#don’t ask me how long that will take

[chosows]

we are so back

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[three-eyed-shrimp]

[wickjump]

im gonna start posting fanfic recs btw whenever i find good ones. both here and my (awfully barren) 18+ account. because there are so many good fics out there with so few hits and fewer kudos and sometimes no comments period and it SUCKS because i REALLY LIKE THEM A LOT.. and i hope that by linking them here and yelling at everyone to COMMENT DAMMIT they might actually do it

seriously though any comment means a lot. most people who read a fic don’t even give a kudos. even if the fic wasn’t top tier, if you didn’t dislike it, hand over some kudos!! and if you liked it, comment!!!! even if the comment is one singular heart emoji it will be appreciated. if the comment just says “great fic!” the author will be happy. your comment doesn’t have to be this long winded gushing or analysis.

so many authors quit writing or lose motivation because the comments are few and far in between or just sometimes nonexistent. trust me when i say authors don’t care about how long or cool or smart sounding your comment is i promise!!!

i hope that mmmaybe recommending fics and telling people to comment might help fics i really like get more support maybe. and i, points at you reading this, hope that you will listen!!!at least a little….at least sum kudos….

[lqfiles]

50 chapters in and nothing changed STOP DRAGGING IT

oh okay. my bad.

[mattodore]

now that the edit is done i will not be thinking abt it ever again. here’s a screenshot i took to test new world lighting. theo joy 💓

[vesteneris]

some of my favourite hunger games pages from my sketchbook, mostly from 2023 and also Annie Cresta centred, bc I was doing a comic about her at the time

[flowercrowngods]

making a real post for @rvspecter pls bear with me

anyway harvey hurt fic where after mike is busted and given a second chance at life (or a third, really) and pearson specter litt seizes the chance to instate a pro bono department mike is heading because he wants to get it right this time and harvey will do just about anything to keep him, these two men finally mention this Thing between them and decide to give it a try. and it’s good. it’s fragile and it’s tentative and it’s gentle and it’s the same as it’s always been but with more tenderness, more honesty, more vulnerability (and more sex of course) and it’s good. against all odds, it’s so good.

but then one day, long after hours, donna approaches harvey in his office and her eyes are shining, but it’s not a glow harvey is used to — he never wants to get used to donna’s eyes filled with tears so he asks her what’s wrong, but he’s not ready for the answer. because she tells him she can’t work for him anymore. she tells him she’s leaving him — to work for louis at first, maybe to quit altogether. the fact do the matter is she can’t be the Donna to his Harvey anymore because she’s in love with him and she thought she had it under control but she doesn’t, okay, she doesn’t and it hurts and she wants to be happy for him and mike because they’re so good but all this time she’d never thought that harvey would ever find someone real, and now that he has, well. she can’t pretend anymore that it doesn’t tear her up inside and she doesn’t want to put that on any of them so she’s doing the mature thing and leaving. to heal. to get over him. to come back stronger.

and she’s so, so sorry.

they listen to gordon one last time, they toast to thirteen years one last time — her words, not his, but they drive a knife into his heart nonetheless because harvey doesn’t do one last-anything and yet here sits his best friend and asks for one last night together and who is he but to give her everything she wants and more. she’s his donna — still, tonight; one last night. she is.

he doesn’t tell mike that night. couldn’t, even if he wanted to; because he doesn’t have the words. but in the secure hold of mike’s arms, he says “donna won’t be working for me anymore, starting tomorrow.” and he doesn’t mention how that means that donna went to jessica and louis first, he doesn’t mention that he was the last to know, he doesn’t explain how he wasn’t given a chance to fix this — not this time. “donna quit?” mike asks, and harvey swallows, shakes his head, shrugs. “just me,” he says. “just me.” and when mike pulls him closer and holds him tighter and tells him “i’m so sorry, harvey,” it’s the first i’m sorry that night that he believes.

unfortunately, sorry never fixed anything.

especially when soon after, mike finds out just why donna left. and he gets all up in his head about it, he allows himself to spiral because he’s so ready to succumb to tunnel vision and obsessing over solutions to problems that aren’t his to fix. and so he tells harvey that he can’t be the thing that comes between him and donna. they’re soulmates after all, mike can’t bear to be the one to sever their bond. harvey doesn’t understand. he’s the one who’s supposed to lose his mind over having lost his best friend and pretend like everything is okay, what right does mike have to make that about himself, to take it upon himself to fix everything when harvey’s the fixer, harvey is the one who solves problems and protects people. but mike won’t hear any of that and tells harvey that he can’t do it like this if it means hurting donna because she’s his best friend, too, and he wants to get it right this time. he doesn’t want to build this new life on decisions that hurt his people — not again. he’s hurt enough people, he can’t keep doing it.

harvey wants to ask him why he’s always so ready to protect everyone at his expense. isn’t this thing between them, their relationship, isn’t it meant to stop them from hurting each other? why is it okay to hurt harvey, but not to hurt donna?

he doesn’t ask any of that, only tells him that they’re not in high school, and that they’re either doing this or not, but he refuses to base their relationship on whether or not his best friend is okay with seeing him happy or not. “you’re either in this with me, mike, or you’re out. that hasn’t changed, and it won’t, because donna will get over it and everything will be back to normal before you know it.”

“you don’t know that.”

“yes i do, because we’re grown-ups and we get over things.”

famous last words, it turns out, because mike just slowly shakes his head, agonising over this and not thinking, clearly not thinking when he says, “i’m sorry, harvey. i can’t to this; not like this.”

and all he can do is watch mike’s back as he all but runs from him, dragging his heart behind him, through the dirt, uncaring as bits and pieces of it chip off with every step mike takes, with every second that passes and allows the words i can’t and i’m sorry, harvey echo in the hollow of his chest.

we’re grown-ups. we get over things. well, tough fucking luck.

and this is how harvey loses the two most important people in his life in the matter of a week. before he knows it, he’s alone, left to fend for himself and hollowed out. his walls are broken down, deconstructed piece by piece by carefully, gentle hands to reveal what’s underneath — only for the hands to retreat, letting in the icy cold and accepting what’s inside to wither and die.

there’s a reason harvey specter makes his own luck; the universe isn’t very forthcoming otherwise. a fact that is proven when he finds a stranger outside his building when all he wants is to curl up and breathe through the cracks of his broken hearts that have pierced his lungs, they must have, surely they must have, because he can’t breathe. and he doesn’t learn how to breathe again when the woman — a kid, really, merely twenty-five — reveals that she’s his half sister. because it turns out the reason lily specter was so ready to up and leave all those years ago; the reason she didn’t fight for her family and instead blamed it all on harvey, was because she was pregnant. and she lied about it — for twenty-six years.

amelia selene specter is the little sister harvey has always wished for — but cancer is a curse that rests on the specter family, and while marcus got lucky twice, selene isn’t. she didn’t have the money for medical resources, and it’s eating harvey alive that he didn’t know, that there was no way for him to help her and that there’s no way now.

but there is. because selene has two kids, seven and four, and she needs his help because they can’t get lost in the system, they can’t live with total strangers or be separated because the system doesn’t actually care about children, they only care about not feeling guilty. and she won’t ask lily. these two angels must be kept from her at all costs because she ruined two families already, she won’t ruin this one.

and harvey is obsessed with the thought of more family, he needs to take care of and be there for someone and he’s ready to take on the world to protect his niece and nephew — but he’s not warm, he’s not available, he’s not even at home most of the time, nor is his place suitable for kids.

he agrees to take them in and find a solution though. he promises selene that he’ll be there for them. he’ll always be there. and when he gets to meet them — a few days before his sister dies way too young, way too alive for something like death to not rip him apart entirely — he gets attached instantly and vows to himself and to selene that nothing will happen to them as long as he’s there.

even though harvey just lost his family — the one he chose, the one he was born into, and the one he never got to meet. even though harvey’s entire world was deconstructed with no one around to put it back together. even though he doesn’t know how, because evidently he got it wrong every single time, harvey gets to build a new family with these kids. and though it tears him up inside, it heals something inside him too — and sometimes they balance each other out, and he can breathe again for just a little while as he reads to charlotte because she’s feisty and afraid of nightmares and not listening when he says she’ll be tired in the morning because “i’m tired in the morning anyway, but now i wanna read” and he trades her going to bed for a bedtime story, and she falls asleep with her face pressed into his side.

it’s so frail, though, so fragile, this little family, and he knows what it’s like when everything breaks. he knows what it’s like to lose one’s family — over and over and over again. and he’s terrified that he’s building himself back up the wrong way. he’s terrified because there’s no one keeping him together but both his hands are occupied holding these children that cry for their mama.

he’s terrified because he’s not supposed to be doing this alone. but everyone else has made their choice and he, as always, is just there to bear the consequences and try to turn it into a win.

one day, he will. he has to. and one day, he’s not alone anymore.

[javierduffy]

I have been having... a very bad day. Any spare fluffy headcanons for the boys? (and maybe some nsfw ones if you're up to it-)

ohh no my dear helena !!! its unfortunate that you’re having a rough day today :( remember that everything is temporary and that this day, like every other hard day before (and all following after), will pass in its own time.

i can absolutely spare some fluff ! that’s all i’ve got !

• javier goes to bed at about the same time that kieran is waking up every morning, right before dawn, and it’s a common occurrence that he will forget to untie his hair before laying down for bed, especially after a long night of guard duty. kieran will notice every time, and knows himself how easily long hair can get matted, so he will beckon javier over so that he can untie his bow. usually, he’ll also take the time to run his fingers through javier’s hair to detangle it as well, so that he’s even less likely to wake up to knots. javier adores it, teetering with the weight of his head and leaning hard into kieran’s legs on each side of his shoulders- sometimes kieran will even indulge himself in giving javier a head massage. javier never sleeps better, and coincidentally, he began forgetting to take his hair down a lot more after moving out to clemen’s point ….

• javier snuck kieran his first bowl of pearson’s stew after ‘making a social call’. john kicked kieran off his horse at the entrance of camp and javier watched as the latter dredged himself through the brush to what would become his usual resting place behind the rock by the horses. he looked miserable, dead on his feet, and javier knew by then he’d been weeks without a meal. he was a dirty, disloyal, unholy traitor of an o’driscoll, but something about his sunken eyes, the shake in his hand as he lit his first cigarette as a free man again- likely to quell off the hunger- it urged javier to act in a way that he’d never felt before. javier could kill a man in cold blood easier than he could stand to watch fear starve a man even after his hands are free to reach for the bowl. the study for learned helplessness in psychology will come years later, but javier understands himself now through watching kieran’s instinctual desire to survive be beat out of him by the gang javier dedicates his life to. with a healthy amount of spite to himself, he scoops a heaping amount of fresh stew into the cleanest bowl he can find, and sets out to add a fresh layer of flesh to kieran’s prominent bones.

• following this, cooking for kieran is one of javier’s favourite things to do when they get together. javier will cook for him traditional mexican dishes from home (as best he can. both with his limited skills and also with his limited accessibility to the proper ingredients. (probably for the best that he can’t get authentic chili peppers from home and has to use a less spicy chili native to this northern climate. kieran does okay with spice but it isn’t in his genetics to truly have a high tolerance.)) and not only will it be an unknown love language from javier, to feed kieran and make sure he is full, but it will also be a love language from kieran, to let javi share a piece of home with him.

• ^ also applies to modern au javieran ! javier loves cooking, and especially for kieran. they would cook together, but kieran struggles to cook with other people in the room, and javier gets so absorbed in it that he’d likely be running into kieran or otherwise being unhelpful in aiding in making sure the dish is being cooked correctly because he’s too Locked In to guide kieran LOL but they’re more happy to simply keep each other company, anyway. kieran on the counter/table/floor, watching javier sing and dance to the music he’s blasting from their speaker. cue dancing in the kitchen when the love songs come on (here’s a good one (rip javier escuella you would have loved dannylux)). the parallel play and quality time with these two is off the charts

• come mid/late clemens point, the way javieran make most of their money for the camp is by going on days-long fishing dates, laughing and laying close to one another in the grass under a tree on the riverbank in the shroud of darkness. they come back to camp flushed as all get out but with stacks of cash in their hands wadded up so thick no one dares to ask where it came from. kieran will get excited at even the smallest of fish, perking up and sharing/asking javier for tidbits on the species. they never miss a bite, either. one time one of the bells on their bobber rods rang once and they both broke out of a very hot and heavy make-out sesh so fast that javier tripped on kieran and nearly broke both of their wrists. they laughed so hard about it, javier was certain that by the time he arrived to his rod, the fish had already successfully ripped the bait off of his hook. he reeled in a boot, at the end of it all. he never lives it down.

• kieran is ambidextrous, and javier is fascinated by it. javier stumbled upon kieran writing on one rare occasion, and noticed immediately that he was writing with his left. “left handed, huh ?” kieran cocks his head at him in thought. javier wonders why on earth he would have to stop and think about a question like that. “uhh, not really ?” well, now javier is simply confused. “right, then ? is something wrong with your dominant hand ?” “um … no, that’s not it either …” and at this point, javier is demanding kieran explain what the hell he’s talking about, and why he’s pulling a prank on him. cue kieran explaining and javier making him do all kinds of silly “tests” like writing, shooting, playing guitar (as if kieran is going to any better with either when neither of them can do it right to begin with) because he finds it so cool.

• modern au kieran gets overstimulated incredibly easily, so he’s got a pair of noise canceling over-ear headphones that he often wears to dampen sensory input and ground himself when there’s a lot going on. when it’s cleaning day, generally no matter what he’s doing, he HAS to wear his headphones. javier is left to dodge him the same way he has to dodge the cats when they’re weaving in and out of between his feet. it also leaves him to dance to his own tunes when kieran suddenly swoops or sways or dips him to the music only he can hear- though just as often, javier will catch kieran dancing by himself and he will simply be unable not to join him, even though he can’t hear what it is he’s dancing to. as overwhelming as they can be, cleaning days for javieran somehow always end up feeling more like a date than anything.

• on a similar note, kieran also wears his headphones to bed, and listens to asmr/white noise to sleep. the pressure helps him feel safe, and the silence of a room makes him anxious. he also has a terrible bedhead and rbf in the morning. both of these things javier finds incredibly charming, and if he ever does wake up when/before kieran does (incredibly rare), this is his pov (right before he tries to kiss kieran’s face off and gets shoved away with a sleepy giggle that only bolsters his aggression);

nsfw under the cut !

and how could i resist a chance to finally talk about this ;3€ ?? i’ll try to keep them fluffy !

(context, i hc both of them as tguys usually (though im content with writing javier as amab too), with both of them being absolute, unabashed switches. they have little preferences anywhere in terms of bottoming/topping, though kieran has a preference for subbing, and javier has no qualms with domming more frequently.)

• as much raunchy, animalistic sex that javieran have, they have double as much slow, loving, tender sex. and most times between, they’re having raunchy, loving, animalistic sex.

• javi loves to turn kieran’s brain off, he loves more than anything to make kieran feel so overwhelmingly pleasured that he forgets everything that ever has, ever could, or ever will happen to him. nothing gets javier off quite like seeing the face of bliss kieran makes when all he can think about is javier’s mouth/hands/cock working overtime just to make him feel good.

• both of them i think are quite vocal when they’re able to be, and kieran tends to be vocal whether he’s supposed to be or not. both of them often dissolve into whimpers and “i love you”s and praise like “you feel/sound/taste so good” by the end. their love for each other has a carnal grasp on every aspect of their sex lives as well <3 so they’re always speaking so sweetly to each other, even if the way they growl it seems violent

• javier LOVES love bites. he loves to mark kieran up and he especially loves to bite and lick and suck on his neck, not only because of the primal aspect of his jugular being so close (as well as the warmth of his pulse thrumming against his mouth), but also because it arouses kieran to the point of making him shiver nearly every time. javier has permission to bite him hard, but it’s pretty rare that he ever does, and it’s only late into their relationship does javier feel like it will be more pleasure for him than it would just be pain. sometimes he can’t help it though, he’ll get so worked up that he just latches on and the way that kieran tightens around him is mind-numbing.

• unironically i think kieran is a GREAT soft dom, and that is something that javier generally had never experienced prior to getting with kieran. javi thinks it’s hot to be man-handled and roughed up, and kieran can do his very best (despite the constant guilt and fear) if javier is really feeling it, but where he really excels is soft domming. once the nerves melt off, he’s so gentle with javier that it makes the latter’s skin hot all over. constantly praising him, cooing at him, asking him nicely, rewarding him for good behavior, all the while touching him oh-so-gently, it all makes javier feel so awkward but so, so good. kieran makes him feel so loved and worshipped that the world in which he has anything to question simply just fades away, and all he has to think about is doing what meager tasks kieran asks of him.

• they find so much peace in each other’s bodies. in every rib and wrinkle and sunspot, these two will spend hours simply exploring and enjoying the body of the other in whatever the closest form of “privacy” they can manage to acquire. turns out, kieran has sunspots all over him. turns out, javier has a keloid scar on the back of his bicep. turns out, kieran has a mole on his scalp right where his part is (this is canon btw i saw it once when i was studying him in photo mode like a specimen in a petri dish), and javier has back dimples, and kieran’s ribs stutter and dance beautifully when he laughs, and the flex of javier’s thighs warps his skin like a marble statue. javier escuella and kieran duffy love like artists, and they spend hours just learning and looking and studying each other, like a painter with his muse, like a writer with his words, like the last things they want to see while they’re dying are all the hours they spent learning the beauty of the other.

i could honestly come up with more but it would never leave my drafts, so i hope u like these that i came up with as quick as i could :’) ! i hope you’re feeling better and have gotten some good rest !! thank you for the ask !!!!!

[lotus-pear]

ok so yk this meme:

well i was inspired yesterday so here you go

surprise 😔

LMFAO????????????? i’m being so forreal rn never come into my inbox again😐

[professorjirt]

listen it’s none of my business but when you say “Bilbo would have been better for taking the Ring” and then state “Frodo’s character was mishandled” I think maybe you like the Lord of the Rings inside your head more than the one actually written 💀 as if it wasn’t stated multiple times both in the text and by Tolkien himself why Frodo was the Ringbearer. Pleeeeeaaaase PLEEEEAAASE stop giving me gray hairs and take an interest in the text you read and it’s deeper meanings beyond power scaling characters, favoritism and finding the “most efficient way to take the ring to Mordor”. The debates about who should have taken the Ring are the exact same as “they should have flown the eagles to Mordor” except it’s spoken by people who genuinely are avid fans of the books and movies.

[raiiny-bay]

holding them all in my hands…….

[wavesoutbeingtossed]

The whole discourse about the privacy/secrecy/support thing has been sitting with me for a few days (I mean other than it always does to a certain degree) thanks to all the excellent discussion happening and I know I'm not saying anything that hasn't been said a million times before, but I think what we're seeing and what we're going to learn (e.g. from TTPD) is that it wasn't just the support issue, but how it was shown/handled.

We've all gone out of our way to show that introversion =/= lack of support. Someone can be shy, reserved, etc. and still show up for their partner, whether in public or at home. To chalk any of the differences up to the clash between introversion and extroversion is unfair to folks who count themselves among either tbh.

@thisisctrying said something the other day that hit the nail on the head about how if that support had been offered in private, there very well may not have been a Joever to begin with, or at least not at this point in time. (Sorry for loosely paraphrasing, and for namedropping you! Long time listener, first time poster.)

If this were a case where the "shy" partner said, "I am really uncomfortable with the spotlight personally and do not want to court it, but I will support you in your ambitions and offer you whatever you need to make them happen and make the glare bearable," I suspect that would have gone a long way to making Taylor feel seen and comfortable in pursuing her goals in the way that she now has. Again, that might have been more akin to the balance that seemed to have been struck around 2019 from what we can see, but even speaking in a general sense, there are lots of couples out there, celebrity or not, that have similar approaches where there are highly driven people and busy careers involved.

(A famous example being Dolly Parton's marriage. Tbh I know next to nothing about her and Carl, but she's always heralded as an example in this regard, because her husband is famously uncomfortable with the spotlight and hasn't accompanied her to public events in decades, but she's said that she never minded that because that was always work to her, and what was important was that he supported her in pursuing all her career goals and basically ensured she had a place to call home to return to at the end of the day.)

We're kind of in a brave new world with her current relationship because it felt like, at least at the start, we were maybe watching her figure out her boundaries in real time as to what she was comfortable with or not and adjust accordingly. Like so many have said, I fully believe the extreme privacy thing was initially driven by herself and her experiences in 2016, and she needed that quiet time to recover from all of the things and figure out how to exist in the world again.

Stating the obvious, it seemed like eventually privacy was equated with secrecy, turning the relationship and the celebrity into the elephant in the room and something to never be spoken of to the outside world. People are free to choose whatever works best for themselves and their relationships, and for some the separate public lives might work, but the “kept me like a secret but I kept you like an oath” theme is all over her work and it’s clear that it’s a sore spot for her, because she’s been made to feel shame just for the life she leads so many times in the past.

What I’m trying to say is that it’s pretty obvious something Not Great was happening behind the scenes, which didn’t just amount to “she wanted to be a public celebrity and he wanted to be a private hermit.” (Also, in case anyone forgot, this is a person who also chose a public-facing career who also has to engage in press for it, but I digress.) As her career reached new heights post-folklore, if she had the support at home to do all the things without judgment and with encouragement, and in turn offer the same support to her partner, she may have very well lived just fine with that, not unlike Dolly Parton’s case.

By reading between the lines in all the press since, as well as comments on tour and general ~vibes~ with TTPD teasers, it seems like one of the issues was that that was likely not the case. There was all the stuff that we saw — the reticence to acknowledge each other in the media (particularly on one side), the lack of public support even at events at which they were both in attendance for their respective jobs, the great lengths they went to not to be photographed together at events they attended yet no problem taking pictures with other friends and coworkers, the jobs that separated them, the withdrawing from the public even for work accomplishments, etc. Which could all be manageable if a couple chooses to do so together and are not inherently a sign of trouble in themselves.

But what we’re seeing now I think is a reflection of the things we weren’t seeing then, and it seems to indicate some very deep hurt. (I know, call me Captain Obvious.) And like so many have been saying, it feels likely that that part of that hurt is rooted in that very lack of private support where a person would expect it from their partner. Obviously as a Taylor fan blog I’m going to be more inclined to understand her side of a story, but tbh, it’s also because… this is sooooooo common, and something I’ve experienced in my friend group. (@taylortruther is right when she says most breakups are the same one way or another lol.)

One partner is resentful of the other’s success, or resentful that the other’s priorities begin to evolve as new experiences unlock new goals, or feels the other’s ambitions are not worthy of pursuit, and coupled with perhaps their own struggles in the same domain, it’s easy to see where that can chip away at the other partner’s morale and faith in the relationship. I know I’m just speculating here, but I also don’t think it’s totally unfounded. (Again, because a) I’m picking up what she’s putting down and b) it happens to sooooooo many women even among us dull normals.)

With all the pointed mentions about how much Taylor feels supported in her current relationship and how she in turn loves to offer the same show of support to not only her partner but other loved ones, how she’s stepped out more in the last year to a whole host of events, how she’s mentioned feeling like she locked herself away for years and she’s just proud of her partner and happy she can show up for him even if the chaos around it is unsettling, it paints a picture of what perhaps was happening before last year.

To feel like you’re all alone in carrying the weight of the relationship (or burden of it), of twisting yourself into knots to accommodate the other person’s boundaries (or insecurities) but not feeling reciprocity for your own has to be so painful. (The idea that it may have been even darker and to have a partner not only be unreceptive to your own needs but even perhaps resentful/dismissive/belittling of them is even more painful to think of. I guess we’ll find out when TTPD comes out if that was the case, too.)

At a certain point, that lack of acknowledgement will force your hand to be able to reclaim yourself. And it feels like the further removed Taylor in particular is from it, the more she moves from being sad about the life she felt she gave up by leaving, to angry at the life she felt she was giving up by staying. Especially being in a relationship now where it seems like everything comes much easier, where she can be open about the person she’s with and show up for them, all the stuff that seemed as challenging as climbing Mount Everest in her past is nothing more than a molehill at best in her current life.

TL;DR: I don’t think it’s privacy that inherently spells doom for a celebrity relationship like this; it’s the mutual support and respect that does. If Taylor had felt that in the later years of her previous relationship, I think we could be seeing a different, though not necessarily unfulfilled, person right now in 2024, who’d be happy on tour but whose personal life would look a little different. But it seems like by losing that support she lost parts of herself, and we’ve seen her reclaim that in spades in the last year, and perhaps to degrees she didn’t even realize she could from before all the Bad Stuff started happening in her young adulthood.

I know this was extremely long-winded and unnecessary, especially about total strangers we only know through scraps fed through the media, but I just always bristle at this idea that issues like these boil down to “personality differences,” as though one person wants to live in a city and the other on a remote island, or some shit like that. The whole support (and gender tbh) issue is one that’s just very close to my heart because again, I have seen it play out with so many of my friends in long term relationships and marriages and I just think people in relationships (and women in particular in some circles) deserve better than to feel like they’re being, well, tolerated.

[radsplain]

“the whole fucking off to the middle of nowhere and starting a lesbian separatist commune idea sounds cool in theory but is unrealistic in practice and could never actually work in modern da-”

[snzluv3r]

i actually feel so incredibly uncomfortable and isolated in this space right now and i know that’s silly because of how many people there are just like me who share the same feelings but idk…the fact that people even think this is defensible behavior is making me feel sick

[langfield]

This is a pretty dumb question, but you're an interesting person so I'd like to see your perspective on it. I realize people tend to give flack to people in the fandom who enjoy games made by Deck Nine, due to their games usually suffering from the same issues and because the studio itself has the Nazi and sexual harassment allegations ehich are of course problematic. I don't think people who like DE and True Colors deserve harassment, you and other people definitely don't deserve harassment. If anything you seem to have far more grace and give it to far more than other people have. I guess I'm really wondering how do you go about navigating the conversation that is Deck Nine? Do you think it's s good idea to seperate the art and the artist, or do you have an alternate interpretation of it?

hello! thank you so much for the question ( which is not at all dumb, by the way! ), because i think deck nine’s mistreatment of employees is important to address whether one likes their lis games or not. i’ll preface this by saying that i rarely ever get involved in behind the scenes production for medias i consume, mostly because it never enriches or devalues the experience for me. there are, of course, interesting things to discern from the creators ; you can easily find out why maybe the latter half of a story fell flat, or why certain characters disappeared, and a bunch of fun little details like that … but that extra knowledge is merely icing on the cake for me, rather than a part of the cake itself. while the people behind a game are important, i’ve always put more weight into my own interpretation of events, which can either align with author’s intent or not. to me, media is always what you personally make of it, and as a very queer person in an extremely straight world ( whose opinions hardly mesh with fanon takes held as gospel ), i’m used to crafting my own stories within works that aren’t exactly what was meant to be displayed. don’t get me wrong! i’m well aware of the canons i indulge in! i can easily find out what a lis game was trying to accomplish ( given how unsubtle said games are ) i just might add my own spin or flavor to it. i think everything ever made exists to be interpreted in multiple ways : so pouring over companies and the conditions behind them aren’t exactly on my to-do list.

however, i am well aware of deck nine’s mistreatment of employees. i’ve read articles discussing true color’s shitshow and i follow a former double exposure writer who was laid off, one who has no qualms complaining about it and the impossible work conditions they were under. it is all very bad and very true, and that deserves to be acknowledged. anytime i defend double exposure ( or before the storm, or true colors ) i am never defending deck nine as a company! i do not care for deck nine like that, nor am i inclined to give them grace … the sympathy i give is always towards the actual employees, especially the writers of said games, whom fans are excessively cruel towards. it absolutely disgusts me when fans claim that the writers of de deserved to be fired before christmas because they did a ‘bad job’ -- when the reality is that the writers are phenomenal people who did their best to make a game and characters worth caring about. the flaws of double exposure is entirely based on how deck nine refused to let the writers breathe! they had to change the story seven thousand times because deck nine wasn’t happy, and because deck nine was betting on making a sequel, much to the dismay of said writers.

i, personally, do not understand people who hate before the storm, true colors, and double exposure simply because deck nine made it. while i support acquiring games illegally so as to not support corrupt companies, i think you should give these games a try regardless. many of the employees on deck nine who suffered through sexual harassment and general abuse have said that it brings them joy to see people love the games they worked on, or the characters they helped create. many have said that the writing that is praised in these games were decisions marginalized people on these writing teams fought for. the people deck nine has abused do care for the games they’ve created, and care for them passionately! :

the last two screenshots are rather important to me, as they prove that the writers do indeed understand the life is strange games and franchise. many claim they don’t, but they do! and they’re the ones who have fought to keep lis as lis as possible. they love these games and tried to do them as much justice as they were allowed. this is always important to understand, in my opinion.

so, where does that leave me? i think how i approach deck nine’s games is that i approach them as i would any other, out of respect to the employees who gave these games their all despite deck nine’s toxic environment. perhaps i’m far more lenient on the mistakes inherent in their games because i know the writers couldn’t make the games how they wanted, which would’ve probably be leagues better than the ones we got. i appreciate what these people fought to include ( like the topics of racism, empathy, and queerness ) and i condemn deck nine for what they’ve done, but i don’t condemn the poor employees for doing the best they could under impossible circumstances. their works are weak and aren’t even close to perfect, yet i find extremely enjoyable content within said works anyway. these employees have explicitly stated their thanks and desire for people to enjoy these games, so that’s what i shall do! it’s less of a ‘seperate the work from the author’ and more of a ‘the author isn’t just some soulless company, the author was people, queer and poc and otherwise, so it’s fine to acknowledge the abuse they faced while still connecting to their games as they have encouraged us to do.’ deck nine sucks. and maybe their lis games suck. but i find it more important to respect the victims behind the games who have made their opinions clear rather than feign activism by hating the games these victims poured their blood, sweat, and tears into, all while claiming i’m hating these games for said victims. that’s just my opinion, though! people can always do as they like, but this is how i deal with deck nine’s toxicity while also engaging with the lis titles they’ve created.