#dr hansel

[smilesrobotlover]

Pt 1| pt 2

Poisoned blade pt 3

Ok, last part of this short comic! It was kinda fun! Helped me with learning backgrounds and what not, but ye! Hope you like it! :)

[pirateshippotato]

some art for @doctorwyvern’s dr ahem fic, because I love that fic, and I love that little brink moment in chapter 9

The only reason the background is black is cause it was late and the white screen was hurting my eyes

also if you saw me post this and then delete it no you didn’t

[doctorwyvern]

I’m not very smart and I feel unwell and I’d like to go home now.

new chapter soon.

[augment-techs]

[lioriel]

Day Twenty-eight: Gingerbread House

[martianbugsbunny]

OUAT Thoughts Pt.73--Episodes 17-18

I have watched through S7E18; spoilers DNI. Also, spoiler warning for anyone further behind than I am.

—Maybe doing shots while trying to protect yourself against a killer isn’t the best idea. *raises eyebrow at Zelena*

—How can she even consider marrying Chad? I realize he knows now that she has a gnarly past, but he doesn’t have a clue about the fairytale stuff, and the odds of her being able to either live with that detail omitted or actually convince Chad to believe it are pretty slim.

—The idea of fairytale characters leaving their communities to be regular people in the regular world is awful. It’s an unfortunate case of the magic being sucked out of life. It’s fine when it’s one of Storybrooke curses and it’s going to be fixed, and everyone stays together, but when it’s a different curse and I don’t know how it’s going to end and people are actually leaving it just loses a little bit of the sparkle.

—That made no sense, but if you understand the feeling I was trying to convey, here is a gold star 🫴🌟 You deserve it.

—So Zelena burning Hansel’s arms was a greater offense to him than Drizella and Gothel being responsible for Gretel’s death. Alright.

—You know, I don’t like Hansel, but when he snarked on Henry’s lack of belief, considering his Truest Believer status, I couldn’t help agreeing. It’s about time somebody said it.

—Ngl, episode 18 was kind of immensely upsetting. I feel like I’m Alice or Rumple, but I haven’t found my Robin or Belle. Like Alice, I have good days and I have pretty crappy days, but I don’t have a person in my life I know is going to see the best in me and love me on the bad days. A big part of it is that Alice is not too good at what I think is considered normal communication/conversation with other people, and in real life I stumble over words a lot more than I do on here, and I’m not good at figuring out what to say to begin with, and I’m still waiting to find somebody who thinks I’m worth it anyway.

—Now that I’ve been a big Debbie Downer, on to the other stuff!

—Seeing Rumple in full Dark One mode, very clearly a broken man, is one of the saddest moments in the entire show. He’s historically been one of the most confident, secure, bright people in the show, and now all he’s got is the madness.

—Also, him choosing to continue his weary existence so Alice and Robin could be happy together? That made me cry too. Bless him.

—Robin being the messenger between Alice and Hook is one of the sweetest things I can think of. Very good girlfriend.

—Hook accepting that Rumple had changed also made me cry. Man, these two episodes were killer. But he didn’t see the entire span of Rumple’s life, like original Hook did. All he had was the word of other people, which he didn’t trust, and a singe noble act for his daughter, and honestly that being the thing to convince Hook that Rumple was alright is amazing.

—I’m gonna need him to wake up, though, because A) I miss him, and 2) he needs to be reunited with Alice fr.

—The friendship bracelet thing is awesome. Alice and Robin are the best.

—Alice taking care of Rumple in the New Enchanted Forest, and them being friends in Hyperion Heights, is now a sucker punch to the feels. Sure, she’s the Guardian, so she’s compelled to guard him as the Dark One, but there’s a more personal dimension to their relationship that I love. They were friends before, and then he sacrificed his happy ending to make sure she got hers, and it’s absolutely lovely.

—Rumple’s happy ending being death is terribly sad. Everybody else has happy endings that seem a bit implausible or unattainable at times, but they always involve living to love someone.

—It’s totally unnecessary, but I love that Alice corrected Robin from ‘mom and pop bookstore’ to ‘pop and pop bookstore.’ Did they have to put that line in there? No. Does it really mean anything? Again, no, but its casualness and the fact that it isn’t made out to mean anything big or grand is v swaggy to me. This season kinda makes me wish the first seasons had been a little bit queerer.

—It’s fun how Hyperion Heights reversed Alice and Robin’s roles in regards to how widely-traveled they are. It’s fun to watch that knowing more than the characters do.

—I’m a little bit mad at Rumple for taking the magic, because I don’t want Henry to die, but if Regina makes me choose between her and Rumple I’m gonna back Rumple. If he’s got one ride-or-die, I’m it; if he’s got none, I’m dead.

—Kinda wish we had gotten Facilier a little bit earlier, not in the show, because I think he works well with the other characters on the board right now, but in the season, because he’s shaping up to be a pretty intimidating guy, and I’m not sure I think his full potential will be explored.

—Not backing him, though, because he’s in direct opposition to Rumple, and as stated above there is nobody I will choose over him.

—I disagree with some of the personality choices they’ve made for Henry in this season (although I think I understand the narrative reasons) but I think they did an excellent job casting Henry. On a scale of “did they time travel to get the original actor at the right age” to “what the hell were they thinking,” this guy lands right on “I would believe these actors were brothers.” His expressions are spot-on.

—Seeing how much Rumple and Zelena and Hook want Alice and Robin to be happy together makes me happy.

—I’m starting to have the sads about being so close to the end of the show. I don’t adore this season the way I adore the other six, but the end of it is the end of the show that I love, and the end of the stories of the characters I love. Plus, I’m pretty sure Rumple is going to die at the end, and I don’t think I’m emotionally buff enough to handle that.

—To cheer ourselves up, my mom and I are now listening to some of the songs from the musical episode, because that is our happy place. It’s actually low-key working, because how can I be sad with the gorgeous sound of Hook’s voice?

[movies-tv-more]

Movie Releases for May 21, 2024

[adamwatchesmovies]

Dr. Tarr's Torture Dungeon (1973)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

Anyone who sits down and excitedly wonders what horrors await inside Dr. Tarr’s Torture Dungeon will be disappointed. The alternate title of The Mansion of Madness is far more suitable and more properly sets you up for a film that remains lackluster regardless of what you call it. This movie’s plot is too obvious and too badly written for you to care what happens in the end.

Reporter Gaston LeBlanc (Arthur Hansel) is writing an article about famed psychologist Dr. Maillard (Claudio Brook). Arriving at Maillard's asylum, LeBlanc finds the doctor’s methods unorthodox to say the least. Captivated by the beautiul Eugénie (Ellen Sherman), LeBlanc fails to realize the inmates are in charge of the facility.

Loosely based on Edgar Allan Poe's darkly comedic The System of Doctor Tarr and Professor Fether, the film has a good premise. Imagine visiting a place only to discover that the patients have taken over. You're surrounded by madmen and can't escape. That's scary. To make it work, you need two things. First, a slow-boil plot. If everyone comes out of the gates raving like lunatics, you’ll figure out the whole thing immediately. Second, you need an intelligent protagonist. If you want to make the audience laugh, they should be dumb but if your goal is to scare, Gaston needs to be sharp. Once the deception is revealed, he needs to fake his way through this ordeal and exploit every means of escape possible. That’s what the audience will be doing mentally. Unfortunately, director Juan López Moctezuma fails to do either.

The Mansion of Madness a.k.a. House of Madness a.k.a. Dr. Tarr's Torture Dungeon does nothing clever or new with its concept. As Gaston approaches the sanitarium, the friends traveling with him suddenly have to cut their journey short. Obviously. If they stuck around, they'd reveal that the man in charge of the asylum isn't Dr. Maillard at all. They're useless until captured by the lunatics. At this point, they become worse than useless and star in a subplot that has no impact on the main story, whatsoever. They prove that all of the sane people in this movie are complete idiots. At one point, one of them escapes. The man’s all tied up and hopping around in the middle of the forest, trying to elude the insane rapists who roam the grounds surrounding the mental institution. He should look for a way to untie himself. Instead, he screams for help, practically begging to be recaptured. Here's a free lesson for all the screenwriters out there: audiences want to see a part of themselves in the on-screen characters. Having them behave like they have no sense of self-preservation is a surefire way to make everyone hate your movie.

That subplot is ultimately nothing more than padding and it’s not the only example of director Juan López Moctezuma struggling to find a way to make his movie feature-length. At one point, Eugénie and Gaston become romantically involved. So involved they profess their love to each other. They’ve exchanged fewer than 5 lines of dialogue. It’s ludicrous and another reason for you to dismiss the movie entirely. It doesn't stop there: unnecessary bits of backstory, garish opening credits, unbelievable behavior from our heroes, mountains of coincidences, and so on and so forth. Dr. Tarr's Torture Dungeon is a complete misstep any way you look at it. (English version, January 15, 2021)

[a-small-safe-place]

New Addition

Platonic!Yandere Hannibal Lecter and Will Graham w/ Child!Reader

You knocked on the door of the large house Hannibal had picked out for him and Will to live in. It was out of the way from the town, so it was odd to receive a knock. Luckily, it was Will that answered rather than Hannibal. The other kids in town said the men who lived in this house liked to kidnap badly behaving girls and boys and eat them up like the witch in Hansel and Gretel. But this man didn’t seem scary. He seemed nice as he scolded their dogs for running out of the house.

“Hello, mister, I’m selling chocolate-covered pretzel sticks for my school and wanted to see if you would like to buy one?” You asked, trying to sound confident but sounding shaky instead. He didn’t seem to mind; he seemed happy you were there. “I happen to love chocolate-covered pretzels, but my husband thinks they are too simple to be a good treat. Let’s see what flavors you have.” He begins looking through the flavors you brought when his husband, Hannibal, silently walks up behind the other man. “Who is this?” He asks Will.

“Oh, this is… uh…” You stop him and introduce yourself and again explain why you are there. “This is quite a ways away from the town; surely you did not walk all the way here.” Hannibal questions. “No, sir, I rode my bike. I knew there were a few houses out this way, and I was determined to visit.”

Your determination pleases Hannibal but slightly concerns him. You’re an innocent child. You can’t be out riding your bike on these secluded roads. Will quits digging in the pretzel box, “I have to go get dog food anyway; I could bring you back to town. We will take the whole box of your pretzels since you came all this way out here.” Hannibal seems mildly annoyed by this. You remember that Will said Hannibal thinks they are too simple. Will leaves you alone with Hannibal to grab some cash. “Would you like to step inside? You’ll get sick out there.” Hannibal asks. You gratefully step in. “Your home is pretty.” You observe, earning a soft approving smile from Hannibal.

“Thank you, not many people your age appreciate style. Though you don’t seem like many people your age.” After he finishes talking, you try to stay quiet, and finally, Will returns, giving you the money for your entire box of pretzels. “Now I’m heading into town; would you like a ride?” Will offers. “Yes, please.” You tell him.

The ride back is quiet until he begins to talk. “Most kids avoid our house for their fundraisers. Do you know why?” You glance nervously, “I think it’s just too far.” It’s an obvious lie. “You don’t have to worry about being polite. I know there’s probably a crazy rumor about Hannibal and me.” You stay silent, but the silence is too loud to handle, “All the kids think you and Dr. Lecter like to kidnap and girls and boys and eat them up like the witch in Hansel and Gretel.”

“Well, maybe that’s why I needed all those sweet pretzels, so Dr. Lecter and I could finish building our cottage made of candy.” He seems a little sad at the revelation of this rumor. “I’m sorry; I shouldn’t have said anything.” He smiles and says, “Don’t worry about it. You could make it up to me by telling me how this rumor got started.���

“One of the boys that graduated high school last year told his little brother that he broke into your home on a dare and found human meat in the freezer, but he couldn’t go to the police because he was trespassing and he was high.” You finish explaining. Will smiles a bit, but it has a nervous edge this time, “Do you think we eat bad girls and boys?” You think about it, “no, because you had a bunch of times where you could have killed and eaten me.”

“Are you a bad kid?” Will asks teasingly. “I don’t know. I get in trouble sometimes. My house is in town away, in a trailer park.” Will knew which trailer park. It was “the bad part of town” he knew because he saw the crime statistics for that area and the number of times the cops are called out there. He had seen them the few times he and Hannibal helped with the local law. Hannibal had gotten close with the town’s political figures, and Will had basically been made into an honorary detective with the law enforcement. This town was corrupt to its core, but it was away from the prying eyes of the FBI, and it’s the only place Hannibal and Will could agree on geographically. Will’s only stipulation was that there were good places to fish.

Eventually, you make it to the trailer. Will waits until you make it inside. He cannot help but think about Abigail. He could have had a potential family with Hannibal if things had gone correctly. He was happy with Hannibal and the dogs, but something about you made him want more.

Weeks pass, and he does not bring the topic up to Hannibal. Little did he know Hannibal had been keeping an extra close eye on you. He did it under the guise of getting more pretzels for Will and then special ordering one of the unique flavors that you did not have so he could come back around to "check on the order." Will finds this all out when you see him in the store and give him the order Hannibal had placed.

"That kid from the other day gave me the order you placed," Will says placing the box on the table. "I thought you hated junk food."

"I do; they were a surprise for you. You seem to have taken a liking to the child." Hannibal observes. "They're a good kid. They kind of remind me of Abigail." The room becomes silent for a second too long. Hannibal hates it when Will brings up Abigail. "You seem to like the kid too. You went out of your way to find them to order the pretzels when there were plenty of easier options to order from." Hannibal knows he has been caught.

"They're a well-behaved child, very polite. Like Abigail." Hannibal says somewhat pointedly. "Have you thought about us expanding our family? Not with another dog, but with a human?" Hannibal asks before Will has time to respond to the first statement.

"I hadn't, and then that kid came knocking at the door, and since then, it is all I can think about. But I don't want any kid. Our kid from the trailer park seems to be the best fit; it has to be them." Will explains, hoping that Hannibal will understand.

"Then so be it; they will be our child for us to protect," Hannibal says as if this is a normal conversation.

As the two men begin to work on a plan to add you to their family, their fatherly love for you grows more into fatherly obsession. You're their kid; no one gets to hurt you. Once you're safe and comfortable in their home, no one but them will get to be around you until they know you love them just as much. Hannibal wastes no time putting your room together with all of your favorite things. They were going to make your room the same way it is in the trailer until Hannibal saw the state of your room and became disgusted by the idea of that kind of room being in his expensive house.

Will tries to make a plan to make your transition to their house easier. He finds all kinds of games and activities you are sure to love, even the ones that Hannibal is convinced are bad for your growing brain.

[teapartypenguin]

Team 5Ds reading headcanons

So started thinking about what type of books certain characters would read, and this ended up extending to the rest of the cast. So here are what I've thought of:

Yusei:

Mostly reads nonfiction, such as engineering textbooks and user manuals

Martha's orphanage had a lot of old children's books that she used to teach the kids how to read, but Yusei outgrew them pretty quickly

Was hard to find good textbooks in the Satellite, so growing up, most of them were long out of date. But they helped him learn how to repair scrapped electronics

Often gravitated towards books written by "Dr. Fudo"

Sometimes reads Duel Runner magazines to stay up to date

Akiza has convinced him to try some mystery novels, but he is stupid good at figuring out the mystery halfway through

Favorite fairy tale is The Tale of Princess Kaguya

Jack:

Reads newspapers and dueling magazines, usually with his morning coffee

Looks for articles about himself or written by Carly first

Is very up to date on politics

Growing up, he was the designated storyteller whenever Martha was busy. Yusei was a better reader, but Jack was better at setting the mood and doing the voices

Favorite fairy tale is Jack and the Beanstalk

Akiza:

Was a lonely kid, so read a lot

Reads a bit of everything, but her favorites are mystery novels, poetry, and fashion magazines -Prefers romance as a side plot rather than the main genre

Convinced the group to watch a movie adaptation of a murder mystery she'd read, then Yusei points out an inaccuracy in the train design and Akiza nearly combusts because he was very close to spoiling the twist that exposes the murderer

Sometimes writes poetry, but always burns the notebook when it's filled

Favorite fairy tale is Beauty and the Beast

Crow:

Canonically learned to read from Duel Monsters cards, Martha made sure he caught up when she adopted him

Reads more to his kids than for himself

Has a library card and uses it purely to get requested books for his kids

Sometimes reads comics and graphic novels, but more for the art than story

If he went to school, he'd be the type of kid that watched the movie to write a book report

Favorite fairy tale is The Ugly Duckling

Luna:

Is a big reader, spent a lot of time in hospitals or on bed rest so picked it up

Main genres are fantasy, fairy tales, and folk tales -Likes anything that involves dragons, fae, or witches the most

Also sometimes reads ecology books; knows a lot of obscure insect facts

Her and Leo have library cards and go once a week

Has gotten in trouble for reading in class

Favorite fairy tale is between Rapunzel and Hansel and Gretel

Leo:

Reads almost exclusively comic books and manga (but would be a Percy Jackson kid if it existed) -Favorites are the Elemental Heroes and Neo Spacian comics

Exchanges comics with Crow a lot

His dad would always give him the comic and puzzle pages in the newspaper

Is really good at solving the crosswords and sudoku puzzles

Has also gotten in trouble for reading during class

Collects cutouts from dueling magazines that he likes best, most are of Jack but has a mini collection of Yusei too

Favorite fairy tale is between Alice's Adventures in Wonderland and Hansel and Gretel

Carly:

Used to read a lot as a kid, but has less time for it than she'd like as an adult

Mostly reads news articles and magazines, especially dueling magazines, but that's 50% for work -Looks for anything featuring Jack first

Main genre of choice is romance of any kind

Jack once read one of her romance novels while he was hiding out at her place...he regrets it

Used to write a blog for dueling news in college, but stopped when she started working

Is into bullet journaling

Favorite fairy tale is The Little Mermaid

Misty:

Actually doesn't read much fashion magazines, but studied Fashion History in college and often reads books on that

Her main genre of choice is horror, prefers psychological and gothic horror -Listens to audiobooks on long plane rides

Also reads a lot of cooking and baking books, likes trying out new recipes

Used to be an avid follower of Carly's blog

Very sporadic taste

Favorite fairy tale is Swan Lake, her family used to watch the ballet every Christmas

Kalin:

Is not picky, reads out of boredom so will read literally anything that comes his way -Likes educational books the most

Books in Satellite often got burned for warmth, so not a lot of options available

He would dig through the dump for things to sell as a kid, but books weren't worth much so he'd just keep the intact ones

Read a french language textbook once and now can read in fluent french, but his pronunciation is terrible because he's rarely heard it spoken

Would eventually start a library in Crash Town

Doesn't have a favorite fairy tale (it's Cinderella)

Greiger:

Reads a lot of mythology and folk tales

Started with telling the tales to his younger siblings and younger kids in his village, eventually got interested in the mythology of other cultures as well

Got really interested in Egyptian mythology and Duel Monsters' origins in it

Likes Inca mythology the most (because it's what he grew up on), but couldn't pick a favorite tale if he tried

[smilesrobotlover]

Pt 1 | pt 3

Poisoned blade part 2

Who knew that this would turn into a mini comic lol.

[ecoterrorist-katara]

I really liked your meta about bloodbending, this is a big ask but how do you think that the whole bloodbending storyline could/should be rewritten? It’s clear that the writers are using bloodbending as a metaphor for slavery but it rarely comes across that way, and poor Hama was failed spectacularly by the writing

hello anon! thank you for this fabulous question & hope you don't mind that it took me ages to get to it.

TL;DR: I think making Hama into a serial killer/abductor was a terrible narrative choice. If it were up to me, Katara would have a (child-friendly) ethics discussion about bloodbending with Hama, who then joins them on the Day of the Black Sun. After the war, bloodbending becomes a lynchpin issue when the North attempts to colonize the South, but Hama and Yugoda find healing uses for bloodbending in the kerfuffle.

But first, my "ATLA bungled colonialism themes" soapbox: to me, bloodbending is a metaphor on two levels. The storyline about how Southern Waterbenders are captured and then transported to the FN certainly seems to reference the Transatlantic Slave Trade, like you said, though without the labour exploitation aspect; the storyline about Hama and bloodbending feels like an allegory for guerrilla resistance in general. Imo the narrative kind of cheapened these potential real-world connections by making The Puppetmaster a spooky Halloween special with a dash of “an eye for an eye” parable. The narrative's treatment of bloodbending, and Hama, feels like an unintentional reflection of “unacceptable” colonial resistance and "dark" knowledge of the colonized (fearmongering around Vodou etc). A common colonial narrative is that the colonized are sinister and underhanded for engaging in things like guerrilla warfare, which is either too violent or too cowardly depending on what’s more convenient for the colonizers’ narrative at a specific point in time. I think ATLA’s approach to bloodbending reflects this general sentiment, especially since Hama is drawn as this creepy Hansel & Gretel-style witch, a keeper of a sinister / untrustworthy / threatening type of knowledge. I also really don't like the part of the story where Hama became a serial abductor out of this indiscriminate thirst for revenge. While it's possible in real life for a colonized, incarcerated person to make those decisions, and good fiction can explore that effectively, a children's show is not the place. ATLA's target audience and general tone couldn't handle all the complexities around that, so they turned Hama into a cartoon witchy villain. Groundbreaking.

Anyway, I think the start of The Puppetmaster is actually very promising. Hama's story, and the children's discovery of her SWT roots, was touching. Katara's growing sense of unease at discovering the "darker" uses of waterbending (taking water out of flowers) is interesting. Katara is the perfect character to explore the intricacies of "how far is too far in colonial resistance." Because she's not a pacifist, like Aang, but she's also not a total pragmatist, like Sokka or Suki, and she cares about the fates of random people more than Toph. She's angry and compassionate in equal amounts.

I would love a conversation between Hama and Katara about bloodbending -- not in the dead of night while Katara has to protect her friends, but where Hama talks about the genuine hopelessness she felt in the Fire Nation prison. And Katara could talk about why she thinks bloodbending is wrong -- taking away someone's agency -- and Hama can ask Katara what she would've done in that scenario; maybe she can point out that she could have made the FN guards kill each other, but she only made them open her cell door, so it was the least violent escape she could have done; and I think, framed that way, Katara would have started to see bloodbending not through a lens of fear and disgust, but sheer pragmatism, and realize that all bending can be good or bad.

During the war, I think Katara and Sokka could convince Hama to join them on the Day of the Black Sun: Hama, for the first time in decades, has hope, and she gets to see some of the people who used to be just little kids when she was kidnapped from her home.

After the war, bloodbending would become a hot button issue in North-South relations. I could easily see the Northern waterbenders being horrified at bloodbending, in the same way Medieval Europe & puritan America have been horrified by witchcraft and other feminine-coded knowledge. I could envision the Northerners using bloodbending as justification for why women shouldn't be allowed to waterbend, and justification for why the South is backwards and therefore needs the North's influence (which would also tie nicely into the North and South comic). While Katara is busy with the political BS, Hama is swapping notes with Yugoda the healing master, and then they would eventually arrive at the conclusion that bloodbending could be used to heal.

(I can't take credit for the "Northerners horrified at bloodbending" idea, btw -- colourwhirled's Southern Lights has a storyline around it.)

Anyway, Hama deserved so much better. I like seeing her in AUs where she never had that stupid "kidnapping FN civilians" plot, like the aforementioned Southern Lights, or Lykegenia's The Things We Hide (which I read earlier this year and loved!). Hama and Jet's storylines are why I don’t trust ATLA’s politics, nor the politics of its creators. As much as I love Zuko and find his redemption arc to be an incredible story of a conscientious objector in the heart of the empire, Hama and Jet should have also gotten their redemptions too.

[doctorwyvern]

this line may be out of character but god is it funny

[ogzieoggleton]

Garmadon playlist with the artist names!

over & over / nothings new / absence - Rio Romeo

Freaks - surf cruise

Be nice to me - the front bottoms

Little lion man - Munford and sons

Bottom - Mccafferty

Blackout days - Phantogram

my alcoholic friends - Dresdendolls

Farewell wanderlust - The Amzing Devil

the moon will sing - Crane Wives

Laplace's angel / Dr sunshine / song with five names - will wood

wrecking ball / body - mother mother

How to be Me - Ren & Chinchilla

Ship In A Bottle - Fin Argus

soft core - the neighbourhood

Animal - sir chloe

Alien blues - Vundabar

hansel / People Eater - Sodikken

CONTROL BABY - Jharaiah

Foundations - Kate Nash

echo - crusher P

Vibrant eyes - Cg5

I don't smoke / class of 2013 - Mistki (audiotree version)

Light - Chonny Jash

Falling inside the black / monster / sick of it - skillet

Secret Garden - EmpathP

Brutus - Buttress

romantic homocide - D4vd

exs and ohs - Elle King

still feel - half alive

You come alive - Rockit Music

November - Sparkbird

Bernadette - IAMX

I bet on losing dogs - Mitski

Alive / Confrontation - Jekyll and Hyde

Gallowdance - Lebanon Hanover

The contortionist - Melanie Martinez

Nothing - Emily Autumn

[mediapen]

T H E E X T E N D E D M E T A P H O R .

agustín gómez-acros, the carnivorous lamb (trans. william rodarmor) // [x] // sam sax, ‘RIBS’ // [x] // [x] // louise glück, ‘persephone the wanderer’ // louise erdrich, 'fooling god' // [x] // b: william bearhart, ‘at the dinner table with god and my father’ // richard siken, ‘dr. jones, magical thinking, and the divine’ // margaret atwood, ‘half-hanged mary’ // jenny xie, ‘postmemory’ // akwaeke emezi, freshwater // connie voisine, '“the altar” by george herbert’ // traci brimhall, rookery // richard siken, 'hansel,' in kate bernheimer (ed.) brothers and beasts // ted hughes, 'being christlike.'