#doomed straight ships we love you

[yeyayeya]

I don’t see enough Feng Xin x Jian Lan content and it makes me sad

[queen0fm0nsterz]

Reading my fave thin man and lady fic. Kicking my feet a lot because tbh. Sometimes a sad man really is just a weird woman's science project in a way that is so homoerotic

[cybertron-after-dark]

what the FUCK happens in cyberverse

Here's a list just off the top of my head, in no particular order. MASSIVE spoilers ahead.

-Wheeljack keeps making party drugs. This is not only accepted but wholly encouraged by the Autobots. He's made the bot equivalent to cocaine so strong it made grimlock physically unable to stop himself from running around the ship at mach 5. This was the basis for an entire episode. He's also made patches that give you a direct link to the Allspark that he passed out at a party specifically to get everyone as fucked up as physically possible. I cannot overemphasize that Optimus make no effort to stop this until things turn destructive on both occasions.

-Soundwave and Shockwave completely fucking hate each other and have a whole rivalry trying to be a better and more useful follower for Megatron than each other.

-Soundwave is a fucking memelord who will play clown music or dramatic riffs to dunk on people from the soundboard he has built into his hardware.

-theres a sort of liminal dimension referred to as Unspace that you can get stuck in and if you are there for too long you will straight up disintegrate. We see this happen to the entire crew aboard the arc from different timelines several times while the main timeline crew we follow tries to escape this fate, thus dooming dozens of other timelines.

-Cheetor is basically Allspark Jesus, and he's tired of all the fighting, so he tries to have Optimus and Megatron settle their differences once and for all. The chosen method for this was making them both play the Newlywed Game. They were both terrible at it, the MegOp Divorce agenda is alive and well.

-the Quintessons invade Cybertron and stick the entire population into a simulation a la The Matrix, which slowly drains their life force until they die. This kills countless unnamed Cybertronians, both Autobot and Decepticon, as well as Hound, who does not get to appear on screen.

-the Quintessons also catch Starscream, rip his face off, and modify him into an Eldritch tentacle beast with his brain attached to two other aliens, and then appoint that amalgamation as the judge that decides the fate of the universe in regards to whether they exterminate all life within it.

-Shockwave commits suicide for Megatron's approval. He launches his spark straight into the Allspark to taint it specifically as a last desperate fuck you to the autobots.

-Soundwave acquired laserbeak by just kind of grabbing a random bird out of the sky.

-Soundblaster is an ex-decepticon that left out of shame. That shame being Soundwave beating his ass in a beatboxing competition so fuckin hard he couldn't show his face around his faction anymore.

-The autobots keep starscream captive and try to get him to take a therapy session with the Arc's AI, and he starts out willing to actually give it a shot but said AI is kind of Stupid and screamer ends up tricking him into letting him escape through an air vent to go wreak havoc instead.

-Starscream also starts a suicide cult with the other Seekers, gains control of Vector Sigma and the Allspark, has the seekers forfeit their sparks to him, thus resulting in a cosmically powered Starscream. He uses that power to "remake" his followers into scraplets that he refers to as, with nothing but love in his tone, his "children."

-Shockwave and Wheeljack are shown to be ex lab partners. Shockwave has an army of drones that look exactly like his altmode that Wheeljack helped program. They are programmed to be able to break out into a coordinated dance number at any given time. Originally this was just to make Wheeljack laugh. Shockwave kept that function in throughout the entire war and initiates it the second there's a truce and Wheeljack asks to see it again.

-Shockwave kidnaps Wheeljack at one point for Science Under Duress purposes and Wheeljack is too invested in all the sweet fuckin tech Shockwave's been making while they were apart to really care that he's being held against his will, and then proceeds to escape without too much issue because he knows Shockwave well enough to know exactly how to disable everything.

-Bumblebee distracts the Decepticons by running in front of their surveillance cameras and shaking his ass in the most underwhelming way imaginable.

-Grimlock is only stupid when he's in his altmode because it takes a lot of power to sustain and he has to sacrifice some of his higher brain functions to keep it manageable. In robot mode he talks like he went to an Ivy League college and knows what champagne tastes like. He throws upscale parties every chance he gets.

-Grimlock also helped start an anticapitalist revolution with Bumblebee when he found an underground society of insect transformers that had a rigid caste system. This was within moments of finding out that the ultra wealthy were hoarding the limited energon reserves for themselves. Grimlock is a comrade and he does not fuck around.

-Skybyte is here and he sounds like Skeletor.

-Windblade and Slipstream are nemeses and somehow it's even more toxic yuri coded than Arcee and airachnid in tfp.

-speaking of Arcee, she's besties with Grimlock. They at one point have a physical fight over who gets to die to protect the other.

-hot rod and soundwave are forced to share leadership over the team of bots and cons that escaped the quintessons' simulation and it's packed with so much homoerotic tension its unreal.

-Maccadam is some kind of lovecraftian war machine that can unfold himself into a whole armory whenever he feels like it. We have no idea what his whole altmode looks like, all we see are the ominous shadows of the weapons on the walls. He uses this specifically as a threat to keep anyone from fighting in his bar bc he's insistent it remain neutral ground. He also can kinda just. See into the future. And casually drops prophecies that get written off as spoonerisms until they turn out to be relevant.

-Optimus Prime has horrific social anxiety that he can kind of power through when he's in a crisis, but the second things are chill and he has to give a speech at a party or something he simply does not know how to function.

-the entire planet of Velocitron gets taken over by cosmic rust and everyone inhabiting it that couldn't escape in time was killed horrifically.

-cosmos is a girl and she hangs out with a dude named Meteorfire who is, for all intents and purposes, just robot Steve Irwin.

-Astrotrain keeps closing doors in people's faces for the funny

-Megatron is killed by a version of himself from an alternate universe that went nuts and starting creating a master race of perfect Decepticons to inhabit Cybertron. Said perfect Decepticons were carbon copies of idw Tarn in all but personality.

-Acidstorm is canonically genderfluid and keeps switching between male and female seeker frames whenever they feel like it

-Kup, who had not been in the show at all until this point, decides to show up and narrate an entire episode like hes giving a political speech.

And, the infamous one we all know and love

-Megatron is a twitch streamer and he livestreams Starscream's fucking funeral. The chat has custom Decepticon emotes.

[spicyrottingbrains]

You know the argument where people are like buck and eddie are straight and they're best friends and nothing more and that we should healthy male friendships in media without ship etc. etc.?? Well forgetting about every argument i have against all of of this and IF we were to consider that they are nothing but best friends then you know what would still make the most sense in regards to their storylines (together and individual)??? Not shoving random love interests for them into the plot and instead having them actually be two best friends who just raise a kid together without the need for anything else. Because no matter if you ship buddie or not I don't think there is a universe or a person who can counteract the fact that Evan buckley and Edmundo Diaz are soulmates. Stop having buck look for love in these doomed relationships and stop having eddie go out with these random people just because others are pressuring him to. People can be happy without relationships and if buddie won't be canon in a romantic sense then it would make so much sense for them to be happy with their family, because you gotta agree Buckk, Eddie and Chris, they are a family. Those three will always be there for each other and they will always put each other first. Those two are soulmates in every sense and they'd do anything for each other. Christopher comes first for both of them but right next to Chris is their best friend and that will not change. Their little family (+extended firefam) will always come first and no love interest could ever change that. It makes no sense for them to ignore the person who has had their back through so much fucking pain and heartbreak for someone who just came along into their lives to become top priority. Hell they're miserable without each other as is evident in the lawsuit Arc, the eddie leaving Arc, etc ect. They've been through too much for that. The firefam is the family they need and have. And they have each other (in whatever way that may be). It's like Ravi (my baby I love him so much I need more of him in s7) said its about having each others backs. And that is the entire premise of buddie since the very beginning, having each others back through thick and thin through joy and heartbreak, to never stop fighting for their family, that is the very essence that both Buck and Eddie's characters were built on. I did not go through 5 seasons of "there is no one I trust more with my son more than you","no one will fight for my son harder than you", "you can have my back any day.....or you could have mine", "isn't that what love is....knowing you have each other back", "when you're at your worst and they're at their worst and you have every reason to give up and you still decide you want to try", "what are you afraid of" buck showing up at Eddie's during the lightning aftermath, buck crawling under a freaking firetruck to get to eddie, Christopher running to buck at any point of distress, and so many more times where those three have always been what they need for anyone to disregard the fact that the buckley-diaz family are meant to be.

Ok I'm done.

[stainedglassthreads]

I feel like the four leads of Deltarune--Kris, Susie, Ralsei, and Noelle-are just. Somehow two different levels of queer-coded.

(Edit: Just to be clear: not saying any of this to disparage or insult shippers of Kralsei, Suselle, or Kriselle, I've just seen a lot of cool analysis about tropes, romance, and lack of choice in Deltarune and wanted to chime in with some of my own thoughts. If you ship any of those ships in Deltarune--fantastic! May you find a lot of content precisely to your taste.)

Like. On the one hand, if you're looking at tropes, they are very neatly set up into two romantic partnerships. Noelle is very blatantly interested in Susie, and Ralsei's feelings for Kris are often portrayed similarly. On a surface level, both pairings appear very clear. Noelle is a girl in love with another girl, while Ralsei is a very effeminate boy in love with a teen who doesn't appear to use pronouns. And a big deal isn't made of either pairing, there's nothing really in the way of Suselle or Kralsei on a societal level we've encountered so far. At least in terms of gender and sexuality. But if you look a little closer, it's kind of...'these are a very straight idea of queer ships', y'know?

Noelle and Susie are both girls, but one is very effeminately coded, anxious, uses magic, and is more traditionally cute, while they other is crass, crude, intimidating, and physically strong. Ralsei and Kris are gender-noncomforming, but Ralsei is a sweet pacifistic healer who bakes cakes while Kris uses a sword, and keeps being mistaken for a boy by much of Youtube and Reddit. The active one and the passive one, the fighter and the mage, the one with cute hobbies and the one who eats moss, the one in pants and the one in a dress.

And here, I start thinking of some posts I've seen analyzing how, in Deltarune, romance is used to explore how Kris doesn't really get choices. Kris has been cast as the leader and knight, and Ralsei has been cast as the healer and Princess, even if he is a boy. The leader often ends up with the healer. The knight often gets the princess as a happy ending. But Kris doesn't seem to like this! Their reactions to Ralsei are constantly lukewarm at best, and that's not getting into how Ralsei seems to be in love with his idea of Kris, while being very. Asriel-coded, who the game describes often as Kris' brother, in sharp contrast to how ambiguous Chara and Frisk's relationships with the Dreemurrs were.

If we and Kris reject Ralsei as a love interest, we can a different romantic partner in Noelle...but this choice has a bodycount, traumatizes Noelle, doesn't seem to leave Kris any happier, and it's still a kind of straight-coded ship. Now it's the knight being paired up with the apocalypse maiden, for the doomed codepedent toxic tragedy lovers out there. But it kinda makes sense too, right? If Kralsei is the expected RPG romance, then Kriselle would be the expected romance if there were no Dark World and Ralsei weren't an option. They're childhood friends and neighbors in a small town, their families used to be very close, Rudy is still very fond of Kris. They're even extremely angel/devil coded.

But the most interesting part is. It's implied that there IS someone that Kris is very interested in, either platonically or romantically. It's Susie. Kris never seems frightened by Susie when they're bullied by her, and rejects Noelle's offers to switch seats. They seek comfort from Susie rather than Ralsei after the Spamton fight, they call her their friend when Toriel calls, they share moss with her, they refuse to think about her during Snowgrave when Ralsei prompts them, they make it clear that out of all the people they COULD go to the Carnival with, Susie is the one they'd ACTUALLY want to choose.

And this is the part that drives me crazy. Because while Kris is so tightly controlled by genre and narrative, and those things would usually push them towards Ralsei or Noelle, and Ralsei keeps encouraging Kris to stick to the narrative. Susie is the one who refuses to be bound to the narrative. Susie is the character of Deltarune who is most unapologetically herself--and isn't that a very queer thing, refusing to be anyone but yourself despite everything? She says no thanks to the prophecy, until she comes around to it on her own terms! She makes herself and Ralsei learn to take their own actions, and drags Ralsei off to have fun with him instead of letting Kris choose who to with! She doesn't stay in her box of the damage-dealing fighter, she insists on learning Healing magic, even if she's not particularly skilled at it at first! Even Ralsei is forced to admit that it's wonderful that Susie is Susie, and not anyone else!

I think Kris likes Susie a lot. And part of it may be admiration. That while Kris is controlled by the player and the narrative and the prophecy and humanity and divorce and a dozen things outside their control, Susie refuses to ever be bound by anything. And Kris and Susie together happen to be the two more masculinely-coded party members, the two melee fighters, the two troublemakers. It honestly makes me wonder a little if Susie and Kris might be able to make their own ending beyond the bounds of gender expectations and romance expectations together? It would be cool. And I think it would make Kris very happy to break free like that.

[tragedy-machine]

no but, how am I to believe that Edwin and Charles are not gonna be endgame??

Charles's character in the doom patrol was heavily, heavily implied to also have feelings for Edwin too

the rejection was literally like "I'm not in love, but you're more important to me than anyone else, we'll figure out what that means later"

the actors both said they "wouldn't call it Edwin being friendzoned, bcs their arc has not yet been fully resolved"

we got to see Charles jealous of Edwin's time with Monty and the Cat King, and do nooot even joke that that wasn't jealously, like what else, what else bro? why would they go so overboard to make it seem like Charles was peeved af in those moments

there's already so much love between them

usually shows that do the "gay bestie in love with his straight bestie" use it briefly as a more of a backstory for a character, to then introduce a new love interest for the gay, so the previous crush can be an obstacle in their love arc (like in shadowhunters with alec, jace and magnus)

why would you hurt my buddy Edwin like that

the ship of Charles and Crystal never really took off in my opinion, they liked each other and kissed, but then Crystal ended it, but even if they continued dating in s2 any human x ghost ship is doomed to fail from the beginning, they've sadly got like maybe max 5/6 years until it's gonna be very visible that Crystal is no longer a teen and older than Charles soo unless she dies, they can't really be endgame (and this is not to shit on this ship!!! I've got nothing against it, just think they would have had to really committed to it and milk the aging drama for the angst to make me invested in it)

[vamphorica]

MellodraMattic and Queerness: An Essay

Before I begin, I need to make it clear that my thoughts on this subject are directly inspired by this post by overkeehl. I not only recommend but insist that you read it before continuing, as I am going to be exploring a small component of the greater idea that they have already established. Essentially, I am taking the idea of Mello's character being queer-coded and developing it in regards to how MellodraMattic becomes a very validating ship in the context of marginalised sexual and gender identities.

I am also going to touch on internalised queerphobia, so consider this as a warning if that's not something you fancy reading about.

Anyway.

Mello is a distinctly queer character. I don't say this from an entirely projective approach because I think there are plenty of examples throughout Death Note where Mello's visual presentation and characterisation signifies it. His androgyny is the most explicit indicator of nonconformity in relation to traditional gender expression. I fondly remember when I first read Death Note, aged ten, and was convinced that Mello was a girl for several pages. Suffice to say, Mello's appearance is rather ambiguous, making him an adaptable character for one to project queerness onto. We will go into more depth on this later on.

It is also worth mentioning that Mello's style is quite camp. I love the way he dresses and only wish I had the confidence to pull off his outfits, but they are also very ridiculous and inconvenient. One of my Top 10 Mello Moments Ever is when he tails Mogi and Misa, wearing this:

Those sunglasses are doing absolutely nothing to keep him out of sight, but I appreciate the fact that he obviously thinks otherwise. He simply must serve cunt to the detriment of the task at hand.

If I have not convinced you that his style alone is a good hint that he is a queer character, even in the most general sense of the term, there's plenty within Mello's character context that isn't exactly subtle in how he is portrayed as evidently nonconformist. I do think you have to be careful not to equate certain traits with queerness when it may not be appropriate to do so (after all, there's many characteristics relating to neurodiversity that can be identified in those who originated from Wammy's House, and while I won't get into the whole discussion about the overlap there because it's not my place to do so, I also think it would be an interesting subject to explore).

However, it is completely understandable why a lot of queer people see themselves in Mello. As a child, around the age that I think many begin to explore their sense of self, Mello's identity is ultimately threatened by L's death. He is confronted by the prospect of working with (accepting) Near in order to catch Kira. Instead, he runs away, and the narrative that follows is of a man tied up in complex feelings relating to his identity as a 'runner-up'. To put it simply, it conveys queer grief very well — Mello struggles with the fact that who he is as an individual does not align with the expectation that Wammy's House instilled in him from a young age. Similarly, some queer people may find that they must contend with accepting an identity they had been discouraged from exploring as children.

I think for many queer people seeing themselves in Mello, this sense of shame that can be identified as internalised homophobia or transphobia is unfortunately a common experience. It can take a long time to recognise, let alone challenge the societal standards that have been deemed 'normal' or 'correct'. Mello encapsulates this disconnect well in the sense that his goal to defeat Near as a means to prove himself as a worthy successor to L is doomed from the beginning. He was never meant to be the one to become L, and yet he runs straight to his demise in his desperation to receive recognition from an institution that he could never succeed within. I am not suggesting that all queer people go through this level of intense self denial when exploring their identities, but I think it ought to be appreciated that through Mello, there are a plenty of parallels that reflect the complexities of discovering your sexuality and gender identity.

Additionally, if you'll excuse me posting two rather grim examples of objectification in the manga, it is worth noting that Mello, in close proximity to two naked women, does not seem remotely interested in their bodies, which might suggest a queer identity on a very shallow level. I do think, given how misogynistic almost all the male (and some of the female) characters in Death Note can be, Mello is notable in the sense that he doesn't actively discriminate against the female characters. He treats both genders like shit. Feminist icon.

Mello is very easy to project an assortment of queer identities onto. For what it's worth, I headcanon him as bisexual and FtM, but I know you are not reading this essay for my personal projections. You can consider Mello as MtF, asexual, gay, nonbinary — all of these identities can easily be validated within the canon context because Mello is so versatile while still being a developed and nuanced character. His story mirrors so much of the struggle that queer people contend with, and while I think it is a massive shame that it isn't resolved, I think that in itself only exemplifies the complicated nature of identity.

So, where does Matt come into all of this?

It is important to remember that Matt as a character was created for Mello. In the main series, it isn't even mentioned that Matt is a Wammy's kid, this information only being revealed in 'Death Note 13: How to Read'. However, this is crucial knowledge because it conveys the very essence of what makes MellodraMattic so great.

I love Mello, I really do, but he is cruel and selfish, in addition to being arguably one of the most dangerous characters in the series. For those who might relate to him for any of the reasons I have given thus far, it is still important to understand that Mello is not a decent person. He is deeply flawed, and as much as I like to joke that his crimes are perfectly fine actually, I can still appreciate that he is not meant to be regarded as an 'good' character, even if he is on the right side as far as Kira is concerned. His behaviour is very much correlated with his sense of inferiority, so in this case, his identity struggles do not excuse his behaviour, but they can explain it.

Yet, despite all of this, Matt remains by his side, regardless. While there's a general consensus that the two were separated for some time after Mello ran away, they eventually reunite and work together. In these brief moments, we can still gain a good insight into their relationship dynamic from the way they speak to one another. For instance, Matt is cheeky in a manner that the reader would not expect Mello to tolerate. Yet the patience in how he responds to Matt's insolence almost appears uncharacteristic. I am of the belief that Mello is not a highly reactionary character, despite how the series tries to portray him as such, and this calm composure he is capable of can best be seen through his interactions with Matt.

There is a real familiarity between the two men that I don't think is comparable to any other relationship in Death Note. For example, in the image below, Matt is complaining about a task Mello has assigned him, one that isn't exactly difficult, and yet he's already distracted. Rather than get frustrated, a response we would expect from Mello, he answers Matt gently.

I appreciate these moments are few and far between (for fuck's sake, there's only two panels that feature the both of them) but I don't think I'm reading into it too much. I think they're genuinely suited for each other, which is, of course, because Matt was written for Mello. Their chemistry is dependent on the latter canonically.

Matt brings out the more approachable side of Mello because Mello does not see Matt as a threat that he must remain guarded around. If we as readers have become acquainted with Mello through his act of cruelty, albeit as a means of survival, we must assume Matt is familiar with this side of Mello, too. However, it doesn't deter Matt, nor does it scare him. Matt is completely loyal to the very end, and while such writing is perhaps a little superficial, I think it does emphasise the point that Mello has someone who will put his life on the line for him and God, I don't know. I think you have to read that as love to at least some extent.

Mello is a complicated character, with plenty of attributes suggesting that he is queer. This only further contributed to his plot line that centres an identity struggle, which speaks to those who fall outside of cishetnormativity. Unable to reconcile his sense of self with the expectations placed upon him, Mello becomes ruthless. Yet, in spite of these flaws, he has Matt. He represents a kind of hope, I think, that those who connect to Mello through his queerness and subsequent struggles can gravitate towards. A hope that there's someone who will accept every aspect of your identity regardless, that there will be someone you can be yourself around.

To me, MellodraMattic is my favourite ship because I love Mello and Matt, and the way in which they interact with one another. It is also that initial identification with Mello, that makes Matt's character and their relationship more meaningful, an example of the fact that there'll always be someone who not only accepts, but loves you, regardless of the mess.

I think that's beautiful. 🍫🎮

[callmegaith]

The only thing ineffable bureaucracy showed me is how hyper focused this fanbase is at seeing one thing and one thing only and everything else is a result of that one thing

1) no, Beelzebub and Gabriel are not a straight couple. Nor is Crowley and Aziraphale a gay couple. Stop the non-binary erasure or go outside and talk to an actual non-binary person cuz clearly you have no clue what non-binary is "they're straight presenting" wtf? If you think that please give me your name so I can block you. Cis people, I fucking swear.

Reminder that Beelz used they/them pronouns btw. Sorry that Beelzebub doesn't "pass" for you, it doesn't make them any less non-binary. Not to mention it was stated and already IS CANON that none of them have genders. They're god damn demons and angels, bruh.

2) "it's Gabriel's and Beelz's fault that ineffable husbands didn't get their happy ending": no. It's their own damn fault for not communicating and Aziraphale's inability to accept Crowley as he is. Gabriel and Beelzebub put each other first. Y'all sound salty as hell cuz two people managed to work their relationship out and yours didn't work out. "But if they didn't get together---" y'all really saying shit like this??? Do you hear yourself? That's so sad. Wishing for the doom of one LGBTQ+ ship cuz the other fucked themselves over. THEY CAN BOTH CO-EXIST. And you know what? They will. Cuz Ineffable husbands is clearly canon, the story just wants time with them cuz they're the main characters, not like Beelz and Gabriel who were side characters so had their story summarized.

3) "that should have been ineffable husbands" no, cuz Crowley and Aziraphale aren't Gabriel and Beelzebub. They're different characters with different backgrounds, personalities, relationship structure, and different relationship dynamic in general. They'll get together in a way that fits THEM. And that way requires ups and downs that makes them finally understand that they're perfect for each other without the need for either of them to change.

4) Gabriel was such an asshole wish Crowley got his revenge and--- bla bla BLA : Crowley was happy for them. You hold a grudge over Gabriel that Crowley himself doesn't. Y'all worse than a literal demon. Smh.

Be happy for what we got and look forward to the future where ineffable husbands will certainly become canon and it'll be worth the wait. Don't tear down the LGBTQ+ presentation we got just cuz the main ship didn't get the limelight THIS TIME.

Let things cook, that's how writing WORKS.

But I'm just an Agender demi person and tbh? I would prefer if things took their time.

I love both ships a lot but I'm not gonna hold pitchforks over one ship getting a happy end and one still developing. Come next season, that happy end for Gaberiel and Beelzebub might not last. We DONT KNOW. Do we really need to sacrifice one for the other? Why can't we be happy to have both?

Just really think the vibe of the fanbase rn fuckin SUCKS and I'm not enjoying trying to go through the ineffable bureaucracy tag and seeing people complaining about how it should have been ineffable husbands or how it's their fault.

Okay? Alright.

After this imma start blocking ppl I swear. Just had to throw in my two cents.

[littlemistersunshine]

MENTION OF SUICIDE ATTEMPTS/IDEATION

if you’re ever seriously considering hurting yourself, you’re not alone. call 988 to talk to someone, there is hope for you🫂💗

“todd and neil aren’t gay stop trying to make everything gay”

alright BUD. listen i get what you mean, sometimes when people start shipping every single goddamn pair of boys that are close together it can be a little annoying, and sometimes a little weird. but, in retrospect who cares bro. It���s literature and art, not real people. We’re meant to see what we see and roll with it, isn’t that the point of dead poets society? i’m not one to ship every two male characters that are close together, BUT IVE GOT MY REASONS FOR THESE TWO.

first of all, todd is being compared to walt fucking WHITMAN in the movie, a homosexual poet

AND THEN, neil plays in a play written by SHAKESPEARE HIMSELF, ANOTHER GAY WRITER.

Plus ;

“God I love this!” “what, me?”

“So you can just but out.” “no.” “whaddya mean no?” “no😏”

PLUS LOOK AT THIS

Not to mention, while Todd had only just met Neil compared to the other boys he was visibly way more distraught over his death than the others. The others cared obviously, but weren’t having a full on panic attack in the snow or barfing and screaming. They all were trying to comfort Todd, almost like they knew just as anybody watching film that Neil and Todd weren’t just buddies. It’s your opinion if they were in doomed love that they couldn’t understand themselves, or if they were simply platonic soulmate friends.

I know how it feels to be in Neil’s place, and same with Todd. But as you all already know how much I relate to Todd, id like to share how I relate to Neil. I too have suffered depression and suicidal ideation, luckily I was either stopped or saved (being forced to throw up) during any of my attempts, but i have still struggled nonetheless. My mother is homophobic and an overall controlling person, never letting me ever do what I want, be who I want to be. So i’ve always connected with Neil, knowing that I couldn’t ever be who I wanted until I moved out. I’ve snuck around and lied the same way Neil had in the movie, choosing to be and do what I want. Usually after i’d get caught, being punished or grounded I would usually start to feel hopeless and sometimes turn to self-destructive ways to cope because of how trapped I felt. I’ve always felt trapped. Many of my attempts were during a time when I had fell in love with another boy. At the time it felt like this boy had saved me, for he was there for me in a time when it felt like no one else was. But it would never work, for he was straight and my mom was a homophobe. Feeling hopeless I attempted, luckily ending up in an inpatient facility instead of like Neil. I’m forever grateful for such. It snowed the night I attempted as well.

There has been plenty of things i’ve wanted to do, felt like I needed to do to be myself but couldn’t because of my mom, but the only thing that has ever driven me to attempt suicide was being in love with another boy. That is why I think that Neil Perry is not straight, and maybe it’s just my experience, but that is how I view the character and story.

[echo-of-the-eye]

Arcane s2 act 2 thoughts:

• Was not expecting Caitlyn and Maddie rebound romance but ok (wonder how Maddie will react when cait inevitably breaks up with her)

• Glad to see Caitlyn has calmed down and was aware she was being manipulated so she could ditch Ambessa

• Mel has magic confirmed! And is related to the black rose people? People who know game lore probably understand better

• Sevika, Jinx and Isha is such a good dynamic. Same with Vi

• The sister trio are the best part of the show for me honestly I love them so much. Isha is the cutest kid ever I love her

• I was planning to make the “I’ve only had Isha for a day but if anything happened to her I’ll kill everyone in the room and then myself” joke while I was watching ep 4 and then ep 6 happened. So yeah… I’m broken

• I had a feeling something would happen to her cause her parallels to Powder were too strong but uh. Wasn’t really prepared for them to actually do it

• This is gonna fucking break Jinx

• They could have been happy dammit! They were so close! They could have been a family! But nooooo, it has to be a tragedy! (Which I love but come on! Oh to be a tragedy enjoyer is so conflicting)

• Also Vander and Silco knowing their mother and being close. So Silco actually knew who Powder was when he took her in

• Love wins (caitvi)

• Love loses (jayvik)

• God I love Viktor. Living his best life as a cult leader (or straight up god idk). Jayce when I get you. Honestly don’t know how to feel. Viktor was doing seemingly good things but we know hextech isn’t good so who knows how long it would have lasted. Not sure how much of Viktor was actually still left there

• I do think Jayce had a good reason for what he did. Might have been in a time loop or something? Maybe he communicated with Viktor and was told to destroy him? Or maybe he was just losing his mind

• He did keep his promise. But at what cost

• I’m seeing the ship now btw. Didn’t really care for it before. But now… it’s doomed. It’s tragic. Which is the best shipping fuel

• Speaking of the hextrip where the hell is my boy Ekko?! And heimerdinger I guess but this ain’t about him

• I bet we’ll see what happened in there next episode

• I do think Viktor is dead. He could come back I guess (he is Jesus) but I doubt it. Feel it in my gut. I think we’ll see him again but not alive in his body. I’m gonna miss you buddy<3 you were my second favorite (after jinx). He reminds me so much of Jon archivist no wonder I love him

• So yeah I am in shambles. My heart is broken and I shall never recover

[zvtara-was-never-canon]

lets lighten to mood here a bit: what are your top 5 kataang moments?

"Top five" hahahahahahahahaahahahahahahaha, what kind of nonsense is this? I need a top 15!

#15 - Them bickering on Kyoshi Island (01x04)

This one was one my favorite scenes in the whole show, even back when I didn't really care for Kataang as a ship. It's just such a funny, accurate representation BOTH of "When you wanna hang out with your friend, but you're still too mad to talk things out" and "When your is getting attention from other people and now you're really, really jealous."

Scenes like this are why I never felt Kataang was truly one-sided, again, even back when I personally didn't like the ship - it's just so obvious that with how close they are, lots of moments that could have been purely platonic end up having a romance vibe, so the eventually romance feels way more earned.

#14 - Aang nearly cofessing his feelings to Katara (02x18)

It's a short little moment, but I like it a lot. Aang is just so shy and nervous, it's adorable - and I actually don't mind that they were interrupted because we got lots of flirting in book 3.

#13 - The first two damn episodes (01x01 & 01x02)

I know, I know, putting not one, but two whole episodes is cheating like crazy, but I don't care. Aang likes Katara IMMEDIATELY, they go penguin sliding, he offers to take her to the North Pole long before he finds out HE needs to go there, Katara is ready to throw hands with everyone for wanting to banish Aang and is then losing her mind when he is taken by the Fire Nation. Even Sokka noticed they were getting a bit too clingy for two people that just freaking met and goes "Let's save your boyfriend."

#12 - "Baby, you're my forever girl" (03x09)

This one is just HILARIOUS. It starts out looking very realistic, sweet and romantic... and is then derrailed into embarrassing teenage fantasies, and Aang clearly feels so awkward when he realizes he had just been standing there like a dumbass. The entire episode is great, but that scene is easily top 3 of the funniest moments in it.

#11 - Flirting after he gives her the necklace back (01x15)

They are freaking adorable in that scene. Aang joking around when returning the necklace to her, Katara kissing his cheek and making him blush... peak cuteness. Gets extra romantic with the added context that those necklaces are basically the same as engagement rings.

#10 - Aang finding out Katara brought him back from the dead (03x01)

Aang just looks so in awe of her in that scene, like he can barely even comprehend how someone could be so amazing. The look in his eyes, man! I can't! I CAN'T!

(And for real, how can ANYONE still have doubts that the whole "Aang needs to let go of Katar FULLY AND FOREVER, ALL DAY AND EVERYDAY otherwise the world is doomed" thing is bullshit? The show literally looked us straight in the face and said "True love/friendship saved the day because if it wasn't for it the world's last hope would be fucking dead")

#9 - Cave Of Two Lovers (02x02)

Once again I'm cheating, and once again I don't care. Katara and Aang both blushing when she suggest that they kiss, Aang trying a little too hard to act like he totally doesn't want that kiss, Katara getting offended at it, "I'm saying I'd rather kiss you than die, that's a compliment!", the light of the torches fading away as they get closer to each other, Aang looking all lovestruck after it, then them both blushing after they're out of the cave - INCREDIBLE! SHOWSTOPPING! BEAUTIFUL! ADORABLE!

#8 - Katara not wanting Aang to go into the Avatar State (02x01)

I understand why Aang going into the Avatar State to save her on this same episode gets so much attention, but this moment is criminally underrated AND what makes that other scene hit so hard.

Katara can't stand to see Aang in so much pain and rage and thus refuses to be part of that plan. She is the one putting his humanity, his feelings, and his well-being before his responsibilities as the Avatar. She'll always encourage him to do what's right and help him do what's needed to save the world - but she'd never put him in any unnecessary harm. She'd never take him granted and act like she, or anyone else, is entitled to put him through so much stress and pressure just because of his duties as the Avatar. She'd never take advantage of Aang's kindness.

When Aang went into the Avatar State, it wasn't just about the protagonist saving his love interest (which is already an epic moment) - it was a friend saving another, a survivor of genocide saing another, the hero saving an innocent person who was in harms way. And more importantly, it was someone who was constantly treated like he needed to be a soldier/weapon first, person second, saving the girl that had always been his ride-or-die from the very beginning and that had just proven yet again that she cared about HIM, not just about the Avatar and what he could do for the world.

#7 - Aang and Katara VS Pakku (01x18)

Once again, Aang and Katara showing that they both take the concept of "ride-or-die" VERY seriously. They are really excited to learn together, and Aang is so pissed off when Pakku refuses to train Katara solely because she's a girl, that he says "Fuck this guy, fuck my mission, I'm out of here." Katara, of course, then accepts dealing with that unfair situation because she knows Aang's mission is important and doesn't want to stand in the way of it, even if she obviously isn't happy about it.

Then, once Sokka gives them that idea, Aang is super eager to teach Katara everything Pakku is teaching him, because, once again, Katara's personal goal of wanting to be a badass fighter is as important to Aang as his mission to save the entire freaking world.

They're caught, everything is going to hell, and Pakku now refuses to let train either of them unless he gets an apology, and so Katara goes into fighting mode with no hesitation. Aang, the absolute sweetheart that he is, lets her know that she doesn't have to do this to get Pakku to teach him - then steps aside when she explains this is about HER, her pride and her right to knock some sense into that sour old man.

Finally, after everything is resolved, we get Pakku saying Aang should start calling her "Sifu Katara" - which leads me to:

#6 - Sifu Katara (02x09)

That. Was. So. Fucking. Cute.

Aang wants to make sure Katara knows just how much she means to him, how much he respects her as a fighter/master and we KNOW he absolutely means it, and Katara is very touched by it.

And I gotta love how comfortable they are with each other. Aang practicing waterbending and talking with her to clear his head, Katara giving him advice as to why he's struggling with earthbending AND trying to make Toph change her approach into something Katara knows works on Aang, the push and pull/ying and yang motions showing how they just click and are in harmony with each other - it isn't just AANG showing he appreciates Katara's role as his master, it's the show itself doing that.

#5 - Aang & The Painted Lady (03x03)

That boy was simping for and flirting with the Painted Lady before he even realized it was Katara, because she was a kind "spirit" that he went out of his way to mention looked REALLY pretty even though he couldn't see her face. Then, of course, he has to praise her for wanting to help the people of the village and goes on to help her blow up a whole factory.

You google the meaning of "being in love" and Aang's face is the first the thing that comes up, I swear to fucking God, I can't with this boy.

#4 - Katara threatening to end Zuko if he ever hurts Aang again (03x12)

Once again, Katara and Aang take the idea of "Ride-or-die" VERY seriously. Katara doesn't trust Zuko really changed, but she does trust Aang's judgement and knows that he has the right to choose his firebending teacher, and that they don't really have much of a choice at the moment.

But she didn't forget what Zuko nearly took away from her, and makes damn sure he knows that if he screws up again, he isn't getting a third chance.

And I gotta say, we as a fandom don't talk enough about how, much like Aang's love for his people is explicitly stated to still live on through his love for Katara, the girl he already sees as family and would eventually marry, Katara was only ever willing to kill for two people - Kya and Aang.

This is one of those moments that proof that, even if one doesn't care for the ship, NO ONE can deny just how strong their bond is and how much they mean to each other.

#3 - Finale Kiss (03x21)

Even though I think they should have officially become an item after their kiss during the invasion and that the last minute conflict of "Maybe Katara doesn't actually want to be with Aang" that we got in Ember Island Players was REALLY forced, I still love this moment.

They look so happy, so at peace. They don't even need to say anything. They just lock eyes, smile, embrace each other and kiss. It's oen of the most romantic moments not just between them, but in the whole show.

Also if anyone has a Katara doll with that dress, please mail it to me, because my inner 5-year-old cannot deal with how pretty she looked on that scene and NEEDS it to be immortalized in a doll I can put on the shelf and stare at for hours.

#2 - Aang saying Katara gives him hope (02x12)

Okay, okay, okay, OKAY, we are once again in the territory of "Even back when I didn't like the ship, I still adored this scene." It's one of the moments that I'm always super excited to reach whenever I'm watching the show yet again.

Is just so rewarding. Every single episode we are reminded that Katara has complete faith in Aang, that he gave her hope before they ever met. Yet at that moment, because of Appa's kidnaping, he can't be the Aang she knows - be that he goofy, optimistic, super affectionate friend, or the kind, super empathetic, compassionate messianic figure of the Avatar. He is too hurt and scared, so he goes from lashing out to shutting everyone off - including her. He is doing his duty, but there's little to no emotion there.

Katara keeps the team together as they cross the desert, brings Aang back to Earth when he is snapping, parts the freaking sea, and then helps bring baby Hope into the world - and thus Aang is finally Aang again, and makes sure to let his best friend know just how much she means to him.

It's a nice role-reversal, with Katara being the one put on a pedestal and Aang showing reverence. It's sweet and makes all the moments in which she shows her blind faith in him all the sweeter. It easily could have been my number one.

If it wasn't for THE Kataang moment that is:

#1 - The Dance (03x02)

How could this not be number one? It's the definition of iconic. Literally invented romance. You open up a dictionary and see a picture of this scene in the definition of "chemistry."

Katara feeling insecure because of all the attention is getting, Aang going out of his way to make sure she doesn't feel left out, the way he says "it's just you and me", the way everyone is staring at them in awe... the lighting, the music, the camera angles, the freaking choreography... their smiles, Katara blushing, the way they lock eyes, the almost kiss, Aang holding Katara as they finally stop... it's too good. Just too freaking good. 11/10, no one is doing it like them.

[howthebestwaslost-blog]

“Shall we go and see Charlie Chaplin? Shall we? Charlie Chaplin? Charlie Chester. Charlie Brown. No, he's fiction. Friction, fiction, fixing, mixing, Rickston, Brixton.”

(Edit downstairs)

Tl;dr theory: Rogue is fictional.

I’m sure this has been analysed to death already and I’m being slow again (not really keeping up with theories), but I couldn’t sleep last night and I had the thought stuck in my brain [warning: some meandering]

The whole episode felt like comfort food freshly flown in from the RTD1 era, with silly monsters, a good amount of running and an emotional punch, but for that reason also it felt to me a bit disconnected from the rest of the season (not in a bad way tho). There was also no Susan Twist apart from the portrait, so the season arc was pretty much invisible, too.

Except.

Except I think it could have been very much within the bigger arc that is still on. I think it’s already part of the next season arc. I’m going with the Mrs. Flood is the God of Storytelling theory, and she is fictionalising the Doctor’s whole life. That’s obviously where the fourth wall breaks come from (only she and Maestro did it iirc, so they must be on the same level, and the Doctor of course, but he’s the Main Character). That’s where the weird musical ending came in and the magical cross-walk. Now we have an episode simply called ‘Rogue’, introducing the Doctor’s new love interest [hand grabbing, “run”, the assembled hordes of- no wait] who gets sucked into another dimension saving the world - I get distracted - and his name is so on the nose. It’s like they got stuck finding a name for the character, proceeded to write the whole thing with this as a placeholder and then simply decided to keep it. There was enough lampshading with the dice to suggest a plausible origin, but come on. He is the rogue, he’s got his cool cluttered ship full of second hand tech, a semi-legal, morally dubious profession, he’s silent, he’s on his own, he’s got an awesome coat and a tragic backstory. He’s straight out of a story. He’s not an individual character, he’s a type (which is not to say that Jonathan Groff did not give him all the personality and realness and made him much more than just that, and I love him). Even the place, Pemberton (Pemberley/Bridgerton, obviously), is shamelessly fictional [edit: ok it’s not the place but the Duchess is at least Duchess of it, so it technically still works I think - see comments // also with ‘fictional’ I mean mashed up from two popular fictional names, I did not get out what I was trying to say at all - did I mention my lack of sleep]. But what if all this is part of a bigger design? I thought it was meant to be a cheeky, guilty pleasure kind of thing, a wink to the audience, saying “we know… but you love it too, don’t you”. But while we were all going crazy over whether or not Rogue is coming back, the Doctor wearing the ring and turning it on his finger in his closing scene of the finale had long been filmed. I think the episode is tied to the greater arc exactly by being so blatantly stacked with tropes. The Doctor meets a tall handsome stranger, perfectly suited for him. He inevitably loses him, but with an irresistible sequel hook. I think someone inside the show’s universe wrote this story just for him. And that’s why I’m sure Rogue will be back with a surprise.

Does that mean he’s another unsuspecting trap? Is he a real person literally doomed by the plot or an invention woven into reality? Is someone sending the Doctor through the drama and the emotions and the plot twists for their entertainment?

How much fan fiction did Rogue inspire in the first 24 hours?

*Edit

Holy shit I just realised

His new boss is really big on PAPERWORK 👀 📚

[acourtofquestions]

Empire of Storms Part 1 thoughts, theories & a VERY VERY long post of rambling:

(+ this title as a spoiler warning; heads up to my fellow fans & first time readers (esp. those semi-tagged in this post), I address a lot of Part 1 & possibly up to Chapter 52 of EoS;-) I am ALSO on my first read just finishing said 52 so no spoilers for me past that as I go through Fireheart as well plz, & thx!

I will also be posting a far shorter better edited version of this post next :-)

Oh good gods this book is going to destroy me in the best way possible😅😅🤦‍♀���😭😁😬😆🤣🙃❤️‍🔥🖤🫶

Long writing/reading (I HAVE LOTS OF THOUGHTS & FEELINGS & NEED TO SCREAM IN WIVERN FANGIRL NONSENSE! So, this post will probably jump around quite a bit between chapters, thoughts, theories, reactions, & randomness; read/skim at your own rambling risk😅 also in advance for missed autocorrects I TRIED😂) “round up” for Part 1 of EoS. & yes I have been reading a LOT (whilst VERY busy😂😭), so this blog’s posts are in desperate need of a catch up & will probably only grow more hectic as alas, my library & brain demand to know what happens next NOW😂. You have been warned this post & blog is about to be more incoherent than usual! — And as I said this post is LONG (If your thinking I’m kidding; legit I think this is 20 something pages long; consider it here for historical purposes… & I had a VERY long drive with no books😂)

— NOW —

The organization of parts is interesting, we go from Nightfall, to The Fire-Bringer, to Fireheart. It feels like a full circle from night to day; from learning to being, and showing Aelin’s claim (not from Elena, not from her powers, but from her). The heart of Terrasen, the fire for the world (esp. against the Valg). … It’s also scaring the heck out of me with her self-sacrificial tendencies & the VERY intense vibe (from the first few chapters this story advances into a “final chapter vibe” yet it’s only the first few; it’s reminding me of Deathly Hallows almost? — which is esp. confusing CAUSE I STILL HAVE 3 BOOKS LEFT… and we’re already this intense😬😅soooo MAAS PLEASE DON’T YOUR DARE HURT A HAIR ON ANY OF THEM!!) P.S. for this note; it’s also making my shipping fuel go from 180 to infinity cause she’s his Fireheart🥹 (If only “worried over liking the ship” HoF first read me could see me now😂 @ goddess-aelin 🫶YOU WERE SO RIGHT👏). And generally it’s just been cool to see how the entire story & series has shifted so much (yet kept its heart ;-) !

So, Generally speaking: I’ve loved the first half of Nightfall & The Fire-Bringer (As I’ve loved the series). From the pace & many perspectives, to the plot twists & Easter egg style hints, and the writing with straight-up foreshadowing & full-circle series arcs (many of which have had big moments interwoven & reaching peak within this book). There has been some great character development (many beautiful lines/moments) a lot of raw emotion (crying, laughing, and all of the above), & entertaining interactions as my favorite piece of this book has been all these stories finally crossing paths (& within that developing relationships, friendships, families, courts, enemies, allies, etc.) for the “New World” that’s coming.

Nightfall:

“Elena sent up a final prayer on a pillar of smoke rising from the valley floor that the unborn, faraway scions of this night, heirs to a burden that would doom or save Erilea, would forgive her for what she was about to do.”

Elena I don’t know if I can forgive you for what you’re about to do😅😅 the plan here is long coming, as Lysandras “theory” further confirms:

"The more it seems like this was all planned, laid out long ago. Erawan had decades before Aelin was born to strike decades during which no one with her powers, or Dorian's powers, existed to challenge him. Yet, as fate or fortune would have it, he moves now. At a time when a Fire-Bringer walks the earth." It was all horrifying, impossible, but—so much of their lives defied logic or normalcy. The shifter next to him proved that. "Morath is unleashing its horrors," Lysandra said. "Maeve stirs across the sea. Two goddesses walk hand in hand with Aelin. More than that, Mala and Deanna have watched over her the entirety of her life. But perhaps it wasn't watching. Perhaps it was ... shaping. So they might one day unleash her, too. And I wonder if the gods have weighed the costs of that storm. And deemed the casualties worth it."

& previous lines on “all the players in the unfinished game” (I’m getting S&B Ruin & Rising vibes (for those of you Grishaverse fans; which btw one of these days I need a whole post about parallels & these two series, cause just the stag and lord of the north alone. I AM INTRIGUED & do love both fandoms ;-) + I think the crows would fit so well & it would be wonderfully & utterly chaotic🤣).

So, my general concern is this theory & warning everyone keeps giving Aelin about “the price”; from Rolfe’s tattoo map & warning question: “"That was the price of my power. What shall yours be, Aelin Galathynius?" She didn't reply to him before storming out. Though Deanna's voice had echoed in her mind. The Queen Who Was Promised.” To clever Elide’s question: “Was that the price for the humans they'd once been-magic that was somehow immune to what flowed naturally in this world? Or had the choice been taken from them, as surely as their souls had been stolen, too?” to crucial warnings like Brannon: “We burn not just within our magic, but also in our very souls. For better or worse.” & the danger continuing to grow like that of the FULL Deanna scene:

“And she said to him, in a voice that was deep and hollow, young and old, "Every key has a lock. Tell the Queen Who Was Promised to retrieve it soon, for all the allies in the world shall make no difference if she does not wield the Lock, if she does not put those keys back with it. Tell her flame and iron, together bound.”

She is the one, she has to get the lock, and she will have to pay the price for both (her ancestors & the darkness created in centuries of Erawan); one that will be heavy (one Elena failed to do; and I somewhat worry is because while she did sacrifice herself, her friends, her people, her kingdom, even letting Brannon fall to ruin (Brannon; the only one who ever successfully sealed it, because he sacrificed her mother, his love, “My mother died to forge that Lock!”) she did not let Gavriel “that which she most loved” fall; she tried to do it alone & was left with no option but to leave it to someone else; another era, another heir); now Aelin carries every thread, plot, battle aligning; the power she wields & sheer force of it, the weight of her crown & every choice it comes with, the price it will demand (the one she has spent a lifetime running from; “my crown is just another set of shackles”; the one Mala may have been shaping her to be able to make even through experiencing tragedy & turbulence in decisions over & over again). The warning in every choice; including the person she loves most (Rowan’s fear of “The people you love are just weapons used against you.”) “This thing between them, the force of it, could devour the world.” Her terror in that; struggling to allow them to go for the front lines while she survives, no longer alone & no longer able to take it all on, but struggling to let them in on the “master plan”. Struggling because even as she does, it weighs on them too: “Aelin was trembling, a hand on her friend-face so white and drawn that any harsh words he'd reserved for her were unnecessary. His queen knew the cost. It had taken her so damn long to trust any of them to do anything. If Aedion roared at her now, even if he still yearned to ... Aelin might never delegate again. Because if Lysandra hadn't been in the water when things had gone so, so badly…” And they do see it; the on-growing burden on Aelin’s shoulders & how she’s carrying the weight of it; both as a queen (despite her current lack of crown) another long-coming plot; as spoken by Chaol: “There she was, that queen looking out at him, a hint of the ruler she was becoming. And it knocked the breath out of him, because it made him feel so strangely young-when she now seemed so old.” And turning her desperate & weary; heavier slowly: “Since Rowan had gone, since word of Rifthold's fall had arrived, Aelin had been half present. Distant.” line after line “She'd grown quieter the farther north they'd traveled. Perhaps weeks on the road had sapped her.” They fear for her “And he wondered if Aelin was somehow watching the archipelago, and the seas, and the skies, as if she might never see them again.” for the price of such powers “We have yet to see the full extent of Erowan’s darkness. And I think we have yet to see the full extent of Aelin’s fire.” & They try to help “After tonight, depending on what the lords reported he'd try to find her a quiet place to rest for a day or two before they made the last leg of the trek to Orynth.” desperate to stop it “"She's not some unwitting pawn." He'd defy the gods, find a way to slaughter them, if they threatened Aelin, if they deemed these lands a worthy sacrifice to defeat the Dark King.” to protect her “Rowan at her right, Aedion at her left, Lysandra at her back; nothing and no one would get to their queen.” all the while they know they cannot as Rowan’s line painfully says: “This was war. These lands would endure far worse in the coming days and months. His queen, no matter how he tried to shield her, would endure far worse.” (Also the key word endure, frequently used for the “lost children of Terrasen” as I call their grouping). To even Aelin’s own words “She was a liar, and a murderer, and a thief, and Aelin had a feeling she'd be called much worse by the end of this war.”

This is where I fear Nightfall will come to rise in Fire-Heart:

I say all of this to say I get concerned when Maas feels the need to start a book with such warning; in both the price, and person paying it… Aelin is too much like Elena… Celaena has lost too much to lose anyone else (“And she would not add another name of her beloved dead to her flesh.” — “"We'll get her back, Aelin." "I can't bury another friend." "You won't."”)… and carrying it so heavily I worry she may overpay her share on their behalf’s. And between that & the many conflicting & star aligning forces of Rowaelin I worry the conflicts may grow; originally it was him not feeling “enough” for her because he’s a Prince not a King, he has no money no land no army (thankfully we are done with that piece because he can give her everything🥹 of his heart and that’s all she needs). We have the inevitable Maeve’s vendetta. We have my growing fear with the Carranam bond getting drained; like it almost did with Deanna. And the quotes all warning that their world may lead to another being destroyed, one or the other; “This thing between them, the force of it, could devour the world. And if they picked it, picked them, it might very well cause the end of it.”

… and though this isn’t due to Nightfall I am just concerned (I try to avoid spoilers (and continue to do so); but I already know it’s got a cliffhanger) and I have read enough Maas books (and just fandoms in general) to fear the 1-2 punch of “THEY’RE ALL GONNA DIE😱 — PSYCH😜 THEY ARE ALL FINE😅 — JUST KIDDING EVERYONE YOU LOVE IS DEAD!☠️” + the amount of possible brainwashing between Valg, Wyrdstones, and now gods… I’m just nervous (& still not 100% sure someone isn’t already secretly possessed).

MY DO NOT KILL LIST IS GETTING TOO LONG: From ASTERIN (scared me half to death SARAH) & Manon + 13 (obvi💁‍♀️), Abraxos & Fleetfoot & Evangeline (had to break my “no Google” rule to assure the latter twos safety *phew*), Aelin & Rowan (DON’T YOU EVEN DARE), Lysandra, Aedion, Dorian (HE’S BEEN THROUGH ENOUGH; STOP HURTING HIM), Elide (just let her be happy & home & make Marion proud dammit), Chaol (he’s not even here & I’m still a little mad BUT STILL) & Yrene (she hasn’t even fully come in yet & I don’t care I love her already) + Nesryn who babe, you know I love you, but I need more history & perspective to trust you fully (you seem cool, but I’m worried the lack of knowledge about you means your gonna lie or die, & it’s just too soon after Sorscha), Emrys (your safe in Mistward; STAY THERE), Sam (beloved, you’re still on this list; even though I know how it ended, & really do LOVE Rowaelin, I just still miss you; & want a Multiverse of happy endings for EVERYONE).

— HOWEVER —

I hope Fire-Heart will bring:

More Manorian; and let’s be honest ALL the ships (+ it could get realll literal with the set-up right now😂 the ships are LITERALLY sailing🤣) of course I CAN NEVER HAVE ENOUGH ROWAELIN (though Fire-Bringer was great 🥵 THEY FINALLY SAID I LOVE YOU🥹👏) & I am SO HERE FOR Lysandra & Aedion! … also what’s up with Elide & Lorcan? (Her last name + his first name TOO SIMILAR😂)

More interactions in general between all the characters from ships, to friendships, to even enemies (who often also become friends😂) honestly might be my fav part about this book so far; seeing it all line up & crossover; (from aforementioned Elide & Lorcan), (to previous & hopefully again soon) Manon & Aelin, the FULL team with THE THIRTEEN (Asterin & our crew would be absolute chaos & I would love every second of it), Sorrel too! AND VESTA! Petrah Blueblood (I find her VERY interesting as a character), Elide & the “lost children of Terrassen” finally meeting; maybe some more Ren & Bane updates (cause I wonder about them & what their up to) to Abraxos & Fleetfoot (PLEASE I NEED THIS… just don’t eat eachother😅😂) & yes I do STILL miss Evangeline & Fleetfoot; though I am happy they are safe; while the fire trick was cool it was SO not sustainable, & I do trust Murtaugh… and these full circles; Ansel’s (presumed) reintroduction & the TAB throw-backs/crossovers (plus NOW Crochans?). —

Exploring things of the sort; what is the other side of the “Crochan’s tale”, what is Elide’s true bloodline, how does the new Mala knowledge effect Aelin & Dorian?

Who are the Cadre (& learning more of their history; both with Aedion & Gavriel (that blood oath better not pass to children), Lorcan (Elide is already helping there thankfully) the other twin because I already stan Fenrys, and really Rowan because who are they really? Despite the “blood oath” reasoning they spent centuries together there has to be more to it). I want to get to know the twins & their whole Yin & Yang balance; also what is Fenrys power? (why does Rowan let him go after Aelin in the water instead, he must be pretty dang powerful & more so than Rowan to be her best option in his eyes)! What other histories does Rowan have (are the “witches” one of them)? What else is Maeve (I will never trust her) hiding?

Why is Erowan this way (who really killed Aelin’s parents)? Are we POSITIVE the Ilken aren’t the creatures Elide saw in the basement (wow that sounds extra ominous😂)?

Will Chaol show up (how is his team & the southern allies coming along)?

What is the limitation to Lysandra’s powers (can they find a way to trick the Terrasen flower into “blooming”)?

Is their further crossover between these series (ACOTAR & CC)?

Explain further how certain things work such as mates (Rowan has two? Celaena/Aelin too maybe? & what that means for others)… And just a lil’ fluff (Rowan & Fleetfoot, the team all together, shenanigans & some side plots for funsies) maybe?…

I theorize Fire-Heart will:

Confirm Rowaelin as mates (they practically have already but I want to hear the words). Plus plenty more of them just being them (their every moment is so detailed & precious). Maybe even some more moments with Prince of Doranelle vibes ;-)

Show that there are multiple Carranams (possibly a dyad between Aelin & Dorian. Rowan & Aelin being the mates balance; making Aelin & Dorian the “friendship / rulers / fates” balance). & Without a limit to their power; the danger of over-draining others (Deanna causing Rowan to feel “thunder steal his magic” is CONCERNING & Dorian’s magic is hungry for it).

Confirm that Aelin can use shadowfire, moonfire, & power without limit. Explore her other gifts such as water & healing. Possibly introduce her as a powerful enough wielder to use all the forms (as briefly referenced as a possibility among others before).

Confirm Lysandra & Aedion as mates or at least a couple. (Also use it to explore Aedion’s history & introduce the Bane or at least their set-up).

Bring back the Mycenians since Lysandra & Aelin’s masterplan worked (THE DRAGON THEORY WAS RIGHT)!

Set sail on Manorian in a way that is explanatory/foreshadowing. (Possibly tap into Dorian’s immortality? & power exploration explanations. And go into Manon’s ability to forge a new alliance of peace between MANY groups; not because I’m suggesting the sexist “get married” nonsense so many are giving Aelin, literally just that she could speak on behalf of many groups & since Darrow has brought diplomatic debates into this war it could be an asset).

Introduce Ansel, and perhaps loop back to the Red Desert (unless the Silent Assassins have disappeared). Showing all of Celaena as we see all of Aelin (letting Rowan know even more of her, healing those wounds as he & her family fully accept her; hopefully doing the same thing for them; going through more history). & Similarly with Rowan; possibly saving the Cadre’s lives through it (or at least stopping Lorcans “execution”).

Tie in the spider silk, between Abraxos’s wings (Manon’s “stealing”), & Aelin’s Red Desert history deals. If not in this book than KoA.

Explain Maeve’s obsession with Aelin & vendetta against the family.

Aelin reclaiming her crown by having the heart of her people (we’ve seen “the future”, there is a woman with hair like moonlight; I think this is Manon. The people chant for her, she is their Queen and that is her court; including the witch).

I think Aelin (like Manon & the other golden eyed 13) are Valg proof. She has the golden eye ring of the Ashryver eyes… in that case maybe Aedion too?? (Hopefully🥺… I mean why else would history write a poem about it?) … While I’m at it let’s make Lysandra’s shifting immune too (protect all my bb’s)!😂

Reveal the Wyrdstone Elide carries as THE Lock (between her last name having the word lock😂 or “loch” I guess, the magic not being immediately recognized as a Wyrdkey by Lorcan, & Kaltain’s promise/importance with an explanation for the “living gate” term). Then when she reaches them so does the thread of fate (once again).

Go to Ellywe & both heal/break my soul (all this travel has made it inevitable; though it is cool to see more of the continents of this fictional world etc.)!🙃

Not something I truly believe but one I wonder on; is there a relation between either Rowan & Manon (history or hair color related😂) or Aelin & Manon (some sort of blood relation; the gold eyes & power levels?).

Not theories but things I think need to happen ASAP: STOP WEARING THE WYRDKEY as a necklace AELIN I DON’T care if it’s a “family heirloom” IT’S A BAD IDEA (have you not seen Harry Potter? — sry for another reference, but seriously DON’T WEAR HORCRUX LOCKETS folks)! Tell Elide the full truth; Celaena = Aelin (at least Lorcan is getting close). Commit to immortality (I’m looking at you Aelin & Aedion; esp. Aelin… ROWAN NEEDS THIS; the only time I will ever encourage a woman to “settle”😂)! Address the very long list of “things for later/back burner” because I can’t keep track😂 & they are all WAY too important😅, dangerous😬, and THE LIST IS LONG SO HURRY UP Y’ALL😁!!!

— NOW ONTO THE “ACTUALLY” READ “BIG PORTION😂 —

The Fire-Bringer:

A lot of reactions have random posts; per usual many of the opinions change with hindsight, but I like being able to look back & enjoy it for the first time so (while I do try to give an update) I’ll probably leave the posts up :-) hoping to get a few lil (by that I mean pages jk sry not sry lol I warned you) notes I’m pondering on in here though…

I love the Little Folk’s little but magical role:😊 when (not if; I’m gonna will it into reality with terminology) this gets an adaptation I can’t wait to see them! — I really love the fan art & its many different takes for what they may be all the way from fairy’s, to wisps, to “baby-Groot”-like characters! … I also wonder if they could help out with that “rulers flower thing” possibly, same as pondered for Lysandra (I think these “little things” will be keys to helping Aelin with “dum-dum Darrow” (as I’ve dubbed him; cause I’m angry! & it may be only a 1st read impression as of right now, but he’s also given me 0 reason to like him).

The Oakwald forest: EVERYONE IS SO CLOSE yet SO FAR! (At least Manon has finally made it to the team… well kinda… she better actually MAKE IT past the ship drop-off… if you can call it that?😅 this is why I need to type fast & go read!) If Tower of Dawn manages to match this pace of “just-missed, kinda-crossover” I see why the tandem read would work! It’s quite fun (& semi-irritating/anxiety-inducing but in a good way😂).

Speaking (writing?😂) of Manon: TALK ABOUT IMMEDIATE CHAOS, each of her chapters have been SO intense. I might have cried with her the most so far; I legitimately almost lost it over Asterin’s almost execution & The Thirteen (I AM VERY GLAD THEY FINALLY LEFT THE MATRON & got out so they can please be safe now; or at least they already are in my mind; though last we saw them it was all chaos, they were running (a win) & the shadows seemed to confirm them getting out (another good sign) while Asterin being dragged off screaming isn’t great I think she was shouting for Manon because she didn’t want to leave her… & I refuse to accept any other answer) only problem is Manon is not with them; & she really needs to be😅😅😭 instead of half-dead in the woods, hunted by a banshee-hound-thing? Abraxos honey, thank you for taking care of mother🥹😂 at least she is with the team on the same-ish side now. So, hopefully Abraxos will go grab the rest of The Thirteen while he drops Manon off? I NEED THE WHOLE GANG; I mean Erawan & Maeve are screwed in that case. Esp. since most of them are Valg proof golden eyed; & also have you seen these gals fight? … Honestly, I think they are one of the great shows of good writing in these books; because these characters could easily be read as villains & psychopaths to be hated, yet they manage to be a compelling, interesting, group of female badassery & sisterhood, that really captures your heart (pun intended). HOWEVER, I say all of this Spoiler-free while not oblivious; I have 2 &1/2 books left (wow that’s numbers too small I’m gonna get sad😅😂) I know people say this ending is a hard, & a book of cliffhangers… So, if this is “just” the beginning it can only get crazier😅 (I just don’t want to know; I want to think this will be like ACOTAR with no deaths as long as I can believe it) & even with the Matron’s probable on-it’s-way “dispatch”, they managed to hide Asterin for years. My main concern is Sorrel & Vesta as they’ve been given enough time to love them, yet not enough time for a full arc, I can’t have any red shirts & I’m a little worried for them (but I just wanna love them as long as I can🥹).

I’m so glad I was right; from day ONE I’ve been wondering about Aedion & Lysandra cause *coughs* I mean their first scene together ever… she’s changing his shirt… and now the whole “wandering off to give Rowaelin time” which while a fair-ish excuse it is also a little ;-) ;-) … and now that he’s said he’s gonna marry her “Because I am going to marry you," he promised her. "One day. I am going to marry you.”… I’m counting it (why is it giving New Girl CeCe & Schmidt?😂)

But in all seriousness ship-ness aside I appreciate their friendship; the understanding of each-other with a healthier trauma bond (for all they cannot say, yet carry so heavily; all the shame & fear Aedion is wrestling with; & the steady acceptance Lysandra gives) I loved them both as is, but together is something precious & nice to see develop (while staying slow, taking time, surety of respectful). While at times it feels fast, it makes complete sense (esp. as we don’t get their perspectives as frequently, & with the knowledge that mates can be pretty immediate; even if it’s not “said”; it tracks).

Though it hurt (& was also kinda healthily valid) to hear Aedion be angry with Aelin, it also says a lot about how much he cares for Lysandra (as Aelin often can “do no wrong in his eyes”) to be angry in the first place “And for the first time, he hated his cousin. He hated Aelin for asking this of Lysandra, both to defend them and to secure the Mycenians to fight for Terrasen. Hated the people who had left such scars on the shifter that Lysandra was so willing to throw her life away. Hated ... hated himself for being stuck in this useless tower.” While also knowing it’s not her fault, it is her choice, but it also had to be (he at least knows that & does cut her slack). “He was shaking now, that rage indeed taking over. But Rowan snarled at him, low and vicious, "Save it for later." Aedion growled right back at him. Rowan gave him a cold, steady look that said if he so much as began to hint at what their queen carried, he'd rip out his tongue. Literally. Aedion shoved down the anger. "We can't carry her, and she's too weak to shift." "Then we wait here until she can," Aelin said. But her eyes drifted to the bay, and to the city beyond, still cheering. victory—but very nearly a loss. The remnants of the Mycenians, saved by one of their long-lost sea dragons. Aelin and Lysandra had woven ancient prophecies into tangible fact. "I'll stay," Aedion said. "You deal with Rolfe." "Fine," he said. Aelin groaned, getting to her feet, but stared down at him before she took Rowan's extended hand. She said softly, "I'm sorry." Aedion knew she meant it. He still didn't bother replying.” & knows (because Lysandra makes him better; as she already reminds him with her knowing compassion): “"That man has endured enough, Aedion. A little kindness wouldn't kill you." "He stabbed Aelin. If you knew him as I have, you wouldn't be so willing to fawn over. "No one expects you to fawn over him. But a kind word, some respect-" He rolled his eyes. "Keep your voice down." She did- but went on, "He was violated, and even if you cannot draw up forgiveness for stabbing Aelin against his own will, then try to have some compassion for that." — Aedion snarled at her. Lysandra snarled right back and held his stare with the face not trained or built for bedrooms, but the true one beneath—wild and unbroken and indomitable. No matter what body she wore, she was the Staghorns given form, the heart of Oakwald Aedion said hoarsely, "I'll try." "Try harder. Try better."”)

& Then moments like him asking her to come with him to meet Gavriel, & she simply does. Or that she trusts him to carry her home, vulnerable & tired. I think they give a lot of what the other needs while growing to be who they are themselves. Plus Lysandra deserves to be a leopard princess, sister-in-law(ish) to Aelin. “Princess Lysandra Ashryver sounds nice, doesn't it?” YES IT DOES!

Speaking of Lysandra (who is seriously one of my all time favorites; I relate, I adore her, and really it just doesn’t get better then all of these characters) I WAS RIGHT ABOUT LYSANDRA BEING A DRAGON!!! GENIUS!! And also LYSANDRA WAS A DRAGON!!!!!! I love her & Aelin’s plotting (which also gets kinda Kaz Brekker vibes sometimes; she is so brilliant, & the fact Lysandra just piles into the shenanigans; I love them). TALK ABOUT POWER! Also what fun genius for mythology… winning the people’s hearts… etc. …if only she could turn into a flower… and making that moment the first perspective we have from her in this book was so fun! Shoutout to @ asexualzucchini for fandoming about this with me (heads up again cause I know your on a first read too; THIS POST HAS SPOILERS for Pt. 1 ;-)

ELIDE & LORCAN; a team-up I was NOT expecting, yet find SO intriguing. From highlighting Elide (which is well deserved) esp. in her truest strength; smarts (her & Annabeth Chase would’ve been besties) and as something even Lorcan sees & values greatly, extra fun as in combo to his physical strength it’s a pretty perfect team (& a helpful combo for storytelling because you see his perspective which is of course very different then spoken threats from Rowaelin perspectives ONLY; & of course once again while I’m curious to learn more on the Cadre; esp. since Lorcan often to me just seems angry to have “lost” his friend). And I do love the boundaries they respect (even as an unknown dare I say “anti-hero”? Lorcan still has some clear moral lines (& I generally appreciate that in the Maasverse that everyone except the worst of the worst can agree where those are) he also keeps his word a VERY intriguing piece of his character), also the representation they give (go team disability represent!) + small girlies hanging out w big brooding boys (there’s my “kitty” style reference for you Aelin lol). Also funny cause eventually they’re gonna end up in the same place😂 P.S. him calling her MARION (gut-wrenching), Crochan history (very curious), etc. IT’S JUST ALL SO INTRIGUING! … Now if we could only have an empowering crossover so she can go talk to Feyre & realize she’s already intelligent, powerful, & capable, & not being able to read has no effect on that!! (while we’re at it & I’m on a crow comparison kick; go hug Wylan please).

Another team up I didn’t expect but surprisingly loved most was Dorian & Rowan’s roadtrip through Rifthold (new movie adaptation idea?😂):

Dorian, Dorian, Dorian where do I begin? — I love him. I think he might be the most morally grounded character (odd as that sounds for someone that was recently possessed). He would be a good king, because most important he’s just a good man. My heart breaks for him, he’s seen a lot without time or space to deal with it (it’s just adding up; “The latter, Dorian realized, usually happened when even the heat and sun couldn't drive away the shadows of the past few months—when he awoke with his sweat feeling like Sorscha's blood, when he couldn't abide even the brush of his tunic against his neck.”); yet he still gives everything he can to his friends, his people, his country (& Rowan gives & takes care of him too (another Aelin paralell/foreshadowing; “"You're not going to believe me," Aelin went on. "What l've just said, you're not going to believe me. I know it--and that's fine. I don't expect you to. When you're ready, I'll be here.”) ; “He wasn't sure whether to thank the Fae Prince for noticing or to hate him for the kindness.” — Because Rowan knows; “"You're going to hate the world, Dorian. You are going to hate yourself. You will hate your magic, and you will hate any moment of peace or happiness. But I had the luxury of a kingdom at peace and no one depending upon me. You do not."”); and somehow Dorian just remains good and kind even when the world is not. He may carry more, but it is never an excuse for him; he sets aside his pride, humbled, un-selfish, caring, and really trying. (remarkable enough that even Rowan notices & takes note; “I have known many kings in my life, Dorian Havilliard. And it was a rare man indeed who asked for help when he needed it, who would put aside pride.”) And I also appreciate that he is cared for in this, seen for who he is; respected in it (FINALLY said quite well in: “Rowan knew most underestimated the sharp intelligence under that disarming smile. Knew that Dorian's value wasn't his godlike magic, but his mind”)

And getting the friends & care he deserves, like Aelin who kept her word “I came back for you. "You both came back,"” (he is her friend, she does care for him) as it’s shown because she went so far as to send Rowan (someone she would NEVER risk; “"I will save him," he murmured. "I wouldn't ask this of you unless it was ... Dorian is vital. Lose him, and we lose any support in Adarlan." And one of the few magic-wielders who could stand against Morath. Rowan's nod was grim. "I serve you, Aelin. Do not apologize for putting me to use." Because only Rowan, riding the winds with his magic, could reach Rifthold in time. Even now, he might be too late. Aelin swallowed hard, fighting the feeling that the world was being ripped from under her feet.” (When she says “losing support” she pauses; because really it’s about losing Dorian her friend, remember she’s always coming from the mindset of “she will not write another name on her scars” almost to the level of her “I will not be afraid mantra” fading in from QoS in this first EoS quarter) so she wouldn’t risk him even in leaving her side (which props to Maas for breaking a typical VERY possessive YA trait; even at the cost of a promise-ish from the last book; “Next time we need to save the world, we do it together. Deal.”). & keeps keeping that promise to save him; not only to keep her word, but keep her friend. Along the way he so easily becomes Rowan’s friend, thawing the ice by just being a decent guy (that says a lot for a centuries old Prince of stoic brooding). I love the genuine respect they have for each other; the time they take (even short as it is) to have a mini-boat therapy session because they needed it; it says a lot about the two of them as good men; the way they help each-other, plan & train together (Dorian even has time to understand Aelin’s time away with a new compassion😅😅 “Honestly, Dorian had no idea how Aelin had survived months of this--let alone fallen in love with the warrior while she did. Though he supposed both the queen and prince possessed a sadistic streak that made them compatible” & even see Rowan get a taste of the Celaena Sardothien world & find he has similar sass). vice-versa you also see someone valuing Rowan’s strength, strategy, personality beyond warrior or prince, without any of this “male pride chest-puffing instinct”. And the way despite the change in new healthier friendships you also have the original ones growing with them “"And will keep changing," she said, squeezing his arm once. "But... There are things that won't change. I will always be your friend." His throat bobbed. "I wish I could see her, just one last time. To tell her... to say what was in my heart." "She knows," Aelin said, blinking against the burning in her eyes. "I'll miss you," Dorian said. "Though I doubt the next time we meet will be in such …civilized circumstances." She tried not to think about it. He gestured over her shoulder to her court. "Don't make them too miserable. They're only trying to help you."” It helps both him and them; like the team they need to be & are finding a way in: “"We'll figure it out." She loosed a breath. "But your being king is the first step of it."” Like the Queens & Kings they have been becoming for a world slowly building; starting with the fact he is one of the good men that do exist (like Nehemia & Celaena said) and as already shown: “Ten years later, and they were all sitting together at a table again--no longer children, but rulers of their own territories. Ten years later, and here they were, friends despite the forces that had shattered and destroyed them. Aelin looked at the kernel of hope glowing in that dining room and lifted her glass. "To a new world," the Queen of Terrasen said. The King of Adarlan lifted his glass, such endless shadows dancing in his eyes, but--there. A glimmer of life. "To freedom."” esp. as he helps raise up women in positions of power to do so as well! (We love a King ally)

Much like Aelin growing into a queen you see the shift as Dorian becomes a King. “Never again. Never again would he be weak and useless and frightened.” (From a quote I appreciated and found Nesta paralells in). “To her surprise, a king smiled back.” And I just hope somewhere along the way Dorian also finds his happy ending much like our queen is slowly finding a way too (like Rowan said; “You will find your way, too, Dorian. You'll find your way out.”); I think Manon is promising, I think he finally has a real family, & he’s learning his power which is good; his already Kingly skills also come in handy, they needed a diplomat. And for two characters I love so much, a genre that rarely shows good friendships between so many characters and guys having emotions and bonding beyond a love interest trope… I just loved it! p.s. thanks again @ mysterylilycheeta for fandoming about this one with me (and many others :-)

Now speaking of Dorian quotes (plus I needed a transition lol) much like Dorian I do sometimes miss Chaol; “"You know," he said, "sometimes I wish Chaol were here to help me. And then sometimes I'm glad he's not, so he wouldn't be at risk again. I'm glad he's in Antica with Nesryn.”while also being glad he’s off somewhere else… not just ‘cause of the injury (I actually hope they don’t make that THE “problem”, at least in the sense of making him “useless”. While healing in a magical realm is a useful skill, representation of disabled characters in the read world is also really important & still super kick-ass & powerful)… So, I’m glad he’s gone not for that but for the fact I think his mentality would conflict right now (& while Aelin isn’t always right; & does sometimes need a check as Aedion aforementioned & does this at least better thank Chaol in timing & how) + most of the time ya kinda need to just “keep calm & trust the process” because while “the gods may have some “masterplan” & only Aelin can outsmart & outplan them (you just have to let her go for it)… and hopefully Elide will be there to help soon!

Now speaking of good friends, & the rest of this post from “threads of fate”, to really loving characters, friendships, relationships (even most of my favorite quotes) it’s time to address THE SHIP because there is ROWAELIN. TRULY WHERE DO I START? I love them. They are perfect. Nothing can break them (Nothing better try). I love the peace & hope they hold for the other (they want more together, for each other; to live.). The balance they carry; especially when one is down, the other lifts them up (even rapidly flipping; I’m a few Chapters into Part 2 (spoiler sentence)🚨 & there’s the moment where it goes from her being on fire & him waking her from her nightmares, to him so panicked to save her he’s freezing the room & she’s soothing him). The way they are so alike, & shown even more so (as I’ve briefly mentioned) in this book (Rowan having some Celaena moments, her taking on a leader & diplomatic role, learning to control water & him teaching her to heal, exploring each others histories & a growing team of friends for & with them) & VERY different (they are the balance even in what they do share; for instance a scene I think on frequently: when Rowan leaves to go get Dorian, and Aelin cannot let him go. Right there she uses very specific words; she does not ask him to stay instead she says she cannot let him go; because she knows asking him to stay (like Lyria had begged) would kill him or telling him “he’s leaving her” would utterly destroy them both. And he does the same; he distracts her (knows what she needs) takes a moment for them (stops the clock) kisses her and then leaves before she opens her eyes in a flash, so she does not have to watch him leave (again), or (be the one to) walk away from him (he knows she already used all of her will to even have him go in the first place, she cannot ask anything more or she will not ask at all), or run again. They both are feeling the same thing, while understanding the differences they have experienced, they take the notice to love the other the way they need & the only way they can). Part of it stems from something I’ve adressed on the blog before, the honesty they share; and desperately needed. Or have discussed with other fans in beyond that the fact they trust, they can have it all on the table, and respect what has to be kept. Part is the fact they are the others soulmate (waiting for those words: “mate” to “officially” & finally seal what we ALL know by now😂). Another being the threads of fate every character keeps seeing; they are VERY tightly bound beyond separation; for better or worse a tangled knot that can not be undone.

The way in that they would fight by the others side, live & die together, for each-other. They would save the world for each-other (like Rowan jumping in front of the moonfire because he knew her fiery soul; “"No!" The word was a roar, a plea, and silver and green flashed in her vision. A name. A name clanged through her as he hurled himself in the path of that fist, that moonfire, not just to save those innocents in the city, but to spare her soul from the agony if she destroyed them all-Rowan.” — “"If you had destroyed that city, it would have destroyed you, and any sort of hope at an alliance."”) It goes beyond taking a bullet for the other, it goes to taking a bullet from the other (you see that side a lot in HoF). They would save the other for the world (like he says, the world needs alliances; because he knows it needs her, his queen). Or the other from the world; “And as his face became clear, his tattoo stark in the sun, as that fist full of unimaginable power now opened toward his heart-There was no force in any world that could keep her contained.” Together, to whatever end. They would even destroy it for the other; “But if it was death separating us … I would find you. I don’t care how many rules it would break. Even if I had to get all three keys myself and open a gate, I would find you again. Always.” They deserve something that’s an always, known, world & gods defying. And while I appreciate the way they defend each other, I also appreciate the way they defend their friends together; it may be them to whatever end, but it’s also not just them against the world (more so for the world?) they may be capable of destroying the world for each other, still they choose to give everything to save it. They choose each other, they continue to do so, to accept, to be honest. “Even if this thing between them ... even if he knew it was not mere lust, or even just love. This thing between them, the force of it, could devour the world. And if they picked it, picked them, it might very well cause the end of it.” they have a powerful love (one that is quite literally more powerful together). I love that scene too, the carranam; the way he steadies her (he knows why the manacles scare her, knows how to help her breathe despite it; “she is not afraid”), trusts her (she could kill them both, but he believes in her, always has, even before she believed in herself) gives her his power (talk about a feminist ally😂 he literally uses his power to give her more power), and she blazes the world (better & worse); she trusts him enough for the irons (something she may have killed someone else for), she trusts his trust in her (it empowers her metaphorically too), trusts him to save her from herself; trusts him which as this line shows; “"You trust nothing. She met his eyes. "I trust you."” is almost a miracle in itself. I love the easy rhythm they fall into like breathing, simple domesticity (even among war), natural understanding (soulmates), gentle unconditional stubborn & unchanging love that simply is. & is accepted as such. Learning more of their history in parallels & new perspectives, tales & legends, chaos & opposites (especially opposed in power) FIRE & ICE and remains the “meant to be” Carranam; though one of a kind it also understands itself in being love among grief, giving it the ability to see & soothe the unhealthy internal monologues… in a way that’s honestly kinda healing to read; I love their quotes, I love their scenes, I love their characters, I just love them.

It’s been fun to see more Aelin as Aelin, (and I’m not meaning “The one in green smiled, but for all its delight, all its wicked mischief ... It was a softer smile, made with a mouth that was perhaps less used to snarling and teeth-baring and getting away with saying hideous, swaggering things. Lysandra, then. The two queens faced Rolfe.” Lysandra twin-swap scene 😂) the way Celaena is now recognized as a part to play; “You met Aelin when she was still pretending to be Celaena” — “Because it was Celaena who sat here-for whatever purpose, it was Celaena Sardothien in this room.” from the way Rowan helped & accepted her all along. Rowan has always been her protector, her guard, her best champion, fiercest warrior & love, her dearest friend, her everything. It’s the one that saw all & loved anyways “to have one person who knew the absolute truth about her--and didn't hate her for it.” — “I see you, I see every part of you. And I am not afraid.” he is not afraid of her; the first time she’s ever had that… Something she desperately needs as someone so fear-based… She went from being a child who was never not afraid; she was taught to fear her power, fear the secret coming free, because she would be persecuted; because her people would not love her for what she was; she was protected against it and taught her powers weren’t to be trusted. She spent so long burying herself… Arobynn taught her that; created a world of only that for her to exist in, only to survive never to live. And as I’ve said before I LOVE SAM, I truly think he would have accepted her without flinching (I love & believe in the many soulmates for many lives theories; he was Celaena’s) but over & over again the saddest four words of almost they never had time. Thinking someone would love you “even if” is different that getting to experience it, she was still afraid he would turn her in or turn away, he would judge her as she judged herself, or didn’t know “how dark she could go”; like he was too good and she would drag him down. And here is Rowan: the one person who could stop her (the dark comfort she takes in knowing he could save the world if she endangered it; “That is how I was able to stand before the King of Adarlan, how I was able to befriend his son and his captain, how I was able to live in that palace. Because I did not give that rage, those memories, one inch. And right now I am looking for the tools that might destroy my enemy, and I cannot let out the monster, because it will make me use those tools against the king, not put them back as I should--and I might very well destroy the world for spite. So that is why l must be Celaena, not Aelin--because being Aelin means facing those things, and unleashing that monster. Do you understand?”) and doesn’t think that of her; “For whatever it's worth, I don't think you would destroy the world from spite.”

To the moment on the beach that strikes me again & again; Aelin in her rawest state (inner child & traumatized immortal), sobbing, unclothed (a very important detail not because of the rest of Chapter 38 spice but because of the psychological component; she is stripped down to her core at her worst, most vulnerable, visibly terrified uncomfortable state; it’s more like a nightmare of giving a speech & realizing your the only one without clothes), on fire (no hidden power or sense of control), unleashing an entire storm (after almost destroying the world; her world; even against her will); because she is Aelin Ashryver Galathynius “the rightful heir of fire” and Queen of Terrasen; she has been “Adarlans Assassin” & a “King’s Champion” Lillian, Elentiya, Celaena… all of these names… and yet, she is still afraid. And she cannot stop it; she is trying & failing, feeling every step backwards for every step she takes, she is running to nowhere, she is lost. And then there is Rowan. Rowan, who walked to the creak to see her, and went loudly so she would know & not be afraid. Rowan who knows when she needs to let off steam (literally) & has been burned & still does not turn away from her. Rowan who now is “silent as death” because he knows her mind is already screaming enough for the both of them. Rowan who follows her; over & over, unflinching, returning, staying, seeing, & still believing in her (even before she believed in herself; even when she cannot). She is begging for anyone that listens to take the job & all its “blessings & burdens of power”, wishing for a bottom to the endless abyss of her power, drowning in it; helpless in her own strength, because she does not trust herself (how can she when she can’t even be herself; not just Celaena; but Deanna), trying to run from herself. And Rowan who sees, hears, knows; and only cares about her. Choosing her. Loving her. Telling her those words. Arguing against the voices in her head for her; making her feel for a moment that maybe somehow she’s worth it (or at least too lucky to care even if she’s not). Because he has every reason to go; he knows what he could lose (even as they stand there; he is still shaken & terrified; he just saw a god steal the woman he loves from her own mind; he has no idea how to fight that & bring her back) He has lost that; felt it for centuries The world may be the price, they may be the price, they are in the middle of a war waged & waiting for hundreds of years; and he does not care. He only cares about her; better & worse. And she is not alone; never again. Reminding her that she can be both, staying on the road. As he says (a quote that made me cry): “You and I will learn to manage your power together. You do not face this alone; you do not decide that you are unlovable because you have powers that can save and destroy. If you start to resent that power… I don’t know where we go on that road.” And when she voices it, that fear (that brought me to tears); you’re just crazy for loving me.“"Because I'm the only one arrogant and insane enough to ask Mala Fire-Bringer to let me stay with the woman I love. Her flames turned to pure gold at the words-at that word. But she said, "Perhaps you're just the only one arrogant and insane enough to love me."” He simply, firmly, undoubtably, says no. … And when the times comes; when he creates a snow storm of his own (& destroys half a forrest😂) she just laughs, holds him closer, kisses him again. As she says; “who would not look at those flames with any ounce of fear.” as anyone else would have. They aren’t afraid of each other, they aren’t afraid, not together. “But Rowan had caught her each time she had fallen-first, when she had plummeted into that abyss of despair and grief; second, when that castle had shattered and she had plunged to the earth. And now this time, this third time ... She was not afraid.”

And because they are equal, because they will go to whatever end, because they pull each other back over & over whenever/wherever they drift. (And while I love Lyria, I believe she was one of his soulmates) I don’t think anyone ever understood him so well in return… Rowan loved Lyria. Lyria wanted him to stay for good reason, but he was not able to tire to rest to settle; she did not understand the warrior; just as he couldn’t understand enough not to be. Where peace was never quite had, the warrior that could not rest; there is Aelin. Who just goes to war with him, for him, for them. She is his hope, his queen, his love, his world, his fireheart🥹, & his everything (& thankfully NOT because of the blood-oath; “"How does she do it?" Aelin asked baldly. "With Rowan, it's not ... Every order I give him, even casual ones, are his to decide what to do with. Only when I actively pull on the bond can I get him to ... yield. And even then it's more of a suggestion." "It is different with her," Gavriel said softly. "Dependent on the ruler it is sworn to. You two took the oath to each other with love in your hearts. You had no desire to own or rule him." Aelin tried not to flinch at the truth of that word—love. That day ... when Rowan had looked into her eyes as he drank her blood ... she'd started to realize what it was. That the feeling that passed between them, so powerful there was no language to describe it ... It was not mere friendship, but something born of and strengthened by it.” glad they clarified that to give consent). I’ve said this about them before and I’ll say it again there is something healing in how wholly they accept and understand each other (to the point you would think they are reading minds), how evenly matched and equal they are. They are two of the best matched characters I know of; at times even to a fault (but even that is taken in stride). Aelin and Rowan are everything they have ever been with the other. This isn’t a comparison, there’s something beautiful to each of them (I’ll even still say that to Dorian & Aelin, the way their friendship came to be, and re-reads what might have been) there is just the fact that this is different and I think it’s a special kind of something. And the fact in the matching for the other they can go to the ends of the earth together; whether it be as Queen and Prince (though he would make a good king ;-) or assassins, gentle souls trying to rest, never at rest but trying for peace, fae and shifters fire and ice, warriors, martyrs, saviors, villains, Kings Champion & Maeve’s Cadre, friends, mates, whatever it may be “to whatever end”.

I especially love them in the little things… all these moments that show everything I’ve said and more.

The detail in Rowan knowing the other side to Aelin keeping him at the beach, and it not taking away from the moment. He knows, he accepts it. They know the layers, they don’t pretend otherwise, they don’t run or fight it, they just sit with it. The way he held her & grounded her during the sea battle, believing in her even as she lost her balance in power, the way she came back from Deanna for him, the way she held on to him through the storm. She reminds him what he is; that he is everything she needs, she doesn’t take the bullshit, she doesn’t give up; she lends a hand, or lets him follow, or defends him. And they finally said it; I love you. — Actually better than that, worlds best quote award of: “I love you. There is no limit to what I can give to you, no time I need. Even when this world is a forgotten whisper of dust between the stars, I will love you.”They finally chose this, them; and the world needed it (I will go down with the ship of them as queen and king). … So, my shippers heart is happy, I want more, I’m happy they’re happy, I want them to stay happy. They are the best brightest threads of fate & for a book I’ve loved to see tie together, the Rowaelin ship has been pretty perfect.

And some random notes I keep wondering on:

The color green in this series… From Lysandra’s eyes (the one marker she keeps in each form; funny as it’s also Terrasen (her future Courts) color, to Rowan’s pine green (& often “home” like Terrasen descriptions (once again)) to the green roofing of Rifthold, or tiling of the desert, the stolen wax stamp rings, Terrasen’s color, etc. … it’s just used to tell a lot of story & I find it a fun note!

On the subject of these “fun notes” I’d also like to Mention Maasverse “deals” in wording; I find it so interesting how carefully phrased (like a genie) things need to be, yet kept to their word they are. I feel like there’s some loopholes within some plots right now using that clause (if only there was Mort to prove it!)… I miss Mort…

There’s all of Lysandra’s shapeshifting, the character in that, her character all together. And then moments like Rowan reaching her to fly, to have her own wings. And introducing more powers outside of fae.

Fenyrs possible… winnowing? Whatever reason it was that Rowan sent him to save Aelin instead of himself (obviously meaning he was more capable because Rowan would save her any means necessary).

And these aforementioned threads of fate are pretty brilliantly done, I look forward to continuing to enjoy them. From Oakwald to 10 years ago to the detail of plans (Aelin going to the temple, for Brannon & the Dragon, & her territory claim… etc.)… SO MANY!!!

Especially because of YOU!..

— Final, biggest most important book/fandom thought yet: —

THANK YOU to the Maasverse!

As someone who doesn’t know anyone reading these —one of my favorite things to do is talk about them with other fans— I’m thankful to still have that; I’m thankful that tumblr has that; and thankful that y’all are so welcoming, kind, talented, & lovely! (Limiting full tags as this post is ridiculously long and no one should “have” to read it😂)

There’s a long list of you, to name a few (others please know you are still on the list, loved & appreciated)!! @ archerons-elain @ highladyelenna @ iwantavaldezinator @ romantasyreader28 @ antvwinderbaum @ shadowhunters77 @ chaos-on-stand-bi @ theauroragalaxy @ impossibelle @ aelin-fire-heart @ autumnbabylon @ headboymalfoy @ somebooksbelonginthesinbin @ idfendyr @ winged-artistic-wolf @ batter-upp @ cheap-spirits @ just tsteffs50cts @ xxvalkyriesxx @ captain-of-the-gwynriel-ship @ lynnsthoughts @ maevecrom @ stingy-swann @ mothlvrtothemoon @ wannaberachelgrxxn @ sweetokami @ avymiir

& so if I missed any, like I said just know you are so appreciated🫶 … and sorry I get confused sometimes (as this is technically a secondary blog to @lavendarneverlands lol😂). It’s always me though🤣

[miasmaghoul]

Omega. Tell.

Sigh. So large. So stoic. So Omega.

(this gets angsty my bad lmao)

How I feel about this character:

Another one that's grown on me over time. He was Primo's first summon upon being named Papa- the first ghoul summoned in decades, actually. Omega was relied on very heavily when the decision was made to revive the Ghost project, and for a long while was considered Sister Imperator's right hand. After the coup staged by Alpha, he voluntarily abdicated his position in the band to his protégé, Aether. He stayed on the road for the rest of Terzo's time as Papa, though, and let me tell you why.

All the people I ship romantically with this character:

(Here's the long part lmao)

Terzo. Always and forever. They met when Terzo was a newly promoted Cardinal, still coming into his own. Learning to put his natural charm to use. One slow look up and down his body, one wink of an unnaturally pale eye, and Omega knew he was doomed. He still had professional relationships with Primo and Secondo, of course, but his connection with Terzo was something he neither planned for nor predicted. His ascension to Papa status put a strain on things, of course, but Omega never minded playing second fiddle to his leadership duties. At first it was fine; they worked well together, Terzo was loved by his ghouls and congregation alike, they won that award - their following grew, and with it grew Terzo's ego. How could it not? Power can be toxic even to those with the purest of intentions, and nothing about Terzo could be called pure. But Omega saw him changing - becoming colder, more callus to those around him, aloof in a way none of them deserved - and for the first time in his existence felt scared. He knew something had to give, before Terzo lost what had made him such a wonderful leader to begin with. It was easy to blame the coup on Alpha - he had always been volatile - despite the fire ghoul's protests, but he'd gone to his execution with his head held high and magma in his eyes. Omega had stared him down until his body crumbled to dust, and no one was ever the wiser. He convinced Imperator to let him stay on the tour though, as Terzo's personal medic. Needed the closeness, after so much had started to drive them apart. By the end of the tour Terzo was like a different person; whether the chaos had scared him straight, or whether he realized his time could be short, it was like having the old Terzo back.

The last time Omega saw him was when he was dragged off stage - until the morning a photo of one Cardinal Copia holding his lover's severed head appears on the unused side of Omega's bed. On top of it laid a simple gold ring, one that matched the one on Omega's own left hand, and no one sees Omega after that.

My non-romantic OTP for this character:

I really like thinking about his dynamic with Dew. I don't see them being romantically involved, but I think as a new summon Omega provided him with a lot of stability. He also introduced him to Aether, and we all know where that ended up.

My unpopular opinion about this character

I hate when people draw him skinny. That ghoul is LARGE 😤

One thing I wish would happen / had happened with this character in canon.

Part of me would have loved an in-universe explanation for the swapping of the ghouls during era 3, but at the same time it's way too much fun thinking up Scenarios lmao

[machineheraldandy]

RETROFANG: talking about the ship

Xina Kwan x Miguel o’hara

For the 1992-1995 spiderman 2099 comics, and the world of tomorrow 2099 comics that followed.

Welcome back to me rambling in a way that probably doesn’t make sense

Miguel x Xina is one of my comfort ships, something I love, it’s flawed, but beautiful, it tells a story that the writers no longer want to show which is upsetting, it’s flawed loved of two people who care for each other deeply but cannot bring themself to be together, one is self destructive, while one seeks for ways to help. A relationship to its core doomed to fail.

The first time we ever see Xina is when she is that of what we can assume to be around 12-13, both her and Miguel were young students attending school together, two people that would later stick together and not befriend anyone else that we can see, and from the very starts it’s love at first sight for Miguel, you can see with the way it’s drawn to the plot that falls that Miguel falls instantly In love, and it can be argued that Xina also fell in love, or at least let Miguel flirt without being uncomfortable. He gives her a glance, and turns his head to follow her as she does the same before they officially talk.

Later on it’s straight away to flirting, asking to go to the pool, a possible sign of trying to get what a child may consider a date in a way. They spend the rest of their school years friends, and helping each other, it appears that even if both In love, they decided to take it slow, become friends, then best friends, then lovers, a way to build up a healthy and trusting relationship, a relationship that shows Miguel waited years to be with Xina, waited years for her.

This is what I consider deep love, a love that movie, craved but also feared, a love he had to destroy in order to destroy himself

The next time we see Miguel with Xina is when he is moving into his alchemax apartment (it appears), which due to the way we assume Xina is, and how she is in general, even if she went to an Alchemax school, she doesn’t really like Alchemax, yet would do things in support of Miguel working there, she saw flaws in his design and yet hang on, because she loved him, it’s then hinted that they of course did it, but it also shows one of Miguel’s biggest flaws when it comes to Xina, he loves her, but waits too long to learn about her. In later times he learns what she likes, what she does, but here it’s shown that he didn’t even known his best friend had gotten a tattoo of her favourite real life person, something he would have known because they are seen to be best friends that stick together.

Which brings up the issue and possibly why their relationship ended so soon, yes Miguel definitely found Dana attractive, and was emotionally cheating in front of Xina, but at his core he wasn’t ready to be a good partner, he wasn’t ready for a healthy commitment, he couldn’t even properly care for what Xina loved, even after knowing her since they were basically pre-teens. Miguel was not a good man at this time, he’s he waited for Xina for years, but he was too much of a bad person to hold onto her after finally getting her,

You also take into consideration that he is self destructive, he loves Xina more than anything and therefore he had to destroy it fast, he had to find another fast to destroy what he had, he had waited years for a woman, he has her, now he has to get rid of her in a way she will never want him back, how does he do that? Cheating. Emotionally first, and then physically.

When we end up seeing them again it’s because LYLA is broken, LYLA who resembled Xina in the way of it being based off of her tattoo, Miguel doesn’t care for Marilyn Monroe herself, he cares for the fact she is xinas tattoo, hence him only now caring for xina’s interests, caring too late. He becomes desperate to fix her because she is in his way a way to be close to Xina without havent to be near her, he loves Xina, but he can’t return, he messed it up too much on purpose. Though that ends fast as he soon learns that the best person to go to, to fix LYLA is Xina, which could possibly also be seen as an excuse to see Xina again. Once let in the first thing he does is go to her bedroom, to remember the old times, to live in the past, the past he craves but can’t get anymore.

You also see that Xina who is still single and assumed to have stayed single after Miguel, still loves and misses him, her bedside photo is them together. She loves him, she wants him, but she hates him as of now.

Within this time we also see Jack, Xinas Android, Miguel mistakes him for a partner, and seems to be almost jealous, upset. More signs he still loves her even if engaged to Dana, you also see Xina making it clear she doesn’t want him there and hates him, but she doesn’t kick him out, and it’s clear as much as she was uncomfortable, she cared enough to listen, cared enough to help, and of course we know this was going to happen, as even if she claims she just wanted to see him “crawling back” as a joke, it’s clear from the photo in her room, that she wanted him back deeply.

When she talks to Miguel many things are clear, one she is lying about things and two she is desperate to be the one he needs the most, even if she doesn’t want to make that clear.

She lies when talking about why they dated she claims it’s because she felt sorry for Miguel, but once again her photo in her room proves that wrong, along side the fact that she caught Miguel cheating as she came home early to be with him and to make him happy, she deeply cared for him, it was never about his dad, it was always about their love.

You also see how she is almost trying to push him away and is mocking his fiancé, Miguel doesn’t stop her, almost as if he wants her to insult Dana, because truthfully he doesn’t care for Dana the way he should, he cares for her as he loves her as she is what he considered dumb, someone that can’t question him, someone that blindly follows. Yet he sees Xina as smart, independent, and important to him, he loves that about her, yet is also scared about that. Because it means she can help him see his errors, and he doesn’t want to be shown, he wants to remain blind

Next one I want to talk about is this comic panel, you see that Miguel is finally caring for her interests, he is taking the time to get her real old things such as a gumball machine, because he knows she loves it, he is caring enough finally, he knows what she likes, what she want, why she wants it, he cared for her deeply and after years is finally showing it. Only now

next bit in this panel Miguel mentions the fact he was going to end it, he directly tells Xina he is planning to end it in a way, and Xina instead of making a joke, instead of being her nasty self she has been a few times, instead asks him to join her on a trip. Alone. She cares for him enough that she is literally wanting to spend time alone with him as a way to possibly keep him alive but to also reconnect, something that shows her deep love for him, and deep need for him, and also just the fact she is a great friend. These are two people stuck in a bad world they suffer in that still care for each other deeply.

(NO image as I don’t feel comfortable with that)

SA mention

I am bringing up a scene we end up seeing soon into their trip together, a flashback to Kron attempting to harm Xina, this is poorly written and used as a way to show Miguel and Leon’s hate for each other, they directly use Xina getting SA’ED as a way to push two boys fighting. This is no doubt disgusting writing.

But in the sight of this being about Miguel and Xina it has to be bought up in the way that Xina would put himself in danger, and put his family at risk, risk being abused by George, risk loosing everything, risk possibly even being killed by George, to keep Xina safe, he before now refused to fight back, refused to lay a finger on Kron as he was scared for himself and his family. He was frightened, yet he risked it all for Xina. He did at a point nearly bail on Xina, he was scared the worse would happen to him, but in the end he Kepler her. He kept her safe, even if it was poorly written and should have been shown in a different way that didn’t make a man the savour of a woman facing SA

Nor that’s over we get into the venom arc, the arc where Kron as venom attacks Xina and Dana to get to Miguel, something that reveals Miguel’s even deeper connection to Xina, he out of impulse screams for Xina, he is more worried for her, though he is still very worried for Dana, in this he has to save both, he only successfully saves Xina, and Dana passes away, this isn’t used for shipping Xina and Miguel, in fact Xina ends up leaving. This is shown as a way to show their friendship only, they don’t get together, as they both mentally can’t, Miguel lost his fiancé even if he wasn’t the best partner, and Xina had survivors guilt, she hates herself for hating the woman that slept with her boyfriend, a woman who hates her interests (shown by how she hates Gabriel’s retro interests) she so ends up leaving, I can argue that this was the best ending for the comic, until Miguel and Xina returned later. They both weren’t mentally stable, they both yes loved each other, but they would have ruined each other if they tried again.

The next time we see Xina is when she is happy to see Miguel, even slightly seeming to mess around, she cares for Miguel still, and Miguel still cares for her, but she has seemed to move on, she doesn’t care for a relationship, she has a job to do, people to help, and tech to work on, but yet she is still close to Miguel, she still holds onto Miguel, she still in a way loves him, even if as of now that love is platonic, and the same can be said for Miguel, he is trying to find Gabriel, he doesn’t have time for trying to get with Xina,on top of that but they only see each other for what can be assumed to be less than 24/7’S, they aren’t ready to try again, it’s too quick, and the story handles that well, it doesn’t make them a couple, it makes them friends, who still may have feelings for each other.

In the end they end up leaving, Xina just had her best friend did, and Miguel still needs to find Gabriel, they never end up together, from there on Xina stops showing up, she doesn’t appear in canon at all, she is gone from Miguel’s life, if we don’t count time storm a non canon story; it has been nearly I believe 27 years since she was last since.

It is a bitter sweet ending to her story, and she doesn’t get seen again, but it’s also a bittersweet ending to Miguel’s orginal love life for 2099, after that they force him into Peter Parker’s love interests within stories, or he gets tempest from the past, not his time, which I still love, she just isn’t from comics I read. For the year 2099, for the future Miguel has no life without Xina, he is stuck literally and metaphorically in the past.

I would love to Xina come back, she is considered Miguel’s MJ, the endgame, the person he loves more than anything, and really when you see the writing, when you see what was done, that is completely true, it was written that they were doomed lovers, but they could easily become good partners with time and effort, and if Miguel stops being self destructive

In the end they didn’t work due to Miguel’s self harm, and due to the fact Xina wouldn’t deal with what which is good for her. But if Miguel gets therapy…maybe. They could work.

Over all good doomed lover plot, painful for everyone that wanted them together forever such as myself

But in a non canon comic when Miguel is mentally more stable, him and her are married, and ended up growing old together :)

[lovingherwasgay]

I'm genuinely afraid that once the movie comes out and it inevitably doesn't "make trobed canon" people will be quick to criticize its quality for it and dismiss it as a whole. like it's a fatal flaw and bad writing. like the whole movie is shit because of it. It's not. we can love trobed all we want but it isn't owed to us and it doesn't mean the character arcs are BAD just because they don't turn out the way WE would like them to. It's not the only valid outcome.

and we haven't been queerbaited ffs. Does community really look like a show that gives a shit about what the popular audience thinks? do you seriously believe Dan Harmon and the writers would write anything into the show with the sole purpose of gaining the viewership of some specific audiences? LMAO go watch the show again. this show barely scraped by enough to get its 6 seasons because they DID NOT COMPROMISE artistic integrity, ever, they always made the show they wanted to make even at the cost of near cancellation and viewership loss. if they wanted to 'bait' any audiences into watching they could've made a more digestible, less fucking insane tv show my dude.

and not to be that person but Yes, if you only think their relationship is worthwhile if they're canonically confirmed as romantic/sexual you are SO missing the point of what already makes them special in the first place. They're soulmates they're best friends they love each other more than anyone else and all this CAN be platonic/queerplatonic. You can dislike the writers' decision on that, you can disagree with them, but it does NOT mean it's queerbaiting or that the writers are making it a gay joke/trying to bait gay audiences. It just sounds like you're channeling your old wounds with past truly queerbaity shows into this situation when it does not apply at all, this isn't that kind of show and it never was nor will be.

And honestly, on another note, just take a look at how Dan Harmon writes relationships in general. No ship in community is meant to last. Every time he uses them it's there to show the character's FLAWS and why the relationships suck (jeffannie, jeff/britta, britta/troy, annie/troy...). He has NO INTENTION of writing a relationship that WORKS, that stays together for good, it doesn't interest him. If it appears in the show it's doomed to fail.

"Uh why don't they make trobed canon but we have to see these shitty straight ships that don't even work together :/" gee I wonder WHY. almost like it was written that way intentionally or something. With this in mind, him not making trobed explicit is honestly a GOOD thing and I am glad it's something just for us to dream about, because relationships in Community's universe just don't last. Friendship and found family are the things that prevail forever, as the 6 seasons kept proving again and again. You can dislike this about his writing, you can think it's a bad take, but it does not mean you can accuse him of queerbaiting just because he doesn't wanna write what YOU wanted to see onscreen. That's not on him or the writers.

TL,DR: we are not entitled to canon trobed and if you'll trash talk the movie just because it doesn't go through with it you're missing the whole point of the show you supposedly love and understand