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JFC Youth Team Defeats Hansda Star 1-0 in JSA A Division League
James Thangmin scores the lone goal, securing victory for JFC Youth Team. JFC Youth Team triumphed over Hansda Star with a 1-0 win in a JSA A Division League match held at Armoury Ground. JAMSHEDPUR – The JFC Youth Team secured a 1-0 victory against Hansda Star in a JSA A Division League match played at Armoury Ground. James Thangmin scored the only goal of the match in the 21st minute, leading…
#खेल#Hansda Star#James Thangmin#Jamshedpur Football Academy#JFC Youth Team#Jharkhand Byar#JSA A Division League#Narwa Pahar#Shishu Domcom#Sidho-Kanhu Festival Association#Smile Club#Sporting Club Jamshedpur#Sports#Tata Steel#United Football Academy#urban services
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do you watch nana?
if ure talking aboat the anime, nope :P
#ask#in case u mean somefin else ive been binge watching malcolm in the middle :p#sitcoms/domcoms are great when u need that family writing kick
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I think Windforce would give bearhugs and Firebrand would give hugs that squeeze you to death
Banhammer can kinda handle his moms hugs meanwhile Valk and Domcome wheezing and look like their dying
If sword got hugged by one if them he’d combust
.
#phighting headcanons#phighting roblox#roblox phighting#phighting!#headcanon#phighting#windforce phighting#firebrand phighting
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Any friends at DomCom right now?
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Unscheduled Change in Procedure
So I wrote this for @koreanrage but I didn’t know it wasn’t going to show up for anyone else, and I know it’s not what I usually write(I’ve only done Sleepy Hollow fics up to this point) but I’m a bit dry as far as that well is concerned and among other things, this incited my inner writer so, I present to you something I’ve been working on. Or at least a peace of it. A Clintasha domfic
"What? Why are you making that face?" Clint snorted a bit, yanking a shaft from a body. While the head of this, an incendiary bolt, was used up on the half charred remains of a 6'10" monster of a man, the reinforced, double folded titanium shaft was still quite usable. Rubbing the edge of it, where a bit of cooked flesh had seared to the alloy, he reached over his shoulder to load it into his mechanized quiver, watching his partner as she rolled her eyes at him.
"I thought we agreed no more ending the exchanges with explosives?" She lifted a dead man with her foot, rolling him to his side. Beneath him was her knife, damaged and seared from the blast and thereby rendered useless. Letting the corpse fall back over, Natasha dipped down to scoop up some concrete rubble and walked downhill on the precariously leaning floor to a wall with so big a piece removed a bus might be able to drive through unhindered. Were they not on the twelfth story. She turned and rested her elbows back on part of the hole that reached up to her waist watching the Hawk pick through the wreckage they had wrought together for his recyclables.
"I counted 15 knives and 45 bullets loosed." He smiled, pointing another scavenged shaft at her teasingly, "you were out of ammo."
"12, 13, 9, 2-" Natasha nodded at the varying array of guns littering the floor under, beside, in the hands of, or strewn around the dozens of neutralized enemies, announcing the remaining magazines. “And you don’t ‘loose’ a bullet or a knife.” Clint knew there was no need to check for error.
"So, you were going to be able to grab those from where? What was the plan to get out of that pit- rocket up onto the ceiling?" He tipped his head toward a collapsed piece of floor where the blackened floor indicated the arrowhead had detonated near.
"You don't think I could have taken those eight guys? Really?"
"I think you were being a body-hog; when we're not with the team, I'm not a- we don't have to be 'heroes', just agents. Besides, I'm not allowed to use my toys just because you don't want to get new knives?" Clint had to cut her off, walking over to her and resting on his own elbows, looking out passed their concrete barrier over the dilapidated and abandoned looking buildings that extended for blocks and blocks in this direction.
"New knives are always better. What I don't enjoy is this red mist that hangs around. I'm just- ugh- coating my lungs and my suit- not to mention my hair." She smiled, scoffing, turning her head out into cold air and watching her exhales condense.
"Ha. How can you tell?"
"You can't smell it? Come on, Beethoven." She smiled, turning back to face him, where even with her unheightened sense of smell, she was more than close enough to whiff the scent of his physical exertion, the oil that lubricated his bow and bowstring, and every so often when the small breeze allowed it, his breath. He seemed to watch her for a moment before he tipped on one elbow leaning toward her, resting his nose in her lightly frazzled curls and inhaling, his eyes closing.
"Cherry-" he quietly announced, beyond ruby locks and into her ear, "Almond. Gunpowder. Iron..."
"-Blood." She corrected him, standing back up and pulling her head away from his, slowing as she took more steps away. It was a small feat mentally forcing her hand to keep from straying to her ear where, somehow, his breath still tickled her, "And viscera. If you have to use it, use it when we're in the open, or when you're solo."
"Hey, I'm down one sense, I'm not a dog- but, I did get you a window." He chuckled rubbing the edge of the blasted wall-hole as though it were a fine piece of craftsmanship.
"Don't expect me to praise that," Nat gave him an eyebrow and a smile as she moved backwards, "Not after what you did to the stairs, Handyman." Taking a small hop, she leapt from the precipice that was the threshold to this room where steps would have been, and fell about a story down. Where there had once been glass that she might have landed on, there was now an opening and she straighted herself through the whole, to descend half a floor more to the leaning building that this one was now tipped against. The black leather clad woman crouched on impact and slid down the roof of this structure as it was forced at an even less stable angle, getting further and further away. Clint was right behind her, though instead of allowing the slide, he pushed off to drop through a hole not very far away in this roof. He fell inside, and watched her form drop outside a most still transparent pane of glass. It was officially a race.
Jumping off some of the crumbled roof rubble, Hawkeye used some of the exposed fire sprinkler piping and swung himself up over a partially blocked doorway, letting himself slide to the end of the tiled hall where there was a staircase with a few sets missing. He jumped with loud clangs from handrail to handrail down the hole at the center of the spiral. In response, he heard some glass break about a floor lower than him. Chancing it, he leapt from where he was to the floor and ducked out of a opening created by the tipped building's bricks no longer being able to line up in proper stacks. There she was waiting for him,
"Taking your sweet time?" she turned, walking toward the sounds of populace a few alleys down.
"Thought I'd enjoy the scenic route- why, you got somewhere to be?" He followed her.
"You know me- just that wonderful 'home sweet home'."
"Yes, and so big what with only the bed, fridge, chair, and closet taking up space."
"Minimalism."
"Right, yeah, of course, sure."
"Just open the jet."
They'd made quick and purposeful work of getting outside the small, mostly abandoned city, out where the forest began, which is where they'd parked the secretive Quinjet. Clint obliged, clicking the remote control that opened the hold so she could walk in. As she went, she clicked the appropriate switches to get the vehicle ready to be started up.
Once seated in their chairs, both began to click about, hitting buttons, raising bars, turning dials, and checking readouts silently in the specified order. With the turbines starting up, they'd have been up in the air in no time at all, were it wasn't for the sound of voices. Clint, of course, only noticed after he saw Natalie freeze, clearly concentrating on her auditory sense before leaning forward to peer back through the side of her window. He stood too when he heard the distinctive pop of a gun.
"What are they doing here?" Nat sat back down quickly, trying to finish up her half of the launch sequence, "How'd find us out?"
"Better question is why would they be chasing us? Didn't we just get rid of the biggest source of trouble they had? Can't we just be the heroes for once?" Behind them were not the uniforms, body armor, or automatic firearms of a rouge rebel crime faction, but plain clothes and improvised weapons of average citizens and townspeople.
"Wait, look-" she stopped him, and both of them noticed that there were two forms clearly ahead of the mob, one with short white hair, and the other with longer red. Small forms. Visually assessable at eight and five years of age probably, leading the flood of angry faces. Clint looked while both he and Natasha momentarily froze, at the larger form- the boy with the white hair, and two big, adrenaline fueled eyes looked back at him. He stared into them and he saw a look he had encountered before, but had felt unsettled by until he saw a child so young giving it to him. He could traits as if they were listed in writing on his head- anger, desperation. The terror of facing death.
"Let's go." Natasha brought him from his trance and he looked away for only a moment to help her try to get going, but glanced back for the boy and saw nothing. Instead, now he too could hear what she had listened to earlier.
"--Witch!"
"--Demons!"
"--Kill the mutants!"
"--They're a curse!"
"Wait! Wait!"
Both of them snapped around toward the voice at the Cargo hold- the boy had crawled up onto it, pushing the girl he was clinging to further in.
"Nuh-uh-" Natasha got up quickly to relieve them of their stowaways, the turbines raising in volume and speed. The boy could read her face and posture.
"T-Take my sister, please- just her! Up in the air with you! I'll catch up and take her back!" He pushed the little girl further in, a voice accented in the Russian of the land but with an otherwise spotless record in terms of grammar and vernacular. The female child sat stiff, nearly fetal, eyes so paniced and afraid they might have belonged to a rabbit in its final hour, the chase lost. She pinched her small fingers into her brother's jacket sleeve, her knuckles and nails still somehow paler than the rest of her.
"No-" Nat answered him curtly as she moved back to shoo them off and around the side while Clint began the takeoff sequence allowing for a slight foot-high hover, turning the hold door another direction. Once the kids were off, some time could be bought if they faced the crowd.
The young boy turned from this rock to look back to the hard place and caught sight of a barrel point toward him and his sister. In a flash that was quicker than Nat expected, as fast as the sound of the shot, he seemed to teleport to the girl, pushing her back further inside the jet. Natalie's eyes shot up to the aimed weapon immediately, but her peripheral vision and linked reflexes forced her to reach out and catch the red headed girl by the shirt before the girl fell back on her head. She wasn't quite quick enough to catch the brother before the bullet passed through his leg and lodged in the floor near the cockpit.
"Nat!" Clint shouted back. She'd pulled out a gun from the handy wall compartment, walked passed the groaning boy who cringed as she passed, and to the edge of the cargo door where she slammed her fist on the button to close it. Through the squishing window, she began opening fire on the crowd, turning them away while Clint tipped the jet up and away from the mob, forcing all passengers inside to stumble or slide toward the cockpit, and quickly took off. There was the distinct sound of bullets being blocked by the jet's fuselage for a few seconds before the maximum range of hand weapons was exceeded.
Moaning and whining, hissing through his teeth and trying hard not to cry outright, the boy's tears began pooling on the floor under his cheek or on the collar of his stained and well used baby blue, velvet jacket he was wrapped in. He clutched his thigh where it trickled blood steadily onto his jeans, and the girl at his side got to her knees, pulling her thin, once-white dress under her and tried to hold his head, stroking his hair with shaking hands covered almost completely by stretched, burgundy cardigan sleeves. She jolted though, when the short haired woman headed toward her and cowered behind the injured boy, holding his jacket over her face. For his part, the young boy quickly tried to sit himself up, extending an arm behind him flinching visibly with the effort and pain. Natasha stared at them in the white noise of the air rushing past the vehicle for a moment and the hum of the turbines and their engines, eyeing the quivering girl and the angry, tearstreaked boy, and strode away from them.
"Wait-" the boy called, surprised, "Will you take us, too?"
"No." Natasha answered him.
"But-"
"No-"
"Then-then, just my sister- she's only five-"
"No." She'd gone over to her captain's chair and returned with a small box. When she came down to her knee in front of the children, the girl who had peeked in the very slightest of fashions clung once again to her brother, burying her face in his back, and the boy pushed at her, trying to back up in a panic. He'd forgotten that he was using his leg for that, though, and wheezed through his teeth when the muscles returned with screams of pain. A hand shooting out immediately, Natasha snatched his calf and pulled it to try and look. He fought her.
"Stop! Let me go! Aurgh-!" She said nothing, but she was much stronger than him. He groaned, trying to pull his leg away and from behind him, the girl tried to reach forward and pull at him too.
"Don't- No!" he protested, clearly in pain, but steeped in anger, and she slapped away his hands. He tried to push or peel her fingers off, and she shoved him away again. It seemed in fact, that he was more upset than in pain now, but once she popped open the box, a clear death grip on his young calf, and pulled out a bottle, a tube and a roll, he stopped. He could see what the things were, and yet, after a moment he continued the struggle. She grabbed and ripped the leg of the pants, rolling the pieces back, poured the bottle onto some cloth and then pressed it to the sides of the wound. He jolted as though it hurt, and she gave him a look. He quickly tried once more to pull away,
"Leggo! What are you doing? Is it poison?! Are you trying to kill me too?!"
"I don't want you bleeding all over the hold. Be still." She ordered, snatching his leg close again.
"No! Get away from me! What are you doing?"
"You wanna get an infection, kid?" Clint called from the pilot's chair.
"She's pinching me! With her claws!"
"Claws?" He was laughing, but the boy had little time to notice, as the woman had leaned forward and grabbed his shirt, pulling him in,
"You're gonna be still, or I'm going to drop you from 32,000 feet, and superspeed isn't going to save you from a fall. Do you understand?" He could muster no response save for biting his lip in fury and growling back at her. She took that as submission, threw his shirt back at him, and began swabbing the area with the tube and another part of the fabric. Finally she began wrapping him up. Now that he was silenced, he took the opportunity to display some passive protest. She'd lean his leg up to get around it and he'd let it fall to a side. She'd pull it near and flatter and he'd pick it up toward him. Natasha glowered at the boy and he glared back as if to say threatening looks meant nothing to him. They clearly terrified the pair of eyes behind him, though. Natasha quickly finished and let the boy snatch his leg away while she stood and went to the front to click on a com.
"Sit down-" She ordered behind her while she picked up the walkie phone.
"We are sitting-" the boy retorted snidely.
"In a chair," Clint cut in, "Put some seatbelts on." They looked up toward him, but the girl began to move, crouching to help her brother. A bout of turbulence shook the cabin, forcing her to stumble, and quickly both of them began to move. Both Natasha and Clint could hear clicking from behind them where he situated his sister before hopping into one of the row of chairs lining the side of the hold.
"Q1 contacting Base. Come in base."
"Base here. What is it?"
"We're coming in with a load."
"A load? This wasn't a recovery mission."
"Stowaways."
"You can't drop them?"
"No, unfortunately, I don't think we can. We're bringing them in."
"Agent Romanov-"
"They're mutants, Hill."
There was a pause, shorter than anyone actually realized before,
"Understood." and both ends hung up. Everyone remained silent. No one seemed especially keen on said silence. Well, almost no one.
"So, what are your names?" Clint broke it for the rest of the group.
"You don't need to know that."
"Well, what are we supposed to call you then?"
"What do you care, why do you need to call us at all?"
"What, you wanna ride in silence- we've got a while till we get there, kid?"
"Better than talking to some dirty agent murderers and kidnapping monsters-"
"Look-"
"Now, I get that you're in a bad mood-" Clint turned in his own chair to face the children, his face beyond serious, cutting off Natasha and looking back into the boys eyes, "but it's no trouble at all to turn around and drop you back off where you came from if you want to be disrespectful. This isn't a kidnapping mind you- and it doesn't have to be a rescue." The boy stared back into his eyes defiantly for as long as he dared, but turned his head away, admitting defeat. His sister's small hand reached far from the very rigid seats to grab his and Clint turned back around.
"My name is Pietro. My sister's name is Wanda."
From next to a soft harumph, he responded with, "We're Clint and Natasha."
In no time at all really, but much longer than anyone in this particular group would have chosen to spend together, the party arrived at their destination. The children were forced to follow without explanation as Natasha and Clint unbuckled themselves and turned the jet off, heading out through the hold. Pietro groaned, putting weight on his leg, so Wanda tried to take on some of his weight, barely managing to keep up with the adults. Around them was a bare hanger, dark except for bright spotlights produced by high powered bulbs. There was little time to look around though as Natasha and Clint seemed to be cutting them no slack.
Outside the circular islands of light, in darkness black as a suit, who knew what might pop out and attack them? Though he was the one being helped, Pietro led his sister forward, keeping his eye on the adults. They headed down the gangway- the only plank of stability over a vacuumous abyss, trying to both fit on the thread of walkway that seemed to get thinner and thinner, and even though a guardrail was fastened to each side, the gaps between the two bars and each of the thin columns was far too big, and just invited children to slip through them like water helplessly flushed down a drain. Having successfully stepped down from this they passed hydraulic doors, the mouth of a sideways, silver monster, with jaws that opened so wide that it must be a trap, and doors that shut so fast you could probably be chopped in half. Into a hallway next with pipes slithering around the walls so tightly together they looked like a swarm, burying someone as small as they were, hissing with menace, gurgling hungry threats and sometimes shuddering as though readying for the strike. Finally they ascended a few tricky stairs, hurrying to avoid being left behind but dreading whatever it was they were growing near to, not unlike the trip to the stage for a hanging. Then it was to a big double doorway, and through another one of the same kind, this time opened with a passcode and a card. Ones just like in a prison. Inside was a much brighter room made seemingly purely of pale, creamy concrete with boxes stacked all around and some big cars parked in docks. Pietro could smell the scent of the outside through all the motor oil and stuffy recycled air somewhere nearby and Wanda began looking around, trying to see if she could find the bright, warm light of day.
"Where are we going?" Pietro finally asked.
"Check in." Clint didn't turn around.
"Check in what?"
"Unexpected cargo." Natasha answered.
"Where are we going?" The boy demanded now. Glancing back, Natasha could tell he was forming an even more uncomfortable take on the facility.
"Somewhere safe." her voice was more tired than reassuring. There was a quickened, stumbling, patter of feet before the children pushed past her and Clint and then stopped before them. The face Pietro wore clearly displayed his willingness to fight. His nostrils flared as he panted through his small nose and his eyes shifted between the woman's and the man's. Beneath his arm, Wanda's tiny nostrils pulsed too, but her eyes was quite plainly afraid.
"We won't." Pietro asserted, "We'll leave, we'll leave like you wanted. We don’t need your help. Show us how to get out of here, and we'll go-"
"That won't be necessary," Startled into jumping, the children nearly fell spinning around and looking up into the clean cut face and pressed suit of the Agent Coulson. He came to a curt stop hardly a foot behind them, perfect posture and hands clasped behind his back, a bit of a smile on his otherwise strategically common face. The way they acted, one might have assumed the boogeyman had suddenly materialized at their flank when the two children reeled, stumbling in reverse into Clint and Natasha and hugging the black clad "murdering kidnappers" close with their backs. Pietro pulled Wanda's head close to him to keep her from seeing.
Both Natasha and Clint watched the moment's long events transpire before exchanging cautionary looks until Coulson required their attention again,
"Mm, smaller than anticipated." he commented casually.
"Don't let the appearances fool you, they don't think they're small." Natasha nodded back.
"W-we won't go with the evil agents-" Pietro managed to voice, and Wanda even shook her head from where it was tucked. The look he was giving must have been amusing because the agent in question chuckled quietly.
"You're using 'Evil' as relative term." He briefly rebutted before he raised his head, "Where'd you find them?"
"They found us." Natasha nodded.
"What's the situation?"
"Isolated, possibly volatile-"
"Possibly?" Natasha made something of a gesture, questioning Clint's assessment.
"My personal opinion?" he continued, and Coulson gave a nod, "Threatened and on the brink."
"And you believe protection is required?"
"Yes." Both Clint and Natasha answered.
"Agency protection?"
"Yes." There was a pause, heavy among everyone who knew what was transpiring as well those who didn't, but Coulson took a breath and seemed no more phased than if an ant or a spider had crossed his path.
"Good. Fury agrees with you. We'll take them on."
"Great." Clint nodded.
"As Assets."
"Alright." Natasha agreed.
"They'll receive training, protection and surveillance around the clock, and be placed in a discreet location with their handlers."
"Sounds like a good plan to me? Nat?" Clint spoke more to instill confidence in the children looking up at him now that they were being included in the conversation, than to his partner.
"Couldn't be any better." She didn't seem to care as much, agreeing, but making no moves to be a comfort.
"Spectacular. Your things are already en route. There will be more specific instructions on arrival."
"Wait, what?"
"Huh?"
"Think of it like a vacation." Coulson turned, heading away, "Where you're working."
Some vacation. Putting aside that it was, in fact, a work detail, when they were told they were headed to Vegas, at least there had been a glimmer of hope. Well, Vegas indeed is where they landed- in a small airport hangar for personal crafts- and loaded into a minivan cab that smelled like cabbage mostly with hints of other things- frying oil, burnt rubber, maybe feet- and overlaid with incense that was clearly meant to counteract the first volley of scents but only managed to mix with it into some sickening new olfactory safari. And then they arrived.
Standing in the Nevada sun, the children stood while their cargo was unloaded listening to a soundtrack of dog barks, muffled, blasted music from somewhere far off, tires screeching off maybe a block away. Here, there were the smells of cannabis drifting in and out over the hot breeze where the smoke of a small fire hitched a ride, and as the taxi abandoned them, all four members of the "Shields" family stared at their new neighborhood and new home.
***End of Part I***
#clintasha#fanfiction#Domcom#more to come#part one of ?#4k words#I am not a professional writer#keep that in mind#just thought I should put this out before#infinity war#avengers#wanda maximoff#pietro maximoff#domestic fanfiction
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The more I think about the Kataang Family, I more I am convinced of the untapped Sit-Com potential it has.
#all the missed opportunities#kataang#pro kataang#kataang endgame#Kataang SITCOM/DOMCOM?? hello!#avatar the last airbender#katara#katara of the southern water tribe#master katara#katara atla#aang x katara#katara stan#sifu katara#the legend of aang#avatar aang#aang#aang gang#honouringzuko#kataang supremacy#kataang defense squad#bryke#Kataang sit com au
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I’d make the argument that the sitcom “traditional family” is not a reflection of reality, but rather a confluence of narrative tropes, stereotypes and market research. It was the perniciousness of the stereotypical domcom that inspired the creation of the Simpsons!
I don’t want to make wanton accusations, but this line of thinking, in addition to being an oversimplification of genre trends, reads rather reactionary. It’s one thing to argue that work is too dominant a force in our lives (I agree!); it’s another to argue that this is a state that exists in contrast to an idealized past wherein happiness was derived from belonging to “traditional” family units.
the transition in the past two decades from family sitcoms and ‘friends all living together’ sitcoms to workplace comedies signifies a larger shift in how work dominates our lives and leaves no space for traditional family or community raising in this essay i will
#if you- like me- consider the 80s the golden age of the domestic sitcom#the argument that promotion of family values and work as a dominating force in peoples lives falls apart as fast as you can say reaganomics
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Professor with Benefits coming out June 16th @mickeymillerauthor #domcom #romance
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Lady, with and my mouth I will praise you, my goddess, I will seek you. Your cold stare makes me nervous. My heart trembles in terror.
I have been reborn. A land of hungry ghost existence. What sins brought me here. i see all around me is barren land without water. Why have You brought me here Goddess? Let me feel normal for once in my life: unto thee I am ever faithful. You being a Woman over me fills me with fear. i am not equal to Women.
You know how full of bs i am Ma'am. i was so afraid to kiss Your feet at domcom. What a weak simp i am.
How did i become addicted to You Ma'am? What slave block will you be selling me on. Will my owners be nice?
May You train me to suffer for You and others. i will work hard until the Matriarchy has arrived. When the Queendom comes and Women rule we will celebrate. And weak simps will be put in their place by Women. Amen
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The anticipation of the first DomCon novel xmas morning... Pre-Order NOW
twas the night before christmas
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X-Men Abridged: 1982
Scenes from an alternate universe where the X-Men is a multi-camera domcom. Ororo would enter every scene through anything as long it wasn't the actual door and the audience would go crazy every single fucking time. (Uncanny X-Men 154)
Uncanny X-Men:
Abridged Recap
Unabridged Highlights: Fairytales and Nightmares
New Mutants:
Unabridged Highlight: First Issue
Wolverine:
Abridged Recap
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Would you say that Kevin can F himself has a lot in common with Everybody Loves Raymond and King of Queens? What other modern DomComs do you think has a lot in common with this show?
ya! i think the obvious ones are king of queens/kevin can wait/all kevin james shows bc he's what the writers n producers specifically mention in their interviews and they even named kcfh kevin after him. i was never interested in any of these shows but i tried watching a bit of koq and kevin can wait, both were terrible & the reviews for the crew iirc basically said its the male-buffoon, woman hating sitcom he always does
the only other male-led multicams that ive seen are everybody loves raymond and the george lopez show. elr is a bit different because the wife's main "antagonist" is her mother-in-law and raymond himself doesnt necessarily get into the nonsense that other sitcom male-leads do, but that show is basically "a woman is emotionally abused by her MiL and everyone laughs". sometimes raymond stands up to her but mostly the episode ends with the mil getting the last word and the wife feels like shit. so, not a direct parallel to kcfh, but the core of "woman grits her teeth as she deals with her husbands bananas family" is still there. i havent seen enough of the george lopez show to comment on it lol
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Counting Down With Countdown - #43
...Comedy Is Hard
Issue #43 is mostly dedicated to the funeral of Bart Allen, the Flash. Because, y’know, you can’t do that in the actual Flash book, because they need to set up Wally’s new status quo, and funerals really throw off the lighthearted domcom tone that series was going for (also I can’t remember if the Flash relaunch happened right away). Better to stop Countdown cold for a week. There’s some stuff with Forerunner and Monarch, and the multiversal stuff, but it’s all pretty slight compared to, again, characters reacting to events in a completely different series. I guess there was enough of that plot in previous issues to justifty it.
#counting down with countdown#countdown to final crisis#bart allen#flashfam#jay garrick#yj#teen titans
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Darling Emoji Challenge! 🥗
Name: Keshon Greene
Age: 36
Darling Type: Servant
A housewife who lives in the same neighborhood as Shanna. Unlike her neighbor, she is a full blown delusional darling, and thinks she lives in a domcom. Always insists on her wife eating healthy, despite said wife having almost killed her several times. Her salads are made from vegetables she grew herself.
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You know, webcomics shouldn't be making me feel old. Like, I went on a weeklong binge on reading a couple webcomics, then realized that once, they were on Keenspot then moved to their own place, that only made me feel a little old when remembering Keenspot. No the thing that got me feeling really old was that the current comic is the kids of both the comics I used to put in my daily/triweekly watchlist. To put it in context.
Male viewpoint character's origin comic: I was a senior in HS when it started, and it ended in 2015.
Female viewpoint character's origin comics: first comic started about the same time as above, ended in 2004. Then its domcom spin off started later that year and likely ended the same time as the dude's.
It then got me thinking, I saw the rise of the net through these comics, and others that have ended or may as well have.
I've seen all but two of my 2004-2010 watchlist (and that's with me going voracious around 06-08) either end, or go out.
I saw scans that varied in quality to almost all digital. I saw the rise and fall of video game comics. I saw the fall of webcomics in 90% of the Belfry becoming pony askblogs. I saw some of my favorites end without warning or seem to zombify. I've seen a couple of the creators gain infamy and fame.
If you told me at 15 I'd be sitting here waxing nostalgic over some comic that was made on the same shit I was chatting on IRC with, and that they'd be using some kind of non MS Paint application, and it was all created by people who were about my age or younger, and that I'd see both successes and failures on it, I'd have called you crazy. The internet was for IRC, the SCFA/VCL and shitty fanfics, not comics that would kill my 56k dialup connection and still make me feel some measure of wistfulness years after they had ended.
So here's to you webcomics, you somehow kept me entertained for 20-ish years, despite some of the genre failures you produced.
#btw the comic that started all this nostalgia was Nicole and Derek#and the one that started my love of webcomica was Welcome to Greytown#thank you Isabella Marks#thank you Jeph#thank you Mookie#somehow I managed to always find my way back
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Coming Christmas morning... pre-order NOW
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