#do you use words of others to make us understand

[drchucktingle]

three point tether

the reason art with ai at the creative helm will never get traction in any long term or meaningful trot is because art is more than what is in the text of the book, or notes of the song, or runtime of the movie. art is whats OUTSIDE of the medium, a performance piece between creator and experiencer

i say this all the time and i think most buckaroos think im off in the clouds as eccentric ART WEIRDO (theyre NOT WRONG) but in a practical BUSINESS sense what i am saying is true. folks want to pretend art is in some lab where art and artist and viewer are separate things. but they never will be

art exists outside of a vacuum. it is not static. it grows and lives and evolves based on culture its in and who is experiencing it. whether you know it or not, what you LIKE or DISLIKE has just as much to do with the story AROUND the art than the art itself.

you carry what you know about me to my tinglers, you carry what you know about the beatles to the beatles, you even carry what you DONT KNOW to artists and THAT changes your experience. the STORY outside of the art is unavoidable because the lack of a story is still a story

so what does this have to do with ai art? my point is, the STORY of ai generated art is potentially interesting when it FIRST happens, or when its a one of one, but when it is co-opted by corporations to make slop, or when you consider the ethics of data scraping and theft, the story becomes sour

in other words, REGARDLESS OF WHAT AI GENERATED ART ‘MAKES’, the STORY outside of the story is derivative and unethical. what is even more important, and the greatest problem of all, is that its very very BORING. ‘oh wonderful someone made a painting from a prompt CANT WAIT to dive into this world’

so fundamentally these projects from tech goofs only serve to show that they have absolutely no understanding of art in the first place. the starry night is not just a painting, it is a three point tether between van gogh, the painting and us, which is constantly breathing and moving and living

if i was to give advice to any artist about how to stand out in their field i would say this: figure out what YOUR STORY is, not just within your chosen medium, but OUTSIDE of any medium. THAT STORY is your art, and it is infinitely cosmically unique. USE IT. EMBRACE IT. that is your power buckaroo

[the-knight-of-the-stars]

Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?

Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?

Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.

Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.

Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?

Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????

Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.

I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.

Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.

Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.

My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.

That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.

Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.

And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.

The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.

And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.

I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.

What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.

Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.

None of that gets any meaningful resolution.

I am glad if you liked it, or got something from it, you are entitled to your opinion.

I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.

That's all I have to say about that.

[chestersturniolo]

special candy

Matt Sturniolo x fem!reader x Chris Sturniolo

Summary; you unknowingly eat some of dealer!matt & dealer!chris’ “special candy” whilst they’re out on their runs..

warnings; chratt poly relationship dynamic! if you are not comfortable with this, do not read // drug use (ofc) , pet names, tripping out (ish) — based on this request

Matt and Chris were currently out handling business, leaving you to your own devices for a couple of hours. As hunger creeps in, you lug yourself off of the couch to scrounge the kitchen, you spot a bag of gummies on the kitchen counter. You don’t think twice. You grab one, then two, then three- before you know it, you’ve polished off almost the entire bag.

You return to the couch, sinking into the cushions, opening your book back up. A chunk of time goes by before things start to feel…strange. Your breathing feels too deliberate, manual even, like you have to focus on every inhale and exhale. Your stomach churns, and time becomes a bizarre concept- minutes feel like hours, or maybe it’s the other way around. The words in the pages of your book start to morph. You squeeze your eyes shut to refocus them, trying to control your breaths and ignore this abnormal feeling.

A small while later you hear front door open, footsteps echoing up the stairs. Matt is the first to reach the living room. He spots you on the couch, grinning as he makes his way over. “Hey sweetheart” he says, cupping your cheek with a gentle hand.

You skip the usual greeting as you jut your lip out “I don’t feel well” you whine, eyes glossy.

Matt frowns, sitting down next to you, “Ah what’s wrong, baby?” he coos, frowning with concern, before brushing a soft kiss to your lips. The moment his lips leave yours, his expression shifts. His eyes widen. “You taste like…blue raspberry” His voice is slow, laced with panic. He grips your jaw, coaxing your mouth open “Fuck” he mutters under his breath, as his eyes land on your bright blue tongue.

Just in time , Chris reaches the top of the stairs, a couple of duffle bags he had retrieved from the trunk slung over his shoulder. Matt stands abruptly,marching over to him “Where the fuck did you leave that batch, Chris?!”

Chris blinked, confused “On the counter…?” he shrugs casually. The confusion lasts only a second until Matt flails his hands toward you. Chris’s eyes widen, and the duffel bags drop to the floor with a thud. He hurries over, crouching down in front of you, hooking a finger under your chin to inspect you

You blink at him slowly, your eyes heavy lidded “I’m sorry I ate your candy..i was hungry-“ you mumble “-I’ll buy you more, I promise!”

Chris ran a hand over his face, “No, you don’t understand, that was special candy, kid. Product!”

From the kitchen, Matt’s voice was frantic “She ate most of them!” he says, as he holds up the bag in the air , a couple of stray blue bears at the bottom. He chucked it down on the counter as he comes back to the couch, raking a hand through his hair.

Panic welled up inside you, your breathing growing shallow. “I-I didn’t mean to…Is this really bad?- am I gonna die?” fear in your voice

In that moment, the boys realise that they need to push their own freaking out aside and help you ride this out. Matt immediately sat beside you, placing his hand on your cheek “No, hey, listen to me - don’t panic, okay?” He shot a glare at Chris, who was pacing now, before turning back to you. “I need you to relax, baby. Talk to me, what are you feeling?”

Tears welled up in your eyes “Time is moving really…slow..and I feel like I’m tingly,and in..in bubble wrap” you pause for what feels like an hour “don’t feel good Matt” Your voice cracked, and you clung to him, burying your face in the crook of his neck.

Chris lets out a big sigh before rummaging through the duffel bags, pulling out a bag of identical blue gummies. Matt’s eyes narrowed “The fuck are you doin’?”

Chris muttered, more to himself than anyone else “Shit’s my fault” He looked at you, guilt in his eyes. “You’re gonna be fine, okay? Look, I’m gonna do it with you” he says in a reassuring voice before quite literally shovelling them into his mouth.

The batch wasn’t majorly strong, but since you barely ever used substances, it was hitting you hard. He knew that taking them wouldn’t put him on the same level as you, considering his tolerance was worlds apart from yours, but he also knew that you seeing him doing so, would calm you down

And it worked, as you watched him chew, you felt a sense of reassurance, knowing you’re not alone in it.

~

Matt had tucked you into a blanket, you were sinking deeper into the couch as the initial waves of panic began to subside. The room felt both too quiet and too loud, and it was almost like you could hear the air bouncing around the room. The lights seemed brighter, and everything felt far away. Each breath still felt like work.

Matt stayed close, his arm wrapped protectively around you. His hand moved in slow circles over your back,. “Just keep breathing with me, okay?” He took exaggerated deep breaths, guiding you. “In…and out, that’s it”

You tried to mimic him, but it felt like your body wasn’t quite yours “Matt…it’s weird, everything’s weird” you whispered,

Chris knelt in front of you, resting his hands on your knees “Listen to me ma, you’re okay..this is just the gummies messin’ with you, i feel it too” he bluffed. He barely felt a thing…and although he hated lying, in times like these, a little comforting white lie never hurt anyone,right?

“It’ll pass, I promise” he continues , reaching for your hands, holding them firmly “squeeze my hand when it feels too much, yeah?” he says, taking a seat on the other side of you. You nod, holding onto his hands for dear life.

Matt glaced at Chris, silently communicating something before standing and heading into the kitchen. You watched him leave, slight panic flaring again “Where’s he going?” you ask, your eyes trained on him. Chris cupped your face, forcing you to look at him “He’s just getting you some water angel, you need to stay hydrated. Focus on me, okay?” His eyes searched yours, softening as he brushed a strand of hair from your face.

Matt returned moments later with a glass of water and a damp cloth. He sat back down in his spot beside you, pressing the cloth to your forehead, before guiding the glass of water to your lips “Small sips”

You took a few hesitant sips, the icy water doing wonders for your cotton mouth. You push the glass away after a few more sips before huffing, “It feels like…like I’m floating” you whispered, blinking slowly.

Matt set the water down on the coffee table, and his hand falls to your thigh “You’re on solid ground, baby. Feel the couch under you? Feel my hand?” he says, giving a small squeeze to your leg. He guided your hand to the blanket, letting you feel its texture. You nod slowly, playing with the soft fluff.

He pressed a kiss to your temple before glancing at Chris, nodding toward the TV “Put something on, something light”

Chris grabbed the remote, flicking through channels until he landed on a nature documentary. The calming voice of the narrator filled the room “This should help” he shrugs, glancing back at you.

You watched the screen, the vivid colors too bright, too intense “It’s…too much” you mumbled, squeezing your eyes shut.

Chris quickly turned the lights off, and turned the volume down “Better?”

You nodded, letting yourself get lost in the life of a polar bear.

~

As the initial anxiousness faded, a different sensation took over. Your stomach growled loudly, breaking the quiet. You glanced up at Matt, with hazy puppy dog eyes “I’m…really hungry”

Matt exchanged a glance with Chris, a hint of amusement softening their worry “The munchies” Chris murmured, a small smirk tugging at the corner of his mouth.

Matt chuckled, pulling out his phone “Alright baby,what do you want? We’ll get you whatever you need”

“Everything” you pleaded , pulling a chuckle from them both.

Within minutes, they had food on the way-pizza, burgers, fries, ice cream. Chris disappeared into the kitchen, rummaging through the cupboards and returning with snacks..chips, cookies, anything he could find. He handed you a bag of chips, watching you carefully. You practically snatched them from him

You crunched on them, eyes widening in delight. “These are the best chips I’ve ever had” you mumbled around a mouthful, crumbs falling onto the blanket.

Chris laughed softly, as he settled back in beside you, brushing them crumbs off your lap “Glad you’re feeling a little better” he smiled as he noticed a crumb on the corner of your mouth, reaching his thumb to wipe it off “pretty girl”

~

They stayed close,both planted either side of you. Whenever a random wave of strange feelings hit, they were there, talking you through it, grounding you.

Eventually the food arrived, they set everything up on the coffee table, letting you pick at whatever you wanted. It was the best meal you’d ever had, everything tasted like magic. You’d even lathered some ice cream on a pizza slice, making the most disgustingly delicious concoction. Matt and Chris watched you in awe.

Once you’d finished your food, and your belly was fulll, exhaustion set in. Your head drooped onto Chris’ shoulder, your eyes heavy. “M’tired” you mumbled.

He presses a kiss to the top of your head as Matt reaches and pulls the blanket over you further “Sleep sweetheart, we’ve got you”

It was seconds before you drifted off, feeling like the couch was swallowing you in its comfort. Every few minutes, Chris leaned in, carefully checking on your breathing, his ear close to your slightly open mouth.

Now you were asleep, Matt took the opportunity to scold his brother further ,, “Never leave our fuckin’ shit out again y’hear me?” he said with a stern look

Chris let out a big sigh, letting his head fall back with a guilty look, before nodding “Lesson learned bruh”

dividers - @strangergraphics-archive

AN; thankyou so much for the request anon! i had so so much fun writing this!! i included some of my personal “trips” in here lmao.

hope y’all enjoyed! - 𝑺𝒂𝒈𝒆 ♡

MASTERLIST LINKED HERE

[twosides--samecoin]

Free yourself of your ego so you can put your nose to the grindstone and do the real work.

I see so many writers who seem to think that they're supposed to get it 100% right on the first try, and that's just not how storycraft works. Most of the books in publication today have several rounds of drafts where the manuscript is passed back and forth between the editing team and author. If your fave author needed an editing team, you're allowed to have a shitty first draft.

If it fails to meet your expectations, use it as a learning opportunity. Open the document side by side with a copy of itself and make changes on the new copy. Learn from what disappoints you.

& it's never about "failing to do the story justice", it's more often than not about a ton of other preconceived notions about writing or self-esteem/self-imposed limitations. It's often about protecting one's inner perfectionist and/or gifted kid who will feel an earth-shattering pain if something they put into the world reflects poorly upon them.

But you have to allow yourself to draft. You have to spend time with the work and form a relationship with it. You have to be willing to learn your bad habits and edit your own words. You must learn to wait a day to fix issues before you post. Leave your worries at the door. Turn your focus toward improving the skill of writing.

If you'd accept, "Oh, right, you can't paint a Rembrandt when you're just starting out - that's a really crazy expectation to have on a beginner painter", then that same understanding and grace can and should be applied to storycraft.

It's also just not that serious. The edit button exists for a reason - I went back and edited the first 115k of Long Time Running earlier this year and am about to go back and edit more, because my skill grew and I keep noticing little things I can improve.

This is not a zero-sum game: the story is something you build toward over time, not something that happens immediately.

The most frustrating experience as a writer is having a clear vision in your mind of the story you want to tell but being too afraid to put pen to paper for fear of failing to do the story justice. I’m so scared that my actual execution will fail to meet my expectations that I’m paralysed to even start.

[sanarsi]

Bitter

older boyfriend!Joel Miller x f!Reader

Summary: You came to make his break more pleasant. Warnings: +18, MDNI, age gap (not specified), old man!Joel, contractor!Joel, there is an introduction to smut, Joel is a big strong man so he can lift reader Wordcount: 0,8k An: This is a part of 24 hour writing challenge by @iamasaddie I promised myself that I wouldn't write anything except unfinished projects, but I saw this moodboard and this challenge and I just HAD TO (but 1k words is definitely not enough for my dirty mind)

A cloud of dust rose behind the car as you sped down the final stretch. The house that stood at the very end was finally starting to look like a house and not like a haunted ruin. All thanks to the man who was standing in the middle of the yard, watching out for anyone who had blown into these backroads.

A wide smile spread across your face as you turned down the radio and pulled up nearby. You looked out the window, sliding your sunglasses down and smiling even wider when you saw Joel in just his jeans.

“What’s up, cowboy?” you shouted, to which he snorted and shook his head in amusement.

You turned off the engine and grabbed a case of drinks. You jumped out of the jeep and slowly approached the man whose chest was shining with sweat more than the Texas sun.

You wrinkled your nose looking up at him and allowed yourself to admire the wrinkles by his eyes for a moment.

“Shouldn't be at work now?” he asked as if he wanted to scold you for it. You just shrugged innocently and moved closer to him and his arms wrapped around your waist without hesitation.

“I’m on a break,” you replied, your gaze sliding down to his lips and chest. “And from what I can see, you could use one too.” You locked eyes with him again as a smirk crept across his lips. You knew that expression too well to believe in his pure intentions as his face approached yours.

“Yeah?” he asked in that damned tone that sent butterflies through your stomach.

“Yeah,” you nodded before his nose brushed against yours. He was playing dirty and he knew it from the moment your gaze fell on his bare chest.

Oh yes, he knew what he was doing to your young mind.

“I don’t know,” he smacked his lips in disbelief, “I have to build ya a house.”

You swallowed hard, feeling your pulse quicken and Joel felt it too; the way your breath bounced off his lips and your body grew warmer from the sun that hitting his back.

Even after all this time, he couldn’t fight the pride he felt when you reacted like this to his closeness.

“But I see ya brought me some drinks, that's so kin—”

“You know what, old man?” you interrupted him, so he fell silent, watching those little fires in your eyes that he adored so much.

“Know what?” he asked trying to hide his amusement. He loved teasing you and even more so the way you looked at him then.

“I have twenty minutes and the house a little more,” you noticed and he didn't even try to hide his amused smile.

“Okay, so here’s the deal.”

You raised a curious eyebrow and allowed yourself to run your hand over his arm. The hard muscles under the hot skin only inflamed your thoughts more than allowed to focus on his words.

“I'll make you in ten,” he whispered with that unholy look of his, catching your attention. “And then you'll put some cream on me ‘cause I burned my back a little.”

You blinked twice before you could understand the meaning of the last sentence.

“Joel, I told yo—”

“In ten minutes,” he interrupted you before you could get fired up with anger. “You can yell at me all you want.”

You fell silent, thinking about his words but it was hard when he looked at you with those big, shiny, brown eyes.

Fucking Joel Miller and his eyes like a wounded deer.

“Damn you,” you cursed under your breath, knowing there was no point in fighting him, because when he wanted to make you, there was little that could stop him.

“I knew we’d understand each other,” he said smugly, taking the case of drink from your hand. You didn’t even have time to blink as he leaned down and lifted you up with his other hand.

You hugged him tightly as he started walking towards the house, leaving the drink on the table with the construction plans on the way.

“Your back,” you noted, a hint of concern managing to reach his ears. He just smiled, glancing at you out of the corner of his eye, and stepped onto the porch.

“You massage like a pro, so I guess you can let me treat you like a princess from time to time.”

You rolled your eyes, but you couldn’t stop the warmth his words brought. “Yeah, bu—”

“Shh,” he interrupted you, reaching for the doorknob. “In ten minutes,” he repeated, looking at you until you finally gave in, sighing heavily. “Good girl.”

Without waiting any longer, you buried your fingers in his hair and pressed a hard kiss to his lips. You melted into the taste of him, allowing yourself a moment of oblivion as the door slammed shut behind you.

[paperstarwriters]

to Hear, to Feel, to Know

Inspired by @muletia’s Obsessed Optimus fanfics—they just so so so so good!! The yearning, the ill-buried desire, Optimus chaining himself in place like some dog with a biting problem when all he wants to do is love you???? OUAGH so so good!!

Asdfghjkl I wanna try my own hand at a fic looking at Optimus’s tendency towards obsession in love, but for now, I’ve been thinking about Optimus as a bot who tends to listen….

Pairing: Optimus Prime x Reader

Warnings: n/a

Summary: Optimus is a bot who's exceptionally good at listening. What he likes listening to most of all though, is you.

Masterlist | Transformers Masterlist

Word count: 1,106

───♡-♥-♡-♥-♡-♥-♡───

There was no denying that Optimus had a keen eye, and an even keener attention. His ability to promptly decipher texts based on key words or phrases allowing him to understand the greater picture from his days as an archivist served to train him well in noticing patterns of behaviour if he focused his attention on it. The ongoing war certainly helped as well, forcing him to zero in on what would allow them to survive. Forcefully training his eye to fall to keep points in any battle field.

And yet as trained as his eyes were, Optimus was always keen to listen.

Or perhaps absorbing was a better comparison. How despite being a leader, despite giving commands, Optimus was almost always better suited to listening to the people around him. The information that they shared, the feelings they expressed. Ratchet always used to say he would make for a much kinder medic than he if he took a role in that field. Perhaps it could have served him even better as a leader, but there was little he could change through the tides of time.

It’s why he clings to these things, saving them in the event that one day they may save him. From another attack or another encounter with Megatron, to even a stretch of boredom or loneliness.

It is why he clings to your every word.

Why he loves it when you sit atop his shoulder. So close to his helm, it is as if you’re speaking directly into his processor, filling his thoughts with your words—your delights, your frustrations, your sorrows, your needs. A direct feed like some constant supply of energon into his lines.

Both, he supposed would make his spark stutter a bit.

Ah, just thinking about it brings to mind the many times you’ve pressed yourself against his audial, leaning against his helm or purposely cupping his audials as you whispered sweet words his way, words for him and him alone, a gift sweeter than any energon could ever be.

You didn’t even have to be saying something sweet. Scathing secrets and vicious critiques against some other’s back from the mistreatment you received in the hands of a cruel stranger or an even crueler co-worker, or even some coy remark against a teammate, the fact that you chose to whisper your words to him—to confide your secrets and burning emotions to his audials.

Even being chosen as a Prime was a lesser honour than this.

But perhaps the thing he enjoys listening to most, though your every word delights him and your laughter makes his spark feel so light it might burst from his chest, the sound Optimus likes best it’s the soft thud of your heartbeat and the whisper of your breath.

He recalls when he first heard the sound, mass displaced at your request as you showed to him your beating heart after he showed you his whirring spark.

There is meaning to the action, to show one’s spark to the other, but Optimus felt he need not explain it to you, knowing full well you wouldn’t be able to return the gesture.

And yet somehow you did.

Even if you could not pull back the viscera from your chest the way he did the plates of his chassis, you brought his helm to your chest, pressed his audial against you, and implored him to listen.

And he did.

In the caverns of your chest, Optimus heard as air filled your lungs, swelling with every breath you took, and for a moment he mistook that steady beat for an abnormal twitch, until you began to explain.

“That’s my heart.” You had told him. “The ‘thud-thud, thud-thud, thud-thud’.”

And pressing just a bit harder, Optimus stilled his fans to listen to the faint beat.

And he heard it.

Loud against his audial the drum of your heart pounded against your chest like an insistent knock, or the demands of a captive begging to be freed.

Though perhaps that’s just wistful thinking.

He hears it in his full form sometimes, when you lean your back against his helm or when you cling to his audial in a moment of fear or excitement. A gentle faint rhythm, that sings that you’re alive.

He wishes some days that it would accompany him in his berth, as he lies under the midnight silence hounded by the whispers and wails of the dead of the living he must fight, of the humans he’d never know. They all rattle and sob frying his processor as he starves himself of a proper recharge, but then, some days he hears something this in the base. Perhaps it’s his own movement, perhaps something falls—once even it was the rumble and stroke of thunder and lightning overhead. All the same, it brings to his mind the thump of your heartbeat, and like a spring being unwound, he replays your words in his head. Every praise, every sweet word, every secret you’d give him. Your smile your laughter, your delight and glee he’d play them all over and over in his processor, lingering on the compliments you’d direct his way, every smile you’d make when your eyes met his.

All with the background theme of your heart singing its little song of life, your every breath an instrument to the symphony.

You were here, you were alive, you were with him.

Ah, but sometimes those moments stung worse than the wailing dead.

You were not here with him now, and all he had was the echo of your heartbeat. If he could hum its melody he would, but the sound doesn't comply with his voice box. Still he taps it out with a digit sometimes or a pede even, a little reminder of a precious tune.

He hasn’t had the chance to listen to your heart again. To mass displace and press his head against your chest, to listen to that sound, and maybe listen to you speak as he follows the gentle beat. He hopes one day he might get the chance. He hopes one day to tell you what it means when one shows the other their spark.

One day, he dreams, he’d tell you what it meant, and you’d smile, perhaps in rapt delight, perhaps shyly, but you’d open your arms to him and allow him to listen once more, let him listen as he lets you watch his glowing spark.

Until then, he basks in what he can get, faint as it is against his full form, listening to the soft beat of your heart, feeling you warm and pressed against him, resting assured in the knowledge that you were here, you were alive.

[unboundprompts]

Hello! Can you help me and/or give me examples of how to write a pre-teen? Specifically a slightly mature for their age but still socially-awkward, selfless, empathetic, extroverted 10-year-old

How to Write a Pre-Teen

Voice and Language

Simple but specific vocabulary: Pre-teens might not use very complex words, but they often know and throw in some “big words” they’ve recently learned or mimic words they hear adults use. Don’t overdo it, though—they’ll often misapply or half-understand these terms, which can create natural, humorous moments.

“It’s totally, like, a catastrophe that I forgot my project.”

Expressive dialogue: Pre-teens are enthusiastic and often exaggerate. They can also shift quickly between emotions, from excitement to frustration.

“That was the best movie ever!” might turn into “Actually, I mean, it was kinda boring in some parts, but, you know, overall…”

Thoughtful yet blunt: Kids this age often haven’t fully learned the “filters” adults use. They can be direct and say things that are surprisingly insightful or unexpectedly honest.

Thoughts and Perspective

Developing identity and opinions: They’re beginning to form their own beliefs but still echo the views of family, teachers, or friends.

“Mom says people should never lie, but I wonder if little lies are okay if they help people feel better…”

Questioning and introspective moments: Pre-teens are curious about life, relationships, and “big ideas.” They may ask questions, but sometimes keep their deep thoughts to themselves, exploring them internally.

“If friends are supposed to be there for each other, why do I feel alone even when they’re around?”

Struggle with abstract concepts: At this age, they’re just beginning to understand abstract ideas like justice or friendship but often approach them in straightforward, literal ways.

Behavior and Actions

Impulsivity and energy: They might shift quickly between activities and emotions, getting distracted or excited without much control over it. They may also blurt out ideas or act before thinking, especially if they’re extroverted.

For instance, a character might immediately jump up to help someone even if they aren’t sure what to do, or they might “borrow” something without fully considering the consequences.

Physical awkwardness: Pre-teens can be a bit clumsy as they’re still growing into their bodies. This can lead to endearing, awkward moments.

They might knock something over, trip over their own feet, or feel self-conscious in ways that show they’re still figuring themselves out physically as well as socially.

Friendships and Social Dynamics

Navigating social rules: Pre-teens are very aware of social “rules” but may not fully understand them. This is an age when they care a lot about what their friends think, but they’re also just beginning to question these dynamics.

A pre-teen might want to befriend the “cool” kids but feel conflicted when they realize their values don’t align. Or they may try too hard to impress friends and feel self-conscious afterward.

Conflicted loyalties: Friendships are often intense at this age, and they might struggle with conflicting feelings if friends argue or if they feel left out.

“I really like hanging out with Sarah, but I know Emma doesn’t. Maybe if I can make them both laugh, we could all just… get along?”

Small gestures: Pre-teens often show they care in understated ways, like sharing snacks, giving a small gift, or cheering someone up when they’re down. For a socially-awkward pre-teen, these gestures may come out clumsy but sweet.

Insecurity and Self-Awareness

Self-consciousness mixed with bravery: Pre-teens often fluctuate between trying to fit in and wanting to stand out. They might do something brave but then doubt themselves or quickly retreat if things don’t go as planned.

For instance, a character might volunteer to speak in front of the class only to feel panicked once they’re in the spotlight.

Hyper-awareness of themselves and others: They’re beginning to notice how others perceive them and may get flustered easily or worry about little things, like if their clothes look okay or if they sounded silly.

“I shouldn’t have laughed like that… I bet everyone thought I sounded so weird.”

Joking as a defense: Pre-teens often use humor to cope, covering up their awkwardness or discomfort by making jokes.

Reactions to Conflict and Emotion

Quick emotional shifts: They might go from laughing to frustrated to embarrassed in just a few minutes. They feel emotions intensely and may have outbursts or react strongly to things adults might dismiss as minor.

Heroic ideals vs. real-world disappointments: Many pre-teens have an idealized view of right and wrong, fairness, and heroism, and they may be disappointed when things don’t align with these ideals. They’re just starting to understand that people aren’t all good or all bad.

“I don’t get it… why would she lie about something like that? Friends are supposed to be honest!”

[soulrox]

DPxDC #22

(kind of a prequel/companion for #21 adding in my new OC whispers)

Danny is squatting in an abandoned building working on some tech he found in a dumpster.

??: *whispering* Numbers, the wind told me you are a protector and will keep me safe.

Danny turns his head to see a little blond girl in torn, dirty street clothes, maybe around age 10. The spirits around Danny all gain that soft look in their eyes when seeing something precious.

Danny aka Numbers: Well I can certainly try, what do you need? And what do I call you?

Little girl: *Whispering* I'm Whisper. Metas, especially young ones are trafficked. The wind sings to me, telling me secrets. Your secrets are many but you are a protector and can keep me safe.

Numbers tries to keep his face in check hearing the truth, pain, and fear in the young girl's words. Without hesitation, agrees to be her protector.

Numbers: Welp guess I'm a big brother (again). Okay, Whisper I will take you with me and protect you. You do not have to share anything at all about what you hear unless you want to, understand.

Whispers smile is blinding while she nods.

Numbers is well known to the other street kids as he's been living in Gotham for a few months and has good street cred. He is known to be kind to everyone and help anyone, especially with anything to do with numbers. Numbers is also well known for giving info to Red Hood on those who go against the rules of Crime Alley. Red Hood himself is supportive of Numbers, even though it's clear Numbers isn't a native Gothamite.

The kids of Crime Alley soon get used to Numbers and Whispers being inseparable and Numbers calling Whisper his sister. However, the street kids were not ready for what would become of the duo.

Whispers knowing now she would be safe did tell Numbers the secrets carried by the wind. Anything from the little things like someone tripped a few blocks over to a member of the Bats and Birds near, to the trafficking ring being set up outside Crime Alley.

Numbers knows he has to share the bigger things with Red Hood. Especially because Numbers has hung up his own vigilante suit. Racking his brain for how to share this information without letting people know it came from Whispers was actually easy to figure out. Numbers will say he's a psychopomp. Well, he can see and interact with ghosts since he himself is half dead but shhhh.

The spirits of Gotham are in abundance but he hasn't really interacted with them since coming here. He did listen to them when they told him Crime Alley run by Red Hood would make a good place to live.

Asking the ghosts to find out where Hood is was simple. A young male with a gruesome hole in his chest had shown them right to the rooftop Hood was chilling on. Numbers grabbed hold of Whisper and using his powers flew them to the top.

Numbers: Hello Red Hood! Lovely night for a rooftop stroll!

Red Hood gave a minuscule flinch.

Hood: Numbers! *grumbling* every time.

Hood: What do you got for me this time?

Hood notices that Numbers isn't alone for the first time. He inclines his head in a silent question.

Numbers: This is my little sister Whispers!

Whispers gives a small wave from beside him.

Numbers: And I got a new trafficking ring being set up at ____corner of ______ outside of Crime Alley. They haven't picked anyone up yet though.

Whisper nudges him. Leaning down so Whispers can talk to him

Whisper: *whispering* they are planning to head out in the morning.

Standing back up straight, Numbers turns his head to look at an empty spot, tilting his head like he's listening to something then turns to Hood.

Numbers: Actually you should hurry with dealing with them they are planning to head out in the morning.

Hood: Hmm okay, Numbers you always have the best intel but this is new even for you. Do you want to tell me how the info has changed since you've been standing here or?

Numbers: *sigh* only because you are Red Hood will I tell you. I am a psychopomp.

Hood stumped: okay cool I'll keep that to myself then, thank you for trusting me. Anything you learn from them you can tell me personally and I'll help in any way I can.

Hood quickly departed heading off to deal with the traffickers.

Whisper: *whispering* the wind sings his praise so much, even though his secrets burden him.

Numbers: The ghosts sing his praise too.

[forwards-beckon-rebound]

jason todd with a partner who’s into skincare/haircare

he didn’t know people actually did those 10 step korean skincare routines until he met you

he goes over to your place one day and sees all of the products in your bathroom and is like how could you possibly use all of these

he grew up with a broke mom and then a bunch of men, even billionaire bruce wayne doesn’t really do much besides some fancy hair products maybe

will probably be a bit skeptical like he lowkey thinks it’s a scam because no way do you need that many products just for your face

but if you sit him down and explain everything i think he’ll understand (or at least he understands that it’s important to you. don’t expect him to become a skincare expert overnight)

thinks you’re kinda cute when you’re doing your routine, like with your little headband and how focused you are while you’re doing it

will loiter around in the washroom, spend extra long brushing his teeth so he has an excuse to watch you

he will 100% laugh at how goofy you look when you put on a face mask though

make him wear one and suddenly he isn’t laughing anymore

if you try to make him do a whole skincare routine he’s going to grumbling the whole time but he’ll still do it

still thinks it’s kind of unnecessary (“why are we washing our face to make it dry to slap on wet stuff?”)

he lowkey does enjoy it though

he doesn’t have too many skin problems (i feel like he did have acne as a teenager but he grew out of that) besides maybe like his skin being on the dry side

definitely has ashy elbows and knees too

so at the very least he appreciates the moisturizarion, but he doesn’t really get the other stuff

feel like he’ll stick to just splashing his face with water or going like “i wash my face when i shower” but when you’re doing your routine he’ll steal some of your moisturizer

i think as time goes on, he’ll really like the domesticity of the whole nighttime routine thiugh

like shower, blow dry hair, brush teeth, skincare

luckily he’s not a 2 in 1 type of guy but that’s only because he straight up didn’t understand what conditioner was for

and i feel like he would just buy one of those costco sized bottles of body wash, like a neutral scented one so he doesn’t have to think about restocking (also it’s the most price efficient)

will tease you if you have fancy shampoo and conditioner

but who’s going to steal it after all of that teasing? he is

i think he just does it accidentally but ends up finding the smell really comforting (reminds him of you) and also his hair feels weirdly nice

might use it once in a while

definitely see him enjoying having his hair blow dried and also blow drying your hair

it’s a weirdly intimate act

also i feel like he’s not big on words, so sometimes he does other things to show he cares for you

like just the little things

he knows you take your skincare routine seriously, so if there’s ever a day when you feel too tired to do it, he knows something is up

will probably try to gauge what the situation is, like whether it’s a problem with work or school, if you want to talk about; or if it’s just been a long day

will help you to the washroom and if you’re too tired, will do your skincare for you

he’s watched you enough times to kind of know what he’s doing

personally hc that he has to get used to the change in his body and physical strength after the lazarus pit so he’s careful to be as gentle as possible

handles you like you’re on the verge of breaking

he’ll tie your hair into a loose ponytail (he knows it could be tighter but he’s kinda worried that it’ll hurt if he does another loop), keep the headband stretched as he pulls it over your head so that it doesn’t make contact with your face

makes sure the water isn’t too hot (you have to assure him that if the water is a little hot it won’t kill you and that for the oil cleanser to come off properly he’s going to need to make it hotter) and rubs the softest circles into your face

i think he’s focusing on this too much to be talkative

it’s kinda cute watching him struggle with some of the products

he’s trying to remember the order of the products and where on your face you put each one

you might have to give him pointers from time to time

i think he starts giving you obnoxious kisses all over your face as you’re trying to do your skincare to tease you

but after a few times i don’t think it’s a joke anymore…

will accidentally taste some serum and be traumatized though (please do not try to eat skincare!!)

will stick to your lips

[days-of-storm]

But ALSO, and we need to get generally better at communicating this to the non-academic world - with a degree in the humanities you are basically a superhero in terms of flexibility and adaptability. You have learned soft skills that very few other fields learn. You can think within and outside of the box, you can very quickly go from zero to a fully prepared ppt about any given topic within, like, a day, because you learned how to do research and summarise thoughts and identify thesis statements; you can write and speak in different registers according to the context you are using language in, you are proficient at ms word and can edit stuff in pdfs (I know the app generation is no longer learning this but I hope we preserve those skills in academic because they are important), you are generally required to know at least one other language, if not more; you have considered many people's points of views and arguments; you are able to differentiate between important and anecdotal information; between well argued points and bullshit. You can read extremely quickly AND understand what you read. You know how to prioritise and you are good at time management. Especially if you have done an MA or a PhD. You survived one of the hardest things you can put anyone through. Being alone with yourself and forced to structure your resources and time and come out of it alive (yes, everyone gets depressed during a PhD - I have yet to meet a person who wasn't full of selfdoubt and anxiety for large parts of it). You understand change and progress and that sometimes it's good and sometimes it's bad and you can argue for either. Generally, when you walk into a room, you WILL be smarter and more well read and more capable of critical thinking than your employers. Look up skills for education in adults and make a list and ADD THOSE SOFT SKILLY to your CVs!

I love you people going into "useless" fields I love you classics majors I love you cultural studies majors I love you comparative literature majors I love you film studies majors I love you near eastern religions majors I love you Greek, Latin, and Hebrew majors I love you ethnic studies I love you people going into any and all small field that isn't considered lucrative in our rotting capitalist society please never stop keeping the sacred flame of knowledge for the sake of knowledge and understanding humanity and not merely for the sake of money alive

[chocoqtelle]

inner child pac reading

🦀 pile one,,

I know we're used to being super helpful, but it's good to help yourself too. you should always make sure you're okay first. It's important for us to be okay, even if other people don't think so. we should think so. things are gonna be okay for us. they always are. I want to do the things we like. I don't understand why you care about what people think now. I think we should try doing what we like more, even if it's embarrassing. it doesn't have to take a lot of time. it's just good to have fun sometimes. maybe you can get back into some of our old interests if you want?

it seems like this pile had to mature quickly and was overly generous in childhood. this likely led to some people pleaser habits. when the world said "be nice" and "care about others" you took it to heart, but it felt like you were the only one who did. you felt like you had to be the adult in your childhood and care for other people around you. for some of you, you may have had to care for a parental/older familiar figure or your siblings. you're used to changing your words and your personality to be more digestible and gentle because this strong fear of conflict. you were scared of people being mean to you, so you avoided making anyone mad. it was like you were always tiptoeing over eggshells. now, you don't have to, so there's no point in worrying about people who don't worry about you. you'd be doing yourself and your inner child a favor by doing what you want. it might feel wrong to be yourself, but at least try. I won't delve too much into this part, but I believe some people in this pile also dealt with being oversexualized or being hyper sexual at a young age. I think it's important to know you're more than what you can give others for this pile. please also take a break for the love of god.

🐸 pile two,,

It's hard to feel loved if nobody shows you. at the same time, i don't think I'd want to be loved. it seems weird and uncomfortable. I'm not used to it so it's scary. I still wish that someone would care at least. it feels like nobody else cares. I'm really tired of things being silent and boring all the time. I want to do something fun. I want friends but I want to be by myself. people think I'm weird, but I think they're the weird ones. they can avoid me but I wouldn't wanna be friends with them anyway. it doesn't matter if it's lonely, I don't feel less lonely around people anyway. some people think I'm mean. I don't think I'm mean. i heard I look mean or I act mean sometimes, but what if that's just who I am? I don't try to be mean to people. I just don't want people to hurt me.

holy neglect trauma... there's a lot to unpack here 😓 first off, I hope you're alright. it seems like this pile never really learned how to interact with people and is probably still a bit of a people hater. this pile has had to keep strong boundaries and walls on to protect themselves from unfamiliar experiences (being spoken to positively.) if you've never experienced something, it can be scary but you have to stop thinking every little thing is gonna go wrong in your life. it's fine. separate note but I think someone's ancestors are very present here, might want to connect with them if you don't already. you can try to shut down the feelings of loneliness and pretend connection won't help but it does. you're probably not connected with your inner child or you're ashamed of yourself for some reason. trying to be cold won't undo anything or save you from the feelings you're hiding. you'll have to acknowledge them at some point. escapism and forcing ignorance wont help forever. hopefully it'll be sooner than later, but that's your choice. it's okay to be soft, btw.

🐕 pile three,,

I know what I'm talking about. I'm serious. I wish people would take me more seriously. i get good grades, I study hard, I always prove how smart I am. for some reason, people still act like I'm too young and stupid to have opinions or that what I say is just silly, especially with emotions. they act like having emotions makes you a less rational person. some people look down on me for who I am, too. it's not something I can change. whether it's gender, age, or whatever, people always want an excuse to ignore how I feel or what I have to say. I know I'm right though. I don't want us to stop expressing ourselves. I wanna share how I feel to the world.

this pile is extremely opinionated and knows how to share their emotions. this pile is for the "bossy" kids who "should have been lawyers" or "a CEO" according to every adult around them. you were emotional as a child and it was always ignored or joked off as if your feelings were invalid. this pile is definitely natural-born leaders so if you aren't/never have been aspiration-driven or "extra" this pile probably isn't yours. the most healing thing you can do for yourself at this point is speak up. continue to speak about everything. share your opinion more, it's safe now and people will actually take you seriously. be emotional, be too much, be annoying, be talkative, be over-opinionated, be everything you feel like being and don't let anyone talk you out of it. lead your life how you want to. call everything out, even if it means being weird. I definitely feel like some people in this pile had the gifted kid experience or liked to read a lot when they were younger. there's also some unresolved anger that might need to be taken care of. I think speaking up more instead of bottling feelings up will definitely help that, though. you're not stupid or weak for being emotional. just be yourself unapologetically and that's the best thing you can do for your younger self.

[f1amour]

Hi!!! Could i request a 🍮 with verstappen that have “don’t you care about me at all?” Like angst but with a happy ending. Thank you!!!

❝ don’t you care about me at all? ❞ — max verstappen

pairing | max verstappen x reader

content warnings | angst, comfort, happy ending

★ join my short n sweet friendsgiving!

─────────────────────────

you watch him sleep peacefully while your mind is filled with negative thoughts; did he love you? why was he pushing you away? had you done something? it hadn’t been the best season only the first half was great then the car started having problems and then battling for the championship with lando it wasn’t easy. so you understand the stress he had and tried your best to be there for him but he’d push you away everytime.

he had a rough race? you’d be there ready to give him your supportive words and touch he used to love but it’s now turned into quick side hugs and kisses on the cheek. from flying to most of the races with him turned into staying at home taking care of jimmy and sassy and watching the race on the tv screen.

you put your slippers on and walked off onto your balcony as the sun was rising. you didn’t realize how much time passed as max walks out in his workout clothes saying he would be going to the gym with his trainer, “okay,” you mutter, your eyes still set on the view avoiding his eyes as best as you can. going to the gym when you have a home gym right here? but the words never come out and he leaves.

“she didn’t even look at me just said okay and that’s all. she’s always up early make breakfast and my smoothie always ready but i woke up to an empty bed. thought she wanted to spend the break together as much as we can.” max tells his trainer as they finished up their workout. max left the apartment confused from the cold shoulder you’d given him, “i mean, you haven’t let her join you the last few races you’ve had. it could be that? or the fact she’s always checking up on your through the team because you never tell her anything other than fine everytime she asks how you are doing and the car.” his trainer knocks him out of this trance he’s had for months now as he realizes what he had been doing.

that’s why he stands in the kitchen with your favorite flowers on the counter and take out food ready to talk and apologize but you don’t come after he calls for your name. he walks to your bedroom and you are nowhere to be seen until he reaches the balcony and he realizes you’ve been sitting in your same spot you were on when he had left. “schatje? why are you still out here? it’s freezing—.”

“don’t you care about me at all?” you finally look at him, your eyes red and swollen after crying for hours and in that moment his heart breaks because he was breaking yours. “seriously max, what am i to you? it feels like we’re just roommates who sleep in the same bed and that’s all. i tried. i tried to be the supportive girlfriend but you…you push me away. you talk to everyone but me. i care about you, so why don’t you care about me?”

max sits besides you and wipes your tears away before he kisses your head but you just push him away, “i deserve that. i deserve whatever anger you feel towards me right now. i do care about you. i may not have shown it recently and i am sorry for that, baby. i’ve been so frustrated with the car and with myself that i couldn’t bare for you to see me like this. you’ve been there since my first championship and now that it could be in jeopardy…i don’t you to see me fail,” he whispers, his feelings valid but it leaves you confused why he couldn’t tell you all this.

“so why push me away like that, max? i supported you at your best and at your worst. with or without a championship i’m gonna be by your side always. but you need to let me in all the way. you have you talk to me when you feel this way and i should have done the same—.”

“no. that wasn’t your fault. i was a very shitty boyfriend so i understand why you felt you couldn’t talk to me. i’m so so sorry, my love. i promise from now on i’ll communicate more,” he promises and you raise your eyebrows expecting more, “and let me go to races again? cant believe you used jimmy and sassy as a pawn for me not going to any.” your pout that makes him chuckle has the mood feeling lighter now.

“i was fucking miserable without you. never again.” he mumbles against your neck as you wrap your arms around him. “i’ve got your favorite food and flowers waiting in the kitchen for you, i love you”

“i love you. you’re the bestest…next time though if you ever say i can’t go to a race i’ll show up with the mercedes team.” you threaten with a smile on your face.

“okay now that is mean.”

[bogkeep]

in which i tell you about medieval timekeeping methods

ok we gotta start with BABYLONIAN TIME and SUNDIALS because this is the Foundation. this is what they used for thousands of years. pretty much every structure we have for understanding and conceptualizing time is based on The Movements Of The Universe - years, months, days, this is how we understand Time to pass. the sun and stars were used for keeping time since Always!!!! there were also multiple ways of keeping time with the Shadows of the sun, not just sundials, but also tablets to measure the length of shadows. And Such

BABYLONIAN TIME is twelve hours daylight, twelve hours nighttime. this makes very good sense considering Sundials, you just split the indicators into twelve parts. don't know why Twelve specifically other than that the babylonians liked it, but it is a very nice, divisible number, and its been kept as the base for all the hour keeping systems i've read about so far.

but yes this does mean that a babylonian hour does not have a set, static length like a modern hour does...! it changes with the seasons and the place, so a babylonian winter hour is different from, say, a winter hour in northern norway. it probably helps to be closer to the equator and reliable sunny weather.

until the invention of mechanical escapement clocks, babylonian time was The main, foundational understanding of timekeeping, BUT...!!!!!! the church put a spin on it. what the monasteries needed to keep time for was Prayer Times, which they had seven of and were based on the passion of the christ. so they signaled the Seven Canonical Hours, starting at sunrise, ending at sunset. church bells is also how people kept time, because you could hear them out in the fields. timekeeping was a bit of a wibbly wobbly art but accuracy wasn't That important.

the various methods used to keep time in addition to sundials included: the cock's crow, candles, hymns, incense, and water clocks. not hour glasses, as they were invented around the same time as mechanical clocks. isn't that wild!!!!!!!

WATER CLOCKS, also called clepsydra, are a diverse category of clocks ranging from a container with water dripping out of it at a steady pace, to complex hydraulic mechanisms with weights and stuff that i honestly have yet to grasp. the simple versions were used in classical greece + rome in the same way you'd use hourglasses, to keep track of speech time, watch time, et cetera. the islamic world + china were the ones to develop the complex water clocks. there's documentation of a water clock in gaza that had like, moving automata and stuff around year 500. there was a water driven astronomical clock in china around year 1000. water clocks made a comeback in europe around the 1100ds, and were getting more widespread use. like at least they work at night, unlike SOME dials

"mechanical clock" is a bit of a misnomer since water clocks were clearly also mechanical, and the exact time of invention of what we think of as mechanical clocks is Vague. the word "horologia" was used to refer to any kind of timekeeping device, including the noble rooster, so it's a bit of a semantic haze.

they had astrolabes, which Could be used to tell the time, but weren't used to do that in the daily life. scientists wanted to make an automated astrolabe for like, the Science, they just needed to invent the perpetuum mobile first and then combine them. obviously.

the missing piece for the MECHANICAL CLOCK was the escapement, the mechanism that regulates the time with which the gears turn. once they got this going, probably early 1300ds, they got the shows on the road. the shows being: the astronomical clock, and the public striking clock. these were considered different things, you see.

the astronomical clock is the Automated Astrolabe. it shows the movement of the sun and moon and stars and as a consequence, the Time. they had dials that people could read the time from, but they were generally considered objects of prestige and god's glory, kind of like cathedrals. they often had moving figures and such.

now, public clocks that mark the hours with sound, THAT'S a timekeeping device. they didn't even have clock faces at first, and it really is so interesting to think about how looking at a clock wasn't considered the main way to tell the time. these clocks seem to have originated in italian cities and spread from there, and this is where we get ITALIAN TIME.

to show babylonian time with a mechanical clock is impractical. the machinery is good at regular movement, to show babylonian hours you kind of need the astrolabe. so italian hours were static and unchanging in length. you had twenty four hours in a day, and the cut-off point was half an hour past sunset. that was the end of the twenty fourth hour, and a new calendar date begun.

of course, the time of the sunset keeps changing all the time As Well, so these clocks had to be adjusted for that Continuously. which was annoying but they still did it until the 17th century. this method was used in italy, bohemia, silesia and maybe poland? i'm unsure what they used outside these spaces at the time, if they stuck to the babylonian hours even with mechanical clocks and did complex maths about it.

at least the NUREMBERG CLOCK had its own take on it, even if it didn't spread beyond southern germany at all. they used babylonian hours, but instead of changing the length of an hour, they changed the amount. eight day hours and sixteen night hours in december, opposite in june. the tables needed for how many days with how many hours were very complex and annoying also.

the concept of starting a new calender day at midnight, and never needing to constantly adjust day hours or when the sunset begins, WAS known but only used for scientific and astronomical purposes. like that's such a weird way to split the day!!!!! twelve at MIDDAY?? WEIRD. some travellers noted that this was a very practical and elegant solution, though, but travel and far flung communication was still very slow, so mismatched timekeeping was more annoying than inconvenient. but anyway that's for the future to figure out

[mumblingsage]

#🤔 i remember reading about trauma being a psychic wound#from witnessing or experiencing an event where someone's physical integrity was threatened#i know you can't start talking about ptsd until 6 months after the event if you're still seeing effects from it#i'm not so sure about the formal definition of traumatized#bc most people heal after even really bad trauma. ptsd is what you get around 1/3 times when your psyche like. doesn't#so i think traumatized might be for shorter term effect? but still like a specific term for you know like an actual medical condition#and indeed i'm no health professional or expert but i'm p fucking sure that can't happen from stuff happening to fictional people#and much less from reading words on a page#anyway thank you for this post op

I also find these distinctions and definitions super interesting! (I'd say "fun" but it's just not a fun topic.)

-My understanding is that you're right, post-traumatic stress syndrome can't be diagnosed until 6 months after the event. If you're having stress symptoms in the immediate aftermath - and this is quite common, much more common than longer-term PTSD - it's called acute stress disorder (there's also 'adjustment disorder' which might overlap?). And people actually going through the fight-flight-or-freeze survival response to trauma may not be aware of themselves as particularly upset or realize they're having symptoms; those often emerge after the immediate threat is past. I cannot stress enough that people with PTSD are not weak and have not failed; to survive trauma requires immense resilience whatever the outcome. But PTSD also isn't an inevitable outcome. (George Bonnano's book The End of Trauma is poorly titled - he doesn't promise to end trauma - but was a really informative read on resilience.) Also, the fact that 85% of the people who evacuated the Twin Towers on 9/11 did not develop PTSD makes me skeptical of how many people would develop PTSD from reading or watching a movie; if as a species we're that resilient when our lives are truly threatened and death is all around us, I expect we'll be pretty resilient in milder circumstances. [However, some forms of trauma have far higher likelihood of PTSD than others because of different factors: for instance, about half of sexual assault survivors experience PTSD, because our culture really sucks at supporting SA survivors. The same article says 94% of survivors experience PTSD symptoms in the first 2 weeks; I think this is what the 'acute stress disorder' diagnosis is intended to cover.]

-So then what do we actually mean when we say "traumatized"? Speaking for myself as OP, I'd mean either/or 1. Developed symptoms of PTSD or acute stress disorder, or 2. Went through an experience known to lead to symptoms of PTSD or acute stress disorder (on which I'll defer to section A of the DSM-5's diagnostic criteria for PTSD), even if such symptoms didn't develop or have since resolved. This definition may be somewhat circular. It is not perfect (the DSM is not an unimpeachable document; at the same time, informed and caring people are always at work to improve it). But I think it gets at a real distinction that will emerge if we compare the experiences of, for instance, people who actually had a friend die suddenly in childhood vs people who just read Bridge to Terebithia.

-In hindsight it might have been helpful to define what I think it means to be "traumatized" in my OP, but it isn't easy to get the entire contents of Judith Herman's Trauma and Recovery plus Bessel van der Kolk's The Body Keeps the Score plus the odd discussion in the therapist's office into a concise blog post. And maybe it was more productive to leave the term undefined so each reader has to examine their own definition/understanding of it. (I'm giving myself too much credit. Even so.)

I'm wondering if, as a society who cares about vulnerable people, we could stop saying "traumatize" when we truly mean "upset"?

I am sick of hearing sad books or movies "traumatize" their readers. I simply do not believe that happens. A traumatic experience might be adjacent to books (I have vivid memories of books I was reading around certain experiences and even how the contents of those books affected my processing of the experiences). But it's not caused by the book. And, y'know. The weather is Christofascist Censorship Attempts outside.

Meanwhile from the other side I continue to be surprised at just how badly people fail to understand trauma and traumatic experiences in general. Watering down the term isn't helping. Find other hyperbole to express that The Bridge to Terebithia gutted you, chewed on your heartstrings, and made you cry your first pair of contact lenses right out of your preteen eyes.

[maxarchive]

How are the emotions on this Saturday evening in Las Vegas? Is it an overriding relief? Is that the main thing?

An immense relief, but also a little bit more emotional than I was expecting, actually. Both from Max on the radio and I let Christian give him, well, let's say carry out all the complimentaries on the radio, because I choked up a little bit as well, and I think it just comes down to that relief at the end of what has been actually quite an intense year. Not quite as intense as 2021, but it at times ran it close.

Why is this one so special?

They're all special, don't get me wrong. Last year was special for very different reasons, but this one's special because of the effort and commitment that not only Max, but the whole team has had to put in to make it happen. Ok, the first half looked like it was a bit of a cruise, but actually we entered quite a difficult period, as everybody knows. But we had to work day and night to really try to understand the source of the problems and I think we've started to come out the other side, which is great news for the team, but it's also meant that our performances on track have improved and we saw the combination of that in Brazil as well.

Tell us a little bit more about the job that Max Verstappen has done this year. Would you say it's his best season so far?

The worrying thing for the grid is that Max is improving every year, which is frightening really because he's at an incredible level as it is, but in all areas he's working hard with the team, his racecraft on track, his qualifying laps, his consistency and also his ability to give up when you need to give up, and we saw that today, you know, he raced for what matter today rather than the final place on the podium.

In all of those areas you've just described, where has he made the most progress this year?

I think ultimately it just comes down to maturity and experience. Having been there three times before, I guess 2021 laid the foundations and now he's just becoming a very, very, very complete driver.

Since Miami, McLaren have been running you close. They've quite often been faster than you. Has there ever been a moment this year where you've doubted that you were going to win this championship?

I wouldn't say doubted, but certainly you don't take anything for granted. And as I said earlier, we took one race at a time, there was bit of a trend towards the middle of the year where things weren't going our way and we could see that other teams, not only McLaren, but other teams were making progress on us, relatively speaking and we had to do something. We had to make some changes and the team has come through on that. So kudos to them.

And how is your bond with Max evolved this year because it feels like this is the first time since you've been winning championships that you've been under a lot of strain together. And we did hear a few flare ups along the way, didn't we? Has it always been all sweetness and light or have there been-

Hungary springs to mind. We had actually a very quiet week after, I don't think there was a word spoken in the 3/4 days after the Hungary race, but we had a really good meeting in Spa together with Christian and Pierre just clearing the air. Not that there was ever any animosity, but I think sometimes when adrenaline is running that high, it's best just to leave things alone. Max and I are very similar in that respect. We're not one to bow down and give in very easily. So, yes, definitely that portion of the year springs to mind. But for the rest, again, it's a relationship that's grown over nine seasons. So we know each other very well. We work together very well. So long may that continue.

Well, let's throw it forward to 2025. It looks on paper like it might be incredibly close. Does that actually help someone like Max Verstappen because he makes no mistakes?

I think it helps him knowing that he has the ability to pull off results that perhaps aren't always there. And I think at the same time that maybe hurts or dents some of his competitors psychologically, not all of them, but perhaps some of them. But, you know, 2025 is a few months away. Now, I think more importantly, we need to finish the year on a high to keep morale in the team up over the winter because again it's been a really hard, hard year. And I think this was a bit of a unique, as everybody knows, it was a bit of a unique event with the temperatures and the tyres behavior, et cetera. So I don't think it's a true reflection of the car performance out there today. We'll do our best to finish Qatar and Abu Dhabi on a high and hopefully grab another win or, or two. And then, yeah, next year is next year.

[revelboo]

Even If It Kills Me Pt 2

TF Armada Starscream x Reader

• Primus, help him, because the sound you make when he does finally manage to catch you almost makes him immediately drop you. Screaming your little head off as the Mini-Cons flinch away, chirping and upset by the noise. But as he lifts you to optic level, you give up and fall silent. Those eyes are defiant when they meet his glare head on. “So is this where you crush me like a bug?” You ask, and venting raggedly, he doesn’t know what to make of you. Afraid of him, but so blunt. Almost like you fully expect him to hurt you. Like you’re used to it and resigned that it’s your lot. And staring at that discoloration around your eye, it clicks. He’s seen that on the human kids before. A bruise.

• That uncannily human face is frowning at you, huge servos warm where they’re wrapped around you. But not gripping you so tight you can’t breathe. Not breaking ribs even though he easily could. Which means you might get out of this unscathed, though given your track record, you doubt it. Hope is something for other people. “Humans aren’t supposed to know we’re here,” he says before looking down at the little robot that had wandered up to you first and his servos flex against you. You’re not sure if he can understand the little guy’s beeping, but he suddenly vents hard enough warm air stirs your hair. Laying your palms on his hand, you wonder what he’ll do to keep his existence secret.

• “Will it be quick?” You ask and he freezes, because you’re staring at him, expression oddly blank. And he understands that emptiness, of knowing that pain is coming for you no matter what you do. You took his words and assumed he’d end you to protect himself. No arguing or pleading, just tired acceptance, too broken to resist. Too beaten to even think about fighting.

• Optics narrowing at you, you wait for it to come. Honestly it’s kind of funny, you’d just assumed he would be the one to put you in the ground eventually. Never expected this, though. If there’s any justice in the world, your death will still get pinned on him. He can spend the rest of his life sober and caged like an animal. One last act of spiteful rebellion against him. And you are laughing now, crying and coming apart all at once. “Primus,” the monster growls.

• Completely at a loss, he looks down at the Mini-Cons then at the human wheezing and sobbing and laughing like a mad thing in his grip. Much more broken than he’d thought. How much further could Megatron have pushed him until this was him? Cautiously, he runs a servo against your hair. Reaching out to you like the kids had reached out to him. And when you touch his servo with a trembling hand, you’re still crying as you look up at him and he knows he can’t just leave you here even if he wasn’t under orders to not be seen.

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I caved and finally replaced my old Wacom tablet so I can remind myself that no, I cannot in fact draw