#do better paramount
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Okay, hear me out. The Section 31 movie was meh imo, but I think there’s one small change they could have made to make it more interesting. Spoilers for the movie after the poster
Okay, so late in the movie, the crew thinks that San is going to detonate the Godsend device on the Federation side of the portal to cause a panic, then bring the Terran Empire forces through to conquer the Federation; it turns out this is actually his plan.
But earlier in the movie, when he first delivered the Godsend device to Georgiou, San said “No one wants to live in your world, Emperor.” What if instead of using Godsend to conquer the Federation, San is taking it back through the portal to eliminate the Terran Empire? He might think of it as mercy, that he’s saving all those people from having to live under the Empire’s oppressive regime; or he might think the Empire is a danger to the multiverse and he’s saving the Federation from the threat of their invasion. Either way, I think this would be more in line with the sensitive, caring character they set up San to be for most of the movie.
Then Georgiou and the Section 31 crew would be placed in a classic Star Trek moral quandary: do they let San go through with his plan and eliminate the threat to the Federation permanently, or do they stop him because billions of innocent lives are at stake? There might be some debate, members of the crew could take different sides, but they would ultimately land on the option to save lives because it’s Star Trek. Georgiou could then talk San down from his plan by, say, telling him that yes, the Terran Empire is full of terrible people, but there are also people like him, and so they don’t all deserve to die; the Empire can change. This would show that Georgiou has truly moved past the mindset she had as Emperor and become a more caring, empathetic person; this change in her would convince San of the truth of her point. Then maybe San or Alok could come up with the idea of using Godsend to destroy the portal (what actually happens in the movie), which would eliminate the threat of the Empire to the Federation at least temporarily. San could decide to sacrifice himself to do it; he and Georgiou could have a “No, I can’t lose you again!” moment, but ultimately he convinces her to let him, and the ending of the film would have some actual emotional weight.
Anyway, that’s my idea. What ideas do y’all have? What’d you think of Section 31?
#star trek#section 31#star trek section 31#star trek discovery#phillipa georgiou#michelle yeoh#paramount plus#do better paramount
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Tuvok & Janeway being normal close friends pre-delta quadrant but becoming irreparably inseparable over the course of their time on Voyager is actually a very funny alternative to them having been besties. Before the horrors they were close but now in the delta quadrant all their neuroses are coming out and new, worse neuroses are being added every day. Janeway's trying to kill herself in increasingly spectacular bouts of heroic sacrifice and Tuvok's too busy proving that he knows her best/will always be by her side to effectively stop her. And for that? He's her best and dearest friend and can have the honor of being the only one to die by her side [which he willingly asks permission to do, btw] ♥
#Tuvok & Janeway [about each other]: You have been promoted!!! You are now my Best Friend In The Universe!!! You know me better than anyone!!#There's no one I trust more than you!!! <- In the tone of 'You have been promoted! You are now one of my elite employees!' /sinister#Tuvok/Janeway#<- Their toxic queerplatonic vibe. Enchanting.#st voy#st voyager#Kathryn Janeway#Tuvok#I need people to care about their strange and un-focused-on relationship as much as I do#Janeway: I'm gonna die with this ship#Tuvok: Can I die with you?#Janeway: Of course my dear dear friend <3#<- TWO OF THE THREE COMMANDING OFFICERS KILLED IN BESTIE BLUNDER#Janeway & Tuvok are 'once loyal enabler betrays friend by suggesting therapy'#only Tuvok would mention it once and if Janeway reacted negatively he'd never try again#<- a la Equinox#Tuvok: [suggestion]. / Janeway: No. / Tuvok: I've done all I can. The captain's orders are paramount.#and yes. Janeway being promoted to captain DOES have something to do with it.
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I don't think Ned specificly would have 'made Cersei better' or 'fixed' her but I DO think being away from her family and the politics of the South would have.
What power does Tywin Lannister have in the North? Even a spy would probably be noticed since the North seems to be scarcer and closer because of that scarcity. And not having Jaime around to enable her, to indulge in her worst impulses or Tyrion to antagonize or be antagonized by. No reminder of her 'curse' or prophecy or whatever.
Just nature, rough and honest and impolite people who might even like her fire. Praise her for her masculine qualities or interests, her disregard for sewing and such. What's Tywin's disregard for her interest in swordplay compared to Mormont women who fight? What's clawing against smarter opponents when Roose Bolton is there and ready to endanger her place as Lady Wife of the Warden in the North?
#i do not think roose bolton is that smart but he is smartER#cersei isnt as smart as she thinks she is but i think she could take house bolton#ned x cersei#he would have been better for her especially when she was younger and eager#and if she said 'well what if i wanted to fight?! what if i was manly? maybe I should swing the sword!" hed say OK! Go Ahead!#he'd be earnist if nothing else and isnt that what she always wanted?#broken as she may have been having someone who TRIES goes a long way#ned and cat actually falling in love was a miracle and they KNOW IT#but in a world of being disregarded and looked over having a husband who tries and is attentive would kill her#like she said she loved robert once! even if ned isnt as handsome or king he's still Lord Paramount#like they'd get there#And no i dont think what? 18? 19 year old cersei would have killed jon the second she saw him#lets not forget robert already hurt cersei's feelings when he suggested bringing his bastard to KL. Jon was ALREADY there when Cat arrived#and that was Before they won the rebellion. she travelled up After Ned had got home#IF tywin had to marry cersei to ned Jon would already be there and maybe known to them#anyway she'd make him worse#or at least not as inept at playing the game#ned stark#cersei lannister#game of thrones#asoiaf#a song of ice and fire#asoif/got#mine#my post
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"The Final Curtain" is the most epsiode of Murdoch Mysteries and I need no essay because it speaks for itself.
The meta comments and acknowledment of the audience and writers but also just acting and storytelling in general, George fully embracing they are all facing the "audience" and everyone else following stage law of facing the audience always and never turning your back on them unless in movement even though they aren't actors and thus have no reason to do it except it's funny, Watts' delivery on every single line but especially his little "no." I cant explain how you literally need to hear how he says it, Julia criticizing the love interest having zero depth but getting fully invested in the real life drama also she isnt "rich rich" also Watts asking her to talk to a suspect about gems or something to help him hashtag relate to them only to immediately butt in and outright ask the question before they can fully chat (I miss Ruby btw), Murdoch being the most Older Brother to Watts ever and I'm so sad we never see this level of calm/friendship between them more the way they casually move around one another and play off each others bits especially near the end are chefs kiss, Thomas bragging about John the whole time and literally nothing else he literally doesn't even insult the others expect once when he says John carried the play he just really loves and supports his son wholeheartedly, Margaret getting hit on and being more flattered by the act of getting hit on than the actual man himself, the critic applauding George's story for being actually good (he's correct) and dropping a baller line about writers who focus too much on surprise and drama rather than telling a good story, I can't even tell you why the killer and how they committed is kinda funny because it's a spoiler but also it really is morbidly hilarious for literally just a split second pun they don't even fully voice which makes it funnier because you have to think it in your own head like a child giggling behind the teachers back along with the Brax boys.
Just. This epsiode. It really has it all.
#murdoch mysteries#shots fired with the gun and the line about surprise is not the paramount element of drama#this is the best episode in tv history and we literally cant do better but it will be the standard to meet#the ultimate 100/10 to ever exist in media for everything it is#me realizing that i started this post where it was only the first part and got so into it i forgot i said i didnt need an essay lol#tbf i said it didnt Need one not that it wouldnt Get one lol
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i predict with 100% Certainty that there's going to be a scene in that new garfield movie where there's a flashback of garf's father abandoning him, and it's gonna cut back to him saying "why father? why did it have to be a MONDAY?!?!?" and it's gonna be treated as this huge dramatic revelation
then in a week there's going to be an article on CBR about "The TRAGIC Reason Why The Garfield Hates Modnays"
#Garfield#the garfield movie#i know I'm going to be right#hollywood don't disappoint me by not disappointing me#this film will be a SOLID 5/10 mark my words luigi#also why did they cast garfield's absentee father as a black man??? why did you do that paramount or jim davis or whoever the fuck#sam jackson deserves better
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In the asoiaf au, who is Herakles's father?
I was originally going to leave it ambiguous and have we all know that his dad was Dornish, but your own hcs about Mama Greece and Persia inspired me :)
It remains to be seen if Persia is still alive though, as it stands to reason Romulus wouldn't want the guy who messed around with his wife (granted before he married her) still present. A big part of his marriage to Helene was that she had to give up her attachments to Herakles, and that was probably the biggest rift in their marriage. The adultery is one thing, but the fact that he campaigned that hard to marry her and then went on to have affairs on her is a whole other. That's it's own issue though. And let's be clear, Helene did love him at the time they got married, they had two children together for a reason, she's not a helpless victim in this scenario (granted she did not have much choice what with Patriarchy™ being a thing).
The caveat here is that Romulus doesn't like to do things subtly, you could call it honor, but really it's more him wanting to take the credit for beating his rivals. He doesn't want a slip down the stairs to take someone out, he wants it to be him. If Persia died in a slightly suspicious way and people sideye him though... that could also be a potential thread.
#ask#hetalia#asoiaf au#hws persia#hws ancient greece#hws mama greece#hws greece#hws rome#i don't want to give the impression btw that helene was wholly forced into their marriage#like she did love romulus at the time they got married. she had two kids with him for a reason#and she still does love him in a way#she had her love affair with persia and it was over by the time romulus entered the picture#the problem is that herakles was for lack of a better term a vestige of that relationship#and when you're marrying the lord paramount of the reach you can't exactly have that around#she had to make a choice and ultimately the choice she made was better for herakles#in the sense that he would have other/better opportunities in dorne and wouldn't have to deal directly with her baggage#also she got power for herself as lady of the reach. let's not forget that either. it hurt her but she knew what she was doing#romulus and helene's whole thing (honestly the whole reach fam's) in this au#is a little emotionally complex to say the least#i could rant about this damn family in this au so much
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watched sonic 3 . shadow is my saddest little booboo bear
#cherryz txt#sonic#spoilers in tags#they didnt even shoot that little girl tho smh my head......#also i better see yall getting hyped about amy after that stinger just like everyone was hype for shadow#assuming they even do a sonic 4 which maybe they wont but like yknow#i Did pirate it btw cus fuck paramount lol#byeah overall verdict : jokes were corny and a lot didnt land acting was hokey but what do u expect from sonic#still very fun i think . i like get narratively why the human characters are there but i could do without em tbh#obviously if i were in charge of the sonic movies from the get go id do em quite different but ykno#i think the story theyve weaved over the trilogy is solid enuff#also if they do more movies i cant wait to see how they bring shadow back cus like....they gotta right lol#the main franchise did it why wouldnt the movies !!#the toxic yaoi of stone and eggman getting a finale did seem like a bookend of sorts tho so who knows....#im just thinkin bout amy now. movie amy..... my dawghter.......#anyway hi . go have a snack or somethin maybe. grins!
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For @mrtobenamedlater @acidalic and, you know, anybody else who cares? "Recreation" chapter 4 is set to post on Monday, May 13, should Georgette be agreeable! *crosses fingers in PC that continues to crash most days* 🤷♀️
Why not today? Well, I'm hoping to be able to make one more GIF if I possibly can get around the restriction of not having my GIF making program, lol! Wish me luck! 😎👍
If I can't make the GIF, then it'll just have to post with what I've got but I'm hoping to get this to work!🤞😣🤞
#halo the series#halo paramount+#ais is writing#ais is definitely trying anyway#lol#now we just have to keep georgette aliiiiiiive#live my poor borked up computer you must LIIIIIVE#she was doing better then started crashing a lot again#but we took a new graphics driver update that has put her back to ~just~ crashing once a day instead of half a dozen times#we work with what we have#and this is what georgette has#the girl has demons what can i say?#🤷♀️#wish me luck frens#ageless aislynn
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seeing another post about "alleged" top gun 3
#mit.txt#im not believing an article#there's a reason tgm took 40 years i don't think he'd do another just Immediately after#cruise posting#sorry house people i get sucked back into the void of cruise every 6 months he's like my hibernation#somebody probably put it better eloquently but it just REALLY feels like paramount's pr team#top gun#tom cruise#yeah i'll put this in the tag
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i've been rewatching together with me*, which is not a show i can earnestly recommend anyone watch once, let alone twice, but also. it's FLAWLESS trash tv. the utterly fucking silent tv watching. the "why are you suddenly drinking beer" as if that's a weird thing to do somehow. the way they're sharing seemingly one (1) normal sized can of beer between the two of them but it's also implied they're at least a little drunk after that slide transition. tHE SLIDE TRANSITION, just in the middle of a scene! for no reason! which yeets us RIGHT into "what is love?" in the most delightfully jarring, stupidest of ways, delivered while staring straight ahead at nothing. followed by korn's achingly sincere answer (not pictured - he says he doesn't know either, but he feels guilty about it sometimes, but he'll gladly feel guilty for the happiness it gives him), and i'm sorry, but what's a person even supposed to do when the tea leaves in the trash tell you something unexpectedly real and insightful for 5 seconds. and finally, last but by NO means least: the absolutely immaculate experience of watching this type of media through a fan translation, with added translator's notes at the top of the screen, alternating between genuinely helpful language/culture notes and snarky comments on what's happening that 90% of the time feature the word bitch in there somewhere.
(worth noting also that after some agonizingly bare bones tension they (korn, right, and knock, left) do end up kissing in this scene, and then we IMMEDIATELY cut to a girl (a different character's girlfriend) stANDING ON A BALCONY. PHONE IN THE AIR. ALREADY FILMING THEM, just out of nowhere. i truly deeply cannot emphasize enough how absolutely fucking nothing prepares you for that. we as viewers have NO clue how she even got onto that building, or that there WAS a building with a perfect view there for that matter, and i don't even think we know for sure that the room these guys are in has windows, but i guess it does!! it must, because some girl is standing there now with her phone in the air!! and of course we're then taken right back into the intimate setting of this bed where korn (gay, single) asks knock (constantly leading korn on, actively dating a girl) if he's okay, because korn is the only halfway normal and decent person in this thing, and then we get the most totally sane of continuations of a scene like that. by which i obviously mean a VILLAIN REVEAL (surprise! the girlfriends are ALL VILLAINS, and they have unionized under knock's girlboss girlfriend for Evil Girl Schemes™. for some reason somehow. there is slow motion and Cool music involved as we learn this) and then we cut from villain reveal music and editing immediately back into korn and knock fully making out now suddenly. as any emmy worthy tv show would do.)
#* i've been rewatching together with me and aggressively skipping the doctor and teacher sideplots#< a detail that's paramount to enjoying this mess. i hoot & holler at evil girlfriends and everyone falling for knock's useless ass#but those two side couple subplots... far more uncomfortable and annoying than fun in their type of mess#also. my official position on all this: all of the evil girlfriends are valid and correct. korn deserves a better guy to pine after#knock shouldn't be dating anyone. learn to do the dishes and take emotional responsibility my guy! then we'll talk#obviously i love yiwha even though it's wild how the show roots for her but not the girlfriends. i adore fai too. they should date#*#video#together with me
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ive kinda given up on scu at this point but i just wanna say i really doubt we're getting rouge and amy. obviously this will GREATLY disrupt the story (not in an impossible way but certainly enough that it will have to change a fair bit) but i kinda get that itd be hard to include more cgi characters.
however.
they said they want to include big if possible and oh my god. i love big. but if they include him and not amy and rouge i will be upset. and theres a word im gonna use that sounds like homogeny and begins with m. im not gonna say the word because its not the strongest case, but considering the knuckles show had PACHACAMAC and not tikal, considering the only important women i can actually name off the top of my head are maddie, jojo, rachel (all of which are kinda thrown under the bus and/or not really used very much) and maria, who's probably gonna have like 5 scenes max and considering both rouge and amy are incredibly important to sa2 but already people know its unlikely we'll get both. well. i wont be happy if they do that
#sonic#sonic movie 3#btw i dont talk about misogyny much unless its to do with trans people#(but be real theyd never include important trans people in this)#but like. also. a friendly reminder that almost all of the big names on the posters are men#edit: also one of the few female names is voicing a guy anyway#i understand the source material is ALSO predominantly men#but theyve been getting better at that and i think sort of around sa2 was when they started getting better#i think the more niche you go the more women there are#if you ask a non-sonic fan to name every woman in sonic they know they can probably only say amy and possibly rouge#wheras i think most of the characters added in idw are women#ill admit this rant is a bit more of a “searching for another reason to dislike it” than a serious issue#if i were still really into scu then id probably never have noticed#well tbf its paramount's fault for being zionist and hiring a million awful people to star in their films
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Someone buy me the Fairhaven Dress. FR!!!!
#it's being auctioned#im a little upset that Paramount doesn't archive their costumes better and just sells them off but whatever#at least they do detailed photography for the auctions#it'd be nice if they gave us a costume book or something but that's too much to ask for r#idk keeping their art department's content a secret is greedy and uninspired#i just want concise reference to gawk at idk#i love fair haven and i hope whomever purchases it treats it well
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I’m in love with Breakdown, with whatever he and Bumblebee got going on and with this scene in general. Those shots of Breakdown, dramatic thunder and Bee? Simply amazing.
#THE WAY THIS IS IN AN EPISODE WITH THE MALTO TWINS ARGUING AND THEN MAKING UP#'like my brother' HOW COULD YOU DO THIS TO ME#PARAMOUNT IM NOT OKAY UNTIL HE'S OKAY#THIS BETTER NOT BE FORESHADOWING#I DONT WANT TO SEE THIS PARALLELED PARAMOUNT#tfe earthspark#tf earthspark#tfe breakdown#tfe bumblebee#breakdown#transformers#maccadam
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THE BRIDGE
Benjicot Blackwood x Bracken!Reader
Summary - Your wardship with House Blackwood was meant to bridge the chasm between your families. Years later, you return to Stone Hedge as the whispers of war spread—only for Lord Tully to call for a hunt.
Warnings - fem!reader, complicated sibling relationship, fighting, (probably excessive) mentions of blood, talks about hunting/killing wild animals, !angst!, adult language, reader def suffering from identity crisis, probably deviates from canon some, kieran burton fan cast for benji, all characters 18+
Word Count - 5.6k
!MINORS DNI!
// masterlist // send me your thoughts // comments & reblogs appreciated! //
When Grover Tully, the Lord Paramount of the Trident, sent word for each of his bannermen to send forth a handful of their finest House members to a most desolate area of the Whispering Woods, no one thought it wise to object.
“Lord Grover is an ornery old crow,” your father, Humfrey Bracken huffed as you readied the horses. “But you would do well to earn his respect.” He clamped a hand on your brother’s shoulder, pride gleaming in his eyes as he said, “Whatever he’s planning, I want you to show him that House Bracken stands strong. Understood?”
Keeping his chin held high, Amos hesitantly mutters, “If you wish to impress Lord Tully, you might think twice about sending her.”
Even with your back turned, you could feel the weight of your brother’s stare, his eyes boring a hole into the back of your head.
Your father shrugged, a disinterested gesture. “Grover said to send our best,” he said, “and when it comes to a bow and arrow, no one's a better shot than her.”
For the next day-and-a-half, you rode at a distance from the group your father selected—your brother, Amos, and two of your male cousins. And while they laughed and jeered and yapped, you remained stuck in your own thoughts, playing your father’s words on a loop.
It’s the only compliment he’s ever paid you. The closest he’s ever come to acknowledging you as Bracken.
You hate him sometimes, you think. For agreeing to peace all those years ago—for sending his only daughter to ward with his rival of all people. He must have known it was futile. Must have known that one girl could never bridge such an ancient chasm.
He must have known—and yet he sent you anyway, only to call you back years later, tearing you away from the only home you had ever known and leaving you to feel like a stranger in your House.
Grover said to send our best.
Are you a Bracken, then? Is blood all that determines a House?
No one’s a better shot than her.
But your skill is that of a Blackwood, born under their tutelage.
Deep within the Woods, a steady mist of rain falls from the sky, leaving your skin uncomfortably damp. In the distance, a low hum of chattering voices signal that the four of you are drawing close to Lord Grover’s camp—and that the other House’s have already arrived.
Your thoughts shift, wondering who Lord Samwell sent to represent House Blackwood—fearing that you might already know the answer.
A strange tightness floods your chest, coiling around your lungs.
It’s been months since you last saw the heir to Raventree Hall. Many, many months—and you can’t help but think any reunion might end in bloodshed with Amos by your side.
As if he heard his name ring through your mind, your brother slows his horse to gentle trot beside yours, cocking a neatly groomed brow at you. “Tell me, sister—were you always this dour?” He asks, feigning intrigue. “Or did half-a-decade with the Blackwoods simply drain the joy from you?”
You don’t pry your eyes from the path ahead, refusing to look him in the eye as he continues without waiting for an answer.
“I wouldn’t be surprised—a mere day with those insipid cravens would have me wishing to swallow my own blade.” Removing a hand from the reins, he pantomimed the act—gripping an invisible hilt and shoving it towards his lips, letting a dramatic choke rip from his throat.
Riding a bit ahead, your cousins chortle at his jest, shooting amused glances over their shoulders.
“No need,” you answer without thinking, your tone impassive. “Aly would have an arrow in your eye before the day was up.”
Your cousins fall silent.
Amos stiffens, jaw clenched tight. “She could try.”
You know Black Aly would try if given half the chance—and you have no doubt that she would succeed, too. She was the one who taught you how to string a bow and sharpen arrows, how to aim and never miss.
When you don’t respond, Amos pulls his horse in closer—as close as he can get without spookings yours. “Look,” he utters, low enough that your cousins can’t overhear, “I don’t know how things were done at Raventree—but you’re home now, and you would do well to remember where your true loyalties lie.”
Again, you don’t speak. Don’t think, either.
Amos sighs. “Your blood runs gold, sister. You’re a Bracken, through-and-through. Take pride in that—and don’t bring shame upon our name. Understood?”
Strange.
You had seen your own blood before—more times than you can count, actually. Scars mottle your skin like stars in the sky, a reminder of the years spent training and the memories of nights spent with friends who were supposed to be enemies.
Never once had it looked gold to you.
Only red.
“I understand–” a pause, a breath, a heartbeat– “brother.”
Nausea twists your stomach. The familial title curdles on your tongue even as Amos grins at you. There’s nothing affectionate about the gesture—how could there be? He doesn’t know you. Not really.
Blood or no, you’re little more than strangers to each other—and yet, even so, you can see he’s trying. Trying to know you.
Ahead, the camp comes into view. Banners hang above tents: white for the Mootons, blue for the Pipers, purple for the Mallisters.
And red—for House Blackwood.
Amos gives you one last glance, a pall mimicry of what you believe is meant to be love in his eyes. “You’re home now,” he reminds you again, as if you need to hear it,“be glad for it.”
With the Tully’s guards now in earshot, Amos doesn’t bother with waiting for a response. He snaps the reins, urging his gelding back to the head of your group, already bellowing his greetings. You watch him go, transfixed on the yellow-gold of his tunic—identical to yours.
Approaching the guards, you tell yourself that your brother is what home is supposed to look like. That if you were to slice your veins, gold would pour from your wrists.
Not red.
After checking in with the guards and tying your mare up in the makeshift paddock, there was no time left to freshen up before you were expected to join Amos and your cousins. With all the Houses now gathered, Lord Grover wasted no time in calling you all to the heart of the camp.
Still, you try to make yourself presentable—using your fingers to comb through tangled, windswept hair and smoothing the wrinkles from your gold tunic, careful not to disturb the ornate brooch pinned above your heart.
According to the guards, everyone was given one upon arrival. “All Houses are required to wear them,” they explained when Amos pressed them on it, “Lord Tully’s orders.”
They were all different, it seemed. Yours was a delicate thing, fashioned from silver and pearls in the image of a blooming dahlia, while Amos’s was clunky and shaped like the sun. He’s still fumbling with it when you finally push through the small crowd, taking your place at his side.
To your left, separated only by a group of five Frey men, you feel the wary glances being cast your way. You almost turn your head—almost glance back at them, if only to see what they might do. What he would do.
Would he even acknowledge you? Or simply look away?
The answer, thankfully, is one you don’t have time to learn. A servant garners attention, dragging a simple, plush chair to the group’s center. Following suit, another two servants assist the aged Lord Paramount from his tent, guiding him into his seat. On his right stands his eldest grandson—and your favorite Tully. Tall and dark-haired, Elmo looks more fearsome than he actually is, sparing you a quick, discreet wink when he spots you.
“You may all be wondering,” Lord Grover wheezes, his lungs fighting for breath, “why I have called upon you all today—the many great Houses of our land.”
As he speaks, old, gnarled hands punctuate his words, gesturing out to the many men gathered ‘round. His fingers shake with effort, his shoulders bowed beneath the weight of his many, many years. But his chin remains high, and his tone commanding—if a touch quavery.
“I hear rumblings,” he continues, “from the South-East.”
Lord Grover’s eyes, milky with cataracts, shift in the direction, staring blindly into the towering trees of the Whispering Woods. Beyond them, even.
“Whispers of a great danger brewing in the Crownlands—within the King’s own court, if rumors are to be trusted.”
Your spine turns to steel.
Those rumors, you know, are as true as they come. Over the past several months, they had moved through the realm like a venomous serpent. Slithering from mouth to ear, hissing tales of the two factions that now divide King Viserys’s council.
The Blacks and the Greens.
The rightful heir and the first-born son.
And the very reason your father had called you home.
“War is coming,” a deep, foreboding warning, “and should it reach the Riverlands, I wish to know that we might stand united in its wrath. That we will not allow petty rivalries–” a pointed glance at your brother, and then to your left where, without looking, you know the Blackwood heir stands–“to tear us apart from within.”
A heartbeat passes. Then another.
The forest holds its breath. Cradles the Lord Paramount’s words in the air, weaving them around the many great Houses of the Riverlands.
You wonder if this is what strength looks like. What it sounds like.
You fear you already know which side of the war Lord Grover’s strength might fall—and you pray that you’re wrong.
Placing a firm hand upon his grandfather’s shoulder, Elmo takes a step forward. “In an effort to promote civility between our Houses,” he announces in a tone that demands respect, “we have arranged for a hunt.”
Your brow furrows. A hunt?
“You will be divided into two person teams, working with an individual outside of your own House.” His gaze shifts to you, dark eyes gleaming with mischief. “Teams have already been decided. Upon your arrival, each of you was given a pin—your partner will bear a matching one. And while there will be no winners or losers, you should know that once you leave camp, you will not be permitted to return without a trophy of some kind.”
Discontent spreads. Low murmurs fill the air.
Amos voices his frustration louder than the rest. “And when is this hunt to take place?”
Elmo grins. “Now.”
Instantly, murmurs grow to shouts.
“You cannot be serious, my Lord!”
“It is already sunset!”
“Is this a jest?”
Elmo’s grin never wavers, unphased by the protests—and Lord Grover appears content to let his grandson contend with everyone's bickering, exhausted from what little talking he had already done.
“Might I suggest you move quickly,” Elmo speaks over the crowd. Glancing upwards, he squints at the black clouds rolling overhead, an amused lilt to his voice as he adds, “Lest you wish to be caught in the coming storm.”
With no more than a curt nod to the crowd, Elmo turns on his heel, already veering off in the direction of his own tent as servants begin to help Lord Grover rise.
“This is absurd,” your brother grumbles.
You ignore him. Storming right past him, you make a beeline for the fleeing Lord.
“A hunt?!”
Fond as Elmo is of you, you know better than to shout at the future Lord Paramount of the Trident. Your voice remains no more than a harsh whisper, even as you shoot daggers into the back of his head.
“At night, no less! In the middle of a gods-damned storm! Have you lost your mind?”
“What? You think it’s a bad idea?” He chuckles, keeping a steady pace. “Of all people, I thought that you might appreciate the challenge of it all.”
You stay on his heels. “Who is he?”
“Who is who?”
Further from the crowd now, you grow bold. You reach out and snag his arm, forcing him to stop and face you. “Ignorance isn’t a good look on you, Elm.” You grind out, “Swear that you didn’t pick him to be my partner.”
A wrinkle forms between thick brows, feigning innocence. “What makes you think that I chose your partner?”
“Because I know you. You’re always scheming—jutting your big nose into places it very well does not belong!”
Elmo opens his mouth—hesitates—and then frowns. “Am I truly that transparent?”
“You may as well be made of glass, Elm.”
His pout deepens, still dancing around your question. “Well, let's say that I did choose your partner—theoretically, of course!” Your eyes roll. “I think you would find my choice to be quite suitable. If anything, you might even thank me-”
“This isn’t a game, Elmo!” Desperate now, you can’t stop your voice from rising. “If you paired me with him, then Amos will–”
“Kill him?” Elmo ventures.
“Yes!’
Pursing his lips, Elmo’s gaze falls somewhere over your head. “Well,” he sucks in a breath, “it seems we may be past the point of stopping that from happening.”
Your mind goes blank, your thoughts scattering like shards of glass.
You spin on your heel, head whirling around in search of Amos in the throng. Less than a second and you spot him—not because your gaze was drawn to the familiar gold color of your own House, but because of the wall of stark scarlet standing before him.
Blackwoods. Two of them on either side of the Raventree heir.
And Benji—his hands pressed to your brother's chest, roughly shoving him back into one of your cousins.
“Do me a favor,” Elmo's sigh cuts through your panicked haze. “Keep the two of them from plunging a sword in the others’ belly, would you?”
Any other time and you might have told Elmo off, cursed him for putting you in this position—future Lord Paramount be damned.
But not now. Not when centuries of rivalry serve as proof that nothing is more dangerous, more unpredictable than this—
A Blackwood and a Bracken—your brother and Benji—standing toe-to-toe.
Mindless adrenaline is all that thrusts you into motion. Mud splatters up the legs of your trousers as you practically run in their direction, demanding as soon as you’re in ear shot, “What is this?!”
Amos doesn’t acknowledge you. Neither does Benji.
Chests-puffed, they remain locked in their foolish staring match, neither of them willing to be the first to back down.
Finally, one of your cousins sneers, “Seems that Benji-boy here thinks we’re gonna let him take you out into the woods.”
A sharp, nasty laugh rips from Amos’s throat. “As if I’d let that happen!”
“We’re partnered for the hunt, you imbecile.” Benji’s tone is that of lethal calm, even as he glares down his nose at your brother. You look to his chest—spotting the silver dahlia pinned at his breast. “If you have a problem with it, take it up with Tully.”
“You think I’m stupid, Blackwood?!”
Benji’s brow lifts a fraction of an inch, as if silently proclaiming—I just said so, did I not?
Scowling, Amos juts his finger against Benji’s chest. “I refuse to give a Blackwood an opportunity to defile my sister!”
Benji’s answering grin is something wicked as he purrs, “Oh, if I wanted to defile your sister, Bracken, I could’ve done so a long time ago.”
Your pulse pounds—caught somewhere between offense and desire as Benji’s words echo in your head.
Both feelings fade to fear when Amos reaches for the hilt of his sword, wrenching it from the sheath at his hip. In a blink, more weapons are drawn—your cousins holding swords, the Blackwoods holding daggers.
Not Benji, though.
Benji doesn’t flinch, even with your brother's sword poised at his throat, ready to kill. Something flickers in his eyes—a shift that you know all too well, sending ice skittering across your bones.
“I won’t have this,” Amos seethes. “You will find another partner—or I swear on my House that blood will be shed!”
Benji leans closer. Let the tip of the blade dig into his flesh, a rivulet of blood rolling down his throat.
Red.
“Is that a threat, Bracken?”
You can hear your brother swallow—feel his panic as if it were your own, as if it was his fear coursing through your veins. Still, his voice remains steady. “Consider it a promise, Blackwood.”
A blink and steel was glinting before your eyes. A single breath and Amos was out-maneuvered and out-matched—the clash erupting and subsiding in one seamless heartbeat, ending with your brother's sword in Benji’s hand.
A shuddering breath slips from your brother's lips as Benji presses the steel to his throat, a perfect mirror of the position they were in just moments ago.
“What’s the matter, Bracken?” Benji croons sarcastically, head hilting. “Do I frighten you?”
There’s a lull to his voice—an eerie stillness that sends a chill scuttering down your spine.
Amos was ignorant—to pick a fight with Benji, to think he might actually win it. But he’s your brother, too—and you know that if he were to be slain right now—right here—an even larger chasm will take the place of the one you were once meant to bridge.
“Stop.”
The demand is no more than a breath. A soft, terrified sound.
Yet still, it makes Benji’s focus waver.
“Leave him.” You force yourself to speak louder. Stronger. “Now.”
You take a step closer—a hand outstretched, reaching towards Benji. His attention shifts, settling on you. He blinks—his stormy eyes, dark with rage, finally starting to clear.
Benji’s movements languid as he steps away from your brother. Your cousins rush to Amos’s side as he stumbles back, frantically checking the heir of Stone Hedge for any sign of injury.
They found none. Not even a scratch upon his throat, where his own sword had just hovered.
Benji passes you the sword—a silent conversation passing between the two of you.
You could have killed him, you glare.
I could have—Benji agrees with a small, self-satisfied smile—but I didn’t.
One of your cousins, bold and stupid, steps forward. “Is that all it takes to keep you at heel, Blackwood?” He glances between the two of you, his lip curling into a sneer. “A dog and his bitch,” he taunts, “how sweet–”
A cry rips from his throat, cutting his insult short. You expect it to be Benji, having noticed the way his fists had clenched from the moment your cousin so much as looked at you. And perhaps it would’ve been—if your brother hadn’t grabbed the fool by the scruff of his neck, yanking him backwards and shoving him to the muddy ground.
“Say what you want of him,” Amos tells your cousin, his voice gruff, “but you will mind how you speak of her.”
You don’t know what to make of that. Of Amos defending you. Of knowing that if he hadn’t, Benji would have. Or that, even after that, Amos doesn’t quite know how to look you in the eyes, looking to the grass and the sky and anything that isn’t you.
You’re a Bracken, through-and-through. Take pride in that.
But did he take pride in you?
If you wish to impress Lord Tully, you might think twice about sending her.
“What’s done is done.” With a pointed look towards Lord Grover’s tent off in the distance, you say, “Now is not the time nor the place. If you wish so badly to fight, save it for when the war begins.”
On one side of you, Benji remains silent, watching you with a curious glint in his eye. On the other, Amos hesitates.
“I don’t trust him,” he says.
You wonder if he doesn’t know how to say: I’m worried about you.
“You heard our father,” you tell him, chin high, “when it comes to a bow and arrow, no one’s a better shot.”
Perhaps there are things you don’t know how to say, too. Like: But I do. I trust him with my life. Maybe even with yours, too.
Begrudgingly, Benji meets your brother's gaze, fighting the urge to scowl at him. “For years, no harm befell your sister under my watch—and you have my word that none shall befall her now,” he vows. “I swear it upon the Old Gods.”
“And the New?”
You consider stomping on Amos’s foot.
Ignorant. To continue pushing—
“Fine.” Benji’s brusque answer takes you by surprise. “Upon your false Gods as well, then.”
Amos, to his credit, argues no further, only echoing the Raventree heir. “Fine.”
For a fleeting moment longer, they stand there, eyes locked. Amos is the first to turn—the roaring tension dissipating into a hushed hiss as him and your cousins storm off. Benji stays, even as his own men begin to back off, as if listening to a silent command to go find their own partners.
You look at him. And he smiles—a shy, awkward thing.
“I’ll wait for you,” he says, a barely perceptible pause in his speech. “At the edge of camp—you can find me whenever you’ve gathered your things.”
You open your mouth to speak, to say something—but the words take root in your chest, leaving vines to crawl up your throat. If you speak, you worry about what might come out. Worry it won’t be as delicate as the dahlia pinned above your heart—above his, too.
So you close your mouth. Say nothing. Nod—and turn, trying to keep your legs from shaking as you walk back to the makeshift paddock to get what you would need for the hunt.
True to his word, you find the heir of Raventree at the edge of camp, leaning against a towering oak and using the tip of his dagger to idly pick dirt from his nails.
You brought only what was necessary—your bow, strapped between your shoulders, and a dark-leather quiver slung over your shoulder, stocked with already-sharpened arrows.
Light rain mists over your face, the sky groaning with a low rumble of thunder. The forest floor squelches beneath your feet as you trudge towards him. Forever on-guard, Benji wastes no time in pushing himself off the tree, adjusting the dagger in his palm so that it can be easily plunged into another's belly if necessary.
But then he sees you, dressed in Bracken gold with damp hair sticking to your cheeks, and looses a breath. Relaxing at the sight of you—his rival, according to centuries of precedent. Your rival, too, you suppose.
Benji doesn’t look like your rival, though.
Sheathing his dagger at his hip, you see no trace of the lethal Lord who, mere moments ago, was willing to go head-to-head with the heir to Stone Hedge. This boy—stuffing his hands in his pockets, a light flush crawling up his throat—is not Benjicot Blackwood, the heir of Raventree Hall.
He’s just Benji.
“Ready to go?” He asks when you’re closer, his voice a familiar caress so unlike the eerie lull it held earlier.
It takes everything in you to erect an icy wall around your heart, colder even than Northern winds. You shove past him, your shoulder knocking into his as you go and earning a perplexed stare. “Let’s get this over with,” you snap, plunging into the depths of the Woods and leaving him to follow behind.
Ten minutes pass. Twenty.
Dusk crept swiftly through the Riverlands, casting a pall shadow over the Whispering Woods. Overhead, dark clouds seem to grow thicker, obscuring what little light the moon has to offer.
A fool’s errand. An impossible task.
That is what Elmo Tully had arranged—not a hunt.
With the sun hidden beyond the horizon and a near-constant rumble of thunder, any animal in these Woods would either be asleep or hiding by now, trying to escape the incoming storm. To find a trophy to bring back to camp—even something as simple as a hare—was unlikely.
Still, knowing the guards won’t let you back in without one, you keep walking. Keep plunging further into the Woods, praying to the Gods that you might find something to take back to camp.
Twigs snap a few paces behind you, wet foliage squelching beneath purposefully heavy steps. A low, careless whistle tests your patience.
With your bow hanging from your hand, you grumble, “You’re being too loud.”
Benji feigns innocence. “Am I?”
“Yes,” you hiss through gritted teeth, never slowing your pace. “Be quiet—unless you wish to scare off any game and spend the night sleeping on wet soil.”
He chuckles—loudly. “Have you looked up lately?” Benji asks. “The sky looks as if it’ll crack open any minute now! Any animal with sense is hiding right now, anyway.”
True.
“Then we find one without sense, then.”
Benji snorts. “The only thing without sense in this forest is Amos Bracken.”
Without warning, you stop dead in your tracks—leaving Benji to nearly stumble into you. You cast a glare over your shoulder, cold enough that a chill seeps right into his bones. “You’d do well to keep quiet, Benjicot.”
His lip curls, revealing a flash of slightly crooked teeth. “And since when do you call me Benjicot?” He asks, a ribbon of disbelief lacing his own name.
Your jaw tenses, a muscle feathering there.
I don’t know, you think, a pang of uncertainty cracking the ice wall around your heart.
You reinforce ice with steel—turning fully now so that you’re face-to-face, dropping your bow to the ground by your feet. “I won’t let you speak of him that way,” you say, ignoring his question. “My brother is the heir to Stone Hedge–”
A bemused laugh cuts through your words. “Oh, he’s your brother now, is he?”
You speak over him, voice rising. “To insult him is to insult the whole of House Bracken–”
“Fuck House Bracken,” Benji growls.
He takes a half-step closer, towering over you with no more than a foot between you. You don’t falter—don’t look away.
“I am a Bracken."
His head tilts. “Are you? Last I checked, you were practically raised on Blackwood soil.”
“Perhaps,” you admit. “But my wardship is over–”
Benji cuts you off. “Tell me, where was your brother all these years, then? Your father?” He doesn’t let you answer. “No more than a brisk-fucking-walk separating you and yet neither one of them cared to visit with the forgotten daughter of Stone Hedge!”
You’re a Bracken—
“You don’t know them,” you protest weakly, your resolve crumbling.
—through-and-through.
“And you do?” He challenges. Another step, his chest inches from yours. Warmth radiates from his body, seeping into yours and melting melting melting. “Why did your father call you home?”
His words are no more than a breath fanning across your cheek.
Vulnerability permeates your gaze, bearing an unspoken truth. Because war is coming, you convey with no more than a flicker of your lashes, and fate has already decided my role in it.
Benji’s lips tighten to a thin line—and you would’ve thought him ashamed of you, if not for the pain glimmering in his stormy-eyes, lined with silver. “Your father,” he utters, “he will declare for Aegon Targaryen—won’t he?”
You’re a Bracken—
You debate the merits of telling him the truth. Of betraying the plans of your house.
—Take pride in that.
“Aegon Targaryen is the King’s true-born son.” You speak, though you know the words are not your own. “To sit the Iron Throne is his birthright.”
The birthright of a drunken craven.
The betrayal of a beloved princess.
Benji blinks. Shakes his head, his tongue darting along his lips. “He called you home to fight. Humfrey Bracken’s forgotten daughter—useful at long last.”
Rage coils in his tone. Instinct makes your muscles tense.
Nothing is more dangerous than this, your thoughts whisper, a Blackwood and a Bracken, toe-to-toe.
There’s nothing dangerous about the way Benji’s looking at you, though. His gaze soft and tender, calloused hands clenched at his sides—holding himself back, you realize. Not from fighting, but from reaching out to touch something he’s not certain is his.
“Will you do it?” Benji asks, hesitant. “Will you fight for the pretender?”
I don’t want to, you think.
It’s your brother's words that slip past your lips. “I have no choice. My blood runs gold, Benji—a Bracken, through-and-through.”
His brow furrows. Then a hand shifts to the sheath at his hip, sliding his dagger free. “Give me your hand,” he orders, nodding to where they hang at your sides.
You remember his vow to your brother—that he would let no harm befall you. Even without it, you would’ve trusted him. Wholly. Unconditionally.
You lift your hand and, without hesitation, he grips it on his own, pinning the steel tip of his dagger against your palm.
You hiss—hand stinging as the blade drags along your flesh, leaving a thin, shallow cut.
“You’ve always had one foot on either side of the boundary,” Benji starts, his words rushed. Carelessly tossing the dagger to the ground, he grabs your wrist tightly, lifting your palm up towards your own face. “But your blood,” he tells you, his eyes desperate, “has always run red.”
It drips down your wrist—a rivulet of crimson, spilling between his knuckles as he refuses to let go. Red as the color of his tunic—as the specks of blood dried on his own throat, drawn by your brother's sword.
Gold on your back. Red in your veins.
A Bracken by name, but…
“It’s not too late,” Benji says, his words slow and cautious, still cradling your hand in his. “You can come back to Raventree.” Thunder rumbles. Storm-cloud eyes fall to your lips. “You can come home.”
You think of Amos. Of your brother. You’re home now, he had said, a shadow of love in his eyes, Be glad for it.
But home was ancient stone, crawling with moss. Home was the deep, muddy moat that you always threatened to push Benji into when he was getting on your nerves. Home was Black Aly’s voice, scolding you whenever your arms were still too weak to string a bow.
Home was a dead weirwood tree and a boy with stormy eyes.
But duty…
That was something else entirely.
Closing your hand around Benji’s, your chest fills with water as the last of the ice melts. Hard steel turns impossibly soft, your feet shuffling until your body is flush against his—still-entwined hands pinned between your chest, trapped between fabrics of gold and red.
Benji leans down, his forehead pressing against yours. There’s nothing dangerous about him. Nothing unpredictable.
You know him—from the crook in his nose to the scar above his lip. From the lull of his voice to the weight of his steps. His quick temper and his shy smiles.
High above, the sky cries out. Thunder booms, lightning cracks. Misty rain turns to a violent downpour.
And he leans in, oh-so carefully. A trembling breath against slick skin, chapped lips hovering over yours.
“You can come home,” Benji whispers, repeating himself. You can’t think—can’t breathe, as he utters against your mouth, “Let me take you home.”
And he kisses you. A tender, desperate kiss—the kind that drives your lips apart with the sheer force of it. He tugs his hand from yours, slips it out from between your bodies and brings it to rest on the back of your neck, tangling his fingers in damp, rain-soaked hair.
Restraint is no more than a breath in the wind. Desire curls in your stomach. Your pulse pounds in your veins, rich with red red red.
But then there’s your brother’s voice in your head: I don’t trust him.
And you know what he meant was: You’re my sister—my blood, red or gold—and I’m worried about you.
You pull away, breathless and broken, one half of your heart lying on either side of the boundary stones resting miles and miles from here.
Lips still close enough to brush against yours, Benji pants. “Say yes.” The love in his eyes isn’t a shadow. It’s a bright, blinding light. A proud declaration and a howling plea. “Say you’ll come home.”
You look down—to the sigil embroidered on your tunic, to the still-drying blood on your palm
An estranged brother and a forbidden lover.
And you.
The bridge to a great chasm.
The futile remedy to centuries of enmity.
You take a step back—reaching inside of yourself, pulling shriveled vines up your throat, knowing that the words hammering in your chest will be anything but delicate. That they’ll taste of rot in your mouth.
“I’m not sure I have a home, Benjicot.” Pain echoes across his face, each syllable a rusted dagger in his heart. Another step back, grabbing your bow from where it laid in the mud, abandoned what feels like a millennia ago. “Not anymore.”
When you turn to leave, thunder crashing overhead and a sob caught in your throat, you go alone.
The heir to Raventree Hall doesn’t dare to follow.
You walk in silence, your bow hanging at your side. Behind you, there are no snapping twigs and no low, careless whistling. There’s only rain and—
A branch creaks overhead, halting your steps. Your bow is drawn in a single breath, the cut on your palm stinging as you slide an arrow from the quiver slung over your shoulder, readying to shoot. You look up, drops of rain splattering against your cheeks as you scan the trees.
There.
Perched on a wet, mossy limb was a pair of beady eyes staring down at you. A raven, letting out a low, curious croak.
A single shot and you could go back to camp.
A single shot, you tell yourself, and your blood might finally run gold.
A breath—and then the bow string goes slack.
You slip the arrow back into the quiver.
a/n - does any of this even make sense? idk, you tell me lmao. overall, just wanted to play around with capturing the confusion that might ensue for a reader who has no clue where their loyalties lie anymore, lost in who they are and who they think they're meant to be--anyways, hopefully the ending makes sense to you because it makes sense in my brain
anyways
benji tag list (so sorry if I missed you!) - @jacaerysgf @lenasvoid @valdezthg @xzydra11 @snixx2088 @lianna75 @kennafild @ghostinvenus @heystaystray @but-i-write-so-i-must-count @a-song-for-ages
#benjicot blackwood imagine#ben blackwood imagine#hotd#house of the dragon#hotd imagine#bloody ben imagine#benji blackwood imagine#benjicot blackwood x reader imagines#benjicot blackwood#benji blackwood x reader#bloody ben x reader#hotd imagines#house of the dragon imagine#house of the dragon fan fic#house of the dragon fanfic#benji blackwood#hotd fan fic#hotd x reader#hotd fanfic#house of dragon imagine#hotd season 2#asoiaf imagine#asoiaf#kieran burton imagine#davos blackwood imagine
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cool so if you guys are going to blatantly ignore my art can you at least tell me what sucks so hard about it. instead of completely wasting my time.
why are you even here?
#soo funny watching for two days while my apparently dogshit art gets no interraction#'oh ok well maybe it's bad timing and no one saw it:)'#point 2 seconds later everyone liking and reblogging fanart i've reblogged#literally no one's gotten the memo about this blog ig but it's specifically about supporting the unsupported#really fucking sucks when y'all will only interact with fanart of what's popular#inb4 'you can't blame others for what they like'#i can and i will#get better taste and start supporting original content right fucking now or else#this doesn't just apply to me btw i see y'all ignoring original shit i rb#but i won't lie it really does fucking sting to know that my art is just way too ugly to be on anyone's blog#been working at this shit my whole life and it doesn't matter because i'm not drawing#the real life people y'all be treating like characters#or whatevers on paramount plus nowadays#because i have the gall to make little fucking guys#it's been literal decades can i PLEASE have a CRUMB of validation LITERALLY EVER#HOW MUCH DO I HAVE TO RUIN MY LIFE JUST TO GET PEOPLE TO SPEND TWO SECONDS LOOKING AT MY DOGSHIT DRAWINGS#DO YOU EVEN REALIZE I'M A PERSON TOO
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Blocked the names associated with that last reblog so they don’t come after me (I saw the sub-100 notes count after I RBed oops) but like, in all seriousness,
If you genuinely think “internet is bad because it is optimised to manipulate all the worst and most destructive parts of childrens’ psyches to train them into mindless consumers and discourse addicts” and “internet is bad because it said Hitler and dead baby is funny” are in any way equivalent arguments, or that the latter is in any way a clever rebuttal to completely rebuke the former, please fuck right off.
Old things and new things can both be very bad in different ways and 2000s edgy internet shit was pretty horrendous, we all agree on that. But shutting yourself down to the conversation about the very different state of the internet today and instead taking the chance to Smart Clapback Own someone who slipped up in their semantics but overall still had a very good and very serious point? Just because your moral compass is irreparably skewed towards your own discourse addiction and your Need to be Right, that your measure of goodness is just obsessing over the biggest loudest ‘Bad’ thing because calling it out is the path of least resistance to more Clever Morality Points?
You are a complete shithead.
#i literally cannot stand this wave of self-congratulatory faux-progressivism#where saying and doing the nicest most flowery thing is the paramount measure of morality#in lieu of actually trying to be kind people and make the world better because it's easier to just strawman some obvious evil#that makes you a fuckwit#my text
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