#don't get me started on when i go to color in a drawing

[city-tickles]

Giving and Receiving some End Of The Year Tickles!

Hi!

It was the end of the year and I had a rough month, so I wanted to close out my December with some tickling fun at one of the parties in NYC. Here's what happened.

First, I got a pedicure because that was long overdue. It normally isn’t that ticklish, but I definitely let out a grunt or two during the scrubbing lol

(What a great pic this is lol)

I got to the party early, which is good because even though they were still setting up, people were already getting their girls. The girls I wanted from last time were already busy; unfortunately, that’s how it stayed the entire night. Luckily, I ran into this girl named Kat, a beautiful l, slender Black and Hispanic woman. I recognized her from last time because I remember her loud laugh from when she was getting tickled.

I approached her and we started talking. She asked me what I was into and told her tickling. Her eyes darted back as she was not in a tickling mood. She let me know she hadn’t done a tickling session in a long time. Then she recognized me as the person who brought stocks to these parties. I let her know that if it helped, I also enjoyed being a lee. Her eyes lit up as a mischievous grin came upon her face. She was intrigued because she didn’t usually get to tickle someone at these parties. 

At these parties, there isn’t a lot of space, because other sessions are going on next to you so at first there wasn’t a room. Thankfully, we found a spot to play and she assigned roles. I put on a blindfold and since we were trapped under a protective sheet, She was the “spider” and I was the “caterpillar” in her web. Before we started, she had me take a deep breath in and out a few times. Then the last time. she started tickling when I started taking them, which made me laugh while inhaling and exhaling. She started going through all my spots, taunting me the entire way, commenting on how ticklish I was and how sensitive the spots were as I laughed my head off. 

Then, she had me raise my arm up one by one, and spider tickled from my hands down to to my armpit and attacked there. I wish I could tell you everything she was saying because she was a 100% a trash talking ler. Teasing every reaction and asking if I was ticklish there in certain spots and pretending to be shocked. 

She also tried some of my tools on me which included @ticklingduck’s little device and his big scalp device on my feet, legs and knees. After that, she went full on scribble attack on my sides and ribs and underarms where I’m laughing so hard. We found out we were laughing too hard because the manager told us to take it to the back of the room because we were drawing too much attention lol

After she finds a spot for us, I pack up my tools (which were a lot), grab my coat and walk to the back where we can play some more. To save time, I had to put my shoes on with no socks. It was very brief but also a tiny fantasy of mine to be vulnerable to be tickled that way

We get to the back and she puts me in the stocks. This time we don't use a blindfold because she wants me to see what she is going to do me. This was a bigger test for me because I think I react better when I don't see what's going on. She had me do the breathing technique again while scribbling all over my feet, which caused me to laugh and made her only tease me on. "C'mon! It's just breathing." After that she really worked on my feet with a variety of tools, the TicklingDuck scalp massager and other device, the vibrating feather, flossing ostrich feathers between my toes, her OWN HEELS and of course scribbling with her fingers and spelling out her name on my soles.

One of the things she did before we moved places was ask me questions that I would've had no idea what the answer was because never discussed it! First she asked me what her favorite color was, which I knew the answer, then she asked me what her other favorite color was, which I didn't know and she tortured my upperbody some more. She continued this, asking what her favorite animal was, and tickling more when I tried to figure out the answer. 

All while she continued to tease me as the caterpillar caught in her web. 

She then gave me a break and told me to check out how much I was sweating, which us both laugh, before going back to it. She used the vibrating feather device on my knees and a little on my upperbody before focusing more on my upperbody with her fingers. She attacked my sides, tummy and underarms vigoruosly all while teasing how ticklish I was and saying "Tickle tickle tickle" along with otther silly but cute noises and phrases, loving every mninute of it. 

After that, she gave me even more suprises when she began to spider tickle my palms and was surprised they were ticklish. She didn't stay there long, but she continue to spider tickle down my arm trying to get to my armpits, but kept stopping along the way because she found some ticklish parts I didn't even know about. She got to my biceps and OMG were they sensitive! I am not a super fit person so I don't really think about my biceps but they quickly moved up to a top ticklish spot because it was almost unbearable to have her nails dance along that area while she giggled and told me she loved finding new spots that people didn't know.

Then she began gently tickling my neck and chest (another spot that I didn't know was THAT ticklish) before digging into my underarms further driving me crazy. After givin my upperbody and feet a few more attacks, she asked me all the questions again, which I got the answers right, except for another one that wasn't in our conversation, which made her torture me some more before she let me out the stocks and have a break.

As I caught my breath, we got to know each other more and talk tickles. We had some time left, so she told me she would let me tickle her feet, but fingers only. The reason she was reluctant before was she had some lers that went too far and did not participate in any aftercare or concern for her, so it turned her off leeing for a bit. I was very grateful and appreciative she would give me the chance, so I made sure not to take advantage.

I took her heels off and put her cute, tiny feet in my lap. I complimented her dark blue pedicure, which she appreciated because others thought it was a different color. Then I began to gently scribble on her soles, which already had her jumping, screaming and snorting. Rather than ask her questions, I would talk with her and use that as part of a reason to tickle her. For example, she went on vacation recently, so I would ask her about the trip, and say things like, "It's good to relax. Put your feet on the grass. I bet it felt something like this" and then would gently tickle to simulate feet on grass.

I continued to do this with every answer she gave me. One part, where we sped things up was I found out she was into metal music, so I would scribble up and down her soles and under her toes pretending to do fast songs or spell out an artists name. Each time she would laugh loudly, swearing, snorting and making cute noises.

At one point, I found out her right foot as more ticklish than her left one, so I gave her a choice which one for me to tickle, she said the left one and expected the right immediately, but I went for the left. She told me, "I thought you were gonna go for the right!" And I replied, "I'm a man of my word, but if you want me to! I will!" Then started to attack her right foot, as she tried to get away, but I had her in a gentle ankle lock, so she wasn't able to move!

I did this sporadically for 20 minutes since she needed breaks every few minutes. During those breaks, I'd gently caress her feet and legs and make sure she was feeling okay, and reassuring that she's doing an awesome job. Eventually, our time was up and we talked about how much fun we had, and how we would definitely do it again in the future.

She is in NYC and does sessions and doesn't mind getting a shoutout, so if that is something you are interested in, especially if you are lee leaning, let me know and I will tell you who she is. If you are a ler, she might not be as eager yet.

Thank you for reading and I hope you enjoyed the story!

[dragqueenstarscream]

as a starscream fan, what are ur thoughts on megatron? i know their relationship is. complicated so whatever ur opinions may be id love to hear

long ramble incoming. this isn't directed at you anon; i just have a lot of thoughts about megatron that i've kept bottled up for a while

my view on megatron is... complicated.

on the one hand, he's an incredibly iconic villain, and you could argue that without megatron, transformers as a property wouldn't be much of a thing. every iconic hero needs a villain. every optimus needs his megatron.

and he's a great villain! he's iconic for a reason. frank welker is my favorite voice for him, though i will say, my favorite megatron is tfa megs for how clever he is. it's refreshing to see when a lot of megatrons will brute force and anger their way through things.

but this is where my own personal biases color how i see him, because, i'm gonna be honest... for the most part, i really don't like him.

it's not because he's a poorly written character. i've spoken about this before, but i'm an abuse survivor who's still going through it, and megatron reminds me WAY too much of my abuser for me to really like him rather than just to appreciate him as a character. it's the big reason why starscream is my favorite. i see my tendencies in him, and i see megatron as my abuser, especially tfp and armada.

i think this is the big reason why i despise megastar as a ship. if you or anyone else likes it, that's fine! more power to you. i'm not gonna knock you as a person for it. but it makes me feel really gross whenever people draw/write it as "uwu toxic yaoi" or make them seem really in love with each other. to me, all i see is someone trapped in a cycle he can't escape from.

and i think my bias is why i pretty much refuse to read mtmte/lost light, because from what i know about it, megatron is given a chance at redemption. and... i just can't. i understand that a lot of people love these comics, and hey, they're probably really good! but i can't read something where i can so easily imagine this happening with my own abuser, and i put myself in starscream's shoes, wondering if anyone will actually take what i went through seriously.

it's one of the big reasons why the first season of earthspark was so good for me. finally, at last, starscream's abuse was taken seriously! he had someone who was willing to listen! even when people like optimus and dot were willing to get along with megatron, starscream was still going through emotional hell, and no one was willing to listen to him because, hey, megatron's good now! and starscream was a backstabbing traitor, who would listen to a guy like him? and when someone did, he started to change for the better.

but then the writing team got scrapped and his arc was flushed down the toilet. boo hiss.

either way, i can't read mtmte/lost light because i hate the idea of an abuser getting a second chance like that. i know that this is for character development/exploration, and i won't knock anyone who likes those comics. i just won't read them myself.

tl;dr, i recognize that megatron is an iconic character and i like some iterations of him, but for the most part, megatron reminds me of my abuser, which makes me really dislike him.

[abhorrentmessiah]

R E B L O G

G A M E

𓆩♡𓆪𓆩♡𓆪𓆩♡𓆪𓆩♡𓆪

Reblog this post with a picture of your self ship and I'll draw them in one of the optional poses below while I write you headcannons of your choice of scenario. ||Txt|| notes

Optional Poses

Example

May I have slide 2 with A being my

S/I and B being my F/O?

With a pink background too, Please!

S/I (Rebel) F/0 (Broly)

As for the headcannons, Can I have some fluff headcannons?

I would like the scenario to be cuddling.

||After that, I'll respond with the finished art piece + a selection of headcannons I made to fit said scenario of your choice.||

||Also, To help make the headcannons more accurate, Feel free to tell me any details of yourself (s/i) and your F/0 (Feel free to send their wiki page for reference). If there's a specific scenario you want to let me write, feel free to tell me. Go wild- also, If you'd like me to make a specific colored background, feel free to let me know.||

Cuddling HCs

•Most of the time, Cuddles start when Broly gets enraged. It tends to calm down his nerves when he's upset (ONLY from Rebel though).

• No surprise here, Broly is the

"Big Spoon" in any situation or scenario.

•He 100% stuffs Rebel into his muscular arms for warmth even if there's tons of fuzzy blankets and

soft pillows on the mattress.

•Broly's favorite position to be cuddling Rebel in has to be anything to do with him just engulfing her entire figure-

•Usually, cuddling with each other lasts for over 16 hours.

• Sometimes, they both stay the entire day in each other's arms. In which they usually just sleep in the entire day.

||To conclude, That’s basically it for the example.||

||This will take more than a few days but I WILL do my best to get most of them done.||

||Currently, I'm busy with life things but don't hold back on me. I can do anything.

||If you have any questions, feel free to ask. And feel free to share this with evrynuan yu know.||

||Any questions? Feel free to ask.||

DOUBLES, DOUBLES OF MOOTS, PROSHIP/ COMSHIP + VARIENTS- DNI!!!

(Read Pinned Post for more details)

Dividers: Google

𓆩♡𓆪𓆩♡𓆪𓆩♡𓆪𓆩♡𓆪

[garzzum]

Looking back at some of my drawings as a reference but most of the time when I draw my lines have no thought or meaning behind them, I kinda just scribble and call it a day, but now I have no idea what I'm looking at... 😭😭😭 absolutely incomprehensible drawings

[mazken]

brush test slash rendering practice with ayem

[stardestroyer81]

Sometimes I wonder what it would have been like if we got an 8-Bit Animaniacs game...

[opens-up-4-nobody]

...

[mementoasts]

jonathan sims head archivist of the magnus institute london

[as-rare-as-trees]

Repost of a Wang Yibo in watercolor I did in 2020 taking ispiration from my favourite photoshoot of his

[moe-broey]

I think every transmasc should have a girl blorbo

Delve deep into her writing/character and expand on it and extrapolate ESP if the source material Does Not do her justice or doesn't give her the things she deserves. Find your pain in her pain and find her pain in yours and give her the things you will never have. Whether it was taken, starcrossed, or never meant for you. It could be for her. It could be.

Bestow upon her a gift, what remains of a life never lived. Leftover love of things that never fit right, never suited you, never were meant for you. Things you learned to love anyway, a love both real and manufactured out of necessity and survival.

And bestow upon her another gift, of love that has nowhere to go, of doors you've had to lock shut, doors you know go nowhere for you. Give her the key. Take up your pencil. Draw her in an adorable outfit. Draw her surrounded by loved ones, who love her so dearly back. Every drawing, a wish. That she can have a kinder life than mine. That I could give that to her. A parting gift, from me to someone who I can no longer host, that can now live on peacefully within her and lead an even better life than it ever could have within me. It was in the wrong house I had to rehome it.

Something adjacent to Gandalf Big Naturals ect ect

[featureenvyproductions]

This post touched on physical media for drawing which is good but I want to add my ramblings about physical drawings as well because these days there's a lot of emphasis on drawing digitally, to the point where I think it's been an actual decade since I've come across a tutorial where someone has drawn things physically on paper....Like, don't underestimate the power of drawing on paper and learning to use physical media. Yeah it's not going to do anything in terms of your popularity 👀👀💧 but at the moment, you've also got an extra layer of protection between you and AI since the best physical art AI could probably do with current technology is something akin to "printing" out a picture with a writing utensil of some sort since mimicking real physical technique from photos of paintings or drawings is quite a bit harder than weighting pixels and outputting them into a file.

I'm also telling you this for corporate reasons. The way the world is going, there's going to come a day when there are no free programs for drawing, and certainly tablets and computers won't be free or cheap, and they're going to demand all your personal information to even boot up. You'll be locked into selling all your data and locking yourself into subscriptions just to have some artistic expression. Do you want that? Adobe and apple can do a lot but they can't fucking take away your paper and pencil. You should learn to use them if only to take back power from corporations. It's why even though I do use digital tools a lot for comic color because it's faster and I'm just one person, I still do almost everything else physically (ink/pencil/layouts/etc). I have a box the size of a large coffin with all the comic book pages I've drawn in my adult life, and the only way Adobe is getting their hands on them or removing my access to them is by banging down my front door or burning my house down.

Sure, technology makes our lives easier, but if you learn to use physical mediums, no one can ever take art away from you or keep you from creating it (at least not EASILY without some seriously oppressive changes) and it's going to be a very long time (maybe not even in our lifetimes) that the corporate ability to do so is finally nerfed.

And yeah you don't need fancy shit. I do all my rough sketching on printer paper with a mechanical pencil, or with a cheap ass sketch book I carry around. Especially if it's just for you practicing and no one is going to see it, you do not need fancy things. Your ancestors ground stuff up and dipped their hands in it and smacked a cave wall. This is your RIGHT to make shit by whatever means necessary whether you think it's instagram worthy or not. (I even outlined what you can use for animation from dollar tree if you're broke in a series of posts if that's a thing you want to do https://www.tumblr.com/featureenvyproductions/752966738522619904/my-thoughts-on-how-to-do-basically-kinda-cel?source=share)

And that's another thing too, don't worry if it sucks. I promise it doesn't, because you made something. And also even if you think it does because you're not meeting your goal or whatever, you have to shake the 10000 bad drawings out of your wrist before you get to the good stuff. Even someone like me who's been drawing [seriously anyway] for 25+ years has to warm up a bit before churning out something serious. Just do it I promise it's fine. (And also if you have the ability to take a figure drawing and/or life drawing class do that because in my experience it helps)

(Also not that I'm that great at art still compared to a lot of artists, I have been at it for a long long time, so if anyone who sees my stuff ever wants to know how I did something, please ask me, I will tell you free tips, I love info dumping, there is no such thing as a stupid question,,,,the greatest compliment is being asked how I did something,,,you do not understand,,,,to me democratizing art means ensuring YOU no matter who you are, can make some of it)

Can't afford art school?

After seeing post like this 👇

And this gem 👇

As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.

Here is the first one ART TEACHERS! There are plenty online and in places like youtube.

📺Here is my list:

Proko (Free)

Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard)

Aaron Rutten (free)

BoroCG (free)

Jesse J. Jones (free, talks about animating)

Jesus Conde (free)

Mohammed Agbadi (free, he gives some advice in some videos and talks about art)

Ross Draws (free, he does have other classes for a good price)

SamDoesArts (free, gives good advice and critiques)

Drawfee Show (free, they do give some good advice and great inspiration)

The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney)

Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)

Second part BOOKS, I have collected some books that have helped me and might help others.

📚Here is my list:

The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.

"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.

"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.

"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.

"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.

"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.

"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.

"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.

"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.

Etherington Brothers, they make books and have a free blog with art tips.

As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. For digital art, I recommend not starting with a screen art drawing tablet as they are more expensive.

For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.

💻As for art programs here is a list of Free to pay.

Clip Studio paint ( you can choose to pay once or sub and get updates)

Procreate ( pay once for $9.99)

Blender (for 3D modules/sculpting, ect Free)

PaintTool SAI (pay but has a 31 day free trail)

Krita (Free)

mypaint (free)

FireAlpaca (free)

Libresprite (free, for pixel art)

Those are the ones I can recall.

So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.

I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.

Hope this was helpful and have a great day.

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[emiliaoleary]

Hooking rugs that look like dogs

Here's how I do it:

The process I use is called rug hooking (not latch hook or punch needle or tufting, though it is the forerunner of the latter two techniques). Rugs are hooked by pulling loops of fabric strips or yarn through the holes of a base fabric with a coarse open weave, like burlap, or linen, or rug warp. The loops are pulled through the fabric with a squat-handled hook whose business end is shaped like a crochet hook.  There are no knots and the loops aren't sewed down in any way.  The whole thing stays put just by the tension of all those loops packed together in the weave of the foundation fabric.

This isn't a true detailed tutorial but a walk-through of my particular process. The same information is on my web page, emilyoleary.com .

I hook with yarn, rather than with cut strips of wool fabric, which is what many rug hookers use.  I can get a looser, more organic distribution of loops with yarn than I could with wool strips, which are hooked in neat lines. 

Mostly I use wool yarn. In terms of yarn weight, I can use DK, worsted, or Aran.  If I'm using thicker yarn, I leave more holes un-hooked; if I'm using finer yarn, I hook more densely or double up lengths of it.  I particularly like using single ply yarns (like Brown Sheep Lamb's Pride or Malabrigo Worsted).  I don't keep count, but I think I usually use around two dozen types and colors of yarn per dog.  

This is my yarn wall in my apartment. Mostly brown and gray yarn!

I start from a small drawing in my sketchbook, then I head to FedEx office to use a copy machine, blowing up the drawing repeatedly and experimenting with how big the dog rug should be. 

After transferring the image onto my linen, I immediately go over it with Sharpie, because the Saral is really difficult to see and really easy to rub off.

The rug is held taut by a PVC quilting frame that I set on my lap.

I push my hook down through the fabric with my right hand and my left hand stays below the fabric and guides the yarn while I pull it up and through with the hook. Not every hole in the fabric is hooked. Hooking every hole would make the rug too dense. I do hook pretty densely, though-- If you pick up one of my rugs you’ll see they have a slight curl to them, which is because they’re hooked pretty tight. I'm using all different weights and types of yarn, so it's a challenge to keep the overall tension even.

I hook my loops at varying heights to create a very low relief. Sometimes I trim the loops to make them fluffier or wispier or to shape a particular part. I look at a reference photo while I work and pull out and redo sections a lot.

My q-snap frame can accommodate the growing dog rug. I have extenders to make it bigger and I can clamp around my hooking.

The back of a rug looks like lines of little stitches. The lines are little worm trails snaking around because lines of hooking are not supposed to cross over each other. It's important to start a new length of yarn rather than cross over a stitch you already made! I read this when I first started and took it to heart. It makes it much easier to undo and redo hooking if you have to (and I redo sections A Lot). It also keeps the back from getting too bulky and resulting in uneven wear on the back of a functional rug that gets floor use.

When I’m done hooking everything I turn the rug over and brush watered-down Sobo glue on the edges of the dog, making sure to get one or two of the outermost lines of hooking. I do a couple coats of this thinned out glue. I'm careful not to use so much that it seeps to the front of the rug. When the glue is dry I cut the rug out, but I don't cut so close that the loops don't have any linen to keep them in.

​ It generally takes me at least several months to finish one dog rug. My hooking frame and yarn bag are very portable (though bulky) so I can hook out and about at coffee shops or the library or a brewery if there's enough space and light.

Hooking in the wild makes me an ambassador for making things in general and rug hooking in particular. I answer people's questions and always emphasize how relatively easy it is to get started hooking. Sometimes I get anxious that other people will hook rugs that look like mine but better, but I think that working in a traditional medium means you should share your knowledge for the good of the craft.

[prongsx]

who are your boyfriend?

Even though you talk a lot about your sweet boyfriend, people don't understand the sign.

Warnins: English is not my first language, there will probably be mistakes, I'm more grammatically correct in my language I swear lol, f!reader, just a silly idea I had.

You're a person who talks a lot about your boyfriend, not that it's your intention to show him off or look like you're obsessed with him (maybe a little), but still, it seems inevitable to quote Jason Todd in your social circles, especially in the work.

It's a good work environment, your colleagues are nice, and you like to be communicative. However, the new co-worker, Adam, seems to be a little too friendly, your colleagues have already noticed this, but you dont notice this, lost in your own thoughts about your boyfriend.

The thing is, Adam has concluded that your boyfriend is an idiot, he listens to you talking about him, and the only conclusion he can draw is that you're dating a stupid nerd who lives in his mother's basement. It started weeks ago when you arrived with a jar of colorful cookies, offering it to your colleagues with a silly smile and saying.

"Jaybean did, does anyone want it? It's his grandfather's recipe"

Adam laughed internally at that. It wasn't right, you were too pretty to date such a weird guy who was definitely supposed to be short, skinny and silly, what kind of man cooked colored cookies? Or even worse, let yourself be called a "jaybean"?

The next day, he overheard you talking to your friend, in a worried tone, about how your boyfriend was about having physically fought with his younger brother, which only added to the comical image Adam had of his boyfriend. Definitely the guy was a banana. What kind of guy would let his little brother hit him?

Around the football season, Adam decided to show you what a real man was and ask you out, showing you the tickets he got. He called you a doll, which you registered with a slight frown.

"um, thanks Adam, but my boyfriend doesn't like football very much. And this week we're going to an arts fair in New York."

Adam let out a stilted giggle that you didn't seem to notice, the thoughts of him again calling your boyfriend stupid. Seriously, art fair? Didn't like sports?

There were other, clearer signs of how pathetic your boyfriend was, according to Adam, like when you commented that he had sewn a blouse of yours. (you didn't say that Jaosn's talent with sewing came from the fact that he sewed his battle wounds himself). Or when you called him cute nicknames.

Adam wanted to show you what he really wanted to date a guy, a real man, who had muscuslos and knew how to beat someone to protect you.

The fuse for Adam was when he approached your desk and saw a book by Jane Austen and asked, avoiding making a face at such a syrupy book.

"Do you like classics, doll?"

You looked up from the computer where you typed, a slight smile on your lips as you stared at the book brevmenete.

"A little. My boyfriend likes it, so I promised I'd try to read it. I prefer fiction books"

Adam's face drooped, you were really dating a stupid guy, you deserved to meet a real man. He rested his hands on your desk and puffed out his chest.

"You know, doll, you can get more."

You blinked your eyes limply, confused.

"Excuse me?"

"There are men… for real."

There was an arrogant smile on Adam, which you didn't like, not at all. Your posture became tense, prepared to reject him, by hook or by crook. But a voice, hoarse and thick, woke you both from the uncomfortable exchange of looks.

"Am I getting in the way?"

Adam turned, his eyes narrowing at the sight. There was a tall guy, much taller than himself, who even in a leather jacket could see his muscles. The guy had messy black hair and scars that gave him a tough look, even his blue eyes seemed like a warning, a warning to stay away. Adam was about to ask what he was doing there when your voice came out loud and contented.

"Jaybird!"

Adam stood still, his mouth wide open as that intimidating man gave you a soft smile and squeezed your waist, a chaste kiss on the forehead. By no means was that guy stupid of your boyfriend.

"That's adam," you said, a half-annoyed expression on my face, which softened when she turned her eyes to Jason.

Jason just gave Adam a suspicious look, not bothering to spend time with him before grabbing your bag and giving you another kiss on the cheek, whispering.

"Ready to go, honey?"

You nodded, smiling. Saying goodbye with a slight nod to Adam, as you told for your sweet, gentle boyfriend about your day, whose acts were what really drew you in.

Just a silly thing I thought about while analyzing the things that betrayed me about Jason. Adam is just one of those guys who think women are attracted to things that – they – think should attract them. Jason is just a grandpa's little boy who has learned how to be a gentleman right under that rough surface.

[comicaurora]

Hey, sorry if you’ve been asked this before, but I have ADHD and I’ve been following your comic for years and just now have started to write my own comic (partially because you really inspired me). But I’m really struggling with staying on the project even when it’s boring and getting myself to work on it in the first place. Do you have any tips on how to keep your brain invested or just to make yourself do the work at all?

I have excellent news, I literally just figured out something really important about this.

So when you're an ADHD kiddo or otherwise have difficulty staying on task in a structured environment where Task is the Priority, the main way people try to MAKE you stay on task is by removing your access to anything that is not The Task. No phone, no TV, no doodling, no going outside, etc. In practice, this just makes us miserable because it takes the boredom that's always simmering around a 2 or 3 and cranks it all the way up to 11. In the same way that you would have difficulty staying on task if you were in physical pain, this crushing existential monotony makes it very difficult to work. The work might get done simply because you have no other options, but it will not be done quickly or well, and it will take a while to recover from how much it hurt.

What I realized earlier this week is I caught myself doing this to myself. I had 42 pages of background colors to do, and I thought to myself "this sounds really tedious, but I suppose I have nothing better I can do." And I realized what I'd just thought, and got very alarmed.

Because back when I was an ADHD kiddo imprisoned by school scheduling and a million little factors that keep children immobile and restrained, I couldn't stop thinking about how big and exciting the world was, and how much I wanted to be anywhere but here. When I was feeling really crushed in I'd pick a random spot on the maps on my wall and just imagine being there instead of my bedroom. This was the impetus behind almost all of my creative energy. I've said it before - anything is a prison if you can't leave, and being in a prison makes it easy to imagine how amazing things could be outside of it. Aurora's initial worldbuilding was forged in the crucible of fifth grade misery. My enthusiasm for art and my creative drive are inextricable from my sense of wonder and yearning for excitement in the real world. Not escapism, but appreciation. Wonders unimaginable are out there, and I gain just as much joy seeking them out as I do conjuring them up in my head and sharing them with all of you.

So now that I'm a grown-up with actual freedom in every way I've been able to get, the idea that I was staying on task by making myself believe the world was small and not worth seeing was extremely alarming. It could keep me on task for an afternoon, but at the cost of slowly extinguishing the thing that made me want to make art in the first place - the hunger to experience and draw inspiration from all the myriad complexities in the world.

So what I've been doing is I've been purposefully and intentionally taking excursions whenever I catch myself thinking "I could take a break but it wouldn't be worth it, it's the same outdoors as always, I'll be uncomfy and unproductive and tired." Because that is never true. Every time I've put down the stylus and gone out, I've been renewed in one way or another, and when I come back to comfort fully recharged I get a lot of shit done. Because it is easier to work on anything if you remember why you wanted to make it in the first place, and it is self-defeating misery to just lock yourself in with it and tell yourself you're a bad person if you can't get it done.

I honestly don't know how widely applicable this is. I have worse wanderlust than anyone I know, so for me this has always been modeled as imprisonment vs freedom. I've also been extremely lucky to find myself in a profession that lets me set my own pace on literally everything I do. But I genuinely believe that when it comes to making art with ADHD, you need to give yourself freedom to move laterally, not just in the direction of obvious forward progress. We don't think linearly in any other part of our lives - art is no different.

[selineram3421]

Deer Demon Child Headcanons

Requested

Alastor & Child Reader

Warnings? ⚠

⚠ implied death, mention of blood, mention of cannibalism, weapons-gun ⚠

It was a surprise to everyone that a child wandered into the hotel.

A little deer demon.

That's you

Climbed up one of the bar stools and stared the cat man down until he finally noticed them.

"Uh..hey? Kid."

"I want juice!", you pointed at a bottle behind him that was on the shelf.

"That's not juice."

While distracting you with magic tricks and cards games, Husk called Charlie to let her know that a new guest had arrived.

The Princess ran to get to the lobby and rushed over to the bar.

"Hi! Welcome to the Hazbin Hotel!", Charlie sings out before noticing the little deer. "Oh."

Everyone is called into the lobby.

"Ok!", Charlie claps her hands together and introduces you to the group. "Everyone, be nice and say hi."

Later on you are asked by Vaggie and Charlie how you got to the "red place."

Mostly everyone left and it was only you three. Four.

"Before I woke up here I was with my moma.", you said while coloring your drawing. "Dad had a shiney toy in his drawer and showed it to me a lot of times. It made fun clicking noises. I wanted to play with it, so I took it out."

As you were explaining you drew out the shape of a gun.

"I wanted to show Moma but she looked scared. And when I tried to make the clicky noise it came out different. It made a bang and then Moma fell."

You drew your mother covered in red.

"I tried to wake her up but she wouldn't get up. I got sad and started crying."

You didn't notice Charlie and Vaggie looking sad.

"Then Dad came home and started screaming at me and took the toy away. And then everything went dark for a while."

Picking up your paper, you showed the girls your drawings.

"And then I woke up to the red sky!"

Charlie hugged you after and said that she'll make sure you go to Heaven.

Oof sad backstory.

Husk literally growls at Alastor everytime he mentions venison for dinner.

Alastor has joked to others that he'll eat you but stopped once he grew fond of you.

"Little fawn.", he smiles as he greets you. "Would you like gingerbread cookies?"

To be honest, everyone is worried that Alastor might kill you. But surprise, surprise! They are shocked when he takes care of you instead.

You're the favorite hotel guest.

Anyone that tries anything will be taken care of.

Charlie did a talent show day and you sang, surprising everyone with your angelic like voice.

You're a curious little deer and the hotel guests and staff find you in odd places.

Once Angel found you upsidedown behind the couch that was against the wall.

"What are ya doing back there?", he asked after pulling you out.

"Niffty said there was treasure!", you smiled.

Alastor finds it adorable that you go to him when someone you don't know/scary person is in the hotel.

Sir Pentious is told to put all of his weapons away.

Everyone dubs you as Alastor's child. Even the Radio Demon himself.

Vaggie threatens Alastor after he jokes that you'll be a cannibal like him.

Of course he'd never do that but its funny to see Vagatha's and Husker's pissed off faces.

Alastor keeps up with the human news and learns that your father went to prison. So the Radio Demon waits for the man to fall.

Art will be provided. (Later)

~Seline, the person.

Part 2

Art

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