#don't hit me please

[pidaraska228]

Эщкере🤘🏾...

[themadknightuniverse]

Not me having a huge mood shift in writing leaving the porn to the side to open another window and go for a short sad lacho thing

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[alexassanart]

favourite scenes from pacific rim 3 💙

[poorly-drawn-mdzs]

A procession of confessions.

[First] Prev <–-> Next

[lostwords-found]

Oh no. Oh fuck. I am relistening to some of the earlier Protocol episodes, and I have a horrible, terrible, no good very bad suspicion about Gerry.

I could, I want to emphasize, be completely wrong! I could be wildly, hilariously, off the mark. But--hear me out. This is going to take some explaining about what I think is going on in the bigger picture worldbuilding stuff; hopefully it'll be coherent, but fair warning, it may get a bit long.

First: there have been a lot of cases that have boiled down to trying to keep only the "good"/desirable/etc aspects of things or events or people, and discard the "bad"/unwanted, right? We saw this happening very explicitly in episode 23 with Alesis Newman, and way back in episode 2 with Daria the painter, but a number of episodes have presented variations on a similar theme.

Two variations in particular that I've been thinking a lot about are the violinist in episode 4 and the gambler in episode 9. The violinist can play his violin beautifully, but he wants to be rid of the price in flesh and blood that it demands. Similarly, the gambler wants the rewards of rolling high on his magic dice, but wants to be rid of the misfortunes that come with rolling low. Crucially, both episodes make clear that in this type of balance--something unwanted for something wanted--you can't just make the unwanted piece vanish. It has to go somewhere, it has to happen. But you can make it happen to someone else, somewhere else. And when that's how the game works, one of the major questions for players who want to get ahead then becomes: "how do I make the bad stuff stay happening somewhere else, and keep reaping the benefits of the good stuff that balances it out?"

Here's where this gets wildly speculative and from here on I freely acknowledge that I may be talking out my ass:

I think the Magnus Institute was investigating that question. I suspect a great many alchemists before the Institute, probably going back to the times of Albertus Magnus, were investigating it as well. I think the Great Work they were attempting -- the "universal transmutation" alluded to in episode 21 as the Magnus Institute's aim -- was the exact opposite of Jonah Magnus's own "Great Work" in TMA. In other words, I think they were probably trying to make the world an eternal paradise, rather than an eternal hell.

But if you're getting rid of all the "bad" stuff, all the suffering and misfortune, it's got to go somewhere.

I think they were sending it through to other worlds.

I'm not going to get into all the reasons I think that right now, because that's a whole essay in itself, but basically--the Leitners in TMA? The artifacts? All the little bits and pieces of evil given physical form, that never had a clear origin point in the world where they caused so much suffering for so long? We've all been worried about them winding up here, post-Archives... but I think this is where they came from in the first place. I think they were sent away in the hopes that an increase in "bad" in other worlds would lead to an increase in "good" in this one. Remember all those books Albrecht von Closen found in the tomb in the Black Forest in TMA, that Jonah Magnus later stole and let loose on the world? Remember that Albrecht found a mysterious coin along with them dated 1279? Albertus Magnus died in 1280; I strongly suspect he sent those books from the world of Protocol to that of Archives shortly before his death, much as the world of Archives sent the tapes away centuries later. But I think Protocol's world kept sending things away, kept trying to export "bad" and import "good". Remember all those happy, laughing volunteers bringing strange and sinister items to the charity shop on Hill Top Road in episode 7? "All for a good cause."

Okay so. Now. With that bit of hypothetical framework for Protocol's worldbuilding in place, let's next go back to Alesis Newman of episode 23. Her expressed wish is to create a new her. "Someone better. Someone the pain can't touch." Someone who can be everything Alesis wishes she could have been. Someone "free of all (her) mistakes."

But increasingly it sounds like what she actually wants isn't to create someone new. It is to create someone who is only a part of her current self. Someone who, she says in one of her last few posts, will "just be the good parts of me."

And if that's the case, if what she's really trying to do is make someone who holds only the "good" parts of her, someone who can be happy and strong and perfect and loved by everyone forever... what happens to the bad parts of Alesis Newman, as she currently exists? What about the parts of her that feel pain and fear, the parts of her that make mistakes, the parts of her that she rejects?

One might assume, from the experience she narrates, that those pieces of her are simply being destroyed. But that doesn't line up with the suggestion we've seen from earlier episodes that there has to be some kind of balance maintained in these bargains. What she actually says is happening to her--and what the forum members have apparently told her will happen, through this process--is that she and this "new her" are "becoming one... and then two."

I don't think the "bad" parts of Alesis Newman are dying. I think they're also going to become a "new her"--they're just going to go somewhere else, somewhere the new, happy, strong, perfect version of Alesis Newman never has to see them.

Still with me?

Okay.

Now let's talk about Gerry. Let's talk about the smiling, laughing, irrepressibly happy Gerry Keay we meet early in Protocol. Gerry who seems to have everything that the Gerry Keay of Archives was denied.

Gerry who underwent tests at the Magnus Institute as a child, and who, per the static over his and "Gee Gee's" words, holds a few more secrets about what went on there than he let on to Sam and Celia.

Back when I first heard Gerry's appearance in episode 8, it sure felt like a narrative gut punch: This is who he could have been in Archives, if not for the presence of the Fears. This is what Jon and Martin's final decision threatens to destroy--for this safe, happy version of Gerry, and for everyone else in his world.

I'm now suspecting it might be significantly worse than that. I think the Magnus Institute might have done to Gerry Keay something similar to what Alesis Newman later did to herself: made him New. Kept only the good parts--ensured a happy, comfortable, good life for him. In which case, all the bad stuff--all the parts of Gerry Keay that would ever have to suffer from bad luck, to feel pain and fear and misery...

...well. They'd have had to go... somewhere else, wouldn't they.

Which would suggest I had the causality the wrong way around the first time I heard Gerry's appearance in Protocol: maybe it's not "Gerry has a happy life in this world because he didn't have to suffer everything that the Gerry Keay of Archives did."

Maybe it's "Gerry in Archives had to suffer everything he did because Gerry in Protocol was made to always be happy."

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

[ni053791]

"Matching icons for you and your bestie who’s sick of your shit."

━━ Based on this Tweet I found in my bookmarks. Feel free to use these as icons if you want to do that for some reason, just credit me if possible. Thank you!

[nyuoqi]

            — PLEASE DON'T HIT (ON) ME!     ౨ৎ     PGW

✸ SYNOPSIS !  : in which you have your fair share of embarrassing moments. one of it being punching a guy's nose for a plushie (which you did not get at the end). but what will you do when he ended up going to the same class as you? wait, oh no! he recognised you. now you're in for one hell of a ride.

PAIRING  𐙚  park gunwook x fem!reader

GENRE  ⊹  socmed + written chapters, uni! au, strangers to enemies to lovers, fluff, humour, maybe angst, reader is unhinged sometimes

FEATURING ⋆ zb1! ricky + gyuvin, ive! rei + wonyoung, evvne! phanbin + jeonghyeon + seungeon, riize! wonbin.

STATUS  𖦹 completed !

📓 3 barbies and 2 kens  .  underground dawgs  .  privs

OO1 decked by a Woman

OO2 1am morning news

OO3 got him turning into shakespeare

OO4 500k words slowburn fic

OO5 gunwook vs yn (smau + written 393 wc)

OO6 tunnel visions

OO7 whos hyunjin

OO8 get in the trunk

OO9 $0.10 shortage

O1O bitchless and no balls competition

O11 when are u not insane

O12 sassy men apocalypse

O13 hater for lyfe

O14 nom nom est yn

O15 we lost him

O16 wallow ur self-pity

O17 finding wonbin (smau + written 989 wc)

O18 need him GONE

O19 spidey senses

O2O not YET (smau + written 1.1k wc)

O21 incapability to pull

O22 under ur bed

O23 freedom of speech

O24 the seungeon beef

O25 cringy asses (fin !)

BONUS CHAPTERS ꗃ ៸៸

coming soon ! . • •

TAGLIST (CLOSED) : @nanadreamies @run2min @dwcljh @leehanascent @pwrcelanii @320flora @chaeryvips @rikimylove @chillychuu @marshwatz @shotaroswifeyily @jayujus @replayenthusiast @yyfka @girlokarina @sionshiii @sparklingsjy @annoyingbitch83 @sillybabycat @junnysbae @07yujin @istphanie @2ynjns @kaynunu @egoistars @bloobworld @xiaoquanquans @heartswonn @infinitehaos @ffixtionista @hrtattcker @rai51db @nanasdream @alltimebnds @luv4ryu @darlingz99 @tlnyjoong @chweverni @llearlert @stryroses @xiurmy-everything @luvvvash @lampcults @xstxrrii (send an ask or reply to this post to be added!)

[sskk-manifesto]

「BSD 5×11: TWILIGHT GOODBYE」 ↳ 20.09.2023

[esggs]

cult leader!geto suguru x secretary!reader

Geto snores into his pillow, his long hair spread princess-like over his broad back, having escaped from the little bun he made before bed last night. The heavy curtains are keeping his bedroom still cool and dark at 11 am. I guess that’s why I didn’t wake up on time, I’m pretty sure we missed the Ichinori meeting. You look over at your naked boss next to you, deep asleep. Well, I doubt he’ll get mad at me. 

He looks so… breathtaking. His back still carries the marks of your sharp nails, you smile as you run a soft finger down his spine. So perfect. Glowing skin. Hard muscles underneath. He’s not going to wake up anytime soon, you know that. He’s usually a heavy sleeper, but especially after having been wrung out like that last night – you’d done a good job, you grin at the memory. Maybe he’ll give me a raise. 

You try to piece together all your clothes, you do have to go reschedule his meetings after all. Pleated pants- got it, under the blanket that Geto’s hogging all to himself. Formal blouse- got it, near the door, ugh, is that a tear on the neckline? A shame, this one was expensive. Bra, bra, braaa- got it, what the fuck?? Ah. You remember Geto tore it off you, too impatient to wait a second more. He liked to do that, ripping your clothes off you. Yanking a handful of your hair too close to your scalp. Hickies on the soft of the thighs and belly that seemed a touch from bleeding. A harsh spank with his large hand that made your lamb eyes tear up. Pushing a thumb into your ass while fucking into you from behind. A little painful, a little rough. That is how Geto enjoyed you. 

You decide to give up looking for your panties (they're definitely not in a wearable condition anymore, after having been pulled down your wet heat by Geto's teeth and promptly stuffed into your mouth). For a second, you dare to wonder if you’ll get away with stealing one of Geto’s briefs from the clothing drawer, before deciding that’d be crossing a boundary. Regardless of how many times he’s cum down your throat, he’s still your boss, after all. He’s still the wonderful Geto-sama that you adore and respect, one who found your potential as a sorcerer, one who will rid the world of all curses. 

One who’s trying to pull a hair out of his mouth in his sleep. Adorable. One pant leg in and other pant leg out, you awkwardly hop over to him and take the hair out for him. Those eyelashes melt your heart. You cherish him as you wear your pants as silently as you can: he looks painted, he looks angelic, he looks overwhelmingly loved. 

You put on the ruined blouse anyway; you’ll just go home and change. The bra he can have, you leave it tucked under his pillow, a little gift for him to find later. Your nipples chafe slightly against the fabric of the blouse. They still feel raw sensitive. Geto always insists that lapping them with his tongue would heal any wounds that his lips or teeth have caused to your pretty, perky nipples, but that’s not true. You can feel right now that it’s not goddamn true. Your tits still have full marks of his bites stinging red on them. 

In fact, now that you’re paying more attention to yourself, your entire body feels sore. Your neck has a faintly purple outline of his large hand, and your voice seems to still be rough. Was it him choking you within an inch of your life till your head swam within clouds of ecstasy as he finally let you cum on his cock? Or was it the way he roughly pushed your head into his lap, his thick cock stretching out the insides of your throat? Oh, the image of him hissing as he threw his head back, his Adam's apple bobbing with every deep groan and gasp. “A magician with that mouth,” he’d call you, as he petted your cheek before falling asleep. I’d do it every night just to hear him say it again. 

The places he’s grasped you to hold you against him, your sides, shoulders, thighs, ass, they all hurt. He went overboard last night. Did something happen yesterday? Hmm, December 7... nope, doesn't ring a bell. You pout as you find your phone, tablet, and a Plan B pill you take from his bedside drawer. Geto would rather not use condoms, but also doesn’t fully trust you to take your regular pills on time. So there you go. God’s punishment for creampies.

You suppose Geto has a thing for them. Not that he wants kids, just that he likes feeling you raw. Hearing you cry as you struggle to take him. Smiling as you plead that it’s too much. Pressing your ankles down to your ears as he sinks deeper into you. Moaning into your mouth as he ruts his pleasure into your warm walls, his cum drooling over your sticky thighs. Doing just as he likes, without restraint. 

You have to leave him now, it’s so sad. Rapunzel is still snoring deeply, turning over and letting the blanket fall from his X-scarred chest. You dig his phone out of the mess and leave it next to his ear, you’ll call him awake at 1 pm so that he’s ready for his daily evening address and other meetings. You quickly put your heels on and leave, but not before dropping a kiss on his nose. To keep him company throughout the day. It’s pointless and a bit too sentimental for Geto to appreciate, you believe. Besides, you’ll be right next to him all day anyway, won’t you?

a/n : every now and then the geto suguru agenda seizes me until i cant function.

img credits: 1 2 3

[skylersprompts]

DC x DP Prompt *31*

Dan… no, Bruce often thought back how his life had started. A young kid – not older than four years of age - had died in his sleep. His soul was leaving for the realms. And the Ancients had asked him if he was ready for redemption. Ready to live a new life, with all the happiness and pain it had to offer. He said yes, because nothing could be worse than rotting in the Thermos.

He had been wrong.

He had been shoved in the dying body of a little kid, his memory's of his past life simplified, so that his new brain could still grasp them without hurting him. He knew that he had been Dan once. Now he was little Bruce Wayne. He wasn’t allowed to ever take a life while he had his free will. He wasn’t allowed to ever tell anyone about his past live. He wasn’t allowed to use his powers, should he ever find the strength to reach his core again. The Ancients had made it clear that they would otherwise take everything from him. He remembered that his original, Phantom the Ancient of Balance had been against this, but he had been outvoted. If he should be able to heal his obsessions and never kill somebody, he and his family would share an afterlife together. His obsession unwrapped itself. Without being able to reach his core it was easier. His core was mending itself back together, his broken obsessions healing. From Danny's side he got the obsession to protect and belong in his fraid. From Vlad he got the obsession for control and family. And everything seemed to be perfect in the beginning. He had his Mother and Father. They were all safe. And he had as much control as a small child could have. He really was striving.

And then his parents died.

It broke him, not completely, but enough. And then he became the Batman. Being a hero, while also having something that was so vampire-esque was almost like a homage to whom he had been made of once. And even though he didn’t have a family anymore, except for Alfred, he at least could protect other people and gain some control back.

Than he got Dick, his first Robin. And everything was wonderful again, he healed again. Then he found Jason and he was brought into his little family and he loved it so much. All of this was worth it. Having his two sons and his father in all but name by his side was so much better then the Thermos.

He had been wrong again.

Bruce need for control and protect made him sometimes a bad parent, he knew this. But he never wanted to push his children away. He needed to find Jason and apologies.

And then he hold the broken body of his son.

This time the crack was bigger. Because he should have been able to protect his family. Because it was all his fault! He wanted to hunt down and kill the clown, he was holding onto a thread. He knew he would lose everyone if he let himself slip, but it was so hard.

And then Tim came into his life, holding him together, even though it shouldn’t be his job. But he healed, little by little. Until the Red Hood came. Until Jason came back and asked the impossible.

He couldn’t damn everyone and Jason to be erased. He couldn't lose his family, his son again.

[puck-luck]

Now this is just too daggum cyute!!! They truly are the NHL's first family <3

[mr-shimurka]

I made Trevor's red outfit

I love Trevor

I love red

[adobe-outdesign]

love how the DHMIS TV show recontextualizes the original series. originally you just take Duck getting eaten as horrifying, but looking back on it in hindsight I'm 100% convinced that Duck wouldn't be upset in the slightest about being disemboweled, but WOULD be upset that Yellow Guy is the one that gets to eat him

[thousand-winters]

Fascinated by people just getting into WTNV and asking if there is a list of episodes to listen to, omitting the "unimportant" stuff I assume.

Chill, you all. Night Vale has been ongoing for around 11 years and it's yet to show any sign that it intends to end any time soon, so you can take your time. Even if it ended soon, there is time.

Enjoy the episodes as they are. Chew on them.

WTNV does this very special thing of making the town feel alive, not every citizen gets an arc or even a spotlight, but they're constant, they're there, living their lives. Those little details, little mentions of everyone growing and continuing living as time pass make it feel so nice.

And then, one day, Night Vale surprises you, and, oh, hey, remember that one intern whose death wasn't confirmed? Well, he has come back, and if you remember him and remember what happened to him at the time, you'll be able to connect the dots of the current arc faster.

The MOST unexpected things come back. The town is alive.

Just enjoy the ride! Enjoy Cecil's voice. Enjoy listening about this friendly desert community where the sun is hot, the moon is beautiful, and mysterious lights pass overhead while we all pretend to sleep.