#do I want to go down that rabbit hole?

[the-whispers-of-death]

for some reason i literally cannot stop thinking about mlp!stone with a broken horn. because in gen4, im 99% sure there was literally only 1 occasion on camera where we saw a pony with a broken horn (aka tempest shadow/fizzlepop berrytwist my QUEEN) and she was in the fucking movie and girlie got mauled by a literal magical bear then, as a literal child. so now im going down a full thought rabbit hole of "what if pony horns are like human skulls. very soft and moldable for the first little while until it solidifies" cuz like maybe thats a reason the magical bear managed to rip it off, cuz they were literally thought to be indestructible (in fanon) before then!!!!!! idk i am very much so thinking way too deeply about this. and that brings me to pony!stone. because. how the fuck would be manage to get his horn shattered? i mean. theres an onslaught of OP magical beings in the mlp universe (read: the fucking magical space bear from before). and like. the only thoughts that come to mind are either like. it happened because a certain awful father. or. in the caunterlot royal guard. if thats where we're even placing him. and an idea just came to me where hes a changeling and simply takes on that body to appear like an easier target (which he absolutely is not. this horse has a license to kill). but idk if changelings as a species even fit him. cuz they all get reformed in the end and stuff. so back to horse he goes. but that still doesnt answer the question. tirek and king sombra are still in the equasion though. but sombra's a weak ass bitchbaby so that means tirek is the answer. with his freaky ass 12 year old side-kick. and i mean. there was that one epic fight scene going on with like a shit tonna magical energy so yknow. he couldve been gotten hit. if it werent for the fact the fight took place in fucking NOWHERE. so now im mad again. and unfortunately the falloutxmlp crossover books arent canon. cuz that sure wouldve made this a whole bunch easier. so. back to a certain father we go. sorry stone, into the meat grinder with you </3. wait wouldnt a damaged horn count as a disability. so. would he even be allowed in the horse army. what. oh no. eh fuck it hes already fucked up in canon and that version of him gets to be there. so. why not at this point

((sorry. i just. needed to have a brainstorm session with myself. cuz. i cant stop thinking about this!!!!!! i am the most mentally stable person out there. no i didnt watch the mlp movie like religiously when it came out wdym. no mlp lore videos are not my fave past time.. haha... ahem..))

~ rusty <- most shame ive ever felt putting my tag there /j

I'll be honest, I've never seen anything mlp-related ever. But um, I think Stone's broken horn would totally be because of Bharat. Because Bharat's neglectful and abusive in every universe. Unfortunately for Stone.

[poorly-drawn-mdzs]

Master manipulator vs Master manipulator

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[tetzoro]

the day the earth stood still is the day i felt your presence leave it, and then every day after that.

[xxplastic-cubexx]

charles xavier is literally marvels damsel in distress

he needs to get obliterated!

for a moment i forgot i posted this ask last night and i thought you were just calling for the annihilation of charles xavier im CRYING

[wutheringmights]

also i really shouldn't have written stp because now i have a million ideas for spirit's adventures in new hyrule that I will never have time to actually write :((

[the-lesbian-orpheus]

People of tumblr help me! Oddly specific book rec request!!!!

I’ve wanted to get back into reading (it’s been working I read dps book version since I already love the movie, started rereading the hobbit, finished this poison heart which I started like 3 years ago and was 70% through, and finally started the secret history)

But I’ve been craving a specific (Niche?) genre of literature because fiction has me in a certain mood??

Does anyone have any book recs that are have these vibes:

- life is strange or gravity falls type story (Pacific Northwest, forests and fog maybe some cryptids or supernatural stuff)

-not straight up horror- like if it has creechurs they are a little spooky and there’s “something strange about this town” that’s cool but it’s not like constant horror and death more like nature being mildly creepy and supernatural, maybe there’s a mystery to solve or it focuses on the characters similar to life is strange

- not a must in case there is an older book that fits the vibes but it would be cool if it had queer characters or just representation some diff groups of people in general

-if I think of other existing media that has the vibes, I’ll put it here (Kids at summer camp create secret club and befriend cryptdids vibes? Or maybe they get powers from an old journal?)

-I’d also be down if it was like vampires(love them) or ghosts(pretty cool)

(Also due to booktok actively trying to murder me in like 2021- little to no spice please and thank you)

Hope someone actually sees this and it’s not too hard of a request

Im sure this genre has a name but I don’t know what it is

I guess oddly specific questions is what Reddit is for but Reddit terrifies me-

[starryeyed-seer]

I have ideas for fun hallowmas outfits but art is hard. I'm loving all the great art people are making and I'm like... i wish I was better at art especially historical-y fashion design. Every time I try drawing them it just doesn't look right.

I may keep trying, I really want to do the Neath fashion collection too!! But my art skills are limited on getting stuff to look how I want. This is why I usually draw weird creatures instead

[crispy-art-on-fire]

Requested by @scotisfr a chestnut Bella Sara Horse :> This is Anthea! Who has very inconsistent coloring over all being shown as like a dark chestnut/red in card art and tomato red in the stable.

[amphibious-thing]

I’m tempted to start working on something about Eonism theory (basically proto-autogynephilia theory) and how it’s not even accurate to d’Eon (and why I suspect it might have been influenced by Gaillardet's novel).

[heung-mins]

just learned that people ship shadow and sonic, much to think about

[doedipus]

a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

[sciderman]

be honest have the boys done any piss stuff 😠🤨?

P

this is one of those i can neither confirm nor deny situations

nate and wade, though?

[thetwilightroadtonightfall]

At long last…

I was able to do something that I’ve always wanted to do…

Talk about Ephemera for 20+ pages straight!!!

(half of it’s actually images but it feels good to say 20+ pages)

I hope you learn and feel things while reading it 🥰

no images version | most of the images in the document

[daincrediblegg]

Nothing wrong with me

[markiafc]

to fulfill my promises to @ananeiah and to expound on @seventh-fantasy's post, there are many conceptions of enlightenment. because buddhism is a massive and old religion with a very robust canon, enlightenment goes by many names, it's articulated and imagined in many different ways. let's play the game of how many of them are adopted by the show...

popular metaphors that embody enlightenment include a refuge, a flame going out, or a firm island - because this world is often described as an ocean. all human beings are floating in the 生死苦海 sea of rebirth and suffering. to escape it, one must make their way to the island or to get on a boat. mahayana buddhism (aka. chinese buddhism) is literally named 大乘 the great vehicle, the primary idea being that enlightenment = to board a vehicle of transport, it will take you away. however, buddhism doesn't just envision this as an ambiguous vehicle. 乘 the vehicle specifically refers to a 船 boat.

the mortal world and the cycle of suffering is a sea and the way out is enlightenment, envisioned as a boat.

an extension of this is the concept of 彼岸 the faraway shore (alt tl: the further shore, the distant shore, the other shore, or at times the opposing shore). it draws on the same notion of 苦海 the ocean of suffering. to achieve enlightenment is to swim to shore, where there is finally safety and stability, free from suffering. this is why the euphemism for enlightenment is to 度到彼岸 reach the faraway shore.

此岸 this shore, is this ever-changing world full of agonies. you wade across the 苦海 sea of suffering, and reach 彼岸 the faraway shore. this is enlightenment.

as @seventh-fantasy depicts in this post, the final shot of ep 40, and as seen in the bonus ep 40.5, this is where llh is. ep 40 ends with the camera moving further into the distance, moving further into the sea. and the bonus ep 40.5 makes it clear again that lxy/llh has found his way to a different beach. llh has crossed the sea to another beach. he is on another shore, the 彼岸 faraway shore, far from 东海 the east sea where everyone else is.

let's look even closer at this.

enlightenment is also conceived as a place: 淨土 the pure lands, 极乐世界 the realm of greatest bliss, and so on. one of the geographical markers of this idea is 西 the west. this "land" accessible only to the enlightened (佛 buddhas, 菩萨 bodhisattvas, and 阿罗汉 arhats) is also dubbed 西方淨土 the western pure lands and 西天 the western heavens, etc.

enlightenment is imagined to be westwards. the opposite direction and away from 东海 dong hai = the east sea. where the story began and lxy famously plunged into; he fell into the 苦海 sea of suffering located in the 东 east. from this starting point, llh makes a meandering journey to his final location in the show. he makes his way 西 west, towards enlightenment, and reaches a 彼岸 faraway shore, the enlightened "after" and what is beyond.

now that we're on the topic of the pure lands, it's worth mentioning that this concept is furnished with a lot of descriptions in buddhist sutras. it is a beautiful, glorious land brimming with lotuses. because, of course, the lotus is yet another ubiquitous image that represents enlightenment.

the lotus position is crucial to the buddhist practice of prayer cultivation, especially in 禅宗 zen buddhism that is built around the central practice of prayer. lotuses are motifs in buddhist art, and buddhist myths (the legend goes that lotus flowers bloomed under the buddha's feet when he took his first steps as a child). people practicing buddhism are referred to as 莲友 lotus friends, 芬陀利花 the white lotus is a synonym for the buddha. lotuses are also integral to buddhist canon; the pure lands are detailed to have seven 宝莲池 treasure lotus ponds. every buddhist has their own lotus waiting for them in the pure lands; it is believed the more you cultivate, the more your bud in the pure lands grows/blooms.

of note, every living thing residing in the pure lands are made from lotuses. in fact, buddhist canon states that the enlightened are reborn inside a lotus bud, similar to an incubation. their new body is reconstituted from lotuses and they emerge anew when the bud blooms. crucially, it is also stated that every enlightened in the pure lands will have 莲花座 a lotus seat. this is a vehicle of transport, usually likened to the magic carpet from one thousand and one nights. it is described as 随心所欲、飞翔自在 something that acts after your heart's desire, something that flies free. the lotus seat is about boundless, freeing travel.

this isn't comprehensive at all, there are tons of other ways lotuses come up throughout buddhism. but the connection to the show is straightforward and self-explanatory. the primary motif in 莲花楼 mysterious lotus casebook is the lotus - a famous marker for buddhism itself. one of the dominant illustrations of enlightenment, the cultivation process to achieve it, and enlightened entities themselves.

the buddhist notions of rebirth are similarly heavily intertwined with the lotus. it is your body; you become it, it becomes you. from then on, you are surrounded by its image and its presence. you even have a lotus vehicle that becomes your main method of travel, a mode of travel defined by carefree contentment. sound familiar? llh's identity and his living carries major markers of enlightenment. it is one of the primary concerns of his character arc.

quick detour. a prominent moniker for enlightenment is the setting of the sun, as yet another epithet utilized by the drama.

detour over. crazy connections time.

discussions of death and suicide is, to my knowledge, particularly prominent in japanese buddhism. but as a whole, a significant portion of buddhist canon and a good number of buddhist media deals with this too. dying as a means to get closer to enlightenment, equating death and enlightenment, the subject of suicide itself. characters seemingly pass away and become enlightened, or characters strive for death with this express purpose as death is connected to enlightenment. this is true. one does not necessarily cause the other, but the concepts are interconnected in buddhism. it comes hand in hand, dissecting one means dissecting the other and vice versa.

most buddhist texts and masters do not condone a direct correlation, suicide is not the way to enlightenment. there is no buddhist value to killing yourself. but the key exception lies in one of the most important buddhist texts: the lotus sutra.

"These include several themes dealing explicitly with death, such as how suicide was committed to speed up rebirth in the Pure Land based on the sanctioning of voluntary death as a superior form of sacrifice in Chapter 23 of the Lotus Sutra ..." [1]

the chapter 23 in question talks about a bodhisattva who turns himself into a human candle and burns himself up, in offering to the buddha. there is more to the story, but it mainly functions as a lesson about cultivation and enlightenment.

in the canon about buddhist suffering, there lies a subset dedicated to physical pain and torment. there is a heavy focus on our 5 senses, specifically (that's a whole separate topic i won't go into here). very briefly, to suffer is to experience the world through our 5 senses. to live as a human being is to suffer in a sensory way.

buddhism aspires to transcend this flesh and blood suffering. so annihilation of one's body is an essential step to achieve enlightenment. usually, this theory centers natural death and decay. you accept that you are always aging, your senses will lose their edge, your body is always subject to illness, injury and other failings. let the body waste away, it will do so regardless.

hence, the human body is set on a course of gradual deterioration. this suffering is processed through our 5 senses and is defined by them. in the face of this, the lotus sutra is the only notable buddhist text that looks kindly upon "voluntary death" to transcend it.

similarly, llh accepts the effects of bicha on his body. it mimics the natural decline of the human body, accelerating the degradation of his senses, his immune system, and his physical capabilities in general. his experience of this form of suffering is also emphasized through a period losing his sense of sight. it is a very buddhist torment. but at the end of the day, it is still a man-made, unnatural cause generating this effect. accepting this is not the same as accepting 生老病死 death via age, sickness and other natural processes.

llh embodies the sentiments and themes in the lotus sutra when he consciously chooses to let bicha run its course. he chooses to die, it is a "voluntary death". let this destroy his body. let this suicidal choice (though its more nuanced than simply suicide imo) free him from buddhist physical suffering. thus bringing him closer to peace, a version of himself that will be happier.

finally, enlightenment is about ambiguity.

凡人 the common people are incapable of comprehending enlightenment. it is understood that the human senses and the human mind is too inept and unrefined, too clouded by illusions, to grasp it. there are a million ways to express it, depict it, and name it. but there is a consensus across buddhism that these are simply aids for the common student of buddhism, and they are not accurate to the truth. at the core of enlightenment is an abstraction, an inherent unknowing.

it is, by definition, a departure and a continuation. it is a removal from this world and a transition into another place, another realm. all at once, the phenomenon straddles a greyness between an ending and a beginning. it is unclear whether the enlightened has left, or is it the common man who is so lacking he cannot recognize or even perceive the enlightened? in the theory of enlightenment, buddhism accounts for both factors. but we will never know for sure.

where do the enlightened go? where are they, where have they gone? these are questions buddhists often ask and explore, and it is also the question that the remaining cast engages with. what is enlightenment, exactly? there is a suspicion, some notion of what must have happened. it might be death, it might not be. only the enlightened can answer this, everyone else is left without clarity.

in the end, the seekers get close to the answer but there is no real fruition. and so the search lasts indefinitely.

that, too, is part and parcel to enlightenment.

as for how enlightenment narratives function, i leave you with this.

"Nirvana provides the full stop (period) in the religious story; it gives what one might call, to use Frank Kermode's well-known phrase, "the sense of an ending" - that is, a real ending and not a mere breaking off. Such an ending is only possible within a narrative.

[...]

Nirvana, I want to suggest, is a moment within a discursive or practical dynamic, a formal element of closure in structure of Buddhist imagination, texts, and rituals. One might say that nirvana has primarily a syntactic rather than semantic value: it is the moment of ending which gives structure to the whole. The fact of narrative structure and closure provides a meaningful and satisfying resolution, although in itself nirvana has merely the formal value of a closure marker.

[...]

Earlier I called nirvana the full stop (period) in the Buddhist religious story; now I can add that it is a full stop in an eternal story, a full stop which brings closure to individual lives in a master text which itself can have no final ending." [2]

Sources:

Tragedy and Salvation in the Floating World: Chikamatsu's Double Suicide Drama as Millenarian Discourse by Steven Heine ↩︎

Nirvāna, Time, and Narrative by Steven Collins ↩︎

[thowawayuntilfurthernotice]

I dunno what’s more fucked up, the fact that the Wonderbread guy is still around or the fact that there are artists who are still willing to do business with him.