#dont wanna talk about it Explore tagged Tumblr posts

[acidic--citrus]

Hiii! In my previous reblog of this wonderful post, I said I would be providing some more accurate Korean translations of the stuff we've seen to confirm or correct things as an addendum; I hope OP doesn't mind ^^ I'd also like to share some additional thoughts of mine that I've been rotating. I've just been rewatching this goddamned trailer over and over because I'm Just That Obsessed and wanted to share some of my findings/thoughts. HERE WE GO! All under the cut.

Going by the order of topics in the original post, first off are the silhouettes in the title card! People in the notes have speculated correctly; the 5 silhouettes we see are N Corp Don, Sinclair, Faust, and BL Yi Sang and Outis, from left to right. Here's a gif I made to easily show what I mean. (Huge thanks to the public limcom shared assets google drive, I don't know what I'd be without it.)

(Seeing as how later on in the trailer, the Envy Peccatula are confirmed to manifest as N Corp Don and Faust at the very least, I hope this means we'll also have a Blade Lineage/Yield My Flesh to Claim Their Bones node, or BL/YMFTCTB themed wave if the Envy Peccatula fight is going to be all in one node.)

Next, the new RR4 gimmick of specific buffs being seemingly tied to the order in which you choose your sinners pre-battle. The translations for these buffs in the original post are, for the most part, fine, but here I've cleaned up and corrected the translation (I even used the in-game font to match in the hopes that someone out there will appreciate it!!). The source for my translation comes from. ME! I'm (somewhat) fluent in Korean, though my primary language/native tongue is English. I also cross-referenced the in-game translations across both the English and Korean versions of the game (I was very thorough) so as to be accurate.

Additionally, I tried to decipher what the blurry text is for Yi Sang and Hong Lu, which google translate couldn't catch in the original post. They are also included in the image above.

To do so, I used the same font used for the Korean in the game, and typed out what I thought it was from a glance, and then put them right next to each other for comparing. Unfortunately, even going frame-by-frame, Heathcliff's text was far too blurry and went by too fast to decipher.

I'd say it looks about right, doesn't it??

From here on out, I'm supplying new tidbits not in the original post!

The next part in the trailer shows a little of how the backup mechanic works.

First off, yes, it looks like 2 sinners died in the turn prior, as Dante's announcer comment confirms this (my translation might be a little different from how the actual in-game English version of Dante's comment is translated, I just tried to remember to the best of my ability).

Additionally, it seems you can remove, switch out, or outright cancel backup sinners from joining in??? As "해제" here means 'to clear,' or remove. I don't know about this one tbh. "대기" means 'in wait/standby', or backup.

And this is just a small thing, but another thing of note are the little unique status effect icons that each sinner has. Here I've written in large text what the number is in each of their status effects for easy viewing. Numbers 1, 3, and 6 are in red/orange, and belong to the first 6 sinners chosen. Numbers 7 and 8 obviously belong to the new backup sinners who just joined.

I think this is a continuation of the trend in gimmicks featured in the Walpurgisnacht events, where the first sinner you pick has unique buffs and a unique status icon to match. I'm pretty sure that if you hovered over those status icons, you'd see what specific buffs they have.

I wonder if we'll have the freedom to choose which buffs we assign to what number order, similar to how in the 2nd Refraction Railway we could choose the order in which buffs to receive.

To end this post, I'd like to throw my hat into the ring on speculating who wrote the abnormality observation logs teased in the trailer as well!

So while I have the sliiight advantage of being able to more easily pick out everyone's writing style in Korean, as its more obvious/telling in many ways, for example differences in 존댓말 (formal/polite speech) and 반말 (normal/casual speech), I'm still not 100% sure on who's who, as some quirks of their writing overlap with one another. That and, there's very limited data; only one paragraph given for each abnormality. :( i need more .... i need MORE (clawing at my enclosure)

First of all, reminder that sinners receiving/having an EGO of a particular abnormality does NOT mean they'll always be the abnormality's log writer!

Portrait of a Certain Day

That being said, interestingly enough, it seems that this time the abnormality's log writer belongs to someone who does share an EGO with it—Gregor!

We can safely rule out Ishmael as being the writer, because even though the English log is blunt and straightforward like in her other logs, she also uses polite speech (존댓말), and there's absolutely NONE of that here. Rather, the blunt and casual speech (반말) is definitely reminiscent of Gregor's other logs, and while Heathcliff also speaks using casual language, he's also more... violently inclined? So I think we can also rule him out safely too.

Further, the line "Yeah, it's like we're taking advantage of their deaths, isn't it?" could be a reference to how Gregor hates medals, a representation of a person's "great achievements," because of how they're touted as something to strive for when all it is is propaganda for further campaigning. The soldiers in the war were taken advantage of and used for another's purposes.

Similarly, a portrait is a (dishonest) representation of someone, and usually these portraits are glorified or commissioned by someone of high status to make the person portrayed look good (recall canto VI's first intervallo), much like a medal. So when Gregor expresses his distaste for a portrait being paraded around...? 👀 You see what I'm getting at.

Dreaming Electric Sheep

THIS HAS GOT TO BE HONG LU IT HAS TO BE. listen listen okay listen on the topic of hong lu observation logs, listen his last two logs for the Sign of Roses and Canto VI's first intervallo's final boss respectively was. was. listen okay they were absolute gut punches and i. they make me distort everytime i think about them okay i just need to get this out somewhere. anywhere. its so dark in here

Ahem, SO! Judging by how the dream aspect is being emphasized here like the original post mentions, as well as how the writer uses polite speech in the Korean version, I'm leaning more towards this being written by Hong Lu. Red Chamber Dream has a huge motif going on with dreams, or so I hear, and him waxing a little poetic in the line "It was almost like a dream." could tie into that! That line is also why I don't think its Ishmael, who also uses polite speech, as I think she rarely ever waxes poetic; from my observations it seems she tends to be blunt, straightforward, and goes about it objectively.

I'm also ruling out Sinclair, another such polite speech-user, since he stutters (includes many ellipses) often in his logs, and in awkward moments. His also tend to include lots of "um"s, "uh"s, and other such sounds to convey hesitance or lack of confidence/certainty. The ellipses that trail off here are more reminiscent of Hong Lu's tendency to trail off into thought at times, I think!

i bet 13 lunacy that earlier in the log, hong lu talks about how the sheep's fluffiness reminds him of something/a luxury back at home lolol

Envy Peccatula

Hmmm... The casual speech here and the lighthearted "nicknames" given to the lust and gluttony Peccatula ("mass of flesh," "toothy plant-thingy") make me think it's going to be Rodya who writes this log, as she loves to give nicknames to things in her logs!

While she's jovial and silly for most of her logs, when shit gets real or something made a serious impact on her, her tone sometimes gets serious or dumbfounded—and I think this is one of those times.

The impact placed on that last line, "But... these look just like us." makes me think of Rodya's whole deal of wanting to be unique and stand out. The introduction of dopplegangers, and her having to face herself (which she has been AVOIDING..!!!) would absolutely be something to shake her deeply.

This is the one that's throwing me in for a loop, I'm not gonna lie. But at the same time, I can't see myself attributing this to any other sinner otherwise, that is, assuming that the new abnormalities introduced with this Refraction Railway are all written by different people (no repeats).

The King in Binds

Following right after the doozy that was the previous one, This is 1000% Yi Sang. This is just Yi Sang. I know for a FACT that NO ONE ELSE IN THE BUS is talkin like That in Korean. ITS SO PAINFULLY OBVIOUS which logs are his, this needs NO MORE discussion. EVERYONE GO HOME

Jokes aside, the specific things that gave it away to me were "듯했으나," and especially the "하오." at the end of the sentence. I can't quite translate them into a proper English equivalent, but just know that they're very antiquated Korean, and the only other sinner who does that is Don Quixote, and she is NOT the one who wrote this. She simply isn't. Source: Trust Me Bro

Such is all I have to say on who I think will have written these observation logs. If you've made it this far THANK YOU FOR COMING! I hope to write more analysis posts in the future.

Hello Limbus Gamers

Why did I title this post that.

Anyway, yeah, it's that time again. I'm gonna analyze the RR4 trailer. Some of you may be asking why, but. You'll see.

Oh boy you'll see.

Starting off, we get a very brief animation of the nodes of the new Railway. And by brief, I do mean, this shit speeds past you like instantly.

They even make sure to not show the whole thing all at once to make it harder to count. I did count though. There are thirteen of these nodes in this animation. This might be subject to change, but we shall see.

Then we get the title card. We're back to single word Railway names from before RR3, and in the background we get to see some silhouettes. We're gonna learn what they are during the trailer itself, but you can already tell they're the abnos from the Battle Pass E.G.O - Dreaming Electric Sheep, The King in Binds, and Portrait of a Certain Day.

We also see silhouettes of some Sinners, and while it's hard to make out with the text in the way, I'm pretty sure there's N Corp Don, N Corp Faust, and BL Yi Sang in there.

Now THIS is interesting - a new Railway gimmick! Not just one gimmick though, but after throwing the screenshot into Google Translate, it turns out we might be dealing with two!

First, the one that doesn't need translating to figure out - the Backup gimmick. I believe it's shown a bit clearer in the next scene, so I won't be speculating on it too much yet, but from my guess it's a replacement for a similar mechanic in RR3, where you could throw another team of Sinners at an Abnormality after your initial team of 6 died to finish the Abno off from where you left it at.

That's not the most interesting part though, this is.

Our Sinners are also going to be recieving individual buffs in this Railway, potentially based on selection order, considering PM has been pushing more and more for the selection order to matter with the recent addition to the E.G.O Gifts.

If I'm correct and the buffs are based on selection order instead of being completely random, we can see the buffs are as follows:

Selection 1 - Identity Level +2

Selection 2 - SP Gain Efficiency +3

Selection 3 - too blurry for google to translate

Selection 4 - Defense Level +2

Selection 5 - Max Speed +2 (the 5 came from the semi-transparent level 45 number lmao)

Selection 6 - too blurry for google to translate

Selection 7 - Final Power +1

Selection 8 - Damage taken -10%

Selection 9 - this one i'm not too sure on but it might be Aggro +5 (the 45 came from the semi-transparent level 45 number lmao)

Selection 10 - scene cuts away too quickly to read it

In addition to that, some IDs (primarily the Backup selections but also for some reason Faust) get a head start of +10 SP when they join the fight, which is a very nice way to help off-set the issue of having to gain sanity in harder fights to even attempt winning clashes.

Next scene shows us what seems to be the Backup mechanic. It's an admittedly very brief shot that barely shows us anything of how it works, but considering everyone's low sanity and Ishmael's stagger, I'm guessing what happened is two units died and the backup units were put in there in their stead.

An interesting gimmick that honestly feels more lore-accurate than the current system LMAO.

Next up, we get our excerpts from the new Abno Logs. This one, based on the background, is for Portrait of a Certain Day. It's a bit hard to tell who wrote this Log based on the English translation, but it does give an interesting insight onto the Abnormality and by extention its E.G.O, Bygone Days.

Something about taking advantage of deaths through parading mementos of the dead in connection to Yi Sang and Gregor, huh... Gregor is the one who gave Aya's mask to Yuri as a memento, and then proceeded to keep that mask as a memento of Yuri. On the other hand, while Yi Sang personally didn't keep mementos of the League around, both Dongbaek and Dongrang had a strong emotional attachment to the last remaining picture of the League all together. There's something there I think.

Then we get to see the excerpt from Dreaming Electric Sheep's Abno Log. Again, not very clear who's writing this from the English translation. And this is a very interesting excerpt too! This is the clearest connection we get between the Abno and the 'Dreaming' part of its name! I feel like I'd need to see the whole Log to get a better idea of what is being conveyed here, but it is good to see we're getting to see some new angles on the Abno.

BIG SHEEP! It's notable that it's attacking Faust.

And there's Portrait, in all its low bitrate glory! Note that it's attacking Yi Sang.

What follows is two more shots, one of each of the Abnos, and then...

It might hard to see in that glorious 240p low bitrate, but yes. That is, in fact, N Corp Don and N Corp Faust, covered in a purple glow, attacking the Sinners.

And then, the bombshell.

Guys.

Guys.

These are Envy Peccatula.

Envy Peccatula are doppelgangers.

DO YOU REALIZE HOW HUGE THIS IS FOR SIN ANALYSIS??? Envy is one of those sins we got barely anything on due to its lack of Peccatula, and yet here we are, RR4 gave us a fucking blessing.

Anyway, back to talking about the actual fights themselves, I believe we're going to be dealing with faction-themed Envy Peccatula stages. The one we see in the trailer is N Corp, complete with a relevant background, and in the in the title card we can see Blade Lineage Yi Sang, implying we could get a BL-themed node as well. Notably, these are both factions that have enough IDs to form a full team.

The only other full team ID factions we have are W Corp and Liu Association, so these are also contenders for Envy Peccatula nodes. Seven Association is also possible, as they are only missing one ID from being a full six ID team. We could also potentially get a fraud Pequod Trio that's made up of the Pequod IDs, which would be really funny, but I'm not sure how likely that is.

Back to the trailer itself.

We finally get the Abno Log excerpt for The King in Binds, and it's very evocative in my opinion. The poetic language makes me think that Yi Sang is the one writing this Log.

This seems like an excerpt that's being used to describe a game mechanic - The King in Binds might have a mechanic where he tears himself free from his throne if certain conditions are met. Very interesting considering what we know about the abno.

What follows is some extremely quick and hard to see snippits of The King in Binds attacking Yi Sang. Yes, this is the best frame I could get from it.

Aaaand that's about it!

All in all, extremely excited about the potential Envy lore and fighting against out own units, and I guess the abnos are there too.

[theresstilltime]

okay yall... ive watched so many. SO MANY. edits on tiktok. and the brainrot has reached my hands. i might even draw more [():] wild stuff

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser��s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[shepscapades]

so! how’s it going

[starry-bi-sky]

Clone^2 - Separation Strikes

"Why do I have to go?" Damian asks, surly and accent-thick, it sounds more like a demand and a whine at the same time. Sitting on the kitchen table with his arms crossed, in a green t-shirt that Danny bought him at a whim when he was at a thrift shop, and black shorts, he's never looked more like a kid. There's a little backpack leaning against the table leg, Damian begrudgingly picked it out when they went shopping.

His English has grown in leaps and bounds since Danny found him -- er, or more accurately; since Damian was spat out in front of him. -- and very little did they have to use the translator on Danny's phone these days.

Which meant one thing: Damian can start attending school comfortably now. And 'go' was the Amity Smiles Child Care Center. Danny and Jazz went as kids until they were twelve, and Mom and Dad actually managed to convince the center director to let Damian enroll for the summer.

And it was summer; Damian starts today.

"Because," Danny says, trying and failing to hide the smile pulling on his face, his heart warm and soft, and also laughing at Damian's expense; "being cooped up in the house all day isn't good for you, and you're starting school in the Fall. And, in Jazz's words: you need to have interactions with other kids your age for the benefit of your social development. And besides, it's only for the morning."

Damian's nose scrunches up, and his eyes roll so violently that for a moment, Danny thinks about joking that he'll get his eyes stuck like that. He holds his tongue; his little brother already looks like he's five seconds away from committing an act of violence.

"I don't need social interaction." Damian sneers, his cheek in his hand; a neverend pool of pride. "I am--"

"The Blood of the Demon Heir, better than everyone else." Danny cuts off, waving his hand in dismissive circles, his voice mockingly deep. Damian's brown skin darkens in embarrassment, and he scowls at Danny. "I know, bud. But Jazz is right, -- don't tell her I said that, -- you should be around kids your age."

Especially when he starts First Grade in the Fall. Honestly -- Danny was a little nervous to send him to the center. Damian's long since cut the habit of trying to kill or otherwise maim people, his palms ache-burn with gentle reminder, but his tongue was as sharp and as cutting as his sword. He still struggles with trying to quell it when he's upset. Vicious child-weapon that he once was, and will never be again.

Danny knows that it comes from a place of fear and defense, that Damian lashes out because that's what he's been taught. That at the end of the day, he doesn't really mean what he says, and he's learning to express himself better. But the other kids don't know that, and kids can be unforgiving and cruel.

Danny just...

His slow beating heart sighs, melancholy settles behind his lungs.

He doesn't want Damian to be outcasted. He doesn't want him to be alone.

Not like he was.

Damian sneers again, but says nothing, his shoulders crawling up to hide his ears like a turtle receding into his shell. Danny watches him silently, leaning against the kitchen counter with his own arms crossed. The clock hanging on the wall ticks in their ears -- it's almost time to go.

He watches Damian, careful, and so he sees it when his little brother's stone-shell pride and petulance shudders, and cracks. The darkened furrow of Damian's brows weakens, and for a moment, slants back.

Ah, Danny thinks, his own shoulders slumping. Epiphany washes over him, and his sad-heart soothes in warm understanding. So that's what it is.

His head tilts, and his hair spills over his shoulders, messy and fluffy, tickling his neck. Some of his bangs fall into his face. "Hal 'ant easabiatan ya habibi?" He asks, voice low and soft. Just as Damian's English has improved, so has Danny's Arabic. He still stumbles over himself some days, and Damian says his accent is trash, but they can have whole conversations now in Damian's mothertongue.

(Danny was incredibly proud of himself for it.)

Damian's face darkens, his blush spreading across the rest of his face, and he ducks his head down. Grown-out curls, black-brown and springy, falls over his eyes. "La!" He yells, loud and indignant, and not at all convincingly. "La 'asheur bialtawaturi!"

He was nervous. Danny can see it now, in the hunch of his shoulders and the tightness of his face, and faintly, he can feel it too. In the ecto-rich air of the Fentonworks House, it thrums, barely-there, like a hummingbird behind his lungs.

Danny can't stop the little, fond smile that forces itself across his lips and upticks the corner of his mouth. "It's okay to be nervous, little brother." He says, he sounds like Jazz when he says that. He doesn't think she'll mind him borrowing the nickname.

He pushes himself off the counter, and Damian refuses to look at him, hiding behind his hair and in his shoulders. It takes three long strides for him to reach the table, and Danny turns, plants his hands on the ledge, and hoists himself up. Right next to Damian.

Damian leans into him easily when Danny's arm wraps around his shoulders and tucks him close to his heart. He can feel his ear against his ribs. Danny hunches over him, resting his chin on Damian's head. "It's so okay to be nervous, actually. I was nervous, Jazz was nervous." He tells him, scratching the blunt edge of his nails across his scalp. "Everyone gets nervous."

"'Ana last aljumiea." Damian mumbles, as small and feeble as he was the night on the OPS Center balcony, realizing that his mom and the League weren't coming for him. Realizing that he was replaceable.

Danny's half-working heart squeezes; in grief, in rage, and his faucet eyes sting. He breathes in carefully, and presses his nose into Damian's hair in a loving faux-kiss. "You're right, you're not everyone." He says, steady and strong, because if he's not a pillar for his family, who else is he?

He can feel Damian's eyes flick up to him, and Danny smiles into his black-brown curls. Tilts his head to squish his cheek against him instead, hand dropping to thumb below Damian's lashes. "You're Damian Fenton," Because the adoption went through a few weeks ago, and he's still riding that high, "You're my baby brother. O' Artist Extraordinaire, Kickass with a Sword, Vegetarian and Wonderful Co-Ghost Hunter."

Damian tries to stifle a smile, and fails. Score! Triumph gathers in Danny's gut, his smile grows wider. He squeezes Damian tight, and only releases him so he can look him in the eyes. "And if anyone gives you a hard time at school, and I mean anyone--"

Danny has bad memories of the teachers looking the other way when the other kids were bullying him, all because he was a Fenton.

And Danny, bleeding heart, bleeding hands, loves his family more than he will ever love himself, will never let Damian experience the same injustice. Not if he can help it.

His eyes narrow, and the buzzy-film of ectoplasm covers his eyes, making them glow, "--You tell me. And as your awesome great big brother-and-technically-dad-but-only-biologically, I will handle it."

Damian, wonderfully made, full of light, his little brother Damian, giggles weakly at him. A sound that's worth it's weight in gold. The scary eyes dissipate, and Danny matches the sound with a cock-eyed, impish grin, dragging Damian into a soul-crushing, too-tight hug. The kind that only annoying older brothers can give. "Got it?"

That gets a proper, if short, laugh out of Damian. He wriggles in Danny's arms, trying to break free. But Danny does calisthenics, his arms are as big as Damian's head, so it doesn't work. "Understood, now, daeni 'adhhab ya 'akhi!"

Danny laughs, loud and bright, and loosens his hold just a smidge, only so he can adjust his grip and hop off the table with Damian still in arm.

"Never!" He crows, hoisting Damian slightly. One eye flick at the clock, and in one quick move, he secures Damian under one arm like a football, and hooks his foot under the strap of his backpack. Kicking it up, he tosses it into the air and catches it with his free hand, and slings it over his shoulder. "Now, to the car, my boy! Before we're late and Mom and Dad get charged."

Damian groans, childish and dramatic and long, but his face is all squished up with a wide grin and glee. Danny can taste his joy beneath his tongue.

"And, if my little pep talk didn't encourage you," He says, reaching the door to the garage, flipping Damian up onto his hip instead. "If you have a good day today, I'll make you bal mithai when you get back."

Like all kids at the promise of sweets, Damian's eyes widen and glitter. Danny loves seeing Damian be a kid, it's his favorite thing in the world. "I will!"

[surreal-duck]

live drama adaptations part 2 (prev)

cast reveal and girls movie night 🔥

[timetravellingkitty]

I'm not listening to a white person on what's racist or insensitive to brown people. read orientalism by edward said before talking to me or my son ever again

[arom-antix]

I bring to thee some quick late night Viktuuri sketches because I think we could all use some fluff

[skitskatdacat63]

2011 Italian Grand Prix - Vettonso

[possuminnit]

Can you draw a ctubbo or ctommy or both of them please please please ^_^

okaa ^_^

[bi-scottsummers]

Hi, hello, just came here to say that I love your fic "trending in Japan". I was wondering if you had headcanons regarding Kenji or Emi or interpersonal relationships and stuff. Many hugs for you.

hi hello, thank you for the encouragement and hugs! After some thought ive realized I do in fact have some hcs about some of the character dynamics in the movie as well as just kenji himself, cause hes captivated my entire brain:

Kenji & Emi

Emi does not have teeth but she does inexplicably have a teething phase. kenji is forced to hide all his (salvaged) fancy cars in the garage bc the corvette's already been chewed to hell and his heart is gonna give out if he has to watch any more classics get wrecked

he reads her bedtime stories. A lot of aesop's fables, because theyre short and fun and hes trying to raise his monster daughter with good morals. emi goes hogwild for these but its unclear if she actually understands what hes saying; kenji's pretty sure she just likes the silly voices he uses for different characters

they go flying together! they go first thing in the morning before breakfast - it helps kenji shake off the grogginess of sleep and emi gets to stretch her wings. shes not able to go very far for very long initially, but as she grows and gets those cardio gainz she almost gets to be quicker than him. they have races and play air tag :)

while she doesnt have the vocal range to speak english herself, it becomes clear that emi does understand it well. (kenji also develops an ear for her chirping/squawks, though body language & facial expressions play a big part in communication for both of them) during her (much later) rebellious phase she'll simply pretend not to know what's being said when kenji is telling her to do something she doesn't wanna do, which frustrates him to no end

Kenji

developed a pretty massive chip on his shoulder after moving to the states. it wasn't just bitterness over his dad staying behind, though that was a part of it. this is canon but he was picked on in school for "how [he talked], how [he looked] and what [he ate]." he felt like he had something to prove to both his father and the world. he threw himself into sports - specifically baseball - and his academics, and he did so well that it forced everyone to shut up about how he was different from them and focus on how he was better than them

^ playing off this: kenji had a bonkers fucking yonkers routine when he was a kid/in highschool. he'd get up hours before school started to practice his swing, go for a ~1hr run, workout, study, etc. He'd go to school, come home, and do it all again. this is exaggerated but my point is that this kid was DETERMINED and had the discipline to see that determination through to the end

didnt have many friends because of all aforementioned things. he had acquaintances, and he was invited to parties and outings and stuff (never went), but he spent most of his free time hanging out with his mom. he never really had a "parents are so embarrassing" phase. he always liked to do anything with his mother: going to the bank, going grocery shopping, watching cheesy telenovelas till ungodly hours in the morning, etc. she was his no.1 supporter, confidant, and best friend

he played for his university's baseball team and got scouted at 19. his mom forced him to finish his bachelor's first so once he graduated with his degree in kinesiology at 21, he was drafted to the dodgers

Kenji & Ami

both of them, up until meeting each other, were totally dedicated to their career (and child) so they had basically 0 time for friends. theyre both borderline losers but theyre juuust good enough at what they do for people to admire them instead of finding them sad and lowkey pathetic

kenji is way more into the idea of being friends than ami is. hes pretty enthusiastic about it; he thinks that they have a kind of rapport, since they share a similar work ethic and are both (unbeknownst to ami) single parents. he calls her to chat abt random things. ami initially isnt superrrr into it; she thinks kenji is kinda lonely and desperate for human connection, & it isnt until her mom points out that she has not spoken to anyone outside of work-related reasons in 10+ years that shes like oh shit, i am also lonely and desperate for human connection. so she grudgingly acquires a friend. theyre both really bad at it

need to clarify that in my mind their dynamic is 95% kenji yapping about work and drama in his personal life (circumventing the 8m baby kaiju hes raising) while ami goes "mhm mhm" and takes notes until kenji notices and is like What are you doing. at which point ami is like...... right . nothing. im listening. and forces herself to put the notepad away. she has a hard time disengaging from the reporter mindset and just hearing something intriguing without turning it into an article. the other 5% are the rare moments where theyre connecting super well - ami's psychoanalyzing the hell out of whatever kenji just said and hes like what are you my therapist. over time she starts opening up to him, too, and eventually theyre comfortable enough to be having philosophical discussions over breakfast just for funsies

before kenji reveals that hes ultraman, ami thinks hes in a gang. he keeps showing up to their lunch "dates" with like bruised eyes and fractured bones and gets all shifty when she tries to ask about what happened. when she eventually confronts him about it, hes so offended that she thinks hed be involved in something like that that he tells her about being ultraman

thats about all i can think of rn, though im sure ill think of more after rotating all the characters in my head for a while. thanks again for stopping in, i appreciate the support :)

[dispotatorulzz]

Queen and Laz plus some little pages !!!

Lazarus looks kinda bald but there is like nothing I can do about it hes just built like that . ALSO !!! Lazarus is a bigger pony Queen is just an alicorn (big)

I hope we get to see some of grefgore destroying someone with that sword he was given what happened to it even

[deus-and-the-machina]

ngl I might get crucified for this but I think the dunmeshi yuri/yaoi discourse was stupid and misrepresenting the ao3 factoids. as of today the most written for mlm ship is labru with 69 (nice) and the next most popular has less then half that at 31. meanwhile farcille has 125 out of the 154 F/F ships in the tag. it is by FAR the most popular ship, with the next two most written about sapphic ships being marcille/izutsumi (9) and kiki/namari (4) and also a couple of x readers? so farcille dominates by far

it seems to me that what's going on is that several mlm ships are in rotation in terms of popularity whereas farcille dominates as the singularly popular wlw ship.

and this doesnt mean that the issues people were bringing up about the general lack of sapphic content and the way fandom treats female characters aren't valid, but idk man when farcille fanart is cropping up daily and getting thousands of notes and has about twice more the amount of fics that the most popular mlm ship on ao3 has its like. I dont think this is really a fandom that proves that point.

I would like to see some more variation in smaller wlw pairs to make up the difference though! I dont think I see any tade/izutsumi fics and we need to change that they could be so cute.

[poisonousquinzel]

I dont understand how the same man who wrote the absolute insulting atrocity that is the Harley & Ivy comic (and the fuckint Harvest comic i stg) is the same one behind the Harley & Ivy episode and this

[Ivy disappearing on the other line is because she Immediately left when she heard what Joker had said.

She may have been teasing Harley and laughing at first when she was going on about all the things planned for her birthday night with her love, probably because Ivy knows he doesn't have a romantic hone in his entire body. but the second he Actually did something, he pulled the plug on her special night because he wanted to go do the "Yacht Club Job", she wasn't having it.

"No way was that going to happen."

"Look at her smile. Isn't this better than robbing that stuffy old yacht club? So glad I ran into you en route."

Just those lines of hers :')

Like even though she thinks he sucks and she knows he probably wouldn't have made the night as wonderful as Harley deserved in the first place, damnit she deserved Something. something other than him leaving her behind on standby in case they need a get away driver.]

like does this man flip a coin every time he writes Ivy and decides whether or not he wants to characterize her accurately or make her essentially a joker stand in purely so they can add plain ol' slapstick humor. it's fucking baffling to me. like who the fuck creates a character who's in YOUR og canon an abuse victim and the literal episode her and Ivy meet in that fact is reiterated time and time again. it built Ivy up as someone that really is going to care about her and wants to help her improve her mental health because he's destroyed her self esteem.

and then to take that bond YOU made and throw them into a disgusting, over sexualized comic that you incorporate fucking slapstick humor into?!?! Like wtf is wrong with him how do you manage to create a couple great (female centric) stories but most of the time just come off as nasty and frankly sexist.

p*ul d*ni i just wanna talk, i swear i will not viciously bite your ankles i swear

[f-extabyte]

I have an actual lore theory for how Deadpool & Wolverine ties into the main MCU timeline both in the present and the future

SPOILERS /// don’t read if u haven’t watched deadpool 3

So this theory is entirely based on @wadesknife’s post if proven true: https://www.tumblr.com/wadesknife/761448908631261184/something-i-havent-seen-anyone-comment-on-yet-is

if it IS Loki’s idea to bring Deadpool into the MCU, he’s FOR SURE gonna be one of the main villains for the next phase.

My theory is that Loki wants to bring Wade into his universe solely in hopes of them joining forces to cause chaos, and to take over Earth or whatever his queer heart desires.

But little does Loki know that his plan already backfired bc of what happens after Deadpool 3’s events, cuz now it’s resulted in Wade bringing LOGAN into the MCU as well, and their old man yaoi relationship keeps the both of them mentally stable and good-hearted. Once Loki finds this out, I’m positive he’s gonna try to break the couple up somehow in future MCU movies.

(I’m hyping myself up at this point becaUSE OH MY GOD. ID FUCKING KILL FOR A LOKI/WADE/LOGAN INTERACTION SCENE. Like imagine Loki either tries to convince both of them to join his side or kidnaps one of them (preferably Logan) and the other has to save him in space. I bet it’s one of Wade’s nonsexual fantasies to save Logan from villains like a damsel in distress (but he’s the Wolverine, so everyone’s already dead by the time Wade arrives lol)

THIS ALSO COULD TIE INTO WHY THOR WAS CRYING. cuz yea it’s played out as a running gag in Deadpool 3, but now i have two ideas for how this scene plays into the plot in the future:

- First, this confirms that Wade and Thor will meet and become friends ;) but either Thor doesn’t know wade has regeneration abilities OR they both make their own secret plan to take Loki down.

- So the crying scene is either Loki in disguise as Deadpool, and he’s manipulating his brother that his new friend is dying in front of him, OR Wade and Thor are reenacting Loki’s sacrifice for a specific purpose- or for shits n giggles (either is completely true and accurate to their characters hdkgnsskgns)

[the-incredible-auraa]

What do you mean the japanese dub of deadpool is toji fushiguro