#do you get me??????? am i making sense?????????????

[raichukfm]

It's a fascinating question and the answer doesn't speak to it at all. We're talking about swapping perceptions, you know, the hypothetical thing that could answer those "What if my blue is your red?" ponderings. Were that the case and you were to swap, you would start seeing everything red as blue and vice versa, but you would be able to tell this. That's a controversial point, but we aren't proposing a full qualia inversion here; your internal concepts of red and blue haven't changed, just the way that your brain maps sensory stimuli to your qualia has. You can imagine red, and it's red as you have always imagined it, you just look at a red delicious apple and you see it as blue. (Actually a fascinating question whether people would agree with this assessment, and has me wondering about people with aphantasia specifically about if they think their 'red as they have always imagined it' can be separated from the way things with that color look to them. I'm getting off track.)

But this swap is different. Semiotics refers to the meanings that things have; for instance, the way you are looking at these squiggles or hearing these sound waves and taking them as a message. I am intending a meaning now as I type these words out, and you are taking away a meaning as you perceive them, and though it won't quite be the same meaning it is related. There's a question of where exactly the meaning you perceive is; is it in the message itself? Is it just contained in the context around it? Was it put there by me? Is it only there when you read or hear it?

And now specifically we're talking about abstract objects, things which aren't concrete; for instance, words as words, not images or sounds but the thing that those patterns invoke. Things where it is already an interesting philosophical question about how exactly it is that they exist. (For those with the bent to ponder it and not just go 'Uh, they just do, duh' because yeah that's fair.) And that's just one example of an abstract object. It's not all messages. There are numbers. There are complex mathematical objects, like groups and rings and fields. Are things like "peace" abstract objects?

If we do this swap of perceptions, so you perceive the meaning of an abstract thing to be the meaning that I perceive... What are you perceiving, exactly? Is it the thing anymore? Is this even truly a swap of perceptions or is it rather a swap of thoughts? If you took one piece of my mental model of the world and swapped it out with one of yours, how would it fit in? Would it fit in at all? It's fascinating.

The world isn't shrouded in darkness. There's not some blinding fog that has settled over everything. You can observe the world, make sense of parts of it, peer into its mysteries and try to think of answers. Yeah, it's confusing and a lot of pieces of it are out of reach but that's just because the world is so fucking big and complicated and so many parts we simply lack the faculties to possess. This question is that lovely kind of philosophical pondering that is fundamentally unresolvable and by all rights has no practical purpose... But we can still talk about it, and in talking about it, we can share ideas and work through how it is we think of things. If nothing else, we can enjoy ourselves. And that's as practical a purpose as anything else.

Don't see something you can't think of how to answer and decide that it cannot be answered and that now is a time to shrink away to safe thoughts that can be trusted. Ponder whatever bullshit that strikes your fancy, and try to think about what the answers would be. Even if you can fundamentally never find out if you're right or wrong, the thinking itself is a worthwhile exercise. Encourage other people to do it too, though don't try to force it; different people have their own sorts of funtime questioning. I've got things like this, some people have how much prep time Batman would need to defeat Shrek in a fight.

equally confounded and obsessed by this quora question and response that i just stumbled onto

[my-castles-crumbling]

teatime - December 22nd - Black brothers, mentions of jegulus - @taylorswiftmicrofic - word count: 417

Regulus had always had trouble using his voice.

Perhaps it was because Sirius was always louder. He practically insisted on being heard, so Regulus just...allowed it. Why bother, really? Plus, if Sirius wanted to be the one always getting into trouble, who was Regulus to stop him?

Or...perhaps it was because he had more of a sense of self-preservation. He knew, mostly from watching Sirius, what the consequences were for speaking up. He'd have to be stupid to say something. It was smart, to keep quiet, right?

But as he grew older and stopped listening to his parents' skewed view of things, he realized that Sirius's wasn't loud just to be loud. Sirius was loud because he chose to be. Both because he couldn't stand the oppressive environment of their family home and because he was protecting Regulus.

And still, Regulus stayed quiet. And he hated himself for it. It made him feel sick, knowing he was turning a blind eye to the way his parents acted. Knowing that he acted like he supported it, sometimes.

Until one day, he'd had enough.

They were at teatime, and as usual, Sirius was being berated for being a disappointment. But beratement was turning to yelling and anger, and wands were being drawn. And usually, at this point, Regulus would have excused himself. But he thought of who he wanted to be. Both for Sirius, and for another boy, far away, sharing a much more pleasant meal with his own family.

"...a plague on this family!" Orion was screaming, want pointed at Sirius's heart as the sixteen-year-old laughed quietly. "We ought to make you feel the pain you've caused us!"

"Go ahead, Father! Won't change who I am! Or do you think you can curse the good out of me?" Sirius retorted snidely, eyes wild.

But as Orion raised his wand and opened his mouth, Regulus blurted out, "I'm dating James Potter!"

And suddenly, things were so quiet, you could have heard a pin drop.

Walburga spoke first, slowly turning to her younger son. "Regulus, don't joke about such things," she said dismissively.

"I'm not joking," he said, his entire body shaking. He caught Sirius's eye, and the other boy sent him a shocked-but-proud expression. He tilted his head up defiantly and said, "Will you curse me too, then, Mother?"

And, an hour later, as he and Sirius showed up at the door of the Potter Manor with a small bag, disowned and parent-less, he'd never felt better about himself.

[woso-dreamzzz]

Different: Christmas

Katie McCabe x Teen!Reader

Summary: Christmas with Clover

"Coopurr...Coopurr, man, knock it off!"

Your mum's cat continues to try to attack your feet under the safe covers of your bed.

"Coopurr! Come on!"

"You can just kick him off the bed," Your aunt Ella says from the doorway and you finally sit up in bed.

"I can't because he's the only sane person in this house! Do you know what it's like leaving with you two?"

"Amazing?"

Your mother pops her head through the door. "The most perfect thing in the world?"

You let out a bark of laughter. "You wish."

Katie winks. "I don't have to wish for something that's already true."

"The most perfect thing in the world is you leaving me here for Christmas."

It's Katie's turn to laugh now, pulling down your blankets and allowing Coopurr to bat at your now exposed toes.

"No chance," She says," Come on, up! We've got the flight back home this evening."

"Just leave me here to rot!" You say dramatically and Katie laughs again.

"You know, if you're here alone then you have to cook for yourself," She points and you sigh, finally sitting up in bed and scooping Coopurr into your arms.

"Fine," You say," But don't think I'll be happy about it."

"You're never happy about anything."

"Kim'll tell you that it's because I'm a teenager."

Katie cracks a smile. "You know what? Kim's onto something."

You roll your eyes as you get out of bed as Katie's eyes narrow.

"You haven't even started packing yet, have you?"

"I was still banking on us staying here."

Katie plucks Coopurr from your arms with an eye roll, trying to push you along with her foot. "Go and pack. And make sure to bring lots of jumpers! You know my parents don't like turning on the heating in Winter!"

You rolls your eyes as you go rummaging around in your wardrobe for your suitcase.

It's not like you don't enjoy going back to Ireland. On the contrary, you love going back to Ireland. You just didn't enjoy how big of a family you have.

Certain members of the family seemed to delight in reminding you that you weren't actually Katie's daughter. It didn't seem to matter to them that Katie had been a mother figure to you all your life. It didn't seem to matter to them that you barely even remembered your biological parents.

All that seemed to matter to them was pointing out that you were technically, biologically, Katie's little cousin.

You stuff whatever's clean and visible into your suitcase with little regard to what clothes you're actually packing before practically throwing the suitcase down the stairs.

"Stop trying to break stuff!" Katie yells.

"Ella's the one that broke the hallway table!" You yell back with a laugh," She came in drunk and fell over it!"

Ella gasps in horror from her room. "You said that you wouldn't tell her that!"

"And you said you would get me ice cream. But here I am...Ice creamless!"

You don't actually get your ice cream, even at the airport when you very pointedly show a selection of ice creams to Ella and she promptly ignores you.

Pulling up to your grandparents' house has always been a bit daunting to you. Before Katie adopted you, you lived in that house too, once upon a time.

Now though, it feels you with trepidation.

Most of the family is probably already there and you just know you're going to have to end up sharing a room with more people than just Katie.

You're right, of course, when a few other aunts and uncles arrive. Katie's aunts and uncles, of course, but also kind of yours. But you'd never really considered them that.

They were related to your biological parents and, again, you barely remembered them. You'd grown up with Katie as your maternal role model so it made sense to you as you got older that her siblings ended up filling the roles of aunts and uncles to you.

"You feeling okay?" Katie asks, hand gently covering yours as you sit on the squished sofa and pick at the Christmas Eve meal that her mother made for everyone.

"I...Yeah, I just..." You look up at one of the older men in the room, the one that always insisted on calling you anything but Katie's daughter. "I'm just going to the toilet."

"You feel sick?" Katie sits up properly, eyes narrowed as they flick over your face, searching for a flush or anything that shows you're feeling under the weather.

"No! No...I...I just need a bit of a breather, you know?"

"Yeah, kind of overwhelming around here, huh?"

"Yeah...I'm just gonna..."

"Yeah, you go ahead."

The mirror in the bathroom clearly hasn't been cleaned in a while, covered in little water droplets but you don't really mind as you splash your face with water a few times and stare at yourself, gripping the sides of the sink in a white knuckle grip.

It takes you a while to psych yourself up, enough time that you're pretty sure dinner has been finished and people have moved onto dessert.

It's usually loud in the McCabe household and on Christmas Eve, it's no different.

Lots of people fighting over the remote and someone singing a horrific Christmas carol and someone else lecturing someone on the correct way to cook a turkey even though everyone knows that no matter how a turkey is cooked, it always comes out dry.

But this yelling is different and you definitely recognise the voice of one of the people yelling.

"Get your bag!" Katie yells, finally spotting you lingering in the doorway.

"Wh-What?"

"Your bag!" Katie snaps before sighing and softening her voice," Can you go upstairs and grab our bags? Wait for me by the door."

You know better than to try and ask her things when she's like this so you leave to grab everything, coming down to catch the tailwind of her yelling.

"-She is my daughter and she will always be my daughter, no matter what any of you people think!"

"Katie-"

"No! I won't hear it! She's my daughter and I love her and it's none of your business anyway!"

"You can't just leave, it's Christmas tomorrow!"

"Yes! And I will be spending Christmas with my daughter! I don't care if it's just the two of us. If it has to be that way then it will!"

Katie looks surprisingly calm when she joins you at the front door.

"I don't think we'll get a flight at this hour," She says," But I reckon we could still catch the ferry and then we'll take a cab back home, sound good?"

You smile at her. "I might have accidentally left your present at home anyway."

She laughs. "That's 'cause you're psychic. You knew we were spending Christmas at home this year."

[seeingivy]

sukuna and “ we have to stop meeting like this” plssss

we have to stop meeting like this x ryomen sukuna

**part of my tortured poets concert event

--

“we have to stop meeting like this.” 

sukuna can tell when he’s in trouble. 

he’s seen the look hundreds of times – when he used to talk too loudly during lectures in college, when he’s late to meetings at work, from his brother when he misses his nephew’s basketball games – to the point where he’s able to pinpoint it down to the expression. 

narrowed eyes. furrowed eyebrows. a pursed expression. 

and sukuna can evaluate that, at the very least, he’s not in trouble with you, because you have none of the three, despite the fact that he’s most definitely earned it at this point. a testament to your overwhelmingly large well of patience. if sukuna’s bruised eye isn’t betraying him, he’s almost convinced that he sees a whisper of a smile on your face. 

sukuna readjusts himself in the bed, shifting awkwardly from how small the stretcher is, as you make your way over to his side and pull the shiny blue latex gloves over your hands. 

“how else am i going to see you, doc?” he asks. 

you roll your eyes. 

you’re not particularly fond of downtown los angeles. 

there’s too many people – bustling in the streets, clogging up the sidewalk – to the point where you feel like you see hundreds of people every single day. and while the initial thought of moving was exciting, of the unknown, you very quickly realize that you detest it. 

you work in an emergency department that houses almost hundreds of patients everyday. strangers going in and out, coworkers cycling through to the point where you can barely remember anyone's name, and it’s a severely stark culture shock from the ten manned hospital you used to work at out in the suburbs. the same few patients you saw every few months. 

nothing is consistent in los angeles. except for the promise of a local bar owner, by the name of ryomen sukuna, who always tumbles in around the holidays with some type of injury. 

halloween. new years eve. thanksgiving. a broken arm, dislocated shoulder, a viral infection. 

“you know, i almost thought you weren’t coming.” you joke. 

“and miss out on valentine’s day with you?” he asks. 

you reach forward, fingers light on the side of the face as you guide him to look straight at you, so you can assess the damage. there’s a deep cut on the side of his forehead, superficial, accompanied by bruising around the soft warmth of his eyes. 

and while his pretty face is intact, his arm evidently isn’t. there’s a deep gash, one that makes him wince loudly as you touch the bruised skin around it. you narrow your eyes at him, before craning your neck over your shoulder and whistling. 

“yuuta.” 

“yes, dr. l/n?” 

you give him a polite smile. 

“can you get me a suture kit please?” you ask. 

he gives you a polite nod, quickly scurrying away towards the supply closet, as you turn back to sukuna. 

“don’t make that kid do my stitches.” 

“why not? that kid has to learn, you know.” 

“well, he can learn on someone else, for fuck’s sake.” he mutters. 

sukuna leans forward, giving you a bright grin, and whispering so quietly it sends a warm shiver down your spine. 

“you’ve got a special touch, doc. i’m only going to give you permission to patch me up.” 

you narrow your eyes at him. 

“will you really say no if i make him do it?” you ask. 

he gives you a nod. 

“plus, that poor kid has been staring at that girl with the green hair the entire time. you should let them play hooky.” 

“i should let my residents play hooky?” you deadpan. 

sukuna shrugs. 

“where’s your sense of romance?” he asks. 

you cross your arms over your chest, as yuuta sets the suture kit down on the counter and reaches for the gloves. you raise your hand in the air, gesturing for him to stop, and note that you’ll slightly regret this gesture in a few hours when you have to do the paperwork.

“no need, yuuta.” 

he gives you a frown. 

“i don’t mind, boss. you should take a break.” he offers. 

you shake your head at him. 

“you should go into my office and go to the desk on the left. there’s a box of chocolates that someone gifted me in my top left drawer this morning that you should share with dr. zenin.” you note. 

yuuta’s eyes go wide. 

“what do you mean?” he asks. 

“everyone can see that you’re hopelessly pining over maki. including my patient, who has very graciously convinced me to let you be a romantic. get out of my face before i change my mind.” you respond, making your best attempts at a stern voice. 

yuuta flickers his eyes in between you and sukuna, an unmistakably delighted look on his face, as he lightly taps on the door on his way out. you turn back to sukuna, who now has his eyes narrowed at you as you open up the suture kit. 

“you’re telling me there’s other people that give you gifts?” he asks. 

you scoff. 

“you give me gifts?” you asks. 

“the pleasure of my company at your workplace. on every calendar holiday, mind you.” 

you roll your eyes as you clean up the area around his skin, pulling out the silk material for his stitches. sukuna’s well versed in your stitching techniques, and with a pain tolerance so high, it only takes a few minutes. 

“what did you do this time?” you ask. 

“occupational hazard. who gave you the chocolates?” 

you scoff. 

“where do you work? the mma boxing ring?” you ask. 

“do you think i’m fit enough for that? more fit than the dumbass who gave you the chocolates?” he asks, a wide grin spreading across his face. 

you shrug. 

“evidently not. you can barely…

you pause to lift the chart left on the table, yuuta’s messy notes scribbled on the top, before you look back to glare at him. 

“...take down a christmas tree at the bar without injuring yourself. looks like you’re irritatingly possessive too.” you state. 

sukuna places his hand on his chest. 

“i told you to take it down earlier when suguru was still in town.” you note. 

“in my defense, i was protecting my beloved nephew, yuuji, from injury. he crawled underneath and almost got trampled.” he exaggerates. 

you give him a smile. 

“heroic.” you deadpan. 

sukuna gives you a smile, before lifting his hand up to cup the side of your cheek, the touch warm as he rubs a circle into your cheek. you lean into the feeling as sukuna reaches back and fixes the flyaways to the back of your ear, before you return to stitching up his arm. 

“i’m starting to think you’re injuring yourself on purpose just to spend time with me, ryo.” you murmur. 

“would that be wrong, baby?” he asks.

you roll your eyes. 

“wait for me to come home, dumbass. i’m literally off in five hours.” 

sukuna rolls his eyes right back at you, before leaning forward to press a kiss to your cheek. he retreats as you set your forceps down, reaching for the roller bandage as you wrap it around his arm. you secure it with a piece of tape at the end, giving him a squeeze on the shoulder to signal you’re done. 

sukuna interlocks his fingers with yours, lifting your hand to press your fingers to his lips. 

“thanks, doc.” he murmurs, tone uncharacteristically soft. 

you can’t help but sigh – the aching feeling of seeing couples doting over each other all day hitting you in full force, that you’re spending your first valentine’s day away from him – as you reach forward and run your hands through his hair. 

“be careful. i’m wrapping you in bubble wrap next time.” you warm, reaching forward to lean your head against his shoulder. 

sukuna welcomes the touch, with three warm kisses spread between your forehead and your hairline, as he shows you the three pictures of the little valentine’s day card that yuuji made for you that’s waiting at home. 

you grant him twenty minutes – twenty minutes before you tear yourself from his side to go process his discharge paperwork – and send him on his way. you can’t help but sink into the chair the second you see his pink hair dart out the doors, as you type the last of his notes into the chart. 

“did the boyfriend enjoy the chocolates?”  

satoru’s hovering over your shoulder, a bright smile on his face, as he expectantly waits for an answer. you lean back in your chair, heaving a great sigh as you eye the clock.  

“he was here, got injured taking down the christmas tree at the bar. and the boyfriend insisted i give them up for okkotsu and zenin. they’re probably kissing in my office for all i know.” 

satoru gives you a polite tap on the head, lightly ruffling your hair, before pulling up the chair at your side. 

“well, you should be flattered. sukuna’s so dedicated to spending time with you. so romantic of himself to injure himself just to come down here.”

you scoff in response. 

“dedicated to being a dumbass is what he is.” 

satoru shakes his head.

“i think he’s just a big fan of getting doted on. being cared for, patched up by you, and all that.”

[lalchimiedecupid]

it's all fun and games until I start hating you and I hit you with a large ass essay that expresses my frustration and exhaustion with your neglect and the hurt you've caused me.

Exemple:

To my dearest boy who broke my heart and left it to pieces with one missing shard in hand that keeps it from healing:

Love. A vile and twisted thing you remain in my eyes. For I have never loved someone and got to keep them in my heart for all eternity. It seems like the universe, God, have odd ways of pulling their strings when it comes to love, slow, torturous and often unexpected goodbyes grace us at the end.

It's been six months since you left me. Six long and excruciating months, and I can not put into words the disdain I feel towards you. Yet, I find myself staring longingly at you, find my heart racing at your mere sighting. You've become a dependency of mine, destructive yet fulfilling like the crimson drink I drown myself in. Like the pills I abused my body, my organs and my mind with. You'd bring me a sense of Euphoria, but what did it leave me with once your presence was gone? Pain. So much pain I can not even manage to put it into words. You were my oxygen. My will. My life. My sin and my soul. You were all that I needed. You were all that I wanted and still want even more. What should I call it? Soulmates who were never meant to be? Right person wrong time? Strangers to friends, friends into lovers and what now, strangers again? How low do I have to stoop down in order to make you want me again? I know you still want me, I can see it in your lingering eyes, yet you offer me silence and silence all over again. What did you do to me? What more could you possibly want from me? How much do you want to see me beg and try to make it up to you for all the hurtful words you've heard from my friends? How many "I'm sorry" do you want to hear fall from my lips and seem to always land onto deaf ears? What more do you want from me? Why do you ignore me again when you promised to be my friend? Was I not enough for you? Is it that hard to forget the girl you wanted beforehand? I know I am delusional to hold onto a love that clearly has perished long ago, but please for the love of God, let me cry into your arms for the first and last time so I can truly let you go. Let me sob my heart and guts out to you just for a few moments at least, I do not ask for more. Let me confess my desires , my dreams, my secrets and my pain to you. Even if they shall fall onto those ears of yours that you turn deaf on me every single time I try to get your attention. Let me. Please, allow me this. Let me find solace in your embrace even if it's cold and unwanted. I'd get down on my knees for you and let you kill me with your coldness. Let you freeze my heart and devour it whole if only a piece of me gets to be held by you, my darling boy. You have reduced me to a ghost of the strong woman I once were. And I am ashamed of myself for it, yet I can not even blame you for my downfall, because despite it all, I was an accomplice as well. Destroy me for all you want , I'll always come crawling back to you, with all my broken parts and my gaping wounds, bleeding into your own hands.

Just one last embrace is all I ask of you. I know you'd refuse me more. You cruel bastard. You heartless devil.

Go on and destroy me and watch me build back my pieces only to destroy me again. Go on and ruin me. Go on and put unnecessary distance between the both of us, because you are far too much of a coward to face the truth.

The truth is that you want me but are far too afraid of commitment, of new beginnings that you'd rather stick to the past and hope for the best. Hurt me. Hurt me all you want, but you'd never rebuke me from my church. From my sanctum, from your arms, from your hold. Rebuke me for my sins of loving you but know that I still hold you in high regards, that I still pray for your well-being, for your success, and your future. Know that against all odds..

I still love you.

—C.A

oh to be loved by a poet … 🎀

[whateversawesome]

Spy x Family Ch. 108: Fear

Don't get me wrong, that panel with Twilight remembering his friends was beautiful. I think he feels nostalgic for that connection with other people. However, I think what really caught my attention in this chapter was Melinda.

Come on, look at this:

Look at this face of terror. And she was just remembering her husband's eyes!

A long time ago, when we just met Melinda, I wrote this theory about her being afraid of her husband. Today, it was finally confirmed.

I feel so sad for her. Melinda has probably been carrying this alone for a long time. I doubt she's shared her fears with any friends or family members because, who would believe the illustrious political leader could be an abusive man? This is especially true if there's no actual physical violence in the relationship. However, like I said before, violence is more than that.

Something tells me that the violence in their relationship is mostly psychological. Donovan Desmond uses his authority to tell Melinda what to do, to create fear, to keep her away from their children.

Melinda appears as such a composed woman who has her life together in front of others, and only someone as emotionally perceptive and caring as Yor would notice something is wrong. There's a shame component in abusive relationships: "How did this happen to me? I used to be so strong and brave," combined with disbelief: "Am I overreacting? Is he really that bad? Why am I afraid of him if he hasn't really done anything to me?"

Hopefully, in time, Melinda will realize that fear is not only her responsibility; even if her husband wasn't physically abusive, his behavior caused her fear.

Without a doubt is a complicated issue, which brings me to something that will probably complicate things even more:

Yup, Twilight.

I'll admit that this is the first time that I felt very uncomfortable with what Twilight is about to do, but that's exactly the point. Good fiction/literature is suppose to move something within us, even if at times, it makes us feel uncomfortable.

You probably imagine why: Melinda is a person in dire need of therapy. She deserves (and needs!) a true professional and instead, she getting someone who is only trying to gather information.

HOWEVER...

Time and again, Twilight has shown that despite his line of work, he'll always try to do the right thing and the least amount of harm. So, I'm hoping he will apply that in this specific situation. My guess is that it will start as a way to get information (his classic "for the mission") but then, as Melinda opens up, he will actually give her good advice and hopefully empower her, as a real therapist would do!

Something else to keep in mind is that Melinda story of domestic violence could trigger Twilight himself in some way, given his own family history. We will have to wait to see how that goes.

Bonus

A final note on Melinda's beliefs in occultism: it makes sense.

I won't comment too much on the specific meaning of the cards because my knowledge is limited and I'm skeptical about that. But I will say that it makes sense that someone with so much fear and uncertainty in her life would believe in something that would bring her reassurance that everything will be okay or try to know the future in order to protect herself. (I really want to give Melinda a hug.)

On the other hand, you know who doesn't believe in that?:

Yup, our dear Becky, who is one of the most authentic character in sxf, who is protected and loved by her parents and Martha. That makes sense too.

[evie-sturns]

your christmas gift to matt 🎄

———————————————

it was coming to the end of the present opening, matt sits in a pile of teared up wrapping paper with the largest grin you’ve possibly ever seen on his face. his cheeks are a rosy red from the heating, which was definitely cranked up to the max after you kept complaining about how cold it was in this house.

“i love all of it- i mean how did you even think of this! i’ve wanted it for ages but i never said anything! it’s like you read my mind or some shit.” matt laughs excitability, a big smile spread across his face as he holds up the lego batman set you got him. “what can i say- you’re literally batman!” i tease, “i just sensed your aura, had to get the set for you.” i smile.

matt laughs, scooping up all of the wrapping paper around him and stuffing it in the bin bag.

he was just so clueless about what you had in store for him.

you and matt had been dating for 3 years now, you didn’t want kids, definitely not yet atleast, but there was one thing matt wanted, more than anything, which is basically the same concept…. all he yaps about is this one thing, he could never make the commitment to buy it, never. but you definitely could.

“matt- i have one last present for you.” i speak, fidgeting with your hands nervously. confusion washes over him, “but we already unwrapped everythi-“ he speaks, but he stops as i stand up, walking to behind the couch and pulling out a box. loosely wrapped in green christmas tree wrapping paper. his eyebrows furrow, as he stares at it.

i sit down on the floor infront of him, clutching the box in your lap.

“i uhm- hope you’re not too mad at me for this purchase- but you’ve always talked about it and-“ i ramble on and on, trying to downplay the present i just got him. “you’re edging me jesus.” he laughs, running a hand through his hair.

i place the box in his lap, and he instantly starts unwrapping it, to reveal a large cardboard box…

‘meeow’ a familiar noice booms throughout the box. matt’s head instantly snaps up to look at me, his lips slightly parted. his eyes are wide as he freezes. “no you didn’t-“ he instantly speaks, his voice soft and panicked. i gnaw on my bottom lip nervously as i look at him.

he gently lifts open the flaps of the cardboard box, peeking inside.

a cat. you had got him a cat. a fluffy white kitten, with bright blue eyes of course, to match matt’s.

his hand trembles as he reaches inside the box, gently lifting the small animal out. he clutches the kitten to his chest, holding it like it’s made of glass. his hands are fully shaking now, i can’t see his face due to the fact his hair is flopped infront of his as he looks down at it.

he’s fully silent, my heart thumps as i wait for any sort of reaction, but he just clings to the cat. his large hands almost covering the whole thing.

“do you- do you like it??” i speak nervously.

matt nods silently, before looking up at me with tear filled eyes, “i lov- i love her.” his voice breaks as he gently places the cat down in the box. he’s crying, oh my god.

“oh- aw matt-!” i laugh with a smile as he wipes at his eyes frantically. i pull him into my chest as he lets out a loud hiccup, his tears streaming down his face and dripping onto my christmas sweater.

“i’m sorry- i’m just really happy.” he sobs out through a laugh, his arms wrapped around my waist deathly tight. “i’ve always wanted- a cat and- and now we have one and-“ he cries, pulling away from my chest to lift the kitten out of the box. his whole body shaking as he holds it like his firstborn child. “i love her- i love you- thank you so much this is the best thing that’s ever happened-“ he rambles,

i feel my own emotions start to surface as i look at him, god i am so inlove with this man.

——————-

@ilovemymannnnnnn n @sturnioloxlver r @buckys-goodgirl rl @sturniol0s @ilovemymannnnnnnn @chr1sgirl4life @luanetaluenta @sturnsssbow @mattfangirl l girl @luvr4miya a @luvtay111 @lolasturniolo @freshloveforthefit t @ruedowney @lovingchrissposts s @333michelle @h3arts4harry @jamiesturniolo o o @chrisstopherfilmed @ @daddyslilchickenfingers2 s2 @ev3rgreenxtrees ees @certifiednatelover er @solarsturniolo lo @mattsenthusiast t t @yomamaslays4lyfe @peachmels @alinaa131 @pepsiluvr0209 @creamoncreamoncream2 @szobofc @mattscoquette @blahbell668 @sturniolo04 @bitchydragonparadise @sturni0l0tripletzz @ratatioulle @sturnsfav @mattsonlybitch h @justalittle47 @sunsetsturniolos s@sturniolo04 @similartokayyz @sturnsintrouble @ilovemattsturn n @raysmayhem-72 2 @75sturn n @sturniol0s @secret-sturniolo @hfkeclnendmwodne @sturniolosass @gxldenlush @stonermattsgf @101sara @beccaluvschris @oliviasturniolo21 1 1 @imwetforyourmom @tylerstacobell @sunsetsturniolos @aliceloveschris @jayz4dayz 4 @sassysturniolo2008 @sunsetsturniolos ver r @nathandoesgf @starsturns234 @chrissturnsss s @joemamaaa42069 @sturnthepot @zayyluvz @realuvrrr @livialifesblog @sturnioloblogs @riowritesitall

[lovelettersfromluna]

Under Your Spell

summary: what’s that old saying? Best way to get over someone is to get under…..yeah yeah, we all know where this going, don’t we?

an: Hi! Long time no see, huh? I hope you’ve all been doing well! I’ve missed it here a lot, more than you could ever know. The semester is over, and I’m finally free! (For a little bit). College is very hard, and it took a lot of me this year, but let’s not get into that right now. This chapter has been VERY long awaited, and I am so sorry that it’s taken this long to get to you all. This one is pretty short, but not only did I want to get it out to you all in time, but I also have lots planned for the next chapter! (Luna you’re putting four parts into one of your fics???) I know I know, shocker right? Anyways, I hope you all enjoy this past despite it being short! Love you 🤍🤍🤍

warnings: MDNI!, 18+ fic only, slight smut, lots of angst, mean!Ellie, idiot!Ellie??, Abby’s in this one hehe, making out, drinking, let me know if I missed anything!

Part 1, Part 2

Sleeping in your bed had become extremely difficult.

It was like every time you laid your head against the soft pillows, your skin sliding against the soft material of your sheets, your brain would be filled with images of Ellie. The feeling of her lips on your throat, her hands on your hips, everything she’d given to you was permanently burned into your memory.

You couldn’t get away from her, no matter what you did.

You let out a soft sigh as you sat at your old desk, your cheek resting against your palm as your fingers traced along the smooth material of the wood. Things had gotten a lot trickier after your last night with Ellie, your mind clouded with confusion regarding the entire ordeal.

Ellie had….sought out for you. She definitely did the first time but there was something about her coming home from a night out, and slipping into your sheets that had your mind in shambles. It didn’t make any sense, you were sure that whatever happened between you and Ellie was a one off, something that was influenced mainly by alcohol and forced proximity. The played out story of the brother’s best friend ending up in a sticky situation with the younger sister. It was cliche, but it happened.

That didn’t change that it left your stomach in knots every time you heard the floorboards creak near Ellie’s room.

You’d done a pretty good job at avoiding her and the entire situation. It meant that you were in complete and total lockdown, even worse than before, however it saved any awkward tension, which you’d much rather trade for a few months of complete isolation.

But as all good things did, it was coming to an end.

Because you were given a choice, one that dangled your pride, and your social life in your face, forcing you to choose which you valued more.

Every summer, a huge party was thrown down at the beach. You and your brother joined as soon as you were old enough to drink, your parents went when they were younger, their parents went, and nearly everyone in your town experienced it at least once. It was like a tradition, one that every young person would look forward to.

It was one of your favorite parts about being home for the summer.

However, there wasn’t a party thrown in town that your brother and Ellie wouldn’t join.

And that’s where your choice came in.

You’d been going back and forth with yourself all week, weighing out the pros and the cons of it all. You knew that there were ways to get around her, to make sure that you wouldn’t see here while you were out there. To top it all off, you hated the idea of letting Ellie rip away one of your favorite things to do while you were home, giving her that much power didn’t make any sense to you.

But you still couldn’t push yourself to do it.

You swiveled your chair back and forth, staring up at your ceiling as you struggled to make a decision. However the clock was ticking, and the party was officially happening tonight. You didn’t have much time to go back and forth with yourself anymore.

It was either you swallow your pride, go out and enjoy yourself for the first time since everything happened with Ellie, ultimately standing up for yourself and sending her a big fuck you while doing so…

Or

You let her win. You sacrifice your time there and you let Ellie steal your time. You let her make a fool out of you by being too hung up on the very weird attention she’d been giving you, and you stay in your room for yet another night while everyone else is having the time of their lives.

Thinking of it that way didn’t leave you much of an option, did it?

You practically rip your room apart looking for the perfect outfit to wear, which ends up being a pink halter top that flows down a bit at the ends, a pair of your favorite denim shorts and your sneakers. By the time you’re finishing up your hair and your makeup, you hear the faint sound of your brothers minions showing up, pairing that with the music that starts playing leaves you to figuring they’re probably pregaming before they leave.

That’s when it starts feeling real.

You let out a deep sigh as you stare in the mirror, fixing your top over your chest before fluffing out your hair and fixing your lip gloss, giving yourself a gentle affirming nod before you push your phone into your back pocket and head downstairs.

A blanket of silence falls between Derek and his friends when they notice you, multiple sets of eyes zeroing in on you as you slip between your brother and one of his friends silently to pour a shot before throwing it back with ease. Hazels the first to comment on it.

“Awe man, I didn’t think the first grader could hang….you joining us tonight sweetie?” She taunts, her perfect teeth pressing down into her plush bottom lip as she stares at you, a challenging look in her eye.

Derek is the next one to speak up, a surprised look on his face as he stares down at you. “Wait…really? You’re coming with us?” He quips hopefully. Had Hazel kept her fucking mouth shut, you probably would’ve found the sentiment sweet from him.

You inhale deeply to calm yourself, staring down into the empty shot glass before you finally raise your eyes to look at Hazel, only to find her standing across the island, her back pressed into Ellie’s chest as her tattooed hands toy with the exposed skin of Hazel’s waist.

You completely ignore Ellie’s eyes burning holes into you.

“Shut the fuck up Hazel” you bite back before pouring another shot.

Your words earns reactions from the group instantly, even your brother chuckling softly as he gives you a proud smile. Hazel however, is not amused in the slightest.

Her poker face drops for a moment, nostrils flaring as she stares you down like she wants to jump over the table and have you for herself, but she quickly picks it up, giving you an impressed smirk before she nods slowly.

“Ahh so she speaks…my apologies sweetheart” she practically grits out before she lets out an annoyed sigh.

“Let’s go then. I don’t wanna be late” she quickly seethes out, pushing herself out of Ellie’s arms so she can grab her purse that was sitting on the couch.

You trail behind the others after your brother reassures you things will be okay, giving him a soft smile as you all pile into his car, ultimately missing the way Ellie’s eyes trail you the entire times

The car ride there feels nostalgic. The summer breeze turns cooler the closer you get to the familiar beach, your brother blasting his music in the front as you rest your head against the edge of the window, letting the wind blow through your hair.

It makes you wish things were different. The warmth in your chest would’ve paired so well with a better crowd, one that didn’t see you as the annoying little sister that tagged along when she really shouldn’t be.

Your mind takes you to an alternate reality where things are different, one where you get along with your brother’s friends. You wonder if they’d like you if they gave you the chance, if they weren’t predisposed to not liking you simply because you’re younger than them…

You wonder if things had been different, if you and Ellie could’ve been something.

Because clearly there’s attraction there, there had to be. Were you so wrong for even letting your brain wander there? Wondering what life would be like if you and Ellie were cordial, let alone experimenting with a relationship in a normal way, and not the way you’d been going on for this past summer.

What would it be like if she treated you the way she treated Hazel while others were around? What would it be like if you were in Hazel’s position? Propped up in Ellie’s lap while the others sang songs and joked around with each other?

You’d never know, because you were in this reality, not a perfect one.

You don’t even realize when your brother pulls up to the beach. The gentle shake of the car as his friends practically run out is what rips you away from your thoughts. You clear your throat as you make your way out once everyone is gone, brushing down your outfit as you make your way down the familiar path to the beach. The beach is blossoming with the sound of life. Loud music quickly surrounds you, people dancing, swimming, drinking, it’s almost so perfect it feels cliche, and that alone reminds you that you’d made the right decision by deciding to come out.

You’re the moth, and the ocean is your flame.

It draws you in closer as you sip the drink from your solo cup, appreciating the pattern of the tide rolling in, wetting the sand beneath it, only to then pull back out shortly after. It’s what you’d missed most about the beach in your home town, its ability to calm you no matter what was almost remarkable, even with the crowd of people around you.

You have to stop yourself from walking too far down the beach, knowing deep down that Derek’s friends would take any chance to ditch you while we’re oblivious to what was going on. It’s how you end up out on one of the piers, your legs dangling over the edge as you stare up at the moon, watching as the waves roll in while you sip on your drink.

There’s heavy footsteps along the wooden pier, ones that you don’t quite catch between the heavy sound of the waves, and the music nearby. It isn’t until a familiar voice rings in your ear that you realize you’re not alone.

“You know I heard you were back in town….but I thought there’s no way you’d come back without texting me first” the words come from behind you, and your eyes widen once you catch the tall frame standing over you.

Abby Anderson

She was one of your closest friends back in elementary school. It wasn’t nice to admit, but you’d drifted apart once you both got to high school. It was in the most natural way possible, but she always managed to stick around in your mind from time to time.

Before all of that, you two were stuck at the hip. It was a similar friendship to Ellie and your brother, the two of you always running through your house, causing many headaches for both your parents and her parents whenever you were both together.

You hadn’t seen Abby in years since you left for college, it’d been so long that you didn’t even realize how long it had been.

Her physique was quite the sign that time had passed though.

You gasp softly when you realize it’s her, quickly pushing yourself up off the pier to push yourself into her already opened arms.

“I didn’t know you came back for the summer…god it’s been so long” you sigh out against her broad shoulders, the sweet smell of her perfume filling your nose as you let your eyes flutter shut, relishing in the feeling of her strong arms wrapping around your waist.

“You’d know if you thought to hit me up once in a while” she teases. You can hear the smirk in her voice as she keeps you close. It makes you giggle softly as you finally pull away from her, wanting to get a good look at the girl.

She’s just as pretty as you remember. Abby always had the prettiest blonde hair, and the most charming smile. Those were never things that you failed to notice about your friend, however she’s different now. She’s taller, her build a hell of a lot more stronger than when you were in elementary school, her hair longer and tucked into a thick braid…

You have to stop yourself from staring.

She peers down into your cup, noticing that you were getting empty. She nods her head towards the bonfire before speaking.

“Let’s top you up while you tell me alllll about your life in the big city, yeah?” She offers, to which you dumbly nod to as you follow next to her almost obediently.

After that, the two of you were glued to the hip the entire night. Between catching up on what life had brought the two of you within your adult years, and reminiscing over your time as kids, the world could be burning around the both of you and you two wouldn’t have noticed a thing. For the first time since you’d came home, you had finally found someone to spend time with.

And Ellie notices the entire thing.

Her eyes were on you the entire night. From the moment you came downstairs at the house, it was like she was under some fucked up spell that made it so she couldn’t function unless you were in her line of view. She couldn’t count on her hands how many annoyed sighs she received when her friends realized she wasn’t listening to what they were saying, instead busying herself with figuring out where the hell you were.

She tracked you like she was the predator, and you were her prey. She made sure you didn’t stray too far away from the group, made sure you didn’t do something stupid like strip naked to take a quick dip into the cold ocean. She was just being helpful! It wasn’t like she felt her mouth go dry every time it looked like someone was going to approach you….

And its like fate was on your side that night, because the moment Abby approached you at the dock, Hazel was settling herself into Ellie’s lap, toying with the hair at the nape of her neck and ultimately blocking you from her view completely.

The next time she does get a chance to see you again, you’re wrapped up in none other than Abby Anderson’s arms.

It’s just her luck, isn’t it? That out of every girl in your small beachside town, you choose that fucking idiot. You choose the girl that everyone knows to be Ellie’s sworn fucking enemy since forever. The only explanation is that you’re doing this on purpose. You know exactly what to do to get under Ellie’s skin. You did it when you were flirting with Jesse right in front of her, you did it when you kicked her out of your bedroom the last time you two were together, and you were doing it right fucking now by getting all cozy with Abby fucking Anderson.

So of course, she has to try and stop this.

But Ellie soon realizes that she spends way too much time mentally dwelling over this, and accusing you of something she knew deep down was very much out of character for you, because the second her eyes search for the two of you, she’s met with something she can only assume was pulled out of her worst nightmare.

You and Abby hand in hand as she helps you into her car.

Ellie is quick to push Hazel off her lap, her eyes now frantically searching for your brother. Once she spots him, she’s interrupting his conversation the moment she opens her mouth.

“Hey man…have you um….do know where your sisters going right now?” She asks almost out of breath, her eyes shifting quickly between Derek and Abby’s truck as she pulls out of her spot in the parking lot.

Your brother raises his eyebrows as he looks back to where you are in the girls car, nodding as he takes a sip of his drink. “Yeah, she just came and told me her friend is gonna take her home” he explains casually with a shrug before he tries to turn back to his conversation.

Ellie scoffs in disbelief at his casual tone, her hand reaching forward to grab his shoulder and turn him around to face her again.

“Friend? Did you even see who she was leaving with?” Her voice is laced with worry and distress as she complains to your brother, the man oblivious to Ellie’s frantic demeanor.

“Wasn’t it just Abby? They’ve been friends forever…I honestly don’t trust anyone other than that girl. Have you seen her fucking arms? I think my sister is in good hands with her” he chuckles softly as he gives Ellie’s shoulder a reassuring squeeze.

Between his words and his reaction to the entire thing, Ellie feels like she’s going to lose her fucking mind.

Her green eyes go wide as she stares at your brother before she gives a laugh of disbelief. “Are you fucking kidding me? It’s just Abby? As in Abby fucking Anderson? Are we talking about the same girl here? Or are you suffering from fucking brain damage?” She snaps back.

Her wild eyes and mean words take your brother back, his playful laughter dying down once he realizes that he friend is quite literally tweaking over the fact that you’ve left with the girl that he knew she had some beef with.

“Woah…calm down man. It’s just my sister, your beef with Anderson doesn’t really have anything to do with her…she’ll be fine” he tries to assure her once more, his tone softening to calm his friend.

This does nothing though. It makes Ellie pinch the bridge of her nose in annoyance as she shakes her head. “Give me your keys” she demands with her palm out, pushed towards him.

Derek furrows his brows in confusion. “What? Are you seriously going to-“ he’s quickly cut off by Ellie, stopping him from finishing his question.

“Give me your fucking keys Derek. I’m not letting that asshole get it in with your sister” she finally admits, her words making your brothers eyes go wide with realization, finally seeing the situation for what it really was.

He inhales deeply before he reaches into his pocket and finally places his keys into his friends hand without another word, biting back the smirk that threatened to grace his lips.

He always thought Ellie’s animosity towards you was weird, but he never thought it would mean this all along.

She doesn’t even notice, the girl quickly taking the keys and mumbling a small ‘thanks’ as she jogs up the path to the parking lot to jump into your brothers car, and race home.

Meanwhile at your house, Abby was showing you quite the time.

It didn’t take long for you two to give into the tension that had settled the moment she picked you up from the dock. One moment you were toying with the little loose hairs falling from her braid and framing her face, and the next you were tugging her up to your bedroom and locking the door behind you.

Her hands were all over you, caressing your body as her knee began grinding into your core, her lips swallowing up your moans as you clung to her desperately, chasing your high as if your life depended on it.

The feeling of Abby against you cleared Ellie out of your head almost immediately. You weren’t worried about her or the mean things she’d said to you, or the nasty way she’d treated you after getting what she wanted from you. What once was a bed that you could barely sleep in without thinking of her was now filled with the feeling of Abby, and you couldn’t be more grateful.

Ellie realizes she’s too late when she pulls into your driveway to see Abby’s truck is still there, and she has to stop herself from ripping your brothers car door off when she gets out and slams it closed. There’s still something in her that hopes this is all innocent, that you didn’t really do the unthinkable and take Abby Anderson home to spite her. She hopes that the sweet side of you has taken the moral high ground, that you’ve gone to bed like the good girl she knows you are and Abby just happened to walk home and leave her car in your driveway.

So when she’s jogging on the stairs after frantically searching for you downstairs, hoping that she’ll find you sound asleep in your bed, her blood practically runs cold when her hand wraps around your doorknob…

And she can make out the familiar sounds of your moans through your door, paired with Abby’s words of encouragement to go with it.

[zylusmusings]

The young dragon is still alive.

The red he sees on his hands is possibly even redder than the crimson of his own eyes - God, it’s so much blood… and Sylus isn’t even a stranger to violence and blood but he swears he has never seen this much blood. Perhaps, everything is magnified now since it was her that was bleeding. She could get a paper cut, and he’d wage a war against the trees in the Amazon for causing such a grievance against his beloved. 

But this.. this is too much blood, still. Calm and collected Sylus, one has never witnessed him shaken, is now found trembling as he stares at the carmine pool surrounding them both. The smell of iron is nauseating, even for him and he feels the taste of bile threatening the back of his throat. He heaves, mouth agape in small pants while he scrambles to make sense of the situation. 

“Sw..Sweetie.. This is not right, c’mon. You have to… stop this.” He feels small, suddenly. Useless, as shaking hands continue to practically beg the wound on her chest to stop bleeding. The most powerful man of N109 zone deemed completely inadequate at this current moment. There was nothing he could do to stop the profuse bleeding, nothing he could do to save her - and he knew this deep down. 

The same young dragon who was so confused and vulnerable, whose frustration only grew as his horns continued to do the same. So shameful of his fate and destiny, yet knowing there was simply nothing he could do to change it. The same sentiments of ignominy - this time however, he feels like he’s deserving of the humiliation. Waited years upon years for her return, only for her to be dying in his arms. His beloved was going to leave him, and prayers of desperation for their roles to be reversed escapes his cracked lips.. For her to drill the claymore into the depths of his chest, again and again. Then, again and again. The only fathomable passage was for him to die and her to live for thousands and millions more years before she dies a natural painless death, after a fulfilling and happy long life - not this. 

“I don’t know what to do, I’m sorry. I am sorry, I don’t know what to do.” He apologises repeatedly, his tears dampening the hair at the top of her head as his body curls atop hers, his last desperate attempt to shield and protect her, but it’s no use. Nothing can save her. He knows that, too. This dragon is afraid and desperate.

A silent sob escapes his agape mouth, the sight of her choking on her own blood as she fights for her final breaths has him begging the Lord to shower him with mercy. He’d bear the punishment and atone for all of the sins both him and all of mankind has ever committed, if it meant that this world that his beloved would walk on was free of any atom of darkness. Let it be a safe place for her to roam and live unreservedly - because that would have been what she deserved, not this. “It should’ve been me. I’m sorry, it should’ve been me.”

And as her hand falls limp, this dragon roars in pain. 

[darkmatilda]

𝐥𝐨𝐬𝐭 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧 | 𝐬.𝐫𝐞𝐢𝐝

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: your first solo, undercover mission unexpectedly spirals out of control when a real heist begins at the scene.

𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬/𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐭𝐰: spencer reid x newbaumember!femalereader, robbery, the reader becomes a hostage, is beaten by the attacker (quite severely), killing of hostages, shooting, inspired by s1e9 where spencer saves elle on a train (the plot is very similar but set in a different scenery), spencer's pov, the attackers are definitely not the gentle type, reader is wearing a skirt (her whole outfit is described), glasses reid propaganda

𝐚/𝐧: merry christmas guys <3 fasten your seatbealts and get ready for this rollercoaster.

𝐰𝐨𝐫𝐝𝐬: 14.8 k

"Why do I get the feeling that neither of you is even half as stressed as I am? Actually, scratch that—neither of you is even one-tenth as stressed as me?”

The question left your lips accompanied by a kind of sigh, an attempt to expel the air poisoned with anxiety and replace it with something fresh, clean.

"Because we know you’re going to do brilliantly, sweetheart," Penelope replied without hesitation, sparing you only a fleeting glance as she momentarily tore her eyes away from her computer screen. One of many screens.

Her office was filled with an uncountable number of them, all glowing brightly and lighting up the small, dimly lit space, which was also packed with her colorful accessories—pom-pom-topped pencils and flowerless plants in tiny pots, most adorned with smiling faces or hearts.

"Or rather," Reid interjected, spinning in a circle on his swivel chair, "because we both doubt you’ll even be remotely useful out there." A white box of Chinese takeout rested on his lap.

You shot him a grimace.

"Next time you try to undermine my self-confidence, make sure I’m not holding anything sharp," you warned, pointing one of your chopsticks at him. Yes, less than an hour before your first solo assignment, you were all happily indulging in junk food from the closest restaurant to the office, ignoring the looming possibility of digestive regrets. "Or you’ll lose an eye."

"Aren’t you tired of trying to kill me yet? First, you gave me a concussion…"

"You didn’t get a concussion, Reid. Stop exaggerating…"

"And now, you’re openly admitting that you plan to cause me permanent damage by depriving me of my sense of sight—which, as it is," he said, tapping the frame of his glasses, "is already in less-than-stellar condition."

"You two are just adorable when you argue with each other like an old, bitter married couple," Penelope commented with a small smile on her pink-lipsticked lips.

You first looked at each other, then at her, eyebrows raised, and in a synchronized moment, you both let out a huff. Unfazed, she continued.

"But now we really need to get to work. The exhibit starts in an hour, and you should get there with him. Have you ever used that microphone? It’s the latest model we’re testing, gosh, I’m so excited…"

"You’re adorable when you act like a typical nerd," you shot back, mimicking her little smile and tone of voice.

"A nerd I proudly am! Just like this guy here," she nodded toward Reid, who pouted slightly, looking offended. "You’re surrounded by nerds, sweetheart. Soon enough, you’ll become one too."

"Dear God, forgive me my sins and watch over me…" you whispered, staring at the ceiling.

The mysterious he that Garcia mentioned was named Christopher Allen, and he was surprisingly young for a neurotechnology engineer. He worked on issues surrounding the human brain and developed devices designed to have a broad range of effects on it. But why were you supposed to go with him to some exhibit? Equipped with a spy microphone? And why was it stressing you out so much that for the past ten minutes, you had only been picking at your Chinese takeout instead of eating it?

Well, it's hard to decide where to start explaining from.

You were summoned before Hotch yesterday, who informed you that an opportunity had arisen for you to prove yourself in the field. Alone, undercover, for the first time in your—let’s be honest—tragically short career at the FBI. On top of that, this was meant to test all the new equipment your team had received, the kind that Penelope had been so enthusiastic about. You couldn’t shake the feeling that this was the main reason you’d been assigned this task. Someone had to check the effectiveness of the gear, and at the same time, you, the rookie, needed to gain more experience. Allen’s case was like killing two birds with one stone.

This scientist had worked with the FBI multiple times, and that’s why when danger started looming over him, he was quickly assigned protection. The threat came from threatening letters and even a direct attack at his own home, which fortunately didn’t end in tragedy. Allen was descending into paranoia and was afraid to even attend public events, even ones with full protection, like the tech exhibition—taking place in one of the modest local museums—designed to showcase the latest advancements in neurotechnology and more.

He was probably afraid that during the event, someone would simply rush at him with fists and try to murder him in front of dozens of random technology and brain enthusiasts. Or something like that. Your task was to pretend to be his assistant, never leaving his side and carefully observing the surroundings. And that was it. Nothing too demanding was expected of you, unless things started to go south. However, that seemed highly unlikely, as everyone made it clear to you.

Still, you couldn’t shake the fear—whether justified or not—that something would go wrong. And it would be your fault.

“Reid, clip the microphone on her,” Penelope interrupted your train of thought with the order. “You’ve never used one of these before, have you, sweetheart?”

You nodded in confirmation, watching as Reid set aside his box of Chinese takeout to take the tiny device from her.  He stopped a step in front of you, perched on the edge of one of the desks, his gaze shifting uncertainly between the small black microphone in his hand and you.

“Where… where can I…?” he asked, trailing off as he made a vague gesture with his hand, surprisingly loaded with awkwardness.

“Oh,” you let out a confused sigh, beginning to consider where it might be best to place it. The sleeve? Shouldn’t it be closer to your face to capture even your quietest whispers?

“Okay, I’ve got an idea,” you said, starting to unbutton your white shirt, revealing a significant portion of your neckline. “Here?” you asked.

“Yeah… I think so,” he replied hesitantly but didn’t move.

It wasn’t until a moment later that he swallowed and, with a slow, deliberate motion, reached for a section of your shirt near your cleavage. His actions were careful—almost excessively so—like his top priority was ensuring he didn’t accidentally brush against your skin.

The microphone’s clip was quite small, though, and attaching it to your clothing required him to take another step closer and lower his head near your chest.

Even as your breathing slowed, you couldn’t help but smile at the sight of Penelope shaking her head in amused disbelief. 

You preferred to look straight ahead rather than at his fingers, working with such careful focus, though you couldn’t help but let your gaze flicker to them repeatedly. Just for fractions of a second—it was difficult to pull your eyes away once they landed there.

Only when he finished, his hands dropping quickly to his sides as he stepped back, did you realize you’d been holding your breath for quite some time. You became acutely aware of how stifling Penelope’s little office was—how did she even manage in the summer?

"That's not all," the woman on the screen broke the silence, one you hadn't even realized had fallen. "There's also a transmitter you'll need to keep on you somewhere. Securely, so it doesn't fall out. Are you planning to go dressed like that?"

You glanced down at your outfit. A simple black skirt and white shirt—the first thing that came to mind then you learned you'd be posing as an assistant.

"Inappropriate?" you asked, searching for an answer first on Garcia's face, then on Reid's. The latter gave the barest shrug, barely even looking at you.

"You look amazing. Absolutely stunning, darling. I wish I could have an assistant like you," Penelope reassured you. "But in this economy, I can only dream about it. Anyway, my point is, you don't have any pockets. Where are you planning to keep the transmitter and your gun?"

"I was thinking of just tucking it into my skirt. At the back."

"I don’t think that’s the best idea," Reid interjected doubtfully. He hadn’t reclaimed his spot on the swivel chair and stood instead, arms crossed over his chest. The embarrassment you’d managed to put him in (quite adorable, really) was slowly dissipating, leaving only a faint blush on his cheeks. The corner of your mouth twitched when you noticed it. "I mean, it could fall out, or start sticking out, which could lead to questions like why an assistant is walking around with a gun..."

"Okay, I get it," you sighed. You could’ve thought this through a bit better. "Maybe I’ll have time to swing by home and grab, I don’t know, a blazer or something..."

"You won’t," Penelope declared after glancing at the time. "But you can always borrow my jacket."

You looked at the garment draped over the back of her chair—a bright pink leather jacket. You didn’t even bother responding; you simply stared at it, letting the expression on your face do the talking.

"Alright, I admit it, I didn’t think this proposal through. So, it looks like we’ll have to..." She trailed off, her gaze landing on Reid’s figure. Surprised by the attention, he pointed at himself.

You also directed your attention at him. He was wearing a simple brown blazer, which would go well with your unremarkable outfit.

"Take it off," you instructed.

He was silent for a moment, though there was no visible protest on his face—just doubt.

"It’s gonna be too big," he remarked, his hands gently grasping the edges of the jacket as if unsure whether to take it off.

"Apparently, oversized is coming back into fashion."

"Okay, fine," he sighed, removing the jacket. Underneath, he wore a shirt and a black vest, from which a matching tie peeked out. Initially, he seemed hesitant about the idea, but handed it to you with some urgency. "Here you go."

You sent him a brief, grateful smile.

"You’re saving my mission, Reid. I’ll mention you in the report. And I’ll frame your name with a little heart, drawn with one of Penelope’s glitter pens," you declared.

He returned the gesture, the corners of his mouth lifting slightly as he gave a small nod. You noticed his gaze was almost fixed on your face, as if some invisible force were forbidding him to look away, down or sideways.

You didn't think too much about what it meant, you didn't really have time. You put on the blazer, which was indeed a little too long, and hid the transmitter in the inside pocket. You placed the weapon at your hip, concealing it with your clothes. As you were about to leave, you said talk to you later because the two of them were going to communicate with you through the earpiece the entire time. They wished you good luck, and you were just about to leave the desk when Reid, suddenly as if unable to stop himself, said your name one last time.

You looked at him questioningly. Instead of responding, he made an uncertain gesture near his chest. Confused, you looked down.

For the entire time, half of the buttons on your shirt were still undone.

*

You had never met him in person, but you recognized his face from snippets of interviews that occasionally appeared online, or perhaps he had even been on the news a few times. He was in his thirties, give or take five years, hard to tell. His entire persona seemed to be built around the carefree nature of a young eccentric with a sharp mind and an unrestrained tongue, constantly refining his thoughts and conclusions, often controversial, causing an uproar among the public. Without a doubt, he was one of those people often called a genius. Which, not always, was a compliment.

Allen seemed deeply displeased by your presence. He looked… tired. His red hair contrasted with his very pale complexion, as if made of glass, and dark circles rimmed his eyes. He wasn’t shockingly tall, about your height, but with broad shoulders.

"The FBI was supposed to provide me with protection because some psycho is literally trying to kill me, and they send you?" he asked, bitterly, exchanging a brief handshake with you before getting into the car.

You both sat in the back, the driver at the wheel. You were supposed to arrive at the exhibition together. His reaction caught you off guard, his open anger sparking the same feeling in you.

"What's your problem?" you asked. His insulting tone irritated you the most, especially since he hadn’t even had the chance to get to know you.

For a moment, the man sat staring out the window. His body was tense, almost stiff, as if stressed. His elegant attire, with a shirt half-tucked into his pants and too many buttons undone, suggested that he usually dressed more casually.

He let out a heavy sigh, as if furious, then hastily wiped his face with his hand.

"Just..." he began coolly and cautiously, as if holding back some cruel words. "I get the feeling that everyone is downplaying the seriousness of this situation."

"We're all approaching this with the necessary commitment," you replied, though it wasn't entirely true. Allen had every right to fear for his life, but each of you honestly doubted anything would happen to him during this exhibition. If the threat had been real... Hotch probably wouldn't have sent you. "Believe me, we understand the gravity of the situation..."

"Really? Even the letters I've been getting? The content of them?"

You knew about the threats sent by an unknown sender, but you hadn't delved into what exactly they contained. Seeing you hesitate to answer, Allen scoffed.

"You're fucking great at your job, no doubt. So let me fill you in. They come every day. Every fucking day. And I read every single one of them. You know, I've even started seeing a pattern. First, they beg me. Then they threaten to fucking kill me. Smash my face into the ground, beat me to death with a metal rod, rip out my ribs, douse me in gasoline, and set me on fire..." He paused, dramatically scratching his chin. "Oh, almost forgot. They're going to peel the skin off my back. Then there's a day off. No letter comes. The next day, they apologize. I don’t know if this psycho has some extreme split personality or... or... I have no fucking idea. The cops said, get this, it's normal. 'Cause I’m a public figure."

"They brushed it off?" you asked, slightly shaken.

No matter how famous he was, threats were still threats.

He shrugged. He was trying to speak with a voice full of dismissive irony, but it wasn’t working. He stumbled, taking breaks to swallow. Though he had treated you like a complete jerk earlier, you were starting to understand.

“First off, until someone broke into my house and tried to drag me out of bed and take me…God knows where. Probably if I hadn’t had a dog…” he trailed off, glancing back out the window. You’d arrived at the museum, where the exhibition was to be held, but Allen hesitated to get out of the car. “This guy is nuts, whoever he is. I don’t know what to expect from him. He wants to kill me, kidnap me, torture me? Or maybe he’ll just settle for shooting me from a distance like I’m some goddamn Kennedy?”

“That doesn’t really sound like him,” you said in a calming tone. “He tried to kidnap you from your house, why would he suddenly attack you in a public place…”

“My fiancée is pregnant,” he suddenly blurted out.

You blinked, unsure how to respond to the sudden confession.

“Congratulations?”

“For her safety, I sent her very, very far away, somewhere she shouldn’t be in any danger,” he continued, completely ignoring your words. “And though her and the baby’s well-being is my top priority… I also need to take care of myself. I need to make it to their birth…and longer, of course. But that’s why I’m afraid to even go out to the damn store for milk, and that’s why I was so pissed off when I found out they assigned me a woman who, no offense, looks like she wouldn’t know how to hold a gun.”

You instinctively scoffed at his last comment, though it was hard to stay particularly mad at him, knowing everything he was going through. An awkward silence fell between you, heavy and laden, during which the two of you simply stared at each other. It hit you that you were responsible not only for his safety but also for ensuring that someone’s fiancé and future father would make it home.

“We should get going,” you said, nodding toward the museum. Still, you couldn’t help but feel a certain tension at the thought of leaving the car. You shook your head slightly, trying to dispel it. “And just so we’re clear, I do know how to handle a gun—more than you’d think. But for your sake, you better hope we don’t have to put that to the test.”

Out of the corner of your eye, you noticed the corner of his mouth twitch.

"Well then, onward, assistant. Tell me, how much do you know about neurotechnology?"

Well, by the end of this day, you were definitely going to know a lot more. Together with Allen, you crossed the threshold of the museum. Its decor clashed with the theme of the exhibition, but apparently, they hadn’t managed to secure a better location. 

The interior layout was harmonious—rounded arches were supported by symmetrically arranged marble columns, and the dominant shades were gold and royal red.

Your destination was the exhibition hall, circular in shape, where mahogany tables served as display stations for various prototypes in the fields of medicine, neurobiology, and informatics. In other parts of the building, there were tall, arched windows, but this particular room had none. No natural light entered; all illumination was generated by lamps that, to their credit, mimicked the natural diffusion of sunlight quite effectively.

Among the displays were an interactive brain map and various projects still in development but aimed at assisting people with disabilities.

You observed all of this with interest while simultaneously listening to your companion’s impromptu lecture on the human brain (apparently, talking helped him calm down). At the same time, you were closely monitoring the crowd around you.

True multitasking.

The exhibition was open to everyone; no one was checking who entered the venue. Although you counted three security guards in the room—dressed in simple black suits and mostly tasked with ensuring that no one tried to steal anything—there was a subtle air of unease hanging in the atmosphere. If Allen’s suspicions were correct, the person intent on ending his life could be one of these faces. To your surprise, however, he suddenly seemed far less concerned about it than you were.

“You don’t have to follow me around like a shadow,” he said, leaning toward you to make himself heard over the murmur of surrounding conversations. A familiar face with a loud, bright red tie waved at him and began making their way over. “Just don’t take your eyes off me, no matter what. And keep an eye out for anyone suspicious—whatever that means to you. Hey, man!”

He greeted his acquaintance with a friendly handshake. Following his instructions, you took a small step back, deciding to take a short stroll among the exhibits. But after barely two steps, your finger went to the discreet earpiece hidden under your hair.

“Are you there, my lovely nerds?” you asked with a playful smile, knowing they couldn’t see it but imagining their reactions.

“At your service!” Garcia responded enthusiastically, and you could almost picture her saluting on the other end.

“And what about Mr. Smartass? Did he get bored and wander off to study the reproductive habits of ants?”

“I heard that!” he replied, summoned by his new nickname. “Such gratitude for letting you borrow my jacket.”

“Speaking of the jacket,” you continued, “I found a candy in the pocket. How thoughtful of you to leave me a little sweet treat.” You weren’t joking; there really was a candy inside. You inspected the wrapper and frowned. “Marzipan? Ugh. Do you have the taste buds of my grandma?”

"To what I know, I haven't had a taste bud transplant. Especially not from anyone's grandmother," he replied nonchalantly. "And as for those ants..."

"Sorry to interrupt, my darlings, but I have a few questions about the sound quality of these new microphones..."

True to her word, Garcia began asking you how well you could hear them and instructed you to lower your voice to a whisper and then raise it sharply. Some sort of test or whatever. You did it all patiently while staring at the red-haired mop at the station across from you. Allen seemed pretty relaxed now, probably realizing nothing was going to happen to him.

"Okay, now do the sound like a chicken. I mean the noise."

"What?"

"You know, cluck."

"Pen, is this really necessary?"

"Yes, sweetie. I need to check something else. Last thing, I swear. Scout’s honor."

You sighed, looking around at the people nearby. Few were paying attention to you, you were just one face in the crowd. God, for something like this, you could ask for a raise.

"Exactly, honey. Just louder," Garcia asked.

You rolled your eyes and tried again to make the chicken sound. An older couple glanced at you, their eyes wide with horror.

"Alright, enough," you muttered, embarrassed, into the earpiece, quickly moving to a different spot.

And then you heard the pair on the other side literally choking with laughter.

"I fucking hate you guys," you said. "I hate you. Especially you, Penelope. Give me Reid on the mic, from now on I'm only talking to him."

Another burst of laughter from the woman. You clenched your jaw. And as if that weren’t enough…

 "Did you want to hear me, little chick?" Reid asked politely.

“I should’ve gouged your eye out with a chopstick when I had the chance,” you hissed into the phone, a little too loudly, drawing a few curious glances. You were supposed to be watching for suspicious people, but it turned out you were acting the most suspicious of all…

“Did you catch what she said?” Reid addressed Penelope. “I only heard clucking.”

“Ha-ha,” you rolled your eyes.

For fifteen minutes, you had to endure such jokes. You seriously began to worry that they’d never get tired of it, but finally, after a quarter of an hour of psychological torture, they fell silent. You kept a sharp eye on your surroundings.

“By the way,” you began, still a bit offended by the chicken joke. “You guys should regret not being here to see these inventions. Perfect for you, nerds.”

“Well, actually, we can see them,” Reid’s voice came through the earpiece, sounding very clear, clearly taking the whole mic for himself. “Garcia grabbed footage from the cameras inside the room.”

“So you can see me? This whole time?”

 “Yep. And we saw that terrified couple who ran as far away from you as they could as soon as you started clucking like a chicken. Poor souls.”

You ignored the comment and began scanning the room for the cameras. When you found them, you scratched your forehead with your middle finger.

“Can you see this too?”

“I can see how much fun you’re having,” he scoffed. “Are you going to include that in your report?”

“Exactly. Right under your name, framed with a glittery little heart. Any other requests?” Not waiting for his response, you added, “By the way, how do I look in your jacket? Does it fit me well?”

"I think so. I mean, the blazer is incredibly well-tailored. And of good quality. It’s impossible for it to look bad on anyone." He paused for a moment, and his voice grew more serious. "How’s it going? Have you noticed anything suspicious? Still feeling stressed?"

"Not anymore," you admitted, speaking the truth. Even though the exhibition had just started and was supposed to last about another hour, you felt like you had passed some milestone where nothing could go wrong anymore. "But of course, I’m still keeping an eye out. I had a little chat with Allen…"

"I heard," Reid acknowledged. "Very interesting lecture on the human brain, I must admit."

You let out a small laugh.

"I talked to Allen earlier. Still in the car. After what he told me, I don’t think he's a paranoiac. The guy is just really worried about his safety. And not just his.”

A moment of silence fell on both sides.

"Speaking of Allen, he's heading your way," he informed you, likely watching the feed from the cameras. "I guess I'll hear from you later then. I mean, I’ll be hearing you the whole time, just not the other way around. Unless you want me to constantly broadcast about ant reproduction?"

"Sorry, Reid, but I’ll pass. Maybe some other time," you chuckled, noticing the engineer approaching. As he walked, he bumped into a man in the crowd and exchanged a quick apology. You used that moment to add something else, a bit impulsively. "And what about this? Do you see this?"

You pressed the inside of your hand to your lips before unfolding it, sending a kiss toward one of the cameras. Reid was silent as Allen drew closer.

"I see it," he finally admitted, quieter. You regretted not being able to see his expression, it was unusually hard for you to picture it at that particular moment. Was he smiling? "And I like it a lot more than what you showed me earlier."

You turned your back to the camera so he wouldn’t see you smile. It only hit you afterward that he probably saw it anyway, just from a different angle.

"I see you're enjoying the exhibition," Allen said, standing in front of you with his hands in his pockets. He had stopped pretending to be the classy guy and fully embraced his more laid-back side. "So, uh, sorry, but I think I'd rather head out now."

Worried, you discreetly glanced around.

"Did something happen? Did someone stare at you weirdly, do something...?"

He shook his head, a negative gesture.

"Nothing like that. I just saw what I needed to see. Check it off the list, I’m ready to leave..."

After his words, an absolute darkness fell.

Absolute darkness, in the truest sense of the word. The exhibition hall had no windows. When the lights went out, it felt as if someone had tied a cloth tightly over your eyes. Yet, like a fool, you kept looking around, as if moving your head could somehow tear through the blackness enveloping you, freeing you from the growing panic that was slowly flooding your senses.

“Garcia, what’s up with the cameras?” Reid’s voice sounded in your ear. He was confused, not yet frightened. He didn’t know what was happening yet. None of you did.

The people around you, of course, were also surprised by the sudden blackout. A few muffled gasps echoed, one or two squeals, a smattering of curses. But there were no screams, no one tearing at their throats or blindly bolting forward, trampling others in the process. That came later.

Exactly four seconds after the first gunshot rang out.

Before, the world seemed to freeze in place; everyone’s breaths were trapped in their lungs, unwilling to escape, even out of curiosity. Your body lunged forward as if trying to flee, but it quickly dawned on you that there was nowhere to run. Where had the shot come from? Who had fired it? Was someone hurt?

Something—or rather, someone’s hand—clamped painfully around your wrist. Instinctively, you tried to pull free, letting out a sound somewhere between a growl and a garbled cry.

“It’s me,” Allen choked out, his voice trembling. You couldn’t see his silhouette, but you knew the blood had drained from his face. “What the fuck... what the fuck is happen—”

The second shot rang out, closer and sharper than the first. Chaos erupted in the room. Screams, so hysterical they drowned out the voices coming through your earpiece, filled the air. Something struck you hard, sending you stumbling as pain radiated through your shoulder. It was an empty kind of pain—something you felt and yet didn’t. You realized it must have been one of the panicked people charging blindly through the dark.

“Here,” you commanded, your mind snapping briefly into clarity. In your mind’s eye, you pictured the layout of the room before the lights went out. The corner of the hall, the wooden table behind you, where one of the prototypes had been displayed.

You slipped under the table, dragging Allen with you. He groaned as his head hit the underside of the furniture.

You were so utterly disoriented that it felt as though your own name was echoing on a loop inside your head. It took you a moment to realize it wasn’t just your mind playing tricks—it was someone’s voice, growing more familiar with each passing second.

The third gunshot.

Allen choked on his breath, his hand still gripping your wrist so tightly you feared it might snap—yet you didn’t register it as pain, merely as a sensation. The two of you crouched beneath the table, facing each other, teetering on the edge of succumbing to the abyss of panic.

Reid spoke your name again, faintly, as though he were far too close to the microphone. As though leaning in would somehow make you hear him better—make you respond.

“I’m here,” you managed to stammer, the first thing that came to your mind.

"Thank God, I thought..." he sighed, suddenly stopping, as if realizing it wasn't yet time for relief. "Are you... are you hurt?"

"My arm."

You didn't know why those words escaped your lips. Maybe because, although your mind was too occupied with trying to figure out the situation to focus on something like pain, your body couldn’t ignore the fact that it felt it. Against your will, you let out a hiss and finally pulled your hand out of Allen's grip.

"You've been shot? We... we can't see anything, do you have anything to stop the bleeding, maybe use my jacket..."

"I don't know what's happening, we've completely lost access to the camera feed, someone must have turned them all off, just like the power... Reid, immediately notify Hotch, he needs to know something's wrong..."

On the other side, chaos erupted, comparable to the one surrounding you. Penelope was aggressively pressing the keyboard keys, Reid was rushing between a phone conversation with Hotch and throwing random phrases at you like stay where you are or how's your arm?

But was staying put the right decision? Wasn't it just waiting for the person responsible for starting this... massacre to come for you? On the other hand, how were you supposed to escape? In complete darkness? You had a weapon... but what good was it if you couldn't see anything? A sound of resigned sobbing escaped you.

And then, suddenly, right before your eyes, Allen’s red hair materialized, his fingers pressed into his skull as if he wanted to tear it apart himself. You both looked into each other's eyes. Visibility returned.

“We have light,” you said, though it didn’t loosen the grip on your chest.

“What?” Penelope sputtered, confused. “We still can’t see anything, the cameras are still…”

Allen let out a choked cry. You followed his gaze. Just before your hiding spot, a pair of leather shoes stopped.

“Get out,” commanded a male voice. You lifted your head. Above you stood a man with dark facial hair and a submachine gun, looking like an extension of his broad shoulder. You immediately noticed, besides the weapon, he was also carrying a black sports bag slung over his shoulder. Both of you were too disoriented and terrified to follow the order. “I said, fuckin’ get out and against the wall, I won’t repeat myself.”

Like animals herded into a pen, you followed his instructions to the designated spot. The entire crowd inside gathered against one of the blood-red walls of the room, some pressing their backs against it as if that embrace would ensure their safety...

“What’s going on there now?” Reid asked. “We still don’t have a feed... I can hear you breathing,” he blurted out unexpectedly.

You realized that your breath had indeed become heavy and loud. It dawned on you that you hadn’t gone through any extensive training on how to handle a situation like this; you were useless...

“Just...damn it, I know it’s easier for me to say, but try not to panic, okay? Whatever’s going on... panic will only make it worse. You need to focus, please. Can you do that? Breathe? Slowly, like I’m doing now?”

Your hands clenched around the fabric of his jacket, feeling it under your fingers. Closing your eyes, you could almost imagine him standing right in front of you, in this very building, speaking those words. It helped calm you down, at least enough for your mind to stay somewhat communicative...

“Good. Very...very good. Now, can you describe what’s happening over there?”

You knew that every piece of information you passed on would be worth its weight in gold. You tightened your grip on the fabric of Reid's jacket and began scanning your surroundings.

“One shooter. He’s herding us... all of us, against one of the walls and... stuffing prototypes into the bag, every one he can get his hands on,” you reported, describing everything you’d seen. “It looks like a robbery.”

“Just one?” Reid asked. “What were those shots? Someone... got hurt?”

You were about to deny it when your attention was drawn to a bloodstain spreading across the marble floor at the opposite corner of the room. Allen nudged you, pointing to something else—a body lying motionless.

“Guards. He... he killed all the guards,” you recognized them by their uniforms, the words barely escaping your throat. So, he hadn’t hesitated to kill, not one of those inexperienced types with any moral inhibitions. Trying to make sense of everything happening around you, you pressed your hand to your forehead. “But... but how could he see them in this darkness...”

“Night vision,” Allen interrupted suddenly, his previously hunched figure straightening as he realized it.

You found the man busy with the theft and controlling the area. He was quite solidly built, you could compare him to Derek. And, as the engineer had observed, around his neck hung a device for seeing in the dark.

“The police have arrived outside the museum, but they won’t go inside as long as you’re trapped with him. They don’t want anyone to get hurt,” Penelope informed you, then let out a soft, wheezing breath, as if she was trying to calm herself down. “Sweetheart, the whole team is on their way too. From now on, you’re our informant…”

“Is Christopher Allen among you?” A commanding voice suddenly cut through the sheet of panic blanketing the room, drawing everyone’s attention. It belonged to a truly imposing man with a shaved head and a forehead lined with wrinkles that seemed to stem more from exhaustion than age. But by far, the most significant detail about him was the submachine gun he held in his hands.

Two. There were two shooters.

Your focus shifted to the man standing right in front of you, as if delivering some kind of speech. At first, you didn’t even register what he’d asked. He repeated the question quickly and impatiently, and you froze. Not that you’d been particularly active before, but in that moment, all your bodily functions seemed to shut down completely. You couldn’t bring yourself to look at Allen—not even for a fleeting glance.

“Christopher Allen. Biotech engineer. He should be here,” the man continued, scanning the faces in front of him almost desperately, searching for the one he needed. He sounded almost... distraught? That broken expression, teetering on the edge of tears and madness, starkly contrasted with his militaristic physique.

Suddenly, his accomplice appeared, tugging at his arm.

“Jesus, give it a rest. We need to get out of here. The car’s waiting for us, remember?”

He shoved the smaller man with a force befitting his build, sending him staggering backward.

“I’m not leaving until I talk to him!” he declared with furious determination. “Christopher Allen…”

“You’ve gotta be shitting me…”

“Allen…”

His eyes scanned the surroundings until they landed on the two of you. You felt someone lightly wrap their fingers around your forearm, gripping it almost instinctively. It wasn’t a strong or painful hold, but rather one born of genuine fear, seeking protection. Protection that, from the start, had been your responsibility to provide. Yet now, standing face to face with two armed assailants, with lifeless bodies lying in pools of blood in the same room…you felt the crushing weight of an obligation you were physically incapable of fulfilling, creating a storm of chaos within your mind.

Allen must have been fooling himself into thinking he could blend into the crowd and remain unnoticed. Even as everyone’s gaze began to focus on him, urgently and with some unspoken hope, he stubbornly stood still. Or was he simply paralyzed by fear?

For the first time since he was called out, you looked at him. His eyes conveyed one thing: a simple message. It was him. The man who had been sending him threats, the one who had broken into his house. You furrowed your brows, this whole situation was becoming incomprehensible. He cared so much about kidnapping the engineer that he had organized the heist at the exhibition where he was supposed to be?

 “Come here. I need to talk to you, you… you need to do something for me.”

Once again, in your ears, you heard the description of the tortures that were mentioned in the letter.

"You have to do this," you said very softly, almost a whisper. "We can't let him get angry. Do you hear me?"

 It seemed like your words weren’t reaching him at all. You nervously glanced at the gunmen, hoping that the command you had given hadn’t raised any suspicion or made them think you were trying to outsmart them, deceive them in some way. Slowly, but with deep remorse, you loosened Allen’s grip on your forearm. His chest wasn’t rising, as if he weren’t breathing. But then his gaze shifted, not to you, but to the people around you, to the ones standing in fear, waiting for his reaction. Something in his face shifted, then he took a step forward.

“Slowly,” you instructed.

It seemed like the best solution. Unsub knew that the person he was looking for was among you, he had identified him without any difficulty. Allen couldn’t hide or escape, all that was left for him was to comply with the orders, for his own sake and for everyone else's. It was also important that he stalled for time. You hoped that as soon as your team arrived, they’d be able to come up with something. Maybe they were already there, working to make contact with the shooters and free you all, alive and unharmed.

At the same time, someone called your name.

"Report in."

It was Hotch. At the sound of his stoic voice, a fleeting wave of relief washed over you. You even parted your lips to answer when you realized the second gunman was staring at you. The room fell into absolute silence as Allen slowly approached them. You shouldn’t reveal that you were with the FBI or any other agency—that was a basic rule…

 "Listen to me carefully now," the unsub spat, placing one of his massive hands on Allen's shoulder, causing him to almost buckle under the forceful touch. Someone behind you let out a muffled cry. "You need to remove it from me, do you understand?"

"Shit," his partner muttered, shaking his head in disbelief. He was holding a bag with the stolen equipment, constantly glancing toward the exit. You wondered if he had anything to do with the threats sent to Allen. "Shit, we need to get the hell out of here before the cops completely block our escape. We don't have time for your fucking delusions!"

“Remove…?” the baffled engineer repeated, completely thrown off.

“The chip. The one inside me. Right here, on the back of my neck.” The man jabbed a finger at the spot. “Someone has to cut it out of me. You work with brains—you must know how to do it. He’s controlling me, watching my thoughts… I saw an interview with you once. I know you’re the only one who can do this…”

The man’s words devolved into a stream of incoherent rambling. Allen had no idea how to respond, and silence stretched on the other end of the phone. Meanwhile, the second gunman tried once again to persuade his partner to escape, but this only triggered an explosive burst of rage that made everyone around them shrink in fear.

“Shut up, or I’ll blow your head off too!” the man shouted. “I’ve waited too long for this. I don’t give a damn about all that crap you stole. I don’t care if they catch me. He’s going to cut out that chip!”

“What chip?” Allen finally managed to stammer. “I don’t understand…”

“The chip the government implanted in me to control me! That’s why no hospital will remove it—they’re all under government control! Only you can do it!”

“The unsub is delusional, that much is clear,” Reid’s voice suddenly crackled in your earpiece, catching you by surprise. He must have made it from Penelope’s office to the museum—where he joined Hotch and the rest of the team—at an impressive speed. “The reality he’s constructed is starting to blur with actual reality, which makes him extremely dangerous. Just from the tone of his speech, you can tell he’s emotionally unbalanced and on the brink of a breakdown. Unfortunately, this means his actions could be erratic and violent, with a strong tendency toward escalation.”

"What can I do?" you whispered as quietly as possible, taking advantage of the commotion in the center of the room.

"Are you there? Can you speak safely?" he asked, exhaling a breath of trapped air. "I mean... What you can do, first and foremost, is stay cautious. Don’t say or do anything that could provoke him further," he instructed, his tone turning focused and determined to provide you with as much guidance as possible. You nodded almost imperceptibly as you listened, as if he could see you. At some point, your fingers began nervously clutching the fabric of his blazer again, a small, unconscious tic.

"Don’t confront his delusions—or rather, don’t outright deny them. Try not to introduce any new elements either, to avoid deepening his paranoia, alright? That could put you in even greater danger..."

"Above all, try to redirect his anger away from Allen and the other hostages," Hotch cut in. "We’re working on a way to get inside. You just need to buy us some time."

Buy some time, it was easy for him to say, you thought with sudden frustration. What exactly could you do? It was incredibly hard to make any decisions when you were fully aware that their consequences could result in the death of an innocent person—or people.

Allen was still in front of the unsub, gripped tightly by the gun-wielding man, slightly shaking his head from side to side, clearly overwhelmed by the situation.

"But... but how am I supposed to get the chip out, do you really believe the government..."

"He doesn’t have the right tools," you interrupted, taking a step forward to draw the shooters’ attention to you. You raised your hands in a gesture of surrender as soon as you found yourself in the second man’s line of sight. You were scared of the direction Allen was heading in—after all, Reid had told you not to deny his delusions. Though you weren’t sure it was the right approach, you tried to make eye contact with the unsub. You had a feeling that he might only fully understand what you were trying to convey if you did.

Everyone was looking at you now. Nervously, you swallowed before speaking again.

"If you want him to remove the chip from your body... you’ll need at least a scalpel. Well, and if it was implanted by the government... that might not be enough?"

To your surprise, the second attacker spoke up.

"She's right, Erick, we don't have anything like that. Leave him, we need to get out of here... though fuck, it probably doesn't matter anymore, I wonder if the police have already caught our driver..."

You hoped that the team had heard this and started looking for suspicious vehicles in the area. Erick, or rather the unsub, began to stare intensely at you, analyzing what you'd said.

"Keep it up," Reid said. "It looks like you’ve planted some doubt in his mind about his own plan. You can keep going in that direction, just please, please, be careful..."

"Reid," Hotch admonished him.

You took a deep breath, your mind was working so fast that it was starting to go blank. You had to say something more before it consumed you entirely.

"But... but I'm sure that if you had met under different circumstances, outside the museum, he would have been able to extract the chip..."

"No! I've waited too long, I can't stand having this crap under my skin for another minute! He'll take it out now, or he won't leave here!"

Allen's raised hands trembled at those words.

"How can we communicate with the police? Is there a phone here?" he asked his companion.

"Are you fucking out of your mind..."

"They'll bring us the equipment. A scalpel. They won't have a choice, or I'll shoot them all, one by one."

"We should focus on how to get out of here..."

"I DON'T CARE ABOUT THAT!" the unsub roared at him. Fueled by this outburst, he shoved Allen away so forcefully that the man fell to the floor. The startled man took a step back, unable to hide his fear. It was clear who had the final say in this duo. Erick was not only physically larger, most likely more ruthless, but above all, incredibly unpredictable. Without looking at you, he issued an order.

"Everyone sit against the wall, you too." Allen awkwardly got to his feet and almost ran to the indicated spot.

You didn't want to sit, to put yourself in an even more vulnerable position. But when a man with a submachine gun and a completely deranged gleam in his eyes is standing in front of you, you don't have much of a choice. Slowly, you sat down on the floor, surrounded by all these terrified people.

You studied the faces of everyone around you—scientists and random people who had ended up here simply because they were intrigued by the exhibit's theme. And that innocent curiosity had led them into such a hopeless situation, where each breath, drawn into trembling lungs, could prove to be the final one. What terrified you was the fact that the only thing distinguishing you from them was the tiny microphone pinned to your clothes and the earpiece in your ear.

The woman sitting next to you, so close that your elbows were touching, looked as though she was about to faint. Without hesitation, you offered her your hand, which she took with no resistance. In situations like that, the escape from fear was desperately sought wherever it could be found—even among strangers.

“What’s happening in there now?” Hotch asked.

You explained the situation to him as clearly and logically as possible, correcting anything they might have missed due to their lack of actual insight into what was happening inside the museum. The woman beside you looked at you strangely, smudged mascara around her eyes.

“Please don’t worry,” you whispered, making sure none of the attackers could hear you. Though maybe you shouldn’t have, you felt you needed to reveal yourself to her, to help her survive the nightmare she had found herself in. “I’m... a federal agent. I have contact with the team outside, they’re working on how to get us out of here.”

You didn’t know if those words had particularly soothed her fear—just as you spoke them, Allen practically pressed himself against you, trying to whisper something into your ear.

“Give me your gun,” he practically ordered.

You looked at him with your eyebrows raised in shock. No words were needed. Your face clearly expressed one big what?

He looked like one of those people going on and on about a newly invented device they had been working on for years, staying up every night. In his eyes was a comparable crazy but incredibly self-assured gleam.

“I know you have it, but you won’t use it. Because you're scared. And I don’t blame you!” he quickly added, moving slightly away from you. Still, your faces were tilted toward each other in a conspiratorial whisper.

“But listen to me. He cares about me, right? Or rather, he cares that I get the nonexistent chip from him. He won’t hurt me when I get closer, he’s too desperate, in his eyes, I’m his only chance…”

“You must have lost your mind,” you said through clenched teeth. Was he really willing to take such a risk and play the hero when he and his fiancée were expecting a child? “And what about the other guy, huh? Do you think he’ll just stand there calmly when...?”

“Then I’ll shoot him first. I used to go to the shooting range, I was pretty good at it. The other one will be too scared to hurt me, and then I...”

“Absolutely not,” Reid interjected.

You snorted.

“As if I would even consider it…” you muttered. Looking at Allen, you tapped your forehead. “No way. You’re not risking your life on such a stupid plan where everything could go wrong…”

“Do you think I’m asking for your opinion?” he hissed, clutching his head in desperation. “The answer is no. I’m just saying, give me your gun. Where is it?”

As he said this, he grabbed the fabric of your blazer, searching under it for what he so desperately wanted. You tried to catch his hand, but he trapped it in his grip, digging through the layers of your clothes, under your skirt. You jerked your whole body in an attempt to break free.

“Leave me alone, they’ll notice us soon…”

“What’s he doing?” Reid asked sharply. Although he couldn’t see what was happening, his voice was not only confused, but also clearly worried, maybe even angry.

“Just give it to me, what the hell does it hurt…”

His hand, despite your resistance, finally reached the grip of your gun, slightly sliding it out from beneath your skirt. You shot a quick glance toward the attackers, still engrossed in their conversation—or rather, argument. Terrified by the thought that they might notice what Allen was pulling from under your clothing, you instinctively swung at his face, causing his head to snap back with a muffled cry of pain.

“What language do I need to speak for you to understand? What you’re planning is idiotic,” you said, your words flowing together with a surprisingly calm yet furious ease. You struggled to keep your voice low, feeling as though shouting might make him grasp it faster. But that wasn’t an option. “You’d risk not only your life but everyone else’s,” you said, gesturing toward what you now had no choice but to call the hostages. “And no one wants to die because of some brainless idiot with a hero complex.”

After you hit him, Allen backed away to a distance that no longer invaded your personal space. With your breath quickened, you adjusted the position of the gun, suddenly panicked that it might fall out during his attempt to grab it against your will. Despite yourself, a strange feeling overcame you. Out of everyone—of all the people trapped in the museum—you were the only one with even minimal knowledge of what to do in this situation, the only one with outside communication to the police, and, most importantly... a weapon. And yet, with that arsenal at your disposal, you were doing embarrassingly little to improve the situation.

Your jaw tightened at the thought, your fists clutching the fabric of your blazer so hard that your knuckles turned white. It was astonishing how much that small action helped you regain your composure. Not just the feel of the fabric but also... the scent. You could almost imagine you weren’t entirely alone in this. And though you wouldn’t trade places with Reid or anyone else from the team for anything, you couldn’t shake the feeling they would handle this far better than you were.

And speaking of Reid...

"Are you okay?" he asked again, his tone much softer than before.

"I'm fine," you tried to give your voice a casual, almost dismissive tone, though you doubted you fully succeeded in masking the tension. You let out a helpless scoff in an attempt to lighten it. "I mean, fine as much as one can be fine in this situation..."

You trailed off, and he hesitated before replying.

"Hang in there, okay?" he said, so quietly you thought you might have misheard. It made you wonder if it was because he didn���t want anyone else to overhear what he was saying into the mic. If that were the case, was it because he didn’t want anyone accusing him of chatting with you when he should be doing something more important? Or maybe, he just didn’t want this simple yet anxious message to reach unwelcome ears and lose its sense of privacy. You heard him swallow. "We’ll get you all out of there soon. Garcia got the phone number of one of the attackers, the delusional one—his name’s Erick Larson, by the way. If he has it on him..."

As if on cue, the sound of an incoming call rang out. They stopped talking, and the surprised man reached into his pocket.

"What are you going to do? Negotiate?" you asked.

"Hotch is going to talk to him. The main goal is to get the hostages released."

The word hostage sounded so strange to you; you couldn’t connect it to your situation. A hostage didn’t have a gun tucked under their clothing or communicate with an FBI team through an earpiece. Those people, holding each other's hands in fear and huddled on the floor, were the hostages. Not you.

"Can you stay on the line?" the words slipped out before you could stop them. "Just, I don’t know... tell me how it really is with those ants or something." You squeezed your eyes shut as a wave of embarrassment crashed over you. You were acting like a scared child who needed a bedtime story to forget the monster under the bed. "Forget it, that’s stupid. You’ve probably got your hands full. Focus on helping us, on the negotiations."

"I'm still on the line," he reassured you, even before the echo of your last words faded. "And I’ll stay on it the whole time. And since talking to you might help you not lose your mind in there... well, I guess that counts as helping all of you. The information you’ve given us, everything you’ve told us... you’re playing a crucial role in all of this."

"I don’t think so. I could be doing so much more."

"Like what, something that idiot was planning?" he asked, stressing the word idiot. "Please, don’t even think about it. You’re doing exactly what’s needed. You’re not sticking your neck out, you’re staying in contact with us. You’re calming the others down, like that woman. That... that’s heroism, not blindly rushing at two armed men."

Moved by his words, you weakly smiled. You’d forgotten again that he couldn’t see you, or maybe it was just automatic.

"Stop, I’m going to blush. But... but thank you, Reid."

"You don’t need to thank me. Oh, he picked up..."

And indeed, Erik pressed the phone to his ear, probably realizing that it was the police trying to make contact. You fixed your gaze on him.

A completely new stage of the robbery was beginning, one on which everything depended—negotiations.

*

Spencer had never had a particular obsession with control. 

In the vast majority of crisis situations, all he needed was a deep understanding of the causes and course of events. A thorough analysis of what had happened so far, drawing conclusions based on that, and then coming up with possible solutions, each with its pros and cons, which he also had to consider.

It involved emotionally distancing himself from the situation and relying on advice from his trusty friend—logic. And when he was guided by that cold logic, he didn’t feel the need to actively participate in what was happening around him or take any direct control. But in that particular moment—ever since he had heard the first shot coming from inside the museum, shortly after losing access to the cameras—he was almost losing his mind over how little he could do. Powerlessness was the first blow, the fact that her life, and others', depended on a man with probable schizophrenia, driven by dangerous delusions, the second, much stronger one.

As with every hostage situation, a makeshift operations camp was set up outside the building, where all necessary units gathered. Garcia stayed at her post, but he saw no other option but to go there personally. The rest of the team quickly gathered, and Hotch arrived so fast it seemed like he lived just around the corner. After all, there was a member of his team inside, the one he had sent there, never expecting such a turn of events. The two perpetrators, who were working together, seemed to have two completely different goals. One, apparently, was persuaded to go along with a simple robbery and escape. The second, Erick, however, had a different, more complicated desire from the start. He wanted Allen, who was supposed to extract a non-existent chip from his body, allegedly implanted by the government.

Allen. He spoke that name with an incomprehensible bitterness and disdain. He was disgusted by his thoughtlessness, pure stupidity. Though he was familiar with his achievements in the field of neurotechnology, he couldn't call him a scientist, really not anything other than an idiot. And it was all because he had nearly put her and everyone else in danger, because he pressured her so much that she had to defend herself by striking him in the face. He remembered how once they had slept in the same bed, so small that they almost fell off it and were forced to lie literally on top of each other. By accident, he had jabbed her with his elbow in the ribs, and before he could even whisper an apology, she hit him with such force that he lost his breath. He hoped Allen had taken an even harder blow.

He forced himself back to reality, as everyone gathered around Hotch, who was leaning over the phone. The unsub had answered, and the discussion began.

"We'll deliver what you need. All the equipment. But first, you must release the innocent people inside and promise you won't hurt anyone else. Not Allen, or anyone."

They argued, a lot. Of course, they wanted him to let everyone go, which was, realistically, impossible. Eventually, the number sixteen was agreed upon, a little more than half of the people present.

Through the microphone clipped to her clothes, they could hear him pointing at the people who were to be released. The second perpetrator seemed to have completely given in to his paranoid companion, and stopped trying to convince him to escape. He must have realized it was already too late for that.

“You’re the one who’s leaving,” he said, his words very clear, suggesting he was standing very close to her, pointing at her.

Spencer straightened up, a sudden rush of premature relief washing over him. Premature—that was the key word.

“No,” she protested sharply. “No, let her go instead of me. She’s older and not feeling well. I should stay…”

He pressed the microphone to his mouth, trying to talk her out of it.

“Do what they say, resisting might make him angry…”

“No, Reid, she’s right,” Hotch interrupted him. Spencer looked at his boss in surprise, shaking his head in confusion. Instead of explaining his decision to him, Hotch turned to her.

“You have to do everything you can to stay inside. You’re our only source of information, our access to what’s happening in there.”

“Hotch…”

Someone, JJ, placed a hand on his shoulder, stopping him from protesting further. It dawned on him that they were right, but... it was hard for him to accept. It was true that, as an FBI agent, part of her duty sometimes meant risking her life for the greater good. Still, this decision made his hands ball into fists, and he had to take a deep breath to steady himself. Suddenly, it struck him that if an unfamiliar agent, not a member of the BAU, not his friend, and someone who hadn’t shared a bed with him when his fear of the dark grew stronger, were in the same situation... he would have agreed with Hotch without hesitation.

“I told you to leave, so you leave. There’s gotta be sixteen people, or they won’t bring it to me, goddammit.”

“So let someone else go…” She cut off abruptly, a rustling sound echoing through the air, as if— as if he tugged at her clothes. Spencer almost spoke again but stopped herself. The same thought had crossed Hotch’s face, he saw it. 

“Seriously, this will be better. I... I can help with removing the chip...”

“Allen has to do it.”

“Yes, but…” her voice grew more desperate, trying to come up with something more, an excuse to fulfill her duty.

“Oh, what don’t you understand, you stupid bitch…”

Spencer anticipated the sudden outburst of aggression, he had felt it building for a while. Though the unsub was unpredictable, his anger rose and fell within mere seconds, Spencer knew it was all heading in that direction. So, he squeezed his eyes shut just before the horrible, dull thud rang out, followed by a muffled cry of pain. Then the sound was drowned out by a rush, something like a thud, and he could only guess that she had fallen to the floor.

He didn't open his eyes, but something pricked at his chest. He knew that if he looked at Hotch, he wouldn’t be able to stop himself from giving him a big, i told you so. It wasn’t even about being right—he didn’t care about that, not at that moment. What mattered to him was that nothing happened to her, and that was exactly what had just happened.

No one from the team said a word, though Derek turned his gaze away from the speaker, his expression one of discomfort, like someone averting their eyes from an unpleasant scene. Hotch stared at some fixed point ahead, his face unreadable, before leaning into the microphone just as—

“What the hell is this?!” the unsub suddenly screamed. “A gun? Why the hell does she have a gun on her?!”

Reid’s eyes shot open as he nearly dropped to his knees by the microphone, as if somehow that could help. The weapon must have slipped out when she fell, sliding free from where it had been concealed beneath her clothes…

He noticed Elle nervously biting her thumb, her face pale as a sheet. He read the same grim, terrified realization on her face that had already taken root in everyone’s minds. She was burned. Her cover as the assistant was completely blown.

“He can’t find out she’s FBI,” Gideon declared, leaning heavily against the edge of the table. “He’s a paranoid maniac who thinks the government is after him. If he realizes a federal agent has been in there the entire time…”

“Wait!” the second attacker spoke up. He had long since given up and was now quietly following his partner’s orders. “I heard the hostages talking... something about there being someone from the FBI among them, someone who’s in contact with the cops. I thought they were just talking crap, but...”

“How does he know that?” JJ asked, her lips slightly parted in shock.

“She told one of the women,” Spencer blurted out, though it felt like the words came from someone else. Some part of him—still detached from the full realization of what her exposure meant—clung to the fragments of logic not yet consumed by his nerves. “To calm her down... but that woman must have passed it on to someone else.”

“FBI?” the unsub repeated, almost in a daze. “Fucking FBI?”

The sound of something slamming echoed sharply—an explosion of frustration and shock. Every pained whimper, every labored breath she took, reached Spencer with cruel clarity, amplified by that damned new microphone clipped to her chest, capturing every sound in merciless detail.

He wanted to cover his ears, to block it out, but he couldn’t. His lower lip trembled, caught between screaming or vomiting the moment he opened his mouth. 

Covering his ears would have been a selfish gesture, one that would only bring relief to him. She didn’t have that option; all that was left for her was to endure, as he assumed, the next kicks...

He lowered his head, not looking at the others, not wanting to see their equally helpless expressions. And although he hated himself for even thinking about it, he took two steps to move away. To escape from this place, from these sounds. Because he simply couldn’t bear them.

However, he didn’t get far; he staggered as if drunk and had to grab the table tightly to keep from falling. JJ, in some protective impulse that she probably wasn’t even aware of, reached out her hand, wanting to touch his shoulder, but he pushed her away.

“I’m calling him,” Hotch announced, immediately moving into action. “Maybe that’ll stop him…”

“Check if she has a microphone on her. If she’s with the FBI, she could have been spying on us the whole time,” suggested the second attacker, in a strangely satisfied tone. He was probably some sadistic bastard who enjoyed this turn of events.

This caused Erik to stop his attack. He completely ignored the incoming call. She took a breath, inhaling deeply, though it clearly caused her pain.

“She has…”

The unsub’s voice became very clear, he must have located the microphone and then disconnected it from her clothing, carefully watching him.

“We need to go in, we have to do something,” Elle said desperately, but it didn’t stir anyone else. 

Yes, they needed to do something, but... what? Going in meant putting the hostages at risk, and their survival was the priority.

"I knew the government was spying on me," Erick muttered to himself, the microphone had probably slipped from his hand and fallen to the ground. "Not just with the chip, but they also sent that fucking..." He kicked her. "...agent."

"Give it to me," Spencer requested, exhaling with a resigned hiss. He was, of course, referring to the microphone. She still had the earpiece in; she could hear him. He didn’t yet know what he intended to say. Maybe he’d ask her to stay strong? Assure her that it would all be over soon? Would that even count as a lie if he had no real certainty they could take any action to save her? Or was this one of those morally gray situations where a lie was better than the truth?

Without protest, someone handed the microphone to him, practically shoving it into his hands.

But then they lost the connection.

The unsub must have destroyed it, stomping the microphone underfoot.

And before it happened—before the static filled the line—a gunshot rang out.

Spence found himself sitting on a chair. Not that he’d blacked out in the literal sense, but one moment he was standing upright, and the next he was slumped onto the seat—probably the only chair in their makeshift camp across from the museum. It was one of those folding chairs made of black metal and unbelievably uncomfortable. For some reason, their look always reminded him of golf courses in the blazing sun. Sometimes they’d be there… wait, why the hell was he thinking about chairs?

Disoriented, he lifted his gaze. Derek was pacing back and forth, his hands on his head, while Elle and JJ were nowhere in sight. Hotch stood in front of him, turned slightly to the side, eyes fixed on the ground, a phone pressed to his ear. His rolled-up sleeves exposed tense veins on his forearms, his hands clenched into fists.

“You killed a hostage,” Hotch said the moment the attacker picked up. Hearing the words spoken aloud, the gunshot echoed again in Spencer’s mind. He flinched, though he hadn’t the first time it happened for real.

It really happened. This wasn’t some hysterical thought creeping into your mind when someone you care about is late to a meeting and doesn’t pick up their phone, the kind of thought where your brain starts whispering that something terrible must have happened. It wasn’t a dream either, nor a nightmare blending with reality. And it wasn’t some devastating novel, a climactic moment designed to shatter the reader’s heart into pieces.

This

really

happened.

"I’ll remind you of the terms of our agreement," Hotch continued. His tone was usually sharp, leaving no room for argument. But now, having just lost a member of his team and addressing the person responsible for it, his words didn’t just cut—they sliced. Spencer fixed his gaze on him, unable to comprehend how Hotch could remain so composed in the moment. He himself…

“You don’t harm anyone else, and in return, we provide you with the necessary tools. Shooting that innocent person…”

How did it come to this—that the person who, just that morning, ordered Chinese food with him to calm her nerves; who had teasingly told him to clip the microphone onto her, leaving him flustered; whose sweet scent of hair lingered so strongly in his senses that he had to hold his breath just to focus; who, one moment, could make him laugh until tears blurred his vision, and the next, worry so deeply about her that he felt feverish with concern; who listened, truly listened, even when he had grown tired of his own voice; who helped him discover pieces of himself he hadn’t known were there; who revealed, day after day, some new and enchanting fragment of her soul; and whose laughter made him want to capture its melody, bottle it, and keep it for eternity—was now reduced to the cold, detached phrase an innocent person shot dead?

He realized his mind had become entirely consumed with replaying those moments. Thanks to his eidetic memory, each recollection was painfully vivid, yet at the same time—perhaps due to the awareness of what came next—filled with a paralyzing void. Detached from reality, he wasn’t even listening to the ongoing negotiations, only snapping back when the shadow of someone’s figure fell over him.

“Spencer,” Gideon called his name, alternating between looking at him with concern and averting his gaze, as if unable to bear the shattered expression on his face. “Did you hear what Hotch said?”

He couldn’t bring himself to shake his head, though he doubted it was necessary. Rarely did something fail to interest him, especially something Hotch had said, but whatever it was, it had landed firmly in that narrow category. After all, what could Hotch possibly have said? That he’d reached an agreement with the murderer, who would now release eighteen hostages instead of sixteen? Or perhaps, in an act of twisted mercy, he’d declared that once they brought the requested items, the killer would allow one person to go inside and retrieve her body?

He had seen many bodies with gunshot wounds to the head in his life. A vision of her with similar injuries haunted him, so vivid and detailed that he closed his eyes in an attempt to escape it. But the moment he did, the image only grew stronger, searing itself into his mind with unbearable clarity.

"He wants you to go inside pretending to be a surgeon. That’s what the unsub is asking for in exchange for the hostages. Your task would be to fake removing a chip from his body, pulling off one of your magic tricks," Gideon explained matter-of-factly, though his expression betrayed a certain doubt about the plan. He suddenly fell silent, hesitation creeping into his voice. "If you can’t do it… this isn’t an order, kid. No one will blame you if you say no."

“We didn’t know it would be such a terrible mistake,” Gideon said quietly.

“Well, that’s the thing about mistakes,” he scoffed bitterly. “You don’t usually realize you’re making them. But you should be able to predict them, especially when someone’s…” His voice broke, and he looked away, his anger momentarily crumbling into something rawer.

Even though he had lashed out at Gideon, the older man didn’t react with anger. Instead, he stared at Spencer with a calm, almost sorrowful expression. When Spencer stood, he felt the weight of Gideon’s hand resting on his numb shoulder.

“I’ll do it,” he declared after a moment.

There was no fear in his voice, no visible sign of stress. Under different circumstances, he’d likely have been unraveling, nerves fraying at the thought of entering the building with the task of saving her. But now…now all he wanted was to stand face-to-face with the man inside. More specifically, next to his neck. With a scalpel in hand.

There was no time to waste. He practiced his sleight of hand trick—making the chip suddenly appear in his palm—a few times. It had been a while since he’d done it, but even so, it came off flawlessly every time. He clenched the small device tightly in his hand and, before he knew it, found himself standing at the foot of the museum steps.

The doors opened, and the first hostages began to emerge. Their reactions followed the same pattern. First came the shock—the struggle to process that they were truly stepping outside again, alive. Then, as they began to accept it, their terrified, hesitant steps turned into a relieved jog, and their eyes brimmed with tears of gratitude.

Spencer stopped, his gaze fixed on the faces of random strangers as they rushed past. Somewhere, deep down, he held onto a foolish, fleeting hope that she might appear in those doors as well. She didn’t, of course.

But if she had… he thought, his chest tightening at the mere idea. If she had, he wasn’t sure he’d ever stop being thankful. Not necessarily to God, but to everything—every twist of fate—that had brought her back.

He had seen the interior of the building on the camera footage and had managed to memorize it. He knew exactly where to head to meet the unsub. The unsub was standing right in the center of the room. Spencer knew there had to be a second shooter somewhere, but he was afraid to look around. If his gaze happened to land on her, not only would his chip trick fail, but he was also certain he’d never be able to shake the image from his mind. It would embed itself in every cell of his brain, one after the other.

He focused all his attention on him, on Erik. He turned to him trustingly, showing the spot on his neck where he believed the chip was located. Everything about his posture radiated the peak of madness. His voice and expression oscillated between hope, desperation, paranoia, and much more that could be listed.

Spencer tried to concentrate on the chip in his hand, not on the scalpel in his other hand. He knew it would be incredibly foolish, but as he was so close to this man's throat, he couldn’t stop thinking about it. He realized that the only thing holding him back was the awareness that the second shooter was likely keeping him in their sights. It was almost certain; he didn’t need to look around to know that. But as soon as the blade touched the man’s skin at the back of his neck, his gaze, against his will, began searching. He looked at the wall where the remaining hostages were gathered, the ones who hadn’t made it into the lucky sixteen. He didn’t find the shooter.

But he found her. If he weren’t wearing his glasses, he might have assumed he’d mistaken her for some other woman. He could only blame his brain and possible hallucinations... but before he could entertain those thoughts, one simple sentence took over his mind.

She was there. Blood dripping from her nose, clothes torn, curled up on the ground among the rest of the hostages, but she was there. She was there, alive.

*

When you stood up for that woman, a brief struggle broke out between you and the unsub. He ordered you to go outside, but the voice in your ear told you to stay inside at all costs. Unsure of what to do, you started mumbling excuses and explanations, leading to an argument... during which he swung his weapon at you, aiming for your face.

As you fell, your weapon—clumsily shoved into your clothing after an argument with Allen—slipped out. And then things escalated rapidly.

Upon learning you were with the FBI, the unsub went into his usual paranoid frenzy. He dropped the microphone he had taken from you, and the heavy kicks of his leather boots landed on your body, on your ribs, on your back. You could barely keep up with protecting yourself, as the blows kept coming faster and faster.

And in that moment, something happened that probably saved your life. But at the same time, it cost another man and his family everything.

Allen sprang at the second attacker, who was almost hypnotized by the injuries being inflicted on you. He seized the moment of distraction, yanking the weapon from his hand and turning it against its owner. You remembered the fleeting look of triumph on his face as he aimed it at Erik. And then, the look of confusion when he was overtaken and the bullets tore through his body.

Somewhere in that moment, your microphone must have been destroyed, leaving you without contact with the team. And without it... you were just like any other hostage. Beaten, forced to stem the blood running from your nose with your blazer. You remembered glancing at it, running your finger over the fabric soaked in crimson, and thinking you'd have to wash it before returning it to Reid. Then, the hopeless realization hit you that maybe you wouldn’t get the chance to do that, and helpless tears filled your eyes for the first time.

It was strange that the unsub decided to spare you. Was it the incoming phone call that distracted him? Or perhaps the death of Allen? Was he the reason for this whole attack? You weren’t sure, maybe both at once. But you managed to return to your spot against the wall, where the other hostages had moved as far away as they could from the two lifeless bodies lying in a pool of blood.

Behind your back, the unsub was arguing with the police, probably Hotch. You weren’t paying attention to their negotiations, instead kneeling beside Allen. Completely staining your clothes, you reached for his hand. His eyes were wide open, his chest... maybe rising slightly, or maybe it was just your perception. In any case, you didn’t grab him to check his pulse, to see if there was anything that could be done to save him. You knew there wasn’t. You took his hand in a gesture of gratitude for everything, filled with sincere and deep compassion, despite everything that had happened between you. Maybe he turned out to be a jerk in that one, crisis situation where it’s normal for people to lose their minds. But what mattered was what kind of man he was in everyday, calm conditions. What kind of friend, fiancé, father he was.

You froze in place, staring at his face, his messy red hair. You snapped back to reality only when you realized the unsub was releasing the hostages. You weren’t part of that group. He didn’t look at you, or Allen, or his dead accomplice, as if you didn’t exist. The people were let out of the building, and then…

You nearly jumped to your feet at the sight of Reid, but the sharp pain in your ribs stopped you. Instead, you stared at him, confused as to why he’d gotten himself into such a messed-up situation alone. No one was with him, and you couldn’t even tell if he was carrying a weapon. Why was he taking such a risk? Couldn’t they have sent someone else?

Although your gaze bored into him, asking without words, he stubbornly avoided looking at you. It took a while, but then it hit you—he’d probably been told to hide the fact that you knew each other. He was pretending to be a surgeon, you realized.

You watched in shock as the unsub dropped his weapon and turned his back to Reid, begging him quietly to remove the chip from his body.

Before Reid touched the scalpel to his neck, he looked straight at you. You couldn’t read the expression on his face, but you knew there was a lot going on. It was a long moment of eye contact, which he broke to get to work. Focused, brow furrowed.

You shook your head in disbelief when he really pulled the tiny device from his body. Wait, so what? It had really been there all along? The unsub wasn’t a paranoid delusional?

At the sight of the chip, Erik staggered with a mix of hysterical joy and relief, and after a moment, he literally collapsed to his knees, burying his face in his hands. His body was shaken by sobs as he muttered his thanks. He was... absolutely harmless. The hostages took advantage of his vulnerability, using the opportunity to silently leave the museum. You found yourself among them, even helping those who, due to shock, struggled to move. How? With your injuries? You had no idea.

You pointed one woman toward the ambulance waiting outside the building, ready to take any injured hostages. Around you, sounds echoed, people were running in all directions. A sense of disconnection and disbelief washed over you, as if you couldn’t quite grasp that it was all over.

You turned around, sensing someone's presence behind you.

The first thing you noticed was that Spencer was still wearing his blue rubber gloves. Strange, but the first thing that came to your mind was to focus on that detail. You even opened your mouth to speak, but stopped when he gently cupped your face in both of his hands. As if you were a fragile relic, he tilted his head slightly from side to side, almost as though he was trying to deny the fact that you were standing before him.

"As if you saw a ghost," you whispered, a faint smile appearing on your face.

Taking advantage of the fact that he was leaning toward you, you pressed your forehead against his. With your eyes still open, you saw his eyelids tremble. When he closed them, you caught sight of that single tear beginning to form beneath them.

*

"Reid," you said, as he and the rest of the team were heading towards the exit. All heads turned in your direction, but you only cared about that one. "Can we talk?"

He opened his mouth, seemingly surprised by the request, but then swallowed and nodded.

"Sure. If... just, sure."

You couldn't help but let out a small laugh. Since your rib injuries were numerous, you had to be taken to the hospital for an X-ray. Your face wasn’t looking too good either. Only a few hours had passed since everything happened, and all your wounds were fresh and painful. After taking a decent amount of painkillers, you felt a bit like you were floating. You were sitting on the hospital bed, your legs resting on the floor as if on a bench. You made space beside you, and although he hesitated for a moment, he sat right next to you, so close your shoulders almost touched.

What you wanted to say, everything you felt, was hard to put into words. So you spent a few minutes in silence, during which you concluded that the simpler, the better.

"Thank you, Reid."

His dark eyes narrowed slightly, and he shook his head dismissively.

"Thank you? For what? I should be thanking you."

You knew this would happen. That he would downplay what he did, and it would be incredibly hard for you to express all the gratitude you felt towards him.

"For what? For everything," you stated briefly. He was preparing a response, but you beat him to it. You even raised a finger decisively, signaling for a moment of silence. You had a lot to say. "Not just for pretending to be a surgeon and getting into that museum. And don't shrug it off like it was a small thing! You saved those people."

"Maybe a little, but…"

"But that's not all. You were… you were with me the whole time. You kept talking to me the entire time…"

"Just like everyone else…"

"Everyone else gave me orders. Told me what to do to survive and what not to do. And of course, I'm incredibly grateful to them—if it weren't for them, I would have probably pissed off that unsub after less than fifteen minutes and we'd all be dead by now."

Reid flinched when you said that. Maybe you should hold off on such words, while the whole situation was still so fresh.

"You... you kept asking how I was feeling, talking to me, just... your voice, the fact that I had you on the other end, it helped me not panic. When, at the very beginning, you asked me to breathe with you..."

You shook your head, holding back the involuntary recollection of that moment, that memory when you were still trapped in that building with two armed men. Helpless and lost, clutching his jacket with all your strength. 

You realized with growing difficulty that you were holding back tears.

Reid had been listening to you quietly the whole time, but suddenly, he lowered his gaze. His hand found yours, hesitated for a moment, then gently grasped it. You immediately squeezed it tightly. Something came to your mind.

"And what did you want to thank me for?" you asked, referring to when he interrupted you the first time.

"It's not... I don't have as much to say as you do," he confessed, circling the topic more than addressing it directly. He still hadn't let go of your hand, and as he thought, his thumb seemed to absentmindedly stroke its surface.

"Wow," you murmured. "I never expected Spencer Reid to say something like that in my presence, but here we are. So?"

He smiled for a moment at your comment. However, that expression quickly gave way to a more serious one, carrying with it the unburied remnants of the horror you had both endured just a few hours ago.

"Just for you being alive," he said. Your brows furrowed slightly when you heard that. It wasn't what you expected. "For a while... when you were still inside, and your mic was destroyed..." With a sigh, he tilted his head back, holding back from returning to that moment. It couldn't have been easy for him, referring to exactly the moment that caused him pain. "We heard a gunshot. Everyone thought it was you.  That's why... that's why I just wanted to thank you for that."

Given that you had absolutely no control over it, those were the strangest thanks anyone had ever given you. But still, they squeezed your heart like no others ever had.

You leaned in to place a kiss on his cheek.

taglist: @she-wont-miss @mggslover @nyeddleblog @dylanobrienswife0420 @wmoony

@heddgie @khxna @marauder-exe-old @yujyujj @charleyreid @kitty-kai @sp3ncelle @pleasantwitchgarden @beesin03 @misserabella @re1dsb1xch

[ye4gerism]

This has been on my mind for a while and I’m kinda surprised no body really wrote about it but could you please do one were reader basically gets into curly’s ass about jimmy but it kinda leads into a lil heated argument you can chose if it ends on a good note also have a good morning, day or night 😊

𝐌𝐈𝐋𝐊, 𝐄𝐆𝐆𝐒, 𝐋𝐄𝐅𝐓𝐎𝐕𝐄𝐑 𝐏𝐎𝐌𝐄𝐆𝐑𝐀𝐍𝐀𝐓𝐄 - 𝐂𝐀𝐏𝐓𝐀𝐈𝐍 𝐂𝐔𝐑𝐋𝐘 𝐗 𝐑𝐄𝐀𝐃𝐄𝐑

author’s note sorry for the radio silence. i’ve been suffering from writer’s block. working retail during the holidays will do that to you. anyway, enjoy this ficlet.

You were starting to wake. Through your eyelids, you noticed how the room around you began to brighten up. You let out a groan and turn onto your side before proceeding to tap your hand on the side where Curly normally slept…and yet you felt nothing there. Your eyelids flick open in horror.

Curly's side of the bed was empty. You sit up, frantic. Where was he? You look at his dresser, then yours - no note. You scan the room and there isn't any sign that he's gone.

You scoot off the bed and go downstairs. As you descend, you can hear his voice. You follow it into the kitchen where you finally see him standing there, still in his boxers, one hand on his hip, and the other holding his phone against his ear. He looks frustrated, must be that pony job he always complains about.

Curly acknowledges you with a smile before focusing once again on his conversation. "No, that makes no sense! I already told you I was coming here!"

You walk up behind Curly and lean against his back. Your hands run up his torso, feeling up his pectorals and his abs.

“Alright, Jimmy,” he says.

Of course.

You pull away at the sound of that name. You didn't really like how Jimmy presented himself; there was a strange amount of jealousy from his end and he could just never be happy for others. There was already a mutual dislike for each other but your boyfriend, Curly being Curly, takes his job too seriously and lets it spill into his personal life. He thinks he can H.R. his way into making you and Jimmy friends or, at least, respect each other.

Curly hangs up and turns around to greet you. "Good morning, sweetheart." He lights up with these words, no sign of being bothered by his conversation. You decide not to say anything at first. If anything, you were a little annoyed - if he was going to wake up before you, you'd at least hope he'd go out on a run or maybe surprise you with a sweet treat or flowers. You open the fridge in search of something to eat. Milk, eggs, leftover pomegranate.

"Babe?" Curly's head pokes over the fridge. "I said good morning."

You decide to eat the pomegranate for breakfast. Wouldn't want it to go bad.

"I bet it is. How's your boyfriend?" you ask. Curly's face drops. You close the fridge and take a seat by the island counter.

"Hey, don't walk away from me. What's up with you?" he asks. You shoot him a look, then your eyes move to his phone. Curly eyes follow yours and it hits him once his eyes settle on his phone.

"Please don't start. Not this morning."

"Oh, so you're aware. Perfect!" You place your cut pomegranate back in the bowl. "My question is just why? Why do you give him so much...control?"

"Control? I am my own man, you know. Captain of my own ship." You must have hit a nerve because Curly normally doesn't get defensive like this. Using his title to make him seem better? Not a usual practice of his.

"You deliver shit! People at NASA get to brag about going to space to explore! You don't. So don't let your ego get in the way of me questioning your relationship with your idiot friend."

He was Persephone, Jimmy was Hades, and like Demeter, you only had Curly for the spring and summer.

You both stare intensely at each other for a moment and it was the 'let's just hop in the sheets and fuck it out' intensity. You both were genuinely pissed at each other. 

"I'm going to step out," Curly says breaking the silence. He starts to make his way up the stairs. "Yeah, avoid the question of Jimmy, like you always do!" you yell at him.

"Shut up!" He's halfway up the stairs. Your head cocks back. "Did you tell me to shut up?" He's never spoken to you like that - you're not even sure he's spoken to anyone like that.

Curly realizes what he's just said and is equally as shocked by his own mouth. He rushes down the stairs and reaches out to you. When he's close, you turn your body away. "Hey..." he pleads.

"Curly...please go. Go anywhere. I don't know. Go call Jimmy or something. Just get out of my sight." You push your bowl of fruit away from you. Still refusing to face him, you continue, "I will not allow you to talk to me like that. Especially, especially, if we're talking about Jimmy. You must be out of your fucking mind."

He lingers before finally giving in. "Ok...I'll step out for a bit." Curly hesitantly places a hand on your back. You don’t tell him off or recoil. “I’m sorry and…and I shouldn’t have said that to you.”

Of course, he wasn’t going to acknowledge the actual problem - Jimmy. So you choose to let it go because it’s all you can do. Curly gives you the day to yourself before coming home for dinner. A bouquet of your flowers and tons of kisses make up for the quarrel for now.

[anumberofhobbies]

Have a reference,

By Nina Metz | Chicago Tribune UPDATED: June 9, 2018 at 1:42 AM CST

The following is an edited conversation with Matzen about Stewart and “It’s a Wonderful Life,” which will also screen at Symphony Hall on Dec. 9-11 accompanied live by the Chicago Symphony Orchestra with the Chicago Symphony Chorus. ... Q: What was it like on set, since it sounds like Stewart was a reluctant participant? A: Capra had supreme confidence in this story. Stewart not so much, but he got on board with it. It was this sense of, “This is our last shot. Hollywood went on without us, we’re not getting any younger, and if this bombs after we’ve both been away for five years …” But if you watch that performance by Stewart, there was a lot of rage in it and it’s an on-the-edge performance because that’s what those guys were feeling — they were scared that this wasn’t going to work. That the audience wasn’t going to buy it. Donna Reed (playing Stewart’s wife in the film) is one of the eyewitnesses who said, “This was not a happy set.” These guys were very tense. They would go off and huddle say, “Should we try this? Should we try that?” And it proceeded that way for months. They started shooting at the beginning of ’46 and it was a long shoot, it went into June. It was a very expensive, exhaustive production. It cost $3 million to make the thing. Q: Was Stewart also on edge because he was still working through some of his PTSD? A: Oh, absolutely. At this point, he had just started to eat again. He always had a high metabolism and always had trouble digesting food, and during the war it got worse and worse. He himself said that the only thing he subsisted on was peanut butter and ice cream. He just hadn’t been able keep food down. Now he’s starting to gain weight. But he’s still having nightmares and the shakes and the sweats. He’s got some hearing loss now, from the sound of the bombers on those seven-, eight-hour missions. So now you have an actor who, it’s not easy for him to hear his cues. Q: He wasn’t of the Method actor generation, but it sounds like he was, intentionally or not, drawing from his life in that performance, especially those scenes that reveal how untethered or frantic George Bailey is feeling. A: It was a personal and professional risk, playing that role. While he was making that film, he was questioning the superficiality of Hollywood and acting in general, and Lionel Barrymore (who plays Mr. Potter) said to him, “So, are you saying it’s more worthwhile to drop bombs on people than to entertain them?” And that really hit Stewart and was one of the things that turned him around and made him think, “OK, I do have an important role and there are things to be done.” There’s a scene in the movie where he questions his sanity and he’s got this wild look about him. That’s one scene that really struck me, watching it on the big screen. And the other scene that always made me uncomfortable, but now means so much more to me, is when he’s in his living room and he’s throwing things and screaming at his kids — and his wife and children look at him like, “Who is this man? Who is this monster?” And that is so reflective of what millions of families faced, looking at these strangers who came back from the war with this rage. Stewart played it beautifully. He just lets it out.

Jimmy Stewart & Post-Traumatic Stress: Months after winning his 1941 Academy Award for best actor in “The Philadelphia Story,” Jimmy Stewart, left Hollywood and joined the US Army. He was the first big-name movie star to enlist in World War II. An accomplished private pilot, the 33-year-old Hollywood icon became a US Army Air Force aviator, earning his 2nd Lieutenant commission in early 1942. With his celebrity status, he was assigned to attending rallies and training younger pilots. Stewart, however, wasn’t satisfied. He wanted to fly combat missions. By 1944, frustrated and feeling the war was passing him by, he asked his commanding officer to transfer him to a unit deploying to Europe. His request was reluctantly granted. Stewart, now a Captain, was sent to England, where he spent the next 18 months flying B-24 Liberator bombers over Germany. Top brass tried to keep the popular movie star from flying over enemy territory. But Stewart would hear nothing of it. Determined to lead by example, he assigned himself to every combat mission he could. By the end of the war he was one of the most respected and decorated pilots in his unit. But his wartime service came at a high personal price. In the final months of WWII he was grounded for being “flak happy,” today called Post Traumatic Stress (PTS). When he returned to the US in August 1945, Stewart was a changed man. He had lost so much weight that he looked sickly. He rarely slept, and when he did he had nightmares of planes exploding and men falling through the air screaming (in one mission alone his unit had lost 13 planes and 130 men, most of whom he knew personally). He was depressed, couldn’t focus, and refused to talk to anyone about his war experiences. His acting career was all but over. As one of Stewart’s biographers put it, “Every decision he made [during the war] was going to preserve life or cost lives. He took back to Hollywood all the stress that he had built up.” In 1946 he got his break. He took the role of George Bailey, the suicidal father in “It’s a Wonderful Life.” Actors and crew of the set realized that in many of the disturbing scenes of George Bailey unraveling in front of his family, Stewart wasn’t acting. His PTSD was being captured on film for millions to see. But despite Stewart’s inner turmoil, making the movie was therapeutic for the combat veteran. He would go on to become one of the most accomplished and loved actors in American history. When asked in 1941 why he wanted to leave his acting career to fly combat missions over Nazi Germany, he said, “This country’s conscience is bigger than all the studios in Hollywood put together, and the time will come when we’ll have to fight.” This holiday season, as many of us watch the classic Christmas film, “It’s A Wonderful Life,” it’s also a fitting time to remember the sacrifices of those who gave up so much to serve their country during wartime.

[kiro-san]

So I read this hc made by @signanothername that Error takes commissions and makes dolls for people in exchange for chocolate.

And this made me think...

-

*Error doing his usual chaos destroying aus*

Error: You disgusting anomalies nauseate me, but I'll make sure I don't leave A CRUMB IN THI- hold on I gotta take this call *pulls out a flip phone cuz he's old* Hello this is "sans errors workshop" (get it? 'sans' in french means without btw) Error is speaking...No that's just my name I don't make errors....well yeah I am an error but...uh...wait.. *he has an existential crisis and crashes down*

-

Error: oh god da- no Ink I am not knitting a body pillow with YOUR BRUSH'S PICTURE ON IT-

-

Error: *on a phonecall* yeah I can get it done it two weeks, and since you've made 5 orders you can get a "I won't destroy your AU this month" insurance gift are you interested in-..well it's not my problem your niece's birthday is in 6 weeks...No I can't reschedule the month insurance what if I decided to destroy it this week and you don't have it? What do you mean 'make it work out'!? You mistake should be grateful I even gave you this privilege do you know who I am-..... Well no I didn't mean 'mistake' in that sense but with that attitude I doubt your mother wanted you either-

[riseofthecommonwoodpile]

i can understand people who don’t like art that is difficult or makes them uncomfortable or feel bad if they consume art purely for entertainment. i don’t agree with the outlook but if your goal with all art is just to be entertained for a few hours it makes sense, just like how you likely wouldn’t want your time at an amusement park interrupted with 30 minutes of violent avant-garde theatre about American war crimes in Vietnam.

but i *am* completely baffled by people who have the same outlook about art that isn’t comforting yet who claim that art is deeply important to them, or who experience art as one of their primary non-work activities. if art is valuable and vital to you, are the only emotions you value fun and comfort? do you only value familiarity? does that not feel deeply limiting and claustrophobic? isn’t it fucking boring?

i have watched literally thousands of movies, i used to write about them, i have a podcast about them, i care about them a lot! and there’s now almost nothing as exciting to me as seeing something i don’t immediately get. i like to experience things that take me somewhere new, that are out of my comfort zone, that i might even highly dislike but that have an obvious and novel artistic viewpoint. that’s not to say i don’t appreciate comfort (i rewatch movies often, i like a nice RomCom or Disney princess movie, i enjoy watching even cliche found footage horror because the rhythms are familiar and satisfying to me), but your entire diet can’t just be mac & cheese or pb&j, right? idk man

[heavyhitterheaux]

Did Wifey suggest Joe go blonde for the new season?

No lmao

And she was just as surprised as everyone else. She had been out the entire day spending time with friends and Joe had sent her a text saying that when she got back they would go out to dinner. She got back before he did and was speechless for a minute when he walked in the front door and just stared at him.

You did a double take as your husband finally came into view after you had heard his footsteps moving in your direction.

Two things were different.

His hair was damn near gone and it was bleach blonde.

He placed a kiss on top of your head before sitting next to you and you were still unable to speak as you stared at him.

“Babe?”

“I didn't know I had divorced Joe Burrow and got married to Marshall Mathers.”

“Oh, so you got jokes?” He asked and you stifled a laugh.

“And this is just the beginning. You will never live this down. From now on, any time something happens I'm blaming it on your hair.”

“You cannot be serious.”

“Oh, but I am. Just you wait. For example, can't find one of your shirts I bought you? The Joe with brown hair would know where it was. Why did you decide to change your hair?”

“I was bored.”

“I forgot that I can't leave you and Ja'Marr unsupervised for an extended period of time because it leads to shit like this.”

“Ja'Marr is worse than me!”

“Ehh, I don't know about all that.”

“But do you like it, though? Your opinion is the only one that matters.”

“I'll let you know when I fully get over being in shock, Slim Shiesty. You going to go on tour soon?”

“Yeah, and I know you're going to be the one buying all the tickets.”

“Hmm..”

“What?”

“I wonder if having blonde hair makes you go more rounds when we have sex?”

“What the? Baby, where is the connection? Because that literally makes no sense.”

“I volunteer as tribute to test this theory.”

In the end, she ends up loving it and goes even more feral when it started growing out and his frosted tips got put on display.

[fountainpenchess]

honestly, learning about executive dysfunction as a neurodivergent person (I am diagnosed with OCD) has helped me a lot.

I think executive dysfunction is not talked enough in the OCD community, as things like self-monitoring and self-control are almost always present in us (usually as compulsions). also, organization is seen as the most OCD thing someone can do thanks to the lack of information by the general public lmao. emotional control looks generally okay because we self-control ourselves and our emotions as much as we can (again, compulsive behavior). planning can be compulsive and an anxious behavior too, so these things make us, people with OCD, to seem fine when we are in fact very distressed.

In my case, task initiation sometimes feels impossible, things definitely don't "occur" to me when I need to take care of myself even if it's common sense and I have a terrible time management. additionally, I have read that working memory is usually affected if you present OCD symptoms, but I am not sure how this applies in my case. sometimes I have problems with flexibility, but not that often. my brain just stress for a while when something suddenly changes, but I think I can get used to it on time.

I saw this tweet about how things don't always "occur" to adhd people and I thought I could relate to it as well, although I'm autistic and not adhd.

For example - if I have a headache, it simply won't occur to me to take pain meds. I know I have a headache. I want the pain to stop. I am aware of the existence of pain meds. But the idea never occurs to me to take them until someone else suggests it.

The example they gave in the tweet was that if someone says hello to them, it may not occur to them to say hello back and yep... I do that as well.

I just never realized that other people may not do these things.