine months later, you can still feel the frantic vibration of your bones when you moved closer and cupped his cheeks, forcing him to look at you. When his eyes met yours, they were so cold and vacant that you barely recognized him. You tried to get through anyway. 

“I need you right now, Frankie. But I need all of you. I can’t be on the back burner anymore. I need you to be with me or I need to let you go.” 

“You know I can’t do that. I can’t be with you, not like that.” 

“But you could, though. You could. We could do this, we could make it work, start a life together—”

“I won’t leave her,” he shook his head, “I have a family—goddamnit, you knew what this was when it started.”

You sobbed, letting your hands fall away from his face, and his eyelids fluttered with the ghost of an emotion that you didn’t understand. 

He started, “I don’t—” then paused, tapping his clamped lips. His bloodshot eyes flicked around the porch and settled a million miles away again, “I don’t love you.” 

With this declaration, he took his chisel to you, lined it up in just the right spot, and gave it one firm tap. You crumbled at his feet. Shattered into dust. 

He got up and drove off while you were still bawling on the front porch swing. 

Onscreen, Toulouse-Lautrec shouts, “The greatest thing you’ll ever learn is just to love and be loved in return!” 

It hits you square in the chest. 

With tears brimming your eyelids, you jump up and flee to your bedroom before he can see them. 

—

Terrible nights sleep. Every time I drifted off, I was in the bedroom at my parents house but it wasn’t in my parents house. He was there but he wasn’t there. I don’t know how to explain it. I felt his presence but knew it wasn't him. I kept my eyes closed because I was scared to see, but I could hear him getting closer and closer. When I opened my eyes I woke up. The feeling stuck to me. It took me forever to fall back asleep and when I did it started over. 

Frankie didn’t go to work this morning. I don’t think he slept well either. Heard him walking around all night again. Idk if I should ask him what his deal is. I don’t want to talk to him about it yet and he’ll probably try to do that. Which is weird for him. A year ago I’d give anything for him to open up like he’s been trying to. But it hurts too much right now. It’s so messy. I’m all tangled. I need to straighten myself out before talking about it. 

I think I’m going to an al-anon meeting today and I’m nervous. Not sure what to expect. Keep worrying they’ll tell me I don’t belong there or make me talk about him. I don’t know if I belong there. I don’t know if I belong anywhere. 

Pulling back from your notebook, you stare at the last sentence for a while before closing the cover and setting it on the end table. 

Frankie walks out from his bedroom and rounds the corner to the living room, looking suspiciously formal, wearing slacks and a white dress shirt. His dark curls have been combed into a neat side part. It even looks like he trimmed his facial hair. 

As he peeks through the front window curtains, you blurt, “Are you wearing a fucking tie?” 

He looks surprised to hear you speak, raising his eyebrows as he glances down at himself, then up at you, “Yeah. I have a uhhh… a deposition today.” 

“Is that good or bad?” 

“Not really either. It’s normal, I guess. They’re just asking me questions on the record.” 

Nodding, you study his nervous demeanor, watching him reflexively go to lift his hat, faltering a little before running his fingers through his hair anyway. 

A desire to comfort him trickles through you, extinguishing the glowing embers of contempt inside your chest. 

“How is the case going, do you know?” 

The corner of his mouth pulls back into a kind of grimace. He takes another peek out the window, then steps back and shrugs as he approaches the couch, “The lawyer says they’ll probably offer a plea deal once this is over. We’ll see what that looks like.” He sits down at the other end of the couch, pulling out his phone to keep an eye on the little car on his rideshare app, “He thinks maybe they could agree to a reduced sentence.” 

You pick at your frayed cuticles, holding your tongue for as long as you can before asking, “How are you doing with… everything?” 

When you glance at him, his face is crooked with contemplation. He shifts in his seat and crosses his arms, lips parting with an answer. A notification dings on his phone. 

“My ride’s here,” he murmurs and meets your eyes with an apologetic expression, “We can talk about it later?” 

You give him a non-committal smile, “Good luck at your thing.” 

—

The woman who gave you your new member packet, apparently the leader of the meeting, looks around the room and announces,

“This afternoon, our fearless speaker will be Taylor. Everybody please welcome Taylor.”

From the back row, you sink down in your metal folding chair and glance around at the attendees, joining in when they start to clap for a woman approaching the podium. 

“Hi everyone, my name is Taylor. I’m a member of Al-Anon.” 

The room responds in unison, “Hi Taylor.” 

Taylor smiles and shakes her head, looking down at a small stack of trembling notecards. Her round shoulders raise with a deep breath. She closes her eyes for a moment, exhales, then looks up at the room. 

“If you would’ve told me a year ago I’d be the speaker at an Al-Anon group, there’s no way I’d believe you. But here I am,” she chuckles, “Wow. Thank you everyone for coming in today. I see so many familiar faces and some not so familiar faces and I’m grateful to see all of you. I’m proud of you for coming to this meeting today. 

“One of the biggest preconceived notions I had when I started attending Al-Anon meetings nine months ago is that they would help me support my alcoholic husband. At the time, he was about a month into sobriety and had just started going to AA meetings. He was struggling like hell and a friend of his asked if he wanted to go to an AA meeting with him. So he did. 

“I’ll be honest, when he suggested I go to Al-Anon, I was annoyed. I really was. At that point, we’d been married for five years. He tried quitting, oh, I don’t know… six times in that five years? Three 90-day inpatient rehab stays, two arrests, more sleepless nights than I can count.” 

Taylor pauses and looks down at her notes, then back up at the room as an amused smile spreads across her face. 

“What it always reminded me of was this story my husband told me. Every so often, he goes through these phases where he gets very very interested in a particular subject. It completely takes him over. All he wants to do is read about it and talk about it and… well, you get it. 

“When he was in his Greek mythology era, he told me about Sisyphus, the king of Ephyra. Sisyphus killed people who visited his palace, which angered the gods because they considered it impolite, which is the understatement of the millennium, but that’s neither here nor there. When Sisyphus died, Hades punished him to an eternity rolling a boulder uphill. He would fight his way up this steep hill, pushing the boulder with all his might. The boulder was enchanted, though, and every time the it got near the top, the boulder would roll back down the hill, then he’d have to try again. So he does this over and over and over for eternity. Infinite frustration and exhaustion. 

“Sometimes it felt like that with him. With my alcoholic. Like I was stuck in this loop, fighting like hell to push his dead weight to the top of the hill. Just when I got a scrap of hope, it went tumbling back down. Over and over and over again. I structured my whole life around his relationship to alcohol. Checking in with him constantly, making sure I didn’t say or do anything that might trigger another relapse, putting myself on the back burner to accommodate his needs. So when he suggested I try going to Al-Anon meetings, I expected it to be another chore catering to his sobriety. I thought I would come here and learn all the ways people support the alcoholic in their life the right way. Because I obviously wasn’t doing it the right way. If I was, he would have years of sobriety under his belt. 

“Regardless, I agreed to go, and quickly discovered my preconceived notions about Al-Anon were wrong. Al-Anon doesn’t exist for us to better service the alcoholic or alcoholics in our lives. Sure, we’re all here because of the alcoholic in our lives, but the point is to better service ourselves. I think that distinction is important. 

“When I came home from my first meeting, I went through the new member packet Mario gave me, and found a handout that said: Detachment is neither kind nor unkind,” Taylor nods at the memory and looks around the room, “That struck a chord with me, that phrase. Detachment is neither kind nor unkind. It didn’t make sense to me at first. I thought, how is detachment neither kind nor unkind? It went against my instincts completely. How was I supposed to help my husband if I detached from him? Isn’t love about being attached to someone, sticking together through thick and thin? 

“Attending meetings and working the steps helped me get a better grasp on the concept. I came to understand that, in Al-Anon, detachment can mean two different things. The first is separating the person you love from their alcoholic behaviors. The second is a little harder to define, but it centers around the idea that you are separate from other people, and their actions do not control yours. Let me show you what I mean, though.

“In my relationship with my husband, we were entangled,” Taylor laces her hands together and holds them up for everyone to see. “Wherever he went, I went, too.” She moves her clasped hands back and forth. Spreading her hands apart, she says, “I didn’t want to be apart from him. But what I found with detachment is,” she flattens her hands palm-to-palm, “We can be close without being entangled. That way, if he goes to a dark place,” she moves one hand away from the other and shakes her head, “I don’t have to go with him if I don’t want to.” 

Taylor looks around the room, allowing her words to sink in, then returns her attention to the stack of notecards and flips to the next. 

“When we detach in this way, it both relieves us of our perceived responsibility for their actions and emotions, and grants them autonomy to make their own choices. They deserve dignity and freedom, which is difficult to obtain if we try to manage their lives. 

“So often in our marriage, I thought that loving my alcoholic meant rescuing him from himself. I thought that if I exerted myself hard enough, pushed him up that steep hill long enough, we would get to the top together. But the effort was Sisyphean. It didn’t matter how much time or effort I put into controlling the direction of the boulder. It would always roll downhill, because the boulder was enchanted. Even if I spent an eternity trying, even if I begged and screamed and pleaded with the boulder, it would still be enchanted. And, you know… maybe that’s ok. Maybe he’s not meant to sit at the top of the hill. It’s not his fault, either, and I came to realize that instead of getting frustrated at him for being enchanted, I can meet him where he is and love him anyway. If I don’t like that place, I don’t have to stay there. When I detach with love, I grant myself autonomy as well as him. 

“Putting the metaphor aside, I’ve used this in practice by no longer lying for him. If he’s at an AA meeting and our daughter asks why he’s not home, I tell her the truth. When my family or friends ask how everything is going, I don’t try to make it seem easier than it is so he can save face. I confide in them with sincerity because that is what I need. I’ve stopped giving him advice unless he asks for it, because I’ve learned here that most times people don’t need advice, they just need someone to listen and be present. I’ve stopped trying to take the reins when I think he’s making poor decisions, because he doesn’t need someone to do it for him. He needs to learn to do it himself. Part of learning is making mistakes and growing out from beneath the consequences. 

“Detachment is neither kind nor unkind, it’s a tool we utilize to free ourselves and the alcoholic in our lives. Al-Anon doesn’t exist to teach us how to help the alcoholic in our lives, although the tools it gives us can aid in their recovery as well as ours. This fellowship exists to help us, the families of the alcoholic, so that we may lead more joyful and serene lives. Thank you.” 

Applause erupts from the crowd, and you join in, watching Taylor glow with pride as she steps away from the podium. 

—

Damp, hot air pours in through the rolled-down windows, carrying with it the earthy scent of algae-bloom off East Lake Tohopekaliga. Driving along the slow, steady curve, you pass by sprawling oak trees, their eaves all draped in spanish moss. 

Your hope was that taking the scenic route home would clear your head, but it’s not doing the trick. Something shifted inside you during the meeting. You can’t quite put your finger on exactly what shifted or why it happened, although your circular thoughts give you the sense you’re on the precipice of understanding. 

You keep thinking about the speaker, Taylor, and the lesson she relayed from her podium. Her situation is different from yours, but you know it all the same. You know how it feels to dig your heels into the dirt, struggling like hell to push someone in the direction you think is best. You know how it feels to see him tumble to the bottom time and time again. And for what? It’s not like he’s any better off because of your efforts. It’s not like you are, either. 

How many times have you betrayed yourself for the sake of his favor? How many times have you put your needs aside to tend to his? 

Calm blue-gray water flickers behind the trees you drive past. It looks peaceful. Further up the road, you spot a public access point to the lake and turn into the lot, hitting a bump. When you do, a loud BANG reverberates through the car. The steering wheel shakes as you slow to a jerky, lopsided stop.

“You’ve gotta be fucking kidding me,” you fume, shifting the car into park. Folding forward onto the steering wheel, you pinch your eyes shut and take a deep breath, then exit the vehicle to look at the damage. 

The front driver’s side tire sits flat against the pavement. You stare at it and shake your head, muttering, “God fucking damnit,” before walking to the trunk. 

You open it and pull up the mat to the spare tire well. It’s empty. 

“Fucking of course. Jesus fucking—” 

Cutting yourself off with a furious groan, you pull out your phone and go through your contact list, pointedly scrolling past the F’s to pause at Leah, who’s over an hour away, then Marla, who’s busy enough as it is. You even briefly consider Rory, but the idea makes your stomach lurch. 

You could just do it all yourself. Order a car on one of those rideshare apps. It would take forever, though, and you’ve never changed a tire before. 

Frankie is the logical choice. The first person who came to mind, if you’re being honest. Something hard and stubborn inside your chest throbs when you hover over his name. 

It’s pride, you realize. Maybe a little fear. You don’t want to ask for his help. You don’t want to burden him. You don’t want to be disappointed if he says no. 

All the same, you dial his number. He picks up on the second ring. 

“H—”

“Are you at the house?”  

“I am.” 

“Are you busy?” 

“Nothing I can’t put off ‘til later. Why?” 

“My fucking tire blew out, and my spare is in the garage,” you sigh and throw your head back, propping a hand on your hip, “Is there any way you can bring it out to me?” 

“I, umm… yeah, of course. Where are you?” 

“East Lake Toho.”

He snorts, “Christ, what’re you doing all the way out there?” In the background, you hear the floorboards creaking, mapping his way through the house. Before you can respond, he asks, “Spare tire in the garage, need me to grab anything else?” 

“Uhhhh…” you wrinkle your nose at the trunk, “I don’t know, I have a jack and the tire iron thing.” 

“That should do it. Wanna drop me a pin? I’ll have to get a ride out there.” 

“Yeah. I can pay you back if you need to order a Lyft or whatever.” 

“Just take it off my tab,” he jokes, the back door squeaking open behind his voice, “Hang tight, I’ll be there in a bit.”

You turn around to lean back on the bumper, “Ok, I’ll be here.” 

After hanging up, you share your location with him, then wander down to the dock. It rattles around as you teeter to the end and sit down, letting your feet dangle over the edge. 

Cattails and lily pads have been cleared from the shoreline near the boat landing, giving you a clear view across the lake, broken up here and there by thick swaths of aquatic vegetation. The glassy surface of the water reflects the hazy blue sky, and stagnant air sticks humid to your skin. Insects buzz and birds sing and somewhere far away you hear a boat motor chugging across the lake. 

When you think of serenity, this is what you picture. Stillness and calm. Peace. You inhale the scene, allowing it to stretch out inside you and unfurl your tensed muscles. 

As soon as the unease evaporates from your body, fatigue takes over.  

Lying back on the dock, you stare up at tall, fluffy clouds littering the sky. Your eyelids grow heavy as you watch the slow-moving parade of shifting giants, the warm air lulling you into comfort until you let your eyes drift closed. 

Your awareness fades in and out while you sleep. At one point, a car door shuts, then the car drives off. Vaguely, you know it’s Frankie but can’t lift your limbs, syrupy thick with lethargy. You hear grunts and metallic clattering. Some time later, your trunk slams shut. 

When the dock starts wobbling around beneath you, you blink your eyes open and sit up, scrubbing your hands over your face as a yawn overtakes you. 

“Hey sleepyhead.” 

You glance over your shoulder at Frankie, who comes to sit down beside you with a groan. He’s back to his usual attire, jeans and a t-shirt, baseball cap firmly in place atop his head. 

Still groggy, you yawn, “I couldn’t make myself wake up.” 

“Not sleeping well?” 

“Fucking awful, honestly.” 

“Yeah, I know.” 

You frown at him, searching his face until he gives you a little shrug, at which point you mumble, “Oh. I forgot that I, umm… yeah. Sorry.” 

“No need to apologize,” he tells you, squinting up at the sky before dropping his eyes to his hands as he fiddles with his wedding band, “Same here. The—the sleep part, not the nightmares.” 

“Yeah, I know. I hear you pacing around at night.” 

“Oh… sorry, I didn’t realize—”

You push yourself up straighter to watch his legs dangle next to yours, “It’s fine.” 

Quiet settles comfortably between you. Near the dock, you see a cluster of bubbles rise to the surface of the lake and burst. The ripples flatten out and calm returns. 

A question swells in your ribcage. Just a small pocket of air at first, maybe the size of a pebble. The longer you sit and stare at the water, though, it expands. It works its way up your throat, taking up more and more space with each passing second until you can’t contain it any more. 

“So you were lying to me, right? About not being with her?” 

He meets your gaze, dark eyes all remorseful and gooey, then he nods, “Yeah. I was lying. To both of you.” 

Folding your legs up onto the dock, you look away in the hope that he won’t notice the tears starting to come. When he speaks, his voice comes out hoarse and quiet. 

“How much do you want me to tell you?” 

The question replaces the air in your lungs with a vibrating sensation. Another cluster of bubbles dissolve on the surface of the lake. You manage to croak, “I don’t know.” 

He doesn’t respond. You sense that he’s waiting for you to make the next move. 

Your mind wanders to the front porch swing that night you forced him to choose. He felt so far away. Until he told you differently, you were so certain he was in love with you. 

“I don’t know how to trust your words as truth, Frankie. All the way back to the start, I don’t know what was real and what was bullshit and I am fucking—” your voice cracks from the emotion burning up your throat. 

He goes to comfort you, but pulls back before making contact. 

Every cell inside you aches for him to bridge the gap. You follow the instinct, grabbing his shirt to curl into his shoulder. As soon as you do, he wraps his arms tight around you, bringing you in closer. 

A wave of moth-eaten hurt wells up your chest. 

“Why?” you sob, “Why did you do this to me? I don’t understand—”

He starts to rock you in a slow, soothing motion, burying his face in your hair as you cry into the collar of his shirt. In the background, behind your racing thoughts and shattered breaths, you hear him whisper on repeat: I’m sorry, baby… I’m so sorry.

[slickdickwitchbitchh]

Obx: After Dark

Chapter 1: Pilot

Summary: The roommates moved in full of hope and camaraderie, eager for a fun summer together, but things quickly soured when Rafe started stirring trouble. Tensions reached a breaking point, culminating in a heated fight between JJ and Rafe, leaving the group on edge and questioning the dynamic in the house.

A/N: the fight between JJ & Rafe is based on this fight from Vanderpump Rules, my favorite reality show i suggest watching because it’s hilarious.(i’m sorry the video is long i suggest starting at 3:05 that’s when the fight starts)

Masterlist

Pilot

Voiceover/Narrator: "The Outer Banks, a chain of islands off the coast of North Carolina, where the sun kisses the ocean, and paradise is just a few steps away... [Clip of John B.]: 'Paradise on Earth.' It's the perfect blend of wild beauty and untamed youth. Surfers, sun, and the sound of crashing waves—the OBX is a dream come true... for some. But for others, it's a playground for drama, secrets, and, well... revenge."

Cut to an aerial shot of a sprawling mansion nestled on a cliff, waves crashing beneath. The camera zooms in to the front door where the first cast member enters.

Voiceover/Narrator: "Tonight, we're taking a group of friends, exes, and enemies, and locking them together in a secluded mansion for one very special week. Why? To celebrate Y/N's 21st birthday, of course."

Cut to Y/N walking up to the grand mansion door, looking around in awe. She steps inside, and the camera follows her into the foyer.

Y/N’s Confessional Y/N is sitting in a chair with a slight smirk. "Hey, I’m Y/N. Just turned 21, finally legal. I just moved here six months ago, so I don’t subscribe to the pogues versus kooks rivalry. I’m my own person and I’m pretty much friends with everyone, as long as they don’t come for me."

Producer's voice from behind the camera: "How do you handle conflict?"

Y/N’s face hardens slightly as she thinks about it. "I mean, I have a mouth on me, I don’t take shit from no one. I’m not one to initiate a fight. I think it’s ugly and trashy, but if you’re gonna step to me, I’m gonna protect myself. What am I supposed to do? Take it? Are you kidding me?"

Producer's voice from behind the camera: "Are you a partier?"

Y/N grins and shrugs casually. "I definitely come home at six in the morning a lot."

Y/N walks into the living room, surveying the space with a smile, before hearing someone enter behind her. She turns around.

Cut to Sarah Cameron entering, her heels clicking on the marble floors. She pauses, looking around, and then the camera switches to Sarah’s confessional.

Sarah Cameron’s Confessional "I’m Sarah. I’m 22. It’s been a minute since I've seen some of these people, especially Rafe." A brief pause as her expression shifts slightly. "But what’s crazy is, my dad, Ward, he left us half of his fortune. So, I guess this trip’s gonna be... interesting. I’ve been dating John B. for about four months now, and I’m really looking forward to this week. Just... I hope nothing crazy happens. I’m all about peace and good vibes, but when it comes to Rafe and Topper... we’ll see."

Cut to Sarah entering the mansion. Y/N, excited, barrels down the stairs and jumps on Sarah, spinning her around.

Sarah: "Happy birthday, baby!" gives her a hug

They embrace for a moment before Sarah pulls back, her eyes narrowing slightly.

Sarah: "Okay, but Topper and Rafe are staying here too? That’s what he told me."

Y/N’s face falls into a nervous expression.

Y/N: "Fuck…" pauses "Well, that’s gonna be... interesting."

Sarah and Y/N lock eyes for a moment, then both spot a bottle of tequila on the counter. Without another word, they grab the bottle and each take a shot.

Cut to the front door, where John B. is struggling to carry two suitcases out of the car. The camera switches to his confessional.

John B.’s Confessional "I’m John B., 23, and I’ve been dating Sarah for the past four months. My best friends are the pogues—JJ, Pope, Kiara, Cleo, Y/N, and Sarah. As for the kooks... I don’t necessarily like them, but it’s not on sight if I see them."

Cut to John B. entering the house, dragging the bags in. He sees Sarah and Y/N laughing by the counter.

John B.: "Happy birthday, Y/N!" gives her a big hug

Y/N: "Thanks, JB! Where’s JJ?"

The camera cuts to JJ riding down the sun-kissed streets of OBX on his motorcycle. The sound of the engine rumbles as he speeds down the road.

JJ’s Confessional "I’m JJ, 23. Yeah, I don’t like kooks. And it’s on sight if I see them. I’ve got my squad—Y/N, Sarah, John B., Pope, Kiara, Cleo, and we all stick together." pauses "I’ve got a little thing for Y/N, but... it’s complicated."

JJ pulls up to the mansion on his bike, kicking the stand down. He walks inside, throwing open the front door with a grin.

JJ: "Papas home!"

The camera cuts to Sarah, John B., and Y/N rushing to greet him at the door. Y/N gives JJ a hug that lingers longer than necessary, causing Sarah to shoot John B. a subtle, knowing look. He gives Sarah a matching look, and together, they both simultaneously walk away, leaving JJ and Y/N still hugging.

Pilot (Continued)

JJ and Y/N finally pull apart, both grinning. JJ's eyes twinkle as he reaches into his bag.

JJ: "I've got your birthday gifts."

Y/N: "Gifts? Plural?"

JJ: "You know it."

He opens his tattered duffle bag, rummaging through it before pulling out a crumpled brown paper bag. He hands it to Y/N with a grin.

Y/N: She takes the bag, holding it up to her nose and sniffing it, jerking back immediately. "Woah."

JJ: "I know, right? Only the 'stickiest of ickies' for my girl’s 21st."

Y/N laughs, the excitement in her voice unmistakable.

Y/N: Loudly and dramatically, she yells "STICKYYYYY!" like Tyler, The Creator and Sexy Red's song.

She gives JJ another long hug, grinning from ear to ear.

Y/N: "We’ll save it for tonight."

JJ: "Bet. And I’ll give you your other gift tonight."

Y/N: Teasing with a smirk, she raises her eyebrows. "Oooo, my other gift at night? Sounds sexy."

They both burst out laughing, the playful tension between them undeniable.

Cut to the upstairs area where everyone is gathered around, discussing sleeping arrangements. Y/N and Sarah stand in a room with four queen-sized beds. Y/N quickly claims one of the beds while Sarah glances around, counting beds.

Sarah: "Ugh, I’m guessing Kiara is coming, seeing as there are four beds."

Y/N: Scolding, she replies "Sarah, please. Just be nice and cordial for me, okay? It’s my birthday trip."

Sarah: Rolls her eyes. "Fine, but if she comes for me, all bets are off."

Y/N sighs, shaking her head.

Y/N: "This is gonna be a long week."

The camera switches to JJ and John B., who are surveying the two rooms connected by a bathroom. One has a bunk bed and a single bed, and the other has two queen beds. They exchange looks.

John B.: "We should probably take this room so we can room with Pope."

JJ: "Right, but who are those other two beds in the other room for?"

John B. goes quiet for a moment, then sighs before answering.

John B.: "Sarah told me that Topper told her that him and Rafe are coming."

JJ’s eyes widen, and he immediately jumps off the bottom bunk with a start.

JJ: "What the—who the fuck invited them!?"

John B. immediately grabs JJ’s shoulder, manhandling him back onto the bed with a calm grip.

John B.: "Easy, man. We can’t get crazy."

JJ goes quiet, deep in thought. John B. watches him, concerned.

John B.: "You good?"

JJ looks up, his expression shifting from frustration to something more controlled.

JJ: "Yeah, I’ll be cool... as long as they’re cool."

John B.: "Okay, good. This is supposed to be a fun experience. Don’t let them ruin it."

John B. lies back on his single bed, closing his eyes in an attempt to relax. JJ stares at him for a moment, a devilish look on his face.

JJ: Leaning forward, he starts rummaging through his duffle bag. "And plus, I brought my backup."

John B. opens one eye, just in time to see JJ pull something from his bag. JJ holds it up with a triumphant grin.

JJ: "Aha!"

John B. immediately opens both eyes, his face dropping as he realizes what JJ’s holding. It’s a gun—his eyes widen in shock.

The camera focuses on John B.’s worried expression as he stares at the gun.

John B. (looking directly at the camera): Panicked, his voice shaky. "Uh, JJ, man, what the hell are you doing?"

The screen immediately cuts to static, followed by an error sound effect. The camera cuts to JJ, now walking into the confessional room, a cocky grin plastered on his face.

JJ (laughing): "Sorry, y’all, I didn’t read the contract before I signed it, and apparently, there are no weapons allowed [uses air quotes]—even BB guns."

Even the producers chuckle behind the camera.

JJ: "I’m on strike one already, and we’ve only been here for 40 minutes... so... yeah, it’s gonna be a long week."

The screen fades to black, teasing what’s to come next.

Scene: Topper and Rafe’s Arrival

The sound of an engine rumbles as Rafe’s F-150 cruises down the sunny streets of the Outer Banks. The truck gleams under the sun, a reflection of Rafe’s personality—flashy, over-the-top, and unapologetic. Topper rides shotgun, sunglasses on, leaning back casually. The coastal scenery whizzes past as the two make small talk.

Topper: "Man, I can’t believe we’re doing this. A whole week in that house with them."

Rafe: Smirking, eyes on the road. "Yeah, well, free booze and drama? I’m in. Plus, I’ve got a few... loose ends to tie up."

Topper: Chuckling. "Loose ends? More like bad decisions."

Rafe: Laughing darkly. "Touché. But you know me—I make things interesting."

Topper: Glancing at Rafe. "You do realize Sarah’s gonna be there, right? And John B?"

Rafe: His smirk widens into something more sinister. "Please. Like I’m scared of them. Besides, I’ve got better things to focus on."

The truck pulls up to the secluded mansion, the ocean shimmering in the background. Both men step out, their confident strides and designer clothes immediately setting them apart from the laid-back vibes of the Outer Banks. They exchange a look, smirking as they grab their bags and head toward the house. The front door swings open, and the energy shifts as they enter, their presence palpable.

Rafe’s Confessional

Rafe leans back in the confessional chair, an unlit cigarette dangling between his fingers. He smirks at the camera, exuding cocky arrogance.

Rafe: "Name’s Rafe Cameron. Twenty-four, born and bred Kook royalty. If you don’t know what a Kook is, let me educate you. We’re the elite, the ones who run this place. The Pogues? They’re the bottom-feeders. The ones who clean our boats and beg for scraps. It’s not a rivalry. It’s reality."

He pauses, his smirk turning colder.

Rafe: "My dad, Ward Cameron, recently passed. Rest in peace, Dad." He presses a hand to his chest mockingly, then lets it fall. "Left me a fortune, so, yeah, life’s looking pretty good for me. Oh, and as for this week? Let’s just say I hooked up with Y/N last week, but I’m keeping that little detail under wraps for now. Timing is everything."

He leans forward, staring into the camera with a look that’s both charming and unsettling.

Rafe: "This week’s gonna be fun—for me."

Topper’s Confessional

Topper sits in the confessional chair, his posture relaxed but his tone serious.

Topper: "Topper Thornton. Twenty-three. Born and raised in Figure Eight. Some people think I’m just a trust-fund kid who parties too much, but there’s more to me than that."

He adjusts his sunglasses, sighing.

Topper: "So, yeah, Sarah and I broke up six months ago. It was mutual, but honestly? I think it’s the break we both needed. That said..." He pauses, his eyes narrowing slightly. "I’m here to win her back. I know she’s with John B, but let’s be real—what they have isn’t serious. It’s a phase. She’ll come around. She always does."

He leans back, smirking faintly.

Topper: "This week’s about showing Sarah who she really belongs with. Me."

Back in the house, Rafe and Topper walk into the main living area, their presence impossible to ignore. Y/N and JJ are still joking by the staircase, while Sarah and John B stand off to the side, their conversation interrupted by the new arrivals. Everyone goes quiet as the tension in the room skyrockets.

Rafe: Grinning as he surveys the group. "Well, well, well. Looks like the gang’s all here."

The camera pans to Sarah, her jaw tightening as she glances at John B. Y/N’s eyes dart between Rafe and JJ, sensing the brewing storm. JJ’s posture stiffens, his eyes narrowing at Rafe, while Topper’s gaze zeroes in on Sarah, his confident smirk unshaken.

Topper: Casually, with a slight edge. "Hey, Sarah. Long time no see."

Sarah: Her voice tight, controlled. "Not long enough."

The tension is thick, the air charged with unspoken words and unresolved history. The camera lingers on the group, capturing the shifting dynamics and subtle glares before cutting to black.

Y/N’s Secret Gets Hinted At

Upstairs, Sarah closes the door to their shared bedroom and leans against it dramatically.

Sarah: "Okay, bestie, what’s up? Why are you dodging Rafe like he’s a pop quiz?"

Y/N: "What? I’m not dodging anyone."

She starts unpacking her bag, purposefully looking down to avoid Sarah’s gaze. Sarah raises an eyebrow, crossing her arms.

Sarah: "Girl. You’re giving off major 'I did something dumb' energy. Spill."

Y/N groans, dropping onto the bed.

Y/N: "It’s not even a thing, okay? It happened once, and it was a mistake."

Sarah gasps, eyes wide.

Sarah: "Wait... are you telling me you hooked up with my brother?"

Y/N quickly shushes her, frantically waving her hands.

Y/N: "Keep your voice down! Do you want them to hear?"

Sarah flops onto the bed beside her, looking both shocked and intrigued.

Sarah: "First of all, ew. Second of all, why didn’t you tell me?! Third—wait, no—why Rafe?!"

Y/N: "I don’t know, okay? It was tequila, bad decisions, and... I don’t know. He was just... there."

Sarah sits up, giving her a pointed look.

Sarah: "That man is like a walking red flag, Y/N. Does JJ know?"

Y/N: "No, and he’s not going to. It’s not like it meant anything."

Sarah squints at her like she doesn’t quite believe her but eventually sighs.

Sarah: "Alright, fine. Your secret’s safe with me. But if this blows up, don’t say I didn’t warn you."

Y/N buries her face in her hands.

Y/N: "It’s my birthday. Can’t the universe give me a break?"

Kiara’s Arrival

Their conversation is cut short by the sound of a car door slamming. The camera cuts to Kiara stepping out of her car, her vibe effortlessly cool in an oversized hoodie, ripped jeans, and sneakers. She waves at the camera with a cheeky grin.

Kiara (Confessional): "Sup, I’m Kiara. I’m 22, full-time Pogue, part-time shit-stirrer. I’m here to celebrate Y/N, keep it chill, and maybe bring some chaos. 'Cause, let’s be real, what’s a trip without a little drama?"

Back at the house, Kiara pushes open the door and shouts:

Kiara: "Where’s the birthday girl?!"

Y/N and Sarah head downstairs. Y/N grins, running over to hug Kiara.

Y/N: "Kiara! Finally, someone I actually like."

Kiara: "Happy birthday, babe! Ready to make this week unforgettable?"

Kiara’s gaze shifts to Sarah, her smile turning into a tight-lipped smirk.

Kiara: "Sarah."

Sarah: "Kiara."

The air thickens as the two exchange icy nods. Y/N sighs, stepping between them.

Y/N: "Okay, can we not? It’s my birthday. Please just act like adults for one week?"

Kiara shrugs, throwing an arm over Y/N’s shoulder.

Kiara: "Fine by me. As long as she doesn’t start anything, we’re good."

Sarah: "Trust me, I was about to say the same thing."

Y/N groans, muttering under her breath:

Y/N: "Y’all are exhausting."

The camera lingers on the tension as Kiara grabs her bag and heads upstairs to claim her bed. She passes by Rafe and Topper in the kitchen, pointedly ignoring Rafe’s cocky smirk. The scene ends with JJ watching everything from the corner, his fists clenched as the tension in the house continues to rise.

Pope and Cleo’s Arrival

The camera cuts to Pope and Cleo arriving in a sleek black SUV. Pope gets out first, adjusting his backpack with a confident but relaxed smile. Cleo follows, hopping out and glancing around curiously.

Pope (Confessional): "Hey, I’m Pope. I’m 21, and I’m here to keep the peace... or at least try to. I’m in college at USC on a full scholarship, which is where I met Cleo. She’s my ride-or-die. Bringing her along is kinda like introducing my family to my friends, so... we’ll see how that goes."

The camera shifts to Cleo, tossing her long braids over her shoulder and grinning mischievously.

Cleo (Confessional): "Hi, I’m Cleo. I’m 22, and this is my first time meeting Pope’s OBX crew. I’ve heard some wild stories, so I’m excited—and a little nervous—to see what the hype’s about. Oh, and yeah, I go to USC too. Go Trojans or whatever."

Inside the house, the group hears the door open, and Pope’s voice echoes:

Pope: "What’s up, OBX?!"

Y/N rushes to greet them, hugging Pope tightly before turning to Cleo.

Y/N: "Cleo! Finally, someone I’ve been dying to meet."

Cleo smiles, pulling Y/N into a warm hug.

Cleo: "Happy birthday, girl! Pope’s been hyping you up nonstop."

Pope grins, slinging an arm around Cleo.

Pope: "I only tell the truth."

JJ (from the kitchen): "Yo, Pope! About time. We were starting to think you bailed."

Pope: "Wouldn’t miss this for the world, man."

The Birthday Shot

The group gathers downstairs at the dining room island, where JJ has lined up tequila shots. Y/N stands in the middle, glowing as everyone crowds around her. JJ grabs his shot glass and clears his throat.

JJ: "Alright, alright, everyone shut up for a sec. This is for Y/N. The realest one I know, the only person who can put up with all of us, and... the birthday queen. Cheers to 21!"

The group cheers, lifting their glasses, but before anyone can drink, Rafe cuts in.

Rafe: "Wait, hold up. I gotta say something too."

Everyone groans, but Rafe smirks, holding his shot glass like he owns the place.

Rafe: "To Y/N. The baddest in the room. The only person who’s ever been able to handle me, and trust me, that’s no small feat. You deserve everything good in life, even if you make... interesting choices sometimes."

His gaze lingers on Y/N, a smirk playing on his lips. The group exchanges awkward glances, sensing the weight of his words. Before anyone can react, Kiara steps in.

Kiara: "To Y/N. The real MVP. The only reason I’m putting up with all these people. Here’s to a week of unforgettable memories, good energy, and no drama."

The group laughs and cheers louder this time, finally taking their shots. The camera pans across everyone’s faces, capturing the tension that still lingers despite the toast.

Y/N’s Confessional

Y/N (Confessional): "Yeah, so that toast? A little cringe. Rafe just loves to stir the pot, and I already know he’s gonna push someone’s buttons. I need to talk to him and make sure he’s on his best behavior because I swear if he starts something, it’s not gonna end well—for anyone."

The camera cuts back to the group as they finish their shots. Cleo nudges Pope, whispering something that makes him laugh. JJ eyes Rafe from across the room, his jaw clenched. Meanwhile, Sarah is scrolling on her phone, clearly trying to ignore Kiara’s presence. The tension is palpable, and the week is just getting started.

The next scene opens with the roommates lounging around the kitchen, debating what to barbeque for dinner. The countertops are scattered with an assortment of snacks, condiments, and grocery bags.

Pope leans on the island, surveying the options. "Alright, we’ve got burgers, chicken, hot dogs, and veggie burgers. What’s the move?"

"Veggie burgers, obviously," Kiara interjects with a raised eyebrow.

"I say wings," Sarah suggests, holding up a pack of chicken. "I’ll whip up a marinade."

"I got the grill," JJ announces, puffing out his chest. "It’s basically my calling."

"Yeah, right," Kiara snorts. "You’re banned after last summer. Remember? You almost burned my dad’s dock down."

"It was windy!" JJ shoots back, hands up in defense.

Rafe, leaning against the counter, smirks. "I’ll handle the bonfire. At least I know what I’m doing."

"Yeah, ‘cause playing with fire is your whole personality," JJ mutters, his voice low but cutting.

Before Rafe can respond, the kitchen door swings open, and the producer steps in, casually dressed but commanding attention with a loud clap. "Alright, everyone, can I get you to meet me in the living room? We’ve got a quick meeting."

The roommates exchange puzzled looks but shuffle into the living room, taking their spots on the oversized sectional. JJ quickly slides into the seat next to Y/N, throwing his arm casually over the back of the couch. Rafe, arriving a second too late, lingers behind them, his jaw tightening as he glares at JJ. The camera lingers on Rafe’s expression, emphasizing the tension.

The producer stands before them, clipboard in hand, his tone both cheerful and authoritative. "Okay, so here’s the deal. This week is all about bonding—getting to know each other in real life, without distractions."

"Distractions?" Y/N tilts her head, already suspicious.

The producer smirks. "Yup. That means we’ll be taking your phones for the week."

A chorus of groans ripples through the group.

"You can’t be serious," Sarah complains. "What am I supposed to do without my socials?"

"It’s for the experience," the producer explains. "No texts, no calls, no social media. Just you, your roommates, and the art of conversation."

JJ slouches dramatically, crossing his arms. "This feels illegal."

"You’ll live," Pope quips, shooting JJ a teasing grin. "Just pretend it’s the '90s."

Kiara rolls her eyes. "Or the 1890s. Back when people had actual survival skills."

"Yeah, great sales pitch," Rafe deadpans, crossing his arms behind Y/N and JJ.

The producer chuckles. "Trust me, it’ll be worth it. You’ll get your phones back at the end of the week. For now, just focus on each other. Deal?"

Y/N sighs theatrically. "Fine, but if I miss an important text, it’s on you."

"Noted," the producer says with a smile. "Alright, everyone, hand them over."

One by one, the roommates reluctantly deposit their phones into a box held by the producer. The mood is a mix of resignation and apprehension.

As the producer exits, the camera lingers on the group’s awkward silence. JJ taps Y/N’s shoulder playfully, breaking the tension. "Alright, so... who’s ready to bond without Twitter?"

Rafe’s sharp gaze on the two of them doesn’t go unnoticed as the screen cuts to black.

As the group gathers around the grill, a warm glow from the setting sun reflects off the ocean, casting a serene atmosphere over the beach. The bonfire is set up in the distance, ready for the night ahead. The sound of sizzling meat on the grill fills the air as everyone chips in to help with the cooking.

JJ is the first to take charge, tossing some burgers on the grill with exaggerated flair. "Whoever says you can’t cook a decent meal on a beach is seriously underestimating the power of my grilling skills," he declares with a grin.

Sarah, handing over a platter of veggies, raises an eyebrow. "You sure about that, JJ? You nearly set the kitchen on fire last week."

Y/N chuckles, tossing a bottle of ketchup at him. "If I end up with a burnt burger, I’m blaming you."

JJ catches it effortlessly and winks. "Don’t worry, I’ve got it covered. You’re gonna love it."

Meanwhile, Cleo is in charge of setting up the drinks by the bonfire. "Who’s in for a drink? I’ve got the good stuff!" she calls out, her voice full of mischief. "But remember, it’s a limited supply."

Kiara, having a blast as she passes a bowl of chips to Pope, leans over. "Do you think the producer’s gonna try and turn us into a drama show with all this phone confiscation nonsense?"

Pope shakes his head, laughing. "If they do, they’re in for a surprise. None of us are easy to manipulate."

Rafe, though quieter, catches Pope’s comment with a smirk, the glint in his eyes giving away his amusement. He cracks a beer open, eyeing the group as if evaluating the situation. "I think this whole thing’s gonna get real interesting," he mutters, almost to himself.

nside the small, dimly lit confessional room, John B sits in front of the camera, a relaxed grin spreading across his face as he leans back slightly in the chair. The soft hum of the room’s air conditioning is the only sound for a moment, before he starts speaking to the camera, his voice light but sincere.

"Alright, so... it’s been a bit of a weird start, not gonna lie," he begins, running a hand through his hair. "Phones? Gone. But honestly? It's kinda been a blessing in disguise. Everyone’s tipsy, everyone’s laughing, and the vibes are... good, you know? Like, there’s definitely some tension, but right now? Everyone’s chilling, having a good time. It’s like we’ve already forgotten why we were even bothered in the first place."

He pauses for a second, smiling to himself. "I just hope this keeps up, honestly. I mean, we’re all stuck here for a week together, and if we can keep this... positive energy going, maybe this trip won’t be so bad after all. But, who knows? In reality TV, things can change on a dime." He shrugs, giving the camera a playful smirk. "Fingers crossed it stays this way."

John B leans forward, his grin widening. "Anyway, I’m here for the good times, and right now, we’re definitely having those. Let’s just hope that lasts." He winks at the camera, and the screen cuts back to the group enjoying themselves around the bonfire, the sound of laughter carrying over the breeze.

Back by the grill, the laughter continues as Sarah expertly flips a couple of burgers, teasing JJ. "See, I told you I could do this better than you."

"Okay, okay, but only because I’m distracted by someone," JJ responds, glancing at Y/N with a playful wink.

Y/N rolls their eyes, not able to hide their smile. "Sure, blame it on me. You’ll be the one running for seconds once they’re done."

The group continues to laugh and joke around as they serve up the food, the mood lightening with every passing minute. As they gather around the bonfire, drinks in hand, the initial tension begins to dissolve. They all settle into the warmth of the fire and the flickering light, realizing that this trip might not be so bad after all.

John B glances around at the group, nodding to himself. "Yeah, this could be the start of something... interesting."

And as the camera pulls back, the sounds of laughter and lighthearted banter echo across the beach, the night just beginning.

Just as the laughter dies down, Topper stands up from where he’d been lounging on a nearby log, holding up a bottle in one hand. He flashes a mischievous grin.

"Alright, alright, enough with the Pope stories," he says, his voice carrying a playful tone. "How about we spice things up a little with a game? Truth or drink, anyone?"

The group exchanges amused glances, intrigued by the suggestion.

Rafe chuckles, leaning forward. "Now we’re talking. This is how you get to know people."

Kiara, already sipping from her drink, raises an eyebrow. "Oh, this is gonna get interesting."

"Alright," Topper continues, settling back into his seat with the bottle. "I’ll start. Y/N, truth or drink?"

Y/N looks around the group for a moment before deciding, "I’ll go with truth."

Topper’s grin widens. "Alright, spill. Which roommates have you kissed?"

The group falls silent for a second, the tension hanging in the air as all eyes turn to Y/N, who takes a slow sip from their drink. They set the glass down, not missing a beat.

"Well," Y/N begins, a teasing glint in their eyes, "I’ve kissed all the boys at some point... except for you, Topper."

A collective laugh erupts from the group, some people shaking their heads in disbelief, others just enjoying the unexpected honesty. JJ raises his glass with a playful grin. "Guess I’m the favorite," he says, leaning back confidently.

Topper shrugs, clearly amused. "Alright, I’ll take that as a compliment. But now it’s your turn, JJ."

The playful mood shifts slightly as Rafe suddenly leans in, an eyebrow arched, his tone a bit more pointed. "So, JJ," he starts, eyes locking onto him, "who was that one girl you hooked up with last month? You know, the one you’ve been dodging talking about."

The air grows a little colder, the group sensing the shift. JJ’s smile falters for just a second, his eyes flicking toward the bottle of liquor.

He takes a deep breath, then grabs the bottle and pours himself a drink, not saying a word. His eyes briefly meet Rafe’s, but instead of responding, he tips the bottle back, taking a long swig.

The room falls into an awkward silence for a moment, the tension between the two palpable. Finally, JJ slams the bottle down on the ground with a lighthearted chuckle. "Alright, moving on," he says, clearly avoiding the question. "Who’s next?"

The group hesitates for just a moment before the tension begins to dissolve. Kiara nudges Pope, forcing a smile. "Okay, Pope, truth or drink?"

The camera lingers on the group, their laughter hesitant but building once more as the game continues, the vibes slowly lightening again, despite the brief awkwardness that lingers in the air.

The scene opens with the group gathered around the bonfire, now buzzing with activity as they begin the task of cleaning up after dinner. Plates clink together, and the smell of grilled food still lingers in the air as everyone works together, washing dishes and tidying up the space. There's a lighthearted mood—until Topper, wiping his hands on a dish towel, casually leans back and says something that cuts through the buzz of conversation like a knife.

"You know," Topper says, his voice a bit too loud for the moment, "Sarah and I used to do this all the time. You know, go on trips like this. Good times."

John B freezes for a split second, his hand tightening around the dish he’s drying, his jaw clenching visibly. The smile on his face falters, replaced by a tight-lipped grimace as his eyes flick toward Sarah. He says nothing, but the tension in the air is palpable.

Sarah, still focused on drying a glass, suddenly goes rigid, her face hardening. She doesn’t even look at Topper when she snaps, "Topper, shut up."

The words hang in the air, cutting the moment short. The group falls silent for a heartbeat before the sound of dishes clattering resumes, but the mood has shifted. The easy camaraderie is replaced with an uncomfortable energy, a quiet discomfort that seems to settle over everyone.

As the group begins to move on with the task, Rafe sees an opportunity to stir the pot further. Watching the tension play out, he casually gets up from the table, a sly smile tugging at his lips. He looks toward Y/N, who’s distracted by the cake preparations. Slowly, he approaches them, his voice smooth as he addresses them in a low, almost conspiratorial tone.

"Hey," Rafe starts, leaning slightly toward Y/N. "You seemed a lot happier last week when it was just... us." His eyes flicker knowingly, leaving the implication in the air without outright saying it. "It’s kinda funny how things change, huh?"

Y/N, caught off guard by his insinuation, stiffens for a moment, but quickly recovers. They force a smile, unsure of how to respond. "What’s your point, Rafe?"

Rafe shrugs casually, his smile remaining almost too sweet. "Just making an observation. You looked like you were having a good time back then. I wonder what changed."

The weight of his words hangs over Y/N as they try to ignore the growing unease bubbling inside. The tension between the group is palpable now, and Rafe’s subtle mind games are only adding fuel to the fire.

The camera captures the way Y/N’s gaze darts around the group, noticing the lingering discomfort, especially between John B and Sarah. They feel the weight of the situation bearing down on them, and despite the surprise birthday cake still in the works, it’s clear that this vacation has become anything but relaxing.

As the group gathers around the table to set up the cake, the atmosphere is thick with unspoken words and unresolved tension, leaving everyone wondering just how much longer the fragile peace will hold.

The scene cuts to the afterglow of the birthday celebration. The group is gathered around the bonfire, the flickering flames illuminating their faces as they finish singing "Happy Birthday" to Y/N. Laughter fills the air as Y/N blows out the candle on the cake, the group cheering and clapping. But despite the cheerful atmosphere, Y/N feels a sudden urge to step away, to get a moment of peace.

She makes her way inside the house, finding the hallway empty, the sounds of the party fading into the distance. Leaning against the wall just a few feet away is Rafe, his posture relaxed but his eyes sharp, as if he’d been waiting for this moment. Y/N stops in front of him, and for a moment, the only sound is the distant hum of the party.

Rafe pushes off from the wall, standing so close to Y/N that she can smell his cologne—deep and musky, with a faint hint of something else that makes her heart race just a little faster. His presence is magnetic, and for a split second, it’s easy to fall back into their old rhythm.

"You look good tonight," Rafe says with a smile, his tone smooth, almost too casual. He steps a little closer, his breath almost brushing against Y/N’s skin. "It’s funny, you know? I never forget how easy it is to fall back into this." He gestures vaguely between them, the unspoken history hanging heavy in the air.

Y/N glances at him, her heartbeat picking up speed, but she’s careful not to let it show. She crosses her arms over her chest, a slight frown pulling at the corners of her lips. "I’m not doing this with you, Rafe," she says quietly but firmly. "I don’t want any drama."

Rafe’s smile falters just for a moment, but he quickly masks it with a shrug. "Drama?" he repeats, almost mockingly. "Come on, we both know what we’ve had before. It’s nothing but fun, right?" His gaze never leaves Y/N, and there’s an intensity in his eyes that only adds to the tension. "I was just saying, I’ve missed this—us."

Y/N swallows, resisting the pull of his gaze. "I really like JJ," she says, her voice softer, almost apologetic, but steady. "I’m not going down that road again with you."

Rafe doesn’t respond immediately, his jaw tightening just the slightest bit. The words sting more than he lets on, but he keeps his cool, a forced smile creeping onto his face. "JJ, huh?" he says, the hint of sarcasm in his voice, though the bitterness remains hidden. "Well, I guess you’ve got your type."

There’s a flicker in Rafe’s eyes, something dark and possessive, but it disappears just as quickly as it appears. He tilts his head, his voice lower now, teasing. "It’s not like it ever stopped being easy between us. You sure you want to play it that way?"

Y/N stands her ground, feeling the weight of the unspoken things between them. "I’m not playing games with you, Rafe," she replies, voice firm but with a quiet undercurrent of frustration.

For a moment, neither of them speaks. The air is thick with tension, the past between them lingering, but neither one willing to push too far. Finally, after what feels like an eternity, Rafe lets out a breath, his expression unreadable.

He steps forward, closing the small gap between them, and pulls Y/N into a hug, brief but tight. It’s almost too easy to fall back into this—into the familiarity of his touch, the weight of his body pressing against hers. Y/N hesitates for a moment before returning the hug, her arms encircling his waist, though it feels almost instinctive, like it’s something they’ve done a thousand times before.

Rafe pulls away slightly, looking down at her with a faint, almost sad smile. "You’re not gonna tell him, are you?" he asks, his voice low and casual, but with an underlying question that hangs between them.

Y/N just shakes her head, not trusting herself to speak. She can feel the tension building again, the space between them filled with a thousand things left unsaid.

"Guess we’ll just have to leave it at that," Rafe murmurs, his voice quiet, eyes lingering on Y/N a moment longer before he steps back. His expression is unreadable, but the distance between them feels heavier now, like something is shifting, something irreversible.

With a final look, Rafe turns and walks away, leaving Y/N standing in the hallway, her thoughts swirling. The hug lingers in her mind, the heat of Rafe’s presence still pressing against her skin, and she realizes that while the conversation is over, the complexity of her feelings is far from simple.

The camera lingers on Y/N as she stands in the hallway, her thoughts still heavy after the conversation with Rafe. A moment later, Rafe walks past her, heading back to the kitchen with a purposeful stride. He doesn’t look back, but the smirk on his face suggests something is brewing, and Y/N can’t shake the feeling that something's off.

Inside the kitchen, the group is still buzzing with energy, the sounds of laughter and playful banter drifting through the house. Meanwhile, Rafe pulls Topper aside, his voice low but urgent.

"Hey," Rafe starts, his gaze scanning the room quickly before he locks eyes with Topper. "I’ve got something that’ll make the night a little more interesting. You in?"

Topper, looking intrigued but cautious, raises an eyebrow. "What are you talking about?"

Without another word, Rafe motions for Topper to follow him, and they slip out of the kitchen, walking down the hallway towards the bathroom. The sounds of the group in the next room grow fainter as the camera follows them, the atmosphere in the house shifting as they enter the bathroom.

As the door clicks shut behind them, the camera’s angle shifts slightly, picking up the faint sound of sniffing through their mics—enough to hint at what’s really going on inside. The camera lingers on the bathroom door for a few seconds, allowing the tension to build before cutting back to the rest of the group.

Meanwhile, the roommates in the living room are oblivious to the shift in energy as they continue playing a lively game of Uno. Everyone is laughing, teasing one another, and the playful arguments escalate over who’s cheating and who’s got the best hand. JJ is animated, gesturing wildly at Cleo as she steals another card, while Kiara gives Pope a look of mock suspicion, accusing him of stacking the deck.

The room feels light and carefree, but then the door creaks open, and Rafe and Topper return, both of them noticeably jittery, their energy somehow more frantic. The camera catches Rafe’s eyes darting around the room, his smile a little too wide, while Topper shifts uncomfortably, avoiding eye contact with anyone.

Y/N, sitting across from them, catches the odd behavior almost immediately. She narrows her eyes, side-eyeing the pair as they try to blend back in with the group. Something about their sudden restlessness doesn’t sit right with her.

"Everything okay with you two?" Y/N asks, her voice casual, but there's an edge to it. She watches them both closely, her intuition already on high alert.

Rafe’s smile falters for a fraction of a second before he grins again, but it’s a bit too forced. "Yeah, just a little… bathroom break. You know how it is," he says, his words coming out too quickly, and Topper nods in agreement, though he looks less convinced.

Y/N doesn’t buy it. Her gaze flickers between them, but she says nothing more, instead focusing on the game at hand. Still, the unease she feels lingers in the back of her mind, and she can’t shake the feeling that something has shifted in the atmosphere, something no one else has noticed.

The group resumes their game, but the tension is palpable, the playful mood slightly dimmed as Y/N glances from one of them to the other, trying to ignore the growing suspicion gnawing at her.

The evening grows late, and the atmosphere is electric with tension and laughter as the group continues to play games. Music plays softly in the background, but there’s a palpable shift in energy. Everyone seems to be loosening up, the drinks flowing freely, but Y/N can feel the weight of the subtle animosity building between Rafe and JJ.

At one point, JJ, clearly trying to lighten the mood, hands Y/N a drink, flashing her a smile that feels a little too friendly.

"Here you go," JJ says, holding the drink out to her with a playful grin.

Y/N reaches out to take it, but before she can, Rafe steps in, leaning casually against the arm of the couch and holding up a drink of his own. "Actually," he says, voice dripping with smugness, "I made this one. It’s better."

Y/N hesitates, glancing between Rafe’s drink and the one in her hand. JJ’s eyes narrow as he steps forward, his tone sharp. "Oh yeah, definitely trust a drink from this guy," he sneers, a hint of sarcasm lacing his words.

Rafe smirks, never one to back down from a challenge. "Jealous much?" he taunts, his voice smooth and mocking, the edge of competition clear in his words.

The group falls silent for a moment, the tension palpable. Y/N can feel the heat rising between them, and before she can even respond, JJ throws a quick, biting remark. "You’ve always been a joke, Rafe."

Rafe’s smirk falters, the jabs hitting harder than expected, and before anyone can intervene, the argument escalates. JJ steps forward aggressively, his face reddening with frustration. "You think you’re so much better than everyone else," he spits out, his voice low and dangerous. "You don’t even belong here."

"You don’t even know what I’m capable of," Rafe retorts, his eyes flashing with anger.

Without warning, JJ’s fist flies through the air, connecting with Rafe’s jaw in a brutal punch that echoes through the room. The impact sends Rafe stumbling back, but he doesn’t fall. His bloodied lip splits open, a trickle of red staining his chin. The room erupts into chaos, everyone scrambling to intervene as the physical fight between the two men intensifies.

Y/N watches in shock as Rafe wipes the blood from his lip with a slow, almost amused expression. The fight spirals out of control, but Y/N steps forward, her voice cutting through the chaos. "Stop it, both of you!" she demands, her tone harsh as she locks eyes with Rafe.

The camera focuses on Rafe’s face, his bloodied expression somehow matching the twisted, dark smile creeping across his lips. He looks at Y/N, his voice low and mocking. "Really? You’re disgusted by me, but you came twice." His words cut deep, and the room goes silent, everyone holding their breath as the weight of what he just said hangs in the air.

Y/N’s face flushes with anger, her eyes flashing with pure disgust. "You sicken me," she spits out, her voice trembling with fury.

JJ, enraged by the comment, charges at Rafe again, but Pope and Kiara are quick to grab hold of him, holding him back with all their strength. JJ struggles, fighting against their grip, but Pope and Kiara are firm, keeping him from lunging at Rafe once more.

Rafe stands there, his bloody face a picture of sick satisfaction as he watches JJ struggle to break free. His smile widens, a cruel, almost victorious look in his eyes as he surveys the chaos he’s caused.

The camera zooms in on Rafe’s face, bloodied and twisted with that unsettling grin, while Y/N watches him, still seething, her hands shaking with the anger she can’t quite release. The fight, though momentarily halted, lingers in the air, the tension so thick that it’s impossible to ignore.

The group remains frozen, the weight of the unspoken words hanging between them all as the night feels like it’s teetering on the edge of something far darker.

Next time on OBX: After Dark...

The screen fades in from black, showing a quick montage of the tense aftermath from the night before. Each roommate speaks in their own confessional, offering their thoughts on the explosive events.

JJ’s Confessional: "Man, things got way too heated last night. Rafe’s just... a walking headache, and I don’t know how much longer I can keep my cool with him around."

Kiara’s Confessional: "Honestly, I’ve never seen the group like that. I thought we were here to have fun, but now it feels like a ticking time bomb."

Pope’s Confessional: "It’s getting out of hand. We’ve gotta stop this before someone gets seriously hurt. I mean, JJ throwing a punch—what’s next?"

Cleo’s Confessional: "I hate that I’m caught in the middle of this mess. I just wanted a good time... but I don’t think anyone’s having fun anymore."

Sarah’s Confessional: "Rafe and JJ… that was wild. But if I’m being honest, I’m kind of over the whole drama. Maybe I should’ve never let it go this far."

Topper’s Confessional: "Yeah, last night was intense. But honestly? It’s just gonna get worse from here. I’m not here to play nice anymore."

Rafe’s Confessional: "Everyone thinks they can control the situation. But I’ll tell you one thing—nobody gets to call the shots but me. This is just the beginning."

The screen flashes forward to the next day, showing Topper and Rafe exchanging sly grins as they invite a group of girls into the house. The camera zooms in on the shocked faces of the other roommates as they watch from the kitchen, their anger simmering just beneath the surface.

Y/N’s Confessional: "Topper and Rafe really think they can just bring people here like that? It’s like they don’t even care how the rest of us feel."

John B’s Confessional: "This isn’t a frat party. What are they trying to prove? We don’t need more chaos."

The screen cuts to Kiara and Sarah in the middle of an intense argument, their voices raised.

Kiara (yelling): "What, that you're a liar?"

Sarah (snapping back): "No, that you’re a shit-talking bitch!"

The room goes silent for a moment, followed by an exaggerated "Oooh!" from the rest of the group. The other roommates exchange shocked glances, their eyes wide at the sudden escalation.

Pope (whispering to Cleo): "Did that just happen?"

Cleo (eyes wide): "I think we’re about to see a whole new level of chaos."

The camera zooms in on Kiara and Sarah, both standing with fury in their eyes as the tension builds. The other roommates exchange nervous glances, unsure of how this argument will play out.

Coming up... The screen cuts to black as the voiceover echoes with suspense.

"Who will be pushed to their breaking point? And will the tension finally explode?"

taglist: @mymadokamagica @izurelia @davinashifts333 @hello-therree @cyberkitty1 @imrkos

[chameleonwritess]

Incoming essay about Yuzuru Fushimi and why I believe he is the least normal Ensemble Stars character

Before we begin, I’d like to thank @normalestenstars both for giving me the motivation to actually write this at last, and for the polls that have allowed me to ponder over the normality of each enstars character, along with how normality would even be gauged. I’m aware that the concept will have differed from person to person, and so I’ll attempt to explain my metric of normality in order to explain why, say, Kanata, Wataru, or HiMERU aren’t my ‘least normal’ character (okay, what is it with blue hair and insanity in enstars, bc Tatsumi is kinda making the most insane list too). I'll also put the essay under the cut because... it got long. But if you wanna learn about Yuzuru, you came to the right place!

I was judging normality to be a combination of life experiences through from childhood to adulthood, behaviour, current responsibilities and activities, ways of reacting to situations, ways of interacting with the world, mental headspace and its subsequent projections, and any juxtapositions between those- particularly with regards to internal and external worlds of a character (this might not make any sense… it made sense to me but I’m hardly a most normal character myself).

First up, as Kanata was dubbed the audience voted least normal, I’ll touch  briefly on which specific aspect differed here between Kanata and Yuzuru that made me choose Yuzuru over Kanata. Both by the general audience and by the characters within the world of Ensemble Stars, Kanata is perceived as weird and strange, and his backstory explains that weirdness very well… perfectly well, basically. Of course he’s weird and outlandish given he grew up believing he was a living god. Meanwhile, Yuzuru is deemed as pretty normal by both characters and the general audience. At least on the surface! The amount of enstars fans I’ve heard call Yuzuru boring just confirms this, really. Who would ever dream of calling Kanata boring? But the characters who know Yuzuru better, or for those who finally get to interact with him more than very surface level, they suddenly uncover that oh shit hang on this guy is TERRIFYING and INSANE and what the actual FUCK IS GOING ON??? (See: Resort Live when Adonis is in the water and when Yuzuru dives to fetch him he felt like he was being followed by a wild carnivore and was confused as to how the hell Yuzuru had hidden that kind of aura up until now). Love how I said brief and then reached this length BUT essentially it’s the juxtaposition of Yuzuru’s external perception versus his actual reality that puts him on top of the weirdness ladder for me. Kanata’s weirdness is very in line with his history, giving him an aspect of normality, or at least expectedness, in my opinion (I’m in no way denying that Kanata is NOT NORMAL, though, don’t worry. My only actual denial of any not normal allocations is Wataru… but we’ll get to that in another essay xoxo)

RIGHT now let’s start with the Yuzuru focus. We’re gonna go back to his past to begin with. And no, I don’t mean the military camp, actually (although the very fact I just said those words should hopefully be clueing you in to Yuzuru’s abnormality). I’ll leave a list at the end of this of all the stories I got my facts from, as well as some key Yuzuru focussed readings if you want to learn more hehe. Saying that, I talk about Yuzuru’s past pre-military because it starts off as a wild backstory even before we get to the slightly more unhinged stuff. He was born into a family of butlers, and thus was fated to work for the Himemiyas and serve them… WHAT???? Yuzuru’s family are essentially slaves, and we know next to nothing about his parents. So many enstars characters are highlighted for having abusive families as an aspect of their abnormality and the weirdness with which they were raised, but yuzuru never gets brought up amongst those. How does this scenario even happen in the modern world???? I am SO CONFUSED and we have basically no answers. Does Yuzuru get paid?????? He’s been a butler since he was BORN so… probably not?? Is he essentially a slave???????? I suspect maybe!! We already know the Himemiyas are NOT EXACTLY THE EPITOME OF MORAL CORRECTNESS (see: they run an orphanage that filters into a fucking military training facility) so I would not put it past them. So- backstory and utter weird environment to be raised in? CHECK!!!! Yuzuru might have been raised in the weirdest environment out of all enstars characters except perhaps Kanata. Or joint weirdest WITH Kanata!! He grew up being trained to be perfect and to be entirely subservient. He had no interaction with peers, no downtime, doesn’t even have his own house given he lives at the Himemiya’s mansion. It’s absolutely insane if you stop and think about it for more than five seconds, and no one ever seems to talk about it??? Yuzuru Fushimi, man.

And we don’t know much about Yuzuru during this time (probably for good reason- he is cagey about anything that makes it look like he doesn’t enjoy his role and boy does this time include those feelings!), but we do know from Tori that he was not naturally talented at being a butler, would make loads of mistakes, and would hide in the shadows and cry over it. Yuzuru was just a KID. He’s only one year older than Tori, but he was expected to perfectly master pretty much every skill ever. He’s way too over-competent at seemingly everything, and as easy as that is to attribute to the military training…. a lot of stuff doesn’t make sense for that. He was trained to do e v e r y t h i n g. Child abuse, yay!! That’s essentially what it is when you think about it!! Were his parents trapped like this too?? How did his parents meet?? Are they the ones trapping him in this role, or is it the Himemiyas??? Because Yuzuru certainly seems to believe that his parents hold the authority, but idk how much of that is a biased perspective from what Yuzuru saw and knew as a child.

Okay. I think I’ve set the scene for why Yuzuru is insane and weird as fuck. I’d also like to give a brief breather from the agonising lore (bc it’s military time next) to let you all know that I’m writing this whilst desperately smacking auto-live bc I’m grinding for Ghostic Treat House Yuzuru <3 fine I love you <3

That’s all the reprise you get, trauma time again! So, you’re probably aware if you only watched the enstars anime to gain familiarity with ! era lore that Yuzuru spent time at a military facility with his good childhood friend Ibara (he would stab me for saying that lol). But that’s not all! So yes, Yuzuru was sent to the Himemiya’s military facility, where they were actually trained for wars, given the Himemiya’s army are actively fighting ppl during the events of Primavera (lol so much for me saving references to the end). Did Ibara and Yuzuru actually see the battlefield? Textual evidence would suggest perhaps, because Ibara mentions it being funny how a man who can face enemy forces alone is afraid of dogs. But that could be a metaphor and it may have just been training. Either way, definitely had to learn battle relevant skills and were given brutal training. But that’s still not all! From what we can gather from Yuzuru’s internal musings (although he is a somewhat unreliable narrator like 50% of the time tbh), he was sent to the military facility to learn better discipline so he’d stop acting up and play the role of a butler properly. This, combined with the crying when he messed up, gives two plausible reasons for him being sent. 1. he was considered too incompetent and the military was supposed to train him to be more competent as a butler, or 2. he was acting out big style and they wanted to quite literally beat him into submission so he’d treat his role more seriously. There is a scarier third possibility here, but that’s coming hehe don’t worry (: 

What happened when Yuzuru got to the military? Because so far yeah this is a wild situation but it doesn’t highlight Yuzuru’s utter insanity quite as well as I advertised. Ohohoho, don’t worry. Yuzuru was somehow so naturally gifted at being in the fucking military (whilst not being naturally gifted at being a butler, I remind you all!!) that he rose up to leadership and became an instructor IMMEDIATELY. He was in charge of Ibara, and assumably other people too, despite being the same age as him (and quite probably younger than others). Is it possible he rose through the ranks because of his status? No not really. He’s a butler to the Himemiyas, not an actual family member!! And he’s essentially been cast out by them, so why would they care?? It’s also implied and makes all Yuzuru lore add up if he was just… incredibly and terrifyingly talented with weaponry, fighting, tactics, etc etc don’t ask me what military things are important i don’t know. So I’m choosing to believe that the lore all checks out and that Yuzuru was made an instructor because he was freakishly good. Now about his role as an instructor!! 

Most of our info does come from Ibara which is… likely to be negatively biased, but we also have actual flashback scenes which legitimately support Ibara’s perception. Which was, in short, that Yuzuru’s training was spartan. He was harsh and ruthless and ruled with an iron fist… but he also genuinely cared about his pupils (and again, we infer that he had multiple bc he calls Ibara his favourite pupil. Although funny if he’s his fave by default lmao). The military is also the first time Yuzuru gets the chance to be a kid, which is ironic given he is AN INSTRUCTOR IN THE MILITARY. But he gets the chance to sit and talk with Ibara in between training and attempting to murder each other (which is like the closest thing to playing tag that Yuzuru has ever participated in, I reckon). I could write a separate essay about how important Ibara and Yuzuru are to each other, but that’s for another day (pls pls pls ask me to write it pls i just need the excuse). 

We find out some interesting things from Yuzuru’s conversations with Ibara. He hopes to die on the battlefield to show his parents (haha remember that scary third option…. what if this was their plan HAHAHAH). He wants to die out of spite, and he wants to die for the freedom. He hopes he never has to return and be a butler again. He feels free at the military camp, which is ironic given the intent was to trap him there to teach him a lesson. It’s also ironic, given both Ibara and Yuzuru refer to the training camp as an awful, horrible place. 

That definitely isn’t the end of me talking about Yuzuru and military experience, but it is the end of it in this linear fashion I’m taking to explain why Yuzuru is so fucked up and weird and insane.

So, he returns from the military! Read: he is forcibly taken back to the Himemiya mansion. And when he returns, Tori cries and hugs him and begs him to never leave again because he was so lonely without Yuzuru and scared etc etc. And we know that Yuzuru looked at him crying and decided that actually, this was something worth treasuring and putting his life towards. Tori was worth serving- he cared about Tori and wanted to protect him, and he had the abilities now (and probably always) to do exactly that. Was this inspired by Ibara saying he just wanted something to treasure and dedicate his life towards keeping/obtaining? Yep!!! Same story!!! Yuzuru took Ibara’s goal and went ‘snatched, mine now’ but fr… they had such an impact on each other. So, Yuzuru is ‘happily’ being a butler now. In other words, he’s taking his fate and making it his decision, as much as he can (or probably to convince himself hmmm). But where’s the insanity here, before we reach idol time? Well, here we discover that Yuzuru contemplates murdering Tori multiple times!! As a means of escape? As a reflexive urge to kill that he’s developed/been suppressing all along? Who knows! I still can’t quite believe that this is even canon but yeah!!! It’s not always a joke when Yuzuru says scary things to Tori and threatens him with weapons! He has legitimately contemplated murdering him!!!!!!!!!!!!!!!! Yuzuru Fucking Fushimi, folks!!!!!!!!

This section is also where I’d like to discuss Yuzuru’s fear of dogs, because he also had to acquaint himself with King (Tori’s dog) during these years. Do you know the reason why Yuzuru’s afraid of dogs? I hear you ask, because I am inside your walls rn. Was there an incident? At the Himemiya’s? At the military camp? No!!! Tori says he’s literally always been afraid of dogs, and Yuzuru confirms this and gives us an explanation as to why! He says that dogs are inherently ferocious hunters- killers at heart- and yet they wear an innocent, harmless mask of being ‘man’s best friend’, covering up the human lives they have taken and are easily capable of taking at the smallest provocation. He fears dogs because he fears their true nature that they’re hiding behind their perceived harmlessness. They’ve masked their bloodlust with domestic obedience- a facade many dogs have tricked themselves into understanding as reality. When I thought about Yuzuru’s explanation for about five minutes before I started this essay, it suddenly slid into place in a way I’d never studied Yuzuru’s fear of dogs before.

Yuzuru fears himself. This checks out with the dog metaphors he makes of himself, of Ibara, that Ibara makes about Yuzuru and of himself. Obedient lapdog, untrained mutt, guard dog etc. etc. The parallels were right there. Yuzuru is an obedient lapdog for Tori… but he’s a predator by nature. A born killing machine whom everyone trusts without hesitation because of the loyal and obedient facade he parades, convincing even himself is reality. Yuzuru is afraid of the hunter he is and when his true nature might escape. I don’t read it as a ‘being afraid of when others will find out that he’s secretly evil’ sort of situation. More a ‘being afraid of when he won’t be able to stop himself & the mask will disintegrate forever and reveal the hunter within. Being afraid of when he might attack’. Ouch. Yuzuru can I give you therapy pls I’m begging. ANYWAY Tori then gets into idols and Yuzuru is dragged along to fine shows, and when Eichi sees him in the audience (ignoring the fact that his first thought is ‘damn that bitch fine as fuck, i love a guy with blue hair purple eyes and a ponytail, smash’), he says Yuzuru looks wild and rugged (i’m going off memory I cba getting Daydream up just trust xoxo), which is interesting given he’s trying his best to be a loyal butler right now. He’s not quite mastered the mask at this point, I suspect. Other things we know from this era are that Yuzuru helped sneak Tori out to go to karaoke as idol practice. I wonder how he felt getting to sing and dance for the first time.

Fun fact in case you hadn’t noticed by now- I’m not very good at staying on topic bc I loooove to go on random tangents of character analysis. I swear this is still about how Yuzuru is the weirdest enstars character… somehow….

So! We’ve finally reached canon timeline in the chronological part of this essay (HOW LONG IS THIS THING GONNA BE?? I hear you worry because, once again, i am in your walls). Yuzuru joins fine yayyy and he’s a transfer student to Yumenosaki given he’s just following Tori. So… did he even go to school before??? Given he has to follow Tori??? Did he take a year out? I’’m so curious as to Yuzuru’s history because how tf did his childhood work? He passes the fine test easily bc turns out he’s also very naturally talented as an idol. He’s very physically fit so it’s unsurprising. What’s sooo fun to know about his joining fine, though, is that he immediately knows exactly what Eichi is like, immediately gets links with the StuCo and joins Keito’s club to get In There with the top people (networking innit and also… club with bow and arrows. Tsukasa confirms he’s freakishly good wow who would’ve guessed Yuzuru would be so naturally talented with a weapon), and apparently immediately developed an escape plan for him and Tori so that if Eichi ever tried to destroy them, he could take Tori and dip. I wonder if that escape plan is still in place, now! Anyway, we also learn in this era that Yuzuru starts to love being an idol and finds he’s genuinely enjoying it. However, the reasons he’s enjoying it are… not exactly normal. He loves being an idol because he’s surprised that it’s able to spur the human emotions of anger and frustration within him (basically, he’s surprised that being an idol brought out his painstakingly buried emotions). We also learn that he’s extremely envious that Tori and Eichi were able to escape their fates laid out by their parents to pursue being idols, but he immediately tries to suppress thoughts like this. The difference between having money and not, huh? Tori and Eichi could escape. Yuzuru was always going to be trapped :( Yuzuru also starts to experience having friends for the first time (does Ibara count as a friend?? It was way wilder and more insane than that) so essentially Yuzuru’s first ever experience of normal teenager things is when he is 16/17. But at least he gets to have a pillow fight and absolutely destroy everyone! And get yelled at by a teacher!! Proud of him for having fun. 

This era is also where we get Yuzuru completely lying to himself, us, and his peers. Everyone is quite conscious of getting Yuzuru to enjoy his life outside of being Tori’s butler, and he’s very much manipulated everyone (including the audience even though we can compile the evidence to discover otherwise) into believing that he’s always been such a loyal and simple butler with no thoughts of his own aside from those that are wishes to serve his master. We know this isn’t true… and yet Yuzuru tries to convince us and everyone in the story that this is reality, to the point that we get people being proud of Yuzuru for coming so far. We get Tori being proud of him! And feeling guilty for him always sacrificing his life for him. Ugh I love Tori actually. The second I started reading stories about Tori and Yuzuru it hit how much guilt Tori has over Yuzuru’s fate and AGHHHH oops I got sidetracked again. Anyway. Yuzuru’s an unreliable narrator and that’s important to his weirdness, because he hides his true utter insanity from even us as the audience!! He lies to himself, to us, to his peers, everyone!!! You cannot fool me, Yuzuru Fushimi. I see through you. I’ve figured out your utter unhingedness. The complete juxtaposition between the very ordinary bland background character you depict yourself as versus the utter fucking WEIRDO that you actually are <3

Moving onto !! era, Yuzuru introduces himself in the main story by being INSANE and everyone seems to forget about it? The first thing he does is discuss how beneficial it is to show up first to important events and prepare the drinks because you gain the upper hand of knowing you could’ve poisoned them and everyone knows you could have, but that he’d never do that because everyone would indeed know it was him. And that’s one of the joys of being a butler! HELLO??? YUZURU WTF BABE????? But that’s always just glanced over. Also there’s the whole insanity of Eichi reminding us that Ibara is the only person whom Yuzuru shows this other side of himself around, and by that we mean the side where he… openly threatens extreme physical violence. Also frontline watchdogs happens. And we learn that Yuzuru still very obviously cares about Ibara gahhh. Anyway, back to insanity time, Wataei are kinda mean to Yuzuru in this era, because they do end up toying with him quite a bit, and we get a lot of Yuzuru dealing with thoughts regarding the Himemiyas and the impact of ES and stuff, because he can’t even just be an idol, he’s also essentially in charge of Tori’s responsibilities until Tori is ready, AND he’s becoming an actor because wow how surprising he’s really good at fighting roles and getting into character (sarcasm, bc… it is not surprising. hey who wants to hear me scream into a forest about wataru and yuzuru and facades it’ll be super fun I promise). Other insane stuff includes the time Yuzuru thinks Ibara is holding Tori hostage so he walks into a room and straight up STRANGLES IBARA because he knows how Ibara responds to being tortured for info so knows he’ll get the truth here. He also proceeds to reveal he’s learnt vocal mimicry from Wataru and will fuck shit up if Ibara tries anything using that trick (how did he learn that???? Plus Wataru is cagey about teaching new skills so it is either an omg yay wataru and yuzuru getting close moment or a…. yuzuru did you just analyse his ability and somehow replicate it??). Also in this era, we learn that Yuzuru accompanies Eichi with a lot of business related things, because of course he gets to be involved in the big ES happenings, and that he’s become wayyy more petty and rude to Eichi. It’s a big step for Yuzuru, who’s been forced to be so polite to his superiors. Like can you believe it. The Himemiyas’ butler being rude and passive aggressive and turning down THE Eichi Tenshouin?? He’s wild for that, but he knows Eichi well enough to know he’s safe because Eichi loves it. Yuzuru is so good at reading people. Oh yeah the other !! era moment I was going to mention was the time he took both Adonis and Hiiro in a fight. Canonically strong guys with training in martial arts/defensive techniques. And he legit scared Hiiro with how suddenly his demeanour changed from passive butler to ‘don’t hold back on me >:)’ oooo I love the utter thrill he always gets when he can go all out and attack people!! He’s so fucked up!!

And now on the theme of that, we have !!! era, because pretty much all he’s done since this new era began is fight people. In his cross scout with Kaoru, he gets disappointed in himself when Nagisa outruns him. It’s interesting to note that despite the lack of practice of his abilities Yuzuru gets outside of situations often purposefully set up so he can fight (usually by Eichi and/or Wataru like the incident in Fist of Idol Togenkyo), he still assumes himself to be… the best at any sort of combat out of everyone in his current environment. Do you know what I would give to see Yuzuru and Kuro fight??? I would LOVE to witness it, but I know neither of them would be willing to go all out on each other :(. So when Nagisa ends up out-running/outmanoeuvring him, he’s peeved. Like it’s not a surprise given Nagisa is genetically created to be The Best at Everything, but damn, how highly does Yuzuru think of his own combat abilities? It never really hit me until this point. Not only is he trained at combat, but he very much thinks/knows he’s good at it, and essentially takes pride in that fact? He’s such an interesting critter. Then we have the shuffle unit, too, where Yuzuru gets to go all out and apprehend a thief and he VISIBLY has fun doing it, as well as internally discussing as much. But we also have textual proof from someone else (a random director) that Yuzuru’s ‘snap’ is a thing. He can switch between this polite, passive butler and a bloodthirsty beast in SECONDS, and the joy he feels from being a vicious hunter is probably palpable. Other people can see him essentially change mask at the flip of a switch and become someone else entirely, and it’s wild. The fact Niki is the other person who does this is also beautiful because Niki in hunger mode is also a terrifying bloodthirsty beast. Can’t believe he won most normal, even with CrazyB being CrazyB.

I’ve finally covered somewhat of a chronological series of events for Yuzuru’s character that have led to the juicy stuff of why I view him as the straight up weirdest and least normal character. Whilst that was a lot of character analysis to do with who he is at his core, as well as his background and where he’s at mentally and in terms of progression in the story, now is for a beautiful collection of utterly unhinged things he’s said/done that make me go ‘what the FUCK Yuzuru’. Which, admittedly, I do a LOT. 

he MCs for the new year live featuring Trickstar and Akatsuki and decides to fuck around with Keito because he looks too serious. He then gets drunk on the joy of fucking with Keito and just keeps screwing with the scoring system and everything whilst Keito is seething with the betrayal

he used to genuinely think his drawings were lovely, but then according to others they looked like ‘horrifying yokai thirsting for blood’, ‘vegetables committing cannibalism’ or just ‘makes [them] anxious looking at it’ so wtf is actually wrong with his perception???

has said he feels the urge to kill Tori sometimes, but ‘a true gentleman suppresses his anger’…. JUST SIT WITH THAT ONE FOR A WHILE

He’s said he wants to dissect Wataru… medically… bc of his stamina levels

He’s also threatened to take Wataru to a secluded area and cut off each of his fingers with a bradawl. YUZURU??????

Nagisa is surprised at his dexterity when he very competently ties Jun to a pillar

He cleans ES and Yumenosaki in secret because he doesn’t trust other people to do it right. Not the most insane thing ever but it adds to his issues. Also cleaning is his favourite thing to do. Cleaning. This man has a body count and I mean in the murder sense

He loves to draw even though he’s shit at it. It’s just really funny to me that he’s very dexterous and talented at pretty much everything except the one hobby he wants to have

He can pilot a helicopter- only he and Madara are known to be capable of this

He’s the best at archery and at using firearms in Yumenosaki. And most likely ES. But he’s careful not to show off his talent and ‘true nature’ because he’s an idol and doesn’t want to scare people off

He has abs. Multiple characters have commented on this. Koga has felt them up

When he gets lost in thought he tightens his grip ridiculously tight. Figured this out due to him subconsciously tightening his grip on both Ibara’s neck during SS and Tori’s clothes during Resort Live

He speaks overly politely, but with the exact same dialect as Ibara which- i’m gonna lose my linguist status for the way I’m about to butcher this- from what I can gather is easy to interpret in a rude and sharp/passive aggressive tone. I’m going off characters who say Ibara and Yuzuru speak exactly the same, and the way Rei and Eichi highlight how Yuzuru says polite words but they’re very rude and barbed despite the politeness

His dancing is sharp and impeccable and his physical abilities are apparently ridiculously impressive, far above what would ever be expected of a butler (who’s surprised?)

His administrative abilities are incredible because he’s just overall a freakish genius apparently

He can completely hide his presence. He managed to scare Nagisa during the recent Halloween event and Nagisa is a very literal freak of nature who has been lab made to be a perfect specimen with like every skill ever soooooo terrifyingly impressive imo

Now, to conclude this insanity is my main point as to why Yuzuru takes the cake as the most insane enstars character to me. And whilst yes it’s obvious from all of this that he’s absolutely batshit insane, so are many other characters, but the reason my vote goes to Yuzuru over anyone else is because of the disparity between his public perception vs. who he is. And I mean both in game and out of game. I asked my lovely partner whose biggest flaw is not giving a flying fuck about my beloved Yuzuru Fushimi no matter how many times I yell about him what their opinion was of Yuzuru prior to knowing my insanity about him. I’d like to highlight that my partner is a big fan of Ibara, so knew about Yuzuru’s backstory at least, but was otherwise oblivious to most fine lore outside the main story, being a CrazyBP. My girlfriend said that, to them, Yuzuru was just a mild mannered butler who doesn’t come across as a big personality, especially next to the rest of fine. She said he’s very overshadowed when you have 2 characters very in-your-face personality wise and Eichi Fucking Tenshouin in your unit. Further thoughts were that whilst some characters you can soak up information of via osmosis, Yuzuru isn’t one of them.

And this was INSANE to me. Because how is it possible to be an Ibara fan and a NikiP who loves Niki’s kitchen and somehow no Yuzuru lore has seeped into your awareness???? And this is what makes me go oh yeah. Yuzuru is the least normal character from a character perspective as well as within the narrative. How do you write a character THIS INSANE with this many unhinged things being said and done in pretty much any story he shows up in, but the fandom who don’t pay attention to him just,,, completely miss it all and view him EXACTLY AS HE TRIES TO PRESENT HIMSELF TO OTHER CHARACTERS: as a mild-mannered, overly polite butler who loves servitude?? Yuzuru Fushimi has not only bewitched the characters into believing his facade, but he’s thoroughly hoodwinked the general audience of ensemble stars too. No one believes Wataru to be normal and casual, and arguably he’s the most normal of fine (at least in terms of upbringing, consistency, motivations etc….. but also he is literally me and i’ve been told I’m devastatingly Not Normal, so maybe that doesn’t count). No one would claim to call Kanata normal. No one thinks HiMERU or Mayoi or Shu & Mika, or the twins are normal. Everyone knows, at least in part, how insane they are, whether they produce the unit and know the lore or not. But Yuzuru!!!! He has fooled you all!!!! He has fooled everyone, and that’s exactly what he wants to do but exactly what he is terrified of doing, too. He fears the utter insanity inside him, but he’s also desperate for any chance he can find to unleash it and, for lack of a better phrase, go beast mode.

Yuzuru Fushimi, folks. He is one hell of a character and I hope you’ve enjoyed my ridiculously long essay on exactly why he is the craziest son of a bitch in ensemble stars. At least to me <3

And now for an incomplete list of references because I legit forget where half my knowledge comes from, I just read it once and forever absorb it into my brain:

! Era:

RESORT LIVE!!! lots of Yuzuru insight

Noble game. A lot of Yuzuru, specifically within his Butler context

GANG!!!! This is the backstory & ibayuzu lore story and it kills me every time

Flower Fes. Not huge on Yuzuru lore but gives an insight into his beginnings at Yumenosaki

Toyland. Yuzuru’s drawings and feelings about being an idol come up here. As well as Tori’s guilt about Yuzuru

School Trip. Aka Yuzuru unreliable narrator the novel

!! Era:

FRONTLINE WATCHDOGS!!!! It’s the Ibayuzu lore of !! era. !!’s answer to Gang

SS finals. It’s really long so specifically the chapters with Ibara and Yuzuru are where the lore is

Fist of Idol Togenkyo. I didn’t mention it much here but it covers Yuzuru’s acting and fighting quite well

Tempest & Primavera are the fine stories that discuss Yuzuru’s current role in ES and Tori’s life best but I didn’t reference them loads

Fair Waltz. It’s a short scout story but it’s so good for Yuzuru & Eichi dynamic & Yuzuru fighting

Grand Slam. There’s like one chapter during the sports festival about Yuzuru and guns lol

Yuzuru idol story episode 3. Ibayuzu reflect on their past & I cry

Seasoning as you like (Niki idol story). Niki’s kitchen revealing some of Yuzuru’s violent tendencies

!!! Era

Intelligence. Cross scout with Kaoru where the Nagisa incident happens

Ballade of the Lost Ones. Shuffle Unit!!!! Yuzuru goes wild!!!