#doesn't mean evil

[demaparbat-hp]

Crush, crush, crush!

[qoldenskies]

i think its so funny when people take the way donnie acts at face value even though its a horrible lie because he's a horrible liar, while understanding leo is bullshitting very well despite him actually being GOOD at bullshitting. many such cases

[ruubesz-draws]

Baby boy baby is EVIL

it's fun to draw him like an evilchild lol

[egophiliac]

(breathing into a paper bag) FRALIO....

can't believe they gave us another guy. oh my god. so I guess Kelka is more, uhhh, more OOO then, and Fralio is Ankh? not that it matters too much, although they do seem to be doing something with the connected Riders so. who knows. anything goes! or if I may, anything gOOOes! god. of course they're the Ambition parallel. of course they are. oh my god.

fortunately there's nothing else they can throw at me right now that could possibly --

AHHHHHHHHHHHHHHHHHHHHHHHHHHH

[maulfucker]

racism in star wars will have wikis saying shit like "this species that is inspired on a real life non-white people is just too stupid to use the Force"

[metalomagnetic]

After seeing about 50 'Dumbledore is evil' and 'everything is Dumbledore's fault' and 'but why didn't Dumbledore did this or the other' posts in a row, I find myself wishing Dumbledore just fucked off to somewhere nice and sunny in '81, early retirement (or is it early if he's already 100?) and washed his hands off magical Britain entirely.

Some of y'all sound like Fudge with your Dumbledore bashing. I wish, at least, Dumbledore would have left when Fudge and that corrupt as hell Ministry did their best to ruin his name and his image.

Pack up his ancient shit and move to a nice beach somewhere, with his pet bird and a huge bag of candy.

This way, my man Voldemort could have won in like five minutes, and Harry would be dead, Voldemort would rule supreme, Bella would keep being the queen she is, and my little Voldemort shaped heart would be happy.

But no, Dumbledore stayed, orchestrated Voldemort's downfall by giving Harry step by step instructions, gave up his own life in the process, made sure Harry would keep his, because apparently that's what 'evil men' do instead of retiring in comfort.

Not only Harry wouldn't have survived without Dumbledore, but he most likely wouldn't even exist without Dumbledore. Because, you know, this evil man is also the one that took down another dark lord back in the day; if Grindelwald would have won, there would be no Lily, most likely. Thus no Harry.

But yes, go get your 'Dumbledore is evil' badges- I hear Fudge and Umbridge are leaders of the hate club, I'm sure they'll receive new followers with open arms. Draco is probably the secretary, because he hates Dumbledore, too, and he likes making badges.

Also, can someone explain to me how Dumbledore, the only gay man in canon, became the fandom's resident homophobe? That's just weird, my friends. Very weird, to say the least. It gets even nastier when you say he 'groomed' students. That's an awful thing to throw around about a gay dude, you know?

There are so many reasons one can dislike Dumbledore for, but you do have the option to not like a flawed character without turning them into a ridiculous caricature of themselves.

P.S: I am not talking about fics. Write your fics and your characters however you want, whatever makes you happy. Your fic is your domain, and you do whatever you want in there, hopefully with no asshole to attack you in the comments. Same with reading- read what you want, bashing or no bashing. Have the best of fun!

I am talking about these 'meta' type posts on social media, tagged with "Albus Dumbledore", where they act as if canon Dumbledore was legit evil, incompetent or homophobic.

[owliellder]

The Finer Details

Post DI! Leon Kennedy x Painter f! Reader

MDNI 18+

(Session 1, Session 2, Session 3, Session 4, Session 5, The Reveal)

Description: Leon realizes that retirement is in his best interest now that he's getting older. All of his accomplishments as an agent mean he's truly earned a painting to commemorate..

Warnings: Not Proofread, Age gap! (reader is anywhere between mid-late 20's and Leon is 40), Porn w/ Plot, Use of she/her pronouns, Angst, Hurt/Comfort, Alcoholism, mentions of trauma/PTSD/depression, P in V smut (wrap it NEOW), Leon cries during sex 💔

Tags: Older Leon Kennedy, Younger afab!Reader, Leon is SAD but he is your muse, Crying, mentions of Leon masturbating, starts off with Dom! Leon and Sub! Reader, falls into switch territory because that man needs some serious TLC, Praise kink, Hickeys, Handjob, Nipple play, Oral sex (m! and f! receiving), and a heavy dose of Aftercare

Author Note: You know how each president of the U.S. gets a painting at the end of their term? I'm thinking like that. Plus, my favorite hobby is recreating renaissance art, so I figured this was a good fit (hopefully).

Cross posted onto AO3

Session 1: The Sketches

It was late at night when Leon made his decision to retire fully.

He had gotten home over an hour ago from reviewing mountains of paperwork, most of which pertained to missions that other agents have gone on or will be going on.

Younger agents. More energized agents.

The fact that he hadn't gone on a full mission since San Francisco was driving him up the wall. But that's what he wanted. He requested to hang back the last two years.

Both Chris and Claire had fully retired themselves right after San Fran, Claire being the first to retire to focus on her growing family with Chris following suit only a few months later. Jill was still around, but she was doing similar work that Leon was, only she was in a completely different department which was states away.

Of course Leon still talked with them all as regularly as possible, he'd go insane if he didn't, especially with Claire having a couple kids now. He wasn't the greatest with children, but it was refreshing seeing his friends achieve such normalcy. He wanted them to have the best life they could away from everything.

Having turned 40 a few some months ago, Leon was having a bit of a mid-life crisis. The mission to San Francisco a couple years ago had made him realize just how much toll the job itself had taken on his body. After being assessed and allowed home a few nights after returning from the mission, his body ached; joints creaking, back nearly thrown, just... tired.

Don't get him wrong, he was always tired after missions, but this was different. This wasn't just the regular aches and pains he dealt with after being tossed around like a rag doll, this was age.

Deep in his mind, Leon was still that 21 year old boy in Raccoon City. He never got the chance to properly grieve and move on, his mind forever changed by that event. Mentally, he was stuck there and had been this entire time.

It had taken the man this long to truly recognize the fact that he's older now. He's not that boy from Raccoon City anymore. He hadn't been in a long time.

What was he do to now? Leon had wanted so badly to serve and protect the people, but not like this. Not like he has for the past 29 years.

He spent his most formative years fighting unimaginable horrors, watching people suffer, watching people die. You don't just come back from something like that.

And unlike the friends he's managed to keep close, Leon didn't have someone he trusted. Hell, he barely trusted himself most days.

So now here he was, sitting drunk in his shower with his legs pulled up to his chest, his arms resting atop his knees while the water pelted down on him, silently mulling over everything he's ever seen and done during his time as an agent.

The water had grown cold at this point, Leon having quickly lost track of how long he was sitting spaced out like that for. Thankfully, he'd already cleaned himself before he ended up sitting down, so the hardest part now was just standing back up to get himself back out.

It took him a couple more minutes before he finally hoisted himself up with a tired groan, both his knees popping from being stuck in position for such a lengthy amount of time.

Once out of the shower, towel loosely wrapped around his waist, Leon stared at himself in the mirror; busy studying the crow's feet on both outer corners of his eyes as well as the prominent bags sitting under them, the smile line around his mouth, his now brown hair, the stubble on his face and neck that's he's neglected to shave, and just how exhausted he looked.

How has he never noticed any of this before? Why's he look so different now?

Settling into bed after this brutal realization was a tough task. The man followed his nightly routine of taking four Tylenol and two of his prescription sleep meds before setting his a/c 65 degrees Fahrenheit. He learned quickly many years ago that tossing and turning at night would make him overheat and sweat.

But tonight, nothing Leon did could ease that sinking feeling in his chest, that feeling of unfulfillmemt and shame weighing on him more than ever before.

The poor man barely slept at all last night, hangover evident by the way he was still slightly uneven on his feet as he leaned over the center island in his kitchen, head between his forearms while his hands sat clasped together.

Leon knew what he had to do. He's been feeling it ever since Chris and Claire made their departure, but it was so easy to deny. How was he suppose to give up the one thing that made him important? Sure the stress of his work was heavily tasking on the mind and body, but it's what gave him purpose. He felt useful doing what he did.

The man showed up for work late that day, barely having managed to dress himself. He didn't know exactly who to go to in this scenario, but everyone seemed surprised that the Leon Kennedy would show up for work in some ratty t-shirt and grey sweatpants. The stares were making him incredibly uncomfortable and he was quickly regretting showing up at all.

After sitting in his own office for awhile to avoid the looks and whispers, Leon eventually sauntered over to his superior's office, an almost solemn look on his face as he let himself in after knocking.

Needless to say, Leon was relieved his superior knew this was coming. Slightly offended, but relieved nonetheless.

It had been a long time coming, and it was only a matter of time before Leon threw in the towel, especially since he was now just working behind the scenes instead of on the frontline.

He was allowed to return home for the rest of the day if he wanted to, which Leon quickly took. He really didn't want to be in that building for much longer.

As soon as he returned home he went right back to drinking. And as ashamed as he is to admit, he even cried a little, half empty whiskey bottle in one hand while the other was clenched tightly into a fist as he gripped the pant leg of his sweats.

There wasn't anyone Leon could talk to about this. Chris and Claire had their own respective partners to come home to after retirement, but Leon? Leon had nothing besides a dingy and cold two bedroom house with only the basics inside, including his alcohol cabinet.

The man didn't even give himself time to date, only the occasional one night stand with randoms from the bar. He was too afraid that he would endanger anyone he allowed into his life like that, not to mention he'd been betrayed one too many times to trust in someone that way again. It was his way of keeping himself and everyone else safe.

The therapists he was assigned throughout the years all had the same concern regarding his love life, and deep down Leon was just as concerned, but he rationalized it with that hero complex he developed.

But he just couldn't rationalize it anymore. Leon was alone. He was alone, sad, and afraid.

About a month after Leon's retirement was processed and announced, word spread quickly throughout numerous government branches. There was a celebration set up at the White House to honor his service as a field agent.

The President had separated him and Leon from the party to slowly walk through the many hallways in the building. The old man could tell just how bothered the now ex-agent was by his retirement, so he figured now would be the best time to talk to him about his final task.

"You know," The President spoke up after a couple minutes of the two walking in silence, prompting Leon to slowly turn his head to listen. "I'm sure you've heard it so many times tonight, but you truly were one of the best agents I've ever seen."

Leon chuckled quietly, shaking his head a bit at the compliment. He had heard it a lot tonight, but obviously it was different coming from him.

"I'm serious. This county, probably the entire world, would've been in shambles if not for your hours spent." The President continued, slowing his walking to a stop.

"It means more than you know." Leon responded simply, voice a bit gravelly from the few drinks he's had. He took a couple steps more before stopping as well, turning around to face the prominent old man.

The President sighed, giving him a sympathetic smile while nodding. They stood in silence for a brief moment before the old man spoke up again, pointing lazily down the hall. "Follow me, I've got something I want to show you."

From there, the two wandered further down the halls until eventually reaching one hall that had lights more centered towards the walls, highlighting the picture frames that sat evenly spaced out amongst them.

Leon seemed a tad confused until he was able to focus on the first painting they walked by. He knew each president got a portrait painted after their full term was served, but the man in this painting wasn't a past president.

He stopped walking to stand in front of the painting, admiring the details it had before glancing down at the bottom of the elegant frame, a placard reading a name he didn't recognize. What he did recognize, though, was the word Agent that sat in front of the man's name.

While zoned into the placard, Leon didn't register the gentle hand that had been clasped on his shoulder, the President's voice breaking through his trance. "For as long as there's been bioweapons, we've had agents fighting to stop them. But only a few agents have truly outdone themselves. Agents like you."

Leon blinked a couple times before turning his head to look at the hand on his shoulder, eyebrows furrowed. He wasn't quite understanding what he was saying.

The President took his silence as a cue to continue, his sympathetic smile turning into a happier one as he gently tugged Leon's shoulder to get him to start walking again. "The D.S.O. has produced some of the greatest agents since Benford created it back in 2011. You were amazing before, but you've outdone yourself time and time again."

Leon still wasn't quite understanding, really only half listening as he kept his eyes trained to the numerous portraits of agents as he slowly passed them.

The two stopped in front of the last painting in the hallway, only a few spots away from leading into another hallway. It was Chris and Claire in this painting. Chris was sitting down in a chair while Claire stood next to him, hand resting on back of it, both of them smiling.

He studied the painting for a minute longer before whipping his head around to face the President, who was still smiling, as the realization slowly settling in.

"I-" Leon struggling to speak, glancing back at the painting before quickly looking back at the old man standing next to him.

The President simply nodded his head, smile widening with a gentle laugh. "Right. The painting process takes a bit of time, but I think you've more than earned this."

The ex-agent had so many questions. Firstly, why hadn't Chris or Claire mentioned this? But more importantly, he gets to have his own portrait painted?

"The painter knows all about you. She's excited to meet you." The President started down the hall again, Leon not far behind, still stuttering out nonsense as he attempted to form even a sentence. "I'll give you the information you need to get started with her. I have it written down back in my office."

A painting?

A painting. A painting for him. A painting to honor him. What?

Leon was once again sat on his couch, blankly staring at the small business card with a date and time written on it in pen. He'd read the info on the card so many times already, wanting to make sure he got absolutely nothing wrong.

Apparently he didn't have to call and confirm, all he had to do was show up to this random address at a specific date and time, which was soon. In a couple days kind of soon. Also, he thought he was reading the time wrong, but no, it was four in the morning, not four in the afternoon. What an odd and rather inconvenient time.

Even after memorizing the business card front to back, Leon would be lying if he said he didn't forget about meeting up with this mystery painter. He'd been rather aloof the past couple months, it was hard to pull himself out of that funk. He'd been staying up late and sleeping in even later, so hitting snooze on his alarm a good few times was just muscle memory at this point.

It was almost 5am when he realized where he was suppose to be, eyes shooting open as he yanked himself out of bed, desperately trying to clean himself up enough to be at least presentable.

The man was mentally chastising himself the entire drive. It was a short drive, which he was surprised by, and the building seemed quaint; red brick with large windows that sat on what looked like either a second or third floor.

He parked his bike right near what he assumed was the main door, pulling off his motorcycle helmet before knocking and waiting.

The last thing Leon was expecting was you to unlock and open that door; young and pretty, so pretty...

"Mr. Kennedy?" You asked, eyebrows raised slightly with a small smile. He nodded, just barely noticeable, reaching a gloved hand up to wipe at his eyes as he caught himself staring.

Your smile only widened at his nod, stepping aside to allow him into walk in. It took him a minute to realize you were still talking, shaking his head out to refocus himself.

"-again, really, no need to worry about being late. I was trying to work with your schedule but I should've known it's changed up a bit by now, right?" You lead him up a set of narrow stairs, though he was mostly following the smell of your perfume. It was such a light smell but he definitely picked up on it.

You opened a door immediately to the left of the stairs, letting Leon follow you inside. The sun was just starting to rise, shining through the large windows in the open room.

The place was cluttered, yet organized. Crowded, but that just made it all the cozier to Leon. His house was bare and lacked any sort of personality, but this... this place was covered in you.

"I'm glad you like it in here." You said in a quiet voice, looking up at him as he took in your workspace. He was smiling ever so slightly, which you mimicked with a smile of your own. "I try to make it welcoming in here, my apartment is the same way.."

Your voice trailed off as you walked over to a mostly put together set up near the back of the room where the only wall without windows sat. There was a chair sitting close to the wall, the same chair Chris was sitting in for his portrait with Claire, along with your easel sitting empty a few feet away.

Leon stood frozen, only moving his head around as he took everything in. He followed you with his eyes as you fumbled around with something, eventually producing a blank 24" x 36" canvas that was still wrapped in thin plastic.

His mouth made an 'o' shape as he pulled himself from his small trance once again, beginning to slowly make his way over to the set up you've made. He placed his helmet down on the floor beside the chair.

After placing the canvas on the easel, you walked back over to where you'd gotten the canvas from before grabbing a heavily used sketchbook. It was a large one, the paper a light brown instead of white.

Leon had only just realized that there was a faint sound of some form of classical music playing from somewhere in the room, glancing around for speakers before looking back over at you.

"I'm not getting started today, we're a couple steps away from that, so don't worry about appearance just yet." You said softly with a breathy laugh, quickly making your way back over to where he stood next to the plush chair in your setup, his hand feeling over the worn maroon fabric.

Leon nodded silently, moving to sit down once you requested he did, furrowing his eyebrows as he watched you drag over a small table. You worked fast, that's for sure.

Eventually, you'd set up a little tabletop easel to sit on the table you'd dragged in front of him, grabbing your swivel chair to sit in as you placed your sketchbook on the easel, open to a blank page.

"I just need to get some basic ideas of your facial structure since that's most important when it comes to these kinds of paintings. You're gonna be wearing a nice tuxedo when I do the second- no, third sketch for the final painting, but this is just for me to get a feel for you and vise versa." You rambled quickly, pulling out a pencil from one of your pockets before fully sitting down on the chair, bringing your legs up to sit criss cross.

"Uh.. Alright..." Leon responded, clearing his throat a bit. He didn't really understand what you'd said, you spoke a little too fast for his tired brain to keep up, but it seemed like whatever you were doing was necessary so he just rolled with it.

He was left a little speechless again at how you just began sketching, glancing up to his face and down to the page you were working on over and over. "...do you need me to, I don't know, pose or something?"

The way you kept looking at him was making feel a little uneasy. Granted he's never been in this sort of situation before, this whole process was very unfamiliar to him.

"No, no. You can move your head around and stuff. Get comfortable." You waved off, eyes wrinkling as you smiled at him. Leon nodded again, deciding to take the opportunity to look around your workspace again.

It really was a cozy space. Full of color and life, even the curtains you had lining the windows offered so much pattern and detail to the room. The back of the room where the two of you sat was more cluttered with less decor, but the front of the room was a whole different story with those massive floor pillows, blankets of all sorts strewn about, that big fluffy looking area rug, it was all so... homey. It was even inspiring him to decorate his own house a bit.

The sound of your pencil scribbling on paper and the faint sound of the classical music playing was all Leon could hear for awhile, eventually letting out an anxious sigh before beginning to talk. "So... a painter, huh..?"

"Oh yeah, I've been doing this since I was little. Obviously I wasn't that good back then, but I really improved after high school." You immediately responded, voice a little louder than his. Clearly the topic excites you. "If you want, I can hand you one of my other sketchbooks to look at while I do my thing over here?"

Leon patted his hands against the arms of the chair before nodding to the side, pursing his lips slightly. "Mm, sure. Let's see what ya got.."

As soon as he agreed, you stood up and shuffled over to the corner of the room where some desks sat arranged in a makeshift cubicle. You opened a drawer and pulled out a couple sketchbooks, still as raggedy as the one you were using now.

Walking back over, you carefully handed them to him, which he slowly took after meeting your eyes for a brief moment.

Once you made your way back to your chair, he placed both sketchbooks into his lap, opening up the one on top first. The man flipped through them silently as you began to sketch him out again.

You'd zoned into your work, adding just a bit of shading to your sketches to help emphasis some features when Leon cleared his throat again. You leaned to the side to look at him, your smile quickly returning when you saw his baffled expression.

"These are... wow, okay, how old are you?" Leon asked, head jerking upwards to meet your gaze once more. You just giggled in response, using the pencil as a fidget before returning to sketching.

"Sorry-uh, I don't mean to come off as rude or anything, but to be honest, I was expecting you to be some old lady when I saw the portraits you've done." Leon was quick to try and explain, probably misinterpreting your lack of response for unease.

Your giggle turned to a small laugh, leaning to the side once more to look at the man. "Well, I'm glad I could surprise you a bit. Hopefully I don't look old."

Leon groaned and wiped his hand down his face. "Again, sorry. Didn't mean to imply." He shook his head and looked back down at the two sketchbooks sitting in his lap, continuing to flip through them.

It was only a couple hours until you decided you got a good enough feel for drawing his face. Grabbing the sketchbook, you stood up, pencil still in hand, looking down at the sketches you made as you slowly walked over to him.

The man noticed you standing up, quickly moving to close the sketchbooks you'd given him in favor of seeing your new sketches.

"I... I think this'll be enough today. I don't want to keep you too long." You said, handing him the sketchbook. Leon took it from you, careful not to smudge anything as he finally got to see what you've been doing for the past two hours.

He furrowed his eyebrows as he studied the sketches you'd made of his face, seeing all the different angles, even the smile, how'd you get his smile?

You seemed to grow nervous the longer he stared at your sketchbook in silence, his intense look making it seem as if he didn't really like them. "Are they... Are they okay?"

Leon jostled the sketchbook a bit in his hands before standing up, now towering over you as he kept his eyes on the paper. "Just okay? These are beyond amazing."

You let out a small breath you didn't notice you were holding, heat rushing to your cheeks as you smiled at his compliment. "Oh, thank you.. I'm sorry, normally sketches don't take this long but it was stressed to me that your portrait was very important so I wanted to get everything as perfect as I could.."

"Seriously, you're a mad woman if you think these wouldn't be good." Leon chuckled, handing the sketchbook back to you. He kept his eyes trained on you, even after you turned to look down and close the sketchbook. Only a fool would miss that blush on your cheeks, it looked good on you.

"Anyways, when should I come back for the next.. uh..." Leon paused, crossing his arms loosely as he struggled to think of the word.

Luckily, you finished the sentence for him. "Session. Again, this painting's importance was stressed to me a lot, so probably the next time you're available?" You talked while you shifted the small table back to where it had originally sat under one of the numerous windows, tossing the sketchbook down on the chair cushion.

"Alright, since it's importance has now been stressed to me as well, I can probably clear up some stuff in my schedule. How's tomorrow sound?" Obviously, Leon had a completely free schedule, but you didn't need to know that.

"Tomorrow works great! The sooner the better!" You laughed, placing a gentle hand on his bicep as you walked past him to grab a sticky note. "I'll give you my personal number, just let me know when you're thinking of coming over and I'll meet you here, okay?"

Leon looked at your number before pocketing the note, nodding his head with a smile of his own. "Sounds good. Same way out?" He pointed to the door that you brought him in through, bending down to pick up his motorcycle helmet right after.

You confirmed with a thumbs up, now drinking water from your water bottle as you'd forgotten too while focused on drawing. You felt bad for not offering him any water while he was here, but you won't forget next time.

The man gave you a curt wave before leaving the room, quietly shutting the door behind himself.

You had to admit, you've worked with a very small handful of agents since it takes a lot for them to earn their own portrait, but Leon Kennedy had to be the one of the most handsome men you've ever worked with. Maybe even one of the most handsome men you've ever seen.

Lucky you pay attention to detail, cause you definitely didn't see a ring on his finger.

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[trappedinafantasy37]

I went to a very old save of mine in which I knocked out Minthara in Act 1 and I talked to her again in the throne room. If you knocked her out, this is how she looks at you when she questions you:

She seems genuinely disturbed over your actions. Can you blame her? You were the one who knocked her out. You brought her harm for reasons that she cannot understand. She can understand someone killing her as that is what she expects of those around her. She will criticize your choice of sparing an enemy and showing mercy to someone you have greater reason to kill. Even though she has doubts about you, she shuts herself down, thinking she should be more grateful rather than doubtful of you.

You can tell her that you saw her as a potential ally, but she will call you a hypocrite as Gut and Ragzlin were not shown the same mercy, nor was any other True Soul.

You can even tell her, "You were simply too stubborn to die" as a means of trying to take any culpability off yourself. To try to turn the situation into a little jokey joke. However,

Minthara does not take it as a compliment and she knows you are full of shit. Even though you took the "good" path, she does not trust you.

Minthara understands mercy and even she believes some people are deserving of it. Sadly, she does not see herself as one of those people and is disturbed as to why you gave her mercy. There is no answer you can give her here that will make her trust you. She knows you went out of your way to spare her and only her, and that frightens her.

Remember, this is not the first time in which Minthara's entire army was killed right from underneath her and she was deliberately left as the sole survivor. Orin slaughtered all of her men in a blink of an eye, and Orin's "mercy" only brought her pain and torture. Later down the road, Minthara criticizes herself for not paying more attention to Orin when she first arrived at Moonrise. And so she is giving you a lot of attention, she is watching you, studying you, because she fears that you are going to hurt her the moment she takes her eye off you. Because you already have. Your "mercy" gave her a concussion, your deception had her found guilty of incompetence, and she was then subjected to even more torture by the Absolute in which she was given permanent brain damage. She is afraid that the only reason that you spared her, is because you want to torture her. Even when you show up in Moonrise and enter into her mind prison, she is expecting you to kill her and begs you do it quickly. She is not expecting mercy from you, only death. She is only in that predicament because of you. Why would she think for a single second that your mercy comes from a place of good intentions?

She knows fully well that she owes her life to you and that her life is entirely at your mercy, one you can revoke at any time. She doesn't trust you, she doesn't trust the rest of the companions, but she cannot leave nor walk away. There is no good way out of this for her and she's afraid of the cycle repeating. She is not going to make the same mistake again. Instead of her oath to you being from a place of affection, her oath to you comes from a place of fear.

[gothamite-rambler]

Jason after returning from the 'Batman who laughs' universe where Batman killed Joker and... Stuff unfolded.

Damian: Jason, how was the other world-

Jason hugged Damian tightly surprising the young boy who patted him on the back confused.

Damian (flatly): All right, confirmation I died there.

Jason pulled away and chuckled.

Jason: Not really, you were alive, but not yourself and terrifying. Not in a cool way either.

Damian: Oh... Okay well thank you for the hug then.

Bruce woke up having fallen asleep at his computer and went over to Jason.

Bruce: Jason how was-

Jason hugged Bruce as well. Bruce eyes shifted his eyes confused but quickly figured out what Jason saw.

Bruce: Right... I was evil in the spot you landed.

Jason: Mm-hm.

Bruce (smirking): By killing who?

Jason (chuckling annoyed): Just take the hug.

Bruce shrugged, patting Jason on the back and silently knowing he was right about never killing the Joker himself.

[necrotic-nephilim]

jealousy really is the driving force of DamiTim as a ship. love that for them. love how Tim has the Robin mantle ripped away from him and he has to suffer the jealousy of watching Dick and Damian bond. how possessive over Dick Tim can be, to have him stolen by Dick.

even more so though, is the jealousy from Damian. how on earth do you cope when you finally get to be Robin, a role you've convinced is your birthright, and no one really likes you? every prefers the Robin who came before you? Dick regularly reminds you that he can always go and call Tim back when you act out? like the complex Damian has over Tim is unreal. Tim, who was born with a silver spoon in his mouth and had everything handed to him his whole life. he never had to struggle or fight for his place like Damian did. Damian has spent his whole life fighting and proving himself, and yet he can't ever seem to truly claw the mantle of Robin away from Tim. even when Tim lets it go, becomes Red Robin, they seem to share it. Tim can slip back into the role of Robin whenever someone like Dick or Bruce need him to, because *he's* the Robin who they need. he's the Robin who was able to find Bruce. he's the Robin that Ra's wants an heir out of. he's the Robin who even Jason respects. in Damian's eyes, everything Damian has fought tooth and nail for, was handed to Tim.

so of course he's going to react to Tim with violence and aggression, especially after finding out Tim has contingency plans for him. no matter how much Damian proves himself, he's never going to be enough, especially not to Tim. and so his deep refusal to see Tim as family, to acknowledge Tim's legacy is all driven by such an angry jealousy. Tim understands aspects of Bruce's legacy that Damian doesn't, like the need to sweet talk and play nice with the elites of Gotham, even if they're corrupt. they exemplify different aspects of Robin, and the aspects that Tim exemplifies are the aspects that Damian knows he'll never fully understand and therefore holds such a deep contempt for. he wants to fight criminals, not play nice with politicians. Tim understands the side of Gotham that's utterly foreign to Damian. if anything, he represents that side of Gotham, to Damian. a pretty little rich boy who's nothing but a know-it-all and not a real son of Bruce. he can't be a Wayne. he can't be Damian's family.

and all of that angry jealousy leading to unhealthy obsession turned a weird, angry crush from Damian is just my bread and butter. that is how DamiTim should be. to me. Damian obsessed over hating Tim Drake so much he accidentally ends up sort of in love with him and that only makes Damian angrier. because he can't prove everyone right by *also* liking Tim. he can't let Ra's win like that, because frankly why wouldn't Ra's be delighted by Damian and Tim getting together. and it builds and builds with angry passive aggression towards Tim that culminates in angry hate-fucking-that's-not-just-driven-by-hate. love and hate are always viewed as opposites in shipping and i think they're the same intense passion just in different directions. and for the best ships, they're very intertwined. what is DamiTim is not the peak of that. "i put so much of myself into hating you i had no choice but to fall in love with you somewhere along the way" core. love that bleeds into hate and hate that bleeds into love. "you make me so angry i regularly passively try to kill you but not with any real effort because who would i obsess over if you were actually gone" core. murder attempts as a form of courting. contingency plans to take each other out as a love language. they're unwell.

[blood-orange-juice]

It's been more than two years since Inazuma and I'm finally starting to appreciate Yae.

I think what threw me off was thinking of her as a trickster (although she is one as well) and what helped was thinking of her in terms of DnD alignments.

Yae is chaotic evil, and I don't mean it in a judgmental way, only in the way that her "meanness" is not a funny quirk, it's pretty much core to her character.

She's openly sadistic and she only does things for her own entertainment. She only behaves because of Ei, that beautiful trope of a fox falling in love with someone principled. Wrecking too much chaos would upset Ei so she plays nice.

Also I'm not even sure she's good influence on Ei most of the time. Evil fox advisor/courtesan is a Trope.

At the same time she's innocent in the way all yokai are innocent. She loves power in such self-gratuitous way, but she also loves mysteries of the universe and she's one of them.

I hate her. She's precious to me.

She also has the prettiest love confession I've ever seen.

"Let me tell you all that has happened over the last few centuries. [...] It will probably take me another few centuries to relay it to you."

We "liberated" Inazuma and left it with a lovely duo of a lawful evil ruler with a chaotic evil advisor/lover. Yay. The Traveler is a nice person indeed.

[dare-to-dm]

One criticism I saw about Dragon Age Veilguard was that everything in the game was kind of sanitized compared to past titles, making for overall weaker and less impactful writing.

And I would agree that Veilguard feels more "family friendly", which comes with both pros and cons. There's definitely a thoughtful critique to be made.

But the specific example used in this post was the Lords of Fortune and how they have scholarly experts examine their acquisitions to avoid stealing objects of significance from other cultures. And how this effort to avoid being problematic makes the entire faction seem more shallowly presented.

I think that ignores the fact that the Lords of Faction is led by Isabela. Isabela, who in Dragon Age 2 stole the Tomb of Koslun not really realizing what its value was to the Qunari people. Her ignorance directly led to so much conflict and literally hundreds of deaths in Kirkwall. It makes perfect character and narrative sense for her to have learned from the experience and to take pains not to repeat that kind of mistake in the future.

Isabela was always the kind of person who wants to make money with a minimum of effort and have fun. But even in her more selfish days, she never wanted to hurt vulnerable people to do it. I think her relationships with Hawke and Merrill helped her grow into a more thoughtful person, and the way she runs the Lords of Fortune is a reflection of that. It actually makes perfect sense.

[starry-bi-sky]

"Stillborn? No, still born" Danyal au -- VLAD MASTERS THE BITCH HIMSELF

*Points at Vlad* THIS MFER GOT SOME TEEFS TO HIM. !! Okay okay, Vlad Masters in the stillborn au is different compared to most of my other aus in the fact that I am far more heavily leaning into his original ambitions of wanting a family and being desperately lonely. Because you know what wanting a family implies? Wanting to be a parent.

Fucked up father figure that could've been Vlad. Complicated love-hate relationship between the only two halfas in existence.

Danny hates Vlad, but he hates even more that he's genuinely considered his offers of mentorship. Vlad is the only halfa around, and they both have fire cores. Danny has these powers he doesn't understand, can barely comprehend some days, and can't control. But Vlad does. Vlad can. And Vlad wants to help him. He's the only other person who can get close whenever Danny runs too hot. Whenever his igneous hair cracks, splits, and spits back out into magma and his friends can't get close, Vlad can.

His hair is made of magma, which runs so hot that people need specialized suits in order to get near it. He physically cannot get close to the living as a ghost unless he's calm enough for his hair to cool into igneous rock. Which isn't as often as he would like. And sometimes he's too hot for other ghosts to get near unless they have fire cores -- which Vlad has.

There have been many times when Danny's having a meltdown (literally) and gone somewhere to be alone, to let his anger and hurt and loneliness overflow and spill out, that when he's come back to, Vlad's right there with him as an anchor. It's desperately frustrating, it's the only time they can get along. They don't say anything, Danny just turns and clings onto the only person he can touch as a ghost.

Its not fair. Vlad wants to kill his foster dad, and Danny can't let him do that. But he wants to be trained by the man, he wants his help and wants what he can offer. But Vlad can't step away from his revenge long enough to let him. It's just not fair. He thinks for a moment that maybe it could work, and then Vlad does something to remind him that no, it can't.

Vlad Masters sees too much of himself in Daniel Brown -- from the way he holds himself, to the defenses he puts up, his quiet anger that builds and builds and builds until it explodes. That simmers beneath his skin. All the way down to the fact that they have matching cores. This boy is cut from the same cloth as him, and by god does he want to help him. He's always wanted to be a father, and Daniel Brown is too much like him for him to ignore. He genuinely, truly cares about Danny and his wellbeing.

He wants to help him, child just let him help you. Let him kill your foster dad so he can adopt you himself and help with these powers that terrify and intrigue you -- he knows what that's like to have something that you can't control, to have a heat that you can't cool down from. "We're in the same boat you and I, let him help you please."

But his methods are all wrong, and Danny is too much like him -- stubbornness and all -- for him to agree when they oppose each other so greatly. But again, Danny is much like him -- which means that Vlad is equally stubborn, and in every single one of their fights he's parental. He's annoyingly parental. He drops his interest in Maddie to focus his efforts in trying to coax Danny onto his side. It's like trying to get a traumatized cat to trust you, and on some levels it works. It's like he makes some progress, and then moves too quickly and the cat immediately runs off and you have to start back from square one.

TL:DR; Vlad and Danny both want to find family in each other but they're too different to get along and ultimately they are doomed by the narrative to be at constant odds with one another unless one of them is changes, and it doesn't matter who.

[uncanny-tranny]

Two things that exist in the same space at the same time:

Trans men, transmasculine people, and those in between by and large don't transition "just because of" misogyny and the attempt to deny our experiencess and whittle them down to a very narrow vision of transness is transphobic

Misogyny is still an axis of oppression that trans men, transmasculine people, and those in between can experience. Deny us the language to describe this helps nobody, and the implication that we must either be women to describe the bigotries we face or just shut up about them is just a defense of both misogyny and transphobia

[fairyroses]

He was about to kill you, Lex. Or divulge something you didn't want me to know.

— SMALLVILLE, "Forever" (4.21)

+ bonus from "Arctic" (7.20):