#do you understand. how important this is to me
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drchucktingle · 6 hours ago
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three point tether
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the reason art with ai at the creative helm will never get traction in any long term or meaningful trot is because art is more than what is in the text of the book, or notes of the song, or runtime of the movie. art is whats OUTSIDE of the medium, a performance piece between creator and experiencer
i say this all the time and i think most buckaroos think im off in the clouds as eccentric ART WEIRDO (theyre NOT WRONG) but in a practical BUSINESS sense what i am saying is true. folks want to pretend art is in some lab where art and artist and viewer are separate things. but they never will be
art exists outside of a vacuum. it is not static. it grows and lives and evolves based on culture its in and who is experiencing it. whether you know it or not, what you LIKE or DISLIKE has just as much to do with the story AROUND the art than the art itself.
you carry what you know about me to my tinglers, you carry what you know about the beatles to the beatles, you even carry what you DONT KNOW to artists and THAT changes your experience. the STORY outside of the art is unavoidable because the lack of a story is still a story
so what does this have to do with ai art? my point is, the STORY of ai generated art is potentially interesting when it FIRST happens, or when its a one of one, but when it is co-opted by corporations to make slop, or when you consider the ethics of data scraping and theft, the story becomes sour
in other words, REGARDLESS OF WHAT AI GENERATED ART ‘MAKES’, the STORY outside of the story is derivative and unethical. what is even more important, and the greatest problem of all, is that its very very BORING. ‘oh wonderful someone made a painting from a prompt CANT WAIT to dive into this world’
so fundamentally these projects from tech goofs only serve to show that they have absolutely no understanding of art in the first place. the starry night is not just a painting, it is a three point tether between van gogh, the painting and us, which is constantly breathing and moving and living
if i was to give advice to any artist about how to stand out in their field i would say this: figure out what YOUR STORY is, not just within your chosen medium, but OUTSIDE of any medium. THAT STORY is your art, and it is infinitely cosmically unique. USE IT. EMBRACE IT. that is your power buckaroo
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Ways I can think of that “DanDaDan” differs from other shonen series:
* Female MC is as important as male MC
* Canon romance gets consistent development through the series. I think that’s part of the reason why the MC ships with the rivals (Aira, Jiji) aren’t as popular with the fandom for once. The main ship is actually getting good development, so the fanbase doesn’t have to make up headcanons to fill in the space.
* Flips the found family trope on its head by having the main group despise new people whenever they show up and they even actively try to kick them out. The new people only end up staying because they keep lingering around to the point that the main group just gives up and lets them stay.
* The rivals aren’t emo or angst-ridden. Aira is a delusional tryhard popular girl while Jiji is a himbo drama queen. I’d even go as far to say that the MCs are the ones who are emo and angst-ridden.
* Supporting cast is more than just important, they become integral to the story. I’d say that the further you read into DanDaDan, the more it becomes an ensemble cast where everyone is a protagonist in their own right.
* World-building is all over the place, but in a good way. Most other shonen are pretty consistent with what kind of world their characters live in. MHA is superhero-based, Naruto is ninjas and magic, Bleach is spirits, and so on. DanDaDan feels like the author just throws whatever cool shit they can think of into the story. That’s actually the reason why I wrote in a different post that DanDaDan reminds me more of Marvel/DC than any other shonen series, it manages to capture the catch-all insanity of those comics.
* Doesn’t rely on hidden power-ups. The main characters either have to outsmart the villains or they have to train to get better with the powers they already have.
* The pervert comic relief guy is actually endearing for once. Not because of his pervert tendencies, but because he’s so oblivious to how socially inept he is that it’s kind of funny. This is gonna sound strange, but he sorta reminds me of Thor in Thor Ragnarok. Full of himself and oblivious to how dumb he can be. He’s Thor without the good looks lol.
* Flips the “nerdy outcast loser somehow gets a harem” trope. Instead of making Okarun cooler than how he actually is, the story emphasizes that the women who fall for Okarun are as weird as him. Momo is a weird outcast, Aira has main character syndrome, Vamola doesn’t understand how to human because she’s literally not one, Rin thought Okarun was a vampire (and wanted him to be).
* Flips the “elderly figure in charge of the teenagers” trope. I don’t really get motherly figure vibes from Seiko Ayase, I get more “cool wine aunt who is stuck with her niece” vibes. In fact, there was the arc where Okarun showed up to her in spirit mode to get her help with fighting off the alien invasion and Seiko’s response was, “Well, I’m not in the area and I have other shit to do, so you kids figure it out.”
* The series takes the piss out of the trope of mystical/magical items that the group acquired to get their powers. I mean…the main mystical MacGuffin in the series are Okarun’s balls.
* Okarun was about to go into an “I’m weak / I wish I was stronger / I want to get stronger for my friends” breakdown, but Turbo Granny told him to shut up and keep fighting.
* Not afraid to put the “cool girl” in as many funny situations as possible. Off the top of my head, the series built up Momo as this cool, tough girl who doesn’t take shit from anyone…then several chapters later, Okarun found out she got a job at a maid cafe.
(Feel free to add to the list!)
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cressidagrey · 2 days ago
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Holy Ground - Chapter 4
Summary:
Nobody knew that Azriel found his mate. Until she nearly died. This is the aftermath.
Warning:
Rhys Bashing (as usual), Inner Circle Bashing (kinda), Referenced/Implied Sexual Assault, Referenced/Implied Domestic Violence, Discussion of Religion(?), Chronic Injury/Pain/Illness, Minor Character Death (It's probably nobody you love), Magical Work Accidents, Explosions, Injuries
If any of this triggers you or makes you uncomfortable, please take care of your own mental health and don't read it.
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"You want to tell me what exactly you apologised for?" Cassian demanded as they left Azriel's bedroom. 
Azriel was curled around his mate like a tortoise shell and Cassian was quite sure that Azriel was going to slaughter everybody that would even try to get close to Irena.
Without even a second of hesitation. 
He had never seen Azriel so protective before, had never seen him so...possessive. It was almost scary how strongly his brother was reacting to almost losing his mate, how tightly he was curling himself around her like a shield. Cassian knew that mating bonds were intense, that they could drive instincts wild…Fuck, he had felt that all compassing need to pretect and claim himself…but…
But Azriel…he was radiating raw fear and intensity. 
Rhys grimaced. "I fucked up," he said frankly.
"Yeah, I agree, given that our brother preferred to keep his mate a secret for 2 years than to actually talk to us.” Cassian let out a low sigh, shaking his head as he ran a hand through his hair. "What exactly did you do that made him keep this from us?" he asked sharply, his voice tinged with frustration.
He didn't want to judge his brother, didn't want to assume that Rhys was the reason for Azriel's secrecy. But he couldn't help but wonder what had caused Azriel to keep something so important from them. And he couldn't help but feel a little hurt that he had been left out of something so significant in his brother's life.
It was frustrating and confusing, and it left Cassian feeling like there was a gulf between him and his brother that he didn't know how to bridge. He just wanted to understand, wanted to make sure that he hadn't done anything to make Azriel feel like he couldn't trust Cassian…
He knew that Azriel was a private person, that he valued his solitude and his privacy. But he had never expected him to keep his mating bond a secret for so long. 
It stung a little, that Azriel had been able to hide something so significant for so long without any of them suspecting a thing.
"Around two years ago...I warned Azriel off Elain," Rhys admitted with a grimace. "I was not...particularly...appropriate with my word choices."
Azriel and Elain?! Cassian's eyes widened at the admission, his jaw dropping open in shock. "Elain?! You warned Azriel off Elain?" he asked incrediously. "I didn't even know that there was..."
"There wasn't. Not after...They...they nearly kissed during Solstice once, even with Lucien in the house and it was...I stopped them." Rhys admitted. "It was a political clusterfuck."
Cassian felt another rush of disbelief and anger wash over him at that. He couldn't believe what he was hearing, couldn't believe that Rhys had interfered in Azriel's personal life like that. "You had no right," he growled, his hands clenching into fists at his sides. "You had no right to get involved in his love life like that, Rhys."
"I had every right," Rhys snapped. "Elain has a mate and so has Azriel, as we just found out."
"He didn't know that then," Cassian disagreed. "Elain and Azriel clearly had...something between them and yet you interfered. What exactly did you say to him?"
"I ordered him not to pursue her," Rhys admitted. "I told him to leave her alone. That if he needed to fuck somebody, he should go to a pleasure hall and pay for it."Cassian's eyes widened at the admission, his jaw clenching tight as he struggled to keep his temper in check. 
"You...you ordered him?" he asked, his voice low and dangerous. "You actually ordered him to stay away from a girl he clearly had feelings for? And then you...you told him to..." He trailed off, unable to even finish the sentence. He couldn't believe that Rhys had done something so callous and outright cruel to their brother. It was one thing to warn Azriel off of pursuing a girl who already had a mate. But to order him around like some kind of puppet and then insult him like that...it was beyond terrible. "Yeah. No fucking wonder, he didn't say a single word about Irena," Cassian growled under her breath. "You can probably consider yourself lucky that he didn't snap your neck for that, Rhys!"
Rhys winced at the words, his expression turning apologetic. "I know," he said quietly. "I'm...I don't really have an excuse. I was just...I thought I was doing what was best for him, for our Court. I didn't mean to..."
He trailed off, his voice shaking with emotion. Cassian could see how much his brother was struggling with this, how much the knowledge of what he had done was eating away at him. And he couldn't help but feel a pang of sympathy for Rhys, even as he was still seething with anger towards him.
He knew that Rhys had always tried to do what he thought was right, that he had always tried to protect their Court and their family. But sometimes...sometimes he made mistakes. And those mistakes had consequences, consequences that were often painful and devastating.
"I did apologise," Rhys said weakly.
"Oh, did you?" Cassian said with a snort. Rhys's apology did little to improve Cassian's temper, his anger still simmering just beneath the surface. "And that makes it all better then?" he demanded, his voice tinged with bitterness. "A simple apology fixes everything? Clearly it doesn't! Otherwise we would have known! Azriel would have told us that he met his mate!"
"What apology?" A voice behind them demanded, and Cassian should probably not be surprised to not only find his own mate there, but also Mor and his High Lady.
"Feyre Darling...Where is Nyx?" Rhys asked
"With Cerridwen. Don't change the topic," Feyre demanded. "What in the cauldron even happened?!"
Cassian let out a low sigh, shaking his head at the interruption. He couldn't help but feel a little grateful for the distraction, though. "Rhys told Azriel not to pursue Elain romantically three years ago.," he explained, his voice tight. "Ordered him to stay away, even. Azriel's been keeping his mate a secret from us for two years now."
He could see the shock and confusion on Feyre's face as he spoke, the disbelief that her mate could have done something so thoughtless and hurtful. He couldn't blame her, really. He was still struggling to wrap his head around it himself.
It didn't make any sense to him, how Rhys could have done something like that without realizing how much it would hurt their brother. How could someone who was supposed to be a High Lord, supposed to be their leader, be so blind to the pain of those he was supposed to protect? It was baffling and frustrating and it made Cassian's blood boil.
But he didn't have time to dwell on it, not right now. Not when they had bigger problems to worry about...like the fact that Azriel had a mate, a mate he had been hiding for two whole years. He knew what a mating bond felt like, knew how all-consuming and intense it could be.
The last thing he had expected was for Mor to start laughing."What?" Cassian snapped, his temper flaring up again. "What's so funny?"
Mor’s laughter continued, her body trembling as she struggled to catch her breath. "I'm sorry," she gasped, her voice choked with mirth as she grinned at him. "It's just...it's just so Azriel. Of course, he would keep his mate a secret for two whole years.”
Cassian stared at her in disbelief, his anger giving way to confusion. "That's what you find funny?" he asked incredulously. "That our brother kept his mate hidden for two bloody years?"
He couldn't understand why Mor would find that amusing, why she was laughing at something that was supposed to be a serious and painful secret. Didn't she know how much it must have hurt Azriel to keep his mate hidden for so long, to keep his feelings for her bottled up inside? Didn't she know how hard it must have been for him to keep up the facade of being fine, of being single and alone?
He couldn't wrap his head around it, couldn't make sense of Mor's humour in the situation. All he could feel was confusion and frustration, and a deep sadness for his brother who had to keep his mating bond a secret for so long.
He had always known that Azriel was a private person, that he didn't like to share his personal life with others. But he had never known that he could keep something like this a secret for so long. It was...it was almost scary, how good Azriel was at hiding his feelings and emotions.
“You find it funny, that Azriel didn’t trust any of us with her?” Nesta asked flatly.
Mor's laughter died down at Nesta's words, her expression turning somber. "No, of course not," she said quietly. "It's just...it's just typical Azriel. He's always been so careful about guarding his emotions, about keeping his love life hidden. I never would have guessed that he had a mate, let alone for two whole years."
“I am not surprised that he didn’t tell you,” Nesta bit out. “Not as you spend 500 years using his own feelings against him.
Mor flinched at Nesta's words, her expression turning pained. "Nesta, that's...that's not fair," she protested. "I never meant to hurt him. I never wanted to."
But Nesta wasn't finished, her eyes blazing with anger as she took a step towards Mor. "You spent five centuries playing with his heart, using him like some kind of toy. And now you're surprised that he didn't tell you about his mate? After everything you've put him through?"
Mor looked down, avoiding Nesta's gaze. "I...I know that I made mistakes," she said quietly. "But I never meant to hurt him."
Nesta scoffed, rolling her eyes. "Oh, please," she sneered. "You knew exactly what you were doing. You knew exactly how Azriel felt about you, and you used it to your advantage. You used him. And after the mating bond between you and Emerie snapped, you never tried to actually talk to him!“
Cassian nearly missed Rhys wincing. Nearly.
“You have anything to do with that too?” He asked darkly.
Rhys flinched at the accusation, his expression turning guilty. "I...I may have had something to do with it," he admitted quietly. "But I was just trying to help. I didn't mean..."
Cassian stared at his brother in disbelief, his anger rising up in him like a tidal wave. "You...you interfered? Again?" he hissed. “What did you tell Azriel?” He demanded.
Rhys sighed, picking a piece of invisible lint of his jacket. "I told him not to ruin this for Mor. That she went through enough.”
Cassian felt a wave of frustration wash over him at Rhys's words. "And you didn't think that maybe Azriel had enough as well?" he asked, his voice barely more than a growl.
He couldn't believe that Rhys had tried to interfere in Azriel's life again, that he had caused even more pain for their brother. And all for the sake of Mor, someone who had rejected Azriel time and time again. It was ridiculous and infuriating. 
But the more he heard…the more he understood why Azriel had kept Irena a secret. 
He had met his mate and had protected her fiercely, cossetted her away from any of them who could hurt them…had kept her to himself, so Rhys couldn’t say any other idiotic and harebrained thing…Had kept his mate to himself, because he adored her and hadn’t wanted to share. Which quite frankly, Cassian could absoltuely understand now. 
And still… Cassian knew what a mating bond could do to someone, how intense and consuming it could be. And the thought that Azriel, their quiet and reserved brother, had had to keep that kind of intensity hidden for so long...it was almost too much for Cassian to fathom.
He didn't know how Azriel had managed it, how he had kept his mating bond a secret for so long without anyone else noticing. It must have been a monumental effort, a constant struggle to keep his emotions and instincts in check.
And the fact that he had done all of that alone, without any support or understanding from the rest of them...it broke Cassian's heart. 
And Cassian himself had not made it better. How often had he teased his brother about his love life. Even, and maybe especially,  when Azriel had told him to fuck off?
Too often, Cassian realized with a pang of guilt. He had never thought about how his teasing might have hurt Azriel, how it might have added to the burden of keeping his mating bond a secret.
He had always just assumed that they were all teasing each other in good fun, that it was harmless banter between siblings. But now...now he realized that maybe it hadn't been so harmless after all. Maybe it had been something much more cruel and damaging than he had ever intended.
He wished that he could take back every comment he had ever made about Azriel's love life, every joke he had ever made about his solitude. But he knew that he couldn't, that the damage had already been done.
Cassian could just hope that he could find a way to repair things with Azriel, to make amends for all of the hurt and pain that he had unintentionally caused. He just hoped that his brother would be able to forgive him, that they could move past this and build a stronger, more understanding relationship
But deep down, a nagging voice in the back of his mind told him that it might not be so easy. That the wounds inflicted by his words might run too deep to ever be fully healed.
And that thought scared him more than he cared to admit. It scared him to think that he might have forever damaged his relationship with his brother, that his careless words might have destroyed something that he had always taken for granted.
“I don’t even have the words right now,” Feyre said with a sigh.
Cassian glanced in her direction, seeing the pain and frustration written all over her face. He knew exactly what she meant. There were no words for this situation, for the hurt and confusion and betrayal that they were all feeling.
He could only imagine what Azriel must be going through right now, how much he must be struggling with his emotions and thoughts. And he had no idea how they were supposed to help him, how they could make things right again.
“I have no clue how we are supposed to fix this either,” Feyre continued.
Cassian nodded in agreement, feeling a sense of helplessness wash over him. "Yeah," he said quietly. "Me neither."
“Leave him be,” Nesta said tightly. “He nearly lost his mate today.”
Cassian shot Nesta a sharp look, surprised by her words. "Leave him be?" he repeated. "You want to just leave him alone, after all of this?"
"He almost lost his mate today, Cassian," Nesta repeated, her voice tight with emotion. "Let him rest. Let him have some time, space. Let him have that without us bombarding him with questions and apologies."
Cassian considered her words for a moment, feeling a pang of guilt at the thought of bombarding his brother with more questions right now. He already had, hadn’t he?  He knew that Nesta was right, that Azriel needed space and time to process everything that had happened. And he knew that they had already done enough damage as it was.
So he nodded, reluctantly agreeing with her suggestion. "Alright," he said quietly. "We'll give him space. For now."
He could only hope that it would be enough, that it would give Azriel the time and space he needed to heal and process everything that had happened. And he hoped, more than anything, that it would be enough for them to repair the damage that they had done to their brother's heart.
But until then, all he could do was wait. Wait and hope that someday, somehow, they could make things right again.
And in the meantime, he would try his best to be there for Azriel, to offer him support and understanding without pushing too hard. Because that was all he could do right now.
That, and wait for a chance to finally make amends for the mistakes he had made.
Because he knew that he had a lot to make up for, and he was determined to do whatever it took to earn Azriel's forgiveness. And to be a better brother from this point forward.
***
She was warm. She was safe. Azriel was holding her...and still...in the moment she first opened her eyes, all she could remember where these last few moments before.
Irena's heart raced as the memories flooded back, of Merrill's office...of how her fellow Priestess, her friend had been sniping at her the moment she entered her office.
"We need to talk, Merrill," Irena had said.
"If Meera complained, it's her own fault," Merrill had seethed. "I don't need her help anyway, I am quicker and better on my own."
And only then Irena had realised that Merrill had already been casting that spell.
"Merrill! Stop!" she had snapped. "You can't do that! It's too..." dangerous. Dangerous was what she had wanted to say. But the word stuck in her throat as Merrill chanted that spell and then...then hell broke loose.
Then the only thing she remembered was quite a lot of pain."
There was no pain now.
There was only Azriel. Only safety and warmth and the smell of cedars...she blinked open her eyes tiredly.
"Azriel," she whispered, her voice barely audible. Her eyelids felt heavy, her body weak and boneless. But still, she felt a sense of relief wash over her as she saw him there, his arms strong and comforting around her.
She wanted to say more, to ask him if he was alright, to apologize for putting him through all of this. But she couldn't find the strength to speak, the words getting stuck in her throat. All she could do was cling to him, grateful for his presence and warmth.
He pressed a kiss against her forehead, clinging to her...and only a moment later she could feel his body shudder against her own. Shudder and the salty smell of tears
Irena's eyes widened in surprise as she realized that he was crying. She had never seen Azriel cry before, not once in all the time they had spent together. But now, he was crying, a quiet sob escaping him as he buried his face in her hair.
Her heart broke at the sound, at the vulnerability he was showing her. She raised a trembling hand to stroke his hair, her fingers tangling in the silky locks. "Azriel," she whispered softly, her voice barely audible. "It's alright. I'm here. I'm here."
She wanted to tell him that she was sorry, that she never meant to hurt him like this. But the words just wouldn't come, her mouth dry and her head still spinning. All she could do was hold him, trying to provide him with the only comfort she had the strength to give.
She didn't know how long they stayed like that, clinging to each other in silence. But eventually, Azriel's tears seemed to dry up, his sobs turning into sniffles and then to deep, shaky breaths.
She felt him press another soft kiss against her forehead, his lips warm and gentle against her skin. "I thought I lost you," he whispered, his voice barely more than a broken murmur. "I thought..."
She could hear the pain and fear in his voice, and it broke her heart even more. "Shhh," she said, still stroking his hair gently. "I'm here now. I'm alright."
She could feel him nod against her, his body slowly relaxing as he held her close. "I was so scared," he whispered. "I was so scared."
She tightened her grip around him, trying to reassure him with her presence. "I know," she said softly. "But I'm here, alright? I'm here and I'm not going anywhere."
Never. Not when she had a single choice in that matter. 
She felt him nod again, his body finally relaxing completely against hers. 
But for now, this was enough. Just being able to hold him, to feel him pressed against her, was enough. And she hoped, with all her heart, that it was enough for him too.
“How are you feeling? Are you in pain?” he asked her, his voice hoarse. “Are you…”
She looked up at Azriel, seeing the concern etched onto his features. "My abdomen hurts a little…so does my bad leg" she admitted. "But other than that, I feel fine. A little weak, but fine."
Azriel nodded, his expression still tight with worry. "Madja said that it might take a few days for you to fully recover," he said, his voice barely above a whisper. "But she was confident that you'll be okay."
Irena nodded, trying to smile reassuringly at him. "I'll be fine, Azriel," she said softly. "I just need some rest and I'll be good as new."
And time. Time to wrap her mind around the fact that her friend had died.
“She didn’t deserve that,” she whispered. Azriel knew what she was talking about.
“She didn’t,” he agreed softly.
“Was anybody else hurt?” Irena whispered, already hating to even contemplate it..
“Just you.”
She closed her eyes, feeling a wave of guilt wash over her. "It's all my fault," she murmured. "If I hadn't confronted her, if I hadn't..." She trailed off, unable to finish the sentence. She could still remember the look on Merrill's face, the anger and hatred in her eyes. And she knew, deep down, that she had caused it. 
Azriel's grip on her hand tightened, his thumb rubbing soothing circles on her skin. "It wasn't your fault, Irena," he said firmly. "You didn't make her do what she did. You couldn't have known that she would lash out like that."
She wanted to believe him, to let herself off the hook. But the guilt was too heavy, too all-consuming. "I should have known," she whispered, her voice choked up with emotion. "I should have been more aware, more careful."
Azriel's expression softened, his eyes full of understanding. "You can't blame yourself for this, love," he said gently. "You can't control other people's actions, no matter how much you might want to."
She knew he was right, that she couldn't keep blaming herself for what had happened. But it was hard, so hard, to let go of that guilt. "I just...I never meant for any of this to happen," she said, tears filling her eyes.
Merrill had been brilliant. And yes, she had been snappy and cruel but she had also been funny and bright and…She hadn’t been horrible. Misunderstood maybe, not very nice sometimes but she wasn’t…she hadn’t deserved to die. 
Azriel reached out, wiping away her tears with his thumb. "I know," he whispered, his voice full of tenderness. "I know you didn't."
She looked up at him, searching his face for any hint of blame or anger. But all she saw was kindness and understanding, and it almost broke her heart. "How can you be so good to me?" she asked, her voice barely above a whisper. "After everything..."
He cupped her face gently, his touch sending shivers down her spine. "Because I love you," he said simply, his eyes never leaving hers. "And nothing you can ever do will ever change that. This wasn’t your fault."
She felt a lump form in her throat at his words, her heart swelling with emotion. No one had ever loved her like this before, no one had ever made her feel so safe and cherished. 
She leaned into his touch, her eyes closing as she felt him press a soft kiss against her forehead. "I love you, too," she whispered, her voice shaky with emotion. "More than anything."
Laying in his arms, was the most peace she had ever known. 
“They know…about us,” Azriel said, exhaling softly. “I am sorry. I couldn’t…I couldn’t let them take you back to your room.”
Irena looked up at him, her eyes wide with surprise. "They know?" she repeated. "They know about us...together?"
He didn’t need to tell her who they was. They was everybody. 
Azriel nodded, his expression serious. "I'm sorry," he said again. "I knew you didn't want anyone to know yet, but I couldn't risk them sending you back alone. You were barely conscious and..." He trailed off, his voice tight with emotion.
Irena reached out, taking his hand in hers and squeezing it tightly. "It's okay," she said softly. "I understand." And she did understand. She knew that he had only been trying to protect her, to keep her safe. And she loved him even more for it. And she had wanted to be with him. She had wanted to be held by him. It was worth it. The simple comfort of his presence was worth all the other bullshit they would need to deal with. 
Irena smiled up at him, trying to reassure him with her expression. "It doesn't matter if they know," she said. "As long as I have you, nothing else matters."
“It’s gonna be…difficult,” Azriel warned her with a grimace.
“I can deal with your brothers,” she promised him simply. She could. She did deal with them. Well, at least with the High Lord on a monthly basis. She could handle him. 
Azriel let out a laugh, shaking his head. "You don't know what you're getting yourself into," he warned her, but there was a slight smile playing on his lips.
She just smiled at him, leaning up to press a soft kiss against his lips. 
She would deal with whatever she needed. Because Azriel was worth it. 
“Madja should be back soon…do you want a bath?” He asked her softly, tucking a piece of her hair behind her ear. “I can ask Gwyn or Roslin to come help you.“
Irena smiled gratefully. "Yes, a bath would be lovely," she said, feeling a wave of exhaustion wash over her. "But just a quick one."
Azriel nodded, his expression tender as he looked down at her. "I'll go get Gwyn," he said, brushing her hair away from her face. "You just rest for a moment."
“No,” Irena said softly. “You can help me.”
Azriel's expression softened at her words, his eyes filled with warmth. "Of course," he said gently. "Anything you need." He bent down, scooping her up in his arms and carrying her towards the bathroom. His touch was careful, his steps slow and steady, as if he was afraid of hurting her.
The shadows fluttered around, filling the bathtub, pouring something or other in there until it smelled amazing.
Irena breathed in deeply, feeling the tension in her body slowly begin to ease away. The warm, lavender-scented steam filled her nose, soothing her frayed nerves and calming her racing heart. "That smells amazing," she sighed, leaning against Azriel's chest. "What is it?"
“I have no clue,” he said drily. “I don’t get bubble baths,” he said with a pointed look at the shadows. 
He put her down to sit on the edge of the enormous Bath Tub and then very carefully unwrapped the wrappings around her wounds, and her leg. The wounds were closed now, the upper layer knitted back together, but she could still feel them. 
“Can you get out of the nightgown on your own?” Azriel asked her, hesitantly. 
“Should be fine,” Irena promised. 
She watched as he turned around, giving her some privacy. She was grateful for his consideration, but at the same time, she couldn't help feeling a little sad that he wasn't even going to sneak a peek. She shook the thought away, reaching out to tug off the nightgown and carefully lower herself into the tub.
The water was warm and soothing, and she let out a soft sigh as her body sank into it. Irena closed her eyes, feeling the tension slowly drain from her muscles. "This feels amazing," she murmured, leaning back against the edge of the tub. “You can come here,“ she said with some amusement, as he still stood at the doorway, presenting his back to her. His wings were flared as wide as they could get in the bathroom, rippling as muscles seemingly twitched beneath them. 
Azriel turned back around, his expression a mix of amusement and relief. He stepped closer to the tub, kneeling down beside it. "Are you sure?" he asked, his voice gentle. "I don't want to accidentally see something you don't want me to."
Irena laughed softly, reaching out to take his hand in hers. "You're too chivalrous for your own good," she teased. "But I appreciate the thought. And yes, I'm sure. Come here."
Azriel nodded, his expression softening as he moved closer to her. He gently ran his fingers through her wet hair, brushing it away from her face. The touch was tender, almost reverent, and Irena leaned into it with a contented sigh. "That feels good," she murmured, her eyes fluttering closed.
“Want me to wash your hair?” he offered her, his voice hesitant. 
Like she was ever going to turn down that offer.  Irena opened her eyes, looking up at him with a smile. "Yes, please," she said, leaning back further into the water. "I don't think I have the energy to lift my arms right now."
Azriel chuckled softly, reaching for a bottle of shampoo. He squirted a small amount into his palm before carefully working it into her hair, his fingers massaging her scalp in slow, soothing circles. The sensation was heavenly, and Irena closed her eyes again, simply enjoying the moment.
They sat there in silence for a few minutes, Azriel gently working the shampoo into her hair while Irena let herself relax completely. The warm water, the fragrant steam, and Azriel's gentle touch were all working together to ease away her aches and pains.
After a few more minutes, Azriel carefully rinsed her hair, his fingers tenderly brushing away any lingering soap suds. "All done," he said softly, his hands still buried in her hair. "Feeling better?"
She nodded, opening her eyes again and giving him a smile. "Much better," she said, feeling relaxed and drowsy. "Thank you."
Azriel returned the smile, his gaze full of affection. "You're very welcome, love" he said, leaning down to press a gentle kiss to her forehead. "Let's get you out of here and back into bed before you fall asleep in the tub."
Irena laughed softly, nodding in agreement. "That's probably a good idea," she admitted. "I don't think falling asleep in the tub would do my injuries any favours."
He insisted on keeping his eyes closed again, but between him and the shadows, they had her dry and dressed in a nightgown quickly enough.
Azriel scooped her up again as soon as she was dressed, cradling her against his chest as he carried her back to the bed. He settled her gently onto the mattress, tucking the blankets around her before sitting down beside her.
“You know…next time…you should let me return the favour,” she said softly.
Azriel raised an eyebrow, a slow smile spreading across his face. "You want to wash my hair, huh?" he asked, his tone teasing. "Careful, I might take you up on that offer."
“You could join me in the tub,” she said softly, biting her lip.
Azriel's eyes darkened at her suggestion, his gaze intense as he looked down at her. "Are you sure that's a good idea?" he asked, his voice low and husky. "I’ll have…some…bodily reaction to that,” he pointed out.
Her cheeks flushed but she kept a hold of his hand.
Irena swallowed, feeling a flutter of both nerves and excitement in her belly. But she didn't back down. "I'm sure," she said, her voice barely above a whisper. "I want...I want to be close to you. Like that." She could see his hesitation and the faintest hint of doubt in his eyes.
But she knew that hesitation had nothing to do with lack of desire. It was simply that he was worried about her. Worried about hurting her, or pushing her too far. And she loved him all the more for it, but she also knew that she wanted this. Wanted him.
“Think about it. She said softly. “Maybe in a few weeeks?”
Azriel nodded, his gaze softening as he looked down at her. "In a few weeks," he agreed softly. "When you're healed." He leaned down, pressing a gentle kiss to her forehead. "Let's focus on getting you better first, hmm?"
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weep-for-the-night · 3 days ago
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Yes, yes, yes to all of this.
Which is why the ‘romance heals an abused soul’ trope is a cheap trick and honestly not realistic. A lot of times that person is so full of trying to survive that they can’t see or feel the love that’s being presented before them.
Yes, there have been irl stories of people healing from being in a relationship. But it’s not the romance that helps them. It’s the companionship. The fact that someone is going out of their way to help pull them out of their own inner trenches. And the abused finally being able to breathe a little with their burden eased. This same thing can be done by family members, friends, even small interactions with acquaintances.
It’s the small things that matter—helping them clean their room. Washing their hair when they can’t do it themselves. Respecting their space. Understanding boundaries. Listening to them talk. Watching their favorite movies with them. Going for walks. None of this has to be done with romance in mind. Just being a decent human being, alleviating the pressure, and showing how much you care can do wonders on a broken soul.
It always annoys me how quick people jump for romance, as if we can’t live without it. And a lot of times when an abused person does so, it’s because they’re desperate to break free, thinking this is the only way they can. But romance isn’t what’s important for humans to thrive. It’s just the simple act of connection.
There are a lot of abuse and recovery stories out there in fandom.  A lot of them are written by people who’ve never been in an abusive relationship.  That’s fine, that certainly doesn’t mean you can't write it, especially when it’s present in canon.  Unfortunately, it does mean that a lot of people get it wrong.
The usual abuse narrative you see in fandom is a story about absence.  The lack of safety.  The lack of freedom.  The lack of love, or of hope, or of trust.  They try to characterize the life of an abused kid, or an abused partner, based on what’s missing.  They characterize recovery based on getting things back: finding safety, discovering freedom, and slowly regaining the ability to trust–other people, the security of the world, themselves.
That doesn’t work.  That is not how it works.
Lives cannot be characterized by negative space.  This is a statement about writing.  It’s also a statement about life.
You can’t write about somebody by describing what isn’t there.  Or you can, but you’ll get a strange, inverted, abstracted picture of a life, with none of the right detail.  A silhouette.  The gaps are real but they're not the point.
If you’re writing a story, you need to make it about the things that are there.  Don’t try to tell me about the absence of safety.  Safety is relative.  There are moments of more or less safety all throughout your character’s day.  Absolute safety doesn’t exist in anyone’s life, abusive situation or not.
If you are trying to tell me a story about not feeling safe, then the question you need to be thinking about is, when safety is gone, what grows in the space it left behind?
Don’t try to tell me a story about a life characterized by the lack of safety.  Tell me a story about a life defined by the presence of fear.
What's there in somebody’s life when their safety, their freedom, their hope and trust are all gone?  It’s not just gaps waiting to be filled when everything comes out right in the end.  It’s not just a void.
The absence of safety is the presence of fear.  The absence of freedom is the presence of rules, the constant litany of must do this and don’t do that and a very very complicated kind of math beneath every single decision.  The lack of love feels like self-loathing.  The lack of trust translates as learning skills and strategies and skepticism, how to get what you need because you can’t be sure it’ll be there otherwise.
You don’t draw the lack of hope by telling me how your character rarely dares to dream about having better.  You draw it by telling me all the ways your character is up to their neck in what it takes to survive this life, this now, by telling me all the plans they do have and never once in any of them mentioning the idea of getting out.
This is of major importance when it comes to aftermath stories, too.  Your character isn’t a hollow shell to be filled with trust and affection and security.  Your character is full.  They are brimming over with coping mechanisms and certainties about the world.  They are packed with strategies and quickfire risk-reward assessments, and depending on the person it may look more calculated or more instinctual, but it’s there.  It’s always there.  You’re not filling holes or teaching your teenage/adult character basic facts of life like they’re a child.  You’re taking a human being out of one culture and trying to immerse them in another. People who are abused make choices.  In a world where the ‘wrong’ choice means pain and injury, they make a damn career out of figuring out and trying to make the right choice, again and again and again.  People who are abused have a framework for the world, they are not utterly baffled by everyone else, they make assumptions and fit observations together in a way that corresponds with the world they know.
They’re not little lost children.  They’re not empty.  They’re human beings trying to live in a way that’s as natural for them as life is for anybody, and if you’re going to write abuse/recovery, you need to know that in your bones.
Don’t tell me about gaps.  Tell me about what’s there instead.
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binomech · 2 days ago
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Grasping at straws: Thoughts about Viktor's disability in Arcane
Disclaimer: In this post I try to give it some credit to Arcane writing from within the narrative. This is a Watsonian interpretation, not a Doylist one. Assume that underneath all of this I am beating Riot with LeGuin tomes.
Bootstraps and Denial
We get a glimpse into Viktor’s sense of self while he’s talking Jayce down from the ledge in S1A1E3: He is extending a sense of kinship to Jayce, who has just been stripped of his research equipment and autonomy by the Council when they relegate him to the care of his mother. He also considers the fact that he’s a faculty assistant in Piltover something he worked hard for, that was awarded to him despite his disability and immigrant status. His visible physical disability, accent, name, are all class signifiers that he must reject and dismiss if he wants funding, accommodation and recognition and it points to Piltover only allowing Zaunites as both a PR token and only if they reject enough of their Undercity culture. This is crucial: Viktor did not earn his position because he worked hard and believed in himself, he was rewarded for assimilating.
Becoming a Specimen
All of Viktor’s screentime in S1 takes place in Piltover to the exceptions of his visits to Singed, both in his childhood flashback and his adult visit to request help with the Hexcore experiment. Two things stand out to me in these interactions: The traumatic experience of being valued as a specimen, and the scrambling to the top of the ivory tower as a response to said trauma. He meets Singed and Rio in the immediate aftermath of a fall caused by his leg’s angle while he kept track of a device he built, a reminder that it would be the defining feature of his career, not his creations. Rio is shown to him as a lively, yet dying, specimen that must be preserved because it is a mutant, because it is defective and that defect makes her extremely valuable. I can understand how a young Viktor would latch onto the idea of saving something because it is faulty and project, and how finding Rio effectively dead and her body used for profit ended in an understanding that defects are only good if you can exploit them in some way, it’s not you, as a person, that they want. Conceptualizing a Viktor that is dead set on convincing the world that his work is important in and of itself goes through understanding that he sees his visible disability as both a hindrance and a weakness to exploit from the Piltover Academy.
Jayce encourages Viktor to do PR for Hextech with him several times, and right before the Progress Day speech, just as Viktor has had a coughing fit and is sitting down to rest his leg, Viktor says he doesn’t want to be seen as his partner, not in front of “them” (them being Piltover’s aristocracy). Viktor sees in Hextech a chance to leave a scientific legacy, and Jayce’s partnership is a way to keep the funds coming without his disability being an issue for investors. He believes in his partnership and Hextech as a joint endeavor between him and Jayce, but he knows what happens when Piltovans see a disabled Zaunite in any position threatening their hegemony. The catch here is that Viktor’s experience with Rio makes it so that this is not so much political awareness, as much as it is an avoidance so hard it loops back to agreeing with the oppressor, just to live a little more, just to make sure the world sees what you did.
When Viktor is diagnosed with Sump disease, a terminal condition caused by overexploitative mining and industrial pollution caused by Piltover’s factories and production exports, the sequence plays alongside an investor PR campaign from Jayce. It’s Viktor, who is already disabled, losing his place in the legacy of Hextech because he is dying at the hands of those who made it possible financially. It’s this Viktor, who sees his hopes of being remembered for his inventions dwindling, desperately going back to Singed and saying “I understand the value of the specimen. If rejecting my personhood buys me time, I will be what they want to see: A cripple, a corrupted Zaunite, a man desperate for power.”
The Hexcore has been trained to heal the subjects it’s used on, but Viktor was the one to train it: He was the one to determine what parts of the subject were considered sicknesses and flaws. To the degree that the Hexcore is, in many ways, a reflection of Viktor’s understanding of disease. It targeting his leg on first deliberate connection is a reflection of intent and desire more than any kind of agency from the device. Sky being used as fuel for the Hexcore’s learning is a point of contention for Viktor at that point because it’s the meeting point of the specimen and the scientist: Some lives are expendable if it means furthering your goal, and your life is the most expendable one. Are you ready to kill, be killed, for legacy? And Viktor panics because he is back, he’s looking at Rio’s corpse, born and raised for dying. Suicide for him at this point is an out, an unhealthy way of trying to go back to when he still had a choice. He asks Jayce to destroy the Hexcore and let him die because at that point he is still capable of dying without becoming a resource.
The Horror of Bioethics
Season 2 for Viktor is him becoming a specimen: Not a person, but a tool used to pave the road to a goal. In this case, Noxus’ acquisition of Hextech weaponry (which Viktor opposed ethically in Season 1, as he becomes the weapon itself in Season 2). He is resuscitated using the Hexcore against his will, a Hexcore containing both Viktor’s inputs for non-human healing and Sky’s research on applying those principles to the human body. He is a machine trained to heal, and he leaves for Zaun not under Viktor’s orders, but under the maxim to heal. He sees the widespread health issues caused by people that Viktor was bootlicking in Piltover, the direct result of him helping care for Rio until she died and was used to synthesize Shimmer as a drug, and where Viktor avoided his association with Zaun, the Hexcore resorts to the inputted instructions: Fix what we have established is broken. Viktor, who rejected his own disability, who rejected his home, his personal history, taught this thing to target the disabled, to target the poor, to target the sick. It is horrifying. The script presents it as vaguely unsettling but well-intentioned when it is blatant eugenics brought on by the loss of autonomy of a disabled man; the horror of it is not the cult, it’s knowing that all of this healing comes from someone having assimilated emotionally, politically, and physically, into his oppressors. It is not Viktor helping Zaun from the inside, it is Piltover’s allegedly meritocratic hellscape grafted onto Zaunites.
Who is allowed to be disabled?
Now, Jayce’s journey in the post-Hextech apocalyptic world is shown as a climb up from the Sump into the top of the Hexgates’ tower, almost reminiscent of Viktor’s journey as he understands it: You’re in a pit with a broken leg, in pain, hungry, desperate and you climb because it’s that or accepting death. You hope whatever is up there was worth the climb, but it’s a leap of faith. It’s remarkable, in contrast, how Jayce’s understanding of that climb is shaped by his own socioeconomic background. Viktor reaches the top and is punished for it, Jayce reaches the top and comes to an enlightened understanding. Viktor grows up disabled and is punished for the climb, Jayce acquires a disability during war time and he becomes the scientist-politician-hero. I appreciate how Jayce, upon encountering Viktor, fully armored even in his mind, can see a back brace, a leg brace, strained tendons. But it is also why a terminal illness resulting from Piltover’s economic chokehold on Zaun is conflated with a visible congenital disability, while they are manifestly not the same: This is a Viktor who got absorbed into Piltover’s vision of legacy, this is a Jayce who has grown up in it.
Legacy? What legacy?
In his final shot with Jayce as they erase the rune-stone, Viktor’s right leg is curving inwards, implying his femoral anteversion is something that he has finally incorporated into his perception, which was absent in every previous shot of this realm. Viktor's acceptance is for his own body, yes, but also for the consequences of giving up on it and dying.
This story as it is presented to us is a tale of avoiding annihilation through denial of one's limitations. While it's not a story that I enjoy, it is the one we were given. My hope is that through understanding it we can all tell better stories about disabled people.
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threeacttragedy · 2 days ago
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Entry 11: The One About the Heart of the Ocean
My father is a big history buff. He fancies himself a bit of an expert about the U.S. Civil War, U.S. Presidents, and World War II. In fact, he’s gifted me with the Useless Knowledge of which four U.S. Presidents were assassinated while in office (Lincoln, Garfield, McKinley, and Kennedy – you’re welcome for that little addition to your own Library of Useless Knowledge).
But, more importantly, my dad has instilled in me the importance of a timeline. The idea that, if you’re collecting information, it’s vital to keep it in chronological order, that way you can look at it, (try to) understand it, and theorize about what happened before and after an event. If the facts are out of order, the conclusion you reach may be in error.
My father and I also like to solve True Crime together. When he visits, we spend hours on the porch studying some random, usually cold, true crime event. We timeline the shit out of it, connect the puzzle pieces together, and exclaim in the end, “We’ve solved it!” I suppose that is part of what keeps me interested in Lukola – not that there is anything criminal in Lukola, except perhaps the “Single White Female” that pops up behind Nicola from time to time – I just enjoy the game of trying to put the pieces together.
Lukola has become a rather intriguing puzzle, don’t you think? It’s definitely one to which I do not have all the pieces. I do, however, enjoy collecting the information and chronologizing it, and now I find it enjoyable to scribble my thoughts out on Tumblr.
So, how did I get here?
Well, it started with boredom and ended with a timeline.
My first entry to the timeline?
July 20, 2024.
What happened on that date?
Well, nothing spectacular really, except JVN posted –
HOLD UP!
HOLD THE FUCK UP!!
OH SHIT!!
YES!
YES, you guessed it! After blowing JVN off for at least three, maybe four, posts in a row, I’m finally getting around to dedicating an entire entry to Their Royal Highness.
JVN is such a fascinating creature. I mean, you get beautiful, witty, and intelligent wrapped into one human being. Oh, and they are kind of a catty bitch, too, and who doesn’t love one of those? That’s why they're the Heart of the Ocean on the USS Lukola; they just give off this very rare blue diamond vibe. Well, that, and because something they did marks the focal point – the heart – from which the rest of my timeline branches.
*I will cut in here to note that I am referring to JVN as they/their in this entry as their Instagram bio indicates they accept “they/he/she.”
Okay, back to July 20.
On that date, JVN posted to TikTok their version of the Charli xcx “Apple” dance. You know that annoying TikTok trend that took over our summer? Yeah, that’s the one – the same one Antonia tried doing – she just couldn’t pull off the JVN version of it. Dear girl couldn’t come close to matching JVN’s “enthusiasm,” and JVN’s version was only made more enjoyable in that they were seemingly mocking Antonia!
But, all’s fair in love and war, right?
JVN’s bestie, Nicola, had already spent the entire summer subtlety combating Antonia over social media. The vibe in the fandom was that Antonia was always trying to one-up Nicola, with Nicola always coming out the victor. I’m sorry, Antonia, you just can’t beat some perfectly timed BTS drops.
So, why did JVN’s TikTok post intrigue me? It wasn’t because it was that amusing. It was because they’d done something I hadn’t noticed before – they’d taunted Antonia on a public forum.
Curious, that.
Now, I’m not saying it was the first time JVN mocked Antonia, but July 20 was the first time I noticed it. That date is the heart of my timeline, but it does not have to be the heart of yours. We can all start at different times but still reach the same conclusions, so long as we keep the information in order.
You would think one wouldn’t mess with the “girl friend” of your best friend’s “best friend,” at least not publicly. But, here was JVN shamelessly mocking Antonia on TikTok. And, just so we’re clear, the public opinion of what JVN was doing with this TikTok is available to view in the comments of their TikTok post. It wasn’t just me that came to this conclusion – and JVN has left these comments up for four months at this point.
JVN’s “Apple” dance was only made more interesting the following day – July 21 – when they included it in their Sunday Dump post on Instagram.
And, Nicola liked it.
Hmm, things were becoming curiouser and curiouser.
Let’s not even pretend that Nicola isn’t street savvy and didn’t understand the context of that video. And, let’s definitely not underestimate the length of her claws.
To be honest, I hadn’t paid too much attention to Lukola since mid-June. It was an “it is what it is” thing for me. Even though I believed the relationship between Luke and Nicola was complicated (see my first blog for that story), Luke had also apparently disappeared into the summertime sun with his friend group, which included Antonia.
Something about JVN openly making fun of Antonia, and Nicola, at the very least acknowledging it with an Instagram like, made me realize something in Luke’s situation must be shifting.
What have I said about little changes? That deviations in modus operandi are what make people start giving the side-eye to a situation.
And, side-eye I did!
I started paying attention to JVN and, on July 25, they posted a series of photos on TikTok and Instagram showcasing “What I would wear if you invited me to your…” We will fast-forward through all the slides until we get to the last one, which read, “…just got dumped and going to take 8 shots dinner at Lupe’s in SoHo.” Was it possible that JVN was hinting at a dumpster fire at the Soho Farmhouse?
If you don’t know what the Soho Farmhouse is, it’s the place where Luke and his friend group, including Antonia, frequented, probably on Luke’s dime (*insert wicked laugh – oh, and a disclaimer that this is all speculation).
Funny that Nicola liked this post on Instagram, too, and it wasn’t even buried in a Sunday Dump.
At this point, JVN had really sparked my damn interest. Like, dear one, what are you hinting at?
On July 29, Deux Moi creeped out from under its rock and reminded the fandom to hate Luke by rehashing Papsmear. Thank you, we needed that. I mean, half of us almost forgot how much we hated him! That’s me being a sarcastic tart, by the way. If we were to fast-forward to today, I’d argue that Luke was the most darling thing to come out of Bridgerton.
Any ways, again, thank you, Deux Moi, for those suspiciously timed Papsmear pictures because they aligned perfectly with the pap pictures People dropped the following day – July 30.
Yep, I am talking about those strangely awkward pap pictures of Luke hanging out in the murky waters of Sorrento with Antonia. Oh, and let’s not forget the video footage of that encounter, which I am sure still upsets and confuses people to this day. In fact, I know it does because, as I was researching this, I had a couple of people get annoyed after I asked them to view it. Funny thing is, that shit never bothered me (I didn’t say that it didn’t later confuse me!). The first time I saw them, I was like, “Luke is not into that girl at all,” and my next thought was, “I wonder how old these pictures are because I would have sworn JVN was hinting at something.”
Now, this story wouldn’t be complete if I didn’t address the rumor portion of it.
First rumor? That Antonia set up the entire Italy pap photo-op because she seemingly knew where to find the cameraman. So, let’s discuss that video everyone seems to hate to acknowledge exists. In the video, you can see Antonia maybe looking in the direction of the cameraman. She then leans into Luke, either to whisper something to him or to reach for something behind him. In my opinion – and this is strictly my opinion – it looks like she’s pretending to reach for something over his shoulder. Still shots of this interaction are the photos People published, presumably because Luke and Antonia looked like they were cheek to cheek.
Okay, notice I said, “first rumor,” because, yeah, there’s a second rumor, too! But, it fits snuggly into that first rumor. Almost immediately – because that’s how fast the Lukola Sleuths get to work around here – rumors began to circulate that Antonia was following on Instagram the photographer that took the Italy pap pictures. In fact, several people I’ve spoken to swear that they witnessed during a TikTok Live a host prove that Antonia was following this photographer. That’s a bit suspicious, isn’t it? Yeah, it fucking is.
Let’s keep moving.
That same day, we had that video drop of Luke watching fireworks, at night, with sunglasses. Speaking of sunglasses, I guess Luke found those motherfuckers because he sure as shit didn’t have them while floating around in that dirty ass water. Any ways, at the end of the video, Rory appears behind Luke, looking in the direction of the camera and smiling like a condescending, sneaky little shit. Now, who was the cameraman? Well, a possible suspect would be Antonia since she was not seen in the video. Go figure.
Alright, so that day finally ended and on July 31, JVN posted to TikTok a cutesy video of themself at the market titled, “When you catch someone trying to sneak a pic but you were born for these moments.” They prance around the market and randomly look at the cameraman (Mark) with a smile and a pose. The caption reads, “I welcome sneaky pics but I can’t guarantee I won’t sneak some back or put on a show for you.”
WAIT A MINUTE!
Did JVN just inexplicably confirm Luke was getting papped by his own friends?
Yeah, I kind of think JVN did.
And, Nicola liked this one as well when JVN posted it to Instagram on August 8.
Didn’t I tell you JVN was a fascinating creature? And, to be honest, JVN only gets better as this Lukola ship continues on its voyage.
Oh, strangely enough, a few days after the Italy pap crap, Luke returned to London alone. The friend group became unsettlingly silent, and Nicola started to get really, really loud – Chaos Week was incoming! And, so were some more JVN crumbs (and nicely timed clap backs).
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definitivelydrivel · 1 day ago
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As someone with very very very bad but effectively treated OCD, this. All of this. Though for me, it's more, because pragmatism is the name of the game for me, because morality is subjective enough that the inherent doubt used to eat me alive until I found a new way to look at things.
I used to have this terrible perfectionistic OCD dread about a vague sense that there's some ethereal impossible perfect way of being and doing that I'm always falling short of. It ate my mind and tore apart my life for years till I finally took off the values judgement punishment goggles and started thinking about things more objectively.
And it's funny. Once I stopped trying to moralize every little thought and deed, I started looking at my actions based on a combination of intent and cause and effect. Focus on actions and consequences instead, things got so much better. I wasn't wasting all my time hating myself instead of putting in work to do better.
And that is the thing. Feeling bad because you're obligated to feel bad is useless as penance. It doesn't fix anything, doesn't help anyone, and it actively hurts you. Others too, sometimes.
If feeling bad does fuckall to help improve your outcomes and actions, then fuck it. It's a useless pointless waste of time. If you insist on performing penance then seek absolution in action. Take steps towards habits and actions that align with your values and produce meaningful outcomes instead of torturing yourself needlessly.
Cuz guess what? Torturing yourself needlessly, wallowing in your emotions makes you more of a burden, but the people who love you are already putting up with that. Feeling bad for burdening them doesn't help. So if you feel bad then stop focusing on ot, stop drowning in those bad feelings. Try to accept yourself and your situation and focus on what you can do to do better.
Trying to do better while throwing all your energy into feeling bad is like trying to drive while stomping on the brake. You're just fucking up your car, dude.
I think the bit about thinking about who you want to be is good but for me that means living based on my values. I know what I want and what's important to me. I know my priorities and how I want to treat people, so I try to think about whether my actions and decisions fit my values, because being kind and understanding is one of my most important values and frankly, living up to that is tough but I am always happier living up to my values. There's a satisfaction in it that you just can't get by hounding yourself over every little failing of flaw.
We're human. Flaws come with the territory. Please, if you're stuck in a punitive mindset, please try to make peace with the fact that perfection is impossible, some people will always be shit and we can't fix that. Focus on moving yourself forward instead of tearing yourself and everyone around you down.
It's not a green light to let people hurt you but ffs give yourself and others some empathy.
Every single day people on tumblr say "what if the shit moral OCD tells you was true and living by it was the only way to be a real progressive"
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so-i-did-this-thing · 3 days ago
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Hello, I would like to ask you a question that has been interesting to me for a long time, but I am afraid that it may somehow offend you, so I apologize. I understand if you do not want to discuss such things.
May you please tell me a little about the side effects of the transition?
So, the downsides of medical transition? Sure, I can name a few things. But a lot of "side effects" people warn you about are really just "be sure you're prepared to be more physiologically like a cis man -- you can't pick and choose what effects you get, but you can predict some of them based on genetics."
(Transphobes like to make this sound scary, like you're damaging your body. But it's like... OK, a receding hairline? Yeah, no shit that's gonna happen. Happens to most dudes. Jokes on you, a lot of people are into that. And I can take some finesteride to slow it down, so stop using visual shorthand for masculinity to scare me away from masculinity.)
That said, be sure you're prepared for changes to:
How you gain muscle & fat
Your libido
Your hair growth patterns
How you express (and possibly even feel) emotions
Your voice
Your genitals
Your risk factors for certain health conditions. Some will improve, some will get worse. Me, I have to keep an eye on my congenital heart issue.
That said, the only real "side effects" that I feel are unique to being trans and/or me are:
Vaginal dryness. There's creams for that, so, completely manageable.
You of course need to be aware of your liver health, since you're on a major medication. But it's your doc's job to check your levels and adjust accordingly. I have had no issues.
My ADHD and memory maybe got a bit worse? But they are both stable now.
If I miss a shot, I get irritable (T makes me a much calmer person)
That's really it for me.
I've had top surgery and the only side effect there was that I rejected some sutures (first time that has happened) and thus got a gnarly scar, but that can happen with any surgery.
Other folks are welcome to chime in. Again, I think it's important to distinguish between "side effect" and "this is a new-to-you thing to deal with that is common for cis men."
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anyaskalliope · 2 days ago
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Mel and Jayce Deserved Much Better
After experiencing horrors and walking through valleys and shadows, I truly hoped Mel would break down this season and unleash her emotions. Especially since she spent the entire season unlearning hardness with Jayce being so openly affectionate and emotional. This final act was honestly a slap in the face.
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The one person she hoped would offer her that safety net to do this completely shuts her down. Mel was always cognizant of his feelings, constantly looking out for him, advising him, and teaching him. She shared with him her deepest insecurities and vulnerabilities. I can understand if Mel and Jayce are both going their separate ways because of the Noxus plot but to have him be this cold, and distant, and show a lack of understanding toward her plight is bizarre.
Mel comes back with a changed appearance and a different demeanor, and he doesn't even ask what happened. He seems to not care. Jayce isn't even giving her a chance to explain herself and just keeps coming at her and you can see the moment when Mel puts all her walls back up. Don't even get me started on the fact that he held the hammer in his hand for most of the time.
Their interactions during this act paint Jayce as one large hypocrite. He benefitted from all of Mel's teachings, from her providing comfort and affection, to her investments in Hextech. Asking her why she didn't save Viktor like she had something against him was wild.
This is the same Mel who offered comfort to Jayce when Viktor was severely injured during the explosion. The same Mel who immediately understood why Jayce left after their night together, recognized the importance of Viktor to Jayce.
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If Mel could protect everybody in that room, she would. When she explains her lack of awareness of her abilities to him, he just keeps going on and on.
And the apology with the "passenger" line was just bad. It lacked a certain level of remorse that I would expect from Jayce of all people. Where is that good-hearted man who could tell when people aren't feeling their best, that person who always wanted to help people and make their lives better?
I think the Survivor Jayce is not the Jayce that Mel fell in love with, this is another man. The Jayce she fell in love with died at the bottom of that cave. The survivor Jayce is Viktor's passenger.
Jayce abandoned not just Mel but also his mother who protected him many times to be with Viktor in the afterlife?? In what universe is Jayce pulling that shit?
Now Mel's heading off to Noxus. A nation that doesn't align with her values and morals and would most likely have to harden herself to rule or have influence there. I hate it all. I hate that Black women always have to be strong. We actually had an opportunity to see a Black woman who grew up in that environment slowly shed those walls with a man who actually loved her and was openly affectionate and vulnerable. I'm so sad that it was taken from us. I'm sick and tired of the strong Black woman trope.
With how mischaracterized her motives and actions towards Jayce are, I for one cannot say that I'm excited for a spin-off series with Mel as a main character. Not with this writing team and this fandom.
To me, this show ended in season 1 with Zaun becoming independent, Jinx not firing the rocket, and Mel and Jayce growing together as individuals and as a couple.
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ddarker-dreams · 1 day ago
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lock's otome game recs
i received some asks indicating an interest in a compilation of my favorite otome games, so i decided to go for it!! i've played about fourteen otome games, but of those fourteen, only these six left a lasting impression on me. there are still some that i intend to check out, so the rankings may update in the future. i'll give a very general overview of each game and how i'd score the categories that i find the most important in an otome game — the heroine, story, art, enjoyability, along with the characters i liked the most.
number 6 - piofiore fated memories.
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heroine: 6/10 story: 6.5/10 characters: 7/10 art: 10/10 enjoyability: 8/10 favorite characters: dante (ishikawa kaito), nicola (kimura ryouhei) and yang (okamoto nobuhiko)
this game centers around the heroine, with the default name liliana adornato, who finds herself entangled in the politics of the region's three most prominent crime organizations. the game has an italian backdrop and iirc, takes place in the 1930s.
the overarching narrative, while it has its fair share of intrigue, isn't the game's strongest point. it's the interactions with the characters themselves that made the game feel worthwhile. each love interest has more to them than what meets the eye, so it's satisfying to watch the relationship between them and the heroine develop.
the heroine takes a passive role throughout much of the game, events sorta just happen to her. still, she has a kind disposition that makes her likable and doesn't make stupid decisions that has you wanting to fling your console across the room. her characterization changes slightly depending on the route. for instance, without getting into spoilers, she's more assertive throughout yang's route. the resulting dynamic made yang's route the most memorable, even if he's my third favorite character from the bunch.
what feels unique to this game is the effort put into the bad endings. in most visual novels, bad endings can feel like gimmicks. you make one or two wrong decisions and you're rewarded with a few paragraphs. the downward spiral of the characters in the bad endings are decently fleshed out and you can see how they arrived at this 'worst' version of themselves. they're suitably dark and it shouldn't come as a surprise that i enjoyed them because of that 😭
then there's the art. it's stunning, the details in each CG are mindboggling. the heroine gets to wear a variety of pretty outfits which is something i like to see. even in the story's weaker moments, a stunning CG would pop up that had me forgiving everything. i still glance through the gallery to this day.
number five - cupid parasite.
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heroine: 9.5/10 story: 7/10 characters: 7/10 art: 9/10 enjoyability: 9/10 favorite characters: ryuki keisaiin (junya enoki) & gill lovecraft (kimura ryouhei)
iconic. showstopping. a little bit camp.
cupid parasite stars one of my favorite heroines, lynette. she works as a bridal advisor whose ambition is to ensure everyone finds their soulmate. in actuality, she's the goddess cupid, who left her post in celestia to better understand humanity and create lasting pairs. she's a delight to play as.
this game's presentation and overall aesthetic is the most distinct from any otome game i've played. aside from the presentation, the story itself is unlike any of the others on this list. when it comes to romance, i typically prefer them to be dark and mature. this game opts for a more lighthearted approach. it vacillates between being a romcom and dipping into the absurdist genre. there were times i was literally left speechless (glances at gill's route)... but it makes for an entertaining experience. the game's plenty funny as well.
personally, i enjoyed the more grounded moments when the mythological elements remained in the background. because of this, the true ending doesn't do it for me as much as they do in other games. as with anything, this is a personal preference though. i liked all of the routes and found the game handles the development of each love interest well. we're introduced to these men at their most pathetic and get to help them become a little more well-adjusted. lowering the cringe meter, if you will. it makes their growth all the most satisfying as the narrative progresses.
number four - even if tempest.
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heroine: 9/10 story: 8.5/10 characters: 8/10 art: 6/10 enjoyability: 9/10 favorite characters: the heroine herself, tyril i lister (noriaki sugiyama), crius castlerock (makoto furukawa) and lucien neuschburn (kaito ishikawa)
right from the get-go, this game's premise had me hooked. it features the heroine, anastasia (<3!), who leads an incredibly tragic life. she's bestowed the ability to reverse time following each of her deaths and uses this to unravel a mess of mysteries the world's setting is tangled in.
this game is absolutely anastasia's story. without spoiling anything, i loved the approach they took with the time rewinding ability. how it's incorporated is unique to an otome game, which they take full advantage of to amplify the tragic romances. on that note, the romance itself occasionally takes a backseat to the narrative as a whole. personally, i didn't mind this in the moment, since i found the story so interesting. in retrospect, i do wish that we got more moments between the heroine and each love interest, especially in the true ending.
there are more gameplay elements here as well. you have to conduct investigations, gather evidence, and apply what you've learned during these trial segments. when i first read about this, i thought it'd be a gimmick, but i liked playing through them. it incentivizes you to pay extra close attention to the world.
while i liked the narrative as a whole, i do wish we got more worldbuilding. there are hints of political subterfuge and religious oligarchy that, while touched upon, could've been leaned into more to give the setting a distinct feeling.
number three - olympia soiree
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heroine: 8/10 story: 8/10 characters: 8/10 art: 10/10 enjoyability: 10/10 favorite characters: akaza (yoshitsugu matsuoka), himuka (shun horie), and yosuga (yuma uchida)
in olympia soirée, the eponymous heroine, olympia, lives in a society divided into castes based on colors. she is the last surviving member of a clan that can perform rituals to keep the sun aglow. this game is a lengthier title, i believe i clocked in around 25 ish hours (i don't use auto-play so that sheds some time). the story benefits from this, as olympia has rich worldbuilding and lore that's revealed throughout the route's progression.
we get to see the consequences of this caste system and olympia's growth as she becomes determined to realize a better future for the islands. this makes the heroine someone that you want to root for. personally, i'm a sucker for stories that center around a sheltered individual being forced to face the harsh realities of the world and maturing in their own way. this, paired with the struggles specific to this setting, make for a gripping backdrop for the character's routes. all the love interests have problems of their own that they need to address.
this is certainly a mature title, there's plenty of steamy scenes featuring gorgeous artwork. seriously... all the pretty CGs are absolute eye candy. i enjoyed the balance between the main narrative and the development of the romantic relationships, i don't remember ever feeling bored.
ironically enough, i think this is the darkest game from the bunch listed here, surpassing the game with actual horror elements. there's a whole litany of trigger warnings to be mindful of when going through the game's bad ends. they are, as the term suggests, Bad. not light or humorous in the slightest. the poor heroine goes through it. please be mindful of these more touchy subjects.
number two - 9 r.i.p
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heroine: 8/10 story: 8/10 characters: 9/10 art: 10/10 enjoyability: 10/10 favorite characters: minami (nobuhiko okamoto), hibiki (shunichi toki), kureha (toshiki masuda), and koyo (ryota suzuki)
i was looking forward to the english localization of this game before it was even announced ... i'd been wanting an otome game with this vibe for ages. and it didn't disappoint! there are four different overarching story sections, with two characters each having their routes fall under them. this makes it difficult to give a summary since each route has a vastly different feel. some routes lean heavy into supernatural horror (such as hibiki and kureha), whereas others are just... supernatural (like with yukimaro and koharu).
the basic premise is that the main character, misa, is a high school girl burdened with her career survey. she's uncertain what she wants for the future and is being pressured by his mother to pursue a career in medicine. in one way or another, depending on the story section, she comes into contact with the afterlife and those who inhabit it.
i loved this game, i couldn't put it down. the routes that leaned heavy into horror were my favorites, which shouldn't be a surprise lol. i do feel some love interests were given preferential treatment of others, i wanted more from sena's storyline in particular, since he's voiced by one of my favorite VAs (tetsuya kakihara, the voice of scaramouche) 😭... apparently this game is receiving a fandisc, so hopefully they'll remedy that in the future.
minami stole the show for me. from what i've gauged online, he's a divisive character, you either find him grating or love him (like i do). i'm biased but i do think he has the most interesting and well-written story out of the love interests, i've played through it three times already. i just adored the dynamic between him and the heroine. he's petulant, selfish, and a bit immature, yet he goes to extremes for her as he realizes his unhinged feelings.
hibiki is a close second. the most yandere-coded of the bunch, he's soft-spoken and polite, but that exterior hides a creepy personality. like all of the characters in this game, there's a tragic element to him. i was worried about the role the heroine would play in helping him 'overcome' this, but i think they handled it well. it doesn't feel like the heroine's fixing him so much as she's helping him have a different perspective on certain events.
yeah i'm not normal about this game, i cannot recommend it enough. it would've taken the top slot if some of the routes were a bit more polished. i didn't care for yukimaro's at all, for example. routes like minami's, hibiki's, and koyo's more than make up for it though.
number one - collar x malice
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heroine: 10/10 story: 10/10 characters: 10/10 art: 10/10 enjoyability: 10/10 favorite characters: takeru sasazuka (daisuke namikawa), kei okazaki (yuki kaji), and aiji yanagi (masakazu morita)
the holy grail. the otome games that died for our sins. this isn't just a good otome game, it's an excellent story, with a very human cast, commentary on issues like the nature of crime, and you're left wanting to solve the various mysterious as much as the heroine does. speaking of the heroine, miss hoshino ichika is my all-time favorite heroine. she's clever, resolute, compassionate, and you can't help but fall in love with her a little yourself 😭😭
i'm not sure if this makes sense, but the world feels very... full? you get this sense that ichika exists outside just interacting with the love interests. she has her career, friends, and her younger brother that act as more than passing NPCs. the writers ensured all the characters with portraits are given some level of depth. i left caring about more characters than the heroine and love interests.
each route is dedicated to working through a certain case, which keeps the story intriguing as you progress. finally, all of the little hints that have been littered throughout coalesce into the 'true' route, where questions you've had since the first chapter are given satisfactory conclusions. at the same time, you're left wondering about a few things, such as the complete philosophy of the main antagonist.
ichika's relationship with each of the love interests develops alongside the case they're investigating, which almost always have connections or parallels to the LI's past. this helped ground them in reality and flesh them out into dynamic characters. you come to care deeply about them alongside ichika. the romance feels earned and doesn't come on too fast, which some otome games suffer from.
if you like otome games and haven't played collar x malice yet, i fully recommend it!!!!!!!! it's the strongest title from what i've played so far.
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jeza-red · 2 days ago
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They're distopian to me, because alcoholism was a fucking plague during the communist era and Eastern Europe is still paying for it.
Because yeah, unless you lived in metropolitan Russia or worked for the government, alcohol was one of the few things you could actually buy with your hard earned money. The shops were otherwise empty.
My great grandfather and grandfather were relatively wealthy, grandpa had a car, a few motorcycles, he bought first TV in the village - but when stuff wasn't there, it didn't matter how much money you had.
And it wasn't only "Western imports" - it was the products made in your own country. It was furniture. It was cured meats. It was clothes and home goods. It was cars. It was toilet paper. Shit was exported out of your country and you were buying whatever you could when it appeared, because it could not appear for a while. The price of goods like a car could double overnight for no sane reason and so fuck your savings I guess. Money was devalued at a drop of a hat.
I remember using thousands of zlotys to buy groceries. Thousands. A loaf of bread was a thousand. A nice bicycle a million. Imagine buying a single chewing gum and paying $500 for it. Coins of the currency were useless, we played with handfuls of them as kids.
People drank because that's one of the few things you could do with your money. It was, quite literally, a social issue.
And these pretty posters? Yeah, they are cute. Without the political background sorrounding them, they are pretty great actually.
But what they are is an expression of the illusion the Party tried to project. Friendly, caring, cultured. Feed the birds, go for a walk, use library, don't drink to much:) The intended uplifting of the working class through these pretty images of a perfect life. If you save money, you can buy a car! No, for real you can! Promise you can:) Aren't you happy you love in this superb system that allows you to do such fun things?
People who take these at face value have no understanding how the system was working it's way into every part of people's lives and how goddamn hard it tried to present itself as cultured and enlightened.
But yeah, Sov-time art has a special pleasant retro vibe to it. It's cute, honestly. In a vacuum.
love those old soviet posters that are just advertising like, an activity. not some “go to mike’s hardware for the BEST deals around!” just “hey, you can learn stuff at libraries” or “consider going for a hike in the countryside” big kin
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goldfades · 22 hours ago
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Joe burrow blurb where he gets baby fever seeing reader taking care of his nephews
thanksgiving at the burrow house is exactly what you expected and nothing you expected, all at the same time.
you’d prepped yourself for a cozy, midwestern vibe—homemade pies, mismatched dinnerware, maybe a friendly debate over the best way to make stuffing. and, to be fair, all of that was true. what you didn’t expect was how loud and chaotic it could get, with joe’s cousins piling into the house like it’s a college frat reunion and his mom somehow keeping everyone in line with just a stern look and a well-timed plate of cookies.
you’re in the kitchen with robin, helping her plate the turkey, when you hear joe yell from the living room. “there’s no way you beat me at madden again!”
robin shakes her head, a fond smile on her face. “he’s just mad he’s not the best at everything.”
you laugh, grabbing the mashed potatoes. “i’ll remind him later that humility is a virtue.”
“good luck with that, sweetheart,” robin says, giving you a knowing look.
by the time everyone sits down to eat, the table is overflowing with food, and joe’s already piled his plate high. he’s sitting next to you, of course, his knee bumping against yours under the table every so often like he just can’t help himself.
“so,” one of his uncles says, his fork hovering over the green bean casserole. “when are you two gonna give us some real thanksgiving entertainment and start a family?”
your face heats instantly, and you glance at joe, wide-eyed. but he just leans back in his chair, totally unbothered, a sly grin spreading across his face.
“well, we’ll see,” he says, glancing over at you like he’s enjoying this a little too much. “depends on if i can convince her to name the kid after me.”
“joe jr.,” one of his cousins says, throwing his hands in the air like it’s the obvious choice.
“absolutely not,” you say firmly, stabbing a piece of turkey for emphasis. “we’ve had this discussion.”
the whole table erupts into laughter, and joe just shrugs, clearly enjoying your flustered reaction. “we’ll work on it,” he says, giving you a wink.
despite the teasing, it’s impossible not to feel completely at home. every time someone passes you a dish or asks how you like the stuffing, you’re reminded just how much joe’s family has embraced you as one of their own.
later, when the dishes are done and everyone’s gathered in the living room watching football, joe pulls you onto the couch beside him, tucking you under his arm.
“so,” he murmurs, his voice low enough that only you can hear. “what do you think? could you see us hosting thanksgiving someday? our kids running around, stealing all the rolls?”
you glance up at him, your heart doing that familiar little flip it always does when he looks at you like this—soft and sure, like he already knows the answer.
“maybe,” you say, leaning into him with a smile. “but only if you cook the turkey.”
“deal,” he says, pressing a kiss to your temple. and in that moment, you can’t imagine a future more perfect.
later, joe’s leaning against the doorframe, arms crossed over his chest, a small smile tugging at his lips as he watches you sit cross-legged on the living room floor. his nephew, who’s barely two, is perched in your lap, babbling nonsense while you pretend to understand every word like it’s the most important conversation you’ve ever had.
you’re a natural with kids, and it’s obvious. the way you hold his nephew steady while he wobbles trying to stack blocks, the exaggerated gasp you give when the tower falls over, making the little guy burst into giggles.
“oh no! our masterpiece!” you exclaim dramatically, hands to your cheeks, and joe’s nephew dissolves into another fit of laughter.
joe chuckles under his breath, but his heart does this weird little thing it’s been doing more and more lately—this tight, warm ache that leaves him feeling soft in a way he can’t quite explain.
“you’re just gonna stand there, or are you gonna help us rebuild?” you tease, glancing over your shoulder at him.
he steps into the room, crouching beside you. “looks like you’ve got it handled,” he says, nudging your shoulder with his. “you’re a natural.”
“i had a great assistant,” you say, ruffling his nephew’s hair. the toddler immediately grabs your hand, trying to pull it toward the blocks.
joe doesn’t say anything for a moment, just watches the way you interact with his nephew—the way you encourage him to try again, the way you laugh when he tries to stack the biggest block on the tiniest one, the way you look at him like he’s the most amazing kid in the world.
“you’re really good at this,” joe murmurs, his voice softer now.
you glance up at him, a little shy under his gaze. “thanks,” you say, brushing a strand of hair out of your face. “kids are fun. exhausting, but fun.”
joe nods, his eyes flicking between you and his nephew, who’s now trying to climb into your lap again. something about the scene makes that warm ache in his chest grow stronger. he doesn’t say it out loud, but the thought’s already rooted itself in his mind: he could picture this. you. with your kid. with his kid.
“what?” you ask, catching the look on his face.
he just shakes his head, a small, almost bashful smile tugging at his lips. “nothing,” he says, leaning down to press a quick kiss to your temple. “just... you’re incredible, that’s all.”
“oh, please,” you say, rolling your eyes, but your smile gives you away.
joe doesn’t press the matter, but later, when his nephew’s napping and you’re curled up beside him on the couch, he’s already imagining what it’d be like to have a little one of your own. and the more he thinks about it, the more he knows he doesn’t just want it—he wants it with you.
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sweettoothy · 2 days ago
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𝐓𝐇𝐄 𝐖𝐎𝐑𝐋𝐃𝐒 𝐄𝐍𝐃
╰ SHOW ﹕ ARCANE !
︵ WARNING(S) ﹕╰ swearing ⸝ violence ﹕ sex
︵ relationship ﹕ Vi x fem!fragile!reader x Caitlyn
— pt.2 : watch it all burn.
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⟣・S2・HEAVY IS THE CROWN︰
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THE SOUND OF screaming could be heard when you had awoken from being on the ground, your hair in a messy style as you couldn’t see your surroundings. was Jayce and viktor okay? was everyone alright? mel..? of course you wouldn’t know, everything in your body hurt, it felt like some sort of piece of metal lodged in your side.
Being a well trained solider had its many perks but you weren’t prepared for this. Of course you weren’t. like they say, the most unexpected things come.
For you though it felt a little far fetched whenever your mom would tell you the stories about the ghost and salem. Where the witch would be haunted down and hunted but towards the end they found her having did no wrong doing.
Sad tale it was. really.
Everything on your body hurt like hell, the only voice you could hear was Jayce’s. was he carrying you and viktor? probably.
That dude had some incredible strength.
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JAYCE SITS IN a chair with his head in his hand, looking over at viktor who lays inside the hextech. seeing you and viktor in this condition was tearing him limb from limb, not in a gruesome way but a much more sadder way.
He had hated not being able to protect the both of you, it felt like hell. But you know, some things just come and go…you lay there on a bed with a bunch of iv’s attached to your arms and lower half, your hair was in a messy bun since Jayce had tried thing it himself.
Mel walks inside his office as she takes a look around, her eyes landing on Jayce. “How are they?” She questioned.
“Same as before. They’re both breathing.” Jayce answers in reply, a distressed look on his face. “Their pluses are consistent. Beyond that, your guess is as good as mines.”
Mel walks over to viktor, her eyes landing on the hextech as she starts reaching her hand out with curiosity. When she goes to touch it, it reacts differently with her making her gasp and step back.
“What’s it doing to him?” Mel questions.
“The hexcore has been evolving.” Jayce explains, “shifting through runic patters faster than I can keep up. All I know for certain is that it’s keeping him and her alive.”
Jayce eyes land on where you laid, his heart aching with devastation as he sees you reacting differently to the hextech aside from viktor, your body was rejecting it but also accepting it at the same time.
If it was the only thing keeping you alive he wasn’t gonna mess with it.
“It should be me up there instead of him. I should be laying in that bed instead of her,” Jayce grumbled, gesturing to an unconscious you on the bed barely breathing. “Vi and cait are gonna lose it.”
“Don’t say that.” Mel placed a reassuring hand on his shoulder. “They’ll both come back to us.”
“I still don’t understand.” Jayce replies. “They were both right next to me. How does the explosion do that to them, and I just…? I just walk out without a scratch? [name] almost lost a hand, my god.”
Mel sighs. “There’s no sense to these things, Jayce.”
The male was quiet for a while before speaking again, “how’d it go with the council?” he asks.
Mel scoffs. “My mother’s entered the game. She’s already gotten her hooks into salo. Using his grief to make a play for hextech.”
“Mel, I promised viktor, never again.” Jayce tells the woman.
Mel places her hand over his. “It’s all right. I handled it. I won’t let them corrupt your dream.”
Jayce looks over at an unconscious you again, before laying his head on mel’s thighs, tears threaten to fall down his eyes but he holds them back.
He just wanted you and viktor back, that’s all.
You were very important to caitlyn and vi after all.
“I should get going now.” Mel says, “you might want to spend some alone time with them.”
With that, she stood up and patted his shoulder one last time before walking out the door. The door slams shut behind her by itself, making Jayce flinch a little.
He feels you stir, his head perks up immediately.
When it does, he saw you already staring at him, a confused look on your gaze.
“What was that about?” You questioned, sitting up with your back pressed against the pillows. It was a little hard to breathe but it was manageable with the breathing machine.
“I don’t even care-- i just-- you’re--?” Jayce launches forward and pulls you into a huge, a huge so tight you had gasped. He wasn’t hugging you too tight as though you couldn’t breathe— he just hugged you with desperation and worry.
“Woah! hey, hey, it’s okay.” You reassured, patting his back. “I’m okay.”
He was so happy to hear your voice.
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“ONE OF THE MANY PRIVILEGES OF SERVING AS YOUR COUNCILOR IS HAVING THE OCCASION NOW AND AGAIN TO STAND BEHIND THIS PODIUM TO BEHOLD SO MANY JOINED TOGETHER NOT BY BIRTH OR DICTUM BUT BY ALL THAT WE SHARE.” MEL SPOKE as you stood by the other guards to keep watch, your back was leaned against the wall as the wound with the patch on your side was being healed. Your biceps flexing under the light as your toned abs still hurting from the explosion, but the wounds would heal, you were sure.
You glanced down at the tattoo on your hip and let your thumb graze over it, remembering when it was given.
You see one of the enforcers walk past you, you look them up and down by their attire before your brows furrowed— something felt wrong.
Heading into the crowd you lock gazes with vi, the both of you nodding towards one another before following the enforcer. But another person caught your attention as well, making you turn around and face the other way.
“The hell..?” You whisper lowly.
You push past the crowd of civilians as your hips sway when walking, and you walked with a purpose.
To figure out who the hell these people were.
Walking over to the other enforcers you climbed over the railing, your thighs still hurting but of course you forgot to bring your crutches for support. But it’s whatever.
“Wait, wait, ma’am you can’t--“
“Excuse me, I’m an enforcer too.” You say firmly as your eyes narrowed at the man. “So I can get pass, just like the rest of you.”
“We can’t even go in, so we can’t let you in either.”one of the enforcers replies. “Plus, you’re still injured from the attack so…”
Your piercing (e/c) eyes looked into the man’s brown ones, making his eyes widen a little— least to say, he was intimidated.
“Move, please,” you pleaded this time. “I feel like something is very wrong.”
Caitlyn looks over her shoulder and noticed the panicked look on your face— you would never randomly fuss about anything.
She knew something was wrong.
“Awful, isn’t it?”
Jayce looks over his shoulder when he hears a woman’s voice.
“Losing a loved one.”
When Jayce slowly turns around, the woman slips off her mask as she grabs her chainsaw, swining it at Jayce who barely dodged out of the way quickly.
Everyone starts screaming and shouting, rushing off to find somewhere safe.
“Get all the civilians to safety.” You told the enforcers before turning around to go and find Jayce, your leg still hurting from the explosion. you couldn’t walk around with a weak and injured leg but you thought against it.
“Jayce!” You shouted, searching for him. “Where are you? Jayce?!”
Someone suddenly slams you into a wall, making you hit the solid platform hard. A weak cry of pain escapes past your lips as you slid down the wall, clutching your arm.
Staggering to your knees, you rushed to get away from whatever was chasing you.
Get away, get away, get away
That was just going through your mind.
Something slashes in your back through your coat, “ah!” You shriek as you collapsed to your knees and hit the ground. Back arched as you tried crawling away from whatever had attacked you.
They grab onto your hair, arm wrapping around your neck once they finally got the chance to turn you around, the air in your lungs seemed to have collapsed the second they tighten their large hand around your throat.
You kick and flail your legs around as you gasped for air, eyes heavy and face turning blue as you choked— the breath you were now trying to breathe was very toxic seeping into your nostrils and throat.
You use your fists to hit at the man’s hands, he watched with a sadistic grin on his lips as the life in your eyes were starting to fade.
Your eyes roll to the back of your head as the life in your eyes seemed to have been fading.
“Get the fuck away from her!” Vi shouted as she rushed towards the much bigger man and knocked him in the face with her knee.
You collapsed to the ground, gasping for air as you clutched at your own throat.
Vi rushed over to you with concern, cupping your cheek as she leaned over you. “Are you okay? does anything hurt?”
“Vi?” You croaked weakly, grasping at her wrist.
Vi presses your hand against her fast beating chest, concern wiping her features. “It’s me. It’s me. you’re okay.”
She helps you up, “I’ll be right back. go and try to find cait, okay?”
You nodded before rushing off to find caitlyn.
“Cait!” You called out.
You couldn’t even get as far before you hit the ground, passing out.
END OF CHAPTER ONE
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casscainmainly · 3 days ago
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As much as I love Duke and Damian being the most adorable brothers ever, the tension between them is way underutilised. They both have very tenuous relationships to the Robin identity, and if you look at their interactions in Robin War, it's shot through with insecurity and dislike:
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Specifically, Damian consistently refutes Duke's right to Robin. Robin War is the event that leads Duke to quitting Robin, and arguably he does this mostly because of Damian; Tim and Jason don't really interact with Duke, and Dick essentially endorses him. But the beef is not one-sided, because Duke consistently hits on Damian's insecurities as well:
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Damian belittles Duke's friends and entire cause; Duke highlights how unwanted and abandoned Damian is. They are simultaneous Robins with incompatible views of what Robin should be. Damian, fresh from his journey in Robin: Son of Batman, sees Robin as atonement, a link to Batman, and a representation of his personal growth; Duke, in the middle of We Are Robin, sees Robin as power, freedom from adult authority, and a representation of collective community.
The worst thing Damian can say about Duke is that his Robin is meaningless; the worst thing Duke can say about Damian is that his Robin is alone. They both say that to each other. And then, they both give up Robin:
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In Duke's case, he precedes saying "I'm not Robin" with "that's the difference between you and me." Their Robins are so wildly different, their ideals so opposed to each other, that they cannot co-exist as Robin. The risk of losing what Robin means to them, especially for Damian, fuels a lot of their early animosity.
This opposition continues in Batman & The Signal #1, where in Duke's dream sequence, there is only one person he imagines wanting to oust him from the family - Damian. But Bruce also pits Damian and Duke against each other in Batman: The Secret Files: The Signal, in Duke's favour:
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Bruce drags Damian down ('requires continuous supervision') to uplift Duke ('Gotham's best'). The writing in this comic is very questionable, but this is reminiscent of the way he talked to Cass about Steph in Batgirl (2000). Cass is the acceptable girl vs. Steph's unacceptable femininity; in a similar vein, Duke is the acceptable Batkid of colour, whereas Damian's heritage is 'inconvenient'.
Which is why it's all the more important that, despite everything, Damian and Duke do love each other.
Damian, despite all his (understandable) ambivalence and outward disdain towards Duke, pretty much spends the entire comic trying to save him:
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And Duke, when Damian defects to the Owls, staunchly refuses to believe he's gone for good. Tim and Jason also protest, but they get knocked out pretty quickly. It's Duke who refuses to give up on Damian. It's Duke who won't leave Damian alone.
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Even though their Robins are complete opposites, Duke and Damian both know how big a deal it is to choose Robin; as the two Robins of colour (besides Dick, whose position is slightly different), they know how easily Robin can be taken away. It's why Duke, a virtual stranger, is the one to break through to Damian when nobody else could.
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This panel from the end of Robin War hits so hard in context. Every interaction up until this point is antagonistic, and they have every reason to hate each other - but they don't. They choose not to. They choose to love each other instead.
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philosophicalparadox · 14 hours ago
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Got a Japanese grocery store near me. It IS kept very meticulously neat and orderly, but in a completely different way than what we usually see in the US — the “flow” of foods breaks up differently I guess.
Even so, despite now living on the East coast where literally anything from Japan is easily three to six times the cost as it was in California, many foods are still much cheaper.
And there’s WAY more variety. If you ever wanted to know about 21 different types of edible seaweed, and how to use them, that’s the place to go, and they WONT bankrupt you like a health food store.
The exception is some snack foods and other imports — but largely, the produce in that store actually comes from California; it often says so right on the boxes.
You see, the US has very weird food standards aesthetically, so we import a huge quantity of produce, and export the stuff that’s Ugly or that we just aren’t interested in.
But some of it stays here — and goes principally to markets aimed at minorities.
SO if you actually want to support US agriculture AND get cheap groceries, do absolutely find an Asian or even Hispanic / pretty much any minority market/store. I grew up next to the latter, with a similar butcher shop across the street. It was often times the only way we even could afford produce and meat; neither store was pretty by US standards, but it was INFINITELY better than relying on the quite literally rotten food that came in the food boxes. At some point FREE just gets used as a convenient excuse to dump waste somewhere and make it someone else’s problem; and while we did need to rely on those boxes at times, you bet your ass we nickel and dimed our way into those produce markets and learned to make preserves, because nobody should have to eat f-ing rotting food. But that is another story for another day.
Point is you are doing a lot more good for a lot more people shopping in a store like that than feeding the corporate overlords.
(And for the record, when I say cheaper, which is not a term most Americans associate with Japanese anything, I mean it — a bushel - that is about two pounds- of apples at Acme/safeway is like 4-6 bucks, so 2-3$ a pound. At this particular Japanese and sometimes Korean market, THE SAME APPLES are like 50c- 1.00 a pound, because They’re From The US and often are just not as pretty as ones you’d buy elsewhere. Yeah, you’ll have to cut around some nicks and bruises on that pear (and OMG do they have pears! Like 6 varieties!) but it’s perfectly edible and delicious.
Same goes for herbs. Whole Foods is a freaking rip off selling fresh mint for 2 dollars for like 12 stems. The Japanese market? You can get an entire damn mint plant for that price. Dried spices are sold in bulk like at Winco, from hoppers with bags. You pay by weight, not brand. So you can in fact get more than 6 stamens of Saffron for the 9$ that freakin’ McCormic sells that stuff. (You pay for the glass bottle more than anything).
The ONLY thing that makes this market unappealing to people: They put just about everything they can in Metric. Weights are sold by mg and kilo first; there are numbers that correlate to the respective pound /ounce on some things, and others are just in US imperial like the apples. But if you weigh the spices or pasta or anything like that, you’ll be charged for the metric conversion. Which apparently upsets dumb people who don’t understand that a gram is far more precise than an ounce, and that it keeps them from losing stock too fast since they’re pretty small fish — it’s owned by two people, and staffed by maybe 7 at a time. They don’t get priority on restock.
Anyway, small business grocery = best place to buy food
How to Shop at an Asian (or other ethnic) Grocery Store
Do you live in or near a city in the US?
Need to save some money on groceries?
Might I introduce you to... shopping at the local Asian grocery?
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Asian grocery stores aimed at an Asian-American customer base almost always beat the prices of their western (or for-western) counterparts. Often by a significant amount, especially in categories like produce, meat, rice, and spices. Plus in addition to lower prices, you get the satisfaction of supporting a small, local business instead of a larger chain store.
(Note that a lot of this information applies to other ethnic grocery stores as well, but we're using Asian because they're common in many cities, and have particularly good prices on produce.)
But it can be a little bit of a learning curve when you first start to shop at them. This post will give you the information you need to navigate them.
So how do you find a good Asian grocery store?
First, go on google maps and search "grocery".
Note that you are NOT googling "Asian Grocery" or "Cheap Grocery". If you search "Asian Grocery" you will get results for Asian stores marketing toward a western audience, and because of this, will be neat, shiny, and very pricey. If you search "Cheap Grocery" you will get stores marketing themselves as cheap, which generally are only slightly less expensive than their "expensive" counterparts (think Aldi). Okay in a pinch, but you can do better.
Second, look at the pictures of all the stores you can easily get to.
Here's what you want: not a lot of printed ads, pictures of hand-written signs (especially in languages other than English), food in cardboard bins, and you want it to look kind of "junky". Bonus points if you can see prices listed in the pictures or the people shopping there are mostly older, ethnic women.
Third, If you couldn't find anything like this, go on your city's subreddit.
Search "cheap", "cheap grocery" and "expensive grocery". Why "expensive grocery"? Because you want to find people complaining about grocery prices, and you want to see the advice they get. Many times, that advice is Asian or ethnic grocery stores.
If you're still not getting anything, google "[city name] cheap grocery" and "[city name] expensive grocery" (see above). Scroll until you get to FORUMS discussing groceries in your city. You DO NOT want blogs or articles. Again, you're looking at the advice people are given when they complain about grocery prices.
One of the first questions people ask upon walking into an Asian grocery store of the type discussed in this post is:
"Is the food I'm getting here safe to eat?"
The answer is just as safe as anywhere else you might shop.
You're probably used to very clean, pretty, well-lit, well-organized stores. This will probably not be that, but it will be regulated by the same health department that regulates those stores. They are held to the same standards.
It's a lot of work to keep a store looking like a western consumer expects. It's a lot less work (and thus less money) to keep a store looking like an ethnic career housewife or grandmother expects. That is largely where the savings comes from.
What's a good deal at an Asian grocery?
Produce. You're probably used to things like onions and carrots being the cheapest per pound. Here it's going to be greens, apples, pears, radish, cabbage and maybe squash and sweet potatoes. Check unit prices and prepare to try some new things. Also a pound of greens is a LOT of greens. Keep that in mind. Also keep in mind that you might see a few pieces of produce that are bruised or have mold on them. That's okay. Just don't buy those pieces. The rest of the batch is probably fine. Wash produce when you get home if you're concerned, though you should be doing that anyway.
Rice and dry beans. If you like to buy in bulk, you're in luck. Don't expect to walk away with a pound or two of these. They come in 40lb packages. But if you tailor most of your meals around them, those meals will be cheap af. There are also lots of different types of specialty rice if you want to make your own sushi or mochi. Learn how to soak and sprout beans.
Tofu. Tofu is expensive when you buy it at a health food store. It is not when you buy it at an Asian grocery. It probably won't be in pretty packages, but again, cheap is not going to be super pretty.
Meat and fish. Meat is generally going to be cheaper here, though maybe not by as much as the produce is. Pork will probably be your cheapest option. You may also see cuts you don't normally see, like tongue, intestine, liver, kidneys, blood, etc... "Weird," however, does not automatically mean cheap in this context. Check unit prices and prepare to be adventurous. If you don't know what else to do with them, dried fish and animal organs make fantastic stock when boiled.
Spices. Again with the extremely large quantities here. But very inexpensive compared with their western counterparts.
Candy. This makes a great inexpensive gift if you need one, since the candy sold at these stores is fairly exotic for a western audience.
What isn't a good deal at an Asian grocery?
Dairy. This includes fresh milk, butter, cheese, etc... If they have it, it will be very expensive. Consider buying elsewhere.
Eggs. Again, this will probably be as expensive or more than the eggs you could get at a western supermarket.
Snacks. Pre-made items will be expensive in general, even though they may be tempting because they are different from what you are used to and you don't need to learn to cook a new thing. Do your best to avoid these and make your own if you can. If you can't, frozen pork or vegetable dumplings are probably your best bet for a quick meal.
Bread. It's pricey. A lot of Asian cuisines use rice, noodles, or buns for their starch instead of western-style bread. So if you can find it it will often be a novelty item.
What else do I need to know?
It's okay to be overwhelmed by new ingredients. Look up some YouTube videos on how to cook certain ingredients if you're not familiar with them.
These are not supermarkets. They sell food and sometimes the kitchenware (steamers, woks, chopsticks, etc...) needed to cook it. You will probably need to get your soap and household items somewhere else.
Pay in cash if you can. Most of these are very small businesses and paying them cash makes it so they don't need to pay credit card fees. At the very least, make the minimum purchase before paying with a card.
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Everytime I see antis go "predators will use 'proship' content to groom minors", it makes me want to scream.
The majority of groomers actually DON'T use minor x adult fictional content. How do I know this? BECAUSE I WAS GROOMED. SERVERAL TIMES. Groomers want their victim to feel special and in the majority of cases, they try to cover their tracks. Aka, they don't use minor x adult content because then they can't go "well I didn't know that [victim] was a minor".
Groomers try to bank on the hope that their victim feels isolated enough that they won't tell anyone. And they tell them things like "you're so grown up, you're so mature, etc." So it would be antithetical to then send fiction that proves that they think the opposite way.
Plus it's a genuinely bad argument in my opinion. We don't ban violent video games despite multiple mass shooters claiming that video games were their inspiration. We recognize that the blame isn't on the video game in that case. So why are people advocating for the blame and censorship of the content in this case?
I understand that it's difficult. I don't like the idea of kids getting hurt by creeps on the internet. But banning and censoring fiction won't help that. You want to believe it will because then maybe, you're helping people. But you're not. You're just screaming at them and accusing them of deplorable things, throwing around important words and degrading their meaning.
Banning fiction and getting outraged over pixels does nothing for the real people in reality.
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