#do we read the same manga

[deqiha]

Soowon is a very complex and interesting character, and one of his traits I like a lot is his idealisation of Yuhon because it actually created a really big issue of Soowon.

Of course, Yuhon was his role model when he was a child, but what about 18 y.o. SW? Did he think of his father so much, to the point that he started questioning some of his words or actions? Or does he still see his father in a perfect light? I've got these questions because while SW is a shrewd and level-headed person, he's been shown to be biased for the first time (as far as I remember; it's been a while since I've read AkaYona) when Yona came to him to vouch for peace between Xing and Kouka.

When I first read this manga, I was a teenager who didn't have a habit of trying to go in depth with characters, but looking at these frames now, I can say that this scene is a big tell of how Soowon sees Yuhon. He is making excuses for his father's unnecessary cruelty, even though Soowon himself, I believe, would never do something like that.

Also, chapter 221 shows that Soowon, in fact, never questioned Yuhon's methods. His father's influence on him never lessened, even after all these years (perhaps because he's been surrounded by Yuhon's supporters since, idk, forever).

He is a king. He has to sacrifice his humanity for the sake of his kingdom - that's what he's been taught by his beloved father, whom he never questioned. ("Please, let me see the board objectively" - I almost fucking cried).

So sweet is the realization that he, in fact, can't do that. He is only a human, after all, someone who already sacrificed his childhood and his closest friends for Kouka people's well-being, and I can't imagine his heart being able to take another loss.

Soowon has basically abandoned himself. The persona he and the adults around him have raised in him is "king" (according to Yuhon's ideals). I believe Soowon isn't introspective; he has been running away from his feelings this whole time, and chapter 221 was the first time he's faced them. It's very fascinating to me: he is always ready to face the consequences of his decisions, but never to face his feelings.

P.S.: I'll be very glad to receive any corrections or different opinions, because, as I said before, it's been a while since I read AkaYona, and the moments mentioned in this posts are the ones I remember vividly.

[hinamie]

congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/

[asukachii]

"I have no idea what's going on... but the plant has completely stopped moving, and it looks like his breathing came to a standstill at the same time".

(I don’t like putting watermarks so, PLEASE, if you want to post these gifs somewhere GIVE CREDITS! Also, don’t use them in edits/videos. Thanks~)

[dlldior]

i made the mistake of searching up dadbastian on twt and found a bunch of proshippers screenshotting my captions of my dadbastian edits and dragging me on there 💀

[blackbutler-sideblog]

A scene from the newest Black Butler season just leaked!!!

Shoutout to @valnizs for the Sebastian pictures

[marzipanandminutiae]

women who were the only girl with F/F ships in their mostly-sapphic teen friend group, and had to feign interest in the Pretty Gay Anime Boys Of The Week to talk to their friends at all, deserve financial compensation

[r0semultiverse]

Eida knows Sarada & Sumire are immune to her abilities.

Whats weird to me is that Eida just doesn't further question that Sarada & Sumire are acting so normal, like I would have never bought Sumire's excuse. NO SHOT!

I think Eida is protecting those two from her clingy little brother.

She has stated before that she wants to have actual friends, but probably knows Daemon would try to kill them potentially if he figures it out (that part isn't so much stated but it's the way he's looking at Sarada & Sumire when he's considering they may not be affected).

He's overprotective, clingy, & overpowered; a terrible combination for her to be around in this case where she would like some actual friends. He's also very eager to fight people!

She 100% went along with Sumire's bullshit excuse to keep those two safe from her brother. She literally pauses for a moment before agreeing with them!

We'll see how good the excuse is when the official translation is out, but I think Eida's playing along so she can have actual friends around her. She knows whats actually going on here, she isn't a fool.

[bakudekublogblog]

I JUST FINISHED S6 OF MHA AND I'M EMOTIONALLY EXHAUSTED BUT BKDK IS SO REAL IT'S INSANE AND I CRIED MULTIPLE TIMES

[up-in-flames-writing]

In lieu of Stuff Your Kindle day, can we talk about the issue of how the m/m genre of books, romance or not, is almost entirely dominated by women? Can we talk about how the most recognisable gay couples in media are written by women? Can we talk about how queer men can't even write about ourselves, how we are only allowed to exist when it's from the point of view of a straight woman sexualising us?

Can we talk about that? Or am I going to get called misogynistic for pointing out the disparity between who gets the writing deals, & who gets their books turned into movies, & whose shit gets popular versus whose doesn't? Can we talk about how m/m fiction is only allowed when it appeals to a cishet gaze, or is that too much for tumblr to take?

Can we also talk about how trans queer men are even more hated by publishing? Can we talk about how we get shit from both sides? Can we talk about how books about the experiences of being a queer man, written by queer men, never get the same recognition as books written by women on this subject (barring academia which has its own problems)?

Can we talk about that? Can we?

[iwritenarrativesandstuff]

(apparently) hot take: Gon isn’t any more selfish than the average 12 year old

[maengekyou]

just read the take that sakura taught sasuke what love is—

and all i have to say is: do you know the guy, sasuke's one and only, the one who told him 'i know your heart and you, mine', the reason sasuke evolved his third tomoe, the person he shared his first kiss with, which he thought was intentional, the one that is so important to him that his body moved on its own, uzumaki naruto?

do you?

[shoukohime]

people shipping maki and yuuta is so wild to me bc like. this is a lesbian. and even if she wasn't, she would NOT date yuuta of all people. are we reading the same manga?? they're besties leave them alone

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[discoknack]

I can imagine Soshiro going to pat Skully's head for some reason or another.

I also think Skully would greet their usual babysitter (besides their Mama, Kafka) as "Oki", short for Okonogi. I feel like I've heard that before.

And it might be cute if Soshiro at some point began to spot Captain Ashiro near a certain region of the base a little more often. Just enough to notice, but not enough to be suspicious.

One day he enters the surveillance room and Skully is humming and wiggling in their seat, doodling on some paper at their Oki's desk. Okonogi Konomi is supervising as usual: Her hands are clasped and her neck is craned to get a better look at the drawing, but she's otherwise just smiling and letting Skully do their thing.

She points at the paper and asks Skully a question. Okonogi always interacts with Skully in a sweet way. Aside from her initial fright at a Yoju up-close, Soshiro figures her scientific curiosity was piqued, and it's only natural for a human to treat a baby nicely. And Skully is such a sweetie, even as creepy a baby as they are. This time, though, Okonogi practically sings the question.

Skully's reply is short, so after, Soshiro casually asks, "Something good happen, Okonogi-chan?"

Skully reacts to Soshiro's presence, yipping "Papa!" and zipping out of the chair to run at him, page and crayon in hand. Meanwhile, Okonogi addresses him as Vice-Captain.

When Skully reaches Soshiro, Okonogi murmurs, as if keeping a secret, "I just saw something cute today."

Soshiro crouches to pat Skully's head, saying "Ah, little Kaiju~ You get bigger every day! What are we going to do with you?" which is, of course, an exaggeration.

Skully lifts themself on their toes to happily meet his hand in the greeting. But then Soshiro makes a slight face and rubs his fingers together. Something sticky or oily? He inspects his hand and notes a sweet smell, and the substance is clear and shiny.

He holds out his hand in front of Skully's face, curious. "What's this?"

Skully sniffs it, then happily hums in response to the scent. They look down at their paper with a kind of smile, their body wiggling, especially the tail, and something about their demeanor suggests they're blushing right through their face-plates. They croon a little when they say, "Pretty Ma-" but they stop, suddenly bewildered. "Ma?"

[mantisgodsdomain]

We ought to write more Pokemon fic some time. We want to recreate the Pokemon Manners/Human Manners cheat sheet that we made a few years ago we think that this site would like the Sliding Scale Of Politeness When Greeting A New Pokemon You've Never Met Before.

[twixfamily]

i completely understand being relieved that the bus hijacking arc is over, but i disagree with a few posts i’ve seen calling it unnecessarily long. for manga readers it dragged on due to how spread out the time before each chapter was (trust me, i was ready for some change too) but i think that reading it back in one go is far more impactful and cohesive.

in a series called spy x family you expect and emphasis on the FAMILY aspect, so it’s strange to see them not interacting for months on end while the manga updates. however, in keeping with the SPY portion the readers need to be both reminded and informed of the political landscape they’re dealing with.

yuri’s plot seemed a little inconsequential, but it’s supposed to show you that the sss is operating behind the scenes where you might not expect AND that some of its agents disregard their orders to carry out their own version of justice. twilight removing his disguise at the end seems lame when he doesn’t have an emotional reunion with anya, but again we’re seeing that even the readers were unaware of the presence of wise agents AND that sometimes they don’t actually accomplish their intended mission. yor arrived later than the other parents to give anya a moment alone with damian AND to show that she’s strong and fast and dedicated but can’t possibly be there to save anya every time she needs it. billy squire exemplifies the evil that war can push people to AND his genuine desire for a fairer world for the non-wealthy. it’s all about revealing the fight for power that has steadily grown to be more convoluted than westalis vs. ostania.

to focus solely on the family relationships and relegate the political atmosphere to the background does a disservice to the series and to endo’s intended message. yes, family makes unrest and war easier to endure. had twilight’s parents survived he likely would’ve had an easier time emotionally and been less likely to engage in such heightened violence (the same could be said for yor). but that doesn’t eliminate danger, ESPECIALLY the danger that is often hidden from the public eye.

you’re supposed to feel exhausted reading this arc, you’re supposed to want it to be over, you’re supposed to long for an emotionally satisfying ending and feel somewhat let down at the lack of a grand reunion. but that’s their reality. they long for the same thing that you do. they can’t have it. so you have to wait and want and hope for a happy ending to the story right alongside the characters.