#don't make sense but who cares

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[myszkaa]

I feel like ppl who try to come up with reasons why Labru doesn't work haven't read the comic where RYOKO KUI herself show that they make a great team.

Like it's literally canon, kabru and laios both know they work well together. They're aware of their strengths and weaknesses and that's why they rule Melini together now.

[uncanny-tranny]

All I want is to go to a trans person's funeral after they lived a full, enriching life. I want to see trans people grow old, I want us to live like the stars. We don't deserve to burn out before everybody else. When we die, I want it to be because we grew old, because we had lived.

[acertifiedmoron]

the magnus archives is a romcom—no what the hell it's not. it is, however, a gothic horror romance between jon and elias. because you see, the thing about jonelias is that their canonical dynamic is built around an absurd number of gothic genre tropes. jon sims obviously fits the mold of the tortured gothic protagonist quite nicely who's facing both external (the other avatars targeting him) and internal horrors (his progress as the Archivist weighing on his conscience). but he's also trapped in the gothic manor which is the magnus institute. there are secrets (the place being a temple to the eye), locked doors, forbidden chambers, and bodies in the attic which serve as evidence of past misdeeds (the panopticon; gertrude and jonah's bodies in the tunnels), the institute/archives is ultimately destroyed by fire - purging the gothic manor i.e. the symbolic destruction of the previous order with fire is a common motif in the genre. and jon's work in the archives is haunted by the figurative ghost of gertrude who remains a curious mystery he must unravel and will serve as a constant reminder to jon of his own inadequacies (just like du maurier's rebecca fr)

elias is then —

1) his personal bluebeard figure who murdered his predecessor, a comparison which only gets stronger with the jonah magnus reveal since he's been cycling through archivists for two hundred years, all having met gruesome ends in service to him and jon being his final and most notable choice. are you seeing the maxim de winter rochester imagery. are you.

2) his gothic double. doubles as a literary trope are your hidden self made manifest, the horror lies in the double (elias) revealing the gothic protagonist's (jon) hidden, true self to them. elias as an avatar of the eye is entirely unrepentant for his nature, he revels in it. which is a mirror to jon's own self-flagellation because despite how much he feels torn about his own metaphorical vampirism, he likes it. he admits as much to gerry as early as s3 when asked about his feelings on his ability to compel truths. and why wouldn't he! after being kept in the dark so long, why wouldn't he like it? and jon and jonah had in common their natural curiosity even before they found the beholding. elias is a mirror and jon looks in it and sees someone who is him, but not quite. someone who is what jon would be if he could simply let go, but jon can't. like most gothic protagonists he will kill his double because it is a reminder of a self-truth he can never escape.

and watcher's call. like what even is that. what do you mean that's a thing. what. literally wuthering heights. "why did you heed the call?" // "because this is the place i know i should be" <- normal dialogue to write for two guys definitely not starring in a gothic romance.

^ same genre of images. so the spider, the mother of puppets, the web which is the symbolic representation of narrative thread in the magnus archives universe WEAVED them together? red string fated, that's what they are? so they're soulmates. that's what you're saying. they're literally soulmates. soulmates as existential horror? just enough of an illusion of narrative agency for jonah/elias to claim, "the Chosen One is simply that – someone I chose" but paradoxically joined by fate, which isn't a good thing! because no god-like powers of hope, or love, or indigestion, or whatever, only fear. because even though both help the other achieve narrative self-actualisation (elias making jon the archive and jon making elias the king of a ruined world), their union also irrevocably destroys their lives as they hurt each other in deeply personal ways which signify their greatest fears. elias manipulating jon, whose biggest fear is mr spider, i.e. loss of control and jon repaying by being the very thing that kills jonah, who has spent multiple lifetimes trying to escape the end. and that's romance <3

[oceanwithouthermoon]

yk when i think about it, especially when im watching the anime with people who havent read the manga, the reason a lot of people who only watch the anime and didnt read the manga misinterpreted saikis character so badly is definitely in part because of how damn fast paced the anime is 😭

like that little smile and eye shine frame is there for not even half a second in the anime, so its easier to miss it and assume that he really did only finish those workbooks to get coffee jelly ☠️ its much more clear if you get a good look at how he reacts here that hes just a silly little tsundere and a fucking liar

[waywardgirl75]

this cold, blushing, bickering zosan is doing wonders for my heart

[katierosefun]

insane to me that if harvey had been even an iota less insane, he probably could have gotten mike to be a lawyer the more normal way. i mean, man is a big shot attorney who graduated fifth in his class at harvard law school and probably has a gazillion connections and he absolutely could have just gotten mike into harvard law school (and talked harvard people into looking the other way about how he got kicked out of college . . . worse people have gone to law school tbh), and then harvey could have just negotiated with jessica about not having a personal associate for another three years or just have had mike become a summer associate or something and then hire mike onto pearson hardman, but noOOoOoOoOOoOOO, harvey was so impatient to get his hands on mike that he had to go through this whole fraud thing. gay behavior

[adrienjay]

MORE TRANSFORMERS WITH BOWS. MORE. MOOOOORE.

CROSSBOWS. BOWS THAT SHOOT PLASMA ARROWS. BOWS THAT SHOOT PHYSICAL METAL BOLTS. BOWS THAT SHOOT FIRE.

SMALL BOWS THAT ARE EASY TO CARRY AROUND ON STEALTH MISSIONS. GIANT INDUSTRIAL STEEL BOWS THAT ONLY A BOT THE SIZE OF ULTRA MAGNUS CAN DRAW.

INTRICATE, ARTISTIC, GORGEOUS CAMIEN BOWS DESIGNED SPECIFICALLY FOR THEIR WIELDER. PLAIN GRAY MASS-PRODUCED BOWS FOR M.T.O SOLDIERS THAT HAVE HAD NAMES AND SYMBOLS AND DOODLES ETCHED INTO THEIR METAL BY PEOPLE WHO ARE DESPERATE FOR ANY OUTLET FOR SELF EXPRESSION AND INDIVIDUALITY.

DO YOU SEE MY VISION. DO YOU SEE IT.

[phoenixcatch7]

In love with the idea of captain marvel being Billy's imaginary friend. Like, it'd be so easy. Early depictions had them as almost fully separate people sometimes, like one soul with two minds, rather than just two filters like we mostly see now.

But imagine a Billy down on his luck, hurt and hiding from police and criminals alike, daydreaming the hours away as children do, taking inspiration from all the superheroes rising to fame, making little stories to play out his dreams of saving the world with a generic action doll he found while dumpster diving once. Most of the paint's rubbed off.

Red's his favourite colour, his comfiest jumper is a bright ruby even after all the grime and washes. Gold, too, it's shiny and warmer than silver! A hero cape is a must, big and eye catching! And he can fly, of course, like superman, and in his daydreams, when he's sore and frustrated after a long day's grind, his superhero is smart enough and knows all the right words to get the bullies to stop without resorting to fighting.

His superhero fantasy is one he spends a lot of time on, the first one he goes for when struggling to sleep at night, and he can picture it so clearly. Captain marvel is big and bright and kind, strong enough to lift the boxes for the old lady up the road who's moving all by himself, fast enough to catch Jamie who fell out of the tree on Saturday and broke his leg and couldn't come to class for weeks. He appears at the entrance to alleys when Billy is cornered, he steps up behind to cover for him when he gets caught shoplifting, he sits at the bus stop with him when it's pouring rain and the right bus doesn't seem to be coming.

And then the wizard comes, or rather whisks him away, and like a magician from a fairytale breathes life into his imaginary friend until Billy feels thrice his size and a million times more invincible.

From then on, captain marvel is a real hero, just like Billy is a real boy, and as one they save the whole city, and then the whole world, and get cats down from trees and help Mrs Victoria move the last of her boxes and she gives them a pinch in the cheek and cookies for the road and sometimes it hurts but it's so much better than he imagined.

[rainofthetwilight]

just saw someone call arin selfish gn everyone

[maxanor]

so anyway-

[starliteonearth]

The more and more I think about it, because it has been bugging me for a minute, I think the reason why Rhaesaria can happen and Rhaenicent can't -and probably never will- is that Rhaenicent is just too big of an ask. It's too much of a canon divergence and an incredibly massive one at that. They've already changed so much from the books to make their relationship what it is in the show but actually putting Rhaenyra and Alicent together in a romantic relationship would literally derail the plot. Like I literally can't think of a way they could put them together and still accurately portray the Dance. I really don't think it's feasible. Rhaesaria however, can happen because it literally affects nothing, in the grand scheme of things. Nothing about and around the two of them changes. With Rhaenicent, you'd have restructure so many things (again) to not only make it possible but believable to the greater audience. Especially given where the story is right now. The bad fanfiction slander that would further arise from making them cannon would practically snuff out the show. And that's why I believe their relationship can only, and always will be, just subtext.

[coockie8]

There's no way any anti who throws the "go file your taxes" insult is actually an adult, right? 'Cause an adult would know you literally only file your taxes once a year and only at a like really specific time of year usually :/

[ravelights]

I think one of the reasons I don't like the idea of Izuku ending the series quirkless is because he gave the quirk up to save Tomura. Izuku could have gone with the brute force method and purposely killed Tomura but he didn't because that wouldn't have save him. But because Tomura died, and he died in such a way that it feels bitter and unresolved, Izuku ending up quirkless feels more like a gut punch then a noble sacrifice. Although Tomura died quote unquote "with a saved soul" his death has shaken Izuku in ways that will change him forever and it just so bitter that it doesn't warrant Izuku losing his power over it. If Tomura had physically survived I could see Izuku losing OFA for good, but Tomura dying AND Izuku becoming quirkless again just feels like such a middle finger to Izuku whole sacrifice and journey.

[merp-blerp]

Hamilton will be 10 years old next year…

[earthlyruins]

seeing people mischaracterize sanji will forever boil my blood but seeing people mischaracterize LUFFY and say that he only has sanji on his crew because he can cook actually has me wanting to kill someone HOW can you be that stupid. no genuinely how