#don't ask about the doc I made actually detailing this story while it was like 4am

[annabelle--cane]

"the magnus protocol had a whole ARG beforehand? what?"

yes! it did!

"oh so I need to have participated in this whole big thing to actually understand the podcast?"

not at all! from the official post-mortem put out by RQ, "while the ARG was not something that was necessary to participate in to understand the magnus protocol, it was designed to contain a wealth of background story and context that would enrich any player's listening experience."

"a wealth of background context that would enrich my listening experience 👀👀👀 how can I learn about this?"

SO glad you asked. sadly, many of the materials made for the arg have been taken down since the game ended 😔 (ex., the official OIAR, magnus institute, and bonzoland websites. (edit ii: I found partial wayback machine captures! see below) though @strangehauntsuk is still up!), so we're a bit low on primary sources, but in terms of learning about what happened:

for a starting point, I would really recommend this video by @pinkelotjeart

it's super accessible, it was made in real time as the game progressed and follows the solving and revelation of clues as they happened, it hits all the major points of the mystery and moments of community insanity while eliding some of the nitty gritty puzzle grinding, 10/10 would recommend.

here's the official summary put out by RQ, and I'd recommend reading through this once you've already gotten a basic handle on the flow of the story and the basic connections between major clues and events. it's got some fun behind-the-scenes info and lays out the thought process behind the puzzles in simple terms

here's the full masterdoc of all puzzles and resolutions put together in the statement remains discord server. masterdoc my absolute BELOVED, masterdoc my bethrothed, masterdoc my soul mate. I'd recommend this as a second port of call after the above video as it either contains all details about the puzzles or links to other expanded docs that do.

here's the narrative summary doc that lays out all the plot and lore discovered in three pages of plain prose. if you just want to get to the good bits as fast as you can and get blasted directly in the face by contextless lore bombs, this is the doc for you. if you don't want to start with the video, I'd say this is another good entry point.

once you've got the lay of the land, some of the game materials that I found particularly interesting include:

the in-universe east germany expat usenet forum, with all content translated into english. most of it is irrelevant space filler with occasional extremely sus lore, but I still found it fun to read through. love to soak in some fictional forum drama.

chdb.xlsx, the spreadsheet of the names of all the children the protocol 'verse magnus institute was studying/experimenting on. EDIT: here is a version of the sheet without any annotations and with all of the names in their original order, kudos to @theboombutton for catching that the commonly shared copy had the order swapped around.

klaus.xls, a (very corrupted) spreadsheet with what looks like the classifications of a bunch of old OIAR cases.

EDIT: have a few more saved materials from the game that I forgot to include.

an in-universe audio ad to apply to the OIAR that ran before archives episodes and kicked off the whole game.

an in-universe video ad to apply to the OIAR, this one is an official upload that's still up from the game itself. you can subscribe to the OIAR's official youtube channel today, if you so chose.

the robo-voicemail greeting from the OIAR's phone line.

EDIT II:

here is a wayback machine capture of the OIAR's official website.

here is a wayback machine capture of the bonzoland website.

(pretty sure both of the above captures just archived the home pages, though I haven't tried clicking all of the links. I'd say they're still worth looking at, the home pages give a good window into the vibes.)

once you start poking around in these documents, you'll find a bunch of links to others with further information, the materials I've included here just contain what I feel to be the most relevant details to getting a broad feel for the whole game. once again, huge shout out to the statement remains server, I was barely in there as the ARG was in progress and only ducked my head in every so often to find links like these. true mvps of the fandom.

[thewertsearch]

Ask Comp 13/05

@garnetduodecim asked: I always assumed jack spent the first 4 hours in the troll session, before destroying prospit, destroying Aradiabots, there were A LOT of them.

Maybe one of the Aradiabots got in a lucky shot, and was able to tag him with a weaker, non-God Tier variant of her freeze ability. That'd certainly at least delay him.

@morganwick asked: So, you were talking about Aradia "injuring" Vriska (post/704357246751113217) and comparing Vriska to a fairy godmother character (post/722100305374986240)?

@manorinthewoods asked: Serendipity Gospels is by Tamsyn Muir??? Really? Um, that's… hoo. That was one of the fanfics that I didn't end up liking. Might need to revisit that. Side note: 'Doc Scratch's School for Supernaturally Gifted Adolescents' feels more like something Locked Tomb-esque to me. So that's really… ah. ~LOSS (3/5/24)

I do wonder how similar the Gospels are to TLT's writing style.

Actually, can anyone confirm at what point the fic will be safe to read? I could just wait until I'm reading panels from after its publication date, but if I can check it out before, I will.

@abysswarlock asked: Ooh I’ve had this hypothesis for a while now but you just said something that made me lock in my guess that your classpect is Prince of Doom

The classpect wheel continues to turn!

I'm married to Doom for at least one of my 'sonas, but my Class is still up in the air, since we know even less about them than aspects.

@manorinthewoods asked: As a sort of Part 2 to that sylladex comment - how do you think the Sylladex works? Do you think that Homestuck will go into more detail about Sylladices, or do you think they'll fade into the background as different aspects of the magic system come to the fore? ~LOSS (24/4/24)

I think the latter is a lot more likely. Most aspects (lol) of Homestuck's magic system are there to serve the story first and foremost. As much as I'd love the comic to turn into a treatise on Sburb deeplore, it really doesn't feel like something Hussie would be interested in doing.

The story won't really suffer without, say, a detailed explanation of every facet of alchemy - I just really like speculating, because I'm all about shit like that.

@heliotropopause asked: What are your thoughts on Homestuck's translation convention(s)? As an example, take page 2251, line "Arrivederci, Megido.": Is she writing in something close enough to Earth English to scan as such to the reader, no translation necessary? Is Vriska saying a word in Troll Italian, which gets translated to Earth Italian? Is she expressing a sentiment in her usual language that's best translated as the word "arrivederci" as it's used in English? Has Doc Scratch secretly been translating all cross-species communication we've seen so far?

Vriska's arrivederci seems diegetic to me. If we inherited English from Alternia, it makes sense that some of our other languages might come from there too.

tl;dr: Troll Italy is real 🇮🇹

Anonymous asked: im not one to dip my toes into The Vriscourse but this one piece of analysis i really liked is that vriska is jealous of tavros, that hes had a much easier life compared to her and that hes allowed to be more of a wimp while she has to be the toughest fuck alive or else shell die

It's only one piece of the Vriska-Tavros puzzle, but it's an important one. She'll refuse to acknowledge it to the end, though, because the idea of being jealous of Tavros is disgusting to her.

@obscureaeguran asked: Are there any current theories of yours that you want to be wrong about?

Confident as I am in my Vriska death theory, I don't actually want to be right.

I really like Vriska's character, and I want to see her grow past the worldview that's preventing her from finding peace. I just don't think that's likely, given her current trajectory.

Anonymous asked: 'In what universe are 13-year-olds the people most qualified to make universes?' well per the beta version of homestuck (when hussie wanted to make the whole thing in flash before deciding against it) they were all going to be 10 instead, i think this is the much better option!

How young can we go, anyway?

AU where the Homestuck Babies aren't sent to Earth at all, and just start playing immediately.

@manorinthewoods asked: Have you played Deltarune? ~LOSS (9/4/24)

I have! I was actually replaying it on day one of the liveblog - hence the several references I made to it at the time. That feels forever ago, now.

@bladekindeyewear asked: Jade changed pretty drastically as a person after her dreamself died, if you think about it— demanding Feferi stop using her quirk in chat, standing up to the trolls for the first time, getting angry, to such an extent that Karkat was so surprised that it turned his opinion of her around completely in a single conversation. Even forcing a password system to keep talks linear instead of using cloud visions to do everything out of order. This doesn’t just feel to me like dream Jade being a “different individual”, it also feels like a metaphorical confrontation between her NEW self and her OLD self…

I think it's both.

Jade's been through a lot in the last couple of hours, and she really isn't the same girl who died on Prospit.

Being an oracle of Skaia's visions led to disaster. They showed her that John's Dream Self would awaken, leading her to believe she was finally going to meet him, but neglected to mention that she'd die the moment he opened his eyes - or that Prospit would die alongside her.

As a result, the new Jade seems to have made a decision to completely reject all prophetic information. She'll supply the minimum possible intel to her past self, and no more.

It's clear her Dream Self's death was a catalyst for a pretty dramatic shift in her worldview. She's angry - at the trolls, at herself, and at the world that betrayed her trust. She's tired of being jerked around, and her tumultuous emotions are making her rather testy. Basically, she's sick of all the bullshit, and she won't take it from anyone anymore.

Jadesprite has experienced the same catalyst, and has also come to mistrust the clouds, but for different reasons.

Jade rejects prophecies, in part, because she doesn't want to be deceived - but Jadesprite rejects them out of sheer hopelessness. She just doesn't care anymore.

They both have the same trauma, but they're dealing with it in very different ways - and at this point, I really do consider them to be different people.

And then on a metaphorical level, Jadesprite represents the 'silly', absent-minded childhood self that got Jade into this mess.

I think this taunt from Karkat hit very, very close to home for her, and I'm sure she associates the traits he described with her idyllic days on Prospit. It's part of why Dream Jade is such a perfect target for her fury.

@spyril4132 asked: i beg to differ on the entry item similarities only applying to prospit. iirc, rose shatters a bottle, and dave hatches an egg; both involve breaking open some sort of "shell", and neither are associated with a larger object, which could be seen as similar types of items. (while jade does break a piñata, she does so by shooting it, not by splitting it apart)

It's true that Rose and Dave's object's have some physical similarities, but John and Jade are both summoning the same tree, which feels like a much stronger connection.

Rose and Dave's entry cards also summoned auxiliary items, but they were different - a cabinet and bird, respectively. From where I'm sitting, the link between the two Prospit items does seem unique.

@skelekingfeddy asked: what herptiles would sally and sahlee have as their consorts? i feel like a monitor lizard would fit for one of them…maybe losas has like, turtle or tortoise consorts, what with their long-livedness and the wise sagely vibe and all.

I was thinking pretty much the same thing for Sahlee. Let's say they're Galápagos tortoises, because the Sage gives me Oogway vibes.

For Sally's Consorts, I'm going to get really funky and say they're a type of pterosaur.

@sparten4ever92 asked: The HS version of Megalovania is slept on way too much, the Vriska guitar adds so much to it that the UT version just doesn't have. @sanctferum asked: Finally, MeGaLoVania by Toby Fox (feat. Joren "Tensei" deBruin on guitar)! Would you say that Tavros had an…unpleasant chronological progression? (btw I do love the bit of Spider's Claw that plays during the Vriska segment, which is (obviously) unique to this Megalovania) also, the audiovisual style of homestuck flashes is just really cool imo @mimescantscream asked: You have no idea how long we've waited for the Megalovania

This version of Megalovania was a great choice for Aradia's finest hour - or at least, her finest hour so far.

It's moments like this which are why I decided to stop listening to the albums in advance. If I hadn't first heard Aradia's Megalovania in this flash, it wouldn't have hit the way it did.

@elkian asked: MEGALOVANIA TIME BAYBEEEE! Also, let's go back to that theory you had about Aradia getting more alive, because you NAILED it. @iris-in-the-dark-world asked: i am so excited to see aradia again and finally as herself :33<

She's fucking BACK, baby!

Seeing Aradia smiling for real after all this time is genuinely heartwarming - and with her time-stop attack, she's almost unkillable. It'd take some absolute nonsense to take Aradia out of the picture again, and I think she'll be sticking around for a long time. Hopefully forever.

@grippingtraverse asked: notice any similarities during megalovania between aradia vs. jack & sans vs. player? 0u0

The best I can come up with is that Aradia and Frisk are both time travelers whose signature color is red.

Or maybe Jack is the Frisk analogue, since he's the one wiping out all life in the session, and Aradia is the last foe he faces.

@captorations asked: please consider, with this new information about aradia, what it could mean for her literary descendant dulcie septimus. please also keep considering this as you continue and see more of aradia. i am very normal about both of these characters

Ooh, they do have similar vibes, don't they? They're both doomed, they're strongly associated with death, and they both have a cheerful side that comes out when you don't expect it to.

@duorogue asked: "You have to give Nepeta some credit. The literal first thing she did after this traumatic murder was log into Trollian and report on Jack’s activities." To be fair to her, when I have a bad nightmare the first thing I do is log onto discord

nepeta hopping on mic at 2am to complain about the hat man (the hat man is doc scratch)

@absinthe-and-alabaster asked: when the writ keeper was introduced as fifth exile you mentioned that it was a little fucked up how the king was the only prospitian that was preserved - i just wanted to remind you that no, he wasn't ! on page 1974 we see all the other prospitians that were exiled with the white queen on her ship (including ms paint!) WQ just left them to go wander the desert

I'd actually forgotten about that. So much happened during the Act 4 ending that it completely slipped my mind. I even missed Ms. Paint!

Anonymous asked: Hey, as you noticed, the Dave Coin Split is a plot hole. We've never seen the timeline split because of someone's choice before. Compare to John flying to the seventh gate, there weren't two timelines based on his choice, the timeline only changed because Dave came back from the original timeline and changed it. And of course, like you said in the tags, Terezi shouldn't have been able to communicate with Doomed Dave, including to tell him the result of the FL1P. Have you noticed any other plot holes or things that don't seem to make sense?

While I see what you're saying, it might not necessarily be a plot hole! Certainly the Dave Coin Timeline was created in a different manner to Davesprite's - but that might just mean there are multiple ways to split a timeline, or that there are certain requirements that must be fulfilled for a decision to spawn one.

Because of things like that, it's hard to tell whether something's actually a plot hole, or if it'll eventually make sense in light of later reveals.

This is particularly true for aspects of the plot involving time travel, like the one you just described. Like, remember before I learned about Doomed Timelines, when I thought Davesprite broke Homestuck's predestination rules?

Anonymous asked: You said "God Tiering is just another way to inhabit your Dream Self," so do you think the things that Dream Selves can do (such as Jade growing extra arms) can be done by God Tiers?

I never really thought about that!

I think it's definitely possible. God Tier bodies can fly the same way that Dream Selves can, so other powers might transfer, too. Maybe the only reason Vriska, Aradia and John aren't shapeshifters is because Jade hasn't taught them to how to dream up extra limbs.

She might be one of the only Dream Selves who've learned how to shapeshift this fluidly. Logging thousands of hours on Prospit has its perks!

[cartoon-buffoon]

Saw someone I followed doing this so I might as well also do it praying to all the gods they don't see this and get mad I copied them anyways time for:

TOON BUFFOON'S AUs

(feel free to inquire or ask about ANY part of these AU's as I love talking about them and most if not all of these WILL end up as a fanfiction story and I have plans for all of these)

Misery loves Company

Basic info: Misery loves Company features a version of Euthanasia Rabbit from FNF's Wednesdays' Infidelity and an OC based on that one Felix game over image aka: HET. Both Euthanasia Rabbit and HET have original written lore that is connected for this AU and although Euthanasia Rabbit's story of him losing Ortensia and being in a depression is similar how it happened is more detailed and kinda the main focus of this AU. That and Het and Euthanasia's absolute boiling hatred for each other that kinda gets resolved? Not really? Idk it's complex.

Summary: Oswald and Felix used to be "friends" until one day Felix went off the deep end leading to a conflict that sent both of them spiraling. The only saving grace Oswald has was his wife who one day died. Both donned new names for different reasons, both bitter at the other for the conflict that started everything they one day meet again in a forest where Felix (now named Het) intends to kill Oswald (now named Euthanasia). This doesn't go as planned however and ultimately leads to Het ending up on his 9th and final life. Due to the fight they call a temporary truce but they still absolutely hate each other and do everything in the power to make sure the other dies because they firmly believe the other was responsible for all the misery they faced. From their perspectives at least

Blood & Ink

Basic info: An Epic Mickey AU inspired by Gravity Fall's Weirdmageddon and Infamous Second Son. This AU features Oswald fighting against four powerful creatures called "Terrors" who—unlike Toons who are made of paint and can be dissolved by thinner—Terrors are made of ink and use blood as a power source. The terrors themselves are also famous rubberhose horror characters as I like them and they belong in this AU, the Terrors are specifically: Bendy/The Ink Demon, Trevor Henderson's Cartoon Cat and Cartoon Dog, and Skitzo the 1920s killer bear. There's also the 5th Terror being the only good one who is from Skitzo's cartoons being named "The Little Dog". The way Oswald fights them is with powers he gets and he's gotta solve the mess he made because he awoke the Terrors.

Summary: Wasteland is in ruins, despite everything him and his brother went through that mouse had abandoned Ozzy leaving him to deal with wasteland slowly crumbling. Not wanting his world to vanish or be destroyed he inlisted the mad doc's help in order to temporally escape wasteland and meet with Yen Sid who offers him info of creatures who could save his world. Unfortunately this entire thing goes haywire and Oswald is brutally killed by the Terrors he woke up only to be brought back, this time with new powers as a result of his paint getting combined with ink. Oswald now must get a hold of his powers as he tries to stop the sadistic creatures who took over his world in such a short time while also struggling with the mouse who popped back in.

Toon & The murder toon trio

Basic info: Personal OC insert AU featuring my OC Toon who is an amorphous blob of ink who takes on the appearance of a crappily made cartoon character because he finds it appealing. While exploring the area he woke up in he awakes the murder toon trio which is the Cartoon Cat, Cartoon Dog, and Skitzo. This AU is more or less a hectic slice of life thing where Toon tries to maintain a sense of normalcy whilst the three constantly try to drag him along to perform "pranks" or just murder people.

Summary: there is no real summary for this, Toon just gets bullied a lot by the three however the three actually do hold some affinity for him. Due to Toon awaking them the murder toons cannot stray too far away from him and Toon can regenerate so they can't kill him so their all kinda stuck together. They build a weird sorta bond of friendship and relying on each other, heck there's also a sort of love drama going on because Toon is a moron who falls for Skitzo and the Cartoon Dog desperately tries to tell him not to date someone named straight up "Skitzo".

[fanfoolishness]

For the "even more fic writer asks!"

1, 26 and 29 (And Ietting you choose the fic 'cause I can't decide/maybe some have no linked answers?)

Ahhh, the agony of choosing XD Thank you for sending an ask! <3

I'll pick some Bad Batch ones for you <3

Start to finish, how long did it take to plan and write? Did you take breaks during the process?

Technically I'm cheating a bit, since a rain that sounds like home isn't yet complete. But it has been percolating since.... (checks google docs) May 15, and I only started to feel confident in actually writing it in the past month, and only started publishing it in the last 2-3 weeks. I kept going away and coming back to it, getting frustrated because I couldn't quite figure out how I wanted it to go. I knew I wanted Crosshair to have a big, messy breakdown about Tech. I'd been wanting to write that story for ages. But then the finale came along and cut off my boy's fucking hand and I realized I had to deal with that too. Then I had to figure out how to twine his PTSD, the recovery from the amputation, and his unresolved grief about Tech that just barely, barely got brushed on in the finale all together into a big knotty mess. Then I had to figure out how to start to untangle them. It kept feeling like a herculean task, and for a while I contemplated leaving Tech out of it. But it's my goddamn mission in life to help characters deal with sibling grief (since I got through it, I want them to, too!).

This next chapter is going to be an emotional nuclear bomb going off, and Crosshair's finally going to have to start dealing with his feelings about losing Tech while never reconciling with him, and I hope it comes out just as messy and painful as I've been aiming for. If all goes well editing-wise I'll post that tomorrow, and the final chapter still has some writing to do but has an outline. All told it will be about 3 months of work, with many breaks to let my brain try to puzzle it out.

26. Share your favorite detail.

Favorite details? Ooooh, that is tough. I do always like using my whole being a veterinarian IRL whenever I can in fic, sneaking in little things like medical whump or weird animal facts. Patching Up has Crosshair dealing with minor paw pad injuries for Batcher, and Evaluations is a fun little angsty look at Crosshair through Nala Se's eyes, using medical language to create distance. There's also a little shoutout to merle mutations in dogs when Nala Se muses that Crosshair's gray hair is likely linked to his ocular enhancements. Humans don't have a merle gene as far as I'm aware but what the hell, it's Star Wars, I can do what I want.

I have also slowly but steadily been throwing in references to Crosshair starting to pay attention to birds on Pabu in multiple fics to go with my headcanon that he develops a love of birding, using his exceptional vision to spot birds. They show up frequently in moments where he is observing things around the island, using details from real Earth species (or near-Earth species). He doesn't have names for the birds yet, that will come later, but the groundwork is being laid and if you are sharp-eyed you can find several references to them so far in my canon of work. :)

29. If you made a playlist, talk about the songs on it and share a link.

If. IF I made a playlist. omfg. my playlists, let you show them (or at least a good chunk of them). Every blorbo gets a playlist, some more than one if they have a long enough arc, and most ships get one too. Chaptered stories often get their own playlist as well.

Lately I have mostly been writing to my Crosshair and Crosshair Recovery playlists, but I sometimes visit other angsty ones for good writing music. I usually can't write to the show's score by itself because I get too focused on the themes and where exactly certain moments in the episode happened in the music; I can handle a few songs on a playlist but not the entire season score. Most of my Crosshair songs have a male vocalist with a heavy focus on angst, war themes, guilt, and isolation; the Crosshair recovery playlist starts frantic, veers towards guilt and depression, then builds towards songs focusing on release and acceptance, like the story itself (a rain that sounds like home).

Phew! Thanks for all that! Sorry for jabbering on :)

[douglysium]

Episode 5 TMP Quick Thoughts

Housekeeping and Prologue

Hello, this is Douglysium and you might not know me as that guy who wrote over 100 pages of analysis on the Eye (which can be read on Tumblr here (https://douglysium.tumblr.com/post/735599414228484097/the-relationships-between-the-dread-powers-the) or Google Docs here (The Relationships Between the Dread Powers: The Eye- Knowledge is Fear and Ignorance is Bliss)) or as that guy who wrote an article on the Extinction (which can be read on Tumblr here(https://douglysium.tumblr.com/post/717929126195003392/what-would-avatars-of-the-extinction-be-like-a) and Google Docs here(​What would Avatars of the Extinction be like?: A TMA Speculation)). Suffice to say I might be a bit of a TMA fan. Also, spoilers for TMP up until episode 4. You can read my ramblings on the last episode here (TMP Quick Thoughts 4).

However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.

These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.

Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don't really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you're getting all the nuances.

These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.

Episode 5 “Personal Screening”

If you ask me, the statement in this episode is almost definitely Eye aligned and it’s one of the most Eye flavored statements I’ve seen in a while. But let’s try to slow down and walk through some bits of the episode. Like always it may be an act of hubris to view TMP through the lens of Smirke’s 14 (and potentially The Extinction if I feel it comes to it) but even if I’m wrong I still find this to be fun and the parallels interesting.

Like always, we are hearing the story of TMP from the perspective of something / someone listening in via device and the transcripts clarify that this time we are listening through a landline.

Sam enters Lena’s office to express his worry about Colin’s paranoia and says “Well, today I found him crawling along the corridor, yanking out wires and muttering to himself.” and points out that Colin has “added all those locks to his office door and he refuses to even go near a camera now…” I feel like this mirrors TMA in how we see a coworker becoming worried about another coworker's increasing paranoia. And, similar to Jon, Colin’s paranoia in part seems to be coming from the feeling that he is being watched or monitored by something. I maintain that if the Entities are present then the O.I.A.R. is at least partially connected to the Eye and we see Colin is even becoming afraid of being seen by cameras and the like.

I think it’s also interesting that Lena says this “Right. Well firstly, thank you for raising this with me Sam. It’s important we don’t keep secrets here.” which feels a lot like some ominous foreshadowing we don’t yet understand. The Eye is all about having no privacy and exposing secrets and Colin seems to indeed be keeping some sort of secret. Not only that, but considering what Gwen saw last episode Lena is also keeping at least one secret.

There actually seem to be a lot of parallels or allusions to TMA structurally or thematically. Many of the statements sure but also the roles certain characters play. Sam is too curious for his own good like Jon and may be here to look into a previous encounter with the supernatural, some have pointed out that Alice and Tim both seem to cope with jokes, and Lena is a shady boss like Elias / Jonah. Just to be clear I’m not saying these are 1-to-1 or are meant to be alternate versions of each other or something. Rather that either The Eye tends to attract certain people, that this is meant to be a reference (Sort of like how how Part 7 and onwards in JoJo’s Bizarre Adventure have many direct references and parallels to other characters even though they aren’t always the exact same person / personality or one-to-one), or we are going to end up with some extrapolation, divergence, and / or commentaries on these similarities (either directly or indirectly).

However, long story short, Lena dismisses these claims and basically tells Sam not to worry, schedule a meeting next time, and mind his own business before we cut to one of the computers Sam and / or Alice work at to catch the rest of the story. Alice mentions “Ah. Yeah, Lena isn’t exactly known for her diplomacy.” which points to the idea that Lena probably isn’t the nicest person, or at the very least doesn’t sugarcoat things. Sam finds that Alice left some papers on his desk and she explains “I had a nosey while you were in Lena’s office. Looks like it’s for your Response Department one to one.” One thing I mention a lot about The Eye is that it tends to attract people who are very curious and / or want to know things, such as “Nosy Rosie,” Jonah, Jon, etc.. This scene shows us that Alice might be more curious or nosy than she lets on in some aspects. Of course, in typical Alice fashion when Sam expresses worry about the paper and the Response Department she tells him to basically just ignore it and throw it away but Sam decides to fill start filling it out anyway.

I wonder if this is similar to the magically binding contract from TMA and if Sam just accidentally tied himself to something. Alice does also say “Just chuck it. I told you, I’m pretty sure the Response Department doesn't even exist anymore. It's just the system spitting out dead paperwork. Happens all the time.” so we can’t even be sure that this is coming from the Response Department. In fact the paperwork coming from the Response Department could be The Eye or some other Entity and / or supernatural occurrence. We also continue to have Sam’s curiosity hammered into us when he says “And I’m going to fill it in any way. See what happens.” Sam notes that the paperwork asks strange questions when he says “Uh huh… They want my last seven addresses. I don’t know if I’ve even had-” This could point to the idea of the paper wanting a suspicious amount of information since it not only wants to know where you currently live but the last seven places someone has lived.

(Probably rather luckily) Sam gets interrupted by a statement as Alice manages to convince him to stop as CHESTER gives us our statement for the episode.

This statement is about Tom and the blog he is running. On it he reviews horror movies and even says “Hey all you sick freaks out there, Tom here, your gruesome guide to the most twisted horror films of the world wide web!” He also says “I can’t believe this blog’s still up. Was looking for somewhere slightly less confrontational than social media to post my film thoughts, and I remembered starting this back in, what, 2009?” As I’ve mentioned before The Eye is the fear of being perceived and known which also involves the fear of being judged for things. To put it even more broadly, The Eye seems to be about the fear of knowledge in general. Not just the fear that someone / something might know too much about you (or a specific secret) or is just gathering information by watching you but also the fear that you yourself might know too much or have seen something you wish you hadn’t. In MAG 200 we are told in what order the Powers emerged and what led to their birth and for The Eye we are told it came from the fear of one’s eyes ��showing them too much.” In essence, that they saw something they didn’t want to. A more direct example of this is Jonah being able to force information into the minds of other people like Martin and Melanie. Jonah mentions that this information has to be true and it points to the idea of forcing someone to know something against their will.

We also get “That first post... Fourteen years old and convinced I was the edgiest writer on the web. Might keep it up for posterity, god knows the kid went through enough” which implies a rough childhood. Considering what happens with the movie I would also like to point out that tying into The Eye’s whole “seeing too much” thing is the idea of being forced to remember or relive certain things you don’t want to. The most obvious form this took in TMA was the statements (as they were people recounting what happened to them) but Jon could also force people to give statements (forcing them to recall things against their will) and when Jon takes live statements both Jonah and Daisy point out that when this is done the victim will be forced to relive said statement every night via a dream in which Jon is watching. Sometimes, if there’s a monster involved, the victim sees things from the perspective of the monster (forcing them to watch their own suffering in a way).

Tom explains “I remember I was pretty lonely in those days. Ever since I was a child, making friends has always been kind of a struggle. My interests have always been seen as a little strange... While other kids my age at the time were looking up to football players and other celebrities, I was looking up to Pinhead and Freddy Krueger... It wasn’t in a psychopath kind of way or anything, I’ve just always been fascinated by horror. I can thank my dad for that, he showed me Puppet Master when I was six. ‘oh don’t worry, buddy! It’s just like Toy Story”... He had kind of a dark sense of humour like that.” before continuing to describe how he was really into horror and continues to have a fixation on it. This also implies that it’s possible the young Tom wasn’t always aware of what he was about to see and was tricked or lied to about what it was. Which could tie into the idea of seeing something you didn’t want to if we assume that this poor kid was expecting Toy Story only to get a scary movie. Funnily enough, someone judging and critiquing films on something like a blog could draw a connection to The Eye via the idea of judgment and the like.

Strangely, the next 3 reviews have been deleted. I wonder if they reminded Tom of something or if he just wanted to forget about it? But that would be kind of weird since he still leaves up the announcement that make mention of the terrifying film he watches later, “Voyeur.” It might also be a much weirder reasoning like someone or something wanting people to find this movie and / or post and making sure the post is preserved for a statement. It’s pretty clear Tom has at least some of the trademark Eye curiosity when it comes to horror movies since he seems to put in a lot of effort into finding this specific horror movie in order to watch it despite searches mostly just revealing what is presumably porn. However, in his search he comes across one thing- “The only thing I could find was another old blog with what must have been the shortest film review I have ever read. You can check the link, but I’ll save you some time: all it says is “Voyeur needs to be seen to be believed. The Scariest movie I have ever seen”.”

Of course, if you’ve gotten this far you can probably guess what I’m probably going to say. This is so obviously The Eye or some similar overlapping Entity trying to bait curious people into seeing something they will probably regret. In TMA Gertrude did mention that The Eye is also the drive to know and understand even if what you find might hurt you and we can see this in action. The drive to know and understand even if this movie could mentally scar you. Unfortunately, Tom doesn’t realize he’s in a horror podcast and this just makes him want to see it even more.

In the next blog post Tom mentions “Oh my God. I can’t believe one of you found it! Thank you SO MUCH Cinephobia12220 for the link!” Based on a quick google search I don’t think “cinephobia” is a real word (and if it is it’s super obscure). However, I can take a wild guess at what the username “cinephobia” means by looking at the root words involved. Cinephile basically means “movie lover” and phobia has to do with fear, so we can assume that the term cinephobia would probably mean something like “fear of movies”, “movie fear”, “phobia of movies”, etc. 

After doing a bit more digging I found the term “cinephobia” which according to a wikipedia page means “The fear or hatred of films and the cinema.” Whether or not you want to see this as credible is up to you and I’m proud of the logic I used originally so I’m keeping the previous paragraph since it was at least in the ballpark. Either way, this username is foreshadowing since their name literally means “fear / hatred of movies” (ie the fear of a media you would watch).

Tom manages to find a link and a contest that only asks for his name and he somehow wins said contest despite noting that the site hasn’t been updated in years. At this point it’s clear that all the blog posts not relating or leading up to the “Voyeur” have been deleted. What does voyeur even mean? According to google voyeur is defined as “a person who gains sexual pleasure from watching others when they are naked or engaged in sexual activity”... okaayyyyyy wait there’s a second definition “a person who enjoys seeing the pain or distress of others.” Okay, I’m going to assume the second definition is what’s applicable here since this ties very heavily into The Eye and the idea of a sort of sadism or someone watching you suffer. Of course, this can also tie into statements as people like Jon gain power and strength from literally hearing about and or watching people suffer. So the movie’s title is yet more foreshadowing. The title might also have a double meaning since depending on why someone likes horror and to what extent you could describe them as a “voyeur” in the sense that they like seeing people suffer in movies. Tom is so desperate for horror he might be somewhat close to a voyeur in this sense but maybe I’m reading too much into that.

When Tom wins the contest he explains “I WON THE CONTEST! I can’t believe it! The invitation was waiting when I got home today, in a small black envelope. I don’t even remember giving them my address. The website must have logged my IP and looked it up or something... I’m really not sure how any of that works.” This is another red flag because The Eye is known to randomly give or find information it otherwise shouldn’t know. We see people like Jon had the ability to know things that they shouldn’t and Jonah was borderline omniscient and could know almost anything he actively put his mind towards.

The cinema “Voyeur” is being filmed at is a theater that Tom actually went to when he was a kid. “And I’ve actually been to this cinema before... I used to go all the time with my dad... they would play classic horror films midday every Saturday.” Considering that Tom probably had a rough childhood this could be The Eye setting up a situation where Tom is forced to remember his past (I mean besides watching the movie of course) and I wonder if this is the theater where his dad tricked him into watching a horror movie. We know that the movie seems to actually be about Tom himself and it’s being played in a place he remembers as a child. Also, Tom mentioning how he wants to give his thoughts on this movie could be likened to a statement and someone giving their accounts about various horrific encounters.

Tom of course is apparently live blogging the event and I think that usually The Eye wouldn’t have it any other way. The more people can witness the horrors another person is facing in real time the “better.” The outside of the theater seems like it’s in a sorry state but the inside is beautiful and clean. Tom asks about this while buying food from an employee and we get “I asked about the mess outside, trying not to be rude about it, but he just said “It’s what on the inside that matters”.” This could be foreshadowing to the idea that the movie is about Tom himself. So the “inside” that matters would be Tom’s own memory and / or experiences. Also, this employee is noted to be old and probably doing all the jobs around this theater. He is at least the one running the concession stand, and usher along with the other stuff. But Tom says that the man is in high spirits which makes me wonder if we’ll see him as a recurring character in TMP’s statements and / or in person (sort of like Simon Fairchild and the like).

Then the movie starts and based on Tom’s reaction he clearly recognizes what's being shown “ I can hear what sounds like... beeping. It sounds so familiar but I can’t quite place it. Medical equipment maybe? There’s something [UNINTELLIGIBLE] the screen... Looks like it might be a flashback or something, handheld… looks like it was filmed on an old camcorder... Wait. Is that...? I know that room…. How... How did they get [UNINTELLIGIBLE] This was after the accident. Mum wanted to to film it for my brothers... Dad... I... [UNINTELLIGIBLE] Wait. Who is that? In the corner of the screen, there’s... WHO THE HELL IS THAT?” and the final thing we hear from the blog is 

BLOG POST: FILM REVIEW: VOYEUR 

Voyeur needs to be seen to be believed. The scariest movie I have ever seen.

It seems like what happened is the movie was a video Tom’s mom had taken of a tragic even but there was something that shouldn’t have been there. This wouldn’t be the first time something like this happened with The Eye. In TMA MAG 193 (A Stern Look) we get an account from the original Elias that details how a friend named Allan Schrieber died from presumably reading some sort of book. Upon reading it Allan started to mentally break down and sob while saying things like “It has no eyes”, “so it has to feel its way towards me. But it knows. It knows!” before eventually dying with his eyes mysteriously missing. A lot of people immediately assume this means The Dark was at play but there are statements where someone / something aligned with The Beholding seems to be missing eyes or taking The Eyes of others. Sometimes the idea is that it’s scary that something can somehow still know where you are or see you and sometimes this is the whole “seeing too much thing.” It’s also mentioned “But he remembers so clearly what he was thinking as he looked at the what was left of Allan Schrieber: where are his eyes? What did they do with his eyes?” 

If you want a clearer example of seeing something you shouldn't, there's the hand mirror that appears in MAG 060 (Observer Effect). Upon looking into this mirror Rosa Meyers notices a dark figure in the night that only has its eyes visible and she feels like she is being watched / stalked even after dropping the mirror and breaking the glass. So The Eye definitely plays around with the idea of seeing something, noticing a figure that shouldn’t be there, and then things follow you before something happens. It wouldn’t completely surprise me if Tom was even replaced or had his mind and / or body taken over somehow (something that has a precedent with people like Jonah) which could explain why his review is eerily similar to the original one. Maybe the old man is body hopping like Jonah? That might explain the old man’s excitement and maybe the old man is in fact “Cinephobia12220.” Hmmm, such an assertion about body hopping with so little information is a bit of a stretch though since the man could just be happy to have a victim and it would be an oddly specific ability for some random new character (merely one iff background or otherwise) to have.

Obviously, Tom also expresses surprise at this theater having the footage and wonders how they could’ve gotten it which ties into The Eye and someone getting information they shouldn’t. Being forced to relive something like this is also comparable to a statement. 

Some Entities that overlap with some of the stuff happening in this statement are ones like The Spiral. I could see an argument for some of its themes with the idea of noticing something you missed before or thought wasn’t there as a sign of your senses being wrong. Maybe also The Stranger since Tom doesn’t seem to know what he’s seeing.

We then cut to CCTV audio and Alice talking on the phone before this conversation happens

GWEN 

“Do you remember the IT manager before Colin?”

ALICE 

“Who? Amelia? What about her?”

GWEN 

“No, before Amelia, before I joined. German guy. Lots of tattoos.”

ALICE 

“I mean, I think Amelia mentioned him once or twice maybe? Mostly I remember her complaining about his work, but he’d have been here well before my time. What’s this about?” 

GWEN

“Nothing. None of your business.” 

ALICE 

“What? Seriously?”

GWEN 

“(walking off). Yes.”

Once again, Gwen being cagey and weird but this time we have a better idea of why. There’s a chance that this German IT manager may in fact be Klaus. I wonder if being the O.I.A.R. IT manager comes with some sort of drawback or “curse?” Maybe even some weird agreement between whoever has the position and Lena? Who knows

Conclusion

Idk having a blast. Feel free to leave corrections and / or thoughts and I may respond to them and explain if I agree or disagree, or consider why it is or isn’t likely, etc.

[nanistar]

do you think we could get a sneak peak of saltburn's clan production? like the scripts or the sketches? (of pages already posted of course) i really like seeing how different people approach the comic making process

sure thing!

so i usually post the next 2 sketches on my patreon for the $1+ tiers on tuesday or wednesday, so they get an advanced little view of it before hand. so the ones here are all gonna be older pages.

my entire script and notes i keep in one long google doc. and i send myself feverish notes on discord to be copy/pasta'd into the doc later. i also have a rough estimation of my progress in the story and how much longer i have per chapters, since im trying to keep it to about 30-36 per chapter. i don;t want to spend longer than 2 years on this comic (though im not gonna speedrun it or anything if it ends up going long, im just hoping it stays shorter lol).

i don't script things line-by-line or like a stageplay. i tried doing it early on but i found i made too many deviations depending on how i placed panels and looking back at the script was really annoying.

earliest script i have^

i tend to do dialogue on the fly when actually sketching out the pages, because i know what i'm looking for, so unless i have the specific dialogue that i want to remember to add, i don't write any of that down. although sometimes i get on a roll writing and dialogue flows, so i write it down and change it as needed. i have scenes in my head rather than pages, and i translate those notes later when i need to work on that scene. i very rarely get actual page ideas in my head, but i will say today's update with saltburn flying thru the air and recalling some memories i;ve had in my head for months, along with the one where salt sees the angel i had planned for a while. (i'd LOVE to be able to get a ton of pages sketched at once so i can not worry about it, but the nature of the way that i work is that i just can't think in that much detail far ahead of me. so i can only really do 2 at a time)

^so it tends to look more like this, fast back and forth dialogue to get my point across that i will make fit their voices later on. also i don't use linebreaks or anything just because im lazy so my notes are a fuckin disaster

my god.

as for the actual drawing of the pages, i literally just do it i dont know how to explain it. i sketch things as fast and loose as possible , i try not to have the same size boxes next to each other unless i'm showing the passage of time or a very minor detail change between panels. large panels for establishing shots. ect. sometimes if needed i will do a secondary sketch to figure stuff out, like i needed to do a bunch when working out the first few coyote drawings since ive never drawn dogs in action before. but usually i just whip it out

nightmarish.

this one is still my favorite, and despite looking much better than my normal sketches i did whip it out like normal (i just looked at refs for the other critters so it looks nicer lol)

additionally, i do every single page in the chapter on the same canvas because i love it when procreate crashes. i do all my panel boxes, and any "weird" shaped speech bubbles by hand. i only have one layer for flats, one for BGs, merge them together and do one overlay layer. if i need some extra definition i will add an additional shading layer but i dont like to. once im done with all the art i merge every layer together, send the page to myself on discord, and open it up on my 'puter and do the remaining text and normal speech bubbles in clip studio.

oh yeah people sometimes ask why i do 2 pages instead of one per update, or just do a bunch and upload it less often and the answer is because i don't want to be working on this comic for a very long time, and 2 pages gets me thru faster. if i spend too long working on a scene it starts getting boring for me and im more likely to cheese it which i dont like doing, but if i do two at once i can get stuff done faster. additionally, i cant just do a bunch and upload them all at once because i like the feedback, and it's better for readers to have consistent updates. i have the deadly autism/adhd combo, and my life is literally scheduled week by week and i have to stay consistent or i will die.

but yeah. my process is nightmarish and fast (despite spending like 4-8 hours per page) and loose and crazy but it works for me and keeps me engaged.

[palfriendpatine66]

8, 19, and 23 for the weird writer asks!

From this ask game! (read my answers under the break)

8. If you had to write an entire story without either action or dialogue, which would you choose and how would it go?

19. Tell me a story about your writing journey. When did you start? Why did you start? Were there bumps along the way? Where are you now and where are you going?

23. Describe the physical environment in which you write. Be as detailed as possible. Tell me what’s around you as you work. Paint me a picture.

8. I feel like I could easily do a story without dialogue, focusing on the character's (probably angsty) emotional state

19. I started writing fic one year ago! I had been reading fanfic for about 6 months - as in like any spare moment of my day diving into stories. I consumed So!Much! during that time. But I started to have some ideas of my own festering, and I couldn't get them to leave me alone, so when I was in bed with COVID for a week I started writing them down. It's been...such a good thing for me. I began posting under the tag "writing myself out of depression" and after 4 or 5 months realized I hadn't been using it. It didn't feel like it fit anymore. The connections I made with others and the support from the community really lifted me up, as well as giving myself a creative outlet to escape through for a while. I'm very sappy and grateful I found myself here.

23. These days I need complete silence to write. I wrote must of Pining in stolen moments while multitasking, a few sentences at a time, finding the right words in my head and then racing to write them down as soon as I could. I can't do that any longer. I feel like a dragon, greedily hoarding my writing time. I sneak off into my bedroom, close the door, sit in the dark, turn on the sound machine so I'm not distracted by the activity in my house, and hunch over my laptop, getting out as much as I can.

More often than not I don't actually get and "writing time" and I've got the google docs app open on my phone while I'm burritoed in my weighted blanket with one eye and one hand for typing sticking out, glasses off for sleep so probably bleary eyed and squinting at my screen, getting out my on the edge of sleep ideas before I fall asleep mid sentence and my phone rolls out of my hand.

[deafknell]

whats ur writing process like? :o for both ur solo fic writing process and ur writing process when it comes to collabs? just asking out of curiosity as well 🙏🙏 love ur fics op <3

Ahh bless you <3

Generally my writing process is kind of... all over the place. How it works for me probably isn't the most efficient, but it's one I've built after working with some close friends on a lot of collab projects.

I usually start with, well, the basic idea. Often my fics come from either having read something in canon and going "man I wanna see this" or it's a requested fic from a friend of mine.

From there, I tend to write out the barebones premise onto a doc as a stream of thought. No editing, no backtracking, just the basic ideas of what I want characters to say or do, and anything important that pops to mind from the idea. I'll tend to include little notes to myself like side stories to check or style notes here.

I'll use a WIP as an example here:

Joshua stares, very mixed feelings. Im sure they were no match to you, brother. But julius keeps hyping up subaru, and doesnt seem to be relenting on this. So joshua doesnt push, and instead asks about the rest of the camp? Ana pipes up about roswaal being quite conniving, someone not to be underestimated. joshua frowns. isnt roswaal that weird noble with lots of rumours around him (see: josh juukulius careful encyclopedia 1)

Nothing too fancy here - just trying to get the basic idea out on a doc with the bits and pieces needed to make it come together.

Then I try to refine it a little so it's closer to a draft than quick notes for me to refer to:

[Joshua stares at Julius. Very conflicted -- Julius has made a good friend, but he's putting himself down again. Another Reinhard type, possibly. "I'm sure they were no match to you, Elder Brother." Julius waves his hand dismissively, fond look on his face. Says something praising Subaru for his efforts in the Whale hunt. Joshua narrows his eyes, but doesn't push further. He knows his brother won't relent on this. Redirect focus to the rest of the Emilia camp. Set up main points of interest - Roswaal, and Emilia. Do some background work here; where is everybody sat? Noise of the restaurant? Details. Feed into the quiet discomfort Joshua has by making things go quiet before he asks about everyone's opinions on their rivals]

Lots more detail here, while still keeping room for flexibility -- I don't like being too strict with my outlines outside of plot points because otherwise I end up feeling like I'm not challenging/doing anything creative, just following a script.

After that point? I just write it out like normal. If I think the start of the fic is boring, I'll start writing from a point that actually interests me, then reassess if maybe I want a cold open or not for the story. I'm a massive nerd for the small details, stuff like body language or subtleties in what characters focus on so generally I enjoy starting from a place with a loooot of room for little notes on background.

For collabs, it's very much down to who I work with! The main people I work with are the reason I adopted this style of planning, but usually I leave it up to my collab partner to decide how we wanna plan, since I'm usually flexible in that regard! I used to write a lot more freeform without plans, so it's primarily for the benefit of telling a more well rounded story I plan at all.

I'd definitely love to do more collab work. It's difficult trying to fit schedules together, especially as I'm quite lazy with writing, but collab work always feels fun and ends up making me write outta guilt of not being that one person in the group project. Think the only thing that stops me nowadays is trying not to overcommit, or seem far too clingy with writers I really admire haha.

[sunshinechildskywalker]

20 questions for fic writers

Hi, friends! I was tagged by the forever-incredible @ladyvader23- thanks for the tag, my friend!

1. How many works do you have on A03?

I have 12 works and counting!

2. What's your total A03 word count?

67,866 words (woah! More than I realized!)

3. What fandoms do you write for?

I write primarily for Star Wars, but also write for Harry Potter, Hunger Games, and believe it or not, the Simpsons! Sideshow Bob sparked something in my bestie and I that kicked off a year of non-stop Google Doc sharing and squee comments on each other's works XD

4. What are your top five fics by kudos?

Grounded (578)

L & V One Shots & Ficlets (554)

Convalescence (278)

Tortured Soul (191)

Come With Me (159)

5. Do you respond to comments? Why or why not?

I sure do! I always try to respond with a least a "omg thank you!!!" or something of the like to show my appreciation. I wish I could go more in-depth for them all, and I do for the really long ones, but I end up not always having the time or energy to pay each comment the response it deserves. As always, thank you to everyone who has commented on my stuff!

6. What's the fic you wrote with the angstiest ending?

It's actually one I haven't posted yet (nor finished, and that's one I def want to be done before I post it). To give you context without too many spoilers, basically it's an alternate ending to ROTJ in which Vader doesn't die...but Luke does. I've been writing it on and off since my freshman year of high school and am excited about it, but damn, it's so hard to write because it makes me so sad!

7. What's the fic you wrote with the happiest ending?

Probably Grounded! That was the first one I ever posted (during my first week of senior year of high school!) I feel like that one wrapped up nicely.

8. Do you get hate on fics?

Once in a great while. Most of the hate comments I receive are digs on my characterization of Vader. One time I got a negative comment on a oneshot that I specified was part of a larger story I would recommend reading beforehand, and the commenter didn't understand why Vader was written the way he was, when in actuality, it had a lot to do with his development in the larger story. That one was a detailed hate comment and was hard to shake, but I'm learning how to let them roll off my back.

On a side note, this is partly why I don't ask for constructive criticism; I have OCD and fixate on even little comments people make that could possibly be construed as negative, real life included. I'm working on how to let them go and look at the facts before I run off with some wild tale about how someone hates me for sure. I'm growing and learning how to manage, but like I said in my AO3 A/Ns, OCD is a bitch ;)

9. Do you write smut?

Sure do XD It's pretty much all Skysolo (which you will see in an upcoming Skysolo story I'm almost done with *wink wink* ;))

10. Do you write crossovers?

I haven't before, but I'm entertaining the idea of some kind of Star Wars/Harry Potter type thing. To be completely honest, it's inspired by the Sims I made in Sims 4 lol XD. I had my HP Sims meet my Star Wars Sims and it was so funny to see how they all interacted. Luna immediately grabbed a book off of Leia's bookshelf, Anakin began cooking dinner, and Harry and Luke were talking privately in a separate room from the group- I like to imagine they were talking about how hard it is to be "the hero" and have the world literally depending on you. If I do end up writing this, I'll be sure to post XD *cue Spongebob's "when worlds collide" lol*

11. Have you ever had a fic stolen?

Not that I know of, so hopefully that answer is no.

12. Have you ever had a fic translated?

No, but would be open to working with someone to translate!

13. Have you ever co-written a fic before?

Yes! Nothing I've posted, but I co-write Simpsons stuff with my real life bestie. Sideshow Bob has us in a chokehold XD

14. What's your all-time favourite ship?

I love Skysolo and always will, but I think Finnick and Annie from Hunger Games takes the cake for me. I could go on, but the way they've both been through similar trauma and care for one another gets me big time. And Finnick is one of my all-time favorite characters, so I'm a little bias XD

15. What's the WIP you want to finish but doubt you ever will?

Tbh, both of my Whumptobers lol. I bit off more than I could chew both years between that and school, work, life. Hopefully I'll plan a little better this year and will be able to finish!

16. What are your writing strengths?

I think I write hurt/comfort well, and it sounds weird, but I write crying pretty well too lol. I think I'm getting better at imagery and sentence structure too.

17. What are your writing weaknesses?

I struggle with writing action, and I tend to write run-on sentences. I'm hoping to work on this for future fics!

18. Thoughts on writing dialogue in another language for a fic?

I haven't done this personally, but I have a lot of respect for others who do. I think it's wild people can speak a whole other language period, but using that language in all its differences stylistically to tell a story? Absolutley amazing.

19. First fandom you wrote for?

Hunger Games! I wrote Finnick becoming like a big brother for Prim after the war (flash back to me furiously typing out hurt/comfort scenes on my ipod notes in middle school LOL XD)

20. Favourite fic you've ever written?

I have a special place in my heart for Convalescence; I live for that kind of hurt/comfort and angst, and I'm excited to finish it.

Thanks for reading if you did! I'll tag @spell-cleaver and @starr234, but don't feel obligated if this doesn't interest you!

May the Force be with you, friends!!!

[zmwrites]

It occurs to me that I don't actually know what indigo wars is about. Please tell me in an unspecified amount of detail.

Indigo Wars is my beloved but somewhat neglected first child... first child to have a 'THE END' typed at the bottom of the doc, that is.

It's a three book series (gods willing) and the originator of the world that most of my stories are set in, including Remnants, Open Seas, and Just Jane.

At its heart, it's about two young women on opposite sides of a war finding out how far they're willing to go for the ones they love.

Violet (19) begins the series by being moved into the Royal Keep along with her two sisters, her best friend, and a younger girl they've been tasked with watching over. They're all Vario, a type of magic user that draws their magic from somewhere outside of the natural world, and they've been hand-picked because each have an ability that can be useful for the war effort.

On their first night there someone is murdered and Vi's magic (ability to inhabit other people's senses) reacts weirdly. She tries to ignore it, but then there's another murder. And another. And her magic keeps reacting strangely, pulling her towards the murderers like she wants to reach into their minds and control them like puppets. At the same time, she starts having strange visions of Rimos, god of death and order, instructing her to find an artifact that's been lost to time (the Midriameric) before a mysterious and cold-hearted man finds the Shadowshard, an item of unnatural origin that's rumoured to be able to level cities in seconds.

Add the fact that she's trying to understand court politics and the social rules of the elite, and she is straight up not having a good time.

On the other side of the war, Marharyta (25, and please call her Maisy) is the only child of a dead king. Her uncle sits on the throne and, despite the promises he made upon her birth, refuses to step aside and let her rule. She's been raised away from the capital by her mother Kalliyan, the Queen Dowager, and Henry, her father's Captain of the Guard who stepped down upon the death of his king. Her two unofficial siblings and only real friends are Hal, Henry's son, and Oz, the half-fae that Henry found wandering the woods.

Maisy has given up on ever being queen, and has turned her focus to helping the community she lives in. Then her mother sends her to the capital for a visit, and she realizes that her uncle has been ruling the kingdom through fear and blood and that things are far more dire than she'd realized. He's supported by two powerful figures—Amadra Araqen, a fae lord who uses his magic to keep the populace in line, and Imperator Carr, the commander of an army of Vario.

Even though her uncle has warned that making a move against him will have consequences beyond her imagination, she must decide if she's willing to risk her own life—and the lives of the people she loves—in order to save the people she was raised to rule.

I hope this lengthy spiel wasn't too much!!! For a more succinct explanation w pictures, you can check out the WIP intro I did a while ago.

Thank you for the ask!!

[littleperilstories]

Writing. Rewriting. Editing.

Someone recently asked me if I am a 'downsizer' during the editing process. I have been reflecting upon this question since then.

Here's what I have been up to:

writing (drafting) new TPOT chapters (drafting chapters from scratch to expand and improve the story that I made up for Whumptober - adding lore, plot points, and different character POVs)

rewriting some TPOT chapters (changing existing chapters to fit the new content I've added for the revival. I work within the existing doc and salvage as much as I can from the chapters, but in many cases the result looks like a total rewrite even if it isn't.)

editing TPOT (tweaking chapters to a point where I feel comfortable posting them online)

[These are NOT standard publishing terms, lol, and if you want to learn about correct terminology like developmental edits, stylistic edits, line edits, copy edits, proofreading, etc., this post will NOT be helpful to you. It's just some rambling thoughts about my process and where words get added vs cut.]

Here's how this process goes for me, at least for TPOT since I'm doing all three stages in a relatively short period of time..

Writing/Drafting: Words...happen. The result is a series of sentences that tell a story, but not prettily. And while the plot is perhaps light, the wordiness is VERY heavy. Conciseness? I don't know her.

Rewriting: This is the adding words stage. As ideas on how to fix the initial piece flow in, I am able to increase the WC so my chapter tells the story more cohesively and just...better. Details get added. Maybe even a few nice sentences here and there. Still wordy af.

Editing: Stylistic devices have arrived. The writing starts to actually look and sound nice. Once the imagery and whatnot is in, subsequent editing rounds cut words. All that pesky wordiness from writing and rewriting now needs to be dealt with, and slowly but surely the word count goes back down.

I'm curious, what does your process look like?

[the-aleksy-show]

😅 Any sort of kiss scenes (especially when I'm sex-repulsed)

🥺Angst with a happy ending (I cry mentally when I write that stuff)

🤡 "It's all tits, pain and suffering from then on" - A long abandoned Stranger Things wip I haven't touched since august.

😈 Its usually when I make the characters (ocs or not) have mental breakdowns at the end of the story because I need to project my problems onto them.

✍ No. I'm just going balls to the wall, ten million spelling mistakes insane.

🛒 I usually project whatever shit I'm going through (ergo; chronic pain, gender crisis, pain) to make myself try to come to terms with this stuff. And, also, there's always going to be a main character that is gay and traumatized. I swear. Those are the two things you will always find in my books, fics or original works

🎢 Which of your fics would you call your wildest ride? Probably that fic I haven't touched since august (I wrote like a 30 something page chapter that spanned like, two hours in incredible detail)

✨ I'm so good at writing angst and bad at resolving it.

💋 I. Love. First. Kiss. Fics! They make me want to explode.

🎶 I usually listen to punk stuff when I write, and, lately I've been listening to 'Bitchboy' and 'The Boys Wanna Be Her' over and over again.

🛠 I use Microsoft Word (I've tried to use google docs but I fcking hate it)

⛔ Yes. Many, actually. There's this Outlander fic, this... other Outlander fic, that good good poly Stranger Things fic, an Anne with an E fic, and I

🙋‍♀️ Yes. Most my friend group know about my fic writing, I even gave one of them the link to the fic.

🍦 What's the sweetest fic you've created so far? I don't know, but I am planning a Slow Burn AU

🍷 I drink orange juice when I write sometimes if that's what you mean

🍆 Oh my god no. I could never (no hate to smut writers, I love you guys so much, but i could never. You guys are braver than me).

🌞The early mornings and late at night.

💖 Quarantine. I had nothing else to do, so I was like, heck yeah, lets start writing

💌 Terrified. I feel absolute terror.

❌ Kidnapper/ Stalked romance or anything abuse (I have it and it makes me so uncomfortable)

💲Maybe, I don't really know.

🧐 Yes. Most of the time, yeah

🏆 I've only posted one, so... that's the most popular.

🎃 I like writing Christmas and Summer Holiday fics

🎯 No. I have 21 hits on ao3 its not really a big thing.

🎨 I would marry them at once.

📈 I have about a million wips.

🦅 I either overplan the fic or just start something without thinking

👀 Okay, so there's this Autumn AU thing going on with a slow burn and stuff like that, I don't even want to talk about it.

🤗 Just do it. Like, just go ahead. Do whatever you want. Write the fic. Go utterly insane. Have fun.

💞 Don't ask, I cant. I don't even beleive that... that's the comfort character that I picked to obsess about.

🧠 Tell me a headcanon you have for one of your favourite characters. I'm interested

🤩 Who is your favorite character to write? I'll take that as meaning character trope or something, and that favourite character trope is 'Swagless Bisexual Man Wearing A Leather Jacket And Eyeliner'

🤲 "Hey. Is it gay to look at a man and have your breath gey caught up in your throat and then your eyes get all wide and you want to like... run away and jump into your bed and scream into a pillow while kicking your legs in the air like a highschooler?" - The Autumn AU wip

😬 Probably the one Im planning to post. If anyone in my friend group ever found that one I would let the earth reclaim me.

🎉 The only one I actually posted.

✅ Trauma.

📚 Of course. I've wanted to be a writer since I was eleven.

⌛ Maybe four days to write a chapter, maybe more.

🤯 I'm really bad at writing sci-fi and mystery.

💔 Well, there was 5000 Miles Away which made me litterally cry throughout the whole thing. The fluff killled me.

💥 As long as its constructive and given in a nice way I'll let it happen. Ill still regret existing and cry for three days, but... okay?

🤭 Everyone Is Gay

🥰 Of course! That would be amazing!

Fanfic Writer Emoji Ask

😅 What's a story or scene you've created that you're a smidge embarrassed exists?

🥺 Is there a certain type of moment or common interaction between your characters that never fails to put you in your feels?

🤡 What's a line, scene, or exchange you've written that made you laugh?

😈 Has there been a point in a story where you did something just to be playfully mean to your readers?

✍ Do you have a beta reader?

🛒 What are some common things you incorporate in your fics? Themes, feels, scenes, imagery, etc.

🎢 Which of your fics would you call your wildest ride?

✨ Give you and your writing a compliment. Go on now. You know you deserve it. 😉

💋 First kiss fics. Love em or hate em?

🎶 Do you listen to music while you write? What song have you been playing on loop lately?

🛠What tools/programs/apps do you use to write?

⛔ Do you have a fic you started, but scrapped?

🙋‍♀️ Do any irl people know you write fanfic?

🍦 What's the sweetest fic you've created so far?

🍷 Do you drink and write?

🍆 Do you write the spicy stuffs? If so, what's your most popular nsfw fic?

🌞 Do you have a preferred time of day to write?

💖 What made you start writing?

💌 How do you feel about comments and feedback?

❌ What's a trope you will never write?

💲 Would you ever open commissions?

🧐 Do you spend much time researching for your stories?

🏆 What's your most popular fic?

🎃 Do you write fics for certain holidays? Which is your favorite holiday inspired fic?

🎯 Have any of your readers accurately guessed major plot points? Care to share which?

🎨 How do you feel about fan art of your stories?

📈 How many fics do you have?

🦅 Do you outline fics or fly by the seat of your pants?

👀 Tell me about an up and coming wip please!

🤗 What advice would you give to new fanfic writers that are just getting started?

💞 Who's your comfort character?

🧠 Pick a character, and I'll tell you my favorite headcanon for them.

🤩 Who is your favorite character to write?

🤲 Would you please share a snippet of a wip?

😬 Which of your fics would you be most horrified for friends, family, or coworkers to stumble upon?

🎉 What leads you to consider a fic a success?

✅ What's something that appears in your fics over and over and over again, even if you don't mean to?

📚 Would you ever want to turn writing into a career?

⌛ How long does it take you to write a fic, or a chapter?

🤯 What's a genre you struggle with as a writer (ex. romance, action, etc.)?

💔 Is there a fic of yours that broke your heart?

💥 How do you feel about criticism?

🤭 Do you have a favorite tag to use when posting your works?

🥰 How do you feel about reader interaction? Are you open to receiving questions about your fics?

[directdogman]

hey howdy hey! first off, i wanna say that ive been following dialtown since it was a wee baby demo and i have loved to see every inch of progress it has made. i love this game to bits. i can't accurately express how much of a comfort game it is to me, or compliment the writing enough, but rest assured that i believe it's a fockin masterpiece (even if that means i am damned to hell. i welcome u, phone-satan)

that being said! woe be upon ye, i have lore questions for ya (and i'll probably ask more at a later date)

i would love to hear more about callum crown. literally any detail(s) you can comfortably give that wouldn't spoil a potential sequel or that 30-page lore doc (tho , gotta say, i wanna see that lore doc real bad).

you've said before that you'd like to expand on the singular timeline (how all of the routes coalesce in chapter 3) in dialtown, but that it's tough to put the words you have on paper into words on tumblr. i've got time. lemme read info on the timeline i beg of you

is there any particular reason that phonegingi's head resembles callum's, to the point that callum's 3D model head uses gingi's as a base?? there are hints (i use that term loosely) on your blog that gingi might have modeled their head after callum's. is there anything to that?

moreover, i'd like to know if there's more of a connection between callum and gingi than the heads alone. i mean, gingi literally hears callum's voice before hearing anything about the guy, and they can also somehow read his postcard (without the narrator) DESPITE being illiterate?

finally, a silly one, since winter is upon us! how does norm handle dialtown's winters, being a native arizonan/texan and all? as somebody who lived in arizona, lemme tell ya, the folks there don't take kindly to winter.

i know this is a lot, so thank you if you even took the time to read lol

Some really interesting questions here. I could write an essay in response to some of these questions, which means you’ve undoubtedly asked some good questions heh. You're a sharp one. Lemme answer these as best I can without anticlimactically revealing essential lore in this random tumblr post heh heh

> "i would love to hear more about callum crown. literally any detail(s) you can comfortably give that wouldn't spoil a potential sequel or that 30-page lore doc (tho , gotta say, i wanna see that lore doc real bad)." The stupid thing about that lore doc is that it should be even LONGER. While parts of the Dialup are explained, parts are left out, because I realized that explaining it would require adequately explaining a piece of very strange context regarding another character. Long story short, it connects to something that should ordinarily be very far removed from Crown's tale, so I left it out. I actually left entire pages out to avoid having to explain who someone previously unmentioned in the doc was. Crown's story is funny in the sense that so much of it is why Dialtown (both the game and the city) is the way it is, but the main story of Dialtown is so far removed from it, the only connections to it remaining being Mingus/Norm's beef. Norm's account of Crown's life isn't exactly inaccurate, no one thing he says is technically incorrect, but it misses vital context that completely changes parts of it. Norm missed the end of Crown's presidency, so he also had to learn from revisionist/secondary sources. Some parts are overly detailed, while other parts aren't. EG: Crown's early life has a LOT of focus, but as the timeline gets closer to the end, the detail slows down. Crown's two years of 'honorary leader of the UN' is brushed over, a title that implies he had control over the entire world briefly. As Norm's extras menu implies, Norm is (just like in Mingus) in partial denial about aspects of Crown's leadership and is also in the dark about the behind the scenes stuff from Crown's presidency. Crown's vice president (and best friend, Milton R. Wallace) ended his life after falling out with Crown over the Dialup, and the postcard read in chapter 3 heavily implies that Marla had returned to Dialtown without Crown after he left office. Since Mingus exists, we know Marla + Crown had at least one kid together. Could you imagine trying to raise a young family with the most powerful man in the world, a man who plans his day down to the hour, all without even having a permanent address? Crown’s final days were lonelier than Norm knows and I’d love to discuss them more one day.    

> “you've said before that you'd like to expand on the singular timeline (how all of the routes coalesce in chapter 3) in dialtown, but that it's tough to put the words you have on paper into words on tumblr. i've got time. lemme read info on the timeline i beg of you” There isn’t much I can really say about the timeline without just calling attention to what’s already seen in-game. Any instance in-game where time seems to be falling apart, there’s common visual signs that reality itself is tearing apart at the seams, hell, even outside of the main endings. Only one character in the cast seems to be really aware of this and... Well, seeing God binge-drinking on the curb is usually a bad sign of what’s to come. Hitchcock’s advice for writers who wanna add suspense to a scene is to make people unaware of something significant that’s about to happen. Example: Two men sitting at a table in a diner, talking about something, say, like football... Not a massively suspenseful scene. However, add a live bomb underneath the table, and establish that neither of the men know that it’s there, and every second of that scene will feel like hours, as you hope to GOD that one of the men will look under the table and notice the bomb before it goes off. The bomb under Dialtown’s ‘table’ has a long fuse, but the clock’s ticking down. A lot of what people have noticed regarding Dialtown’s time fuckery is a symptom of something (or someone?) desperately trying to plug up holes in a sinking ship. Anyway, I think I’ve said enough.    

> “is there any particular reason that phonegingi's head resemblescallum's, to the point that callum's 3D model head uses gingi's as abase?? there are hints (i use that term loosely) on your blog that gingi might have modeled their head after callum's. is there anything to that?” Fun question, and a tough one to wrap your head around. Callum Crown’s fame makes it impossible to tell if there really is any connection between him and Gingi’s appearance outside of an eerie coincidence. If Gingi’s head resembled a frankensteined JFK, I don’t think anyone would think for a moment that it meant that JFK and Gingi shared a direct connection, of course, and same for say, Mr Bean and the like. But Crown himself also being connected directly to Norm + Mingus makes it strange. Maybe it’s just the universe’s weird way of doing things, or maybe caused by an intrinsically unknown force? Maybe whoever built Gingi’s phone head just felt that it should look like the most powerful man on earth? Lotta possibilities. I mean. Like, I know the answer. But, for you guys, maaany possibilities!  

> “moreover, i'd like to know if there's more of a connection between callum and gingi than the heads alone. i mean, gingi literally hears callum's voice before hearing anything about the guy, and they can also somehow read his postcard (without the narrator) DESPITE being illiterate?” Again, gotta commend your sharpness, I’ve heard very few people really ask about this. The big issue with the question, of course, is how utterly abnormal Gingi is. God outright implies that Gingi is some sort of time anomaly, since he’s never seen anything quite like Gingi before, and with some of Gingi’s 4th wall breaking dialogue, it seems Gingi has some fleeting awareness of events in other timelines, somehow. That’s excluding Gingi’s weird biology or the fact that Gingi can hear sentient voices. Gingi is unique. You’re right that Gingi being able to hear Crown is abnormal, and combined with, like you said, them having similar appearances (and hell, I’ll add fuel to the fire: how transfixed Crown was with Gingi in that memory Mingus tearfully recounts during the climax, the one where Crown stares at Gingi while Gingi rummages through the garbage outside his window at the nursing home), there’s enough of a connection to be weird, but not enough of one to say anything conclusive. In my eyes, though, I reckon that some universal force could be drawing these two weirdos together, almost like a moth to a lamp. Birds of a feather.   

> “finally, a silly one, since winter is upon us! how does norm handle dialtown's winters, being a native arizonan/texan and all? as somebody who lived in arizona, lemme tell ya, the folks there don't take kindly to winter.” I imagine when he lived in the cabin, during the winter, Norm CONSTANTLY had a fire lit and basically didn’t leave it. Probably had some kind of insane insulation through hunting animals and shoving the pelts into the walls, or something. I guess he wouldn’t had the time to kill, alright.

Thanks for the great questions. Sorry for the vagueness, but hope you got something out of these answers regardless! Some of this stuff will for sure be coming up in future Dialtown stuff! Knowledge is pain!

[spiritsonic]

As we've gotten into the "road to issue 50" it's become more clear how your stories in issues 45-49 and Ian's work in Imposter Syndrome at least seem pretty connected so far (which does make sense as it's all part of the same road). I'm wondering if you wouldn't mind talking about how often you and Ian communicated in the process of writing these stories. Like, was it more of a collaborative process or maybe just writing separately, comparing notes, and making adjustments?

Our collaboration style is still evolving, but so far it's mostly worked like so:

-Create a variety of story ideas, individually and as a team-- this is mostly a passive thing that happens all the time, coming up with an idea and writing it down to save for later. We do a lot of casual brainstorming in our work IMs, as well as just waiting for ideas to come spontaneously/planning for fun.

(Credit where credit's due, often other team members are organically involved in the group chat and will toss in their own ideas. Nothing is used without expressed agreement though, of course. )

-When it's time to outline the next "season" (the next 12 or so issues, not a hard number), we have a brainstorming meeting with our editors by video call. We discuss any suggestions or requests SEGA has made, what direction we as a team are into, and pitch our collected ideas.

-Oftentimes, ideas can be combined to enhance and branch off of each other, which informs the overall direction of the season.

(At this point, it's often required to ask SEGA some questions about what we can and can't do with such-and-such thing, to make sure we don't build our story on faulty foundations. We may also have a phone meeting with our SEGA contacts occasionally to make sure everyone is on the same page, or discuss story points we feel we need to push back on/reach a compromise.)

-After that, Ian and I start putting together the master outline. One of us will start laying down the big plot points of the season, and we'll take turns fleshing out the sections we each agreed to cover in the planning meeting (decided by who pitched what, who most wants to write which characters, and making sure everyone has an even share of work). This stage usually takes several drafts of us swapping the doc back and forth, check each others' work and making adjustments so it all flows together.

-Once we're happy with it, we hand it off to the editors who will provide their own round of notes which we'll make revisions for.

-Then, finally, it's handed off to SEGA for them to check and provide notes and feedback. A round or two of final revisions is done, and the the master outline for the season is approved! Then we can actually start writing scripts!

---

This whole drafting process usually takes a couple months, with extra time on top of that for SEGA's feedback. The master outline is very detailed and mostly immutable, to avoid any nasty surprises while writing scripts. But still, things always change as we go and the communication and idea-creating process never stops. Just a couple weeks ago we accidentally ended up brainstorming an entire future story arc in the group chat-- can't really plan for stuff like that!

[thelucyverse]

How To Interact With Beta Readers - for Fanfic Authors

I wanted to make posts both for fic authors and beta readers, because I realized in several recent interactions that some helpful unwritten rules of fandom seem to have become lost to people who are new to it.

This isn't meant to be a call-out post against anyone to say 'you did it wrong!' (really, how could anyone be mad if you just didn't know any better), and there aren't even any definite rules for anything - but I just thought these things might be nice to know and helpful to share around. This first part will be @ the authors, the second part is @ the betas.

Asking for a beta reader

When you want someone to look through your fic, whether you ask in a tumblr post, @/helper in a discord server, in the notes of an already posted work or anywhere else, it's important to state both a) what the work that you want betad is and b) what you want from a beta reader.

The facts about the story.

The first most important facts about the story are a) length (in wordcount, as that is the most-used measurement for fanfiction - you can see it below the tags of an ao3 draft, or at the bottom left of a Word document), and b) rating and warnings. No, please don't just ask 'i have a fic for xy ship to beta' - that's nice information, but not helpful for someone who needs to decide whether they a) have the time to work on the length of fic and b) are willing to be confronted with the kind of content you have written.

In addition to that, you should of course also write what fandom, characters and dynamic it is about, because most beta readers are only willing to beta stories they would also usually read for fun. To make sure that the right people find the ask for a beta reader, you best target the post to them, so tag a tumblr post with the fandom and ship etc, and on discord share the request in a server or channel for the fandom, not an unrelated one.

What format is the draft in?

A word document you can send them via e-mail, a copy-pasted text in a direct message, link access to a google docs? Not everyone is comfortable with all of these methods, and you need to figure out one that works for the both of you.

Also, do you want the changes made directly in the text, in comment functions of the document, or as messages to you? If for example you send someone a Word document, and don't want them to change anything directly in your text, but they aren't comfortable working with the comment function there and end up writing you separate messages telling you what page and line the edits are one, that's going to be a lot more work for you to look through than you might have liked, so make sure to communicate it all beforehand and figure out a way that works properly for everyone.

What do you want from your beta?

'Well, to look over the story, duh?' but it's not that easy. Do you want the beta to:

- Only check for spelling and grammar mistakes in comments next to the text, No other suggestions at all because they would make you feel bad about your work/you don't have the time or want to spend the time on editing anything but honest mistakes/ any other reason?

- Grammar and spelling checks but also suggestions for word flow, repetitive words and phrases that could be changed and stylistic things like adding paragraph breaks (which are always nice to have for mobile reading)?

- [same as above] and also point out possible logic flaws and places where you might want to move a scene forward or back, or suggestions to things you could add to the story, with explanations as to why?

- [same as above] and also give suggestions for text you could cut that is unnecessary to the story or interrupting the flow of a scene in the opinion of your beta reader?

- Include nice messages as to what the beta liked best of the fic, or stay completely objective?

- Point out things they subjectively didn't like and would change about the story if they wrote it themselves, or not?

- Make corrections directly in the story, so afterwards you barely need to look at it anymore before you can publish it, or only give suggestions in comments or messages?

All of these are things some people welcome and others find incredibly annoying and/or hurtful! So make sure to communicate exactly what you are looking for. You don't have to do so in your initial public request, but once you have found a potential beta, you should text them the details before giving them access to your fic.

Do not be afraid of cancelling on a beta if you don't think it is going to work out! Whether because they aren't comfortable using the format you like to use, are a language teacher who can't stop correcting the long sentences you choose to keep as a stylistic choice, or just someone you don't vibe with, whether it's before or after they have started beta reading - be kind, but let them know that it just isn't working out, and that you would rather stop now before either of you wastes any more time and effort. If they want you to, you can tell them what you would have liked them to do differently, but don't ask someone to change how they are, and don't give unsolicited criticism, no, not even to a beta reader.

Decide on a time-frame

When are you going to send them the fic? Chapter by chapter over the next days, or the entire work? When do you want or need the work to be beta read? Is it for a challenge or gift exchange and needs to be finished on the same day, or can they wait for the weekend? Even if you don't have a specific deadline, when do you want them to send it back at the latest?

Working with a beta reader

After - or, if you are in for example a google docs at the same time, while - your beta reader does the corrections, you should look at them and decide which corrections you want to keep, and which to disregard. This is entirely your decision, it is your story, you don't need to feel bad if you don't take all of the suggestions for your work, even if you end up only correcting the spelling mistakes and ignoring everything else, it's your decision and this is fine.

If your beta gave suggestions for additional scenes or sentence changes, you can let them know once you have new text for them to correct, but keep in mind that they might no longer have time or energy to beta now, and don't be disappointed if they tell you this or don't reply. They already helped you, and you can always look for a new beta if you feel that your story still needs it.

Crediting your beta reader

Where are you uploading your fic, and how does your beta reader want to be credited? You best talk about this beforehand as well, as some betas only want to work on something when they will get the credit on a platform they are also on.

When posting on tumblr, it is usually expected to @ the person who helped you and write their url or tracked tag in the #s as well, but make sure to ask beforehand, as maybe they don't want other people to know they beta because they don't want to get swamped in work requests/ they don't want their url associated with for example explicit work/ they want you to tag a sideblog for the fandom instead of their main url.

On ao3, you can link to another author's dashboard or profile page (ask which one they prefer) in the notes by first going to the work text - rich text, writing their name, clicking the link symbol, pasting the url, going back to HTML text and cut-pasting the code to the note you want to have it in. You can do the prep work in a new work instead of your actual draft so you won't accidentally cut any of the work text. Again, ask the person beforehand whether they want to be linked there, or just want a nickname or their tumblr url credited.

You can also gift people works on ao3, and while this is in no way a requirement and most beta readers won't ask for it, just about everyone is happy to receive ao3 gifts! You can ask them beforehand if they want that, but as people can accept and refuse gifts on ao3 themselves, you can also let it be a surprise.

If your beta put a lot of work into your fic and wrote parts of it themselves, you can also make them a co-creator of the work on ao3, but only do this if you know and trust the person, as they will gain access to the fic and will be able to edit everything just like you.

Let me know if I missed anything, and I will update the post!

Tips for beta-readers themselves here!

[arlecchno]

oh good lord , h i hope you know what youve gotten yourself into by asking for the fic … [insert evil laughter here] okay okay now actually , the fic series doesnt focus on serial killers it was just that one fic in the series , but the serial killer fic is Blind Mirror (linked) by StrangeDiamond on Ao3 !!!! i have the print copies of the series (behold my collection) i think i also have to mention that its not an xreader fic lol

songs of resistance isnt part of the series but yaknow whatever . the ragnvindr brothers are a passion of mine and theyre my favorites i love them so much SHIDJSKDKD AND WHILE WERE ON THE TOPIC OF FIC RECS if you just so happen to have my horrid taste in men (/hj ?????) and like alhaitham , heres another one of my absolute favorite fics , i just call it Summers Fic (i hope these links are working properly lmao) and its got our favorites !!! murder / crimes , slowburn , (kinda) enemies to lovers (i fucking love the banter the author writes between mc and haitham) , + forensics stuff !! which is totally my jam because im a stupid little science gremlin .

you saying my board looks cool is so funny to me because like its a literal stock image , and while i couldve gone without it , low quality stock images just make me giggle for no reason so .. its also a little surprising you think its detailed because when i was making it i felt like i had to condense so much information for textbox space😭😭

i actually do a handful of things in the arts department , ive written my own little short stories and poems , and every once in a blue moon (when i have enough motivation) i make games ! granted theyre not very good , because im pretty sure im jackshit at characterization LOL heres a silly authors note i put in one of my short story docs just cuz why not honestly

also , YES I AM A DAIN LOVER IM ACTUALLY HIS BOYFRIEND (REAL) /j . all the khaenriah boys in general are my little sillies (i say as if they arent older than me) SO IF YOU NEED SOMEONE TO TALK ABOUT DAIN WITH MY MESSAGES ARE OPEN (and i am more than willing to spout theorist nonsense about him and the other khaenriahn boys as well)

also you absolutely do not have to worry about your wording of anything , none of it came off negatively at all ! i think youre very nice lmao

heres a little question to end off because im running out of creative ways to signoff , do you kin anyone from genshin ?

hoping the images dont glitch out ,

- jellyfish

OHHH WAIT i think i've heard of that kaeya and diluc novel thingy??? i'm pretty sure i've seen them around twitter or tiktok some time ago and omg i should check them out then!!! those covers look so good maybe i'll actually get around with the whole series now that you've mentioned it

and omg that summers fic you just linked is already so amazing. you've captured my taste in genshin men perfectly (i say as i drool over alhaitham). i just finished with the first chapter and the author have really captured my heart with the bits of forensics and crime, adding on with the tinge of arab culture too!!! i'm gonna go ahead and read them when i have the time hehe

you do short stories... poems... AND GAMES???? hello am i seeing this right

(p/s: i low-key do those kinds of a/n in my google docs draft for ma too... but they just never made it to the finalized version 😔)

and actually dain is in bed with me rn idk what you're talking about 🙄🙄🙄 /j

me personally i am very interested in khaenriah lore but i really haven't gotten to it (tbh the overall lore of the game is a lot to take in) but i probably will someday,, if i am not lazy /hj

and honestly... i don't exactly know who i kin in genshin tbh. so i have decided to take this VERY extensive genshin kin quiz (as per what they've named their site) and surprisingly i got... collei?

though when i read this, it made me realize that, maybe i do kin her. whoops

okay i'm heading to bed now it's 1 am and i'm busy tomorrow 😔 it was nice talking with you again jellyfish !!! have a nice day 🫶