#dr sam loomis

[fanofspooky]

Halloween II newspaper ads

[dalekofchaos]

Context

Smith's Grove

Smith's Grove is the prequel to the faithful night Michael came home. It's a psychological thriller and character study of Michael Myers and Dr Sam Loomis at first trying to reach him and helping the young boy, then suddenly patients are dying. "Accidents" start to happen in Smith's Grove and Loomis realizes that Michael is simply evil beyond help and dedicates his life to keeping Michael locked up.

Took inspiration from the chaos comics.

Halloween 4 Requel

Halloween 4 has become a cult classic. Fans wish Jamie got to be a killer. Danielle Harris wishes she got to be the killer. So imagine.

Jamie really does kill her foster mother. She is locked up in Smith's Grove. There were brief flashes of humanity to the point where Loomis thought she could be reached and did all he could to help her, but it's too late.

Now it's 35 years later. Jamie is back. She dons a clown costume with a Clara Bow styled clown mask(a nod to Michael almost having a Emmett Kelly clown mask) and Rachel will either break through to her sister or do what she must to stop her.

Charlie Bowles

"I remember over in Russellville, old Charlie Bowles, about fifteen years ago… One night, he finished dinner, and he excused himself from the table. He went out to the garage, and got himself a hacksaw. Then he went back into the house, kissed his wife and his two children goodbye, and then he proceeded to…"

One simple story from a gravekeeper could tell an interesting story

Season of the Witch Continuation

A fan came up with a concept of what could happen after Season of The Witch.

Laurie, Allyson, Jamie and John uniting against Michael

Lets retcon Ends. It was Laurie's fever dream after losing Karen. Allyson is taking care of Laurie as grief consumes them both. However. Ghosts from Laurie's past comes back to haunt her.

Her other children. The children she had to give up. Jamie and John.

To avoid a multiverse type story to make the Thorn Trilogy and H20 canon to the Blumhouse Trilogy, we are gonna be creative with Jamie and John's stories in this timeline.

Laurie had to give up Karen. But what if she had the choice to raise one child while giving up the other two? Also Laurie did say in 2018 she had multiple failed marriages. So it could work.

Laurie and Jimmy had Jamie and Laurie and Ben Tramer had John. Laurie's problems caused her to lose her families. Either her partners couldn't take it or they lost the kids like with Karen.

John lived in California, while Jamie lived in Russleville.

They came to pay respects for Karen, but make it clear they want nothing to do with her. They both had similar "incidents" like Michael.

John's best friend Charlie became a Michael Myers copycat(a nod to the original H20 plot) and killed half of his classmates with only John and Sarah surviving.

Jamie had a look a like who attended her school.(a nod to two Jamies) One Halloween, she snapped. She dressed up like a clown and tried to kill her. She followed her home and killed her step-mother. She was blamed for deaths, but eventually her name was cleared and both her and Rachel made it out alive.

However they both admitted. No matter what they did to their pursuers that they kept coming back, kept killing and kept coming to find them.

Laurie is remorseful for what her children went through, but Allyson plays the peacemaker and deduces that they were all touched by Michael's evil.

Laurie's encounter spread to her children, which caused their stalkers to hunt them.

Which leads them to their originator. Michael.

It's sort of inspired by Fear Street, but an excuse to bring Laurie, Jamie, John and Allyson together to kill Michael, Charlie and Jamie's double together.

Ends with Laurie and Allyson killing Michael together. Jamie killing her doppleganger and ending the Thorn curse and John decapitating Charlie. Thus ending evil's hold over the Strode family and Jamie and John finding peace with Laurie.

Anthology Series

Season of The Witch was meant to start up an Anthology series of stories that takes place on Halloween Night, so let's continue that original vision.

Nightdance type story

Nightdance long story short takes place in 2000 and Michael stalks and hunts a girl who looks like Judith. It's a very much back to basics type story that Harkins back to Micheal being more of a stalker in the shadows and when he does attack, it's BRUTAL!

Here is how this hypothetical reboot could look like

Could just be an anthology series of different interpretations of Michael stalking and killing different babysitters in Illinois for the next 20-40 years after Halloween. One where he's classic Michael and the other where Michael becomes a clown once again

Halloween Resurrection Sequel

John Tate never received a conclusion and I feel he deserves justice in the H20 timeline. Because god knows that timeline deserves better than Resurrection as a conclusion.

Halloween 5 Requel

Halloween 5, but it ends with Michael imprisoned and Jamie saying "He'll never die" no Man in Black and no Thorn Cult.

Jamie lives her life normally until one day, Michael breaks out and it's Michael vs Jamie and a REAL conclusion to Jamie's story!

I made a similar story to how Jamie in a H5 Requel could look like

Rob Zombie timeline continuation with Laurie as the killer, but without Rob Zombie

As much shit as Zombie's movies were, the potential of Laurie as the killer could've been great, especially with that tease at the end and Scout would've killed it.

I ignore the director's cut as I felt Michael's death was more final and Laurie being left alive and being teased as the killer is much more satisfying than RZ's bullshit "director's cut"(yeah go fuck yourself with the "Laurie's dead and it was all in her head" fuck you)

[princessoftherose]

hes just a lil guy :3

[pinballhaven]

Halloween (Spooky Pinball, 2021)

[notaplaceofhonour]

Dr. Samuel “shoot at the door til it opens” Loomis, man that you are

[fry-house]

Loomis (and canon): Michael was born evil, emotionless, I tried but there was no reaching him!

Me, who has experienced intense medical trauma:

[captainpirateface]

Dr. Loomis should have had his own movies... and prank show.

[mr-dead-inside]

[duranduratulsa]

Spooktober In Memoriam...

Donald Pleasance

1919-1995

#donaldpleasence #ripdonaldpleasance #halloween #princeofdarkness #terrorintheaisles #drsamloomis

[iwasateenagenosferatu]

Dr. Samuel Loomis 🤡 Michael Myers 🔪 Laurie Strode 🎃

All done my Halloween Sims. Now it's time for evil to come to Copperdale

🎃🧙‍♀️💀

[brokehorrorfan]

Gutter Garbs has released a Halloween 4: The Return of Michael Myers shirt designed by Sam Coyne. Priced at $30, it will ship the week of October 27.

[fanofspooky]

Halloween TV Spot 1978

[itsexclusive]

One of my all time favorite movie characters is Dr. Sam Loomis from the Halloween franchise.

He was the only person that truly understood what Michael Myers was from the get go. Dr. Loomis met Mikey at 6 yrs old, after a few failed attempts, he concluded that lil bastard is different, he is pure evil and should buried underneath the nuthouse. He tried warning everybody but no one took him seriously and look what happened..he got out and started hack & slashing folks.

It was on sight whenever Dr. Loomis encountered Myers. He kept that thang on him at times and didn't hesitate to use it.

One time, he almost smoked a dude that had on a similar mask but he got hit by a cop car and burnt up.

Dr. Loomis was a savage too. He defied orders from the governor and forced a marshal at gunpoint to drive him back into town to look for Mikey.

The situation had gotten to the point that after shooting him like 25 times, Dr. Loomis decided to blow himself up just to stop Michael Myers. Now, that is dedication to the goal. He didn't give a fuck about his own self preservation. He wanted Michael stopped and he didn't care if he had to go down with him.

[dark-ethereal-visions]

That ain't Ben Tramer in that station wagon, Loomis!

[notaplaceofhonour]

Loomis starts out wild-eyed and frantic in the first film, in direct juxtaposition to The Shape’s slow, steady stride, and with each successive film Loomis only gets more erratic. The people he’s working with go from skeptically humoring him to all but calling him a lunatic to his face, only going along with him to pacify his outbursts.

He is Sisyphus, fated to roll that boulder uphill. He is Cassandra, doomed to know the truth and never be heeded.

Yet, no matter how right he is, he isn’t the hero. He gets a boy killed by stopping him in the middle of the road, thinking he’s Michael; he nearly gets several more kids killed for wearing The Shape’s mask. He hijacks a car at gunpoint. He abducts a child. In the heat of the moment, he tries to kill her, before proceeding to retraumatize her and put her in harms way to get to Michael.

By Halloween 5, Dr. Loomis is shot from below, with Dutch angles, face obscured. He looms ominously over the viewer. The camera looks at him like he is Michael.

Perhaps the camera has a point.

Michael is his life’s work. Loomis is the only one who truly understands Michael, and perhaps—to the extent that Michael can be said to “understand”—perhaps Michael is the only one who truly understands Loomis. He is the only one Loomis speaks to like an equal.

I wouldn’t ever accuse Halloween of being “good representation” of mental illness or institutionalized people, but what it is is fascinating

because Halloween isn’t the story of a madman haunting Haddonfield; it’s the story of two madmen: Michael Myers and Dr. Loomis. this doctor shows up in the sleepy town of Haddonfield packing heat with a crazed look in his eye, obsessed with his former patient, yammering on about how he’s seen evil incarnate behind a child’s eyes, going on long winding monologues about druid rituals and the evil spirits of the unconscious mind, and refusing to be mollified by any of the sane, rational people around him. Obviously Dr. Loomis is right, but sane?

as Dr. Hoffman says, “I think you’re the one who needs mental help.” any other day, any other night, Dr Loomis would be thrown in a padded cell right next to Myers.

yes, Michael Myers was the one literally institutionalized, and yet Loomis is every bit as trapped by the institutions of the world as Myers was. Loomis is riding and running around from one end of Haddonfield to the other like a rat chewing at the bars of its cage, trapped between one institution and another and another, all restraining him from stopping Myers, all too reasonable to take him seriously.

it’s the sane, rational doctors ignoring Loomis’s alarmist advice that leads to Myers’ escape; the sane, rational police force that drags its feet at every step of the way and fails to stop Myers; the sane, rational governor that orders a marshall take Loomis away.

Halloween is the story of two madmen, neither of which any institution knows what to do with, and what happens when all human structures of rules, norms, and pre-conceived beliefs about the world fail to account for the anomalous: a man completely devoid of humanity, and the kook doctor driven insane trying to reach him who is nevertheless the only truly sane person in all of Illinois