#does not give you the credit you think it does

[vxnuslogy]

— what does it mean to be a star?

pairing: sunday x gn!reader

premise: sunday has stayed with you and the stellaron hunters for a few years. your lives has been filled with many adventures, both good and bad. but like any other story crafted by elio, they must come to an end eventually.

– warnings: slight angst if you squint, implications of committing suicide, not proofread that much.

– author’s note: one final (?) stellaron hunter!sunday fic before he gets released. ive missed writing for this man. art credits to 冒火锅海台 on Weibo for the art. | 1.9k words.

— tags: @ryescapades @mitsvriii @https-sourlimes @dazaisms ; if you'd like to be tagged, please let me know by sending an ask off anon or filling out the forms in my pinned !!!

“what do you think makes a star, a star?”

elio asked you that question decades ago. and only now have you arrived at one final answer. out of curiosity, you asked each hunter the same question over the years that have passed, each of them giving one answer that didn’t quite match the rest.

“to be the top player of course!” silver wolf exclaimed, her tone in a matter of fact manner as she didn’t even look up from her console. you only shook your head in amusement, jotting her answer down in a new journal your boss had given you as a present.

“a star you ask,” kafka tilted her head curiously at you. eyes freed from her usual contacts and makeup followed your movement as you stirred the coffee in your cup. “well, a star for me would be something that captures the attention of others without much effort. stars often piqued your interest, didn’t they?” you only smiled in response and nodded. you made a mental note to write it down later before you went to bed.

firefly took a little longer than the last two to answer. you patiently waited, spooning pieces of cake to your lips as the girl in front of you was deep in thought. “a guide. even in your darkest moment, a star will shine as a guide for you to follow so you don’t stray from your path.” she answered in a whisper. eyes wistful as she played with the dessert on her plate. 

“a star,” blade’s gruff voice cut through the night like a knife. a few bottles of local xianzhou wine separating you two as you sat on the roof overlooking the stars above. you hadn’t expected blade of all people to humor your questions, but here you were, grateful in his presence. “it means to burn. so brightly you are unrecognizable, to others and yourself.”

“you have a sad answer,” you mutter, taking a sip of the wine from the small cup as the man huffs. 

“time takes a heavy toll for both you and i,” the wind sways his hair in a deathly dance. he brings his cup to his lips and drinks in one go. you don’t mention how you can barely finish a cup with how strong the drink was—blade could not feel the pain of it in his throat, and he never will. “you’ve already burned through the remains of your past self. it won’t be long before you look in the mirror and be unable to recognize your reflection.”

you frown at his response. “you’re pessimistic.”

“and you’re hypocritical.”

you have no rebuttal to his accusation, after all, at the very core of your character, the word “hypocrite” hangs like a thorny crown. 

“tell me, starcatcher,” red eyes reflected the conflict you’ve been massing deep within the columns of your bones. they crash onto your being like how the oceans do to the shores—unrelenting and loud. “are you that afraid of losing another that you love them as if tomorrow they’ll die?”

you fled the roof that night. unable to face your hopelessness head on after a fresh wound of death lingers by your heart. another attempt, another reminder of the welling darkness that swells from the tip of your fingers and slowly corrupts your entire body. it drowns you and you can’t help but fear that time is clutching your shoulder, weighing you down to the ocean floor as it laughs at your predicament.

“so it’s decided then.”

but that’s no longer the case. no, not anymore. it's been decades since then, and you’ve changed.

elio sits by his office chair, typewriter moved to the side as he personally penned the final bits of your songbird’s script. you were elio’s editor and proofreader. you don’t exactly remember when it started but when you were still an unwilling understudy—an actor who refused to acknowledge the stage—he would trap you in his office and force you to read over his script to make sure there were no errors.

a small and sad smile tugged at your lips as you read the pages of inked fate. “this is for the best.”

“the best, yes,” elio ceases his writing. compiling the papers into one bulk and staring right at you. “but it's not the ending you wanted.”

you shook your head, “my preferred ending isn’t relevant to how the story ends. it’s not my story to tell.”

“yes, but it's a story you’re meant to read,” there was pity in his eyes. your heart felt too heavy with realization to even feel offended by such a look. “you have the right to feel dissatisfied.”

“thank you, elio, truly,” you only gave destiny’s slave one final smile before standing. you quietly made your way to the door, forcing your steps to sound quiet and lacking sadness. but you can’t do that, you never will. building up walls will only prove to be a waste of effort. not when elio knows every brick by heart.

with a heavy sigh, you linger by the office door before making your way to your workshop. memories from years ago flood your mind as the halls fill your senses. photos from vacation, missions, and simple outings hang by the walls while certain trinkets and relics from bygone travels litter the many desks and drawers. time did take a heavy toll just like blade said. kafka’s skin started to wrinkle a bit, silver wolf started growing taller, firefly grew paler and paler, and blade looked more like death with every breath he took.

time was a painful thing to remember—it’s not infinite. and even if it was, it's never always kind to everyone. and you? you are worse than time and death itself. you were the inevitable–finality. 

“good morning, [name].”

a voice from behind greets you like a new sunrise–a reminder that a new day is here. you couldn’t help the smile that tugged on your lips. seeing sunday in blade’s shirt hang over his body like a blanket, firefly’s hair ties on his wrists and a spare console from silver wolf in one hand brings you so much joy. 

“sunday, good morning!” you sounded breathless. tucking both hands behind your back to hide your shaking as he joined you on your way to the workshop he’s made as his makeshift nest.

sunday smiles—filled with all the hope you’ve craved and lost. it stings your heart like a needle but you don’t show it. you’re first to look away, like all the other times in his presence, unable to face the way his wings flutter and smile twitch in concern.

when you reach the workshop, you flicker the lights on and sunday makes himself at home. sitting by the windowsill as you sat down by your table. scattered fabrics for sunday’s final mission lay in your hands, and you’d be damned if you messed up now. even with a heavy heart, you willed your hands to work, all the while ignoring the concerned stare of the angel sunbathing by the window.

the two of you spend the first few hours of morning in each other’s quiet presence before your tongue itches to ask him a question. “sunday,” you call his name and you curse the flutter in your chest when he immediately looks at you. he noticed his overly quick response and covered half of his face with a fist, pretending to hide a cough instead of his coloring cheeks.

“yes?” he asks, attention solely on you as you pin the needle back on the cushion and smooth out any creases.

“what does it mean to be a star?”

he blinked owlishly at your question. a soft hum escaped his lips as his fingers tapped on the rim of his cup in contemplation. “is there…” he tests the waters—seeing if it's too hot or too cold. “any particular occasion for you to ask me a question?”

you shake your head in amusement when his more formal tone slips out. “no, not at all. just a little tradition is all.”

“well, then,” the words die out on his tongue. every once in a while, sunday would peer at you like a lost child but you’d only nod encouragingly. “a star means to be remembered.” he looked out the window, watching the clouds pass by in a blur. “even if they aren’t always there, you know they exist.”

sometimes you wonder if it's possible for sunday to look at himself through the lens of your eyes. he was beautiful like the praise of idrila, happiness like aha’s laughter, and the curiosity for adventure like akivili. sunday wasn’t just a star, he was the entire universe. and he remained blissfully unaware of it.

“[name], is everything all right?” 

you’re snapped out of your daze when you feel his hand on your cheek. lost in the replays of sunday’s image in your mind, you didn’t notice the stray tears that had betrayed your image of an unbothered editor. 

“please, don’t cry,” he whispers, pressing your foreheads together. his thumb gently wiping away the tears that escaped your eyes. you can’t help but chuckle. sunday truly was like a sponge when it comes to others’ habits.

“what hurts you so?”

“what makes you think i’m hurt?” quite frankly, you were hurt. so incredibly hurt by his eventual departure but your heart knows his stay was only temporary. but that didn’t mean you never hoped. 

hoped. over the course of a few years, sunday had succeeded in the mission the other hunters failed at. he made you hope again.

“kafka is cooking everyone’s breakfast. it’ll surely brighten up your mood.” he states taking your hand in his and tugging you in the direction of the dining room and kitchen. sunday maneuvered through the headquarters with such ease your ribs began to clamp on your heart again.

this was his home, his respite. but only for a short time.

when the two of you enter the room, you notice his frown. the emotions of everyone were palpable—it felt suffocating. your eyes met blade and you just smiled. one deep breath in and you snapped back into your joyous self. bringing temporary light to the room.

even as you ate and chatted, there were undertones of sadness. sunday nudged your side and quietly asked you, “are you quite sure everything is alright? everyone seems sad today.”

you look at them one by one. kafka’s eyes are slowly being accompanied by eye bags and wrinkles, silver wolf is nearing blade’s shoulder, firefly looks paler, and blade’s hand shakes as he holds his chopsticks. you look at sunday’s eyes, and smile. even he was a victim of time with the way his hair grew longer and face filled with more life.

“they’re just worried,” you look away first like always. meeting blade’s gaze halfway and smiling to yourself when you see him huff in denial. “your next mission is here.”

what does it mean to be a star? elio asked you that question a long, long time ago. and you only found the answer in the form of an angel with wings behind his ears and eyes that shined like the sun. the star you’ve grown to love burns brighter than the sun but still requires rest when night falls. 

to be a star means to be remembered, even in the face of departure. you remain bright and unforgotten. left in the care of a conductor and an express you’ve once loved.

to be a star means to face the inevitable that sunday was meant for greater things than being just a fugitive venturing the universe.

© vxnuslogy 2024. please do not copy, repost, or translate any of my works.

[ofbatsandballads]

darling, won’t you take me home?

jason todd x fem!reader

word count: 1.2k

warnings: reader has a mild cold, but nothing much else (lmk if I missed anything)

a/n: this is just a lighthearted sick fic that got real prose-y at the end bc I was listening to my Jason playlist and got all in my feelings while drowsy off cold medicine. again, i give thee my wares.

divider credit: saradika-graphics

You wake to soft light filtering in through the white curtains of your bedroom and the warm weight of your lover’s arm across your waist. The quiet snores echoing in the air and the soothing rise and fall of his chest against your back would usually be enough to lull you into a gentle morning sleep. But usually you can breathe out of both sides of your nose. And you usually don’t feel like there’s sandpaper in your throat. And your body doesn’t usually feel this heavy.

Goddamn it–you’re sick.

You feel a sneeze coming on and try to stifle it, to keep it locked tight in your lungs so you won’t wake the love of your life from the rare bit of peace and quiet he gets. You make no noise, but the shaking of your body stirs him anyway. Damn vigilantes and their preternatural awareness. He hums lazily as he pulls you further into his chest. You think he might be able to doze back off and you’re glad for it. Then your hopes are dashed. One, two, three sneezes wrack your body in succession and you are finally forced to admit defeat.

“Are you sneezing?” Jason asks, groggy but inquiring.

“…no.”

You don’t even know why you tried to lie to him. You’re a bad liar in most cases, and an absolutely abysmal liar when it comes to Jason. He simply sighs and you’d bet twenty dollars that he’s rolling those pretty seafoam eyes of his. He easily turns you in his arms so that you’re facing him. Great, now you really won’t be able to lie to him.

“I told ya that you were gettin’ sick,” he scolds gently.

“‘M not sick!”

He did. And you are.

“Then why do you sound like the Swedish Chef from the Muppets?”

“Oh, fuck you!”

He tries to keep his face serious, but soon the facade cracks and he lets out a deep belly laugh as you glare at him. You push yourself out of his arms and make it as far as the edge of the bed before he’s pulling you back to him again.

“Aw, c’mon, ma. Don’t be mad. You are sick. Just admit it,” he says, voice kind as he runs his hand up and down your spine.

“Okay. Fine. Whatever,” you mumble, your words trailing off unintelligibly.

Jason doesn’t miss it. He never does. Fucking vigilantes and their fine tuned hearing.

“What was that?” he smirks.

You whisper it again, quiet as a mouse. He shakes his head. You smack him in the chest.

“Ah ah, I wanna hear it,” he laughs.

“I said you were right! There! You happy now?” you pout, burying your head in his chest.

You can feel the giggles travel through his body and find it impossible to fight the smile it brings to your face, even if your head feels foggier than Gotham after a heavy rain. You squeeze him tight, a sudden aggressive love for him that you just need to let out. It does nothing to his strong frame. He just squeezes you back, then manhandles your legs around his waist and your arms around his neck. He rises from your bed like you weigh nothing to him, hefting you into the air so that you’re better positioned.

“C’mon, we’re makin’ soup.”

One thing about Jason Todd is that he’s an amazing cook. He didn’t cook much for himself before he met you. He’s told you he didn’t see any point when cheap takeout would fuel his body just fine for whatever fight was inevitably coming for him. But now he has both the reason and the time to care. And he cares. So much.

You can see it in the way he sets the chicken to bake while he tells you about the new book he got from the bookstore down the block. You can see it in the way his skilled hands, calloused and bruised, slice the carrots razor thin because he knows you hate the crunch of them. You can see it in the barely noticeable look of pride on his face as all the ingredients simmer in the big metal pot, giving your shared home a warm aroma of comfort. You can see it in the fact that everything he needed for this was already in your kitchen, in the fact that none of it was there when you fell asleep last night while he was on patrol. Jason cares. He cares from the tip of the stubborn curl that sticks up on the top of his head to the soles of his feet that guide you in a slow waltz around the kitchen.

“I know you probably aren’t too hungry, but I need you to try to eat at least one bowl for me,” he says in his gentlest negotiation voice as he puts a bowl of chicken noodle soup on the counter.

You nod your head that’s tucked against his chest, sniffling as you feel your nose start to run. Without missing a beat, Jason pulls a tissue from the pocket of his pajama pants and hands it to you.

“And you’re takin’ cold medicine the second you get some food in you.”

He’s not asking anymore, just stating facts.

“Gonna stay up all night watching me too?” you ask teasingly.

“I might,” he retorts.

“I love you too, Jay.”

He goes rigid momentarily before he relaxes against you. Then a soft smile breaks out on his face. He chuckles and shakes his head, turning his face away from you. But you can be observant too. You don’t miss the way pink dusts his cheeks and, oh, he looks so pretty like this. You tell him as much just to watch the soft pink turn to vibrant red.

“Shut up and eat your soup.”

One bowl of soup and a disgusting shot of cold medicine later, you find yourself wrapped in the arms of your lover as you both lounge on the couch. Jason reads the new book he was telling you about as you listen to music, dozing in and out of consciousness. It’s not your fault he makes such a great pillow; his large body is warm and soft as he lies relaxed on your sofa. Every now and then, especially when he thinks you’ve fallen into a light sleep, he’ll place a featherlight kiss on the top of your head.

You may not be a vigilante or The World’s Greatest Detective, but you can put all the pieces of the day together well enough. Carrying you out of bed, making you soup, letting you rest on him, the soft kisses and touches he flutters over your skin; it’s all his way of saying he loves you when the words themselves are simply too much or not enough. But the words are enough for you. You swear that you’ll go to your grave finding all the prettiest ways to tell him just how much you love him. Because you do.

And maybe it’s the homemade soup settled in your belly, or the afternoon sunlight shining through the window, or the warmth of the man you love beneath you, but you soon find yourself lulled into a peaceful sleep that feels just like home.

[sinofwriting]

Present - Pierre Gasly

Words: 681 Summary: Pierre has some thoughts about her buying herself a necklace.

Masterlist | Support Me!

She claps her hands together as she looks at her phone. The device perfectly angled to capture her, the kitchen counter where an unopened box was, and Pierre who was lounging on the couch answering some emails.

“So, in honor of hitting two hundred and fifty thousand followers and my birthday happening in a few weeks, I decided to get myself a present.��� Her eyes are alight with excitement and she bounces a bit, fingers itching to open the box. Meanwhile, Pierre’s head jerks up, eyes wide as he stares at his girlfriend.

“I was a little nervous about getting this.” She starts to say as her fingers open the box. “But y’know it’s like a combined gift for myself and I’ve been really good at not touching my savings for the past few months, so I didn’t feel too bad about dipping in.”

Pierre makes a strangled sound.

Lifting her present out of the box, she presents it to the camera before opening the box. “Isn't it gorgeous?” She moves it a bit closer before continuing to talk.

“This from Cartier, it’s the Galanterie de Cartier necklace, which is nearly thirty thousand dollars and this is only my second time seeing it in person and I’m just even more in love with it. I’ve been looking at this necklace for a few years now and while I love my pink Les Berlingots de Cartier necklace.” As she says it, she gestures to the necklace she’s currently wearing. “It was time to give it a nice little sibling in the Cartier family.”

“Mon bébé,” Pierre starts, finally able to speak. “You didn’t actually buy that did you?”

She turns to face him with a confused look. “Yeah, I did.”

“With your money?”

“Yeah, with my money.”

He covers his face for a second. “Baby, I leave my card for you all the time to get things for yourself. You should have used my card, it's what it’s meant for.”

“I didn’t need to, it was a gift for myself.”

“Your gift for yourself, is something I’m supposed to pay for.” He argues, nearly pouting. “I was also going to buy that for you for your birthday. I was planning on going to the store tomorrow.”

Her face softens at his admission. While her buying it had been a present to herself, she also knew it would rile her boyfriend up and she didn’t often share things like this with her fans as they were more there for her talking about books, but she had thought it’d be a fun little thing to film, to let his and her fans see.

“You knew I wanted this?”

“Of course, I do. You’ve shown me pictures before and talked about it. I know you also like the 1895 necklace that Cartier does, but not just any 1895 necklace, only the one from that collection. You want that birthstone bracelet from Tiffany’s and a large collection of collectors edition books when we finally have a house and you can have your own library and reading place. I know everything you want.”

Her heart melts at his words. Pierre was sweeter than most people gave him credit for and he often showed that side of himself to her, but she had no idea how much he paid attention to things she wanted.

“C’mere.” She murmurs, setting her necklace on the counter, arms outstretched.

He easily swings his body over the back of the couch and grabs at her hips as soon as she’s in arms reach before kissing her.

“Is this close enough for you?” He asks when they break away to breathe.

Her teeth find her bottom lip as she shakes her head slowly. “I think you can get closer.”

Pierre smirks at the response, capturing her lips in another kiss as he moves one of his legs between hers. “How about you stop recording for tiktok and we record something else?”

A laugh leaves her at his words, but she’s already reaching for her phone. “Only if I get to be on top.”

“Deal.”

[aventurineswife]

HELLOOOO, i was wondering:

A reader that likes watch anime, and some HSR characters gives them a try. But, what anime would you think they watch with the reader? Based on what they like or just something to start watching.

I LOVE YOUR WRITING STYLE, please don't overwork yourself a lot, have a nice day/night! <3

What Anime Would They Watch With You?

Tags: Aventurine x Reader, Ratio x Reader, Blade x Reader, Kafka x Reader, Silver Wolf x Reader, Anime Watching, Humor, Lighthearted moments, Comfort and Bonding, Can be read Platonically or Romantically.

Warnings: Mentions of psychological trauma, Light spoilers for anime, Philosophical and existential themes, Violence and combat (in anime contexts), Emotional conflict, Mild language (?), Possible mild angst(?).

A/N: I don’t watch much anime, but my sister does, so I based the anime choices on what she’s watched and told me about, as well as clips I’ve seen on yt shorts 🫣😔 ALSO THANK YOU!! 🤭💖 I'LL TRY MY BEST HEHE

Aventurine stands in front of the TV, his eyes glinting with curiosity. His usual confidence is slightly tempered by the unfamiliarity of the moment — an evening of anime watching. He’s dressed in his usual stylish attire, the gold accents catching the light as he adjusts the remote with his gloved fingers. His gaze flickers to you, a mischievous smile playing at the corners of his lips.

"So," he begins, voice smooth like a well-played hand in poker, "what do we watch tonight? I suppose I should try something new. But, I must admit, I prefer shows with a bit of strategy — something that makes you think, perhaps a game of intellect or manipulation."

You suggest Death Note, the classic tale of the battle between genius minds.

Aventurine’s smile widens. “Ah, an excellent choice. A battle of wits, a contest of who can outsmart whom. Much like life itself. I must say, the intrigue here appeals to me. The protagonist, Light Yagami, reminds me of someone who knows how to play the game... and win.”

As the opening credits roll, Aventurine lounges back, his eyes gleaming with the same focus he applies to his work at IPC. The intricate web of psychological tension between Light and L unfolds in a way that mirrors his own thinking — everything calculated, every move deliberate. The darker twists intrigue him, and he often leans over to comment on Light’s strategy, or offer his own hypothetical alternatives. Every so often, he’ll pause to explain a parallel to a strategic investment move, his voice laced with a playfulness only you can appreciate.

The night is filled with insightful discussions, his enjoyment of the show evident not just in his words but in the way his eyes spark with intellectual thrill.

Ratio enters your living room, dressed in his usual academic attire, though he seems slightly more relaxed than usual. His hair is perfectly in place, and he adjusts his glasses, his piercing eyes scanning the shelves. He’s intrigued by the idea of anime, but like everything else, he believes it must meet the highest intellectual standards.

"I assume this will be a pursuit of knowledge, correct?" he asks, his tone indicating that he is less concerned with entertainment and more with what the anime can teach him.

You offer him Steins;Gate, a mind-bending tale of time travel and its implications. Ratio raises an eyebrow, his interest piqued.

"Time travel," he mutters. "The concept is fraught with paradoxes, theoretical inconsistencies... But let's see how this unfolds."

As the show progresses, you can tell Ratio is captivated. His usual dismissiveness towards “mediocre” content fades as he engages with the intricacies of the plot. He is particularly drawn to the scientific explanations of time travel, making insightful comments about the laws of causality. The intellectual depth of Steins;Gate resonates with him, and he begins to see the show as more than just entertainment but as an exploration of the human condition through the lens of scientific theory.

His stern exterior softens slightly as he leans forward, absorbed by the delicate unraveling of fate. At one point, he pauses the show to make an impassioned argument about the ethics of time travel, his eyes alight with the thrill of the debate.

Feixiao, in her usual battle-ready attire, steps into your space with her arms crossed, her eyes narrowing slightly in skepticism. She’s not one for frivolous distractions, but she’s willing to give this anime thing a try — provided it’s something that involves action, strategy, and perhaps a little bit of inner conflict.

"You’d better not have picked something weak," she says with a smirk, her voice unwavering. "I don't have time for anything that isn't worthy of my attention."

You suggest Attack on Titan, with its intense battles and deep emotional conflicts. Feixiao grunts in approval.

"Alright, let’s see if they can deliver on the carnage." she says, as the opening scene plays out.

She’s immediately absorbed by the ferocity of the Titans and the desperation of humanity’s fight for survival. The battles, filled with adrenaline and relentless pursuit, mirror the kinds of conflicts she knows too well. She’s particularly drawn to Eren Yeager’s inner struggles — the deep rage that simmers beneath his resolve.

"That’s what I like to see," Feixiao mutters under her breath, her eyes flashing with approval as the protagonists fight with everything they have. "There’s more to these battles than just the physical; there’s emotion, too. A warrior’s mind is as sharp as their blade."

Throughout the night, she becomes invested in the character dynamics, especially Eren’s moral dilemmas. The show's dark tone and brutal honesty about the human condition resonate with her, and she even offers some commentary on the combat strategies used by the soldiers.

By the end of the night, she’s hooked, her face flushed with the excitement of both the action and the emotional weight of the series.

Blade steps into the room, his eyes burning with a quiet intensity, his demeanor as cold as the blade he wields. His mind constantly in turmoil, he’s not interested in frivolous entertainment. Everything he watches must speak to the darker aspects of his soul, and anything too light-hearted will not hold his attention.

You offer Neon Genesis Evangelion, a psychological and emotional rollercoaster that digs into the deep recesses of human existence. Blade’s expression is unreadable as he nods and sits, his eyes steely.

The first few episodes grip him, and soon he is fixated on Shinji Ikari’s inner torment — the crippling isolation, the struggle to find meaning in a world that seems bent on destruction. Blade sees pieces of himself in Shinji, his own existential struggle reflected on screen. He finds an unexpected resonance with the show's depiction of personal battles and the search for purpose in and the search for purpose in an uncaring world.

As the show delves into its more abstract and psychological themes, Blade’s face hardens in contemplation. He doesn’t speak much, but his occasional glances at you tell you everything you need to know — Neon Genesis Evangelion is more than just an anime to him; it’s a mirror to his own fractured soul.

By the end of the night, Blade is silent, lost in thought, the weight of the show's philosophical questions lingering in his mind.

Kafka strolls into the room with her usual cool confidence, adjusting her black jacket over her shoulders. Her hair sways slightly as she surveys the situation. While she doesn’t often indulge in entertainment, she’s intrigued by your suggestion to watch anime together. After all, there’s something elegant about the concept of using subtlety and manipulation to achieve one's ends, and Kafka is drawn to that kind of intrigue.

You offer Code Geass, a series filled with strategic battles, hidden motives, and complex characters. Kafka smirks, her interest piqued.

"This might be interesting. Let’s see if it lives up to the hype." she says, her voice smooth and measured.

As the episodes unfold, Kafka finds herself charmed by Lelouch vi Britannia’s calculating nature and his ability to manipulate others for his own purposes. She’s drawn to the layers of deception, the way Lelouch maneuvers through the world with his intelligence and charisma, much like herself.

"Ah, this is the kind of show I can appreciate," Kafka remarks, glancing at you with a knowing smile. "Power lies not in brute strength, but in the subtleties of the mind. Lelouch truly knows how to play the game."

By the end of the night, Kafka is hooked, her mind racing with the complex political strategies and moral questions the show raises. Her admiration for Lelouch’s ability to control events through sheer willpower is clear.

Silver Wolf lounges in her seat, her purple glasses perched on the bridge of her nose. She’s always up for a challenge, and if anime is as much of a game as you say, then she’s ready to dive in. She’s looking for something that’s both fast-paced and unpredictable, a true test of her adaptability.

You suggest Psycho-Pass, a futuristic series that blends action with deep psychological exploration and questions about the nature of justice. Silver Wolf’s eyes light up as the opening credits roll.

"Alright, this looks fun," she remarks, her fingers tapping on her leg like she’s already hacking her way through the plot. "A system that reads people's intentions? Sounds like a game I could win."

As the series progresses, Silver Wolf becomes engrossed in the moral and psychological dilemmas the characters face. She’s particularly drawn to the futuristic technology, intrigued by the interplay between the systems that control society and the human minds that try to outwit them.

"I could hack my way through this world in no time." she chuckles to herself, but she’s also genuinely captivated by the philosophical questions raised. What is justice? Who decides what is right or wrong?

By the end of the night, Silver Wolf is already planning her next anime binge, eager to see what other “games” the world of anime has to offer.

[sergeantbarnessdoll]

I’m imagining Bucky having a hard time vocalizing “I love you,” to anyone, no matter how much he wants to.

While learning some basic ASL in order to better communicate with Clint, Bucky learns to say “I love you,” (🤟) to the reader.

I Love You » Bucky Barnes/Winter Soldier

Pairings: Avenger!Bucky Barnes x Avenger!Female Reader

Summary: Bucky has a hard time vocalizing “I love you” so he asks Clint for him to help him say it to you by using ASL.

Warnings: Fluff, language, tiny mention of HYDRA, kissing, pet names

A/N: Thank you for the request, nonnie🩵

Written on my phone. My apologies for any mistakes.

Header made by @buckys-wintersoldier

GIF IS NOT MINE! Gif credit goes to the creator.

Ever since Bucky met you, he knew that he’s in love with you. You and him have been on a few dates. He wants to take the next step in yours and in relationship by asking you to by his girlfriend and say “I love you” to you.

If Bucky is being honest, he’s been having a hard time trying to vocally say “I love you” to you. Ever since HYDRA and his days as the Winter Soldier, he didn’t think he’d find love. That was until he met you. He didn’t have trouble with finding love when he was younger. It’s like HYDRA stripped him of that.

Bucky wants to say “I love you” to you, but he needs some help with that. So he decided to ask Clint for help on it.

“Hey, Clint. Can I ask you something?” Bucky asks as he approaches Clint.

“Yea. What’s up, man?” Clint asks, putting his bow and arrow on the ground.

“You’ve been married for a while, right?” He asks.

“Yea. Why?” He asks.

“Well, you know that me and Y/N have been seeing each other, but we haven’t made it official yet.” He begins. “I was wondering if you could help me out with saying “I love you” without saying it.” He says.

“You’re in luck.” Clint put a comforting hand on Bucky’s shoulder. “You came to the right person. Me and Natasha used sign language to communicate sometimes when we were on missions and had to be quiet.” He said.

“I don’t know any sign language.” Bucky says.

“It’s easy, especially if you’re doing the sign for “I love you”.” He said. “Hold your hand up.” He says.

Bucky held up his right hand and then looked at Clint, waiting for more instructions.

“Now put down your middle and ring fingers.” Clint tells him.

Bucky did just that, leaving his index finger, pinky, and thumb up.

“That’s sign language for “I love you”.” He tells him.

“Woah, that’s easy.” Bucky says, looking at his hand.

“I told you it would be, man.” Clint smiles. “Let me know how it goes.” He says, giving Bucky a pat on his back.

Bucky looks at his hand again and smiles before looking for you. He found you in the lounge room.

“I was wondering where you were, Bucky.” You kissed his cheek. “I was thinking about our date tonight.” You say, smiling up at him and playing with the collar of his jacket.

“Me too.” Bucky smiles back. “But I have something to tell you.” He says nervously.

“What is it?” You asked curiously.

Bucky took a deep breath. He hasn’t felt this nervous about anything in years. He looked down at his right hand before lifting it up and holding up his index finger, pinky, and thumb. You looked at his hand and smiled widely.

“Are you trying to tell me that you love me?” You asked.

“Y-Yes.” Bucky answers with a stutter.

You stood on your tippy toes and kissed his lips sweetly. You felt Bucky smiles before against your lips.

“I love you too, Buck.” You say softly, looking in his blue eyes.

“Does this mean you’ll be my best girl?” He asks.

“Of course I will!” You answered.

The smiles never left your faces. Bucky’s hands gently caressed your cheeks and he kissed you passionately.

“How about we change our date to now?” Bucky suggests. “I can’t wait any longer to take you out.” He says.

“That sounds great to me.” You smile up at him.

You then held your hand up, signing “I love you” to him. Bucky smiles and signed “I love you” back.

Hopefully Bucky will be able to say “I love you” to you. He hopes that’s sometime soon.

🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵

-Bucky’s Doll

[jellyskink]

Just another Manic Muesday (Sorry I couldn't think of a better title lol.)

"Alright Dr. Pines, I'm pleased to report that your lab results for your bloodwork have finally been logged and updated to our medical system since the last we saw each other."

"H-huh? Oh! I'm certainly glad to hear that Dr. Oleander! Forgive me, I'm afraid my mind was wandering just now."

Sunshine shown through the windows of the medical doctor's office, bathing parts of the room with it's comforting warm rays. Outside, leaves of different colors and types scattered in the breeze with an air of playfullness to them. It was truly a lovely autumn day.

At least... it was as lovely as it could get lately. When it wasn't the occasional inanimate object coming to life to either cause mischief, panic, harm, or all of the above, the slowly randomizing weather definitely made it trickier to enjoy nature. 

Quite literally the other day it was a record-breaking freezing winter, followed the day after by a sweltering summer so hot that not only could you fry an egg on the sidewalk, but you could fry the chicken that laid it as well if you wanted to.

"That's quite alright, I just wanted to let you know that we did find some rather... interesting results."

"What kind of results? A-anything my Muse should be concerned over? I must inform him if there's anything that would cause him to worry over me!"

"Er, it's nothing as dire as that I assure you. I moreso wanted to let you know that in comparison to your first blood test, there's improvement to your overall health! I'm really proud of you that you're making progress."

"O-oh um thanks I suppose? I don't believe it's because of my choices truthfully. If it wasn't for my Muse's instance and kindness about my health I don't believe I could've done it on my own!"

"Dr. Pines I don't think you're giving yourself enough credit, only those who want help can accept it as they always say..."

"No, no! I'm serious! I'm truly thankful he's been stern that I see Stanley on a regular basis!

 I'm quite forgetful with taking care to see him regularly. Stanley's always worried about me, it pains me to see him filled with grief whenever I'm unable to talk to him for a bit due to my Muse and I's busy schedule.

Without him I'm sure my health and relationship with my Brother would be absolutely horrible!"

"..."

"Dr. Oleander? Is something the matter? You aren't speaking to me as much as you usually do."

"Forgive me Dr. Pines, I'm just a bit conflicted right now. I've just got a lot on my mind as well. On a similar subject, I do want to apologize for overstepping my boundaries with talking to you about your relationship with Mr.Cipher."

"..."

"I-it's fine. I know you didn't mean to be so crude on purpose. My Muse and I's relationship is often a subject to many due to it's complex and sublime love."

"Yes I believe you're right... Forgive me Doctor, I have a tendency to involve myself too much in my work."

"You d-don't need to apologize for that! It's a quality my Muse approves of you for! He wouldn't let just anyone treat any medical problems I have, the fact you have his trust is a sign you're great at what you do Doctor Oleander."

"... I appreciate your reassurance, though it still isn't very professional of me to be so casual with my speech with you about my troubles with my confidence as a medical practitioner."

"I don't mind! I swear!! I-I think you're a lot like the plant you share your surname with."

"I'm sorry?"

"Y-you know, Oleander? Also known as Rosebay? It's a perennial shrub and tree known and loved for it's vitality, resilience, and beauty. 

My Muse likes the fact every part of it is poisonous, it's definitely a kicker that's certain!

Personally I love the fact that certain species of caterpillars use the plant as both a food source and a way to defend themselves against predators! 

In particular, there's a species of moths known as the Oleander Hawk Moth, that does this! It's a very interesting and rare kind of Moth to see! I personally consider it to be one of my favorites!"

"Haha! Is that so? W-well thank you Doctor for that compliment and the accompanying fact."

"..."

"Ick are you two nerds just about done being boring together?"

"O-oh! Mr. Cipher! My apologies! We were just about done with Dr. Pine's appointment. It's my fault for taking longer than usual with his appointment..."

"You know Doco? Normally I'd be furious buuut this does mean Sixer finally has a buddy to talk about his more boring nerd things with! 

Congrats! You've redeemed yourself from me needing to find Sixer a new doctor!

This is definitely a blessing in disguise for me as you humans say! Now, be a doll and tell Sixer to hurry on home now? We've got places to be and mayhem to cause!"

"Of course Mr.Cipher. I'll be sure to do that right away."

"Oh and Doco before I forget, just know that I'll be keeping a closer eye on the time in the future. Fordsy's on a pretty tight schedule you know! I'd hate to have to CUT into both you and him over not keeping track of time. 

Although that would mean I'd have the chance to change things up when my pet needs a reminder that he needs to behave... And I would have the chance to really see how your meatsacks work without needing to worry about needing to harm a hair on Sixer's head... 

Whoops did I say that out loud? Haha! My bad! Anyways, pleasure talking with you Doco! Byee!!"

"Ugghh..."

"Dr.Pines! Er, I'm sorry to have to cut this conversation short, but Mr.Cipher has requested I let you know that you've been out for a while and must return back to him as quickly as you can."

*Gasp* "O-Oh no! Please forgive me my Muse! I didn't mean to forget to watch the time! I'll be home soon!! ThankyouforyourtimeDr.OleanderbutIsimplymustbegoing!!"

"Dr.Pines, I'll have your meds refilled and ready by hopefully the end of today!!"

*Sigh* "I really need to think about changing professions..."

(Just as soon as she says this, Mcgucket falls out of a tree very ungracefully, scampering after Ford. 

"???"

"What the-? Okayyy and now cowboy hillbillies are just falling out of trees now. Why am I surprised?? 

I'm going home early today, I deserve it. It's too early for this. I can't wait to just go back to bed and hug Calamari soon..."

(I hope you likes my attempt at some fanfiction! I wasn't sure if I should write it like a book or like a visual novel. The font stuff is probably really wonky because I typed this all around 1am and on my phone so my apologies for that lol.

I'm glad you liked my idea at trying to write some fanfiction about your au's Ford and Irene. Or would it be friendfiction in this case?? Anyways, I think I like the platonic route too. Maybe if Ford and Irene were to be a ship it'd be a friends to lovers thing or something? Idk. I was thinking about writing a more Irene and Calamari focused sequal to this, but I'm not sure if I should? Idk lmaoo.)

THIS ANON WROTE A REALLY CUTE FRIENDSHIPPING FIC OF FORD AND OLEANDER looklooklook it's so cuuuuuute 💕

[mayuris-basement-dweller]

Ok I am finally ready. Ready to tell you what happened 100 years ago, Link.

I am ready to put ideas into words. To start, be aware I am the biggest Mayuri simp fan this side of the Equatorial line, so if I sound biased... People, that's Blorbo Beebus.

With that out of the way...

About the latest episode!

Let's start with what I liked. Everything. There's nothing wrong here and you won't find complaints with me, roll credits.

So this model won't work. Let's try again.

✨Highlight Reel! Part 1!✨

- Ryusei. friggin. Nakao

This man was always good. As a singer he is stellar (Angel Calling, my beloved, LISTEN TO IT) but as a voice actor? SON.

We all know he also voiced Caesar Clown (OP) and Frieza (DBZ/DBS) but if you notice, he voices each of them in a very peculiar way.

And Mayuri's voice always had me weak in the knees. Szayelaporro's fight, in particular, used to take me very near to the Soul King.

And I say "used to" because this episode kinda pushed Szayel's episode down a set of stairs for me.

Again, I have so much to say but words fail me. But we gotta start somewhere.

Let's start with the obvious?!

You watched the episode. You are hearing it in your head right now, aren't you? YEAH. It almost sounds like he held this in for eons just waiting to launch it on the unsuspecting crowd. This laugh... Every time I am sad now, I just remind myself this exists, and my depression respectfully lets me enjoy this fact for three seconds.

Am I also concerned babygirl might be having a particularly dangerous Mania episode and playing a bit of Russian Roulette? Yes.

Still in this episode... All of the times Mayuri talks with Zaraki, but I will elaborate on that further later.

Another example? Here.

The way he is talking about how Pernida should honor Zaraki's noble sacrifice and the way his voice keeps going louder and more insane by the minute, culminating in his best Yandere performance in the third frame, just to do a 360 and call Pernida a stiff?!

I still haven't recovered.

It goes from "Oh he is enjoying himself so much you guys" in the first half to "Oh damn, that is Captain Kurotsuchi now, eh" in the second.

This episode, for me, wasn't only a visual delight, i was literally boiling alive because Ryusei knocked it out of three parks, not only one.

Also I gotta include, since we talking about voice actors...

Pernida.

Dude. Bin Shimada, Broly, THANK YOU.

That's like two kings in a room, I swear. Part of the fact I kinda like Pernida is because of his voice alone. This part here, you can almost see a ? on his... Fingers. Gestures? I dunno! But he managed to give a soul to a hand. A HAND.

And how does he even talk?! Disturbing.

Now onto the next section! (Or else I will keep going about all the voice actors!)

- Kenmayu

Everyone that knows me saw this coming a mile away. Look, even disregarding my ship, please. Ever since the last episode before this one.

Mayuri talks. Zaraki doesn't listen. Shenanigans ensue.

You can see how they are literally opposites to each other. Mayuri is analyzing everything and all Zaraki wanna do is smack that thang (hehe) real hard. It backfires tremendously. TWICE.

Because Zaraki didn't listen!

(And no, Yumichika, Mayuri doesn't have a big bad plan to fuck your captain up. At least not IMHO, he might have a plan, yes. But it's not what you think, oh no.)

But lemme just...

The way Mayuri talks to Zaraki.

It's an amalgamation of things. There's sarcasm, there's contempt, and flirting. Yes, flirting, because look me in the eye and say this wasn't flirting.

If Mayuri looked at me like that he would have a new subject, me.

But I am jumping the gun here! The scene before this one?!

I will have to do a part two because I reached the picture limit but...

The pure. Unadulterated. Concern. In Mayuri's voice here.

Mayuri is concerned with Zaraki. Zaraki immediately tells him not to worry too.

The same Mayuri that is famous for being ruthless, a lunatic, and heartless as hell is concerned for someone else.

Not only that, when Zaraki is forced to cut his arm so Pernida stops doing the twist™, Mayuri asks Nemu to tie his arm and stop the bleeding.

Some of you will tell me "He stabbed him right after!" And yes he did, young Padawan, but there's a method in his madness. And if you go and listen to that scene too, Mayuri goes back to talk to Zaraki like... In a "I am so sorry for hurting you, babe" tone. Whatchamacallit.... Ah yes! Conciliatory!

And even so, he says "When I stab you again."

He expects Zaraki to survive. To go back to Seireitei after this fight. God, he is telling Zaraki, right near his paralyzed self, that he will return and that he will be there to stab him again. In his own twisted Kurotsuchi way he is giving Zaraki a bit of hope.

This hurts me on a physical level, because I have an idea about this whole thing, but you guys will have to hold onto the single dark clue I will leave behind:

*What if both of them didn't go back?*

Well, Part 2 I guess! I have too many thoughts!

[ivycova]

Okay I think I start to understand why me and some other people get stuck in trying to redeem or understand or analyze Sauron as character.

Us for me, the problem is in this tremendous switch that the characters suffer from the season 1 to season 2.

I mean in season 1 people invest a lot already in Halbrand as character, trust him, believe him, and give him some sort of credit of confidence. Despise his dark and mysterious past. Same way as Galadriel did.

But what we see in a season 2 is like 180° switch.

And to be honest I think very few of the viewers was ready for this. Especially people who was moved by romantic background of their relationships.

Not that they don't understand that it's maybe him the villain the SAURON, because it was obvious that he's kind of more that he claimed to be. And that was nobody there for compare to him as a future Sauron character.

So it's not exactly characters fault as it is. But I think this bitter feeling of you (like a viewer) being manipulated and deceived. In a kind of bad, traumatic sence. And at the end you feel stupid and you really want to get out from this feeling trying to find some kind of bridge between these two characters that can connect them and give them an opportunity to coexist in your brain.

And it's not the pleasant feeling.

I mean I understand producers and the showrunners for use this strong narrative switch to engage with the public and make them stay engaged almost hooked with the show.

But at the same time it feels like you're being really brutally deceived. Because you already invest a lot in the another character that not going to come back anymore. And the connection between two main protagonists is over I don't know why.

Is the same feeling like, I don't know, in the Star Wars the main protagonist suddenly die in the middle of the show. And the show continue like well, everything is okay and nothing happened.

And it's not because it's impossible to switch from the good guy to the total opposite and complete evil. No, this kind of arc and dynamic is OK, especially in a fantasy world. But the way this character switched to this behavior of complete evil also must have (us for my humble opinion) some kind of more smooth and more consistent development curve, or at least AT LEAST! a really good reason, like shock or whatever.

But like we see in the end of first season with a Galadriel and the Sauron confrontation, and how does this dynamic is open up in the second season, I really don't get the impression that this was some kind of shocking situation for the Halbrand/Sauron. At least not enough for make him switch that brutally.

And yes I'm pissed off.

And I'm going to leave this f*kn ambiguous same us the show does

I love the show.

But I'm pissed off.

[mbg159]

One belief I've recently come to with regards to Crow is based on a video I saw once, which discussed a character who faced very similar circumstances... that is to say, Scrappy-Doo. (Bear with me, this is going somewhere.)

Now, usually, when people hear the name "Scrappy-Doo", they think "boy, I hate that little shit." But the thing was, that wasn't what people thought initially. When you watch those early episodes where he appears, there's really nothing particularly wrong with Scrappy in a vacuum. Yes, he can be annoying, but so can Scooby and Shaggy, and he's intentionally written as such. He changed up the formula somewhat, but the formula had gotten so stale that the writers were happy for it (Mark Evanier has a story about how they had to go over various monster ideas and sigh when they realized they'd already used them). If anything, ratings saw a very noticeable uptick when he showed up, to the point that he's credited as saving the show from cancellation.

The thing was, the executives looked at that ratings uptick, and decided to make a number of moves with the objective of trying to shake up the formula as much as possible in favor of what they thought people liked and what would save money. Six main characters? How about we cut it down to three main characters, two of whom are voiced by the same guy? Solving mysteries and always finding out it's a guy under the mask? That's boring; instead they should meet real monsters and fight them. Half-hour-long episodes? Too expensive. Make seven-minute shorts instead and lash them together into three segments.

Now, obviously these changes aren't necessarily Scrappy's fault, but the fact was, within a single year of his introduction, the show had turned into something almost unrecognizable as its former self. What was more, while other characters suffered as a result of these changes (most obviously, Fred, Velma, and Daphne being written out altogether), Scrappy was the character who outright reaped benefits from them. With those three gone, Scrappy was now the only person in the group who wasn't a bumbling coward, which resulted in him becoming, if you'll forgive me, a bit of a Mary Sue. Scooby and Shaggy became his idiot sidekicks while he set up traps and defeated monsters all by himself. Some episodes didn't even feature Scooby and Shaggy at all, and had Scrappy off on his own with his other uncle, Yabba-Doo, taking part in generic Western-themed adventures.

Essentially, Scrappy was a harbinger of an era where the series completely lost its identity, and during that era, he was front-and-center, and many decisions seemed to be made to give him primacy. He wasn't necessarily a bad character at any point (even at worst, it would be hard to call him a low point in whatever he was in), but it becomes difficult to separate him from the constant barrage of bad decisions that surrounded him. And it's equally hard to ignore that the series had truly gone all-in on Scrappy: if you weren't a fan of Scrappy when he first showed up, you certainly weren't a fan when you saw an episode about Scrappy and Scooby's hick brother meeting space aliens.

And nearly everything that I said of Scrappy is also true of Crow. (I don't know if he saved his series, but I've argued before that he was part of an attempt to do so.) It's not that he's a truly bad character at any point. I don't like him, but I can't deny that there are people who do, and I would say that any critique I can make of his writing is something I could probably make about characters that I do like. Johan in GX does a lot of the same things Crow does, and I mostly like him. But the thing is, it's impossible to extricate Crow from the fact that his prime years happened to be when the show became a bit of a mess--and really, that's by design, when the series spent that period going out of its way to broadcast his presence.

What is more, I said with Scrappy that the bad writing decisions of his era harmed other characters but benefited him. Crow is the same way. When you think about bad writing surrounding characters like Aki, Carly, the twins, and most other pre-Road to Freedom characters, you think of decisions that made them less important, less competent, and overall marginal. For Crow, meanwhile, most of the decisions people call "bad writing" (his abrupt introduction, the fridge thing, becoming a Signer, Black-Winged Dragon, the WRGP structure) were seemingly intended to push him into the spotlight.

The final duel with Sherry is a great example: I don't think it's a stretch to say that it's bad writing for a show to try to build an epic character conflict around two characters who have nothing in common and have never interacted. However, the alternative would be him having no investment or arc whatsoever in what's effectively going to be his final story. And for other characters (i.e. Ruka), the writers would probably be fine with that--but not Crow. And so Crow gets the internal struggle and the finishing blow and the big handshake at the end, and none of it really means anything, because the writers didn't really plan things out beyond "well, he has to do something, because he's our third main character," and treated that as an end unto itself.

Crow is a character where it would be silly to say it's his fault that the show started to come apart at the seams. There was a thousand reasons for that, and he honestly wasn't even that important, as you've pointed out. If you removed Crow, then the other characters would probably have suffered a similar fate of dwindling in the background as the writers struggled to find things for them to do. But at the same time, if there was a single character you could point to who represented that era... it would kind of have to be him.

Anyway, look forward to twenty years from now, when he gets turned into a villain in a weirdly adult film adaptation.

What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

[brainrotcharacters]

TW: Wolverine Badonkas

I laughed rewatching because like

[rumlnated]

posts where people are like “i’m too old for this, you kiddos are so new here and don’t know how anything works” should be directly sent to the trash after the person hits post

[saphushia]

i read a wonderful little sickfic that had phantom!etho in it, and despite never even considering the concept before i now can't stop abt etho phantom mechanics and him just being silly with it <3

[nerdy-hyperfixations]

"Ford is intellectually smart and Stan is emotionally smart" is a statement that makes me want to nose dive into academic studies in order to single-handedly redefine the categories of intelligence because that *cant* be right.

[dreamofbecoming]

listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done

but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says

and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.

she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.

so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.

but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.

(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)

[iknowicanbutwhy]

too eepy after work to have a life, stardust? smh

[canisalbus]

I have to ask what drew vasco into falling in love with machete?

His snivelling runt ways were just that irresistable.