#does this make you happy

[eddynbetty]

Bring Me The Horizon

LA 7.3.23

BMO Stadium

[inkskinned]

she's singing in another room and my dog is asleep at my feet. my grandma asked me why i haven't found a man yet and i laughed. oh, you know. i like my house clean.

my girlfriend is also my man is also "my partner" if i'm in a professional setting. yesterday we went to a ren faire and a man mimed at me - you're together? and at my delighted nod, his baffled, you're gay? made me laugh. a woman with rainbow hair said i love the two of you together. you're both so beautiful it's absurd.

my dad introduced my partner as my "..... friend. or whatever" the other day. he knows we're dating. in the same way, i was never able to get my sister's husband to stop saying that's gay like it's 2008. he still uses the word fa***t, and my sister's defense of him has always been well, he's just kidding.

my lover and i dance to old music in a tiny kitchen. we judge new music together and take food critique very seriously. we watch love is blind before we fall asleep and agree that if they had a queer season, it would be bloody but also make for excellent tv. of fucking course queer people would know someone for only 2 weeks and agree to get married. what are you saying.

at a bar with friends, a man puts his hand on my wrist. got a boyfriend? and yes, i do have a boyfriend, she's amazing. i am texting her while i wander around a gas station named after geese. i am visiting a swing state for a wedding. in the candy aisle i overhear: she's actually like a lesbian it's disgusting. two teenage girls with packaged sandwiches in their hands, giggling. no literally, like. i'm not, like. okay with her being there while we're all, like, naked and changing.

my girlfriend and i tailgate, drink gin and cider out of cups. from the frat group beside us, a man corrects himself with one of his friends: bro, i mean, nonbinary entity, and it makes everyone around him laugh, myself included. he razzes his friend the same way i would have killed for at 19 years old - like nothing happened, he continues: you apply sunscreen like an alien. he does a little sassy (and fairly accurate) dance interpretation of the motion. his friend is laughing so hard they're crying.

i am lucky, i live in a safe neighborhood in a safe state. my masc passenger princess comes up from DC. i drive her for an hour to where all the leaves are a violent arrangement of color. we walk along the trails, letting autumn into our blood. in this part of the state, there's a lot of pickup trucks and trump signs. when we chastely kiss before getting into the car, i accidentally make eye contact with a woman holding her child's wrist. she looks disgusted. she looks fucking pissed.

two hours later my girl and i are eating dinner on a patio, soaking in the last warmth of new england sun before the chill of winter sets in. we are giggling and trying to talk through plastic vampire teeth. at another table, i see a young woman sit up straighter. i watch her watch us. she blushes and takes her partner's hand from across the table. shy, like the taste of evening has just become something deeper.

it's worth it for this moment, i think. my lover is still humming the same song she's been singing for four days straight and i don't want to kill her for it. her guitar is beside my bed. her toothbrush is in my bathroom. in a few moments i will make us lunch. we are lucky enough to have found each other. it is lucky enough to be in love.

[doomedclockworkdotmp3]

his therapist woulda had a field day at their next appointment

[hinamie]

ṇ̵̛̱͌̅̃͛̔o̴̮̓̀͂́̃_̴̛̲́s̷͈̋̈́̄̋͠ị̶͔̗̐͐̐̒̕g̵̛̱̘̣̑͂ņ̴̰͔̘͇̏̒̓̇͠͝a̸̜̥̩̭͋̌ḷ̶͔̖͗͋͛͛̃͆

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[improvapocalyps]

You have 90 minutes to complete. (original poem: r.a.)

In participation of the MCYT Recursive Exchange 2024 hosted by @mcytrecursive!

Inspired by know that all my love will be your breath (i will save you when your lights go out)

[text under cut]

1. Have you ever been in love? (Please circle your answer.) a. It's me and him b. Our hearts beat in sync c. Our lives intertwined

2. Do you understand what you’ve done? (Please circle your answer.) a. I couldn't do anything b. I lost my balance c. I doomed us both

3. It's been god knows how long since you felt phantom hands on your neck and there is no one in sight. If you were soul-bound to him and both of you died at the same time then why are you still waiting in the void? Please answer clearly, in full sentences. (Not a correct answer：I just wanted to see him one more time).

4. Define two (2)： Fate | The feeling of his forehead against yours Curse | The moment you realise he isn't linked to you anymore

5. True or False： i. It was your fault. ii. You wish you had met him under different circumstances. iii. You can’t regret a single moment that you had him. iv. You would do it all over again if you could. v. It ended long before either of you said anything.

thumbnails:

sketch cover thing for imgur link:

[poorly-drawn-mdzs]

Conceal, don't feel, don't let it show.

[First] Prev <–-> Next

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[d0x13l0v3r]

@immenselyirritated us fr 😍😍😍

reblog if you and your closest moot are besties. like “i could always rely on you”. like “you could always rely on me”. like you could almost say we’re a team, a group. group of the two of us-

[ravenpureforever]

On one hand, Young Justice is kind of neglected by the actual superheroes that should be looking out for them in a lot of crucial ways and very much failed by the adults around them

But on the other hand Red Tornado straight up hosts a parent-teacher conference where their respective legal guardians all show up, barring Batman who’s in traffic so Nightwing fills in instead because Robin’s dad does not know he’s a vigilante which is objectively hilarious

[eowynstwin]

peristalsis - ii.

selkie!soap x reader. depression. suicidal ideation. strangers to "lovers." . Running away from life to the Scottish Hebrides, you meet a man who won't leave you alone. . Masterlist. Ao3.

previous

You sleep long enough that, when you wake up, you have enough energy to cry.

It’s a big one. The kind of cry that threatens to turn your throat out, with how hard you sob. Alone in the cottage, far away from anything resembling civilization, you wail like wounded animal, choking on your own tears and mucus, losing track of your body buried underneath the covers—

But it happens at a remove. You watch yourself implode from someplace deep inside, not entirely sure why it’s happening at all—but long past trying to figure it out.

This is how it’s been for a while. There’s nothing special about it anymore. Nothing urgent. Most of the time, you are a blank space of a person, a vacuum where joy or rage or fear should be, but occasionally some maelstrom or another kicks up to fill it in, and your only course of action is to ride it out until it ends.

You’ve stopped trying to fix it. And you’ve stopped hoping anyone else can, either.

So you cry, until at last, you’re empty again. Or you’re too tired to continue. The difference is negligible, but functionally irrelevant. Once it’s done, you get out of bed.

The pressure in the shower is as weak as Johnny reported, but the water is indeed warm when you turn it on; you stand naked under the flow, arms hanging at your sides.

The day stretches itself out before you with nothing to occupying it, just as you’d planned. Nothing to work towards; no effort to put forward. Nothing, thanks to your choice of locale, to feel guilty about not seeking out.

A day of peace and utter quiet.

Suddenly—violent banging, somewhere in the cottage. It startles you; you jump so sharply at the noise that you smack your wrist on the soap caddy attached to the shower wall. The banging comes again—annoyed, you realize with no little bemusement that someone is at the front door.

You wrap yourself in a towel and hobble out of the bathroom to answer it, a piece of your mind on your tongue, dart-shaped and ready to fly—

Of course it’s Johnny.

Johnny, big and burly in a sweater, kilt, and pelt once again, two paper cups balanced in one large hand and a grocery bag hanging from the other. Whose dark brows shoot up his forehead as his eyes travel with surprise, and blatant appreciation, down the dripping length your body.

“Well, good mornin’, bonnie,” he purrs.

“What,” you grunt. A cold breath of wind chooses that moment to force its way through the door, gasping across the shower water still running in rivulets from your hair to the rolled edge of your towel. Goosebumps erupt from your bare skin in millions of simultaneous pinpricks—you flinch bodily at the chill.

“Ah, hell’s bells, don’t just stand there,” Johnny says, following the wind. “It’s freezin,’ go on, let me get in, hurry.”

You let him step inside, for some reason, and he shuts the door behind him with the heel of his boot. He wastes no time after that, heading to the kitchen to set down his things.

“Brought breakfast!” he says cheerfully. “There’s this bakery on Barra I thought you’d like, fresh doughnuts and coffee. Dunno how you take yours, but there’s sugar in the pantry and cream in the fridge.”

“I don��t want breakfast,” you say.

“What? ‘Course you do. I’m no’ takin’ you seal-watchin’ on an empty stomach.”

He starts unpacking the grocery bag and setting things on the counter while your jaw hangs open. Several things occur to you to say—I never agreed to that and what the hell is wrong with you, for starters—but your stomach growls at him before you can. The aroma of fresh-baked pastry wafts through the kitchen when he opens one box, and he turns to grin at you, cheeks dimpling.

“Do you get dressed, bonnie,” he says. “It’ll still be here when y’get back.”

It is less polite than he perhaps intends it to be, given that his gaze travels appreciatively across your bare shoulders. You cross your arms fruitlessly over your chest and, nothing else for it, retreat to the bedroom, feeling his eyes on you the whole way.

You return to the kitchen after having pulled on wool leggings and the same fleecy sweater from the day before. Johnny, one hip set against the counter, has a cup of steaming coffee in one hand and a half-eaten cruller in the other, crumbs at the corner of his mouth.

“Got anythin’ heavier?” he asks around a chewed-up mouthful. “Gets cold out there.”

You look down at his bare calves, broad and taut and covered in a down of dark hair. “You seem alright.”

“I’m used to it,” he says, shrugging—the muscles flexing under your gaze.

You purse your lips. “I don’t have anything.” You hadn’t intended to leave the cottage overmuch.

You approach the counter. Johnny does not move a centimeter, forcing you to stand close as you pick through the two boxes of doughnuts and feel the body heat radiating off of him, displacing the scent of fried dough with his musk.

“That’s all right,” he says. You’re close enough to hear the way his voice hums deep in his chest. “I can keep you warm.”

You snatch a plain glazed from the box and take two very large steps away from him. The hair on the back of your neck lifts as you press against the sink behind you. If he notices your reaction, it doesn’t seem to bother him in the slightest—he lifts the cup to his lips and drinks, eyes sliding closed with simple, obvious pleasure, dark lashes curling against his cheek.

You take the brief respite from his gaze to stare at him. In the morning light, on a full night of sleep, you can almost believe that whatever you’d seen in him yesterday had been nothing more than a misfire of exhausted synapses. An overlay of a dream; a circadian prompt to rectify nearly seventeen hours of sleeplessness. You’d been cold, and tired, and hungry. That was all.

You bite down on your doughnut, not really tasting it. The nerves along your spine twitch and contract around the memory of his flashing gaze.

His eyes open again, and he smiles at you. “Good?” He flicks a look at the single bite you’ve taken, looks at your mouth, and then waits for your reply.

“It’s fine,” you grumble. Then, “How did you get here? I didn’t hear the truck drive up. Do you live close by?”

“Sometimes,” he says. He looks pleased that you’ve asked, that you’re interested at all, and you immediately regret inquiring. “Live on a boat, me. Moored in the cove right now.”

“A…boat,” you say.

“Aye.” A wisp of dark hair, something he must have missed when he gelled his mohawk this morning, flutters as he nods. “Nice and cozy. Not as grand as all this, mind.” He gestures around with coffee and doughnut at the less than five hundred square feet of the cottage. “But it’s still a sight nicer than some other places I’ve slept.”

He’s likely hinting at his military service. “Okay,” is all you say, unwilling to entertain it.

He smirk—undeterred. “We’ll take her out once you’re ready.”

“I never said I was going.”

Dark brows lift. “Got somethin’ else planned for today?” he asks, incredulous, as if he never imagined you wouldn’t want to hang out with him.

“No, I—”

You wrack your brain. You have no intention of explaining to this complete stranger that the last thing you’d wanted to do, when you booked this trip, was really anything at all—and in fact, you hadn’t even considered that that might be something anyone else would care much about.

Much less proactively address.

“No,” you repeat, sulking.

Johnny considers you, chewing. His eyes do not stray, this time, to places they don’t belong; but there’s an insight to them. A sharp awareness. A perception in his gaze that is just as undressing, as if whatever is going on with you is visible to the naked eye.

“I figure,” he says, slowly, as if to coax, “you put your wee shoes on, an’ I’ll pack this back up, and we take it along.”

“You don’t have to do this,” you grouse. “I don’t need you to, like—be my tour guide.”

“Aye, but that doesnae mean I don’t wanna,” he retorts, smiling.

He shoves the last bite of cruller in his mouth and gazes patiently at you as he works it with his jaw, the muscles flexing along his temples as he chews.

Exhaustion, your constant companion, stares you down alongside him. It would take so much more energy to fight him than to go along with whatever he has planned. Energy you just don’t have anymore. And going along doesn’t mean you have to pretend to enjoy yourself—it’s not like you care enough about Johnny’s self-esteem to conjure up a happy face to show him.

You can go, and be a bitch about it, and once you do maybe he’ll realize you’re not at all worth the effort he’s making, and then finally leave you alone.

“Fine,” you say, which is how you end up on a fishing trawler headed south toward, ostensibly, a colony of breeding seals.

It’s an old vessel—that much is obvious. Its edges and corners are dull with the passage of time and constant maintenance, scuffed by innumerable passes-over with cleaner and cloth. Mildew competes with the aroma of fresh varnish as Johnny leads you onto the bridge, which is mercifully closed in from the ocean wind.

The interior is mostly wood of a warm, orangish variety—you can’t tell if that’s a decision made with aesthetics or function in mind. The space comprises a kitchen, surprisingly well-appointed with a stove, sink, countertop, and fridge, and a small sitting area with both couch and booth seating. Surrounding windows allow in the grey light of the morning.

“Bought it off an old bloke on Lewis,” Johnny says, taking his place at the wheel, which is in a little alcove off the kitchen.

If you’d thought steering a boat would have curtailed his chatting, you’d have been wrong—he seems to have no trouble with that and talking, incessantly, at the same time, as he pulls the vessel away from the cove and into the open water.

“All his family moved to the mainland, he told me, an’ this is after generations fishin’ these islands, even makin’ it through the Clearances! No money in it anymore, he said, not like you could make in some office somewhere countin’ someone else’s money.” He checks something on the dashboard in front of him, but it doesn’t distract him for long. “Held on for a while, but people just kept leavin,’ an’ he was gettin’ too old to go out on his own. Got such a good price on it, I think he was just happy someone else was gonna take up the tradition.”

“Did he sell you the cottage too?” you ask, and then dig your nails into your wrist for encouraging him.

“Yup,” he says. “No one else wanted it, but me? I saw somethin’ special about it.”

He turns to smile at you—no doubt pleased you made the connection. You avert your gaze.

“Imagine someday I’ll have my own family here,” he continues. “Good place for it. Nice and slow, not like city living. Can hear yourself think out here. Perfect place to have a few wee ones.”

“If people stop leaving,” you mutter.

He turns to you again. “I’m no’ worried about that,” he replies. He’s still smiling. “You came here, after all.”

You have nothing to say to that.

The trip is a short one—Johnny brings the trawler alongside an island he informs you is called Mingulay, a square mile smaller than Vatersay’s tiny dot in the North Atlantic. Unlike the latter, he says, this island has not been inhabited since 1912, and has been completely reclaimed by the ocean and its wildlife.

After he drops anchor offshore, Johnny disappears down a steep flight of stairs below deck, which he had not offered a tour of, and emerges a short time later with a large, bulky coat.

“Didn’t I tell you?” he says proudly, holding it out by the shoulders. “Here, turn ‘round.”

You pause in the middle of reaching for it. You don’t know exactly why you comply—it occurs to you that if you grabbed for the jacket, he could simply not let go of it, and you would end up exactly where he wants you anyway. So you lower your arm and, resigned, give him your back.

He steps up behind you. Warmth pours off of him, more than you think any human body should be able to generate.

You hear him inhale, deeply, as he brings the jacket to your back. As you slide your arms into the sleeves, you feel his exhale on the nape of your neck, teasing through individual follicles of hair.

“There w’go,” he murmurs, much closer than you expected.

You can hear the low hum of his voice in his chest; his hands linger on your shoulders far longer than they need to, heavy, big enough that his index fingers brush along your collarbones.

When his hands make to slide down your back you step away from him and fumble to zip the jacket up; he chuckles lightly behind you. When you turn to face him, his lips are curled—smug.

“Alright then,” he says. “Let’s get out there.”

He rows the two of you to shore in a small kayak, two pairs of binoculars in your lap as you huddle away from the wind. You’ll be walking to the haul-out, he says—getting too close to the breeding grounds, which he calls a rookery, would spook them, possibly causing a stampede.

“It’s grey seals we’re gonna see,” he explains as the two of you pick your way across the rocky landscape. “Not the biggest haul-out you could see, some colonies get into the thousands, but we’ll have it all to ourselves.”

He insists on taking your elbow every time the two of you cross particularly uneven terrain, even though you don’t need it. You think he takes your attempts to shake him off as proof of your lack of balance, because he grasps you all the tighter every time.

“I’m not a child, Johnny, I can walk on my own,” you finally snap at him.

“Just bein’ a gentleman, bonnie,” he replies nonchalantly. He does not let you go.

As you get closer, you hear the seals before you see them, and when their voices reach you across the open island, you stop dead.

Groaning, grunting, hissing in a cacophonous chorus. Some part of your hindbrain double-takes, reshuffles itself—some ancestral instinct always on the lookout for predation. If you’d been given a chance to guess what a colony of mating seals might have sounded like, you’re not sure you could have guessed what they sounded like.

Certainly not like what you hear now—

Like people.

Johnny grins at you when he notices. “Aye, it’s a right ruckus, innit?”

He leads you up a small rise, where he has the two of you settle belly-down over the machair to overlook the wedge of rocky coast that the colony has claimed for its own.

And when you finally see it—it’s underwhelming.

Perhaps two hundred long, fat bodies, in varying shades of brown and grey, lay indolently along the rocks, in groups of three or four, some heavily galumphing from one place to another while others roll occasionally from side to side. The shifting winds catch their scent and blow it uncaringly into your face; you nearly gag at the admixture of dead fish and ammonia.

It doesn’t escape you that this is a rare thing to witness; you are not wholly immune to the fact that you are only a hundred meters away from something most people only encounter on a screen. It’s just that without a swell of awed music in the backdrop, or a narrator’s breathless wonder at the miracle of pinniped life, what’s left for you to observe is a population of wet, stinking animals, shitting where they lay, vocalizing without cease while they laze about doing basically nothing.

Johnny does not seem to notice your disillusionment; he hands you one pair of binoculars, and directs your attention to activity along the shoreline. You follow to where he’s pointing; one larger seal is hassling a smaller one, which snarls at the aggressor as it thrashes around with its substantial bulk.

“Little one there—” Johnny says, “that’s a female, probably obvious. Big one knows she’s ready to mate, can smell it on her.”

The female bares her teeth and lunges at the bigger male, which flinches back but holds his ground.

“Doesn’t look like she agrees,” you mutter.

“She’s just givin’ him a hard time. She’s all in heat, see? Just makes her cranky,” Johnny says. You feel his eyes on you, and lower your binoculars to look at him. “She’s got to fight to feel all in control.”

You flush. “Right.”

“You don’t think so?”

“No,” you say. “He’s—he’s just bothering her.”

He gazes at you for a moment, contemplative. Corners of his mouth quirking upward. He does not reply for a long moment, long enough that you have to avert your gaze from his.

“Nah,” he finally says, and you don’t think you’re imagining the low, sultry note in his voice. “She wants it bad as he does.”

You scowl, uncomfortably perceived, and return your binoculars—the pair is still facing off, gurgling and growling at each other. The female is slim, almost sleek, unlike most of the other seals populating the rookery.

“Is she sick?” you ask.

“Hm? Oh, no, she’s alright. The mums lose a lot of weight when they nurse. Takes three weeks, and they don’t eat in the meantime.”

“Jesus.”

“Be nice if the dads ever brought ‘em a bite, aye?” Johnny agrees. “Deadbeats, the lot of them.”

The two of you survey the colony in silence for a moment. As the morning wears on, the cloud covering thins overhead, allowing cool sunlight to filter through. The temperature doesn’t rise in response; begrudgingly, you tug Johnny’s jacket a little tighter around you.

Then, suddenly, his hand lands on your back, between your shoulder blades.

“Got some pups over there,” he says. “Look, by the kelp.”

You find them; smaller bodies, white dinged with wet sand and dirt, lounge near their mothers or wriggle with aimless difficulty. They’re fluffy and round as plush toys, with shining black eyes and noses, and once Johnny’s pointed them out you can differentiate the higher, sweeter pitch of their cries from the overall cacophony.

“Sometimes,” Johnny murmurs, “search and rescue’ll get called out because someone thought they heard a baby crying. Some kid stranded or lost, right? Turns out to be a baby seal.”

“That’s kind of scary,” you say.

“Aye,” says Johnny. “Always makes me think that’s where the old legends come from, about seal people or mermaids.”

A small ways away, some of the mothers lay with their pups far into the surf, letting the waves break over them. You watch as one mother thunks her large head overtop of her pup’s as the water rushes toward them; the pup wriggles, and then, as the wave engulfs them, it begins to thrash, whipping up a panicked froth.

“Time for swimming lessons already?” Johnny muses. “Seems early.”

You’re horrified. “She’s going to drown it!”

The hand still on your back pats you consolingly. “Just watch,” says Johnny.

The wave reaches as far up the shore as gravity allows, and then begins to recede. The pup’s thrashing calms as the air meets its face once again; the cow allows the pup to lift its head, and after a few sputters, the pup seems no worse for wear.

“They’re hardier than they look, bonnie,” Johnny says.

His hand, heavy and warm even over his borrowed jacket, slides down from your shoulders to your lower back, and then he rubs, slowly, side to side, as if to comfort you—but the knobs of your spine contract at his touch.

“Last of the births this season, looks like,” he says. “Mum’s getting ready to leave—probably not the only one.”

Something hard drops into your stomach.

“They leave their babies?” you ask.

“Aye. Once they’re done nursing, they mate, and then they go.”

You look back at the other cows with their pups. One baby has its muzzle to its mother’s belly, quivering and suckling, while she lays with her head on a patch of grass. She looks uninterested—more, she looks disinterested. As if how voraciously her pup is nursing has nothing much to do with her, and she’s bored of even having to think about it.

Bored—and already looking forward to the next part of her life without a baby in it.

“That’s horrible,” you say.

“They’re solitary animals, bonnie,” Johnny says, not ungently. “The only time they’re really all together is for this.”

A line tightens between your stomach and throat, and you feel it start to build between your ribs. A tremor—foreshocks. The wind picks up, bringing a sharp chill off the ocean and up the rise that cuts into your stinging eyes, abrades the naked skin of your hands and the exposed part of your neck.

When you look through your binoculars again, you wonder how many of the pups you see have already been abandoned.

“Aw, bonnie,” Johnny says. There’s a kind of pity in his voice that has your hackles raising.

“I want to leave,” you say, yanking away from his touch and shuffling down the incline. “Take me back to the cottage.”

“Bonnie, it’s okay!” Johnny protests, rolling to his back to look at you as you stand. “The pups make it, they figure out how to fend for themselves.”

You glare at him, vision blurring. “All of them?”

Some part of you knows you’re being irrational—knows that nature is a cruel home, and that many children face worse fates than the seal pups. Abandoning the young, the needy, is no aberration; it is, in fact, far more the standard than the human practice, which lingers for decades—

Most of the time.

Johnny has no response. He holds your angry gaze, brows drawn low, mouth pressed into a thin line. It’s the first time that cocky aura, which seems to rest in every fine line on his face and every angle at which he holds his body, is completely absent.

He isn’t reflecting your anger back at you, though—he’s internalizing it. Letting it hit him, you think, and trying to use it to figure you out.

You do not want to be figured out.

You scoff again. “Take me back,” you repeat, and then you start walking in the direction you came, without waiting for him to follow.

Johnny drops you off in the cove, and thankfully does not linger this time before he departs—he bids you farewell after rowing you to shore, contemplation on his face, and then leaves you to yourself.

You retreat, seeking the cottage’s empty quiet.

As you perch on the couch you listen to the radiator hum—the wind blow over the reeds in the thatch roof—your own heart beating a drum in the arteries of your neck.

Percussive. Quick and hard. Like heavy knockers on a door. Pounding as if to burst through.

You realize you’re still wearing Johnny’s jacket, and you throw it off, disgusted with yourself. You get up and pace, and try to ignore it lying in a heap on the floor.

You do something you swore you wouldn’t do the moment you set foot on the island—you turn your phone back on.

True to Johnny’s word, there’s no signal. You picked this island, this part of the world, for a reason; for the past several years, a slow exodus from the British isles has vacated the need for dedicated cell towers or satellite or internet access, especially given that the only ones who remain are too old now to want it or need it or know how to use it.

It’s isolated. Cut off. Left behind by anyone with better options, and only clung to by those trying to preserve the only way of life they know.

Some kinder part of you belongs with that demographic; the part that was telling your mother the truth, before getting on the plane.

The rest of you holds your phone up and starts walking around.

In the furthest corner in the bedroom, you find a single bar of signal. A tiny chip of connectivity—a thin, frayed thread. Something you lied to yourself about cutting.

It’s a weak connection. Unstable. It could take a while—you stand there, waiting.

The screen dims. You tap it again.

Blank.

You unlock it, look through your apps. Wonder if maybe your notifications are bugged by your new SIM card.

Nothing—

No one.

You whip around and, with a cry, pitch the thing at the far wall—it hits the stone with a crunch, falling to the floor in pieces.

You’re out of the cottage then in a mad dash, door slamming behind you, driving yourself back into the wind. Far away—you want to be far away, far from everything, so far that nothing could possibly reach you. You trudge down the path toward the beach, banding your arms across your chest, shivering in the cold, and yet you hardly feel it.

Not worth it. No point. Waste of your time. Energy. All of it. Stop trying. Stop wanting. Nothing. Nothing. You want nothing.

You’re halfway down to the shore, not really knowing what you’re going to do when you get there, when you catch sight of a body on the sand.

You gasp, a sharp breath down your larynx, and freeze in a dead halt.

The body is completely still.

A swimmer? A diver? It’s dark, like it just pulled itself out of the ocean—or washed up—

Then, it moves. A twitch, a ripple across its bulk, and your chest rapidly decompresses.

A seal. It’s a large seal, lounging alone on the beach.

You stand motionless. You’re very close—much closer than you and Johnny had been at the rookery. You hadn’t contended with the sheer size of the animals, tucked safely up and away from them, but there is no illusion of distance now.

It’s the biggest one you’ve seen today, you’re sure of it. Bigger, you think, than most adult men. Its pelt is a riot of every shade of grey, splashy, like liquid paint thrown across a canvas. Black speckles scatter overtop of marbled white and cool slate, and down the center of its back is a broad, dark line, soft at the edges, which reaches all the way up to the top of the seal’s head.

The bull—it must be male—turns over. It lifts its head, and opens its eyes—

Fear suddenly zips up your spine as it looks right at you.

You stumble backward and trip on your own feet, landing hard on your ass. Johnny’s care with keeping enough distance from the colony rushes back to you, along with the warring couple’s bared teeth.

They can’t move that fast on land, right? They aren’t interested in people, right?

You scramble backward. It’s so much bigger than you ever would have imagined. If it got to you—threw itself over you—it could crush you with its weight alone—

The bull watches you placidly. Unperturbed.

You pause.

Its small eyes are dark and glossy—watchful and focused. The whiskers on its muzzle twitch a little as it takes you in. It breathes, deeply and evenly, huge body expanding and contracting at a slow, calm tempo. Its—his—nostrils flex, widening and narrowing, as he blinks docilely.

Unafraid.

If anything—curious.

Then he snorts, and wriggles in place. It startles a laugh out of you, more reaction than humor. Still watching you, the bull lowers his head back down, resting it again on the sand.

Your heartbeat abates. He doesn’t move again—nor does his attention leave you. Slowly, you sit up.

Wary. No sudden movements.

He doesn’t react; only continues to watch you.

You draw your knees up. Wrap your arms around your shins, and dust a bit of sand from your leggings. Rest your chin in the crevice between your knees.

There’s an intelligence in the bull’s eyes that is fathoms deep. There is a massive gulf between his experience of the world and yours, millennia of evolution separating your species from his—and yet…as you hold his gaze, you recognize the look in it.

Him, seeing you. And seeing you see him. The pendulum swinging between awareness of each other, and recognition of that shared awareness.

An empty space in the cloud cover passes overhead; sunlight touches the earth, warms it briefly before disappearing again. You wonder a little why this bull isn’t with the other seals.

Johnny would probably know.

“I didn’t come for you, you know,” you grumble at him.

The seal blinks. Awareness notwithstanding, you don’t share any language.

You sigh. “I guess you didn’t come to see me either,” you say.

But you don’t move away.

And you stay like that for a long while, you and he—regarding each other as the wind breathes out across the shore.

next

a/n: follow for more seal facts™

Also huge thanks to Lev for trawler listings/info. Didn't explore it much this chapter but Soap's boat will show up more soon :)

[youvebeengalindafied]

Wicked (musical/movie) was really like “here’s a drop-dead gorgeous perfect beautiful young woman with super high cheekbones, dark dangerous eyes, and waist-length raven-black hair, who has a biting wit, is very passionate about everything, stands up against a fascist govt, wears a midnight-black homemade corseted dress that sweeps along the floor, and becomes really really hot when she goes a little crazy….. and everybody hates her because she’s green.”

[dollopole]

There’s something so sweet about this scene. Not only Arthur is surrounded by his knights, his friends, he still can’t seem to forget there’s someone missing.

And the way he approaches Merlin is nothing funny or sarcastic: it’s pure concern, it’s love, it’s respect.

Merlin admits he’s scared, without thinking about it twice, because yes, this is Arthur, the same man who makes fun of me on a daily, but he’s also my best friend, the man I love, and who I could lose, but I can’t tell him, but, oh God, if he needs to know I don’t want him to die. I’m the most powerful warlock on earth, yet I’m scared of Morgana, because she wants to kill Arthur, and I’m weak when it comes to him, I’m scared I won’t be able to protect him as I should (especially since Merlin has heard the prophecy that spoke of Arthur’s bane).

I like Arthur’s stunned face. Merlin is referring to his life. “You don’t care you could die?” And not only Arthur is shocked by it, because he thought Merlin knew his reasonings by now, knew that Arthur would never risk losing his knights, losing Merlin. But Arthur doesn’t care as long as his men are safe, as long as Merlin’s safe (because, let’s be honest, this conversation is nothing but a way for them to tell each other how they feel towards one another, without exposing themselves to the danger of this revelation). And Arthur needs to make something clear:

“Only about you.” Because Arthur brings Merlin everywhere like he’s a solider, a warrior, someone who knows how to fight with a sword, who’s an asset to Camelot and the kingdom itself, so he considers him an equal, someone he can sit with on a lower step and chat with about his fears, because he can be vulnerable with Merlin. Arthur knows he’s safe with him.

Arthur includes Merlin in his speech, and this is something that could mean, “Oh, so Merlin isn’t a friend, isn’t a brother, he’s so much more.” This scene is so impactful, because it’s one of those rare moments where Arthur shows how deeply he can love, how much risk he’s willing to take to bring peace to his kingdom and to his people: to the ones he loves.

And he knows his knights, he knows Merlin won’t abandon him, because he has never done it, and Arthur truly believes Merlin has no reason to do it now, even if he’s scared. It’s as if Arthur is asking, just to make sure, just to have the confirmation that they think the same of it.

And they do:

I wish I didn’t understand how much I’m willing to risk, and have already risked for you. Because this is why I’m here: for you and only for you.

The self deprecating smile, because Merlin can’t back down, he never will. He’s so frightened, yet not even the prospect of battling against Morgana and her army will make him run.

He has Arthur to protect.

The way he smiles, it’s as if he’s saying, “Why didn’t I understand this sooner? Arthur’s just like me.” But it’s the fact that they told each other this, they know now, after ten years, that they’re willing to do anything and more for the other to stay safe, to be alive, even if one of them isn’t.

Merlin tells Arthur. He watches him intensely, because Arthur needs to understand. He’s honest.

Arthur gets it, and he’s finally happy. He’s relieved that Merlin won’t abandon him, that he will stay by his side, like he always is, protecting him, fighting with him, and helping him.

Arthur smiles at Merlin like he’s seeing him for the first time, and he falls in love with him just that tad bit more.

[otaku553]

New blorbo :)

Also a silly interaction with this piece

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[dykedvonte]

Curly's little blurb on his steam trading card just keeps reminding me he is a much more miserable person than people realize.

We don't get a lot of his thoughts, inner confliction that aren't bogged down by what Jimmy says or does. Even in the The Last One and Then Another, his dialogue is reflective, not the Curly before the crash but the result of everything. Parts of the him he was are there of course, but also disfigured and warped beyond recognition just like he is physically.

Curly really doesn't think much of himself and desires. He clearly chases fleeting moments of happiness. He doesn't really have prospects for himself, assumes in a similar way to Swansea, that if it should make it happy then he is happy. Though, he hasn't reached the point Swansea did to admit it doesn't. He neither sees the glass half full or empty, it's just water, something he needs and he'll take it from any perspective.

He wasn't running from anything but he's never really been going towards something either. He's listless. I've been using the term complacent to describe how he feels about his life and the closest people (really just Jimmy) in it, but now that word feels too neutral, too nice. Happier than Curly really was. There isn't just one word for it, he's unfulfilled, uncertain, uninspired. There are no active problems he faces and that's the issue, why should he be upset?

I believe he really is a person who doesn't know who he is or wants to be. He follows a structure. I don't think he's suicidal, but he clearly doesn't think about what makes him happy. He's numb. I suppose that is a better word than complacent, used to the feeling even if he hates it. It doesn't hurt so why stop it?