#does any of this even make sense WHO KNOWS

[sonarspace]

⋆✴︎˚｡⋆STUDY BREAK (FT. GOJO)

꒰ synopsis. being in the same class as gojo satoru was bad enough; having him as the professor’s insufferably smug assistant made it worse. content. college au. nsfw. (teasing. slight praise kınk. fıngering. oräl. p in v. multiple ōrgasms.) wc. 5.3k. an. to clear up any confusion 😭.. satoru’s a senior student + the professor’s assistant in the course you’re both taking. (fic is kinda all over the place so idk if this works but let’s pretend like it does).

there’s something about gojo satoru that drives you insane. not in the fun, heart-fluttering way that comes with a secret crush or the thrill of banter. no—this is the kind of insane where you want to hurl something, preferably at his stupidly smug face.

“class,” he drawls, leaning lazily against the desk at the front of the room, his shirt slightly rumpled like he doesn’t give a damn—and he doesn’t. “these papers? a mixed bag. some of you really impressed me. others… well.” his lips curve into a smirk. “let’s just say the recycling bin was hungry.”

you groan inwardly, already sensing where this is going. he’s done this before, holding your work hostage like it’s part of his routine entertainment.

“and here,” he continues, brandishing a paper like a prop. your paper. “is a prime example of someone… almost getting there. strong ideas, decent execution, but the conclusion? oof. fell harder than my GPA sophomore year.”

a few students laugh. your jaw tightens, the heat in your chest bubbling up into something sharp and biting. he doesn’t have to name you; everyone knows exactly whose paper he’s waving around.

“anyway,” he finishes with a shrug, tossing the paper onto the desk like it’s disposable. “there’s potential. keep at it.”

you don’t even wait for class to end before your resolve solidifies: you’re going to kill him. maybe not literally, but metaphorically? absolutely.

you don’t plan on storming to his dorm room. it just… happens. one moment, you’re replaying his smug grin and the way his eyes gleamed when he mocked your paper, and the next, you’re standing outside his door, your fist raised to knock.

he answers quickly, and the sight of him makes you falter. his hair is damp, sticking out in soft tufts like he just got out of the shower, and his plain white t-shirt clings to him in a way that’s almost—no. you shake the thought away.

“well, this is unexpected,” he says, leaning against the doorframe with a grin that’s all teeth. “if you wanted private tutoring, you could’ve just asked.”

“don’t flatter yourself,” you snap, brushing past him into the room without waiting for an invitation.

he whistles low under his breath. “feisty tonight. to what do I owe the pleasure?”

you spin to face him, your hands clenched at your sides. “what is your problem with me?”

he blinks, his smirk faltering for a fraction of a second before returning full force. “problem? sweetheart, i don’t have a problem with you.”

“you humiliate me in class,” you say, your voice rising. “you make these comments, you single me out—what, are you that bored with your life?”

“humiliate?” he echoes, feigning a wounded look. “i think you mean ‘motivate.’ you’re one of the smartest people in that class. if i don’t push you, who will?”

“that’s bullshit,” you fire back, stepping closer. “you don’t ‘push’ anyone else.”

“because no one else is as fun,” he replies easily, his grin tilting into something sharper. “the way you react, the fire in your eyes—it’s addictive.”

your breath catches, the heat in your chest spreading to your cheeks. “you’re insufferable.”

“and yet, here you are,” he says, his voice dropping just enough to make the air between you feel heavier. “in my room. alone.”

“because you drive me crazy,” you snap, the words tumbling out before you can stop them.

his eyebrows lift slightly, as if he’s genuinely intrigued by your outburst. “good crazy or bad crazy?”

he takes a step closer, too close. the kind of close that makes your pulse stutter and your instincts scream at you to step back—but you don’t. instead, you stand your ground, your jaw clenched as he waits for your answer, his gaze steady and almost daring.

“what does it matter?” you mutter, your voice quieter now, the heat of your earlier anger ebbing into something more uncertain.

“it matters,” he says, his voice low as his eyes flicker to your lips. “because I need to know if I can do this.”

before you can ask what he means, he leans in, his lips brushing against yours like he’s giving you the chance to pull away. but you don’t. his hand finds your waist, tugging you closer as the kiss deepens, his mouth hot and insistent against yours.

it’s like a dam breaking. weeks—months—of tension and unspoken words all come crashing down in a rush of heat and urgency. his other hand slides into your hair, tilting your head to kiss you deeper, and the sound you make in response is embarrassing and needy, but you can’t bring yourself to care.

you should stop this. you should push him away, tell him he’s crossed a line. but the way his thumb brushes against your waist, the way he tilts his head just right, the way he kisses like he’s been waiting for this moment as long as you have—it’s addictive. you can’t stop. you don’t want to.

but then reality slams into you like a cold gust of wind. what are you doing? your chest tightens as the weight of it crashes down all at once, the heat between you dissolving into something sharper, more terrifying.

you pull back abruptly, your breathing uneven. “i can’t.”

he blinks, his expression softening from one of heat to confusion. “what?”

“this—this is a mistake,” you stammer, backing away. your hands feel clumsy as they fumble behind you for the door. “i shouldn’t have come here.”

“wait.” his hand reaches out, almost instinctively, but you’re already opening the door, your chest tight and your mind racing as you step out into the hall. you don’t look back, even as the warmth of his touch lingers on your skin.

────

you avoid him after that. in class, you sit as far from him as possible, claiming a seat in the back corner, close to the door. the usual tension he brought to the room—his teasing remarks, his piercing gaze when he caught you rolling your eyes—feels conspicuously absent. he doesn’t call on you, doesn’t glance your way, doesn’t even acknowledge you.

it’s been weeks since that night in his dorm, and as the semester nears its end, the distance feels heavier with every passing class. his silence, once the thing you desperately wanted, now presses on your chest like a weight. you wonder if he regrets it, if he’s just as caught in the what-ifs as you are—or if he’s already forgotten.

the final project looms, deadlines creeping closer, but the distraction isn’t enough to stop the quiet ache that’s settled in your chest. you remind yourself it’s for the best. boundaries were crossed, a line you know you shouldn’t have stepped over. it doesn’t matter how he made you feel, how his kisses left you breathless and yearning. none of it matters.

and yet, every time you leave class, you rush, head down, praying he won’t stop you. and every time he doesn’t, the ache grows.

when class ends today, the air feels heavier than usual. your peers chatter around you, their voices blending into background noise as you pack your things quickly, eyes fixed on the door. if you can just slip out unnoticed, avoid another day of walking the tightrope you’ve been balancing on since that night—

but then a hand wraps gently around your wrist, warm and familiar.

“you’re avoiding me,” he says, his voice low and steady. there’s no edge to it, no teasing grin or smug undertone. just quiet certainty, like he’s stating a fact.

you freeze, your heart thudding in your chest. it’s been so long since he’s said anything to you that the sound of his voice directed at you feels foreign.

“i’m late,” you mumble, tugging your wrist weakly in an attempt to free yourself. “let me go.”

“you don’t have any classes after this,” he says, his grip loosening but not letting go. his eyes meet yours, calm but resolute. “i checked your schedule.”

your jaw tightens, irritation flashing through you. “you shouldn’t have access to my schedule.”

“probably not,” he admits with a shrug, a hint of the old satoru creeping into his voice, “but i’m me.”

you open your mouth to snap at him, to tell him to back off, but he cuts you off first. “come have coffee with me.”

you blink, caught off guard by the casual offer. “what?”

“coffee,” he repeats, his tone light, as if this is perfectly normal. “you like coffee, don’t you?”

“that’s not the point,” you snap, yanking your wrist free from his grasp. “what is this, some weird apology?”

“it’s not weird,” he says, his smirk faltering slightly now, his expression open and strangely earnest. “it’s just coffee. with me.”

you stare at him, struggling to find the right words. “gojo,” you begin, your voice heavy, “you and i are not friends.”

his face falls, the shift so quick and unexpected that it makes your stomach twist. you see the way his shoulders tense, the way his gaze drops for just a moment, but you force yourself to look away. without giving him a chance to reply, you turn and push past him, your steps quick and unsteady as you leave the classroom.

the ache in your chest grows with every step, and even as you round the corner, out of sight, the image of his expression lingers. there’s no relief this time. only guilt.

────

you don’t know why you’re here. no, that’s a lie—you know exactly why you’re here. the memory of his expression, the slight drop of his shoulders at your retort, has been looping in your mind, making it impossible to focus on anything else.

your feet carry you down the familiar path to his dorm, the ache in your chest twisting tighter with every step. before you can talk yourself out of it, your fist is already knocking on the door.

it opens almost immediately, and the sight of him steals the breath from your lungs. his white hair is a mess, sticking up in chaotic directions, and his glasses are perched crookedly on his nose. there’s a faint crease on his cheek, like he’d been leaning against a book, and his shirt hangs loosely off one shoulder, rumpled from sleep or hours spent working. he looks… soft. disarming. almost painfully cute.

“coffee,” you say, holding up the cups like a white flag. “can i come in?”

his lips twitch, a hint of a smile breaking through the haze of surprise as he steps aside. “bribery, huh? didn’t think you had it in you.”

his dorm is as cluttered as you remember—papers and notebooks sprawled across his desk, a blinking laptop shoved precariously to one side. you set the coffee down on the edge of the desk, your gaze catching on the scrawled notes and dense blocks of text.

“grading?” you ask.

“research,” he replies, dropping onto the edge of his bed with a tired sigh. his hand rakes through his already-messy hair, making it stick up even more. “finals prep. you know, glamorous TA things.”

you hand him a cup, your fingers brushing against his as he takes it. the simple contact sends a jolt up your arm that you stubbornly ignore. “thought you could use it.”

he hums as he takes a sip, his lashes fluttering briefly before he lets out a quiet sound of approval. the noise is so low, so soft, it makes your stomach twist. you glance away quickly, your grip tightening on your own cup.

“about the other day,” you start, the words quiet and tentative.

he glances up, the coffee still in his hands. his expression is unreadable, but his fingers still against the cup, like he’s waiting for the other shoe to drop. “you don’t have to explain,” he says, setting his cup down on the desk. “if you don’t want this—if i got it wrong—just say so.”

“it’s not that,” you blurt, the words tumbling out too fast, too raw. warmth floods your cheeks, creeping down to your chest. “i just… i don’t know what this is.”

he doesn’t respond immediately, doesn’t fall into his usual teasing deflection. instead, he stands, crossing the small space between you with deliberate steps. his gaze holds yours, steady and unguarded, and it makes your stomach flip in a way you can’t control.

“let me show you,” he says softly, his voice low, uncharacteristically serious.

he’s so close now, his hand brushing against yours, his touch light, almost hesitant. and then his lips are on yours, and everything else fades away.

this kiss is nothing like the first. there’s no uncertainty, no restraint. his hands find your waist, pulling you flush against him as his mouth moves against yours, hot and insistent. your grip on the coffee slips, the cup hitting the floor with a dull thud as your hands find his shoulders, clutching at the fabric of his shirt.

when his hands slide under your shirt, the roughness of his palms against your bare skin makes you shudder. he guides you backward, his body pressing into yours until the backs of your knees hit the mattress. you sink down, the weight of him grounding you as he follows, his lips trailing fire along your jaw and down your neck.

his hands are everywhere—tracing the curve of your waist, brushing the underside of your ribs, exploring like he’s memorizing every inch of you. when he pulls back to look at you, his lips are curved in a wicked, breath-stealing grin.

“you’re infuriating,” he murmurs, his voice low and rough as his eyes rake over you, drinking in every detail.

“you’re worse,” you manage, though your voice is barely more than a whisper.

his grin widens, and his laugh is warm against your skin as he dips his head, his teeth grazing the sensitive spot just below your ear. “you’re already so worked up. it’s cute.”

“shut up,” you snap, though the way your hips arch into his touch betrays you.

“make me,” he challenges, his lips brushing against yours before descending lower, kissing down your collarbone and tugging your shirt higher with every inch. his hands roam greedily, tugging the fabric over your head and tossing it somewhere behind him without a second thought.

his mouth is back on you immediately, nipping and kissing along the swell of your breasts as his hands work the clasp of your bra. when it comes free, his lips part in a satisfied hum, his hands kneading your soft skin like he’s savoring every second of this.

“so fucking perfect,” he mutters, his voice husky as he leans back slightly to take in the sight of you. his gaze is heavy, filled with something dark and hungry that makes your stomach twist in the best way.

“stop staring,” you grumble, though the heat in your cheeks betrays the sharpness of your words.

“can’t help it,” he says, his grin tilting into something softer, more genuine. “you’re gorgeous.”

before you can respond, his mouth is back on you, his tongue flicking over your nipple as his other hand trails down your stomach, fingers dipping just beneath the waistband of your pants. your breath hitches as he pauses, his gaze flicking up to meet yours.

“can i?” he asks, his voice quieter now, his expression serious.

you nod, and he wastes no time. his fingers hook under the fabric, tugging your pants and underwear down in one swift motion. the cool air against your bare skin makes you shiver, but the warmth of his hands is there immediately, coaxing you to relax under his touch.

“look at you,” he murmurs, his voice low and thick as his hands part your thighs, his gaze drinking in every inch of you. “so fucking pretty.”

your cheeks flush, and you try to turn your head away, but his hand cups your chin, gently coaxing you to meet his eyes. “don’t hide from me,” he says, his thumb brushing against your cheek. “not tonight.”

his other hand slides between your thighs, his touch featherlight at first, teasing. when his thumb brushes over your clit, a jolt of heat shoots through you, and your hips buck involuntarily.

“sensitive,” he murmurs, his lips curving into a wicked grin. “i barely touched you, and you’re already squirming.”

“shut up,” you snap, your voice shaky as your fingers clutch at the sheets beneath you. but the way your body reacts—arching into his touch, chasing the pressure—makes it clear that his teasing isn’t far from the truth.

“you don’t really want me to, do you?” his voice is low, almost a growl, and the sound of it sends a shiver down your spine. “i think you like when i talk to you like this. when i tell you how good you’re doing, how fucking beautiful you look right now.”

your chest heaves as his fingers dip lower, sliding through your slick folds with infuriating slowness. every movement feels deliberate, calculated, like he’s savoring every second. when his fingers finally slip inside you, the stretch makes your head fall back, a gasp tumbling from your lips.

“that’s it,” he murmurs, his thumb circling your clit as his fingers begin to move, slow and deliberate at first. “you feel so fucking good, baby. so perfect.”

your hands fly to his shoulders, your nails digging into his skin as he curls his fingers, hitting a spot that makes your vision blur. “oh my god—gojo—”

he tuts sharply, his fingers pausing inside you, his thumb stalling its maddening rhythm. your head snaps up, breathless and confused, to find him staring down at you with a dark look, his lips curving into a smirk that doesn’t quite reach his eyes.

“no,” he says firmly, his voice low and commanding as he tilts his head. “say satoru.”

“w-what?” you stammer, your heart racing as his fingers remain perfectly still, the tension building with every passing second.

“not ‘gojo,’” he says again, his free hand sliding up to cup your jaw, tilting your face toward his. his thumb brushes over your bottom lip, his grin sharpening. “say satoru.”

you hesitate, your breath hitching as your body trembles beneath him. he presses his fingers deeper, curling them just enough to make your toes curl, and your resolve shatters.

“satoru,” you gasp, your voice breaking on the syllables.

his smirk widens, something dark and triumphant flickering in his eyes. “good girl,” he murmurs, his thumb resuming its slow, torturous circles on your clit as his fingers pick up their rhythm again, harder this time, deeper.

your head falls back against the mattress, your body arching into his touch as the pleasure builds again, higher and hotter than before. his name tumbles from your lips like a mantra, breathless and needy as he drives you closer to the edge.

“that’s it,” he coaxes, his voice dripping with praise as his free hand slides down your body, his touch possessive. “just like that, baby. let go for me.”

the coil in your stomach tightens to the breaking point, and when he curls his fingers just right, pressing against the perfect spot, it snaps. your orgasm crashes over you, white-hot and overwhelming, and his name spills from your lips in a broken moan.

“satoru—fuck—”

“that’s my girl,” he murmurs, his voice rough with approval as he works you through the waves of pleasure, his movements slowing but never stopping until your body goes slack beneath him, trembling and spent.

he pulls his hand away slowly, his gaze fixed on you as he brings his fingers to his lips, licking them clean with a deliberate, satisfied hum. “even better than i imagined,” he says, his voice dripping with arrogance, his eyes gleaming as they roam over your flushed, trembling body.

you blink, your breath still uneven as his words settle over you. “wait—” you say, your voice catching slightly. “you’ve thought about this?”

his grin widens, slow and deliberate, and he leans down, bracing himself on his forearms so his face is just inches from yours. “oh, sweetheart,” he murmurs, his voice low and teasing, “you really think i haven’t?”

your cheeks flush even hotter, your pulse racing as his words sink in. “you’re—” you stammer, at a rare loss for words. “you’re ridiculous.”

“ridiculous?” he repeats, feigning offense, though the wicked glint in his eyes never falters. “i’d say i’m a man of focus. you’ve been in my head for weeks, driving me insane with that sharp mouth and the way you look at me when you think i don’t notice.”

“i don’t—” you begin, but his lips curve into a knowing smirk, cutting you off.

“you do,” he insists, his tone softening just slightly. “and every time you glared at me, every time you rolled your eyes or bit back some little retort, all i could think about was how much i wanted to shut you up. like this.”

his lips capture yours again, and this kiss is slower, heavier, laced with an intensity that makes your toes curl. his hands roam, sliding over your bare skin with a reverence that feels almost out of place against his words.

when he finally pulls back, his gaze is still on you, his expression uncharacteristically serious. “and now that i’ve got you,” he says, his voice dipping into something darker, “i don’t think i’ll ever get enough.”

the weight of his confession leaves you breathless, and before you can respond, his lips are trailing down your body again, his hands parting your thighs as he settles between them.

“what are you—” you start, but his eyes flick up to meet yours, and the look in them steals the rest of your words.

“relax,” he murmurs, his lips curving into a soft, almost mischievous smile. “i’m not done tasting you yet.”

his hands slide to grip your thighs, pulling you apart with ease as his lips descend, brushing over your inner thighs, teasingly slow. his tongue flicks out, hot and wet against your skin, and when his mouth finally finds you again, you feel your body arch instinctively, your breath leaving in a sharp, unrestrained gasp.

he’s relentless. his tongue drags up your folds in a languid stroke before circling your clit with maddening precision. his mouth is hot, the slick, wet sounds mingling with your soft moans, and his breath—warm and uneven—fans against your skin with every movement.

his hair brushes against your thighs, soft and messy, and your fingers thread through it again, tugging sharply enough to make him groan against you. the vibration of it sends a jolt of pleasure straight through your core, and your hips buck against his mouth.

“satoru,” you gasp, but it’s barely coherent, your voice breaking as he latches onto your clit, sucking just enough to make your toes curl. “oh my—”

the cold press of something against your inner thigh pulls you out of the haze, just barely. it’s sharp, unfamiliar, and you glance down—his glasses. they’re still perched on his nose, slightly crooked, the metal frame fogging faintly from the heat of his breath. he’s so lost in the moment, so focused on the way his tongue works against you, that he hasn’t even noticed.

your hand drifts down, brushing against the cool frame, and you slip them off without a word. the absurdity of it—the way he’s been eating you out with his glasses still on—makes you want to laugh. the corners of your mouth twitch, and a soft sound bubbles up in your throat, but then his tongue presses flat against your folds, dragging up in one slow, deliberate motion, and the laugh dissolves into a sharp moan.

your head falls back against the pillow, your hand tangling back in his hair as you toss the glasses onto the bed with the other. the noise they make as they hit the mattress is faint, drowned out by the obscene wet sounds of his mouth, the low hums of satisfaction he lets out as he devours you.

“fuck,” you whimper, your thighs trembling as his tongue flicks against your clit again, faster now, more insistent. your body arches instinctively, chasing the pressure, and his hands tighten on your thighs, pulling you even closer to his mouth.

he growls against you, the sound low and rough, vibrating through you in a way that makes your toes curl. his tongue dips lower, teasing your entrance before sliding back up, and the sharp scrape of his teeth against your swollen clit has you seeing stars.

“so fucking sweet,” he mutters, his voice muffled against your slick skin. “can’t get enough of you, baby.”

you can’t respond, can’t think. the only thing you can focus on is the way his tongue works against you, precise and relentless, building the heat in your stomach until it’s unbearable. your fingers twist in his hair, pulling harder, and the groan he lets out in response sends you spiraling.

“satoru—” his name falls from your lips like a prayer, breathless and broken. he doesn’t stop, doesn’t let up, his mouth dragging you closer and closer to the edge until you can’t hold on any longer.

your orgasm hits you hard, ripping through you in waves that leave your entire body trembling. your hips jerk against his hold, your moans loud and unrestrained as you ride it out. his tongue slows, working you through every aftershock until you’re left panting, boneless against the bed.

when he finally pulls back, his chest is heaving, his lips and chin glistening with your slick. his hair is a mess, strands sticking up where your fingers had tugged, and his eyes—those impossibly bright blues—flick up to meet yours, gleaming with satisfaction.

“twice,” he says, his voice low and teasing as he wipes his mouth with the back of his hand.

he sits back on his knees, his hands smoothing over your trembling thighs as he takes in the sight of you—flushed, panting, your chest rising and falling as you try to catch your breath. his grin is lazy, self-satisfied, like he knows exactly what he’s done to you.

“you’re staring,” you mutter weakly, your voice barely above a whisper.

“hard not to,” he replies, his tone low and full of amusement. his fingers trace lazy patterns on your skin, his touch soft, teasing. “you look so fucking good when you come.”

your cheeks burn, and you want to glare at him, to tell him to shut up, but the words catch in your throat as he reaches for the hem of his shirt. in one fluid motion, he pulls it over his head and tosses it to the side, the movement effortless and maddeningly confident.

your eyes follow the shift of his muscles, the way they ripple under his skin, lean and defined. a faint sheen of sweat glistens across his chest, catching the dim light, highlighting every sharp line and curve. your gaze drifts lower, down to the sharp ridges of his abdomen. the faint trail of white hair starting just below his navel draws your attention, leading your eyes further, until his hands move to the waistband of his boxers.

he doesn’t rush. he hooks his thumbs under the fabric, dragging it down slowly, deliberately, letting the anticipation coil tighter in your stomach. as the fabric falls away, your breath hitches.

he’s fully bare now, and your mouth goes dry.

his cock is… breathtaking. thick and flushed a deep pink at the tip, already leaking beads of precum that catch the light as they drip down the length. it’s long, the kind of length that makes your thighs press together instinctively, wondering how he’ll fit, but the heat pooling low in your stomach burns hotter, overriding any hesitation.

his hand wraps around it, and he strokes himself slowly, his thumb swiping over the head to collect the wetness there. the motion is deliberate, almost lazy, and the soft groan he lets out sends a shiver down your spine.

you’re staring—you know you are—and he notices, his lips curving into a wicked grin as his eyes flick up to meet yours.

“don’t worry, baby,” he murmurs, his voice low and teasing as he leans forward, the head of his cock brushing against your folds, slick and hot. “i’ll make it fit.”

his words send a shiver through you, his voice low and dripping with confidence. the weight of his cock against your folds, hot and heavy, is enough to make your hips twitch instinctively, chasing the friction. but he doesn’t push in right away—of course he doesn’t. instead, he drags the head up and down your slick, letting it catch on your clit with every pass, teasing you until you’re squirming beneath him.

“satoru,” you whimper, your nails digging into his shoulders. you’re not above begging at this point. “please.”

his grin widens, his head dipping to press a kiss to the corner of your mouth. “what’s the rush, baby? we’ve got all night.”

“satoru,” you repeat, more insistently this time, and he groans at the sound of his name on your lips, his cock twitching against you.

“fuck,” he mutters, his voice tight now, losing some of that smug edge. “you sound so pretty when you beg.”

he lines himself up, his hand still wrapped around the base as he presses the head against your entrance. the stretch is immediate, a sharp, overwhelming mix of pleasure and pressure as he pushes in slowly, inch by inch.

“holy shit,” he breathes, his voice rough as his head falls forward, his hair brushing against your cheek. “you’re so fucking tight.”

your fingers clutch at his shoulders, your breath catching as he sinks deeper, the fullness stealing every coherent thought from your mind. he pauses halfway, his free hand sliding up to cup your jaw, tilting your face toward his.

“you okay?” he asks, and there’s something softer in his voice now, his eyes scanning your face for any sign of discomfort.

you nod, your voice shaky as you answer. “yeah. just—keep going.”

his jaw tightens, and he exhales slowly, pressing a soft kiss to your forehead before he starts to move again. every inch feels impossibly deep, your walls stretching around him, and when he finally bottoms out, you both pause, your breaths mingling as you try to adjust.

“fuck,” he groans again, his voice strained as his hips twitch against yours. “you feel so good. better than i ever—” he cuts himself off with a shaky laugh, shaking his head. “shit, you’re perfect.”

you can barely respond, the stretch and fullness leaving you trembling. but then he starts to move, pulling out almost entirely before sliding back in with a slow, deliberate roll of his hips. the drag of his cock against your walls is enough to have you moaning, your head falling back against the pillow.

“that’s it,” he murmurs, his voice rough and approving as he sets a steady rhythm. “good girl. taking me so well.”

your hands trail down his back, your nails scraping lightly against his skin, and the groan he lets out sends a fresh wave of heat through you. his movements quicken, the sound of skin against skin filling the room, and every thrust has him hitting that perfect spot deep inside you, making you cry out.

“satoru—” his name falls from your lips again, and he leans down, his teeth grazing your neck as he thrusts harder, deeper.

“you’re gonna make me lose my fucking mind,” he growls, his hands gripping your hips tighter, holding you in place as he drives into you. “you feel so good—so fucking perfect for me.”

the coil in your stomach tightens with every roll of his hips, the pressure building higher and higher until it’s unbearable. his thumb finds your clit, rubbing in tight circles that make your vision blur, and your moans grow louder, more desperate.

“come for me,” he demands, his voice rough and low in your ear. “let me feel you.”

the command sends you over the edge. your orgasm rips through you, your body arching into his as you cry out, his name spilling from your lips like a prayer. your walls clench around him, and the sensation makes him groan, his thrusts growing erratic as he chases his own release.

“fuck—” he gasps, burying himself as deep as he can go as he comes, the heat of him spilling into you, thick and warm. his head falls to your shoulder, his breath ragged against your skin as he rides out the last waves of pleasure.

the room is quiet except for the sound of your heavy breathing, the air thick and charged as he finally pulls back, his weight pressing into you as he collapses onto the bed beside you. his arm slides around your waist, pulling you against his chest as he presses a soft, lazy kiss to your temple.

“told you i’d make it fit,” he murmurs, his voice still rough, but there’s a hint of smugness there, his lips curving into a small grin.

you can’t help the laugh that escapes you, your body still trembling against his. “you’re such an asshole.”

“yeah,” he agrees, his tone light, teasing, as he brushes a strand of hair from your face. “but you like it.”

you roll your eyes, but there’s no heat to it, your lips curving into a faint smile as you bury your face against his chest. “shut up, satoru.”

“never,” he replies, and the warmth of his laughter vibrates through you, grounding you as your breaths slowly even out.

an. gojo with glasses... *hnnggghh*

DO NOT COPY, TRANSLATE, OR REPOST MY WORK ON OTHER PLATFORMS!

[studyinglogic]

SIMPLICIO: Indeed, what god could possibly forgive a duck eating a duck?

PROTAGORAS: Could be a chicken. Also you don't know if he's going to eat it. Maybe he's plotting revenge on the person who cooked it. Assuming it was a person.

ALCIPHRON: That it is a duck about to eat a duck is evident. But considering what ducks do, that's probably not the biggest concern of the gods. Assuming the gods have meticulous providence and hence pre-ordained what Moeliker saw.

SOCRATES: Here you are anachronistic, my dear Alciphron, for you have brought in Calvinist notions of a Christian God into your previously Greek notions of gods. In any case, the question is not whether a god could forgive a duck eating a duck, but whether a god would forgive us for imagining a fictional duck about to eat a non-existent duck. Are we not the guilty ones?

NIETZSCHE: You seek the flame outside yourself while simultaneously extinguishing it within. Fools and slaves of long-defunct theologians, do you not see how crooked and warped your thoughts are by this focus? If you wish to speak about morality, do so honestly and without hypocrisy, rather than pretending to the divine and assuming that you know the nature of God.

KEYNES: Did you anachronistically steal my line about economists?

NERO (with FAT TONY): Economists schmeconomists. This is the ludic fallacy times twenty. If you like watching ducks, enjoy ducks. If you like watching cartoon ducks, enjoy watching cartoon ducks.

DORFMAN and MATTELART: A ridiculous notion, and one that could only be put forward by a caricature of a caricature. It used to be that ideology was spread by education; now it's spread by cartoons. In the Donald Duck comics, "all objects arrive on parachutes, are conjured out of hats, are presented as gifts in a non-stop birthday party, and are spread out like mushrooms. Mother earth gives all: pick her fruits, and be rid of guilt. No one is getting hurt." No wonder people act like nature is inexhaustible.

TOLSTOY: I am a writer who enjoys polyphony, but let me tell you, this dialogue is a mess. No repeating characters, no chiasmus, no arc---how could this end well?

WITTGENSTEIN: End? Those are the words of a writer detached from a reality they can control. The riverbed of thought in which we carve our grooves never ends. We are caught in a language game about ducks, cartoons, and morality. The question of forgiveness presupposes rules about what requires forgiveness, and even presupposes a setting in which the concept of forgiveness makes sense. But can a duck transgress against these rules if it does not participate in the language game that created them?

LAOZI: Speaking about language games misses the point, for the duck that can be named is not the eternal duck. To put it more bluntly, to pin down a concept of a duck is to impute to it a stability that does not exist. When we cease trying to categorize the duck as eater or eaten and instead see the two as intertwined, we may glimpse the true Dao of duckness.

SANKARA: I may agree with your Way; I cannot agree with Duckness as primary, for to speak of Duckness is misconceived. The duck, the meal, and the eating are all maya, mere appearances. In ultimate reality, Brahman alone exists. The wise one sees through this illusion to the underlying unity.

ZHUANGZI: You speak of unity; I speak of change. Once I dreamed a bird became a fish which became a human who became an ambiguous poster on social media, for just as a fish spawns roe which may be birthed or eaten, these humans spawn ideas which may be neglected, or take on a life of their own, or be eaten themselves. The posts written by this human took on lives on their own. This is called the endless transformation of discourse.

[endless-ineffabilities]

It's not like I'm falling in love, I just want ya to do me no good (and you look like you could) (18+)

Ewan Mitchell x actress!reader

Ewan Mitchell isn't one for parties, but for you? He'd make an exception. Surrounded by stars at the GQ party, his revered muse on the big screen becomes a twisted angel in his arms—leaving him seeing stars again as he finds bliss within your warmth.

word count: 6.7k

main masterlist ▪︎ teaser

Ewan thought he could keep up the celebrity facade, just for the night at least, but the ceaseless barrage of mingling is starting to get to him.

The boo hurled at him right outside the establishment still echoes in his ears. Maybe it wasn't even about him, but his annoyance had been triggered. He decides that it all has gotten to him. What a load of bull.

He had been on the fence about being tapped as an honouree of a lifestyle magazine. Like it means anything. What does this have to do with being an actor? How is this supposed to help his craft? He might as well have been tapped to do one of those videos where he shows everyone what's in his bag.

"It's exposure," his team had chirped in unison, practically reading from a PR handbook.

This wasn't the industry he'd envisioned when he first fell in love with the craft. But none of this is about craft. It's all publicity fodder, all noise.

What he really wants—what his entire being craves—is a BAFTA, a Golden Globe, a SAG award. Hell, he would trade every glitzy dinner party invite for the faintest whiff of Oscar buzz. That was the dream.

Instead, here he is, tethered to a seat at one of four long tables, littered with stars of every calibre—from industry titans to the disposable nobodies who would be forgotten by this time next month.

He had been encouraged to make connections. Socialize. He translated this as a polite way of being told to suck up to people. Maybe a casting director would remember him. Maybe some producer would pass his name along. Easy.

Flattery will get you everywhere in this business.

But at any given time, he would much rather suck on a bloody spliff.

Leaning over to Davey, he says, "I might sneak out for a smoke or something. That's fine, right?"

Davey snickers, sensing Ewan's agitation. "Oh, if you're asking me, I say do whatever you want, mate."

But then someone from his team, straight-laced, precious Lindsay, lets him know otherwise. "Ewan, I'd advise you to sit still for now. What if they call you up some time during dinner?"

Ewan doubles down, his leg anxiously shaking under the table. "Are they going to call on me?"

Lindsay balks. She hasn't heard Ewan sound this pressed before. "Well, we weren't told but—"

"Then I can go. They wouldn't care."

"Ewan, just—"

"Sorry, Lind, but I gotta take a breather. This is all just—"

Lindsay waves him off, resigned. Ewan has always been an easy client to manage, so she can't bring herself to begrudge him this. "Fine, whatever. Just make sure to hide the cigarette if the photographer shows up."

"Sure," he mutters, not meaning it in the slightest. Nobody would care if he is spotted smoking. They should be grateful he is not among the deviants doing lines in the bathroom.

He abruptly gets up from his seat, and backs right into... you.

Of all people. Ewan feels the blood drain from his face, his breath hitching as disbelief engulfs him. His hand instinctively rises, brushing against the silken warmth of flawless skin exposed by your backless dress. The contact sends a jolt through him, and for a moment, he's certain he might pass out. You—right here, in the flesh.

You flash him a dazzling, effortless smile and murmur, "Oops, excuse me," your voice a melodic tease that leaves him utterly undone.

"Oh, no... no problem." He stammers, fully aware that he should be the one begging pardon.

You hold his gaze, ensnaring him so effortlessly. He realises how stupid he must look, with his mouth parted and his eyes wide. He should say his name. He should introduce himself, goddamnit.

But the moment shatters when someone calls your name. You step away without hesitation, and Ewan feels the loss acutely, like an unhooked fish left gasping on dry land.

Then it comes. That fucking sound.

The high-pitched squeal you let out is sharp, almost grating, but somehow it still strikes him as endearing. He'd probably hate it if it didn't come from you.

"Hi! Oh my god, how are you? I haven't seen you since our ski trip in Courmayeur!" Your voice carries, your excitement encroaching his space like an air of warmth.

Ewan follows your trajectory, his eyes trailing as you glide over to Eve Hewson. The two of you embrace like old friends, giggling like co-conspirators, your champagne glasses clinking softly.

He nearly rolls his eyes but catches himself. He knows he's being ridiculous, standing there like a sulking idiot, but the irritation bites anyway. He wants to blame the squeal, or the scene you're making, or the way you seem so goddamn comfortable in this world of chatter and pomp.

But that's not quite it.

He knows the truth, and it gnaws at him like a persistent itch he can't scratch. He's annoyed because he wanted you—your dazzling smile, your undivided attention—to be aimed at him.

He forces his feet to move, making his way down the side hall, where the din of the party fades into muffled chaos. He needs a breather, a moment to reset, but even here, your presence clings to him like static.

It's maddening.

Ewan has spent years watching you. On screens, in interviews, on magazine covers. You're like an open book he's memorised, every detail imprinted on his mind.

That birthmark beneath your right shoulder blade, briefly exposed in that love scene with Glen Powell. He remembers it, even though the camera barely lingered. The way your laugh bursts out unguarded, lighting up every corner of a room.

In one interview, you mentioned Meisner as your go-to technique, and it stuck with him. Of course you'd say Meisner, he thought at the time, like you were someone close to him, because you're all about connection, about living truthfully in the moment.

And here you are, in the same place as him, vibrant and ever so magnetic. Princess of every party, muse of the silver screen.

But you don't know him.

You didn't think you would be attending the British GQ party, but one of your Londoner friends happened to be throwing their birthday bash the night before, so you thought—why the hell not?

You were, of course, invited. Originally, the invite had been for the American GQ Men of the Year party the week prior, but filming schedules had other ideas. For the past two months, you'd been stranded in the icy landscapes of Winnipeg, immersed in the demanding shoot of David Lowery's latest thriller.

Grueling days and endless takes had left you with little energy for glamour. But now, with a few weeks off and the American crew taking a well-earned Thanksgiving break, you finally have some breathing room.

The London event seems like a perfect way to ease back into the whirlwind. And it doesn't disappoint.

The Roof Gardens is buzzing, the atmosphere heavy with the scent of expensive perfume and free-flowing champagne. You glide through it like you belong—because you do. Years of this kind of schmoozing have taught you how to navigate these waters. A charming smile here, a fleeting hug there, a bit of banter with a photographer who asks for the best angle.

You find yourself talking to your old castmate Eve Hewson near the bar, the two of you imbibing something bubbly and dry. She looks luminous as always, her dark hair framing her sharp, mischievous grin.

"Winnipeg, though?" Eve says, her tone incredulous as she leans in. "What the hell is Lowery making you do out there? Freeze to death for art?"

"Pretty much," you laugh, savouring the chill of your drink. "But it's worth it, trust me. The script is absolutely incredible. I just wish the weather wasn't trying to kill me."

"Classic Lowery. He probably thinks the suffering adds authenticity or some shit."

"Probably," you agree, rolling your eyes. For some reason, you find yourself circling back to an earlier incident.

"By the way," you say, leaning a little closer to Eve, "do you know who that guy was? The one I bumped into earlier?"

"Which guy?"

"Clip-on earring. Tall, kind of broody-looking in an overcoat? Wasn't talking much, just sort of... cruising awkwardly."

Eve shrugs, clearly drawing a blank. "I have no idea. Was he hot?"

It only takes you a second to consider this. "I mean, sure. In a tortured artist kind of way. Poor schmuck looked like he'd rather be anywhere but here."

"Oh!" Eve says, snapping her fingers. "Wait, he might be one of the honourees."

You arch a brow. "Not a goddamn influencer, right?"

Eve shakes her head. "No, don't worry. I think he's in that Game of Thrones spinoff. What's it called? House of Dragons?"

"Never saw it." You didn't have the time, truth be told. Also, the last seasons of its predecessor had been enough to edge it off your watchlist.

She taps her chin, thinking. "Wait... oh! Wasn't he that nerd in the movie with Jacob and Barry? Saltburn!"

"Oh my god. That's him? He did great in that role."

"Right? I could not have pointed him out. Kind of a chameleon, I guess."

"Guess so," you agree, the curiosity lingering.

The night unfolds exactly as expected. You exchange quips with Harris Dickinson, who flirts with you just enough to keep things interesting. You catch up with Nicole Kidman, who had been somewhat of a mentor to you when you acted alongside her in your third film at just 16. Jude Law joins your circle at one point, his charm as effortless as ever, and for a while, it feels like just another night on the circuit.

By the time you step outside into the crisp evening air, you're craving a bit of quiet. The gardens around the pavilion are softly lit, the gentle glow of fairy light casting long shadows over the manicured hedges. You pull your vape from your Loewe clutch, taking a long drag as you lean against a cold marble railing.

That's when you notice him again.

He's standing a few feet away, partially obscured by a stone pillar, a cigarette burning between his fingers. The faint smell of tobacco taints the pristine air, and you catch the same restless energy he had earlier.

You wander closer, the soft click of your heels against the stone catching his attention. He glances up, startled, as if he hadn't expected anyone else to venture out here.

"Hey," you say casually, holding your vape up as you stop beside him. "Can you hold this for a sec?"

Before he can respond, you hand him your purse, crouching slightly to tighten the strap on your heel.

He freezes, staring at the outstretched object. "Uh... sure," he relents, albeit hesitantly.

You straighten after a minute, taking the purse back with a quick "Thanks," and give him a once-over. Up close, he's sharper, more distinct. There's something remarkably intense about him that wasn't obvious before.

"I'm Ewan... Mitchell," he blurts, his words a little rushed.

You smile, tilting your head. "Nice to meet you, Ewan."

He fumbles for a response, his cigarette dangling precariously from his fingers. "I, uh, think we bumped into each other earlier. Inside."

"Yeah," you say lightly, your lips curving into a faint smirk. "I like your outfit, by the way. Very vampiric. Dior, right?"

He blinks, then chuckles softly, almost self-deprecatingly. "Yeah. Thanks. I like you too... I mean, I like... I like your dress, too."

You laugh at the accidental remark. There's something undeniably charming about him, despite his nervousness. "Why, thank you, Ewan."

The blush that creeps on his cheeks shows through the powder. He must have felt it, because he immediately trained his gaze down to his polished shoes.

Cute. So you make it your mission to break through his shell. These events tend to get repetitive after a while, but maybe tonight will be a lovely exception.

And so the game begins.

The two of you peacefully take hits of your respective choices of poison, your bubblegum-flavoured vapour melding in the air with his Marlboro red.

"You're quiet," you point out the obvious eventually, a teasing grin playing at your lips.

He almost laughs at the understatement but only shrugs. "Not much to say, I suppose."

"Oh, I doubt that." You lean against the balustrade, studying him. Ewan feels his pulse quicken under the weight of it.

You're so at ease. It's infuriatingly attractive. Your disarming allure, your grace in this world of make-believe, only deepens his self-consciousness. He knows what he must look like: an odd man out, fumbling at the edges of fame while you shine at the centre of it all.

He exhales shakily and finally replies, "Don't let me bore you."

"You're not boring me," you reassure him, before playfully adding, "Not yet at least."

There's a flicker of something unclear behind your eyes when you move closer and ask, "So what are you thinking?"

What he's thinking is that he's out of his depth, that he hasn't felt this kind of raw attraction in years—if ever. He's thinking you're the kind of woman who doesn't even have to command attention, and he's already hopelessly drawn in. But what he says is, "Just... wondering how I got here."

Your laugh is soft, rich with amusement. "To this party?"

"Or this moment."

His words surprise him, his ears burning as they register. You don't say anything, causing Ewan's nerves to spike. Did he sound too eager? Too pathetic?

But then, you smile. That damned megawatt smile that looks even better in person than on screen. "Well, it's a good place to be, isn't it?"

You lean a fraction closer, and could swear his heart is about to burst out of his chest.

"Do you always look so serious?" you ask, your gaze flicking to his lips, admiring the way they seem to be in a state of being perpetually curled. "Or is it just the brooding artist thing?"

"I'll take it if it works," he manages, his voice uneven.

"Oh, it's working," you say softly.

Ewan shifts his weight, tapping the cigarette against the edge of the balustrade. "Sorry, I just... I don't get it. These things. Everyone pretending they know everyone, like it's all some bloody performance."

You exhale a stream of vapour, watching it swirl into the night. He's finally opening up, and there is no way you're letting this slide. "It is a performance," you reply. "That's the point."

He shakes his head, gazing at you with a genuine softness you haven't been at the receiving end of in far too long. "But why? Why not just let the work speak for itself?"

There's something innocent in the way he says it, and it's endearing and definitely rare among your crowd. Ewan Mitchell isn't like the men you usually find at these industry events. He's no preening peacock, no walking cologne ad praying to be noticed.

There's something boyish in the way he fidgets, and yet also something undeniably grown in the way his eyes linger on you when he thinks you're not looking.

You reply, "It's so people know who you are. Why would anyone want to go see your movie if they don't give a shit about you?"

"You see, darling, that's where talent comes into play."

"Hmm, okay. But do you not know how many thousands upon thousands of aspiring actors come to LA every year just to witness the death of their dreams, because nobody gave a shit about who they are? And I'm certain that a lot of them can outact us under the table."

Ewan takes a slow drag from his cigarette, buying himself time. The way you said "us" sends a thrill through him he's desperately trying to smother. "Well," he begins, "if you're talented enough, you'll eventually catch a break. People notice, don't they?"

"Talent isn't everything," you point out. "You need to have drive."

"That I have," he counters quickly, his voice laced with quiet conviction. He wouldn't have been able to climb out of a life of near-guaranteed anonymity in Derbyshire if he didn't possess drive. There's a confidence in him now, a spark you seem to notice, judging by the faint curve of your lips.

"And charisma," you add, your smile widening, "which, clearly, you also have."

"Thank you," he says on instinct. There's a pause, just long enough for him to wonder if he's again blushing under your watchful gaze.

"And," you continue, dragging the word out with deliberate weight, "in this day and age, you need to get people talking."

Ewan exhales, the corner of his mouth quirking up. "How do I do that, superstar?"

"A big, fat scandal usually does the trick." Your voice is casual, but your eyes gleam with mischief.

"Oh, brilliant," he deadpans. His sarcasm earns him another laugh, and he feels it in his chest like a warm shockwave.

"Or... you could date someone famous. Get on the PR train."

Ewan shakes his head, his brow furrowing. "Not for me, I think."

You drift closer, eyes narrowing slightly as if you're sizing him up. "Oh really? You wouldn't get with me if you had the chance?"

The question lands like a lit match in the conversation. He swallows nervously, "Of... of course I would. But I don't want it to be manufactured."

"How would it go then?" There's no mocking in your question, no cruelty in your smile—just curiosity, maybe a touch of challenge.

He falters, betraying the battle waging between his nerves and his growing comfort in your company. "How would what go?"

"How would you, Ewan Mitchell, get me?"

His throat goes dry. He considers dodging it, turning the conversation back to you with one of the rehearsed quips he uses for interviews. But that feels cheap in the face of your boldness, so unabashed and expectant. "Well, I'd ask you on a date."

"And I'd say yes... go on."

"And we'll go to... the cinema," he says simply, and for the first time tonight, he doesn't feel like treading water.

You laugh, shaking your head. "Oh, you're such a purist."

"What's wrong with that?" he asks, a touch defensive but also playful, emboldened by your attention.

"Nothing, you tortured artist, you," you tease, your tone lilting. "And then what?"

"Then... we could grab dinner or—"

"Would you kiss me?" you interrupt, your voice low and threaded with something heavier. Most would hesitate, worrying they'd gone too far, but you're not like most people. You never have been.

"If you... if you wanted me to," he replies, his own voice rough with honesty.

"But would you want to?"

His gaze flickers to your lips for the briefest of moments before snapping back to your eyes. The words spill out of him. "I'd be a fucking idiot not to want to kiss you, darling."

Back in the pavilion, music from the DJ booth intensifies, signalling the post-dinner stage of the festivities. But the booming bass that reverberates is nothing compared to the beating of your hearts.

"On this hypothetical date... do we take it a step further?"

Ewan's thoughts run wild, and they are betrayed by the way his pupils dilate. "What do you mean?"

"I am talking about hooking up." Your words are relaxed, but the way you say them is anything but. They drip with intention, with heat, as if you're privy to the fact that he has pictured that scenario a hundred times over.

"What do you take me for?"

"A warm-blooded man who's clearly attracted to me... and who I'm also attracted to."

"You like me?" he whispers hoarsely.

Instead of answering, you close the distance, your lips brushing featherlight against his. The tentative touch sets him ablaze. When you press harder, surer, he melts into you. His hands tremble as they come up to your waist, anchoring himself in the reality of you.

"Fuck me," he breathes when you pull back, leaving him dazed. "I can't—"

"Do this?" you ask, your lips hovering over his, pulling at the fringes of his restraint.

"No... I mean, I can't believe I'm kissing you." He stumbles over his words, clearly in awe. "I love you."

It's your turn to be taken aback. "Woah, what?"

"I mean, I've loved your work," he stammers. "You inspire me as an actor, you know. I've watched you since your early days. You're fucking amazing."

"Mmm." When he allows his hand to drift along your spine, you ask, "Have you ever... fantasized about... sleeping with me?"

"I... I don't—"

"I'm used to it. Being looked at. Thought of, in that way." There's a tinge of raw sensitivity in your admission, letting him see the real you.

Ewan wants more of it. After just a taste of who you are underneath the surface, he is left craving the rest. "Then I think you know my answer," he says.

You let out a low hum. "I know."

"You're such a goddamn liability," he murmurs, managing to sound equal parts affectionate and exasperated.

"I know that too. Come with me," you say, your tone suddenly commanding. You grab his hand, lacing your fingers through his, and tug him towards the pavilion. He follows without a shred of hesitation, his heart pounding so hard it feels like it might burst out of his chest.

The two of you weave through the edges of the party, slipping past clusters of inebriated guests until you find yourself in the dimly lit, unattended coatroom. The small space is as luxurious as the rest of the venue, the perfect backdrop for the tension threatening to explode.

The moment the lock on the door clicks shut, Ewan's restraint snaps like a taut wire. His hands cradle your face as he initiates the kiss this time, his hunger for you bleeding through every press of his lips.

The rest of the party fades away, and there is only you. He didn't care about any of it anyway.

"You are so fucking hot," he groans into the kiss. "I can't believe this is happening."

"Believe it, handsome," you purr, sliding your hands down the material of his coat.

"Are you sure about this?" His question comes out as a whisper, his forehead resting against yours, his cigarette-scented breath fanning your face.

"Ewan," you say, "get on with it before they all notice we've been gone too long."

He huffs out a nervous laugh. "The way you talk makes me think you wouldn't give a shit."

"No, I wouldn't," you confirm, your grin wicked. "They should fucking wait for us."

"You have an attitude, princess," he mutters, his fingers digging into your exposed back.

"Been told I have a big head," you joke.

He hums, before dropping a line that floors you. "Bet you have a sweet pussy, too."

Your eyes flash with amusement, drawing closer until your lips graze his Dior earring. "Wanna find out?"

"Fuckin' hell," his breath shudders out of him, "yes... yes... yes." He knew it might make him come across as desperate, as a damn simp, but he could not bring himself to give a single flying fuck. Not when you perch atop the gleaming marble edge of the table, and spread each leg out to the side, tantalisingly slow. A precious flower to be plucked, right there for the taking.

For him. He feels unworthy. He has half a mind to check the room for cameras—maybe this is all a prank. But what a lascivious, cruel prank that would be.

Is this some twisted initiation ritual into the Hollywood elite?

You trail a smooth, manicured finger along his jawline, igniting a shiver that ripples down his spine. His nerves come alive under your touch, each one crackling with electric anticipation, flipping a switch deep within him directly connected to his cock.

As he has revered you as a goddess on the silver screen all these years, he now reveres you in reality, sinking to his knees.

"Don't keep me waiting," you whisper silkily.

Ewan takes a steadying breath, before diving in. His hands lift the smooth material of your dress, revealing the sacred area between your legs, barely covered in a white sliver of a thong. You might as well have come with no underwear.

The coat suddenly feels too constricting, so he unbuttons it with a sharp motion, letting the heavy garment slide to the floor. But almost immediately, a flicker of concern crosses his face. The Dior number is a rental, and if it gets damaged, it won't be his head on the block—it'll be Davey's. With a hint of sheepishness, he retrieves it, carefully draping it over the back of an upholstered chair.

You notice the gesture, subtle but telling. He doesn’t quite belong to your world—or perhaps he does, but he moves through it without succumbing to its superficial trappings. Your friend Timothée wouldn’t have spared the coat a second glance, long since desensitized to the weight of designer labels.

But Ewan? He handles it all with a kind of quiet reverence, as if even in a borrowed piece of luxury, he remains grounded in something real.

And it only intensifies your desire for him.

There's a wanton intrigue in your eyes as you take in the bareness of his torso. His muscles are defined, but not in the off-putting gym rat kind of way. Instead, there's a natural leanness to his form—a testament to a body honed not for vanity, but for purpose.

Kneeling before you, eyes bright with awe, he gets right down to work. He pushes the fabric of your dress higher, out of his way, and you help him along, your fist bunching the skirt to one side.

"God, you're... perfect," he whispers. His palms rest on your thighs, and when his lips press to the sensitive skin just above your knee, you let out an involuntary sound that draws a low groan from his throat.

"Ewan," you breathe impatiently, unable to conceal your need for him. But he doesn't rush, dragging his mouth higher, trailing kisses along your inner thigh, his eyes fluttering closed as he savours the sensation.

He pauses just before pulling down the waistband of your thong, glancing up at you with wide, darkened eyes. "Tell me if I'm... if I'm doing too much," he says, almost shyly.

"You're not doing enough," you reply. "Keep going."

So he does. He slides the white lace down your ankles, then presses his mouth to your core, his tongue pushing between your folds with a fervour that makes your head fall back. His guttural moan is muffled as he goes down on you, the vibration of it causing heat to pool in your lower belly. You press the flat stem of your heel to the back of his head, drawing him closer.

"Fuck, Ewan," you gasp aloud, your hips rolling instinctively against his mouth as he works you over. He licks you, sloppy and desperate, his inexperience showing but somehow making it even better. He's so determined to give you pleasure, so eager to make you come undone, that he doesn't care about anything else.

He doesn't care about acting like a starved animal as he sucks on your pussy. All Ewan wishes for, in that very moment, is that you cum all over him—the sweet substance flooding his tongue, dripping down his chin, far more sumptuous than everything they have on offer in the party's banquet.

He's seen you fake an orgasm for a scene before, but this is real.

His tongue flicks over your bud, and when you cry out, he doubles his efforts. He wraps his lips around the aching nub to suck gently, then slides a finger into you, curling it just right. Adding another, he increases the pace, his fingertips pulsing into that damned spot within your walls each time.

The defined bridge of his nose is flush against your clit as he moves, augmenting your pleasure. The whole thing is messy, unrefined, and so damn good that it has you teetering on the edge in no time.

Your thighs quiver around his head, and when your orgasm crashes over you, you clamp a hand over your mouth to stifle the sound. Ewan keeps going, his tongue and fingers refusing to let up, coaxing every last shudder from you until you're trembling and gasping for air.

"Holy. Shit." You lean back on your elbows to recuperate as white spots flood your vision.

"Did I... was that... was that good?" he asks with his lips shiny and swollen, practically yearning for your approval.

"Yeah," you manage, but it escapes your lips as a small, incoherent sigh.

"Hmm? What? What was that... baby?"

Baby, he says. But with the way, he's being so sweet, so dumbstruck, he's certainly the baby in this dynamic.

"More," you give him a better answer, "C'mere." You pull him up to your level, tasting yourself on his lips. Leveraging your legs around his waist, you keep him caged in. The outline of his hardened cock presses against your pelvis, and when you grind into him, his teeth clamp down on your bottom lip.

"Aghhh, hey!"

"Shit, I'm sorry—"

"It's okay," you whisper, not letting him pull away. "I liked it. And I want more."

"Anything, baby," he promises, and the raw honesty in his tone makes your chest tighten. "Anything you want. I'll—fuck—I'll give it to you. I'm all yours."

You nod once, before he claims your lips again in a bruising kiss. One of the thin straps of your dress falls from your shoulder, and he visibly shivers in excitement at the sight of your exposed breast.

"Fuck," he sighs, his hand coming up almost hesitantly to cup you. His thumb brushes over your nipple, as he takes you in with lust-clouded eyes. He leans down and captures the flesh with his mouth, his tongue swirling around your tender peak until you're left squirming.

You reach for him, fumbling with his belt and his zipper, and he helps you, his movements even more hurried and uncoordinated than yours.

When he frees himself, you can't help but stare—his cock is long and hard, already slick with precum. The sight makes your mouth water, and when you drag your gaze back up to his face, you find him watching you, his expression somewhere between bashful and utterly wrecked.

Ewan's hair, once gelled to immaculate perfection, now lies in disarray. He'll need to borrow your comb before he dares rejoin the party. The lower half of his face bears the unmistakable traces of cum and smudged rouge, a vivid testament to the chaotic indulgences of the evening. And somewhere in the frenzy of fumbling and fondling, his clip-on Dior earring has gone astray. He feels the absence keenly, like a phantom limb, yet he resigns himself to the loss—for now, it's a dilemma best left for another moment.

"You're staring," he says, an uneasy laugh escaping him, but there's heat in his gaze, a newfound confidence grounding his nerves.

"Because I like what I see," you reply.

"Tell me if this is too much," he says, his anxiety resurfacing through the haze of lust. It's endearing—so much so that you can't help but smile.

"Ewan," you say firmly. "I want everything."

He groans faintly as he lines himself up. Carefully, he pushes into you, and the stretch is exquisite, sending a shiver rippling up your spine. You both moan, the sound echoing in the quiet of the room. He buries himself to the hilt, pausing to catch his breath, his fingers digging into your hips.

"Fuck, oh fuck," he murmurs, looking down at where your bodies meet. "Your pussy feels so good."

The compliment makes you feel something you can't pinpoint, but there’s no time to dwell on it. He starts to move, his thrusts tentative at first, testing the waters. But the whorish mewls spilling from your lips spur him on, and soon, he finds a rhythm—deep, steady, and just rough enough to leave you begging for more.

"Fuck, Ewan," you gasp, your nails scraping lightly against his back. "Yeah... just like that."

Your words are the only encouragement he needs. His pace quickens, and his grip on you tightens as if he's about to confess that he wants to own you. He's already yours, so it's only fair, isn't it?

He's spent years fantasizing about how your pussy would feel, squeezing his cock like a goddamn vice, and he's happy to find out that his imagination is nothing compared to the real thing.

"So sexy, baby," he mutters, his voice muffled as he nips at your neck. "Better than I ever—" He cuts himself off with a groan, his teeth grazing your skin.

You raise your legs higher up his torso to draw him deeper. The angle sends a bolt of pleasure through you, and your moans grow louder despite your attempts to keep quiet.

Then, suddenly, the doorknob rattles.

Both of you freeze, Ewan still buried deep inside your fleshy walls, his eyes wide with panic. The sound of a familiar voice seeps through the door, followed by a frustrated sigh.

"Where the hell did I leave my phone?" It's your friend, Florence Pugh. Her voice is unmistakable, and the realisation makes your stomach drop.

Ewan’s lips form a silent oh my God. You bite back a laugh, pressing a hand over your mouth as Florence jiggles the doorknob again.

"Seriously?" she mutters. "Locked? For fuck's sake."

You hear her footsteps retreat, her voice fading as she calls out to someone else. "Have you seen my phone? I swear I left it out here."

The moment the coast is clear, you both exhale in unison, the tension breaking into a mix of laughter and relief. Ewan drops his forehead to your shoulder, shaking his head. "This is insane," he whispers, though he doesn't feel a single ounce of regret.

"You're the one who couldn't keep it in his pants," you tease, rolling your hips slightly to remind him of your still-connected bodies.

His response is a low growl, and he resumes his thrusts, harder this time, filled with unfiltered desire. The near-miss only seems to have fueled him, the snap of his hips more frantic, more intense. The sound of your bodies colliding fills the room—mumbled curses, breathless moans, sticky slapping of flesh meeting flesh.

"God, you're incredible," he says, his voice strained. "I can't get enough of you."

You feel the coil in your belly tightening again, the pressure building with each thrust. Your delicate fingers dig into his shoulders, and he groans at the sensation, his cock twitching deep inside you. His rhythm falters for only a second before he recovers.

"Ewan," you gasp, your voice breaking. "I'm so close—don't stop."

"Come for me, baby," he says, his hand slipping between your bodies to find your clit. It sends you spiraling, your climax crashing over you like a tidal wave. You cry out, your body tensing and shuddering beneath him as he continues to move, chasing his own release.

He reaches up and twists your nipple, the sharp sensation making you gasp just before he comes. The sight of you—head thrown back, breast bouncing free from your designer gown, your smudged red lips parted in bliss—drives him to the brink. With a strangled growl, he slams into you one final time. His body shakes as he spills inside you, the warmth of his release flooding you completely. You both tremble in the aftermath, caught in the intensity of the moment, gasping for air, drenched in sweat and tangled in raw desire.

You blink lazily at him, a beautiful mess of tousled hair and make-up in dire need of a retouch. "Still think I'm a liability?" you ask.

"Oh, absolutely. But one worth keeping anyway."

Ewan sits in his dimly lit London apartment, the glow of his phone the only other source of light in the room. A half-empty bottle of Guinness sits forgotten on his coffee table. The screen displays your Instagram profile—your impossibly gorgeous face beaming at him from your latest post, which happens to be a professional photograph of you at the GQ party.

His finger hovers above the Follow button like it's the trigger of a detonator.

His newly-created account is laughably barren—no posts, no followers, no following. Just a desperate, last-ditch attempt to tether himself back to you, even if only digitally.

Ewan had always sworn off social media, claiming it wasn't his style, that he preferred the privacy and the mystique. Yet, here he is, spiraling, drunk on the memory of you and of that night.

The coatroom had been a blur. The attendant had returned far too soon, a flurry of apologies as Florence appeared behind her, claiming her phone from her coat pocket with a triumphant smirk.

Ewan remembers how Florence had tugged you aside, your laughter ringing out as she swiped her thumb across your lips, erasing the evidence of that kiss—or maybe just rearranging it. You had been whisked away to the ladies' room, leaving him standing there, disheveled, speechless, and utterly entranced. He hadn't even managed to get your number.

It's been days since, but he still feels the ghost of your touch, the echo of your moans, the scent of you on his skin. He's tried to focus, tried to pick up his scripts, but his mind keeps replaying the way you looked as you came.

He has even rewatched a film of yours, with special attention paid to a particular love scene. Watching it over and over, repeatedly going back to the timestamp where you're seen riding your male costar.

He felt aroused watching you. Also, incredibly fucking jealous.

"Pathetic," he mutters to himself, his finger still hovering. His thumb twitches, brushing the screen, but before he can commit to his descent into full-blown thirst, his phone buzzes violently, the vibration startling him into dropping it onto the couch.

"Shit." He snatches it back up, squinting at the screen. It's a call from his agent.

"Ewan," comes the voice on the other end, crisp and faintly incredulous. "What the hell did you do at that party?"

His heart stops for a beat. "Uh... what?"

"The party. The GQ one. The one where you disappeared for, what, an hour? Maybe more?"

Ewan's brain scrambles. "I don't—I mean, I just mingled. Like you suggested,” he stammers, his voice cracking slightly. "Why?"

"Because," the agent says, drawing out the word like it's a prize reveal, "you've been shortlisted for a chemistry test next week."

"A chemistry test?" Ewan echoes, blinking. "For what?"

"For her film," his agent says, emphasizing the pronoun like it's blasphemous not to know who you are. "It's one of those secret big-budget Hollywood projects only top actors are getting called for. We didn't submit you because—well, not to be rude, but you're not exactly on their radar for that level yet."

Ewan's heart starts pounding. He sits up straighter, gripping the phone tighter. "Wait, wait. What film? Who's—who's her?"

But he already knows the answer.

His agent drops your name, exasperated now. "Apparently she petitioned for you, Ewan. Said you'd be perfect. So what did you do?”

Ewan is stunned into silence. He leans back against the couch, a slow grin spreading across his face as the pieces click into place. You. You'd done this. You’d reached out and used your pull to bring him into your orbit again.

"What did I do?" he repeats. "Oh, nothing much. Just... made an impression."

"Well, whatever it was, it worked. Chemistry tests are next week in L.A. They'll send over the details. And Ewan," the agent pauses, lowering their voice slightly, "don't screw this up. This is huge."

"I won't," Ewan says, his tone confident now. "I promise."

When the call ends, he stares at his phone for a long moment, the grin still lingering. He glances back at your Instagram profile, his thumb poised over the Follow button again. Then he snorts, tossing the phone onto the cushion beside him.

"What's the point?” he mutters to himself, his grin turning into a full-on self-satisfied smirk. "I'll see you soon enough."

He reaches for the bottle of Guinness instead, lifting it in a silent toast to fate—or whatever it is that's tied you two together.

Something came out of all that mingling after all.

taglist: @bitchception @insideyourimagination @angels-wouldnt-help-youu @seamaiden @silverdragonfly @powpowjinxlife @starfishjellyfish5 @shellysa14 @delespresso @notsurewhattocallthisblog8888 @ninihrtss @believeinthefireflies95 @peachysunrize @darktrashsoulbear

[fairsweetlonging]

new idea: shen yuan transmigrates into a pidw version with abo dynamics, but he doesn't know about it.

he knows what abo is, but it's so far removed from his expectations that it simply doesn't cross his mind at all. with that, cang qiong is a respectable, upstanding sect, so there is no growling, claiming, scent pushing or primal instinct stuff going on. people also don't mention it, as it's simply not relevant most of the time, and is considered rude to discuss unprompted.

shen qingqiu, of course, is an omega (the characters who make the best omegas are the ones who would hate it the most), but he has suppressed it with his qi for most of his life because he doesn't want to be seen as weak. the other peak lords assume he's a beta.

now, i'm not a traditional abo dynamic fan, but, there is something very appealing to me about the nesting and scenting aspect of it.

it starts out slow and painfully oblivious, with shen yuan assuming cultivators must have a really good sense of smell, and it's simply book logic that every character seems to have a signature scent. all those romance novels always mention characters smelling of pine and flowers and scotch and leather, so this isn't a foreign concept. liu qingge, for instance, is the bai zhan war god, girls fall for him left and right, it's only natural he smells of musk and deep woodsy notes, like the earth after it rains. right?

besides that, shen yuan has always been a homebody who loves his creature comforts, so him getting extra blankets and pillows and soft fabrics for his bed to curl up in isn't odd at all. or him collecting soft pretty things. shen qingqiu already has fans and night pearls and hair ribbons and silky clothes, so nothing changes.

then without-a-cure hits.

the poison breaks down the suppressors that the original shen qingqiu put in place, and his body starts restoring the balance. this worsens the cravings, and sets off his omega instincts.

he gathers more blankets, but it doesn't fill the need, like there's something missing. then liu qingge forgets his outer robe in his house after a meridian cleansing to deal with an emergency, and that robe ends up in his bed. he tries to reason it's a comfort thing—he wore his dad's sweater when he was young and had nightmares, and liu qingge does smell very nice, so is it really that strange that he holds it at night and presses his face against the collar where the scent is the strongest to soothe himself?

his own scent starts to develop as well, much stronger than the mild, watery green tea flavor from before, and people notice.

thing is, though, that there are many formalities and rules of conduct around omegas, one of which is not to bring up their status in any improper or unbidden way. so even though the alpha lords now notice a very distinct omega scent coming off their shixiong, they can't mention it out of societal pressure. so, they don't.

shen yuan still doesn't notice a thing.

the first time liu qingge smells it is during their bi-weekly cleansing session, when shen qingqiu leans in and liu qingge gets a mouthful of green tea, bamboo and honeyed jasmine, soft and sweet and pleased and so very content it sets off his alpha brain and he has to rein himself in before he starts releasing his own pheromones like some inexperienced teenager—

he's only just grown used to their amity and their habit of sharing tea and cakes after the cleansing, but now shen qingqiu is sitting there smiling at him and smelling like—like liu qingge is spoiling him and, making him feel safe...

he doesn't bring it up, downs his tea, and leaves.

meanwhile shen qingqiu keeps happily nesting away, filling his bed with all kinds of soft fabrics, some clothes of other people that he's trying really hard not to think about. everything is going well, binghe just turned sixteen and the girls are calling him an 'alpha', so his little bun is growing well into his protagonist charms! yue qingyuan comes by more often, acting a little strange but shen qingqiu is used to that by now. he looks very bashful offering him a ribbon of his, a pretty silver one that smells of incense and ozone, and shen qingqiu happily accepts it.

one time binghe comes back bruised and scuffed from a fight with bai zhan disciples, and shen qingqiu tsks at the strange smells on him, do those brutes ever bathe?? he rubs his hands over binghe's sleeves to try and get some of it off, and his poor bun must still be in shock because he stares wide-eyed at his shizun. he must also be getting forgetful because shen qingqiu finds that same robe still unwashed a week later in binghe's bedroom.

he also loves it when people brush or play with his hair, it's his favorite part of the evening when binghe helps him take down his hair for the night. the combs feel so nice on his scalp, if he could purr he would! (binghe's heart sobs quietly behind him, in complete disbelief his master is purring at him).

his icy, lofty demeanor has all but shattered, because now every time he tries to act aloof, like when yue qingyuan gives him a present or liu qingge shows up on his doorstep, his sweet, pleased scent betrays him.

the opposite is true, as well, when without-a-cure flares up and he's in pain and his scent goes sour and distressed, even when he's waving everyone off saying he's fine. the entire house smells of burnt tea leaves and ash after a nightmare, and shen qingqiu is very confused when liu qingge comes to pick him up for a meeting but then refuses to leave.

anyway he doesn't find out until after the conference when airplane tells him to keep his acrid scent under control, his house is starting to stink.

[innerfare]

Apologizing To You 

Summary: How do they apologize to you? (Similar to Fighting and Making Up but oh well.)

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, Kid

Genre: Fluff

CW: None // SFW

——— 

Luffy: 

You thought it would be more difficult to get Luffy to apologize considering he’s not above bickering and arguing and can be so freaking stubborn. But the thing is, Luffy’s emotional intelligence is through the roof and he always senses when you’re really hurting. That being said, he thinks it’s important for you to say so, so he won’t just do it. If you ask, though, he won’t hesitate. He might even grin and ask you why you took so long. 

Zoro: 

For the most part, he’s not one to apologize. He’s incredibly stubborn and doesn’t let those words leave his lips easily, to the point you’ve had several arguments that were far bigger than they should have been. He’s a stubborn bastard, and he’s very proud. He’s also opposed to giving gifts as an apology as he thinks that cheapens it. When he does feel the need to apologize, he’ll do so verbally and quite simply (and privately, for his pride); he would really never do anything to you that would require anything beyond that. 

Sanji: 

You need only ask. Sanji would do anything for you, even swallow his pride. In fact, he’s so quick to apologize, he sometimes tries to speed run the process and might even get his feelings a little hurt if he’s ready to apologize but you’re not ready to accept it yet, but he’s mature enough not to let that turn into another fight. He’s also one to show up outside your window with a bouquet of flowers or another gift to sweeten the deal. He’ll apologize even if you were in the wrong just to jumpstart the making up process. 

Ace: 

Arguing is tough for him, but so is apologizing- not necessarily because he’s too proud to admit when he’s wrong, but because he’s too scared. He fears admitting that he was wrong will cause you to leave him, and this insecurity can be difficult to navigate. He usually ends up shutting you out rather than rushing over to you to apologize, but once you do approach him, usually offering something to eat as a peace offering, he’ll quickly accept fault and apologize for anything and everything. 

Sabo: 

Such a sweetheart but also competitive. You’re the only one (except his brothers, maybe) who knows just how attentive and caring Sabo can be, a far cry from the reckless young man who never seems to listen to a word anyone says, and you’re most likely to experience it after a fight. The two of you have a chosen spot- a pink peach tree on Momoiro Island- and it’s usually Sabo who finds himself waiting there (let’s face it, he’s more likely to say something insensitive than you are). He usually apologizes with a sheepish grin and a peach he plucked from the tree. 

Law: 

Attempting to wring an apology out of him is no good. He has to do it in his own time, and he will, usually no more than two or three days. He prefers to do it under the cover of darkness, without any eyes watching or ears listening except yours, climbing into bed beside you and muttering an apology into your ear, pressing warm kisses into your hand until you melt and are receptive enough to forgive him. Also not opposed to writing an apology on a scrap of paper and slipping it into the book you’ve been reading because he communicates much better that way.

Kid: 

Really not one for heartfelt apologies. Also not one to notice he did something wrong. Eventually he’ll notice you’re upset, but only because you haven’t been sitting in his workshop as much, and kicked him when he rolled on top of you in his sleep. But he’s at a complete loss as to why and ends up snapping at you over it. When you tell him what’s wrong, he’ll grunt out an apology and probably propose you work out your frustration on him in a way that’s enjoyable for you both. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[ohrandomfandom]

I kinda really love “Robiin II: Becoming the Monster” because it contrasts the brightness and excitement that “becoming the magic!” encompasses. But what I really like about it is how if there’s an emphasis throughout about his view of himself and how others see him.

Wasn’t he buried next to Sheila? Bruce focuses so hard on how Jason died(does he even know that Sheila led Jason to the joker? That he was just trying to help his mom, that he didn’t just run off recklessly and confront the joker? That at the last moment Sheila, instead of immediately running off tried to help Jason because of how selfless and brave he was but it was too late for them?) that what he remembers of Jason becomes almost warped by every small interaction that could have been a “warning sign” of what was to come. Every close call, every disagreement, every expression of anger from his child is now overshadowing who he actually was. And tbh he still loves Jason dearly and cares for him and his light and hope but after Jason’s death he becomes especially unforgiving, most of all to himself, so he’s remembering what he thinks he should have seen

From growing up in crime alley, people who don’t even know him hear that and just assume he’s violent or destined to become a criminal(probably something he hears a fair amount after he gets adopted by Bruce from higher society members and the media). Maybe he learns from Talia’s sources about how his entire memory has basically been moulded into this tragic thing. The words that travel far enough to reach him are the cruelest. Talking about how he was reckless, how him dying was inevitable, maybe about the memorial in the cave. There’s this one panel set where Talia tells catatonic!Jason that Bruce misses him and that Jason(and dick) gave him hope as Robin and he cries

How he views himself, with his going against some of the rules Batman ingrained in him. How it feels right but also like a betrayal even though he’s so angry with Bruce.

Even physically too ! Dying at 15, losing more than a year of time, did his revival or the Lazarus pit reduce the effects of any malnutrition as a kid? Did he have a growth spurt? Does his body even feel like his? It must be incredibly disorienting and dysphoria inducing to die in one state and basically emerge from that water in a body he can’t remember growing in to. Muscle memory and habits that are unfamiliar.

Becoming the monster is just him learning how to exist. How to help in a way he thinks can actually work. The joker got out and he died, he grew up seeing people get hurt after the system failed to protect them again and again and so his training and returning to Gotham was part of a plan to show that to Batman. To make a Statement that he doesn’t think that things can stay the same and get better.

Him seeing Tim in all that armour could be reinforcing his view that he wasn’t as valued/ was more disposable. Or maybe he takes this as Batman caring enough to add more protection to this new kid but not enough to get blood on his hands and stop the major threats that would endanger him the most.

Ok I’ve gone off on a super tangent and was trying to pay attention to a conversation at the same time so maybe this doesn’t make any sense or is relevant at all but I just really like “Robin 2: becoming the monster.” Jason embodying the whole “I may be a terrible person but at least I’m taking a bunch more down with me and proving a point while I do”(or at least trying to! He thinks he’s making a very good and reasonable point and this is about him so that’s what matters). And I just love imagining talias support of him through all of this being portrayed as mostly background or insignificant in the face of how much he’s Feeling except for a few small moments where like maybe it’s a flash back or a v/o of a line of her supporting him would be like <33 especially if it happens during like a scene with Bruce to set her as a contrast adult/parental figure in his new second life. Or when he’s killing someone Talias line from lost days where Jason’s like “[blah if I kill this person] don’t tell me the world isn’t better off. Why are you smiling?” And talias like “you’re learning” and he’s all intense like “yea guess I am”

Idk just Jason not thinking he’s a good person but still thinking the terrible and even monstrous things he’s doing aren’t necessarily wrong and are even good is just such an important part of his character and I love that for him and that title was just yesssss and I could talk about Jason for hrs and I’m not going to edit this so I’m so sorry if it doesn’t make sense but your brain is so big and this thread is wonderful

There's a post about wanting a story about Jason's time as Robin. I made a reblog of it so long ago, but I can't stop thinking about it.

I want to watch Jason's flight as Robin, but the entire story he's haunted by the future we all know is going to come.

When he first grabs his tire iron, he has the choice of taking a crowbar instead.

Subtle purples or greens pop up when he's in danger (but not necessarily the Joker).

He frees a bird trapped inside a warehouse.

He rescues a kid who was kidnapped by their mom and returns them to their dad.

So many dead or injured birds

While helping Alfred with gardening, he breaks a nail

Gun magazines at many scenes

Motorcyclists wearing red helmets

Someone's bubbling jacuzzi has a green light on

Duffle bags

He helps hold a bandage to someone's neck until paramedics arrive

Jason reads Frankenstein while at the Manor

An ad proclaims their coffins to be the sturdiest

Just his Robin story being jammed packed with foreshadowing.

It'd also be rad to have Easter Eggs:

Someone makes a comment about assassin kids

When talking to Bruce about something, on the batscreen is a very short file about "One Who is All"

Someone at a gala mentions the Drakes' newest archeology find

Kids at Jason's school chat about meta powers and how cool controlling light is

When visiting the hospital, the nurse introduces herself as Crystal

The buildup of the audience watching Jason, who's unaware of his future, continuously face sign after sign after sign? The irrational hope that maybe someone will notice the universe basically screaming about the future? Nobody notices as more and more signs pop up. It's maddening but so intriguing.

Jason's story of Robin would follow him as he goes from being desperate to survive to thriving. His paranoia that it's too good to be true thrums in his veins, but he learns to ignore it. He's fed, loved, and flies over Gotham every night. There's conflict, sure, but he's figuring out. It's okay.

The signs start out slow and subtle. As he starts to reach towards the end, they get more and more obvious. They occur more often.

Jason doesn't know when it all goes wrong, but he's figured it out before.

We don't see him lose hope until the very end.

EDIT:

Here's the og post I was referencing

[kurthummeldeservesbetter]

I feel like something that should have been explored more in Arcane is that despite the dangers and pretty much horrific conditions, Zaun children seemingly grow up a lot more caring and have a larger understanding of family in comparison to Piltover children. And if such a reflection of the real world in a sense.

The kids of Zaun seemingly grow up with a lot more adult support. Ekko is easily welcomed under Benzo’s wings. Vander adopts 4 kids (two of which we learn he knew of before their parents death, two of which we can’t be sure of). Silco, despite all what happened, and his ulterior motives, shows no problem adopting Powder/Jinx. In the alternate universe it seems as though he’s still played a part in the kids lives. Jinx adopts Isha easily and Sevika cares for her as well. Hell, even Mr. War Crimes Against Humanity does well with little Viktor (until ya know, the animal abuse).

Hell, up until Vander dies (the first time) there seems to be a large understanding of if there’s an orphan or a kid in need of guidance, take them in! (And certainly don’t inform them of your plans to turn a giant pink salamander into drugs and be confused when a nine year old doesn’t understand). If a kid wants to be your apprentice, let them! For the most part, until things all went wrong in the end of act 1 of season 1, the worst parts of Zaun seem pretty typical for any city in poverty.

Match that with what we see with how Caitlyn and Jayce grow up. Caitlyn is given adult support, yes, and it’s clearly a good adult mentor, but it’s not entirely by her choice. It’s been chosen for her. She’s safe, but there’s a lack of freedom of choice. Meanwhile, when Jayce gets older, and that same accident in Act 1 happens, the family that supported him and his mom turns their backs. His own mom doesn’t support him either, because she’s afraid of what he’s talking about, but also because he’s damming them to being outcasts.

Conversely, Vander is more than willing to take the fall for what Claggor, Milo, Vi and Powder did. He’s willing to go to prison for a long time, in order for them to have a better future. Despite Vi’s best efforts, he’s not going to listen to her (she is just a kid) and he’s not letting his family go down and get hurt.

Meanwhile, a man who grew up in this mentality, where there’s a wide sense of family support from people who aren’t your biological family, is the one to go to Jayce, a stranger, and tells him he believes in him. It’s why it’s such a shock to Jayce; his own family and family friends denied him. They didn’t support him.

I think that’s what makes all the difference. Piltover and Zaun have wildly different understandings of family and forgiveness. For Piltover, it shuns and damns the lives of those who upset the balance. For Zaun, it provides safety and never ending understanding.

Just. I’m thinking.

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[sme7ktjun]

TBUTTERFLY BUTTERFLY FLY AWAY

Summer there is no slumber, said by inhabitants of others, countless ages aged the sun of, who other then mother.

She should know any letter without telling you wether you do or you don’t, would it be wouldn’t and won’t.

Trees never give up, only when they fall from the wind that’s most of the time cold, even wouldn’t it be snowing or rain. the one that hits the tree gets either let’s not even mention end in death carcrash where no one survives or dial 911 that commes on time before.

Saying how could machines exist when Leather, FURR. Mother Earth didn’t sing without the wind when lemon was a good addition to the fish we could, bring from far away sail ware’s. Don’t even the fish shine even. Is the letter g wait let “me count” g li tter makes sense when GLITTERBOY made it on the gram where even when it’s about the prices TSEH the Prince TSEH taste ofcourse smell of the beach ofcourse yet the DREAM TSEH. Let’s keep it clean probably some kids get almighty, as in just saying BLEH we all like glitter but would rather yes still in mannered way of saying glamour, than that filthy PiG BE THE PEDAL, at the end well we’ll still pretend we like it for the weather #%*YOU AINT EVEN GOT YEEZY UP IN HERE. FALSE WE WOULD ALWAYS COMBINE THE WAY WE’ve learned from skyline that was heaven.

Last but not least east is just east when the world AIN spinning where scientist say it is either way we already travel only by “train” either water because heaven is in the atmosphere where we’ll end it here cause the sky trainers would rather take a hike then A might be in eleven heavens climbing up a stair is already scary enough let alone bettering the things which simple as explaining with com com rather than fighting one. This probably be the last verse might be, double universe does keep us from turning.

[14dayswithyou]

no way you dropped the biggest river lore in the tags and moved on like it was nothing 😭 can i ask if this is still your intentions with him? bc it sounds like you changed your mind halfway 🤔

im ngl though i really enjoy how ren and river are similar and different to each other, but does that mean river would hurt his angel but leave our friends alone the same way ren would never hurt his angel but would unalive all of our friends? since they're suppose to be each other opposites. i really hope this makes sense 😬 my final question is what is ren doing on thursday? i want to go on a cute pier date again 🩷🌸

@secretkoa asked: and can i hear more about what unsent memory is suppose to be about or is that off limits? idk if i asked this in my previous question so ignore me if i did! thank yuo and remember to drink lots of water 🐸🌱

⌞♥⌝ For those who haven't seen the original post, I want to quickly clarify once more that while River was originally my OC, he's since been picked up and revamped by my friend Jesse/@unsentmemory!!

However, now that Jesse has stepped away from the yandere community, River's fate (and da fate of Unsent Memories) has kinda been put on the sidelines for the foreseeable future.

‼️ Massive Unsent Memories and River spoilers under the cut ‼️ CW for: mentions of gore, torture, mutilation, self-harm, etc.

With all of that being said, yes, Jesse's original intention for River was for him to be your standard "serial killer-turned-yandere once he accidentally catches feelings for his latest victim (Bunny)". The only main difference is that I originally planned for River to be a generic murderer first, whereas Jesse had him become a yandere right off the bat.

You also asked to know more about Unsent Memories, and I think giving a general synopsis(?) would be fine?? ^^ But basically... After getting involved in a car accident, Bunny wakes up with amnesia and gets tricked into thinking that this random guy — whom they've never met before — is their loving, supportive boyfriend named River. In turn, he convinces Bunny that staying in their shared home would be more beneficial than staying in the hospital as it might rekindle some old memories, he'd be able to take care of them, and it would be easier for them to recover at their own pace. But surprise!! River is actually a frequent patron at the Murderer Motel™ and now has trapped Bunny in his Torture Basement®!!! <3 He also maaaay or may not've been the one who hit them with Ren's car as well... ^^ Oopsie daisy hehe

And yeah!! Similar to what you've said, River was also supposed to share (somewhat of) a narrative foil with Ren!! I personally wanted them both to have similar, complimenting vibes with each other — all while having completely different/separate motives and incentives when it comes to the object of their affection. I'm glad to see it was conveyed well enough; even after Jesse's additions to River's characterisation :3 I know I already shared some examples in the previous tags, but I can share a few more:

Where Ren puts Angel's feelings and opinions above his own, River purposefully ignores Bunny's and does everything for his own personal benefit. Essentially, "I'm doing this for you" vs "I'm doing this for me".

While Ren would never dream about harming Angel in any capacity, he's perfectly happy to kidnap, extort, torture, and kill everyone else... In contrast to River, who's accustomed to torturing and brutalising others for his own twisted enjoyment and sees it as a way to show his interest in Bunny.

Kinda silly how Ren claims to be a freelance programmer (but is actually a hacker) and how River claims to work at a music shop (it's a coverup for his second torture chamber lmaoooo).

[CW: implications of SH] Ren is willing to go as far as mentally and physically hurting himself if Angel asks him to, whereas River is willing to physically mutilate Bunny if it means keeping them by his side. [end CW]

With that being said, you can assume that Ren is easily swayed by Angel's words, opinions, and emotions, whereas River can easily sway and manipulate Bunny due to his own feelings and emotions.

This is something I've actually mentioned before, but Ren always prefers things to be tidy, so he often cleans himself up after disposing of his victims. Compared to River, who casually wears the bloodstains with pride and blames it on getting a bit rough with someone else during a boxing match.

It's no secret that Ren is willing to change every aspect of himself to earn Angel's love, and River is willing to change his serial killer ways to return Bunny's love. Da power of friendship and repressed childhood memories gksdgjh T_T /silly

Ren pretends to be a Normal Guy© with tons of empathy to spare, whereas River pretends to be a Regular Person℗ with the heart of a himbo.

I could go on but you get da point lol

So, yeah!! This is essentially the vibes we had planned for River (and Unsent Memories) before Jesse stepped down /pos ^^ I feel like talking vaguely about UM is fine since River only has a small cameo in 14DWY — and I'm sure that if Jesse ever returns from war (/silly), they'll give River muuuuch more justice than I possibly can :3c

[miifu666]

you've seen me babble about Yan! Wukong... BUT THIS TIME ITS MACAQUE!! i know he has a big dick- I've always wanted to write abt Macaque, just never had the time to but now I do- hihihii thank you for those who asked for him ♡♡

⋆˙⟡ —CW: Yandere, ooc Macaque, noncon drugging, rough Macaque, insecurities mentioned, manipulative, art is oc x canon but drabble is canon x reader.

Yandere! Macaque

Imagining Yan! Macaque who knows which words to strike your insecurities, what sentences can fully make you dissociate in the middle of the day. To let him be the one who guides you while you're busy drowning in your self-doubt. His hands maneuvering itself to gently lay on your back, the other acting like a fence, making sure no one can bump into you. He coos about how unfortunate you are, poor little you. Yet, his smirk came forth as he looks back.

"Ohohoho! Look at how you're dressed, baby~ well … maybe this part is a little tight for you, don't you think?"

Macaque tasted the bitter end of the stick, while Wukong got to gloat about the honeyed drip he tasted. The dark simian makes sure you never see the good side of that sage, he'll inject every single downside of every trait you love about Wukong. Sometimes, he even uses your own words against you. Turning your friends and family against you for having the same traits as that monkey you adore. You think Wukong's empathetic? How does it feel to be fooled and scammed by your own friends? Wukong's ambitious? Oh but it eats you up doesn't it? You'll never be good enough for yourself. Macaque is observant, he lives in the shadow and he knows how to use your own surroundings to make you feel little.

"Well, im glad you've learned your lesson…i know its hard to accept that sometimes good things, aren't always good, sweetheart"

He remembers when Wukong was possessed by LBD, there was a sense of longing whenever he thought back to how he was also under her control. The images of you so pliant, harmless and a soft bundle of drug induced state inspires him to try and concoct his own drug. Maybe even steals one from a pharmaceutical, any drug will do. As long as it keeps you pliant and adorable, no horrible side effects, at least that's what he hoped for.

He'll study how much doses you need to ensure you're all hazy and high as a kite. Can't even reach the door to his dojo without stumbling and holding on. So cute, adorable, ugh what other words can he use? You're all helpless, who would make sure you dont stumble and hit your head now hmm? Don't worry, your dear boyfriend Macaque is here. Albeit seeing you like this strikes a sadistic side of him he didn't know of.

"Hey hey, where you going sweetheart? A drunken little thing like you shouldn't walk around without any help. What if some big bad guy takes advantage of you hmm? Poor thing"

Macaque knows what he's doing is wrong. Punishing you, keeping you hidden, heck he even silently drugged you without your knowledge just so he can fulfill his stupid fantasy. He's not delusional, there's guilt eating him up and the only way a traumatized simian can say sorry is through his actions and services. he's the best at handling things patiently with care, Macaque will take care of you in ways he knows best, and he's really good at it too.

"Ohoho what's this? You missed me this much? Hahaha so cute.. ill have a fun time ravishing you.. just lay down and let me do my thing"

Yan! Macaque who longs for someone to share the lonely nights with him, someone who he can cuddle with and talk about the stars and which stupid cat reactions you are. Its all he ever dreams of, all he longs for. Yan! Macaque understand every single insecurity you're going through, he knows how to handle it. He'll help you through it, He'll make sure you wont have lonely nights to cry yourself to sleep on. Maybe if you close your eyes hard enough, you can forget about the shackle on your leg and the bruising lovebites around your intimate areas.

"I know… its hard, its tough but life happens and.. i know my little sweetheart can pull through.. you always do. Thats what i love about you.. haha even got me a little too obsessed"

Macaque is a good mate whether you admit it or not, his observant eyes and omniscient six ears focused solely on you. The slight sniff from your nose can be a sign of an oncoming sickness, within no time he'll be ready with the blankets, warm tea, tissues and medicine! You might think he's heartless, sure he locks you up whenever he goes out, talks you down every time you feel confident enough to leave him and yeah he might have a need to see you helpless without him But! But! He's not neglectful, maybe there are times where you feel like he's infantilizing you. Yet he swears it's just an instinct, he always makes sure you get your proper meals, he even watches cooking shows just to make sure you eat your flavourful food! Not those salt and pepper tasteless things.

"I made you something~ ...what? It tastes funny? Hmmm must be the new recipe im trying, im sure you're just not used to it, hun"

[unknownati]

iv. ekko x gn!black!reader hcs

a/n: they got me yall.

sorry for whoever followed me for tlou content we'll be having a brief intermission i'll come back to them in a minute js let me get this out my system 😭🙏🏾

warnings/tags: no use of y/n, no mention of reader's features (except for being black, but it's only in a few points 🤷🏾‍♀️ so it can be read otherwise), arcane s2 spoilers (minor), sfw and nsfw hcs, (oral sex, kinks, riding), in some au where everyone is happy and nothing bad ever happened 😊, never proofread we ball 🔥

______________________________________________

sfw:

- i feel like ekko is a bit shy (awkward shy though, not shy-shy...does that make sense) when you first get into a relationship with him, and it's just because he's shocked that he's managed to get with you. at first he's stumbling over words, playing off your compliments, desperately trying to keep eye contact with you but if he does he just keeps smiling because you look so good.

-one time, while riding past you on his hoverboard, you waved at him. he waved back, but even as you walked away his eyes kept following you. if it wasn't for scar warning him at the last second, he would've crashed straight into a wall.

- his cockiness comes later into your relationship, every successful action he does followed by a grin that you roll your eyes at.

-and did y'all see the way he looked at powder in ep. 7? his puppy dog eyes are LETHAL.

-he doesn't even know it either. every time he wants something, he just looks at you with those eyes and murmurs "please, ☆?" you fold so quick.

-(you've tried to learn to resist his eyes as they are what caused you to sprain your ankle in a hoverboarding accident since he begged you to race him. he just wanted to show off, too. he didn't stop apologizing for weeks.)

-he usually doesn't really like people touching his hair. he's fine with the kids doing it from time to time, but in general it's not his favorite thing in the world.

-you, however

-you get a pass because you get it. you know how it feels for your hair to just be like a petting zoo from time to time. you know exactly how to help him care for his hair, so much so that he's stopped doing his own retwists. (not like they stay in for very long, you immediately help him sweat it out 😊)

-he's made a lot of random little things for you, like a small chain necklace with an empty locket. he kind of sucks at wrapping gifts though, so he just handed it to you with a stupid smile while you two were perched at the top of the firelight tree.

-"ekko, this is so cute," you mutter, your bottom lip jutted out in adoration as you inspect the delicately crafted chain. small mistakes here and there, but you loved it.

-he also learned how to sew just so he could make you a bonnet/durag. he even sewed a crude little "e" in the corner of it, and made himself one with your initial in it as well.

-will randomly shadow box you out of no where. it's some form of cuteness aggression or something, because you'll be talking about your day while absent-mindedly twiddling with the hem of your shirt, and suddenly there are fists flying towards you that he knows to never let connect.

-"...ekko, the fuck are you doing?"

-he makes small noises that sound like "shoo" every time his fist flies, watching you stare at him with an unimpressed look.

-saw someone else say this but yeah ekko can't hoop. sorry

-he CANNOT hide his facial expressions. he may tell you one thing, but his face will never lie. if you're out eating and you feed him a bite of your food, you can watch his face contort into one of disgust, so much so that he almost looks offended. upon realizing that he doesn't want to yuck your yum, he'll fix his face into the fakest smile you've ever seen and nod.

-"...ekko, go spit it out."

-you've never seen him reach for a napkin any quicker.

-idk who the arcane universe's michael jackson is but, when he was younger he absolutely learned all the dances.

-probably the biggest softie the world has ever seen. he's very tough in public, but once he closes the door behind you two and climbs into bed with you, he's clinging onto you like a sloth.

-if you like painting your nails, he'll (hesitantly) allow you to paint his nails to match yours.

-(these next few ones are sliiightly for me 🤭)

-loves when you draw on his arms.

-until he can't get whatever marker you used off of his skin in the shower, so now he's walking around looking like a coloring book with little flowers, hearts, and signatures on his arms.

-he hangs up all the drawings you make of him up along his work space. sometimes he forgets one and leaves it on his desk, so it's a pleasant surprise to find a drawing of himself among scattered and disorganized papers while he was cleaning up.

-has gotten used to you randomly biting him. you'll come up behind him while he's working, and he already knows it's coming when you rest your chin on his exposed shoulder. 2 seconds later, your teeth are sinking into his skin. he just chuckles, but he does ask once.

-"why do you do that?"

-"oh, i dunno. i just like doing it. 's how you know i like you."

nsfw (very brief i'm sorry):

-praise kink. you couldn't tell me otherwise

-loves giving praise, loves receiving praise.

-when he's giving you head, he almost does it for his own pleasure. feeling your hand rub against his undercut while you whine and mutter "fuuuck, ekko, you're so good. don't stop please" is all he needs

-and i'm glad we've all agreed he's a thigh guy too 🙌🏾

-and IK we say this about every fictional man but HE WHIMPERS.

-he starts off with groans and grunts, but the closer he gets, the more his voice starts to shake and his words start to become whines.

-he looooves when you ride him holy shit

-looking up at you while your face contorts in pleasure is absolutely on his top 10.

-and if you stare into his eyes while you do it? his soul has left thanks!

-in general he loves eye contact. when you look up at him with his length between your lips, you can see his brain start to short-circuit.

-he's definitely the type to make sure you finish first before he even gets to think about his own pleasure.

-he's usually super sleepy afterwards too, but he refuses to lay down for a second until he makes sure you're all cleaned up and comfortable before he's out cold on your chest.

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[fangsandfeels]

>Ok but he doesn't. He thinks he does. He thinks he has Rook all pinned down. It's why he doesn't expect Rook to escape the Prison of Regret but Rook does. Solas is convinced that all of his manipulation to get Rook to drown in regret is enough to keep them trapped in that prison. In his pride, he doesn't expect Rook to escape. He once again doesn't expect Rook to see through his final betrayal about the veil. He also doesn't expect Rook to have enough cards by the end to stop him (which is conditional based on what you do in the game)

I don't think that Varric was thinking that far ahead when he was hiring Rook. Hiring someone who can make decisions during high-risk situations and face the outcome is logical - you know that this person has the resilience necessary and won't back away from a challenging task.

However, to hire them because they're unpredictable and can potentially outsmart or outwit Solas? I don't think they were aiming that high or planning that far ahead. They just needed reliable people to hopefully intercept Solas before he sets his plans in motion.

Also, it's not uncommon for Solas to underestimate people. He woke up and decided that the beings living after the Veil deserved to go extinct because he saw them as terminally disabled due to their disconnect from the Fade - and only later was he forced to acknowledge them as people, which didn't dissuade him from his goals, just made him feel bad about what he was going to do.

He had flawed opinions about dwarves, Qunari, humans - and he still has them, but recognizes the Inquisitor as "one of the good ones" on High Approval. So, his pride has always been his weakness and the reason for his hubris.

The Inquisitor would have gotten out of the Prison of Regret, just like many other determined and strong personalities Solas knew personally - because they made as many, if not even more hard decisions as Rook did, and they didn't let regret stop them.

>Cassandra also spent time in the Hunterhorn Mountains north of Orlais, where she worked to rebuild the Seekers. For a time, the new Seekers remained reclusive, showing no interest in worldly affairs and working to a purpose few outside their order could guess.

"For a time" doesn't necessarily mean "for entire 10 years". Also, Seekers seeming reclusive and working to a purpose few outside their order could guess makes sense in the context of the Trespasser - if Cassandra decided to use the Seekers to assist the Inquisitor with searching for Solas, she isn't going to tell everyone and their mother about it.

Nobody knows what exactly Seekers are working on because nobody needs to know. Cassandra did learn a lot, and she learned how to be subtle. At least, had she been included in the plot of the Veilguard, there wouldn't have been any disconnect between the epilogue and her actions.

As for her not showing up in Southern Thedas due to political reasons, it would have been understandable, especially if there was a particularly intense geopolitical situation (I'm elaborating on this in the final paragraphs below). However, since Solas could be anywhere because of the Eluvians, she still can help in the regions she can go to.

>With Corypheus gone there is a power vacuum. A cult of fanatics don't just say "oh well, guess we'll go home now." According to Tevinter Nights (which the franchise being a mixed-media franchise has it's own problems), while a lot distanced themselves from the Venatori there were still a good number of loyalists who remained active. This leads to Aelia trying to fill in that role. She does gain a decent amount of support for it. Even when she's "captured" she has enough sway to escape prison and cause problems. Why? Because the Venatori's ideology is appealing to a lot of people in Tevinter even if they don't directly associate with the cult. However, with her "failure" we have another power vacuum present - so why is it "lazy writing" to have the emergence of another powerful mage that speaks like Corypheus and offer power similarly to what he did fill that?

First of all, yes, telling the story of the game in bits of other media is a horrible practice. Not all people are going to read them - so, it should be explained in the game. Not just by codex entries, but by the characters. I had no clue who Aelia was and why she was bad news - and Neve's vague explanations didn't make it any clearer.

Second, without Corypheus the Venatori lost their competitive differentiation, so to speak- their ideology wasn't any different from the general ideology of Tevinter, just a tad more honest and aggressive.

Yes, Tevinter is obsessed with the idea of its supremacy. Yes, it believes it deserves to rule the world and is working towards this goal.

Venatori are just too loud and messy about it, especially without an ancient god/demigod backing them up. So, if the Venatori can't serve the Tevinter's cause meaningfully or at least fall in line, the Tevinter's power would have either dismantled them (either forcefully or by destroying them from inside), just so they would stop causing so much ruckus and getting unwanted attention.

Alternatively, Tevinter would have exploited their zeal and fanaticism (for instance, encouraging their unethical magic research or even agreeing to finance their search for magisters like Corypheus) because despite being absolutely despicable Tevinter isn't stupid and it knows an opportunity when it sees one.

What I mean to say is that the game tries to show that the Venatori are the main reason why Tevinter is corrupt and not getting any better instead of showcasing how deep the problem goes and how it's much more complicated than "defeating a group of bad guys with an evil name"

>The supremacist ideology of the Venatori embody everything you're saying here. The examples you're giving are all part of the supremacist mindset. Hedonistic and power-obsessed ruling class? Yep. "Slavery is bad" and "we should treat non-mages as people" Those two concepts are directly against the supremacists ideology. We also do get some notes from Dorian doing just that Veilguard. The Venatori isn't just one shade of ugly, it's the embodiment of everything wrong in Tevinter. It's the supremacist ideology given form.

Then why make such a focus on the Venatori if the entire Tevinter is built on the ideas of supremacy? Why?

By making the Venatori solo bad guys of Tevinter, the writers washed their hands off the entire corrupt system of Tevinter established in the previous games - see, guys, magisters aren't that bad and the entire Tevinter society doesn't need a wake-up call, it were the Venatori all along. The Venatori are bad, Tevinter nobles practice slavery just because they're misunderstood and confused, and I guess Danarius, Hadriana, and all the slavers from Tevinter you had met before were just the Venatori in trench coats.

The reason why Tevinter refused to acknowledge the Venatori in the Inquisition was because of their cultish obsession with Corypheus and unsubtle aggressiveness, which didn't look good for their long-term ambitions and plotting.

It would have made more sense if the Venatori either became an official ruling party by the events of Veilguard (no coup needed) because a) they didn't meet any resistance from Senate or the people of Tevinter, b) they brought proof of ancient magisters actually existing, which gave magisters a huge ego boost and added quasireligious delusions to the Tevinter's program, c) Par-Vollen officially started its invasion (like it was promised in the previous games) by attacking Antiva, giving Tevinter the opportunity to be more active and aggressive (infiltrating Antiva by offering it "protection" from the Qunari, reintegrating Kirkwall under the guise of defensive measures), preying on the neighbor's desperation and vulnerability to its influence.

But instead, they're shown as that malicious cult that is officially opposed and rejected as if Tevinter somehow had an issue with their philosophy.

>Varric is the one tasked with forming a small team. It's his responsibility to form that team and onboard people and vet them. With the way it's framed in "The Missing" Varric had full authority to bring on whoever. He didn't need approval. They kept in touch via Charter and sent correspondence to the Inquisitor but there wasn't any need for approval.

That's the problem, especially considering that the group was going against Solas with his immense abilities and his network of spies. Bringing on whoever is dangerous. There should be at least reporting to the Inquisitor about new recruits because otherwise Varric had been putting himself in a stab-me-in-the-back situation for Solas' spies all that time.

>Given Varric's line to Neve at the beginning, Varric is upfront with the information: "I also told you he was an ancient elven god." Whether the person believes them is dependent on the person. Rook has been tracking Solas with Varric for a year or so. I think by now they've witnessed enough to believe Varric's information.

Having the information doesn't mean being prepared to face Solas - a guy who has been manipulating and doing psychological warfare long before the the Veil. Also, Varric gives a very one-sided perspective on Solas because he only knows him as his former ally. The Inquisitor gets to know a lot more about Solas - after all, they're the one he rants to during his High Approval scene at the balcony, they're the one he subtly confirms his chosen course of action with, they're the one who sees him leave after the Orb is broken, and they're the one to meet him again in the Trespasser. Varric doesn't have this information, he didn't see that side of Solas, so whatever information he gives to Rook is incomplete. Rook doesn't know what they're dealing with. Moreover, Rook doesn't need to know that Solas is sentimental - Rook needs to know that Solas is very good at lying and deceiving people and that he is ruthless.

It all could have been addressed within prologue dialogues, but all we got was Rook asking "So, when we find this Solas...then what?" - which sounded as if Rook joined the group just yesterday. As a result, Rook sounds woefully unprepared.

>You think they wouldn't let that stop them. I think they're smart enough to not continue to play an active part if any information they get or send off is information Solas is spoon feeding them. If their continued involvement would cause more harm then good then yea, I think they would take a step back. I think they would hand off the reigns to others.

The problem is: who are these others? The entire "there is a real elven god walking around and he wants to destroy the Veil" story is very hard to explain to anyone who hadn't been around during the events of the Trespasser. Dismissive and derogatory attitude towards the elven culture aside, people don't respond to the "gods are among us" claims well without proof. It's not the Blight, which is super hard to ignore. It's something new - and it's so challenging to everyone's religious ideas that engaging new allies would have required some thoughtful wording and messaging.

There is a reason the guys who believed that Andraste reincarnated into a dragon were considered lunatics in the DA:O. To find others who can handle Solas (while knowing what he is and bracing themselves for a tough challenge) would take time and effort - meanwhile, both Leliana and Josephine have the burden of knowing the threat, knowing it's coming. I can't honestly imagine them sitting on their hands and hoping that the Inquisitor finds someone.

Now, there could have been a wonderful way to keep them busy and not as involved without making it look odd. For instance, if Par Vollen officially declared war and started invading Rivain and Antiva.

In that case, Josephine would be fully committed to doing whatever she can for her country, while Leliana's presence will be crucial for a) the morale and safety (if Divine), b) working against Ben-Hassrath and gathering intel (if Sister Nightingale).

>They do find new allies through their journey.

We don't see them in the game.

>They do find people who have ample knowledge of magic and ancient history.

We don't see them in the game.

>This idea also continues to play out in Veilguard. We find someone who has connections.

There is only Neve who is more of a investigative journalist/freedom fighter who never dealt with gods, ancient magic or anything like that. She herself admits that she is way over her head.

>We find someone who has ample knowledge of the fade since that's what Solas was directly trying to manipulate.

Aside from Emmrich, there is nobody else available - and Rook employs him after Varric is out of commission, leaving Rook desperate for help and clues because they have nothing. That's the issue: there are no tangible results after the 10 years of search. Rook starts from the ground zero - even though they aren't supposed to.

>I do not think it implicitly means what you've interpreted it to. I think that's how you interpreted that and I think that's a valid interpretation of it. Unfortunately that's not where they took it. That's also now how I interpreted it. I think a lot of the fandom interpreted this in different ways and that leads to disappointment if their interpretation wasn't correct. I think that's what's happening to you here. I don't think Bioware not catering to your interpretation means "they don't care." or anything like that. I think it's just that what you predicted or assumed based on the information provided ended up being incorrect. Other people predicted it correctly. If anything this just means that the marketing team could have done better at setting expectations and making sure everyone was on the same page.

From my point of view, there are things that are meant to be interpreted differently by players, and that are part of worldbuilding that isn't up for interpretation. For example, the Warden can be absolutely merciless and cruel in their decisions - and their motivations depend on the player's interpretation (trauma, anger due to oppression, refusal to be kind to the world that screwed them over, simple assholery). Similarly, the Warden can be heroic and selfless - why are they like that is still up to the player's interpretation. However, the end goal doesn't change: Kill the Archdemon. It doesn't matter how evil or how kind the Warden is as long as they get the job done. They become the Hero of Ferelden regardless.

All the threats created or hinted at were never up to interpretation. Blights are extremely dangerous. The Mage-Templar war caused massive destructive disruptions across the Andrastian regions, leaving mages and templars particularly vulnerable to exploitation. The death of the Divine led to hysteria and massive crisis of faith, while the Breach and the rise of Corypheus led to the emergence of the Venatori and red lyrium zombies. And the characters always responded accordingly to the threats -- either because of their rank and calling or due to them having exclusive understanding of the problem and needing to be in the loop.

The ending of Trespasser implied that Leliana and Cassandra were sticking around, working with Inquisitor and following the Inquisitor's decisions (and certainly taking note of how easily Solas infiltrated their networks). For them to just bow out without any explanation or reason isn't the problem of interpretation - the game didn't deliver its own buildup.

>But Bioware can't just make whatever they want. Bioware is owned by EA (not just published through them. OWNED by them). Bioware has to pay people to make the games. They need to get the funding and approval from EA to do so. This means that no matter how passionate the team is, there's only so much they can do and EA gets a huge say in what that is. EA who explicitly stated earlier AFTER BG3 released that they don't think single player story based games are worth investing in. WHICH IS INSANE TO ME. EA had them start developing the game one way. EA had them change development midway. EA had them remove all multiplayer pieces. EA cut funding to Bioware forcing them to make cuts in staff.

I admit, I don't know whether it was Bioware or EA who decided to completely dunk on the elves and their entire arc in the Veilguard, make a clown show out of Qunari, destroy Loghain as a character and erase nearly the entire Southern Thedas - and then naively hope for Dragon Age series to get the next game.

I don't know whether it was the Bioware's love ruined by the EA (which definitely played the part in it because I know how soulless and greedy management can fuck up the production) or Bioware writing it all out of spite and then releasing the artbook so people could pay $75 to see the content and the story that never happened and will never happen.

The outcome is the same: there is no reason for me to give them money. If Bioware can no longer make it's own creative choices, I will no longer buy its games because it means rewarding EA for its abhorrent practices.

There is no point in believing in Bioware anymore and support it because if this is where EA is taking it, I'd rather let my favorite series die and be put to rest than see them twisted into the parody of their former selves.

I understand your point, but IMHO, the problem of Veilguard isn't that it's not perfect - it has been actively hurt by the choices and management, which is why it's the pale shadow of what it was supposed to be.

Moreover, I don't even know what the writing team thinks because they either lump reasonable criticism together with elon musk fanboys whining, which is downright insulting or carefully pat themselves on the back for the job done. I understand that EA may have made them sign some kind of BS contract that doesn't allow them to speak ill of EA and its decisions for 100 years or so, but even refraining from comments would have sent the message.

Right now, both behaviors create an impression as it's the players fault for having expectations and wanting the proper final of their story, instead of just consuming the content.

And that's just sad.

Bioware writing team has a comfy, sheltered life and it shows

I'm sorry, but how come that the only people Inquisitor sent to look for Solas were Varric and Harding? How come that the only people recruited in 10 years of pursuing Solas were Neve and Rook? Do the writers understand that this is NOT how a serious effort looks like?

What about Leliana? Divine or not, she is still Sister Nightingale with an immense spywork. You'd think she won't mobilize everything she has to track Solas and his followers?

What about Josephine? What, she decided "nah, I'm done" and didn't use any of her diplomatic talents and connections to let the Inquisitor's agents have access, permissions or information they need?

What about Dorian? As a political figure, you'd think he will be the first Minrathous contact for the Inquisitor allies, the one arranging things and providing insights?

What about Cassandra and her Seekers? Isn't she interested in stopping another world-ending threat?

What about Sera and her sabotaging potential? If she organized the group of people for performing vigilante acts, people who are her eyes and ears, how come nobody from her group is helping with the effort?

I get it why Varric takes part in it - he knew Solas, the Inquisitor trusts him and his judgement, but for the game to imply that all the responsibility was lumped on Varric's shoulders is fucking disgraceful. I get it writers, Varric is popular character, and you would use him as bait to your heart's content, but the context you've created implies that Varric might have been the only one to take the threat seriously, while the Inquisitor and the rest were doing God knows what.

Varric should have been handing the Rook information on all the contacts they can recruit, all the useful agents, all the people to work with, not tell them to ask Neve because she might know someone because detective (Neve is a good character, but the fact that people who were supposed to spend 10 years chasing Solas look up to her for finding them contacts is appalling).

"Oh, but all these people were in the previous parts and we don't want to mention previous parts because muh new players" - well, you shot yourselves in the foot. Maybe, just maybe, you should have AT LEAST cared more about the choices made in DAI.

Congrats.

[certifiedsexed]

sorry if this is a weird ask or it doesn’t really fit into the blogs vibe but I have a form of herpes that I obtained when I was very little (probably through sharing drinks with family) but it only flares up once every few months on my mouth. Like, only on my mouth. People often ask what the sores are when I get them and whenever I explain that it’s herpes they assume I’m gross and unclean. Do you have any tips on how to explain it to others in an easier way? I normally just say it as it is but there are a lot of biases despite me not obtaining the virus via sex and its very annoying to receive judgement and I feel when I explain I make it worse

I think this' a fair addition to the theme of the blog. Thank you for trusting me to answer!

Well, Anon, here's the thing; you could explain you have a disease that causes regular sores on your mouth, that you obtained in a very rare fashion. You could tell them it's called the simplex virus, which is not untrue and that it unfortunately does not have a cure.

You can sometimes even just tell them you've got a rare disease that causes sores and leave it at that.

I imagine a lot of people would react a lot better to that. Simply by leaving off that it's herpes often helps tone down judgement in cases like that.

But I do want to point out that people who assume you're gross and unclean because you have herpes aren't usually people you'd want around you.

That's a very bigoted attitude and the idea that they'd treat other people like that, simply because of the virus' association with sex [which should not be a bad thing], makes it sound like they have some issues they personally need to work through.

You can avoid being the target of that judgement and it makes sense you would want to! It's very exhausting to be treated like that.

But you can't erase that they are judgmental in that way and that often becomes an issue in many other ways.

That's not me saying you can't hang around those people. I just think I'd feel bad not making sure you're aware of that.

Hope this helps! Let me know if you have anymore questions. <3

[impactrueno]

Hi! I really love your comics, and art in general! Your Hey Arnold and Simpsons stuff was fire, and I've been loving your Beetlejuice comics (Lydia and Juice's falling out got me tearing up lmao) As far as your Beetleverse comics go - idk if this is something you've mentioned somewhere - I know they're probably meant to be, like, separate canons and stuff, but if they were to take place in the same kinda "timeline", what would the order of events be?

Does CartoonLydia meeting older MovieLydia - a Lydia who's had some really negative experiences with MovieBJ and preaches that ToonLydia SHOULD NOT trust ToonBJ - have any impact on her getting fed up with her BJ and breaking it off with him?

Again, thank you for making these comics - they're dope as hell, and I'm excited for what comes next!

thank you so much!

the beetleverse comics are just a "what if" where we pull each duo out of their respective canons (unceremoniously) and force them to be in their little white void enclosure that i made for them lol

so the events in the story i'm currently doing haven't been influenced by any of that. but if they were to take place in the same timeline, it'd happen some time before the end of the show (maybe even before season 4,) and i think movie lyds telling her to be wary of toon bj would make her doubt herself and her beej for a moment, but then would be proven wrong or realize that movie lydia was wrong about him. and this would not make sense in a real life situation (in fact, it would be concerning) but here's the thing:

something i've found interesting to think about with the beetleverse comics is that each duo operates on different logic. movie lydia is closer to real life logic aka "why the hell are you letting this child hang around so closely with this weird old man" but cartoon bj and lyds work under saturday morning cartoon logic, meaning none of the things movie lydia is fearing would ever happen, because it's a show for kids. so in their little universe, cartoon lydia is perfectly safe with her beej, who as we all know would sooner die all over again than to cause her any harm, so she has nothing to fear. they'll just be best friends forever (with a few bumps along the road of course) and that's it. movie lydia can't even wrap her head around that.

now going back to the current story of them 30 years later; i'm still writing them under cartoon logic for the most part, but with a bit more realistic flavor. so their relationship is still too weird to happen in real life, only now we're seeing the consequences of the friction between them that was already there in the cartoon, and he can't joke his way out of this one or have silly incidental music and sound effects to lessen the blow. movie lydia's warnings wouldn't have had much of an effect on them because this was something that was going to happen either way, and cartoon lydia's problem with bj was never "you're a creepy old man why are you obsessed with me" (real life logic) and more so "you're supposed to be my best friend in the whole world but all i do is babysit you and solve your problems for you while you try to scam some sucker out of their money and i've had it" (cartoon logic)

i hope all that makes sense lol

[milliesbattleaxe]

more Mastermind analysis, while I think its infuriating I don't think its a mischaracterisation that Bee and Ozzie didn't say anything, bc:

They don't know the full situations. Even if Ozzie knows more, there's a lot of things neither of them know.

While they're outspoken and call people out, in this case, "standing up for what is right" would require them to put in question all of Hell's hierarchy, and Satan's right to pass this ruling in any measure.

The punishment of Stolas may be a "flick on the wrist" but not for these two. Hell is based on power, love these people we deem unworthy and you might lose it all.

While Andrealphus is lying about Blitzø's motifs, both him and Stolas always knew they were breaking Demon Law with this. What's illegal here is Blitzø's use of the grimoire/Stolas relinquishing of the grimoire. This is the entire reason why Stolas asked Ozzie for a crystal.

For Ozzie specifically, to admit he did this would be implicating himself and making him an accomplice.

Them singing "he is the law" implies Satan actually does have a right to pass on the judgements, what he was just lying about was being higher ranked than Lucifer. Furthermore, and like I already said, to question him is to question their own place and neither of them are willing to give it up. They benefit from it, they like benefiting from it. It's Stolas specifically the one who has a problem with Hell's Hierarchies, because he doesn't want to rule, he wants to know things.

This is purposeful in Stolas, as he's Blitzø's mirror and foil. Stolas doesn't want power, he wants to know things, and his entire character arc revolves around "is the power I have worth sacrificing my personhood? my true self?" Bee and Ozzie do not feel trapped in the system like Stolas does, they ENACT the system.

This doesn't make them "bad characters" this is not Oliver Cromwell's decree on the immorality of plays and theatre. This makes them compelling characters who might have conflicts with their own partners, LIKE IT SHOULD BE. Stolitz has always been canon, regardless of their status of together or not, they are their respective love interests, and their relationship is one of the most important components of the narrative. Therefore they have to have something that sets them apart from other couples in their situation, and its this. Bee and Ozzie may be dating Vortex and Fizz, and they love them I do not doubt this, but their relationships aren't challenges to the order in hell. Not really, not even if Ozzie fights Mammon about it.

If you also watch Hazbin, remember that Hell's hierarchy does not like being challenged and this is exactly why they don't take Charlie seriously. Because she is disputing their idea of "power" (both Heaven and Hell's tbh). Even Lucifer hates being challenged, despite being the "og rebel". The only person who can question him is Charlie, no one else can.

Like, think about it. Bee provides things, she is the great provider, Ozzie is a fair boss if a temperamental one who their employees know not to fuck around with, and does a lot of things for Fizz. But that's it. Not once it has been implied they're willing to go (metaphorically, existentially) where their partners come from. Stolas has. Stolas has been trying to know Blitzø in his entirety BEFORE Full Moon. He was doing it like ass, but he was.

Another thing is neither Bee nor Ozzie try to bring their partners to their level. They rule alone, they do not share their power. Stolas did, because while Stolas knows its illegal, he probably does not see it as wrong. And it makes sense given what we know of him and his realm. His realm is knowledge, he doesn't like knowledge because of power, he likes bc he just likes to learn things. He was like this BEFORE he knew what his role in the family was. Paimon even looks at him weird for knowing things and saying them aloud as if "sharing" his power by mentioning it near their butler. Stolas doesn't want to get in trouble but if he loves Blitzø why wouldn't he a) try to learn him exactly as he is (see All 2 U) and b) share ALL that he has with him. why wouldn't he give him ALL that he has.

If they decide to lean on this and show what conflicts it causes, and I think it will given how they're pulling Stella and Striker together, I am rubbing my hands eagerly to see where it goes. And also to see how Ozzie and Bee react and start acting, because there's still two entire seasons to see where they go as characters, their stories aren't yet done