#do people see my art and just ignore me purposely or what

[flwrkid14]

I was reading the two posts about Tim's Christmas list, and just thought of the Bat Family noticing how happy Tim is.

Maybe Damian sees the new brushes and asks why Tim has Stephanie's things?

"Oh no, those aren't her's. They're mine. Danny got them for me cause they were on my list. I've needed a new set for a few years, but I only remember when I'm on a mission and needs to use them. Isn't he so sweet? And he got me really good quality ones, too!"

Or Jason mocking Tim for finally getting new hoodies. And instead of huffing or quipping back, Tim just brightens. Smiling in a way Jason's never seen.

"Danny got them for me! They're so soft. There's some of my favorite gifts from him! It's honestly nice to have new clothes that aren't formal. I'm so happy he read my list." And kinda just bounces away.

Maybe Bruce asking if Tim finally got new cups for his office?

"Danny's so sweet, isn't he? He found my list for Christmas and decided to get me a few mugs and thermoses. It's great I don't have to worry about accidentally cutting my mouth open again." 😊

Or Stephanie (who was injured on patrol and Tim's Nest, with apartment on top, was the closest place she could get to.) commenting on the fact that Tim has a lot of blankets, pillows, and plushies.

"Danny got them for me for Christmas I love how soft and warm everything is. He even found a plushie of a sleeping ghost! It's weighted, has a heating feature, and is made of glow in the dark fabric. Matter of fact, almost all the plushies and blankets he got me were weighted! Just like I had written on my list. They make me feel so loved. After all, he wants me to feel warm and safe, what's more considerate than that?"

Cass looks for Tim, knowing he's staying in the manor overnight because of a gala the next day. She hears music coming from the bathroom, but the light isn't on. So she goes in to turn it off, just in case Tim accidentally left it on. Only to see that there is a light on. A music box made to look like a record player spinning a vinyl, projecting blue light to look like you were underwater. Tim was in the bathtub, with the music box on the rim.

After the kerfuffle of them realizing Cass walked in on Tim taking a bath, and Tim getting dressed quickly, Cassandra asks him where he got it? It's cute and sounds really nice.

"Oh, it's a gift from Danny. He gave me it for Christmas. He knows I like cute things like that. And it's nice to listen to. He even got me this cat eared fluffy hairband for when I do my skincare or makeup! So cute, right?" 🥰

And slowly, all of them realize they never got Tim what he wanted. They try to justify it by saying he put tech on the list, but they look back through past lists and realize Tim changed his list because no one ever got him what he put on the list.

omg, I love your take on my posts! Your writing is so good! And you're absolutely right—the batfamily realizing their oversight and coming to terms with is such an interesting angle to explore! I like the way you went about it, especially all the times Tim kept mentioning the items were from his list!!

That said, I also wanted to address something that a lot of people were frustrated about when reading my original post.. many were upset with the family for not reading Tim’s list, wondering if they lost it or ignored it on purpose. I realize I didn’t provide enough context on my post for how the list actually functions!

The christmas lists in the batfamily aren’t necessarily meant to be followed to the letter—they’re more of a reference in case someone doesn’t know what to get. For example, Damian’s interests are pretty well known (art supplies, things for his animals, weapons), so most of the family can buy him something without needing to check his list. But for someone like Alfred or Bruce, where their preferences might be harder to pin down, the list serves as a guide.

With Tim, the family assumes they already know what he likes. They don’t think they need to check his list because, in their minds, they already understand him. So they keep giving him things they know he uses—cameras, electronics, hard drives—without realizing he already has more than enough. It’s not necessarily neglectful; it’s just a blind spot.

Danny, on the other hand, actually looks at the list. Not only because he wants to get Tim the best gifts possible, but because he lives with him. He sees what Tim already has in abundance and what he’s been meaning to get for himself but keeps putting off. That’s why his gifts are so thoughtful—he pays attention in a way the others don’t.

I hope this explanation helps clarify things for those who were confused or frustrated!!

[dfchbff]

hi . drops her here

[meanbossart]

Hey! I was thinking of trying to write something for you about DU Drow but after a trying to gather stuff about him via your page I’m struggling to get something substantial for his personality- like I get it mostly (I think?) but it’s hard to put into words (which makes it easier for me) so if it’s not too much to ask; how would you explain DU Drows personality and maybe some of his values? - if you don’t mind! I love your art BTW!

Man, this is a tough ask and I MADE the guy. The fic is definitely the best place to see his personality in action, but it is also 20 chapters long so far - and I'm a fairly reasonable man.

Before I get to any descriptions, there's two important things to note: A) Overwhelmingly, his looks do not match his demeanor. and B) DU drow is extremely hedonistic in practice. He might claim to have certain beliefs or standards but hardly ever practices them.

Anyways, I present to you: The guy, more-or-less summarized to the best of my abilities.

BEHAVIOR: Purposefully standoffish. He wants to be noticed, but he does not want to be bothered. He's a little bit stiff with his body language and mostly makes use of head/neck gestures to assert his sentences and signal his level of interest. On that note, me makes it extremely obvious for the socially-versed individual to tell what he thinks of them - he hardly ever tries to hide if he's disinterested, annoyed, or having a laugh at your expense. He expresses emotion through his face a normal amount, but his default look is eerily bland, and subtle emotions might go unnoticed because of his eye-color and thin brows.

As it is with most people, the more uncomfortable he is with a situation the more stiff and inexpressive he becomes, and vice versa.

SPEECH: DU drow is very much well spoken, and simultaneously very blunt. He abides by most conversational formalities (definitely more formal than you would assume him to be) and basic etiquette. He will greet you and he will say please and thank you even if clearly not meaning it or feeling like you're unworthy of the gesture. Sometimes, he does it just to be patronizing.

With all of that in mind, he has a tendency to use violent turns of phrase and analogies to express himself, this applies to both negative and positive feelings. That being said he's aware of social norma and knows full well when things are or aren't appropriate, even if sometimes he chooses to ignore that and be weird anyway - usually with the purpose of intimidation.

He is the most earnest and sincere with very close friends (quite literally only Astarion and Shadowheart) and rather curt with everyone else unless you catch him in a particularly good mood. He's a little chummier with dwarves and duergar (he finds them amusing and fun to hang out with) and reserves a slight bit more tenderness and kindness for children and mothers, especially if they're elves. He's also fond of animals. He is dismissive of gnomes, goblins, bugbears, half/full orcs and hobgoblins. He despises githyanki and drow. He treats humans fairly respectfully but thinks they are a far lesser race than pretty much all others.

He has a very dark/offensive sense of humor and a tendency to make well crafted, but cruel jokes or quips about sensitive topics. This goes for everybody, including people he's on good terms with.

VALUES: Here's where things get tricky. DU drow is both a hypocrite and a unreliable narrator of his own story, not to mention deeply unfamiliar with his own inner-workings and feelings. Politically, he would be the guy who doesn't vote, doesn't want to pay taxes and dreams of living off the grid, who thinks everybody should pull themselves up by the bootstraps and that it's a dog-eats-dog world. He hates systems of government, authority figures, hierarchical structures and archaic customs. He believes it would a chaotic but functional world if people governed themselves.

In practice, he doesn't stand for anything and gladly overlooks injustices and things that don't align with his supposed values as long as they favor him, or just don't get in his way, and easily makes exceptions for things on a whim. He's indifferent to slavery; unless it's Astarion's. - He thinks humans are a worthless pet-race, except for his dearest and nearest friend, the half-elf Shadowheart. He thinks Half-orcs are intellectually inferior, but he will gladly be chummy with them if they amuse him and make for good-company during a night-out.

INNER WORLD AND INTIMACY: DU drow is extremely unfamiliar with his own emotions and very often comes up empty when he has to justify or explain anything that is based on feeling, while simultaneously operating on impulse and instinct for the vast majority of the time. He is subject to fear, resentment, and insecurity as much as anyone else, but carries a deep shame in acknowledging his own vulnerability at all. He is very intense when it comes to love, however, and shows no reluctance in expressing it through his words and actions towards the people he cares about. He does care for the levels of comfort of those dearest to him though, and doesn't bombard them with it unless the moment is right, or if overwhelmed into doing so. The same applies to physical affection - he's extremely comfortable with it, but cares deeply for respecting the boundaries of his loved ones. When it comes to strangers, he only touches them outside of combat if there is some kind of power-game at play.

A couple of other things that might be of note:

-He likes creature comforts, but is also fine with going without them and won't ever complain about having to live, sleep, or survive in less-than-ideal circumstances as long as he feels in control of the situation. -He can be enticed by valuables and gold because they make the immediate future easier, but he doesn't seek a life of vast riches. -He is not an alcoholic but probably has a binge-drinking problem. -While he is fond and respectful of animals, he has no issues killing them if the situation calls for it. -He pretty much always believes himself to be the most impressive person in the room. -He is not a vain man, but very much likes the way that he looks and to have it be acknowledged by his partner. -He believes faith, religion, and gods to be a waste of time.

[badasbebi]

imagination's curse

navigation

✦ pairing: bada lee x fem!reader

✦ summary: you long for excitement in your mundane life, until you are suddenly visited by a strange, beautiful woman who upends your world and thrusts you into a whirlwind of pleasure and danger.

✦ genre/au: smut (MDNI!!), succubus!bada, basically pwp

✦ word count: 6k

✦ warnings: probably has grammatical/spelling errors, mentions of demons and occult activities, top!bada (she's doing all the work), fingering, cunnilingus, bit of thigh riding, y/n is a weakling, somebody dies (or do they?)

✦ a/n: this is very different from other fics I've written, in genre and length, because after watching bebe's imagination video on repeat, i decided to temporarily drop the other fic i was working on to write this! we will be getting back to the more simple (and long) fics I've written before, but i hope you guys still enjoy this in the meantime! i purposely left this open-ended in case i, or you guys, wanted to see a continuation of this story at some point. lmk if that would be of interest to y'all!

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Beyond the restaurant windows, rain pounds against the earth. The rhythmic drumming of the rain lulls you into a trance-like state, eyes glossing over and body becoming numb. The soft jazz music coming from the speakers overhead only enhances your drowsiness, making you melt into your seat like heated wax. You rest your chin in the palm of your hand and stare out at the street, watching cars pass by and disappear into the darkness. Your eyelids become heavy and you blink, attempting to bring your attention back to the real world, and, probably most importantly, the person in front of you. 

You sigh, slouching forward in your chair. Your date, Seolhyun, has been droning on for the last twenty minutes about her schoolwork. Her mouth is moving, but your mind isn't registering her words. You can't bring yourself to care. She seems somewhat nice, and she's devastatingly pretty, but those were about the only two qualities of value that you could conjure up. This wouldn't have been so bad, if this date hadn't essentially turned into a one-sided conversation she was having with herself.  You don't think you've said more than three words since the both of you sat down.

"Like, nursing is so boring and depressing. I don't get why so many people are into it," she says, taking a bite of her food. "I want to do something interesting and fresh, like, modeling, or something. Or, maybe I'll switch my major to art. I take really good pictures of my friends. Isn't there a photography concentration in the arts program?"

Seolhyun looks over at you expectantly, waiting for your input. You have no idea what the answer is, so you just shrug and give her a fake, tight-lipped smile. 

"Yeah, you know what? I think I'm gonna talk to my advisor tomorrow. It's just that my dad is the problem. Whenever I talk to my dad he's like, nooooo. That's not what I've been sending you money for. He's so old fashioned."

"Oh," you respond, your voice monotone. There is a part of you that can't help but feel a little bad about zoning out and ignoring her, but you've had your fill of boring conversations about family and school and life aspirations. This was nothing new. 

She slams one of her hands on the table, making you jump so high you nearly knock your glass of water over. 

"And it's silly because he's the one who wanted me to go to college sooo badly, so how are you going to complain about paying for it? Its like—and not to sound like a cunt—we do pretty well for ourselves. I don't need to be the moneymaker! I get he wants me to be the head nurse at the hospital he owns, but honestly, fuck that hospital. Fuck the patients too!" she continues, her voice raised loud enough to capture the attention of  the nearby tables. You can feel their eyes on you, and a wave of embarrassment washes over you. You glance around the room, trying not to make eye contact with anyone, slowly sliding down in your seat.

 "He's just...he's such a hardass. Doesn't let me do anything. It's a real shame," she finishes, huffing in annoyance.

You nod. "Right, it is a real shame." you mumble, still avoiding others' judgemental gazes. 

She doesn't seem to notice how uncomfortable you've become, or the attention that she's gathering. Instead, she grins."I know! I'm so glad you get it."

The only thing you're getting is murderous. You needed to get out of here, quickly. As if hearing your internal cries for help, the waiter appears, asking if the two of you would like to see the dessert menu. You shake your head.

"Oh, no. Just the check please," you say, glancing up at him.

Seolhyun nods in agreement. "Yeah, I'm done. This salad was kinda trash. No offense. Sorry." She picks up her napkin and dabs it at her mouth. 

The waiter grimaces. "No problem. I'll be right back."

As the waiter walks off, you turn back to Seolhyun, forcing yourself to smile. She jumps right back into her complaints, albeit more quietly, and fidgets with the stem of her wine glass. You tune her out again, no longer feeling guilty for doing so. The only thing that brings your attention back to reality is the waiter setting the bill face-down on the table. He bids you both goodnight before walking off, and when you look up, you almost want to laugh.  

A guilty expression flashes across Seolhyun's face, and she leans over the table, looking at the check. She clears her throat, and you already know what she's about to say. 

"Do you have your card on you? Sorry, I think I left mine at home. I'll totally venmo you after this." She laughs awkwardly, sitting back in her seat.

You roll your eyes, but reach for your wallet. "Whatever." 

After dinner, the two of you step out of the restaurant and into the rain, huddling under the overhang as you try to find an escape from the downpour. 

"Well, it was nice chatting with you, y/n," she says, stepping towards the edge of the overhang. "Hope we can hang out again soon."

"Yeah, definitely," you lie. 

"Awesome! Talk to you later, then." She smiles, and you know she's lying too.

Seolhyun walks out into the rain and you watch as she crosses the street, heading toward a pink Tesla. 

"Bitch," you murmur bitterly, pulling your hood over your head.

You don't want to spend money on an Uber, and the walk to the nearest bus stop isn't very far, so you decide to trek through the rain, praying that the bus won't take long. You zip up your coat and adjust your hood, stepping out into the rain. The cold pelts against your face and seeps through the material of your clothes, causing goosebumps to break out on your skin. You curse, and pull your arms close to your body, walking faster. The streetlamps lining the road provide enough light for you to see where you're going despite the dark clouds overhead, their glow casting an orange glow against the pavement.

As you walk, your thoughts turn back to your disastrous date. You didn't mean to act like such an ass, but it was impossible not to when the entire evening had consisted of her talking about herself and how difficult her life was. The worst part is, she actually seemed to think you were a good listener, even with your blank stares and monosyllabic responses.

Deep down, you know that it's not entirely Seolhyun's fault. Today felt like a culmination of all the ways you've been failing lately. In short, it's been a bad week. A bad month. A bad year. At all points, you've felt as though there was no escape from the dullness of your life, like you were being suffocated, drowned in a pool of water with no way to save yourself. These were your college years, and you came to the realization last year that all you've been doing was sitting in your room, studying, going to class, and then going home. No parties, no drama, no adventures, no romance, nothing. Even worse, it seemed like everyone else had already started their lives and were living them. It was infuriating, seeing everyone around you have fun, while you were stuck in this weird limbo of mediocrity.

In attempts to find some excitement, you downloaded a dating app and started going out more, meeting people, but so far, all the dates have ended up being like this. Boring, or just plain awkward. You've tried to make changes—different clothes, makeup, hair—anything to shake things up, and while that was nice and made you feel pretty, it didn't change the fact that your life was still dull. And now, you're just exhausted, constantly feeling like you're going through the motions.

 Nothing has worked. This was probably the tenth horrible date you've been on in two months. Maybe, this was just your life now, and you had to come to terms with it. Bland, and as bleak as the clouds overhead.  

Which seem to have gotten even darker, you notice, as you approach the bus stop. You stand underneath the shelter, rubbing your hands together and blowing on them. The streets are completely deserted. You shiver, your damp clothes clinging to your skin, and hug yourself tightly, trying to keep warm. You try to look for any sign of the bus, but the rain is coming down too hard, the air is heavy with fog, and you can't see further than a few feet away. A prickle of fear runs down your spine. You didn't even think to check if the buses were running late. What if they're not running at all?

Just as you reach for your phone to check the time, you hear the screeching of bus brakes and let out a sigh of relief. You're saved.

You stand at the edge of the sidewalk, watching as the bus slowly pulls up in front of the stop. The door opens and you step inside, moving as quickly as you can. The warm air instantly hits your face, but the heat does nothing to thaw the chill that has set in your bones.

You pay the driver and walk to the back, taking a seat near the window. The bus is nearly empty, save for an old woman and a couple of teenagers sitting towards the front.

You pull your phone out of your pocket and plug in your earbuds. Music starts playing, drowning out the noise of the rain and the rumble of the engine.

After a few stops, the bus reaches your destination and the doors open, the sound of the rain pouring down and the wind blowing in, bringing with it a cool breeze. You get off, and begin the trek home, your sneakers splashing through puddles as you make your way down the street.

The wind picks up, the gusts blowing hard enough to cause the street lamps to flicker and sway. They cast shadows against the ground and walls of the buildings, which appear and disappear in the blink of an eye. The rain comes down harder, falling in thick, heavy sheets. You quicken your pace, the muscles in your legs burning as you move, your heart rate quickening. 

Finally, your apartment building comes into view.  You run, sprinting the last block and darting up the steps, the water squishing between your toes. Excitement blooms in your chest as you grab the door handle and pull it open, the prospect of a dry place to lay your head making you feel better.

As soon as you cross the threshold of your building, you pull your hood down, the smell of mildew hitting your nose. Your shoes squeak against the wet floor, and you leave a trail of water droplets and mud as you head toward the elevator.

The ride up is excruciatingly slow. You tap your foot impatiently, watching the numbers climb, and think about the warm bed that's awaiting you, how good it'll feel to wrap yourself in a blanket and forget about this miserable night. If your roommate allows it.

Once your mind drifts to her, your excitement dwindles. Fatigue weighs heavy on your shoulders, and you long for nothing more than to be asleep in the comfort of your own bed, but you know it's a rubbish wish, thanks to Aeri. 

Recently, home hasn't been particularly enjoyable either. You used to have a roommate who didn't bother you. Then, she dropped out, and you were stuck with rent, an empty room, and the task of finding a new roommate. It was a difficult process, with most candidates seeming creepy or annoying or gross. Then, you ran into Aeri, who was by no means a perfect match, but seemed good enough. She was a bit awkward, and you didn't really know what to make of the intense gothic attire she was sporting during your initial meeting. She seemed incredibly nice and easygoing, though, and she smelled good. Was that not all you needed? So, running out of time, you swallowed your apprehension and gave her the spare keys to your apartment.  

For the most part, you didn't regret your decision. She was, in fact, one of the sweetest, most caring people you've ever met, frequently baking treats for you when she knew you were having a particularly terrible day and listening to you vent  about your dating diasters. But, there were a few small issues that had cropped up, and they happened to occur most often at night.

Your stomach does flip-flops the higher the numbers get, until, finally, the elevator dings, and the doors open. You shuffle out into the hall, pulling out your keys and heading toward the apartment. When you're in front of the door, you hesitate, the key hovering in the air as you stare at the peephole. You take a deep breath and push the door open, the smell of incense instantly hitting your nose as you step inside of the dark apartment. You slip off your wet shoes and hang your jacket up on your worn-out coat rack. 

"I'm back," you call, closing the door behind you. You step further into the apartment and glance around as you walk into the living room, where you are met with a sight you're not prepared for.

Your eyes squint to adjust to the dark and take in the scene before you. The air is thick and heavy, engulfed by the scent of a sweet, intoxicating perfume. Candles are placed throughout the space, their warm glow casting shadows on the wall. Aeri kneels in the middle of the living room, wearing a cloak, her hands hovering above an intricate pentagram on the floor. She mumbles something to herself that you cannot understand, her eyes closed. Her hair falls over her face and her lips move, but no words are uttered.

"Aeri, what are you doing?" you ask, taking a tentative step forward.

Aeri's head snaps up, her eyes wide, and the mumbling stops.

"Oh, hey, you're back," she says, her tone a bit nervous. Her hands tremble as she moves the hood of her cloak back. "Sorry, I didn't know you'd be back so soon. I was just—uh—you know."

"No, actually. I don't. What are you doing?" You repeat, folding your arms in front of you.

She looks around the room, before returning her gaze to you. "Uh...meditating?"

And this was the problem. Shortly after Aeri moved in, she brought her witchy occult shit with her. You don't really believe in any of it, so you typically ignore her and carry on with your day when you see her pull out one of her spellbooks at the dinner table. Except for days like this, when she goes too far, gets too loud, and keeps you up at night with her antics. Then, she becomes public enemy number one. 

You glare at her. "With a pentagram on the floor? Please. This is..."

You pause, scanning the room again. There's something particularly wrong today, but you can't quite place it. There's heaviness in the air, a heightened version of the feeling you get when you're in a haunted house, except there are no clowns or people cosplaying as serial killers, just candles and a pentagram and Aeri, staring up at you. 

"Bizarre. This is bizarre. Even for you." you finish, narrowing your eyes. "What's going on?"

"Nothing!" She squeaks, her voice strained. "I was just...doing some reading about a spell that could, uh. Fix a problem that I’ve been having. I decided to try it out today"

You pinch the bridge of your nose and let out an exasperated sigh. You're tired. Your hair is drenched. Your shirt is clinging to your back. You couldn't be bothered with this. 

"Listen, I don't think I actually care about what you have going on. But, I have an exam tomorrow, I've had a rough day, and I need some rest. Can you promise to keep it down in here while I sleep?"

Aeri looks around, a guilty expression on her face, before nodding her head. "Sure, yeah. No problem. I’m sorry."

"Thank you," you say, and turn on your heels without another word.

You make your way through the hallway and enter your bedroom, shutting the door behind you.

Your room is dark and cold, but you can't bother to turn the lights on or get under the covers. Instead, you lay down on the bed, your limbs splayed out. Your hair is still wet, and you can feel the moisture seeping into your comforter, but you can't even think to move.

You're too tired to bother changing into your pajamas. Too tired to do anything but sleep. So, you shove off your socks and rain-soaked jeans and call it a day. You crawl into bed, pulling the blankets over your body until they rest just below your chin. The warmth envelopes you and you're finally able to relax. You stare up at the ceiling, watching the fan spin slowly, praying for a peaceful night's rest. Lately, you've been plagued by strange dreams you can't remember when you wake up. Although they've been forgetful, they usually keep you tossing and turning in your sleep throughout the night. But, tonight, your eyelids are so heavy you can barely keep them open, and within seconds, you drift off into unconsciousness, the world slipping away and the darkness consuming you. The smell of Aeri's incense and the sound of the rain lulls you into a slumber unlike never before, submerged into a dark void of nothing.  

That is, until you feel something touch you. You awaken with a start, jolting upright in your bed, your heart racing. The room is dark, illuminated only by the light of the moon shining through the window. You glance around frantically, searching for the source of the touch, but there's nothing, no sign of life. Just shadows, and the sound of your breathing. You close your eyes, taking a deep breath, trying to steady yourself. It's probably just the wind or an insect. You're tired, and your deteriorating mind is playing tricks on you. There's nothing to be scared of.

You lay back down, pulling the blankets up to your chin, and take a deep breath, closing your eyes. Your heartbeat begins to slow, and you exhale, trying to relax. A few minutes pass, and you begin to drift off once again, when, suddenly, you feel something against your neck. A cold, soft pressure. Like a feather, brushing across your skin.

"Y/N." A soft, gentle voice whispers.

Your eyes flutter open, and you are met with the sight of a woman's face, inches away from yours. You gasp and shoot up again, nearly slamming your forehead against hers. The woman backs away, allowing you to regain your bearings. You blink a few times, shaking your head to try to wake yourself up, but she remains., staring at you with an expression that could only be described as amused. 

The moonlight streams in through the window, giving the woman's figure an almost ethereal glow. You've never seen her before. She has a stupefying, otherworldly, beauty about her, with dark eyes and full lips that accentuate her sharp jawline. She's wearing a black, silky nightgown that clings to her body. Her pale, delicate-looking skin shines in the moonlight, and her dark hair, interlaced with another color, cascades down her back, falling over her shoulders.

You look around the room, expecting the lights to turn on and an elaborate prank to be revealed, but the room is just as dark and empty as you remember. When your eyes fall back onto the woman, she is staring back at you, a soft smile on her face.

"Who the fuck are you?" you force out, your voice trembling.  

She quirks an eyebrow, tilting her head to the side. "Were you not expecting me?"

You scoff, nearly choking on your own saliva. "No! Of course not. I've never seen you before in my life. What the hell is going on? And how do you know my name?"

Her eyes light up with mirth, and her smile widens as if she's in on some sort of joke. 

"Oh, this is interesting," she starts, clasping her hands together. "This is very interesting."

As a primal fear takes hold of your body, interesting is the last word that comes to your brain to describe the situation you've found yourself in. Albeit hot, this random woman broke into your apartment to do God knows what to you and your belongings. Who knows if she's already murdered Aeri. Or, perhaps, this is a lucid dream, and you're experiencing some sort of weird hallucination. Either way, you wanted out. Now.

You release a shaky exhale in a poor attempt to calm your nerves. "I'm gonna call the cops, okay? But, I really don't want any trouble. If you leave now, I won't tell anyone about this." 

The woman stares at you for a moment, her expression unreadable, before erupting into a fit of laughter. You blink, unsure of how to proceed. She continues to laugh, her hand clutching her chest as her whole body shakes. The sound is melodic, and it rings out like the chimes of a bell, the notes flowing effortlessly into the air. It's almost enchanting, and you find yourself lost in the melody until she quiets down and straightens up, a soft smile on her face. 

"That's completely unnecessary. I'm not here to cause you any harm, Y/N," she says, and, somehow, her voice is even more hypnotic than her laugh. Some of your fear dissipates, but the confusion remains.

"Why are you here, then?" you question, unable to keep the suspicion out of your tone.

"To give you a little bit of help. I know you've been struggling." She replies, her voice dripping with sympathy.

"How do you know that?"

She smiles, the expression making her features seem even more radiant than before. "I know a lot of things. 'How' is irrelevant. What's more important is that I know exactly how I can help you tonight. You need...a stress reliever. I can do that for you. If you're up for it, that is."

"A stress reliever?" You echo, and the way her eyes sparkle in the moonlight, her lips quirked up in a seductive smirk, her voice low and smooth, makes it abundantly clear what she's implying. Your cheeks flush and heat rushes through your body. This couldn't be real. Could it?

"I don't think we're on the same page. I mean, a...stress reliever. I don't know if I understand," you say, shifting uncomfortably.

"You're a bit slow, aren't you?" she asks a devilish grin stretching across her face, and, she's probably right. You feel like a fish out of water, opening and closing your mouth like an idiot. The worst part of it is, she seems to be enjoying your floundering, grinning wider as she watches you stutter. 

"There's no need to worry," she purrs, taking a step closer, her dark eyes shining. "You just need to relax. It'll be fun." 

The sane, rational part of your brain is screaming, yelling, begging for you to run out of the room. Anybody with half a brain could decipher that the sensible thing to do in this situation would be to flee, grab a weapon, and call the police. Yet, here you are, lying still, the woman's words ringing in your ears. Fun. It's been a long time since you've had fun. You can't even remember the last time you've gotten remotely close to it. And, as if she was sent from above, here was a beautiful, mysterious woman, offering it to you on a platter. You can't help but be a bit curious. Curious about the strange, magical feeling that's coursing through your veins.

 Plus, your body is aching for touch, and the idea of sleeping with a beautiful woman is incredibly tempting, especially in your state. It's been months since you've had sex.

The woman takes a step closer, and your stomach does a flip. This is stupid. It's dangerous, and stupid, and it would be so easy to say no. 

"You won't hurt me, right?" You ask, a nervous edge creeping into your voice.

"You'll enjoy every second we spend together," she says, her eyes stroking over you. Her gaze is so intense, her voice so soothing, all you want is to please her. You don't think. You no longer have the ability to.  Your desire is too strong.

"What are you going to do?" you ask, the words tumbling out of your mouth.

"That depends on you," she says, her fingers brushing the edge of the duvet. "What would you like me to do?"

You look into her dark, all-consuming eyes, and shiver. Your blood feels like it's on fire.   "I—um—whatever you had in mind." 

Her eyes narrow, her lips curling up into a smirk. She leans in, her warm breath ghosting your lips. You can smell her perfume, the scent of vanilla and lavender assaulting your senses.  

Your heart beats fast, and you can't help the small whimper that escapes your throat.

"Are you sure?" she says, her voice low. "You don't know what you're getting yourself into."

She's right. For all you knew, her idea of fun could include a knife and a casket. But you couldn't bring yourself to care, not when she's looking at you like that. 

"I don't care," you say, your voice hoarse. "Do whatever you want with me."

The corners of her lips curl upwards, and her eyes twinkle with mischief.  "Okay," she whispers, her voice soft and sweet.

She leans forward, her lips ghosting yours. You hold your breath, anticipating her next move. Her hand moves up to cup your cheek, her thumb rubbing small circles on your skin that send a tingle down your spine. You lean into the touch, and her smile widens. She tilts her head to the side, and presses a kiss to the corner of your lips. The contact is soft, tender, and sweet. Her lips are warm, and the touch is brief, but enough to ignite the flames within your veins. You gasp, moving your head to try to capture her lips with yours, and she chuckles, pulling away.

"You're so impatient," she says, her eyes gleaming. "Desperate, even."

Embarrassment creeps up on you, and you flush, averting your gaze. She laughs again, and grabs your chin, forcing you to look at her.

"Don't hide from me," she whispers, her voice soft. "There's nothing wrong with wanting something."

With her words, the fire within you flares, and the embers within your belly burst into an inferno. Your whole body is burning, yearning, and you can't help the sigh that escapes your throat. She hums, staring at you with her piercing gaze. You've never felt this exposed, so vulnerable, so completely bare in front of another person, and you are still partially clothed. She seems to be studying you, taking in every detail, memorizing the expressions on your face. She's looking at you like you're prey, a feast, and it should scare you, should make you tremble, but it doesn't.

"Kiss me," you murmur, and she obeys.

You let out a small gasp, and her lips curve into a smile against yours as you make contact. Your eyes flutter shut, and the warmth of her mouth almost sends you spiraling. The feeling is electric, like a bolt of lightning, and it sets every nerve ending within your body alight. Her tongue glides along your bottom lip, and you part them willingly, allowing her all of the access she desires. Her tongue is warm, and wet, and her kisses are intoxicating. She tastes sweet, like strawberries and vanilla, and you can't help but moan.

She pulls away, prompting an involuntary whimper from you."Is this what you wanted, y/n?"

"Yes—uh," you stop yourself, realizing that you still don't know her name. 

"Bada," she supplies, as if reading your mind. She places a hand on your chest, and gently pushes you back onto the bed, her gaze locked on yours. You fall onto the mattress, your eyes wide.

"Bada," you repeat softly, tasting the name on your lips. Pretty. 

She smiles and slips the blankets off of you. The cool air hits your skin, sending goosebumps along your arms and legs. You suck in a sharp breath, and her eyes rake over you, drinking in the sight.

"Beautiful," she whispers, her fingers tracing up your thigh. 

She leans down to press a gentle kiss on your jaw. Her lips travel down your neck, and she bites at the sensitive skin, hard. A moan slips from your mouth, and she sucks and licks at the spot, soothing the sting. Her hand trails up the inside of your thigh, and her fingertips graze the band of your underwear. You arch your back, yearning for her touch.

"Please," you whimper again, and she giggles. 

"At least you're polite," she says, biting down on your neck again. 

Her teeth scrape against your skin, and you gasp, grabbing a fistful of her hair. You pull her closer, desperate to remove any shred of distance between the two of you. She groans, her nails digging into your thigh, her touch searing hot. She sucks at the tender skin below your collarbone, and you whine, heat pooling between your legs. It was a little humiliating, getting so worked up despite the fact that she's barely done anything, but it was hard not to when she's touching as if she wants nothing more than to devour you. 

"So impatient," she purrs, her eyes gleaming. "So needy."

She kisses the mark she made on your neck, and you squirm, the pressure between your thighs growing. 

Her fingers move higher, ghosting over your underwear, and you writhe under her touch, letting out a frustrated groan. She pulls away, a smirk on her lips.

"Something wrong?"

"You're fucking with me," you hiss, and she laughs out loud. 

"Your impatience is cute," she says, her fingers brushing against the sensitive skin on your neck, pausing where your heartbeat pulsed, right beneath your jaw. "Can't help it." 

You watch as she moves her hand away from your neck, back to your underwear. Her fingers slip under the band of your panties, already dark and wet, and she runs them through your folds, spreading your already abundant slickness.  You couldn't stand that you were so clearly proving her point about how needy you were, giving her more to make fun of you about, but how could you not be? It's been too long. and you don't know if it's ever felt this good this early on.  

Your head falls back onto the pillow, and your hands clutch at the sheets, desperate for purchase. The feeling of her thumb brushing against your clit makes your hips buck up, and she pulls away to pull down your panties.

You shiver, the cool air hitting your exposed skin. She grabs your thighs, spreading them apart, and the anticipation nearly kills you on the spot.

"So pretty," she says, her voice filled with wonder.

She looks up at you, her eyes darker than before. She holds your gaze, and without breaking eye contact, ducks her head, and swipes her tongue along your slit.

A moan escapes your lips, and your back arches, your fingers threading through her hair. Her tongue moves in circles, and you feel her hands grasp at your thighs as you inadvertently try shut them close around her head. She spreads them further apart, and presses her mouth against your center, sucking on the bundle of nerves.

"F—fuck," you moan, your head thrown back, eyes shut.

She moans into you, the vibrations causing pleasure to erupt inside of you. You grip the sheets, the fabric crumpling underneath your fingers. She pulls away, and your eyes fly open, only to meet her intense gaze.

"Watch me," she whispers, her voice husky.

Your eyes snap to her face, and she smiles, her fingers trailing down your stomach. You squirm under her touch, and she grips your thighs, her eyes locked on yours. Her staring does something to you, makes the goosebumps rise on your skin, a funny feeling arise in your stomach. She presses her lips against the inside of your thigh, her eyes not leaving yours.

She slips a finger inside of you, and you gasp, the sudden intrusion causing a wave of pleasure to wash over your body. She curls her finger, and you arch your back, the friction driving you crazy.

"That's it," she purrs, adding another finger.

You throw your head back, moaning as she begins to thrust her fingers, moving in a steady rhythm. You clench around her fingers, and her eyes widen, a mischievous glint shining in her irises. You bite your lip, the pressure building, and she smirks, increasing the pace of her movements. She crooks her fingers, hitting a sensitive spot inside of you. 

"Fuck," you cry out, and her lips curl upwards, pleased.

She leans forward, her lips capturing yours, her tongue invading your mouth. She swallows your moans, and you can feel her smiling against your lips. She pulls away, and rests her forehead against yours, her dark eyes boring into yours.

"Are you going to come for me, y/n?"

"Y-yes," you whimper, and she laughs, her hot breath fanning against your cheek.

She thrusts her fingers faster, and her thumb rubs against your clit, sending waves of pleasure throughout your body. Your breaths come out short and quick, and your head spins, the room spinning.

"Come on," she whispers, her voice low and sultry.

The pressure builds, and you can feel the edge coming. You gasp, your eyes shut, and your whole body tenses up, the pleasure rippling through your body. You let out a string of curses, and she slows her movements, riding out the aftershocks. 

"That's it," she murmurs, her fingers leaving your core.

She trails her fingers up your torso, and leans down, her lips hovering above yours.  

"Open up," she commands, her voice taking on a deeper cadence that makes you immediately obey. She pushes her fingers inside of your mouth, and your tongue dances around her digits, tasting yourself, a musky flavor that leaves you feeling lightheaded. She hums and removes her fingers, a trail of saliva connecting her digits to your mouth.

"Good." she whispers, her breath tickling your cheek.

Your eyes flutter shut, and your head spins. You're exhausted, and you almost feel as if you're about to pass out, but her praise and proximity sends a thrill through you, your heart fluttering at her words. She presses another soft kiss to your lips, allowing you to taste yourself on her tongue. She pulls away, a lazy smile on her face. 

Through your exhaustion, you manage to meet her gaze again, and you nearly gasp. Her pupils had swollen, the dark brown of her eyes merely a slim ring around a black void, devoid of any color. You swallow hard, a slight panic rising within you as you suddenly remembering the reality of the predicament you're in. Or, was it even reality? 

"W—what's happening?" you stutter, the words tumbling from your mouth.

She grins, and you realize for the first time that her teeth are razor sharp, looking as if they could tear your flesh to shreds.

"I'm taking care of you, that's what's happening, silly." she says, her voice taking on a sing-songy quality. Her hand trails down your side. "And I'm not quite finished, yet."

She leans down and captures your lips in another kiss so rough that it nearly bruises. You're still dizzy, the blood pumping through your veins, and your head still feels as if it's full of cotton. As soon as her hands meet your skin, your exhaustion and worry disappear, replaced by euphoria. She reaches under your shirt, her fingers dancing along your torso, and you moan, your mind foggy. You can't help the small sounds that escape from your lips as she touches you, her fingers tracing every curve, every angle, committing every inch of your body to memory. Soon, your top is tossed to the side, and her hands are exploring your bare skin. Her fingers run up your spine, and you shiver, goosebumps forming. She pulls away, and a whine falls from your lips, a sound that causes her to laugh.

"So easy to please," she teases.

"Sh-shut up," you protest weakly. 

Suddenly, she grabs you by the waist, pulling you into her lap with an ease that catches you off guard. You're stunned into silence, and she wraps her arms around you, enveloping you in a tight embrace. You let out a yelp, and her nails dig into your skin, the sting making you bite back a groan. She places her chin on top of your shoulder, and her hands move lower, settling on your hips. She squeezes and forces your hips into a grind, her thigh meeting the apex of your legs. Your eyes flutter shut, a wave of heat pooling between your legs, a warmth filling the pit of your stomach, a small moan escaping your lips. She chuckles, her breath tickling the back of your neck.

"Fuck," you choke out, the embarrassment clear in your tone as you continue to your center against the smooth skin of her thigh.

"You're funny," she murmurs with a smile, and presses a kiss on your cheek. 

A blush creeps onto your cheeks, and you hide your face, burying it into her neck. You inhale deeply, her scent filling your nose. She still smells so sweet, like dessert, and you want to lick her, devour her, but instead, you press your lips to her skin, and she moans, gripping your hips hard enough to leave a mark.

"God, you're so beautiful," she whispers, her nails digging into your hips. "So, so pretty."

You moan, the heat between your legs intensifying. Her words go straight to your core, and you can't help the small, high-pitched whine that leaves your mouth, a sound you'd be ashamed of if not for the fact that you can't think, can't focus, can't even process her words.

One of her hands slips around your waist, grabbing at the bare flesh of your ass. Your breath hitches, and she pulls you closer, her mouth finding the spot on your neck that drives you wild. Her teeth scrape against your skin, and her tongue laps at the hollow of your collarbone, the sensation eliciting a loud moan. You tilt your head, allowing her access, and her mouth moves downward, to your breast, her tongue circling one of your nipples. Your eyes squeeze shut, the tension in your abdomen mounting. It was overstimulating, her thighs, the way her tongue felt against you, the way her fingers squeezed at the flesh of your ass, the way her hands explored the planes of your body, and it was all too much. 

"I'm gonna—" you start, and her hand moves between your legs, pressing her fingers against your throbbing clit. 

You let out a cry, the orgasm hitting you hard, the intensity somehow stronger than before. Her fingers slide easily against you, and you clench around her, the waves of pleasure washing over your body.

She lets out a soft sigh, and she pulls away, her black eyes meeting yours. You don't care enough to feel frightened this time though, being so flooded with exhaustion that you collapse back onto the bed, barely able to keep your eyes open. Sharp, short breaths escape from your lips, and a numbness starts to spread throughout your limbs, a strange calm settling over your body that you've never felt before. Somewhere in the back of your brain, alarm bells are going off, but they're drowned out by a heavy sleepiness that takes over you. 

"Go back to sleep, Y/N." she says, her voice distant, muffled. "It's alright."

You can feel the weight of the world bearing down on your shoulders, and the bags under your eyes seem to grow heavier and darker with every passing second. It has been a very long time since you were last able to sleep properly. You wanted to talk to Bada more, but you can feel yourself beginning to lose control, your mind going blank and your muscles becoming weak. 

"Bada..." you mumble, her name rolling off your tongue.

Before you can further speak, the darkness seeps into your mind, and you allow yourself to succumb. But, the feeling that accompanies you into sleep is an uneasy one, a cold sensation wrapping itself around your body like a snake squeezing the life out of its prey. 

"Good night," Bada whispers, the words echoing in the darkness, the sound fading into nothingness. 

[tgmsunmontue]

Positivity post... and a thank you.

I took this photo on a walk this other morning and intended to send it to a whole bunch of people in their Ask boxes, as a thank you for being amazing/friendly/wonderful/talented etc. And I started making a list of the people and it got above 10, then 20 and then 30, then 40.

I was like 😧 it will take me ALL WEEKEND to send everyone the personalised messages I want to send. So I am doing just one big shout out post.

🌻🌻🌻THANK YOU 🌻🌻🌻

Thank you to those who send me asks - thank you, I don't ignore them on purpose. I usually find them again weeks later and feel awful for forgetting about them. 🌻

Thank you to those of you who tag me in things - the fandom community needs this and it's lovely to see this slowly coming back. Never feel bad or hold back from tagging me - I might forget to do it, or the notification will get lost, but I appreciate it all regardless. 🌻

Thank you to those who engage with what to write weekend posts and send in requests. It helps keeps me focussed and on task - writing for others is always an added motivation. 🌻

Thank you to those who go on reading sprees, leaving a column of your username in my notifications. 🌻

Thank you for all the likes likes and reblogs and replies to posts on fics. 🌻

Thank you to those who go the extra mile and also then kudos and comment on AO3 when the fic is posted there. 🌻

Thank you for drawing fanart of my fics. It still blows me away that this is something that has even happened because HOLY SHIT. 🌻

Thank you for letting me take your ideas and turn them into long fics. 🌻

Thank you for making art and allowing people to base fics off it. 🌻

Thank you for letting me get to know some of you better and ramble at you at all hours of the day and night. 🌻

Thank you for supporting me as I got back into drawing after a 25+ year hiatus. Trying to learn something again that you used to be decent at is an entirely new level of frustration and your grace, humour and advice has been truly appreciated. 🌻

As I get older I try and remember to appreciate the smaller things in life and everything above is something that makes me smile and feel grateful. So thank you again. 🌻

Tagging the people who I was hoping to send a personalised message to this weekend. I hope this suffices instead. 🌻🌻🌻

@phisworld14 @redfurrycat @halestrom @catarina4057 @almostkeenchaos @nixie-deangel @archhis @starfata @tothepayne @celandinebergerac @erudite-raven-apollokid @crooked-jes @nimuetheseawitch @lunamazes @omletlove @mxrcusflint @philcoulson-redtapeninja @iprefervillains @k9effect @yeagrave @the-ace-with-spades @indybob @gwaihiril @beezelarts @themissingmango @jayjay-thejet-plane @bigspoonlttlespoon @film-in-my-soul @jakekazansky @xiaokuer-schmetterling @poetryandpickles @demichrising @sweetcherryflavour @daughterofscotland @flyingfightingfishy @jayjay-plus @karlmschwartz @lucyybradford @spookybibi @ultimate-shipper @dancinginlifeandpoetry @nevergettingoverit @thyknife @sleepy-hyperfixations @oneelleandaneye @needforspeed161 @torchflies @accio-lo-ki @queeredfortakeoff851 @stellarskyes @intrepidjourneys

(This isn't even an exhaustive list, but it was off the top of my head and I know I have yet to get to know some people as I slowly work my way through reading catalogues of people's fics.)

[vyl3tpwny]

genuine question: why is genesis so low on ur topsters?

also, if you can: could i hear why hawaii: part ii is rated 3.5 on ur rateyourmusic? (as opposed to like. anything higher)

(p. s. your music inspires me to be the sincerest version of myself, and for that i thank you. the impact you've had on my life is unforgettable.)

genesis isn't rated low. my number one album of all time is genesis' "the lamb lies down on broadway", for about 16 years running. my topster is organized by relative colour, it's not perfect but it just looks nice!

—

when it comes to talking about music, what i like and like about it, almost 100% of the time i NEVER want to discourage people, talk down to artists, or claim my opinion as fact. the only time i will actively talk down about art is if it's purposefully harmful (see artists like: Tom Macdonald, etc).

with that said, music by miracle musical - and by extension tally hall - often does this thing where there are a handful of really impressive, well written songs that just blow me away. but then the rest of the album outside of those handful of songs are either just ok/catchy or don't interest me very much. the tally hall gang's highs are very high, and equally their lows are just sort of pace-killers for the albums.

it's dynamics like these that prevent me from liking some of my other albums for similar problems! i think albums like queen of misfits and glitter are bogged down by an absurd amount of boring filler that could have just been left out or reworked to be more interesting, it makes it hard to ever listen to those albums front to back. ironically i don't feel that way about fairytails, my 40-song long ass album, almost everything in it still feels rather purposeful to me. i listen to my own music a lot, and once i've finished a project i tend to try and listen to it and enjoy it from an audience perspective rather than an artist one.

while i'm on the topic, i don't necessarily agree with even rating hawaii pt. ii 3.5 because in the past few years i've completely lost interest in the idea of weighing albums by arbitrary scores. nowadays i like to just give 4-5's to albums i like and then ignore anything else. it doesn't really make sense to me to assign a number score to something with good faith, other than to show that score to other people. interfacing with art is not a black and white process. despite the so-called 3.5/5.0 score i gave hawaii pt. ii whenever that was, the reality is that record has influenced me and i've enjoyed it. honestly that's what matters the most. we can sit here and talk album dynamics, technicalities, compositional proficiency, lyric profundity, and """""consistency"""""" (which is a word music critics love to throw around without actually realizing what the fuck they're talking about) all day, but what matters the most is:

Did you like the music? (Yes/No)

Did it inspire you in some way? (Yes/No) [Optional]

Does it seek to do harm? (Yes/No)

Do you respect the efforts and goals of the artist? (Yes/No) [Should always be the inverse of Question 3; i.e; if you answer No to 3, then you should answer Yes to 4]

honestly if you answer yes, yes, no, yes, then it's a good album. i really don't care. not every piece of art has to push the envelope to new heights and be the most innovative thing in the world - i mean wouldn't that be extremely fatiguing and overwhelming? everyone wants to be a critic and tear down shit that doesn't click with them within the first viewing/listen these days, i don't know why, it's probably an ego thing, bred by the echo chambers in the corners of the internet. but a lot of music criticism can be COMPLETELY discarded in favour of "this just isn't for me", and a lot of people go leaps and bounds, doing mental gymnastics over internal compensations, to just avoid saying the dreaded phrase of "this just isn't for me".

trust me, i'm someone who has immense experience with tearing other people down to compensate for my internal insecurities, it happens extremely often which is why a lot of art criticism makes ZERO fucking sense. it's never about making meaningful commentary about anything, it's always just trying to justify in the format of a dissertation - the subjective experience of "this just isn't for me".

so. do i like hawaii pt. ii? yep. is it a perfect album? no. why did i rate it 3.5? probably because at the time i wanted someone somewhere to perceive me as Very Articulated and Well Educated In The Realm of Discussing Art In Front of Other People, in Order to Appear Superior in Intellect and Refined in Taste, Because I'm Insecure Just Like Everyone Else.

[olderthannetfic]

It might just be me, but a lot of tone indicators, especially the weirder ones that are harder to guess, come off like they're making fun of me for not being that great with tone.

-- same anon Like, I thought that was the point at first. When I first started seeing tone tags I thought people were mocking autistics for needing clarification. I thought the joke was "who needs someone to come out and tell them that "I like your art" is positive? Isn't it funny how weird and dumb autistic people are for misreading tone?"

I think they're often meant as either condescending white knighting (generally without the person realizing that's the tenor of their thoughts) or they're genuinely being used by autistic people... but in that "If only we sorted all the things into tidy boxes! No one would ever misunderstand again!" way.

Sadly, no amount of clarifying or putting things in little boxes will solve the fact that language is ambiguous.

People don't always know what tone they want to convey or what they're feeling in the first place. Even when they do know, if they write something very poorly and most people would agree it conveys some other tone, they don't get to go "No, I meant X and not Y!" and have everyone ignore what they actually wrote.

Sometimes, a level of ambiguity is intentional and desirable. I don't mean for the purpose of confusing autistic people on purpose like a troll. I mean that a level of ambiguity is part of art and part of how a lot of people communicate.

And sometimes, people just misread one. Maybe they're bad at reading comprehension. Maybe they haven't had their morning coffee. Maybe one wrote something poorly. Maybe it's just a culture clash. The reality is that somebody is going to misunderstand, and that's life.

I often see "This one hack will solve [interpersonal thing] forever!" and it's always nonsense. People and language are messy. The end.

--

For my money, "Only half joking", "genuine question", etc. are perfectly natural phrasings and can just be written out in conventional sentences. (And if a platform doesn't have a long enough post length for that, then it probably sucks anyway and is full of people misunderstanding each other and screaming at each other.) I don't mind "/sarcasm", but I don't think most of the "/" notation is useful, and I dislike "/" + abbreviation.

My least favorite is "/pos", and it's not even for the piece of shit/point of sale issue. The problem, to me, is that this tends to be used in contexts where the person is saying something obviously hostile and rude and then going "tee hee, you aren't allowed to read it negatively". The sentence needs a rephrase if it's supposed to be positive. No amount of tagging it is going to help.

[some-pers0n]

Demoman is one of the characters in the fandom I feel most people straight up ignore or don't know how to write. Blunt, sure, but I do stand by it. Demoman is such a fascinating, intriguing character with the most fleshed-out backstories, yet is oftentimes relegated to being Soldier 2.0, only now with poorly written phonetics.

In other words, hey! I'm a fanfic writer who has a ton of opinions as well as a neurotic need to analyze every character they come into contact with. Pleased to see you're reading this. I've already done a little doohickey essay like this with Medic a while back. The purpose of these long rambles is half of me combing through every instance of the character and pulling them apart to see how their character works...and also me not-so-subtly venting and complaining about mischaracterization. Shocking how a fandom where the main characters are all very clear-cut stereotypes with some slight subversions here and there can't seem to get them.

This essay will go through Demo's beginning and all the way to his latest appearance in the 6th comic. I'll touch on how his character shifts and is expanded upon. I doubt he changes as much as Medic has over the years, but I think it will be interesting to see. I'll just go over bits of characterization, try to rationalize it, and then try my best to sum up all of the traits by the end and try to describe his character in the most canon-compliant way.

With that preamble out of the way, let's begin. This is also 7k words btw just...be aware of that, okay?

Before we actually get into proper character stuff, I wanna lay the groundwork first by exploring the types of characterization I see from Demo. Pick them apart. See what they're really like.

So, of course, there's the popular Redditor opinion of Demo that's mainly shaped by the way people play him in the game. There, people will describe Demo as being generally a bumbling drunkard. It's not too uncommon to see people say that he's an angry drunk. A man who is more concerned with alcohol and drinking himself into a stupor than anything else. I've also seen people say that Demo straight up can't read, which...euhhhhggg. He feels more like an alternative version of Soldier at times, which, again, isn't accurate to his character.

I don't care at all for this characterization. I do think a good chunk is rooted in racism and it's generally very uncomfortable for me to look at for too long. This characterization is pretty shallow and empty, which makes for a boring and offensive caricature. Reddit moment.

The second one is more interesting and the version you'll see more on Tumblr. It's this...odd version of him. I can't exactly put my tongue on what is off about it. It seems more accurate to his character. He's a foil for Soldier a lot of the time (Boots n' Bombs is his most popular ship let's be real) and generally isn't exactly seen on his own. Sure yeah there's the oddball art of him and him only, but let's be real most of his tag is mainly just him being in the background or saying a jokey-joke.

I actually fell back into Ao3 for a bit to skim over some fics to see what kind of characterization there was of Demo there to refresh my memory, and some of the common throughlines was shockingly that he doesn't drink a lot. "He rarely drinks!" I remember reading once. That's not right, no. He's an alcoholic. Like that's a core part of his character. Another fic had him being called "Cyclops" as a pet name. Ew. Anywho, other than that it's Demo being pretty into cryptids, having the Eyelander as a buddy guy, etc and etc. It's fun, but also it's missing...something.

Then, it hit me: Demo rarely is seen as an individual. He reminds me of Heavy in that regard, where most of his appearances have him be the straight-man to another character. Most of the time he's secondary and just a folly for the other characters. It's disappointing in that regard. Like you see a lot more stuff for characters like Scout, Medic, etc and etc with their own unique characterization stuff and getting their own attention.

So...then what is Demoman's character, exactly? Well, that's what we're here to see. It'll be pretty interesting, no?

----

So, funny thing is that Demo didn't change nearly as much as Medic has over the years. Sure yeah, the concept art of Demo was more of the generic stereotypical Scotsman. White, ginger, sideburns, that whole thing. Cartoony and fun design, but eventually they went with the Demo we all know and love today.

Looking at the concept art, it all seems pretty standard for the tone that Invasion was going for at the time. Nothing really to note there other than Demo's face being a stock angry grr grr expression. It is interesting to see how the idea of him wearing an eye was a constant even from the beginning though.

This then brings us to the voicelines. Ahh, good ol' characterization. Demo here is characterized as being jovial and having fun. He's throwing out insults left and right, damning them to hell and laughing at them as they die. Usual typical mercenary stuff. This is just personal headcanon material, but I always rationalize the way the mercs act on the battlefield as being a result from adrenaline and generally being drunk on blood. They aren't as mean when off the clock, but it's worth noting that these are how these characters act when a gun's in their hands and they're exploding people left and right.

TF2 really likes basing the characters off of the class they play as and how they act. Scout is fast moving and his gameplay is oftentimes getting right in someone's face and bolting, which is reflective in his hotshot personality. It's only reasonable that Demo is an explosive, fun, and generally cocky guy when out and battling. He's lobbing grenades and sticky bombs left and right. He isn't afraid to yell to the Medic he just blew up that he's been shagging his wife and calling the Scout he just chopped the head off "twinkle-toes". He teases and such when it comes to the other team.

However, the voicelines also very curiously give us a really fascinating look into his character. He's an alcoholic. He loves his scrumpy, which is not whiskey, shockingly. I thought it was whiskey for the longest time, but no! It's a cider! His stock melee is the bottle he uses to drink, now turning it into a quick weapon. His model in the main menu is him holding up the bottle itself. His default melee taunt is him taking a swig from the scrumpy bottle. It's a core part of his identity, let's be real. It's a part of the whole Scottish stereotype he has going on.

The game of course follows this. There's a lot of lines where he's slurring and babbling in a cartoony drunken way. A good portion of it is just him making vague threats...but a lot of it is also sad. He calls himself a one-eyed bloody monster. He weeps and cries. When jeering, he says he's hit rock bottom here. Interesting new development.

Apologizes for pausing to ramble, but I don't get why people try and sand down the edges to Demoman's character by making him out as though he isn't an addict. He is. That's something that is made abundantly clear. The iconography of alcohol follows him like his own damn shadow. I dunno. It bothers me.

I digress. There's some other bonus stuff I think is quite interesting. Most of his battle charges involve the other team. "Let's gettem lads!" and all. I think it's neat how he views his teammates as just that. Teammates. Those he fights alongside with. Another thing of note is how he occasionally has lines that are...odd in a way. Poetic and dramatic. Something that subverts the typical characterization. When he loses at rock paper scissors, there's a chance he'll say "Oh, 'tis a dark day", which. well then okay buddy.

So to recap: for characterization in-game, Demo is an alcoholic Scotsman who is generally pretty witty and functioning despite the incredible amounts of booze he drinks. He is energetic, bombastic, and generally hearty and having fun. He's not taking things terribly seriously and is generally just going about and blowing stuff up. However, there is a very noticeable streak of sadness to his character. When drinking, he reveals undertones of self-deprecation and hatred. Why? How?

...well, you just need to take a gander at his character card.

Erm excuse me what the fuck.

I honestly do not understand the logic behind this backstory. Like in a practical sense. Like, yeah!! obviously this backstory is sad and such! I really actually like this backstory and honestly I love writing him in the context that this happened to him. It's just that...I can't wrap my head around the idea of this being Demo's backstory given that everyone else has pretty silly little blurbs here. I think the darkest it gets is Soldier going to Germany years after WWII ended to kill people.

This??? Sure yeah TF2 gets a lot sillier and more cartoony comedic as time goes on, but even with the current tone where is the funny? I ain't complaining, I love me my angst, but this is so jarring to see. I suppose that explains why they retcon it later, but I'm getting ahead of myself.

Hey, at least it gives us an explanation to why Demo is sad. We can pretty easily gleam a reason for his current behaviour in the game from this: his messed up childhood. To begin, Tavish Finnegan DeGroot was abandoned by his parents and left to live in an orphanage. Eventually, he was adopted and brought up by some foster parents, who he then murdered in an attempt to blow up the Loch Ness monster. This was when he was six years old. Actual child. 

He then went back into the orphanage, where he would tinker with bombs. Why? Insert whatever headcanon here, but for me I think it's a feeling of fascination, yet also heavy guilt. Perhaps revenge. Either way, he loses his eye from these experiments. Eventually however, he's brought back into the family when word spreads of his excellence when it comes to manufacturing bombs. The use of the word "lovingly" feels exceptionally sarcastic, but that could be in part to how his parents are later characterized. Either way, this is a result of the DeGroot tradition, which, and I quote, is wholly unnecessary and cruel. It even cites it as him being reintroduced into his family as the "end of his unhappy childhood".

...so yeah. Pretty safe to say the reason for his alcoholism is to cope with that. He feels the guilt over that and will breakdown into sobs over it even. Yikeesss... It can also mean that he feels as though he's held up to incredibly high expectations, having the entire DeGroot family lineage to live up to. Again, later on he's being nagged at for not being as hard-working as his father, who, in good ol' TF2 fashion, blew up the Queen for a nickel. It does certainly feel that way, no?

So this introduces a new wrinkle to Demoman's current characterization: he's an alcoholic who is happy and has an upbeat and fun personality (at least on the battlefield), but underneath it he's hurting and feels ashamed of who he is. He drinks to cope and manage it, yet it only seems to exasperate problems at times.

Can I safely say that Demo is the merc with the most fascinating and intriguing backstory and personality thus far? Sure yeah I love Engie a lot as well, but Demo's character actually feels like it is a result of the backstory written for him. Like all of the other mercs sure you can go on and on about stuff with them, like Scout and Spy and their whole deal, Sniper and his parents, everything with Heavy, etc. Demo?? Right off the bat there's something to chew on in terms of actual character writing.

What an interesting character! I sure hope later installations of the story will follow through on this and give him ample screentime!

Anywho, time for the Meet the Demo video. Again, a departure from the Meet the Medic video and how I rambled on and on about that one, but it was mainly due to MtM being something to mark a drastic shift in Medic's character from serious and angry to more silly and mad scientist-esque. Meet the Demo, due to it being one of the Meet the Team videos made so early on, doesn't really get the benefit of a short with a story, but I digress.

This one is stylized more like an interview, which, in canon, means he's telling this all to The Director and all. It opens with the title screen before the horns section seep in, cutting to a clip of Demo running while explosions go off behind him. A freeze frame cut before a voice-over of Demo comes on with the iconic line "What makes me a good Demoman? If I were a bad Demoman, I wouldn't be here discussing it with you, now would I!?"

Okay so just more confirmation and all of Demo's personality in-game. According to his bio, he has a short temper and all, which could explain him getting louder when asked that question. I don't think it's a joke or him exaggerating, since he seems genuinely pretty upset by the suggestion. He would have to be good at his job in order to be telling you this, yeah? Why even bother asking? It's an interesting bit of characterization that somewhat expands on that short temper.

More generic footage of him running about while explosions go off before coming back to the interview of him explaining a bomb in its simplest form. "One crossed wire, a wayward pinch of potassium chlorate, one errant twitch... and kablewie!!" Seems like filler dialogue, but I always like taking note of the fact he uses the chemical compound term as opposed to something more colloquial. It's just headcanons, but I really enjoy thinking that Demo is pretty damn smart and really gifted when it comes to making bombs and general chemistry. It's a clear passion and love of his and I like touching on it when I can.

The next couple seconds are shots between him taking a good swig of his scrumpy and then blowing up a level three sentry. It's just showing off his capabilities as a class. Nothing special (other than being cool and showing he's competent at his job). The real interesting part is his breakdown where he's on the verge of tears, exasperatingly telling the camera that he's...off. He knows it. There's not too many black Scotsmen, especially ones with a busted eye. "They've got more fucking sea monsters in the great Loch Ness than they got the likes of me" he says.

But, he perks up! He talks over a clip of him baiting a group of BLU mercs into a sticky trap. The voiceover is also really fascinating here. The way Demo talks reminds me something out of an Aesop fable. It's a very curious and fascinating way of talking. I wish this bit of characterization stuck around since it's pretty fun. "Come and get me I say! I'll be waiting on ya with a whiff of the ol' brimstone. I'm a grim bloody fable...with an unhappy bloody end!" is really cool.

The video ends with him taunting the mangled corpses followed by a rendition of the main theme with bagpipes. I should probably also mention Drunken Pipe Bomb, his theme song. It's an upbeat and fun piece with a mixture of the typical TF2 sounds (funky jazzy drums and bass guitar) as well as a Celtic flair, what with bagpipes, whistles, etc and etc. There's also a kickass surf rock section. It's quite the battle theme and definitely reflects a lot of Demo's character as being an energetic, explosive type of character who is proud of his Scottish roots.

So that's pretty much it for SFM bits for now. How about we take a step back and look at the first-ever actual TF2 comic: WAR!, where Demo really gets a big break for his characterization. We don't care about the Saxton Hale or Jarate ones. WAR! my beloved...

But first, the actual WAR! update. It was the sixth major content update released back in 2009. Remember when this game got actual content updates? Me neither. The update was based around the rivalry between the RED Demo and the BLU Soldier to excuse why they were adding new items for the both of them, with Soldier in the end winning the little contest and getting the Gunboats.

For canon lore, the update serves to introduce the idea that the RED Demo and BLU Soldier had a comradery at first. Friends! Interesting piece of characterization to have Demo explicitly go against RED and become friends with Soldier. The two of them do bounce off of each other quite well when they're paired up, I will say. They're both heavy-hitters in terms of gameplay and their personalities are quite loud at times.

For added voicelines, there's a bunch of the Administrator denouncing their friendship as well as domination lines for both Solly and Demo whenever they kill each other. Demo pretends he hates Soldier, but asks if he's okay, tells him that he loves him, and generally is like "but we're still friends though, aye? :]" He does care a lot about their friendship, which is pretty sweet and cute. Sure hope that lasts.

In the WAR! comic, we see Demo in a mansion. He's loaded! It's also confirmation that the mercs are given quite a lot of money, but apparently not enough for Demo's mother. She's nagging him about not working and saying that he should be ashamed for being so lazy, to which he rebuttals, saying he has three jobs and has made millions annually. Apparently not enough for his mother, since Demo's father worked twenty-six jobs.

She also brings up an interesting piece of information. "No demoman worth his sulfur ever had an eye in his head past thirty!" which implies that missing an eye is a family tradition to lose your eyes when working this job. Would this also imply that Demo is not thirty by this point, since he still has the one eye? Eh, whatever. 

Demo taking care of his mom in this old, nagging state is pretty neat characterization, as well as him holding down two other jobs besides mercenary work for RED. He's very capable and talented! He's also extremely caring and sweet. Even when his mum is complaining and griping about him not living up to his father, he gets her tea and takes care of her. He does respond with a lot of "I know mum" when it comes to that. He's heard it all before. She keeps saying the same stuff. I like thinking he knows fully well he can't live up to the extreme work ethic his father had or truly impress his parents and is pretty bummed out about it, but that's just headcanons.

Anywho, Pauling's there. She's there because the Administrator wants to break up the friendship between Demo and the BLU Soldier and instead have them be pitted against each other. While Soldier needs to be tricked and insulted by Demo and told that he's a civilian (something that he hates apparently), Demo is more coerced and convinced.

He's still loyal to their friendship, but, aye, there's something different about that sword there. Here's an interesting bit of characterization: Demo being a sword guy. There's a lot of medieval stuff relating to Demo, what with DeGroot's Keep, the Eyelander, his general way of speaking at times, etc and etc. It's fun and I think he takes great interest in medieval-period stuff, but, again, headcanons.

Demo feels conflicted. How could she make him choose between his best friend and this cool ass sword?? He doesn't give an answer, but Miss Pauling further pushes him to choose violence when leaving even more stuff for him as well as telling him that Soldier said that he'll join the fight. It's then assumed that Demo agrees by that point.

It's interesting to compare and contrast Demo and Soldier. Soldier, despite hearing all of these mean things, still wants to be friends with Demo. It's until "Demo" calls him a civilian, something personal and sensitive to him, is when he decides to betray him. Demo meanwhile is more swayed by things that he loves, but the final push is that betrayal. He only acts when he's finally told that their friendship has been severed. Curious how their loyalty is strong in those ways.

...I should probably sometime mention the actual retconning of his backstory however. Hoouhhh boy let's go. So, for the 2011 Halloween update, there was a comic alongside it. This comic had some cute gags, like Heavy giving a little boy he scared seven grand. However, the main attraction is the rewritten backstory for Demo.

I mentioned earlier, but I honestly can't blame them for maybe trying another crack at a Demo backstory that isn't as bleak and miserable. I do really like the original one because I'm a sucker for angst, but this backstory does work a lot better tonally when you're just trying to write some goofy stuff, especially if it involves Merasmus at some point.

The story retcons the whole thing and seemingly makes it so that Demo has always been with his parents and the reason he lost his eye was not because of some brutal accident but rather a currrseeee ooohhhh spookyyy. He's hired by Merasmus to sweep up the place a bit, with him being exceptionally clear to young Tav to not touch any of the accursed tomes. He does, of course. Nothing too much in terms of characterization. It's more just saying "Hey Demo's eye is cursed and that's why he lost it but! hey! it comes back once every Halloween!!"

Again, I can't really knock this version of events. They're simple, but goofy and fun. It's all up to whatever you're trying to accomplish with Demo methinks. If you want silly and whimsical stories, you can have that backstory. If you want gut-wrenching angst, probably should take the initial one.

Aanndd that's virtually it for Demo being important. Demo doesn't get too much plot relevance later on. He's just kinda done with. He shows up in Expiration Date for a quick gag where he returns with a bunch of beer, shouting and cheering while being unaware of how they all just learned they're going to die in three days. He then shows up again during the bucket scene and doesn't do much other than mouthing somethin' (I can't tell you want tbh). A new thing is that he plays piano! That's fun! He then kinda watches Scout try and ask out Pauling and he yells for him to describe what she looks like, which is just what Demo currently sees her as (drunk, blurry, etc). He then fights in the big battle yada yada and shows up at the end with the beer again.

The MVM trailer I suppose is a thing to be noted. Here, he's a BLU Soldier and is playing cards with the Soldier of the same team. Seems like regardless of teams, there's some sort of bond between the two of them. All that happens is that Demo is down to bust up robots with the rest of the RED mercs. Pretty much it.

It is quite unfortunate to see Demo relegated to a role so passive in the story and comics. I've mentioned it before, but I do have an ever so slight grudge against Soldier for taking up the majority of the screentime when it comes to the comics. Yeah, he's really fun to write about, I can't blame the writers for doing so, but also like...c'mon... In the end, we're left with a good chunk of the mercs being underdeveloped in exchange for a ton of Soldier trivia. Props if you like Solly though; your fave got the best treatment.

Ah, but still! Demo has some moments in the comics! Let's go through them! 

Uh. Upon checking most of the comics before the mainline ones, it appears he does not say even a single word. Or even show up in a good portion. Well that's disappointing. I thought he at least said like...one thing. The most he does in terms of characterization is put on a crown in A Fate Worse Than Chess, and even then that's just a silly cosmetic. Damn.

It's fine though! Because now we have the mainline comics! Hot damn finally some actual casual Demoman TF2 writing! Let's get a look and see what his normal usual personality is like! I wonder what fun shenanigans he's been up to.

The first time we see Demo he's babbling about his job being replaced by robots and looking utterly dishevelled and depressed.

Okay. That's...yeah pretty in line for his character thus far. An alcoholic who is struggling with some stuff and oftentimes will have a very vocal breakdown in front of others.

The way that he's characterized here is rather fascinating though, I'll say. He's depressed. From what we can glean, this is what his life has been like since the layoffs. He's gained weight (what with Soldier's very blunt "Hello fat Demoman!"), hasn't shaved, his clothes are dirty, and beer bottles are scattered in the living room. Even the Eyelander is like "dude you need to let it go" when Demo mumbles about robots replacing jobs. He's presumably lost his two other jobs and has just been laying on this couch, drinking booze and watching TV and nothing more, despite his mum's nagging.

This is a side of Demo we don't really see. Sure, yeah, we see the hot and tempered side (ex: Meet the Demoman and the general game) as well as the sad and weepy side, but it's never to this degree. Like full on depressive episode. Yikes. Sure yeah he gets dragged back into the plot and instantly gets back to himself (albeit more orange than actually black)(I keep forgetting how whitewashed Demo was in these first few comics), but it's played for laughs and gags.

What an interesting piece of characterization, no? I've seen a fair amount of major depressive disorder, BPD, PTSD, and or bipolar headcanons slapped onto Demo and tbh I can't blame them. I'd be really interested to see some fic explore that in greater detail. I'm too busy writing Engiemedic yaoi to do anything for now though. Womp womp.

The ending bit of the comic has Demo and Pauling mainly chat with each other. Oh yeah!! Demo and Pauling! They've got a couple pretty neat lines. For the usual contract it's just jokes about his alcoholism, his eye, and a couple about his mom and just general gags. In the Tough Break update, she's out drinking with Demo and nearly spills the beans about her job. Fun. I really like the Miss Pauling characterization where she regularly hangs out with the mercs. It's cute.

In the comics, she talks to Demo more like an actual equal than, say, Pyro or Soldier. She talks to them like they're children roughhousing in the backseat. Demo sits up front and the two go back and forth. Demo is the more mature and reasonable one here. Another thing that's a common bit of characterization in the comics is that Demo isn't...drunk. He's not slurring nor acting in a way that makes it immediately clear he's inebriated. He's pretty lucid. This can be from the fact that he's a very high-functioning alcoholic, but it also makes him out to be actually pretty all-there for most of the time. I've seen far too many fics where Demo is in a perpetual state of shitface drunk so that was a nice refresher.

Demo reappears in the second comic, where we get some pretty neat characterization. He's out on the town in disguise. I keep forgetting about that "What do you see?" "Not a damn thing. Let's switch places" gag that's so funny. Whatever. He is the voice of reason when it comes to Soldier. The straight-man character. He's not really...drunk here. He's not slurring his words nor is he exactly doing anything. He steps in front when Soldier starts yelling at an elderly woman, instead approaching her with a calm and kind demeanour. He holds Soldier back when he goes to strangle Scout for. I guess just being there.

So there's Demo when he's just doing stuff normally, I suppose. He's generally pretty level-headed, albeit because he's up there with Soldier. He's the Normal One when posed next to a guy like Solly. A little disappointing, but there's probably more in comic 4.

Ah the Swordvan comic. Demo and Pauling head over to Sniper's house to retrieve him. An odd bit of characterization is that Demo just takes one look at Snipes' house and goes "Welp, nobody's here. Let's get out". He doesn't seem terribly thrilled to be here, further backed up by him saying that there's just gonna be fingernails and jars of piss and he straight up says "good riddance" like what is his issue with the bushman??

Now that's kinda interesting. Demo sees Snipes as being kinda just gross and a raving lunatic. He could easily be in-place for the audience and just saying what we're thinking, but I think it's interesting to see that Demo, the guy often portrayed as being the weirdo party guy, being very straight-forward. He think Sniper is some sadistic madman and just wants out. Unfortunately, he's given a neckfull of Sniper's homemade family moonshine, so he can't get out quite yet.

A very common thing in these comics it seems is Demo being the voice of reason, which is pretty interesting. The straight man to everyone. When he wakes up to Pauling spitting on him to wake him up, he goes "eughhh gross, but, hey, it worked!!" before then is knocked out. He then stays quiet for the rest of the scene, unless of course you're counting the deleted pages. There's no dialogue, but Demo breaks free from the ropes binding him, yells at Sniper, then pushes past before then inserting three syringes-worth of the moonshine into himself and passing out. Alcoholism joke as per usual. Shockingly the first one we've gotten so far.

In the submarine ride down, Demo's passed out with his scrumpy in hand. Again just a gag about him drinking a lot. He then kinda stays in the background for the rest of the comic, only appearing really once to hold a vat of liquor, before then coming to in the final shot where he holds Sniper's dead body. Heyyyy Demo I thought you thought Sniper was a weirdo freak.

Nothing too much to say from this comic then. It's just establishing more and more that Demo plays a very...straight-man character role when it comes to the comics at least. He's reasonable, level-headed, and often just says whatever comes to mind. He's kind and will instantly rush to someone's aid when they're hurt as well as just generally being pretty good-hearted. Nice!

Comic 5 mainly just features a gag with Demo's liver being so overworked that he starts turning his other organs into alcohol distilleries. The whimsy. The line that I find most fascinating from this comic is from Spy.

Like oh okay so he straight up doesn't eat anything other than alcohol and aspirin. Water literally poisons him. Probably just a throwaway gag, but geez. It does say that he is kinda in pain all the time, at least to the point where aspirin is one of the few things his body can handle. Someone out there can probably work with that and make it angsty. Other than that, not much else for Demo.

Comic 6! The final one! Home stretch here folks before I can wrap this up and give a thesis on whatever the heck Demo's character is. Demo, again, is mainly just here for gags. It's the one thing I do really wish that the comics did more: explore Demo's backstory. Like you don't even need to keep the original one, but it's still fascinating to bring up the fact he has a family lineage at all. Instead, he's mainly just a straight-man character. But, hey, whatever. I'm just the one analyzing these silly comics and jokey joke characters for gay melodramatic yaoi fanfiction.

There's a gag about Demo's liver coming back to him after leaving. These soap opera drama scene could parallel the type of shows that he was watching when having that depressive episode, but that's maybe a bit of a stretch. He then gets included in that fun group shot, where his pose mimics that from the Meet the Demo, before then gets a one-on-one scene with Medic. 

These two are such a fun duo I wish Jaggerbombs was a more common pairing. Ah well. Medic catches Demo up on everything whilst he's stitching up wounds. The medi-gun is broken so they're doing this the old-fashioned way. Demo has a gag where he's still drinking, only that it's hydrogen peroxide instead. This then leads to a scene where Demo asks why Medic never gave him an eye. Reasonable methinks. Medic responds saying he did.

Demo gets upset. He raises his voice for the first (official) time in the comics. Again, his temperament. I think it's a reasonable thing to be upset about tbh. Like imagine being told after all this time you could've had your eye back. He then learns that, no, the procedure has been done before, but rather that it never sticks because of how his eye socket is cursed. Demo asks how he can't remember this, to which Medic goes "Hooh :] It's because I scooped out a part of your brain" because of course he did. He then forgets the entire conversation + probably Medic entirely.

Aaannnddd that's pretty much it for Demo. That's his last speaking role. Just a quick, simple gag about his eye being cursed, his alcoholism, and generally being the straight-man for others, even if he does have a couple silly gags too. Seems like a culmination of everything he is in the comics.

To conclude: Demo is a character I feel can take on two main roles depending on what kind of tone you're going for. If you want angst, you've got a character who carries the guilt of murdering his foster parents as well as the burden of being a DeGroot, turning to alcohol to cope with his sadness and general inability to deal with it all. If you want silly goofy stuff, you have Demo being a straight-man or a neat party guy if you like the bit from Expiration Date where he brings back beer and such. Of course there's nuance. I find it best to try and find a balance between these two opposing sides. It just takes time and practice to really get a hold of his personality methinks.

I do wish he was more in the comics though as his own person, y'know? He's very reliant on others in order for his character to function, whilst most others have scenes where it's just them doing something. I wish he was used more than being the guy who drags the others back to reality. Damn it sucks to see that the fics where he's mainly just the straight-man are kinda right in that regard.

But for character traits? Hm, let's see. I find it's just trying to make sense of what's given to you and seeing what best fits for the tone of story you're trying to go for. However, for me trying to write him? Well...

His alcoholism is a central character trait. He is definitely 100% an alcoholic, regardless of however people try and sand him down. I personally really like sticking to the idea that he straight up can't eat anything but booze and aspirin because I think it's funny but also sad, but that's me. I think him having a flask of scrumpy on his person at all times is a neat headcanon as well.

Another big trait with Demo is his frequently shifting mood when drunk. He can swing from loud to weeping in a couple moments. I wouldn't say he's particularly angry nor aggressive, no more than any other character at least. He's most volatile on the battlefield, but otherwise at the base I feel it wouldn't be an uncommon sight to see Demo partying until dawn or holed up in the living room and sobbing. Poor guy.

In spite of what many think, Demo is certainly not lazy. He's a workaholic is anything. He holds down three jobs and rakes in a lot of money in order to live up to his name as a DeGroot. It could be because he likes working that much or that his mother just nags him to push himself that far. That also ties into his self-deprecation, another core trait of his, but that's pretty obvious to see.

His heart is another big trait. The guy loves. He cares for his mother even when she nags at him. He sticks by Soldier's side until he feels as though he's been betrayed. He takes care of the Eyelander and treats it like a pal. He generally cares a whole heck of a lot about people and other things. He wears his heart on his sleeve and says what he means. He doesn't feel a need to really hide who he is as a person. He's loud, fun, and just naturally pretty sweet and kind. I don't think he's ever really "mean" outside of the game stuff. There's also the whole "being hired to explode people" part but ehhh that's just the silliness in him :]

Demo also being generally pretty...normalish. He's a guy who's really just going through it when you take the angst option. He oftentimes will try and hold back others from doing something stupid when sober. I feel like when he's drunk he's more willing to get in on dumb shit, but still. However, this doesn't mean he's wholly a normal person. I think you can do a lot of headcanons here where you bring out some traits that are otherwise not talked about too much.

There are a lot of liberties to be taken with Demo's character as per usual. A ton of writing a character to be, well, in-character is just getting down their voice and mannerisms. Understanding their personality and motives is just half the battle. Demo sometimes speaks like an old-timey medieval knight or poet or whatever. He's generally pretty well-spoken and whatever. For the love of god if you want to write him, you don't need to include phonetics constantly. Please. It's so much better that tu'try toh spell everay whurd like tis. Oftentimes people will just know what the character sounds like regardless. Just try and mimic his way of speaking more and you'll do wonders for actually making that character sound like, well, that character.

I've neglected to mention Demo being a black man a lot because, well, it never really pops up a lot in canon. I think the most recognition we get for Demo being black is him just saying that he's black. He's a black Scotsman and that's about it. It's curious since I've seen a number of fics where it's all period-typical racism angst and whatever, with Demo being used as a way for the author to get up and proudly say that they think that racism is bad by having Demo being called a slur and getting upset. How progressive. 

I dunno. I never really personally touch on period-typical bigotry stuff myself due to the fact that this is Team Fortress 2. Rocket jumping was invented before stairs. Besides, this is the late 60s/early 70s. The civil rights movement happened by this point. Not everyone walking the streets is gonna be some abrasive bigot. I don't know why people want to try and make it "historically accurate" to begin with since this series has never been period-accurate to begin with. I don't particularly think TF2 is a great series to go on about tackling period-typical bigotry either. Literally if you want Demo angst you've got the actual mountain load of angst with his backstory right there. Obviously of course people are allowed to write what they want and I do fully believe that sharing stories and portraying bigotry is important, but why with TF2??? Do people just really look at a POC and think their existence is inherently political and they need to make it clear they think Racism Bad, even though the tone of canon really doesn't match that?? Ah well. I'm just rambling.

Regardless, Demo is just a character where you can take a lot of different avenues with. Maybe you can explore his trauma and try and write about how he feels trying to live up to his family name. What about his issues with his now-deceased father? Maybe you can forgo that and have him be a partner in crime to Solly or whomever else, with the occasional glimpse into his more sensitive self. Really, it all just depends on the story you're trying to tell. Ultimately, writing Demo with a healthy mix of comedy and angst is probably what is best done if you just want a pretty in-character version. He can be out on some grand adventure to take down Nessie with a merc or two AND have it be a story about him coming to terms with his past. That's just a me thing though lol.

Demo, like the rest of the cast, is an easily moldable piece of clay. All of the mercs at their very core are just funny character archetypes. They can be whatever you want them to be. It's just best to work with their original characterization and personality in mind, y'know? Fanfic writing is mainly about having fun anyway.

Speaking of which, enough procrastinating for me. I need to get back to writing my yaoi...

[giantkillerjack]

Me: I don't like when shows queerbait me.

Other Fans: Well then just watch other shows, dummy!!!!

Me: 👍👍👍 wow what a tidy way to dismiss and invalidate a legitimate reaction to homophobic story tropes! 👍👍👍

The "just leave then" response to people wanting more inclusivity from the stories they love is not just emotionally invalidating - it is also one of the things that keeps storytellers from feeling that they need to improve in the future by making fans feel stupid for demanding better representation in the first place.

This kind of response doesn't just make you sound like a conservative (since this is a VERY popular response that conservatives have when confronted with leftist media criticism), it also fundamentally ignores the fact that there may not BE an equivalent story with good rep to go to after leaving the queerbait-y one behind.

Delicious in Dungeon is special and unique; that's why I genuinely love it. It is that love that makes me want it to do better.

When I see that Shuro is allowed to openly express romantic love for Falin, but Marcille/Falin is relegated to mere implication, it makes me really sad. It may not be a romance manga, but there ARE straight couples, and hetero desire IS on display - which makes the lack of open queerness all the more noticeable.

So when people say "just go watch something else" in response to my genuine sadness and irritation that a beloved story is excluding people like me..... Are you telling me there's a nearly identical queer show - with a similarly active fandom - all about found family learning to cook beautiful foods in a dungeon? Is my favorite-guy-ever Senshi going to be there? Is there actually a place for me to go to??

OR is there only one Delicious in Dungeon, and that's what makes it great?

I think actually folks who respond this way just want me to leave, and they don't really care where I go, so long as their favorite thing doesn't have to stand up to criticism.

Because I don't want lesbian media elsewhere. I want it here, with my friend Marcille. Here, where the seeds of queer romance were purposely planted to hook my attention. What's so wrong with being disappointed if those seeds never grow to bear fruit??

We can like good art and still demand it does better. And we can validate people who are sad it isn't doing better without getting defensive. Critical analysis is healthy and important. It's how good and bad stories are fully understood, and it's how better stories get made.

And while I will try to enjoy the plentiful delicious crumbs I am being served (since it is more than most shows give me), just because I CAN squish a bunch of crumbs together into the approximate shape of a muffin, that doesn't mean I've been served a meal.

More on this topic because I love a good analogy

My original post about queerbaiting in Dungeon Meshi (that inspired this one with the replies I got from it)

[splatooshy]

tvdu headcanons

yes these are completely correct, no i do not take criticism. either compliment me and my clever thoughts or walk away.

damon

- pretends his initials stand for ‘damon fucking salvatore.’

- Humanity isn’t something Damon lacks. He ignores it sometimes, but he did that when he was human too

- shy. so PAINFULLY shy. that didn’t change until post 70s.

- fav colour is jade green.

- born in italy, then lily had multiple miscarriages over 5 years and giuseppe decided they would move to america for better prospects, and stefan was born in mf.

- giuseppe despised anything ‘foreign’, and would lock damon in the cellar when he slipped up. never mind that damon didn’t really know any english.

- named his first horse (a shetland pony) sir handsome. loved his horses. hated people, loved animals.

- bibliophile. brains over brawn.

- gets banned from new orleans every few decades. marcel HATES him. also was in nola in 1914, freya and kol both took pity on him/ befriended damon after he managed to piss off the witches AND marcel in one day.

- always had the most inconvenient crushes as a human. the first was the daughter of some middle class storekeeper when he was eight. the second was emily bennett (his secret bff) and the third was a dude with a horse when he was a teenager. stablehand/riding instructor/ young gent passing through, named sebastian. giuseppe caught the boys fooling around one day and promptly shot sebastian in the head, before beating damon within an inch of his life (WOAH I WROTE THIS SO CASUALLY). damon never fully recovered.

- finds grimoires to bring to his favourite witch at the time. often the spells are super wacky and mostly useless.

- chatty and clingy drunk.

- after augustines, physically cant sleep alone, and half the time wakes up only to realise he’s killed his bedpartner (strangling, decap., suffocation etc.)

- in the 30s, he became a professional dancer.

stefan

- fav colour is an icy, glacial blue.

- nobody knows what his first language is. His first few words were either Italian or French, but it’s not certain which one. of course, giuseppe locked damon in the cellar for that.

- first horse was sir handsome, a hand-me-down from damon. loved both people and animals, but most of all loved when damon was introducing him to the animals.

- actually the cutest little child ever. big green eyes and floppy blonde-ish hair. looked like a five-year-old until he was 13? 14? and then suddenly shot up really quick.

- bull in a china shop. brawn over brains.

- the ‘ripper’ was created by lexi. she isolated and abused stefan, manipulating him into whatever she wanted.

- chronic migraine sufferer.

- as a human, he physically could not eat when nervous, which just so happened to be 80% of the time.

- rarely gets drunk but is a very outgoing and slutty drunk.

- lizard brain blood lusty ripper stefan only speaks italian.

- model aeroplane / train / car kind of guy.

- tumbled down into a well twice as a human.

- built the engine for the first automobile, passed it onto henry ford.

enzo

- likes the challenge of getting his way without resorting to compulsion (which is cheating.)

- has the stickiest fingers. he didn’t become a little street urchin in london without picking up some skills.

- turned by jack the ripper in 1888. approached him mid-murder.

- physically incapable of hating damon. and believe me, he’s tried.

- after augustines, physically cant sleep alone, and half the time wakes up only to realise he’s killed his bedpartner (strangling, decap., suffocation etc.)

klaus

- went to college a few times to study art. ended up stabbing the teacher [with a paintbrush] because they critiqued his work.

- was tsar nicholas 2 as a joke, purposely ended the dynasty.

elijah

- slipped ecstasy into klaus’ drink in the 80s just to see what would happen.

rebekah

- had a habit of accidentally wandering as a kid.

- clairvoyant / clairsentient.

- very partial to throwing knives.

kol

- bffs with charles 2, gets knighted (inspired by that episode of parks and rec where ben and andy meet the rich british guy)

- refers to stefan as klaus’ estranged paramour

- mixes vervain and wolfsbane into joints and such to get klaus to chill the fuck out. and mixing vervain into other drugs and stuff so that they’d affect him - damon joins the operation in 1914.

- was jack the ripper in 1888, saw a man drowning in his own blood in an alleyway, just watching as kol disemboweled a prostitute, before approaching him like ‘please sir, can you spare any change?’ and kol was delighted.

- damon pissed off marcel in 1914 and kol decided at that moment they were best friends.

- BIG fan of the ottoman empire. it only collapsed because kol was daggered.

- has grimoires full of odd spells.

alaric

- owns vervain coated knuckle dusters

- basically begs damon to talk history with him.

elena

- pre-accident: queen bee and she knew it. at her core, she is self-centred and used to getting her way. this only changes with her parents’ accident, but eventually elena reverts back into her old self.

- refers to katherine as her identical grandmother

[ - bitchy stares. not even an rbf, her face is just super expressive and you can tell when she’s judging you ]

caroline

- was second to elena all her life, and elena knew how to fuel that envy of caroline’s. but then elena’s parents died and caroline was finally #1, except stefan shows up and it’s back to the elena show again.

[ - well-meaning but tone deaf ]

both elena and caroline are just those bitchy popular girls.

[ bonnie ]

[ i have so many for her but a lot are completely against canon so here’s the ones that could be ]

[ - best cheerleader on the squad // the older girls adopted her as their flyer from day 1 ]

[ - because she’s tiny, yanno? ]

[ - known as the ‘i dunno her but she seems nice’ one, the ‘quiet, seems really sweet but i think she hates me’ one and ‘elena’s minion’ ]

[ - but she’s actually more popular overall ‘cause she does all the volunteering / xtra curricular stuff with caroline and she’s not in your face about it ]

[ - has very weirdly specific daily rituals as to what she eats and when on which day (waffle wednesday), what pyjamas she wears, how her pillows are arranged, etc. ]

[ - she didn’t even notice she did all of that until she was at a sleepover and the other kid’s mum made a different breakfast to what she would usually have on that day and bonnie was like ‘hmm. i seem to be uncomfortable with this. why is that?’ but sucked it up and ate her breakfast without saying anything ]

[ask-whitepearl-and-steven]

I want you to know I respect your opinion and at the end of the day you can do whatever you want on your own page, which I love all the art you do. Your White Diamond AU is so remarkable I've added it to my own headcanon idea of Steven meeting his alternate selves.

With that said, why are you responding to posts or asks that talk about blatant shattering of other gems? Real SU fans don't immediately go "death to the enemy." Real SU fans understand that SU is about love, acceptance, second chances, and pacifism. I'll admit, there have been more idiots in the fandom since the show's end, but in my humble opinion, it's best to not give any of them attention, even if they are annoying.

Sorry if I sound rude, I just didn't get responding to that one ANONYMOUS comment.

It's not rude at all! And it's a great question! One I understand the reasoning of.

But I have my own reasoning for doing the things I do.

Mainly, I think that while ignoring SOME behaviors is definitely good.... talking about OTHER behaviors actively is the fastest and healthiest way to immunize the greater community against them.

Let me explain.

I've been in this fandom a long time now, and I agree with you - there's a solid possibility, a real chance that whoever sent that message is just a passing non-fan who decided to be weirdly edgy in my inbox. No big deal. It happens.

But in my experience, the SU fandom is.... wide and varied. There are people of all ages, and many opinions. It would be easier, of course, if the only 'true fans' were those who perfectly understood the show's themes. But to me, that veers dangerously close to a No True Scotsman type of thinking. The reality is that many different people watch SU. And while many of them do inherently agree with the message and understand the nuance, many more just watch the show because... they like the surface level graphics and cool fights and interesting worldbuilding. In fact, many of the show's fans are edgy teens (sorry edgy teens) who are in a life-stage where violence and being strong and cool and decisive in a morally black and white manner is the only way they can possibly imagine solving any problem. And... that's kinda the opposite of what SU teaches! But that's also the point. SU teaches those things on purpose.

And yeah, I can absolutely just ignore this part of the population. But ignoring a behavior does not actually make it go away 100% of the time. If a child in a supermarket comes up to you and starts smacking you with a wooden spoon from Aisle 4, then... sure... you can ignore them and see if their parent comes to get them, or they go away, especially if it's a very small child and they're not hurting you a lot.

But that's not the only option. You can ALSO opt to teach them - and any other spoon-wielding children watching - what COULD happen if they are crude or cruel to a stranger in public. Namely, you can snap 'stop it' and at the very least glare at that child. This is a lesson that will arguably teach them more about the interaction than a complete lack of reaction would.

Now, I'm not saying people who send me asks are all children and I'm doling out some moral lessons here. This is just a metaphor.

I'm simply a person in a social space (tumblr) who is driving my own blog. And while I DO ignore a very large part of cruel/rude asks I get (trust me, I do ignore many!) I sometimes also just post a reply to show what ELSE could happen if you say a borderline silly and arguably tonally inappropriate ask to a person. You could get replied to! In a sarcastic or snappy manner!

And maybe - just maybe - the other people reading my blog can learn something from the experience, and think 'ah, so doing it like THAT will maybe make people kinda annoyed, now I know and will not do that'.

I cannot deny that overall I agree with you, though. I don't think that these types of messages deserve attention on the regular. But I'd hope that my replies to these things are not really... regular. I ignore probably... 80% of these sort of things? I guess maybe it just feels like a lot less, since, well. The public ones are 100% of the ones you get to see!

[elliesblkgirlfriend]

Abby with A Black girlfriend headcannons

-Girlfriend Abby who has patchwork Tattoos. She loves to play with the ends of your braids while you trace the ones she has on her arms and legs

-Girlfriend Abby who knows how to cook her ass off. You taught her how to make soul food one time and came home to her flipping some chicken and making collards greens

-She definitely helps you take down your hair. You sit in between her legs and let her do all the work.

“Come on baby girl, time you take your hair down”

-She’s definitely takes care of your hair as if it’s your own. She makes sure too extra gentle

-She always goes to the beauty supply store for you. Knows what brand of braiding hair to get, what color, how many packs( always gets an extra pack just in case)

-If you like to dye your hair she will definitely help you. Gloves and all

“Abigail you better know what you’re doing, you make me bald I’m kicking your ass!”

“Girl shut up and bend your head down”

-doesn’t mind Paying for your hair . Will pay with no problemKnotless braids? Done. Butterfly locs? Paid. A wig install? Paid and laid.

-Definitely drags and slanders racist and ignorant and people with no problem. Will drag them in comments and will drags them in person. Does not care.

-She had what kind of Hair care products you use mesmerized. When she goes on a short target run and she sees the hair oil you use. She definitely buys four…or more bottles.

-She’ll purposely leave her own shampoos and hair products at home just so she can use yours because she likes the way they smell

“Abby stop using my shit! It’s only a little bit left!”

“Sorry, I forgot mine at home” she says with a smile

“Liar. Did it on purpose” you mumble rolling your eyes

-Always helps with your hair. ALWAYS! You can’t tell her no because when you do her fingers always end up in your hair anyway

-Abby can braid girl! Abby you know how to braid babygirl!!

-You both have a matching scarf and bonnet. Abby’s wears hers with no problem.

-Girlfriend!Abby who likes to get matching nail art with you. Thinks it’s cute

-Her instagram is filled with pictures of you two together or just you by yourself.

-definitely keeps a Polaroid picture of you in her wallet. Definitely pulls out her wallet and looks at it when she’s having a bad day. The sight of you clams her down

-She’s not really into PDA. The most she’ll do in public is hold your hand, but in private she’s all over you. If she could she’d jump into your skin.

-She’s a neat freak and when you refuse to clean up your room she’s cleaning it for you.

“It’s just a few clothes” you say shrugging as you lay on your bed

“A few clothes are gonna turn into a few dozen knowing you” she mumbles throwing your clothes into a hamper

-Your family loves her. Adores her. She becomes your moms taste tester

“Abby! Come in here and taste this potato salad!” You mom screams from the kitchen and Abby goes running

-This girl will fuck UP some peach cobbler and sweet potato pie. She don’t give a fuckkk!

“Baby, put me some peach cobbler on a plate” she asks in a whisper so your family doesn’t hear and think she’s greedy

“Abby that’s like…your third plate of peach cobbler…”

“I didn’t ask…please go get me some more…please”

[bytewire]

Let's speculate about Architect Society!

I think there are some misinterpretations about how Precursor society works. It makes sense considering how vague a lot of the canon information is, but let me provide some of my perspective and interpretations on what we get in canon.

Architect society definitely deserves more speculation beyond just characterizing them as a race only focused on progress. The current information we have about how Architects operate is underrated in terms of how interesting it is. They definitely aren't a stereotypical hive mind. How Precursors perceive themselves is different from how they actually appear to function. AL-AN's answers don't lack bias. He is an unreliable narrator and often withholds information, so it's crucial to look deeper into the information given and to read between the lines. Especially as not everything is explicitly stated.

Architects exist as a collective—data points in a network—but people often forget that they do not only strive for efficiency. What they do is try to optimize themselves to perform tasks in the most efficient way possible. They strive to achieve and progress their society. This doesn’t mean that they lack culture. They are certainly more streamlined and orderly than humans, but they do have cultural aspects that impact the way they view things.

Some examples of Architect culture:

Architects produce art as seen by the statue in the Koppa mining site and the statue in the Deep Lilypad Caves Body Cache. Even the alien carving from the first game is an example of Precursors producing art with subjectivity.

Architects cultivate plants in greenhouses even though they do not need to eat. Also, of course, they have the Ancient Ornamental Plants that they cultivate for aesthetic purposes.

They hold pride in maintaining and improving a vessel for a long time. If a storage medium gets damaged, they wouldn’t opt to immediately make another vessel—even if it would be the most efficient.

They don’t all use the most popular format for their bodies; there are certain Architects that opt for different styles of storage medium.

Architects consider it rude to duplicate themselves.

All of their technology has similar aesthetic characteristics and design.

Precursors are cybernetic and composed of biotechnological components, yet they start out life as organic beings. They choose to incorporate biological tissues in their vessels suggesting they hold some sort of social ties to being organics. They actively make the choice to incorporate organic components.

Precursors potentially carry some nostalgia for their pre-civilized bodies, considering they model their vessels after them.

Architects have a concept of prestige. AL-AN is noted as the lead scientist for the Kharaa research project.

They have special training for certain young Architects and a Temple of Research that they are inducted into if they are distinct enough from other broodlings.

So, Precursors do not necessarily always do what is the most practical. They can and do practice certain things for subjective reasons. They have emotions that influence their actions. These emotions may not equate to human emotional behavior, but they certainly have them. AL-AN himself expresses shame many times.

While Precursors are a hive mind, they aren’t entirely unfamiliar with the concept of an individual. AL-AN merely says that they don’t see themselves as distinct. However, it is acknowledged at many points that a mind within the collective can have its own traits. Perspectives that either come with a body or ideas and needs that a mind has. They are able to act autonomously. The biggest example is AL-AN himself ignoring the network.

Though a mind having its own ideas doesn’t negate Architects being a collective. Especially when those minds work in conjunction with thousands of other minds to support the needs of the whole. AL-AN is just a very rare case where an Architect gets the opportunity to act as an individual. Even then, AL-AN expresses that being disconnected from the network is lonely and uncomfortable. Aiming to regain connection despite what he did in the past. AL-AN only uses the singular because he's present with Robin.

Precursors being so advanced makes things a little more complicated when trying to discern aspects of their species. We can't push human ideals onto a race so separate from us. Architects—being connected by the mind—do not have the same social structures as humans, so it's unfair to anthropomorphize them with our standards. We can only speculate on how they might work. Just because one mind can have differing traits doesn’t seem to make them distinct enough to classify as singular (within their species’ definition anyway). I'd love for there to eventually be more information given to us about their society.

Besides, all of this isn’t even considering the many unused voice lines that remain in the files that I’d love to go over…

[yuujiheart]

Those anons plus your analysis are really good. Have you seen Jujutsu no Kaisen (this one uses AI and stolen fanarts lol), Jujutsu two Kaisen and another alternate ending (this one doesn't have a name yet)? All these fan endings are just constant gojo glaze, it's okay to do what you want but they are claiming to "correct" Geges story LOL

Absolutely none of them cares about Yuji's being inspired by Nanami, Choso, Todo, Wasuke, save Megumi....no. The third fic is basically gojo and Yuji fighting together against Sukuna (God forbids yuji vs Sukuna)

I'm happy the animation director seems to love heian Sukuna and Sukuita , as well as people rejecting those fan endings and seeing how those fanboys are actually worse and didn't understand the story. I also dislike how they try to make Sukuna a One note dumb guy and completely ignore how much he suffered too

I bet they won't even add too many Sukuna and Yuji interactions because it would humiliate their Gojo/Sukuna headcanons ones

I knew about jujutsu no kaisen although I blocked them the moment they announced their plans and forgot about them completely ... I was forced to remember them when moots put that on my timeline... Didn't want to waste time reading whose sole purpose was to glaze gojo and insult gege.... So unfortunately, yeah I did see those posts about using AI and stolen fanarts..i don't know if that's possible but looking at the "content " they have produced I don't think they are very serious about this. Coz I have read aot no requiem and it was a good read honestly although I wasn't really familiar with fandom's reaction....

It feels like they are trying to make money through it somehow using gojo and jjk popularity.. Since you know there will be no new jjk content before anime comes out......

But I haven't heard about the other two fics at all. This is my first time hearing that there are other attempts to change the ending along with jujutsu no kaisen. ... Well lucky me I guess... But my feelings are the same. I can't see this as anything but a money making tool... Plus they can never write interactions and dynamics like gege... Gege has this talent to express the exact emotion in a few words. Yuji sukuna art is the best example... Sukuna saying " Abominable righteousness, refuge of the soul" perfectly expresses what he actually felt about yuji without going on a rant/ monologue about how yuji is different or something else.

And I am pretty sure that those who are solely focussed to gojo glaze can never do something like that.. And don't worry if they don't focus enough on yuji. It would be fine coz no matter how much they try to do their gojo sukuna thing,remember its yuji who's on those giant billboards and in newspaper on Christmas Day not gojo...

Yeah, that yuji sukuna art was so good.. It's pretty obvious they are dying to animate heian sukuna ... But you know what's the best part...

He's the one who was responsible for these two scenes... He made these ordinary scenes more sexy... Now imagine him being in charge of scenes where sukuna was being handsy with yuji.. Aaaaaaaa even thinkin about it fills my stomach with butterflies.. We gonna eat so fkking good anon 😋😋😋😋 ... Honestly I was thinking of deleting this acc as I feel it has achieved its purpose but now I am not sure... Lol

Thank you anon but it's just like you said the questions were good so answers automatically became good.. Otherwise I would just keep yapping about sukuita..

[theshadowsingersraven]

It's so weird to me that people get bent out of shape at their self-created premise of Eluciens shipping while "ignoring Elain's feelings" about Lucien.

Elain is a fictional character. Her feelings are designated by SJM in the canon text, and whoever writes for her in fanon and fanfiction. Elain’s feelings are not autonomous. They are designed by the author writing her for whatever medium or purpose, or the fanartist creating art of her.

When I write Elain with Lucien, I don't write her as miserable and trapped. And I don't think most Elucien writers do that, either.

I will write her hesitant, potentially, depending on the point in which their relationship has developed. Or guarded or unsure of how she feels. You know, like Nesta and Feyre were with their mates, too, initially.

But the people who ship and write and create content for Elucien don't do so as a way to be "cruel" or "punishing" or "unconcerned". We do it because we see potential that others don't. We can imagine how their conversations could go, how their dynamics could change, what events could trigger a change in how they view each other. And we show that in the artistic medium we're most drawn to.

These are the ideas I toss around for my Elucien writing:

Maybe Elain meets Jurian and Vassa.

Maybe she goes to Spring.

Maybe Lucien sees a more powerful part of her and is impressed.

It's literally the base foundation of creativity. Imagining characters in scenarios you want to see. And there's nothing wrong with that in the slightest. How else do you think we get any books or TV shows? Any media, really?

It just reads as a very overly-moralistic, juvenile, and non-creative line of thinking to me.

"Why are you ignoring Elain's feelings?"

I'm not. I'm changing them and designating where I believe they will go based on my own creativity and desire to grow her arc and character. I'm changing her feelings based on what I want. Which, I actually love to break it to you, is exactly what SJM does, too.

Not everyone is going to be a writer. Not everyone is going to be a creative person. I understand that. But what people in this fandom don't understand is that it's an actual process with time and effort, and there's nothing to get upset or worked up over.

If you do get upset, respectfully, that's a you problem. You are not Elain. No one is pushing you towards a guy you don't feel any particular way about as if you're in high school. No one is making you do or consume anything. You are fine.

Elucien can not hurt you.

You're going to have to live with basic fandom creativity, and if you can't handle that, maybe fandom spaces aren't for you.

[imagination-overreaction]

More tf2 ships lets go

Soldier x Demoman / Boots n Bombs

Starting off with a Demoman ship cause this man does not get enough love I think. These two enable each other's stupidity to an incredible degree. They're both geniuses in the art of reckless stupidity, and with their brains and hearts combined they could be making new inventions like "ultra turbo sticky-nade launcherator" and it flings them 8 miles in the air and they die instantly (but they both cheer and think it's awesome once they're revived and they do it again. Medic doesn't care, but he's getting a bit bored of piecing together the same two bodies over and over again). These two would become masters of destruction. I also can imagine them passed out on the couch on top of each other, or Soldier waking up to do drills at 4 am and Demo telling him to fuck off (Soldier can't help it, his love language is explosives and boot camp </3). I like them a lot.

Scout x Sniper / Speeding Bullet

I will admit, I am a bit of a Scout hater when it comes to ships... Actually I'm just a Scout hater in general. However, I do think the dynamic of "annoying little shit" plus "gruff weird guy" works. Scout is the type to press his partner's buttons for the funnies (although he does this with his friends as well) but given how he was in Expiration Date as well as the Cold Day In Hell comic (if I remember right), then he would be genuinely caring and considerate toward his partner's feelings. Scout would push his buttons, but an hour later he'd be splayed out on top of Sniper and rambling about his day. Sniper is more blunt and to-the-point with affection, I think. He'd bother Scout right back, of course, and he'd just as happily sit there and nod along to whatever the hell Scout is talking about. These two would stay up until 5 am together several nights in a row.

Heavy x Pyro / Bear Grill

Since it's such a rare pair, there's some debate on what the ship name actually is. "Russian Wildfire," and "Heavy Fire" are the alternatives I've seen after scouring the tags. I'd like to toss my own suggestion in with "Firing Squad," although that could probably work for other ships too. I personally really like the hc that Pyro is (maybe aro?)ace, and I think that works well with Heavy (I also hc it/they Pyro but any pronouns work for this lil guy tbh). Heavy would support his little maniac's vested interest in fiery homicide just ignore the fact that he says he's scared of them in Meet The Pyro that's not important right now, and I think Pyro would really like watching Heavy use Sasha (the muzzle flash would be really neat in Pyro Vision). Outside of battle, I can imagine Heavy taking care of his guns while Pyro talks to him and tells a (very muffled) story. Heavy would listen to it when it talks about all the wonderful things it sees during their battles, and Heavy would maybe defend it when the other mercs start talking about how terrifying it is... Maybe. They're still very concerning.

Engineer x Heavy

There is no damn posts about this. "Heavy Metal" is a slightly popular one but "More Gun" has been suggested a lot, as well as "Mechanical Literature." I personally like More Gun(s), and I honestly really like this ship, and I feel like it works really well for the same reason that they both work well with Medic--they're both relatively calm and amicable compared to the rest of the team. I feel like Engie and Heavy would be the parents of the team, telling people to go to bed before 3 am and not to explode things in the house (it doesn't work but they can try) (and Engie probably has been the source of one or two fires but not necessarily on purpose). These two would be sickly together. Engie'd be going "good morning Misha 🥰✨" and tap Heavy's shoulder until he leans down far enough to let Engie kiss him on the cheek, and Heavy would give a quiet happy hum as Engie whistles away and they make me sick. I love them so much.

I also think that Engineer would give Heavy some absolutely monstrous artillery as a gift. They absolutely enable each other's horrific acts of bloodshed. More Gun <3

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