#domenico gargiulo
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Courtyard of an Inn with Classical Ruins, Viviano Codazzi (landscape) and Domenico Gargiulo (figures), between ca. 1621 and 1647
#art#art history#Viviano Codazzi#Domenico Gargiulo#genre painting#genre art#capriccio#Baroque#Baroque art#Italian Baroque#Italian art#17th century art#oil on canvas#Walters Art Museum
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Aniello Falcone (1607-1656)- Atletas romanos, c.1640.
Após uma breve formação na oficina napolitana de José de Ribera onde foi apresentado à arte de Caravaggio, Falcone desenvolveu um estilo pessoal cujo naturalismo se baseia numa importante prática do desenho. Embora a sua estadia em Roma não seja atestada, esteve certamente ligada por um lado às obras do período romano (1629-30) de Velàsquez, e por outro lado aos pintores romanos de bambochades (os Bamboccianti), e ocupou em Nápoles uma posição semelhante à de Pieter van Laer, desenvolvendo os seus dons excepcionais de naturalista e observador atento da realidade no clima de um caravagismo "menor". Participou também, com Viviano Falcone e Domenico Gargiulo, na criação de uma série de quatro grandes telas representando cenas da Roma Antiga para o Palácio do Bom Retiro, em Madrid. Um deles retrata lutas de gladiadores no Coliseu. Embora também tenha produzido composições religiosas, Aniello Falcone é mais conhecido pelas suas cenas de batalha, pintadas para grandes colecionadores napolitanos como Gaspar Roomer (bons exemplares no Louvre, no museu Capodimonte em Nápoles e no Nationalmuseum em Estocolmo) e das quais fez o seu especialidade, tornando-o o precursor, em Nápoles, neste gênero, dos pintores Micco Spadaro e Salvator Rosa. Os seus contemporâneos consideravam-no o “oráculo” deste género artístico, para o qual criou o diagrama da “batalha sem heróis”), onde a violência das lutas é traduzida por um toque ao mesmo tempo expressivo e preciso. A partir de 1640, as suas composições religiosas, nomeadamente para as igrejas de San Paolo Maggiore e Gesù Nuovo em Nápoles, demonstram cada vez mais claramente uma consciência das tendências luminosas e ordenadas do classicismo romano-bolonês. Carlo Coppola e Salvator Rosa foram seus alunos como Micco Spadaro, em sua oficina napolitana, entre as tendências grega, latina e espanhola, e fizeram parte da "Compagnia della Morte", criada pelo próprio Aniello para vingar a morte de um amigo, com o objetivo utópico de matar todos os espanhóis. Masaniello também fez parte desta empresa. Quando o Reino de Nápoles, após apenas dois anos de revolução, regressou ao domínio espanhol, a Compagnia della Morte foi dissolvida e Aniello Falcone desapareceu, a sua oficina substituída em favor da de Luca Giordano. Falcone, com Salvator Rosa, foi para Roma. Um francês encorajou-o a ir para França, onde Luís XIV se tornou um dos seus patronos. Por fim, Jean-Baptiste Colbert aceitou o pedido do pintor para regressar a Nápoles, onde morreu durante a peste de 1656.
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Week 9 : The Start of GoodByes
Hi everyone, only one more week left! On Monday, I had a physics field trip to the research center of Cira. This is an aerospace research center that works with different public and private companies all over the world. We got to learn about their testing for materials that would be entering the atmosphere through space and other tests on composite materials. They even had this robot that threaded carbon fiber into a specific form!
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Later during the week, we had a pizza making class through CIS at Frantoio Gargiulo. The class is held on a balcony with amazing views. You learn how to make the dough, put your toppings on, and put your pizza in the oven. I would definitely recommend this experience if you ever go to Sorrento. Their business focuses on making olive oil, so there are olive oil tours as well! It was a great night learning about pizza and Italian foods!
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During this week, Sorrento had the festival of Sant’ Anna. The marina near the school was decorated with lights and vendors to celebrate the saint! Saint Anna is known as the Virgin Mary’s grandmother and the small fishing village of Marina Grande considers her as their patron saint. They have traditional games, songs, and food at the marina, which bring huge crowds at night. Around 8pm, there is a large procession where the statue of Sant’Anna is carried around Sorrento to Marina Grande.I will be looking forward to a firework show held next Tuesday commemorating the final day of the festival!
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On Saturday, I had my final day at the Ieranto Bay for work! I will definitely miss swimming in this gorgeous bay. We helped clean the beaches and then spent some time snorkeling and exploring around. We even got to see this cave that glows blue during the day from the light. My work experience at Punta Campanella has been unforgettable. I got to meet volunteers from all around the world and have become confident in my professional skills. It was also interesting to learn about the science and social parts of conservation and trying to bridge them together. Our work supervisor, Domenico, also has made the experience great as he was willing to help whenever needed.
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During my time in Italy, I started using my film camera. In Sorrento, there is this store called Photo Aminta that develops your pictures in a day for a decent price! I just got some of my pictures back and wanted to share with you some of my favorite moments on film:)
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Josefia Frydenborg
Environmental Engineering
Engineering in Sorrento
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Domenico Gargiulo, called Micco Spadaro The Martyrdom of St. Stephen
Oil on canvas, 76.5 x 103 cm, 1640s
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The Landing of the Infanta Marìa at Naples by Domenico Gargiulo.
#Domenico Gargiulo#micco spadaro#made in italy#italian#italian art#italian artist#italian painter#painter#gothic painting#oil painting#paint#painting#alternative#aesthetic#dark academia#dark academic aesthetic#dark aesthetic#aestheitcs#dark#art#light acadamia aesthetic#light academia#baroque
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Domenico Gargiulo detto Micco Spadaro, Eruzione del Vesuvio del 1631 (1657), Certosa e Museo di San Martino, Napoli.
#Micco Spadaro#Napoli#Domenico Gargiulo#Naples#san martino#Certosa San Martino#seicento#17th century#barocco#baroque#baroque art#art history#art#arte#traditional art#vesuvio#vesuvius
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Perspective of a Gymnasium, c.1638 by Viviano Codazzi (Italian, 1604--1670) and Domenico Gargiulo (Micco Spadaro) (Italian, 1609--1675)
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Domenico Gargiulo - David bearing the Ark of the Covenant into Jerusalem.
#Domenico Gargiulo#David bearing the Ark of the Covenant into Jerusalem#David#Harp#Ark of the Covenant
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Largo Mercatello a Napoli durante la peste del 1656 (The Piazza Mercatello in Naples during the plague of 1656), by Domenico Gargiulo, 1656
Source: The Public Domain Review
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Courtyard of an Inn with Classical Ruins, Viviano Codazzi and Domenico Gargiulo, between ca. 1621 and ca. 1647
#art#art history#Viviano Codazzi#Domenico Gargiulo#genre painting#capriccio#Baroque#Baroque art#Italian Baroque#Italian art#17th century art#Walters Art Museum
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Domenico Gargiulo (b. ca. 1609–d. ca. 1675), Tre Cherubini
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Due omicidi in un solo giorno...
#napoli#gomorra#criminalità#agguato#morte#scampia#domenico gargiulo#gennaro sorrentino#camorra#droga#secondigliano
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Domenico Gargiulo, called Micco Spadaro The Martyrdom Of St. Andrew
Pen and brown Ink, washed in brown, 17th century
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Gianluca Gargiulo, Domenico Bellucci, Salvatore Sacco Stanotte gli agenti del Commissariato Decumani, durante il servizio di controllo del territorio, transitando in corso Umberto I sono stati avvicinati da un giovane che ha raccontato di essere stato minacciato e rapinato del cellulare da tre persone che, per la restituzione, gli hanno chiesto tutto il denaro di cui era in possesso.
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Domenico Gargiulo detto Micco Spadaro, Largo Mercatello a Napoli durante la peste del 1656 (1657), Certosa e Museo di San Martino, Napoli.
#Domenico Gargiulo#napoli#Micco Spadaro#Certosa San Martino#naples italy#naples#naplesart#seicento#17th century#san martino#barocco#baroque art#baroque#art#arte#art history#traditional art#classical art
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