#disney rewrite

[arwenkenobi48]

Been thinking about how I would rewrite Wish and here’s my thoughts so far:

King Magnifico is not a villain, period. Instead I decided to make him more akin to Merlin from The Sword In The Stone. He’s just a quirky old man with protective grandpa vibes.

Asha is already Magnifico’s apprentice at the start of the film and he fills in the role of a father figure in her life. They still disagree about the wish-granting ethics, but it’s way more amiable. Also Asha’s basically like “I’m not a little girl anymore” and Magnifico’s like “you’ll understand when you’re older”, etc. I can kinda see them having a similar vibe to how Twisted portrays Jasmine and Jafar tbh.

I decided to make the queen the main villain instead and very similar to the queen from Snow White. She manages to keep this facade of being a kind and generous ruler, but as Asha grows older, the queen finds it harder and harder to contain her jealously. She’s also subtly manipulative towards Magnifico as well.

I loved the concept of Star being a shapeshifter from the original draft of the project, so I decided to keep that element intact and make him Asha’s love interest. He’s somewhat like a gender switched Ariel, curious and excited to explore the human world and wanting to be a part of it.

I decided to change the context of the dark magic book corrupting Magnifico. As the queen becomes more and more unhinged, she starts trying to coerce her husband into doing her dirty work, but he staunchly refuses, so she uses the book to change him from a benevolent wizard to an archetypal evil sorcerer. She also does this to spite Asha because she knows how close their bond is.

In the end, it’s the queen who ends up trapped forever in the mirror and Magnifico is saved from her dark influence.

Asha’s character arc and Magnifico’s character arc are very similar as they both learn to admit when they’re wrong. Asha accepts that she still has a lot to learn and Magnifico learns to trust his apprentice with more responsibilities as she grows up.

Star’s one wish was to be human. He knows that that means giving up his immortality, but he’s ok with that because he would rather spend a finite life with Asha than be alone and live forever. His wish is granted and we get a closing narration from Magnifico (who also does an opening narration at the start) saying “…and we all lived happily ever after.” before closing the book that opened the movie.

I’m pretty sure there’s going to be other bits and parts but these are the ideas I have so far. Lmk what you all think! 👍

[rainypaperangel]

Young Magnifico grew up in a small village. Him and his family didn't have much, but his parents always told him about the power of dreams. His mother told him of wishing upon a star, his father kindly reminding him that no wish comes true without hard work.

Local magicians would help with what little power they had - if the crops were suffering, they'd band together and help the water flow - if a donkey ran away, they'd ask the wind to guide them to it. Magnifico was enthralled and studied with them, learning what little he could, trying to do good, too.

But when rogue magicians came to his family's land, he saw the darkness of magic. Their magic ran unruled, burning and eating and taking over whatever they so desired.

Magnifico lost his family that day. He was whisked away by the magicians of the village, seperated from them when they defended the magicless villagers from the rogues.

With scars of magic seared into his sould, Magnifico sought safety - but fear had made its way into his heart. As he grew, so did the anger. He found a woman, kind and understanding, who'd been hurt by magic as he. He had learned its craft, and with her, he learned not to fear his own powers, but nurture them.

Together, they created a sanctuary - a safe country where magic was heavily restricted. Magic is fueled by desire, and what is a desire other than an impossible wish?

Using his powers, Magnifico took the wishes of his people, keeping them safe, not for their sake, but his own. The collected safety, he and his wife would say.

When people wanted the wishes set free, fear reawoke in Magnifico. Fear is a powerful force, and with his wife by his side, he summoned forces not to be played with. King Magnifico would do anything to keep his own wish, his desire and desperation for safety, a continuous reality - no matter the cost...

There. That's a better motivation.

[ouatanddnd]

Ok so I opened Disney+ the other day and saw this.....

In all honesty I have no high hopes for this. But I'll still give it a chance even though every thing in this franchise (excluding: Wicked World, D1, and D2) is just....bad in my opinion. In my honest opinion this franchise is just ouat on a lower budget but that's for another time. I just wanna know if anyone would be interested in helping me rewrite this or the franchise as a whole

Here is a link to the discord for rewrites if anyone is interested

[rodrickstudios]

My Potential Projects 1: “Chicken Little Hard-Headed”

Alternative Title: Chicken Licken Hard-Headed (UK)

Latin Spanish Title: La nueva Chicken Little (The New Chicken Little)

Direction and Writing: Mark Dindal, Rodrick

Writing based on the original script/draft for Chicken Little (2005) by Mark Dindal and Randy Fullmer

Production done at Walt Disney Television Animation, with traditional animation provided by Mercury Filmworks, Toon City and Snipple Animation Studios

Character Design: Omar Lozano

Character design adapted from Omar Lozano's illustrations for the graphic novel Far Out Fables: Chicken Little Saves The Moon Base, by Benjamin Harper (published by Stone Arch Books)

In a world of talking animals, 12-year-old (and 6 acorns tall) Chicken Little's overactive imagination and proneness to panic attacks have made her an outcast at home and in Mayberry Town, where she lives. Her father, Randall Rooster, just wants to have a regular kid like everyone else, which most of the time leads to her questioning about being a "freak" due to how often she seemingly witnesses vampires, ghosts, aliens and monsters lurking around. Because of this, Hailey Hen, Chicken Little's mother, has to constantly keep her husband in line so as to avoid Little from wrongly believing that he doesn't love her after all.

At Mayberry Town Middle School, things are even harder for Little, as a group of bullies led by Foxy Loxy and also formed by troublemaker Goosey Loosey, nerdy Ducky Lucky and airheaded Henny Penny (who often makes the other three wonder why did they included her in the group to begin with) doesn't stop reminding her of how much of an outcast she is. Principal Owl Powell isn't of help either, as he also sees her as crazy. But then things take a turn for the worst.

One day, Chicken Little gets hit on the head by an acorn and thinks it's a piece of the sky, so she runs from one end of Mayberry Town to the other yelling with all her might "The sky is falling! The sky is falling!". All of the townspeople freak out at this warning. Soon enough Little has unintentionally incited civil unrest across the town, so much so that it almost gets destroyed. After discovering it was just an acorn what started it all, everyone is angry at Chicken Little for raising a false alarm. Thus, almost all of them (including Mayor Turkey Lurkey himself) force her to shape up in order to avoid another incident.

Pressured by this, Little convinces her parents to sign her up at Camp Yes-U-Can, a summer camp set outside of Mayberry Town and meant to improve self-esteem on animal young ones. In fact, even its motto is “Of course you can! At Camp Yes-U-Can!”. To Little’s dismay, Foxy and company end up going as well, and the bullying towards her isn't stopped. Despite this, the little chicken is comforted at camp after meeting other outcast animals from across the land that also have challenges of their own. 

Cygrus "Ugly Duckling" Mallard is a down-to-earth bird from the town of Pondey Ponds. He was adopted from the local orphanage by Mrs. Mallard, who already had ducklings of her own. Nowadays, Cygrus is constantly bullied by them and by his school peers. He feels different from the rest and can’t wait for the day on which, according to what his mother uses to say when comforting him, he will become a beautiful swan.

Runt of the Litter is the smallest of twelve pig siblings and now weights 700 pounds. Still, he sees himself as a “wee, helpless little pig” because of his constant comparisons with his other brothers and sisters, who (believe it or not) are way more colossal than him. However, despite his low self-esteem, he is very open to meeting new friends.

Lane “Black Sheep” Flock is a rebellious yet friendly ewe who isn’t seen well by her upper class parents and relatives. She’s one of those animal young ones who prefer staying at home to chat online rather than going to an important family reunion. Because of the pressure her family puts her into, she wishes to know if she should just be herself or get used to their fancy lifestyle.

Fish Out of Water is very silly and playful, but not completely accustumed to the lifestyles from dry land yet. The whole fish family, being the parents very prestigious scientists, has moved from their ocean hometown in order to study the behavior of terrestial animals. At land, Fish has problems socializing with other animal young ones. While, for example, sea animals play ball by letting it float in order for another player to catch it, at land one’s supposed to toss the ball directly. Fish hasn’t still get accustumed to this and other aspects from terrestial culture, and is viewed as a weirdo by the land kids. 

Chicken Little gets really well with those animals, who understand her worries as a whole. However, she soon realizes the bullying from Foxy Loxy will be the least of her problems there, as the three sheep who are camp counselors may not be what they seem. She discovers they, led by Counselor Matt Hornsby, are cooking up a very evil plan for the end of the summer. Thus, she will have to use a lot of courage in order to foil them. But she isn’t alone. Will Little and her new friends obtain the fruits of their personal growth in time to save the day?

NOTE 1: Fish Out of Water and Goosey Loosey will not talk, but rather have a voice actor doing their respective animal noises á lá Frank Welker.

Chicken Little - Holly Hunter

Randall Rooster - Danny McBride

Hailey Hen - Maya Rudolph

Cygrus Mallard - Sean Hayes

Mayor Turkey Lurkey - Tom Kenny

Counselor Matt - Penn Jilette (when in evil mode)

2nd Counselor - Erica Lindbeck (when in evil mode)

3rd Counselor - Tom Kenny (when in... you get the idea)

NOTE 2: I've priorized the Latin Spanish/Mexican cast here because I'm an actual Latin American myself and also a big fan of Latin Spanish dubbing. All voice actors listed below are accompanied by one of their characters in parenthesis. I want them to use the voices of those characters when taking their respective roles in Chicken Little Hard-Headed.

Chicken Little - Fernanda Gastélum (June in the 2017 Ducktales reboot)

Randall Rooster - Ricardo Tejedo (Rick Mitchell in The Mitchells vs. the Machines)

Hailey Hen - Berenice Vega (Linda Mitchell in Mitchells)

Foxy Loxy - Jessica Ángeles (Catra in She-Ra and the Princesses of Power)

Ducky Lucky - José Antonio Macías (Bert in Sesame Street)

Henny Penny - Erika Langarica (Sonata Dusk in My Little Pony Equestria Girls: Sunset’s Backstage Pass)

Mayor Turkey Lurkey - Gerardo Reyero (Hugh Pickles in Rugrats)

Cygrus Mallard - Yamil Atala (Dexter in Dexter’s Laboratory)

Runt of the Litter - Miguel Ángel Ruiz (Joey Felt in Atomic Puppet)

Lane Flock - Rossy Aguirre (Buttercup in The Powerpuff Girls)

Counselor Matt - Arturo Mercado (Bob the Builder) when in good mode; José Roberto Pisano (Death in Puss in Boots: The Last Wish) when in evil mode

2nd Counselor - Rubén Cerda (Horton in Horton Hears a Who) when in good mode; Carla Medina (Bellwether in Zootopia) when in evil mode

3rd Counselor - Adriana Núñez (Miss Rabbit in Peppa Pig) when in good mode; Rolando de Castro (Dr. Wolfowitz in 3 Pigs and a Baby) when in evil mode

https://collider.com/disney-chicken-little-history-explained/

http://am.animatedviews.com/ChickenLittle.html

https://www.facebook.com/NikRanieriAnimator/posts/1782119021840158

https://www.markanthonyaustin.com/large-grid

Chicken Little: The Essential Guide (Dorling Kindersley)

Famous Fantasy Character Monologs: Starring the Not-So Wicked Witch and more (by Rebbeca Young)

[annymation]

LOOK AT THESE CINDERELLA CONCEPT ARTS I JUST FOUND OH MY GOD IM GONNA CRY!!!

THIS IS EXACTLY WHAT I ENVISIONED FOR THE “AT ALL COST” SCENE IN MY REWRITE!!! ITS SO PRETTY!!! THEYRE DANCING ON CLOUDS IN THE NIGHT SKY!!!

AM I REALLY GONNA SAY “WE WERE ROBBED” WHEN TALKING ABOUT A 74 YEAR OLD MOVIE???

[descendantofthesparrow]

had to hop on the meme before summer ends

@c-rose2081

[rylxdreams]

Made fanart of @annymation's Kingdom of Wishes (with designs by @uva124)✨

These three specific lines lived rent-free in my head, can you guess why lol

Anyways, go read their fic if you haven't yet! It's a really fun and emotional read!

[salmonpiffy]

Disney's Wish poster redesign

The composition was referenced from Stardust (2007) poster because that movie is about the star character who falls from the sky and meet the main human character just like Wish's early concept.

Original poster below

[artist-issues]

I repeat: I do think Wish should’ve had a Blue-Fairy-like wishing Star come go on the adventure with her. Just so that she could “get to know” the Wishing Star, learn that it does care about what happens to her and wants what’s best for her, and then through that personal relationship, come to believe the actual message of most Disney movies, which is:

“Have faith and even more than what you wish for will come true.”

But sure, if you want to go ahead with your crappy “The power to make your wishes come true is in you,” yeah, make the Star a voiceless faceless blob. You don’t need it anyway, right?

(Tap for higher quality 🫢 My art. Give me credit if you’re going to use it.)

[pinkiemachine]

HEY EVERYBODY. I’M ABOUT TO MAKE THIS EVERYONE’S PROBLEM.

I am rewriting the film “Wish,” now called “Alicia and the Kingdom of Starlight” to avoid copyright infringement. If you would like to audition for a singing role, or offer to volunteer any artistic skills, check out my YouTube channel for more details. (Pinkiemachine Studios)

Thank you!!!

[ozonecologne]

rereading some of my favorite classic fan fics and again just so struck by the fact that mainstream fiction could never give me what you people give me every day for FREE. you're all the exact level of poetic and deranged that i'm endlessly searching for. no one is doing it like fic writers.

[cerulean-crow]

They mean so much to me <3

[raven-at-the-writing-desk]

In what ways would you change Yuu (or would you get rid of them entirely)? The writing feels inconsistent on their place/importance. If they were just a conduit for the player to watch the events unfold that's one thing but in another story they are an active player.

I'd personally play into the beastamer aspect more. They are supposedly the reason why Ace, Deuce, and Grim were able to work together thus I'd want them to have more agency in making plans, giving orders, etc. Rook calls them Trickster but in what way (lol). The vagueness of being a self insert pains me. I'd also want to give them some magically infused weapon (or has a magestone embedded) just so they aren't fodder or sideline material.

Mmm… As much as I dislike the blank slate self-insertiness of Yuu (I’d prefer to read about an actually realized character), I wouldn’t want to get rid of them altogether. I think they’re important for the role they serve in the narrative even if in execution is inconsistent and not done well.

The problem with “changing” Yuu is that there has to be a certain level of ambiguity due to the design of the game. You cannot give them too much personality or you risk alienating the audience that likes to project or self-insert. There’s also a limit to how much uniqueness a mobile game can lend its players characters; the format isn’t exactly known for having super in-depth player arcs, it’s known for their colorful casts of rollable characters. The devs have to toe that line carefully, not to mention juggle Yuu’s participation with letting the other characters shine. It is for this reason that I won’t be doing a total overhaul of Yuu or just deciding “give them a personality!” as what I’d change about them. Rather, I’ll be proposing alterations while thinking like a dev (ie preserving the current story and as much of the self-insertiness as I can while also trying to give Yuu more to do/say).

Now Yuu, being the outsider to this world, is perfectly poised to have others dump exposition on them. This serves the dual purpose of being able to diegetically explain things to the player. (We wouldn’t get this advantage if the player character was changed to be like… a Twisted Wonderland resident; you could explain some magic things to a layman, but a resident wouldn’t need more common knowledge like country names exposited to them. Were this the case, we’d need an additional excuse for Crowley to take in a native.) It’s also convenient to have them be the “eyes” for the player to experience the world through, since Yuu is able to conveniently be present for most major main story events. It essentially makes them a human-shaped video camera.

I’ve often heard people suggest that if we need a POV character, why not go with Grim since he basically serves the same purpose now anyway. My answer to that is: Grim is also an arrogant asshole who picks fights, just the same as any other NRC student. If Grim were the player character, he wouldn’t be contributing much or helping to guide the other students learn to get along. We need Yuu here to be that driving force for change because Grim simply isn’t capable of it when he’s instigating himself half of the time.

A smaller thing about Yuu that I love is the idea of them being the school photographer! (This is something that is shown in the second anniversary animated video too!) It gives us context for the cards we roll and it implies that Yuu is the one documenting these precious memories. I want Yuu to stay if only for this reason.

Personally, I wouldn’t make Yuu a combatant. This is antithetical to their role and I feel would instead work against them (or at least create a scenario where Yuu has to have some level of battle prowess; this impedes on the self-insert nature of them). Sticking a magic item in their hand makes little difference since they most likely wouldn’t know how to handle it in the moment. (Nor would a magicless human even be able to use some of them; for example, a magestone is completely useless to them.) A magicless human with no combat experience is just another liability to account for, not to mention it actively puts them in harm’s way. It might be cool in theory, but I think in practice it goes against the very concept of Yuu. They’re meant to be here to show that there is “another way” to the NRC students—that violence doesn’t solve all your problems, proof that you don’t need to be a powerful being to “change” others or the world around them. They’re supposed to be underestimated and not seen as much of a “real” fighter, and they’re supposed to prove those notions wrong by demonstrating their worth via other avenues. In this “the weak obey the strong” school, Yuu has to be the one to show them that strength comes in forms that are NOT magic power or battle prowess.

I feel that Yuu works best on the sidelines as a supporter and strategist. Strategy is, after all, half of the battle, and it’s a part that people tend to overlook in favor of the flashier fighters. But strategy is crucial and it can turn the tide against a formidable foe (as we see in the prologue)!! I think this is something the NRC students need to be made more aware of too, so Yuu should stay as the strategist; they just have to be given more opportunities to show off those skills!

With all of that being said, here is what I would change about Yuu:

Drop the beast tamer thing. It gets mentioned prominently like once in the prologue and then never becomes truly relevant. Maybe it’ll become important when it comes to taking down OB Grim, but that will be SO late in the main story that the payoff doesn’t seem worth it. There are no examples of Yuu’s beast taming skills ever being used in the main story, so the whole “oh you have the makings of a beast tamer” thing is so useless. If you really want to keep it, then let Yuu’s innate talent/skills for beast taming help them out at least once per main story book. This means I’d want to see instances of Yuu getting other creatures (ie not just Grim) to help them out.

Allow Yuu the agency to act on their own when it comes to finding a way back to their own world. Going home is so often relegated to a single line or a few sentences and then not addressed again until next book. Have Yuu take initiative instead of waiting around for updates from Crowley. They should go out and ask questions, investigate on their own, etc. Maybe have them get involved in each book’s conflict because they happen to get mixed up in it while conducting research instead of being TOLD to go and fix a problem. Book 6 marks the only real time I can think of Yuu making a drastic decision against Crowley’s advice. It puts them at great risk, and that’s something they’re willing to take for the sake of saving their friends. We need more moments like this throughout the rest of the story. However, Yuu won’t be allowed to do whatever they want unrestricted because 1) it falls out of the scope of a mobile game title and 2) we want to largely retain the capacity to self-insert. So when I say give Yuu more agency to act, I mean it ONLY in the sense of being more proactive in their efforts to get home.

Add a short comment or two from other characters depending on which dialogue options are picked for Yuu. It would be too ambitious to incorporate a full-on branching storyline or strong “choose your own adventure” elements, but at least have the other characters consistently comment on whatever brief dialogue option Yuu has rather than ignoring them 90% of the time. This wouldn’t alter the story in any way but it sure would be nice to have a little more flavor text and more of Yuu actually being acknowledged as present.

Yuu should fully commit to being a planner and strategist. We get to see this aspect of Yuu like once or twice in the prologue (when they tell Grim where to spit fire at the ghosts/planning how to beat the Phantom in the mines) and then are left to extrapolate this to the rest of the game. Maybe you can argue they figured out Azul’s scheme in book 3 too, but this isn’t good enough. If you’re going to set up the idea, then have consistent segments in each book that reinforces that idea. Have Yuu brainstorm ways to jailbreak in book 4, have Yuu be perceptive enough to notice that Malleus isn’t feeling great in book 7 (only for Malleus to brush them off/insist he has a solution), etc.

Have a short story segment that explains how or why Yuu earns their nickname “Trickster” from Rook. We got this with Floyd, so the other known nicknamer should reveal this, especially since the name “Trickster” implies intelligence and cunning. Yuu should have an opportunity to demonstrate this (in book 5 maybe?), which earns them Rook’s respect and the new title. This should also be informed by other parts where Yuu shows how smart they can be.

More time bonding with Grim. I say Grim specifically because I commonly see him as a hated character in part because of how he “steals lines/time” away from Yuu. (Adeuce and Malleus are fine as they are because the former already stick up for/help Yuu out and the latter is meant to stay mysterious until late in the main story.) This means that if you don’t already like Grim, the whole “Yuu chases them to Styx HQ to save Grim” plot point in book 6 rings hollow. To truly build a bond with Grim, please give us moments prior to book 6 that show how much they care for one another and are linked to each other as partners. Times when Grim causes inconveniences for Yuu don’t count. Give me instances of them cuddling at night or talking to each other about their hopes and dreams or whatever. This would establish the value that Grim sees in Yuu, as well as the value that Yuu sees in Grim. It makes it more believable that Grim would cry when he’s alone or realizes he hurt his partner, and that Yuu would defy the headmaster’s advice and put themselves at risk to save Grim.

Better incorporate the ghost camera and its usage in the main story. The ghost camera provides an in-universe explanation for gaming meta (ie the card illustrations); in the main story, it’s hardly ever mentioned save for its introduction in the prologue and when Yuu takes a picture of Mickey with it. What should happen instead is Yuu will take a picture of the characters involved in that chapter. This way, it’s a physical reminder of the time everyone spent together and the bonds they’ve developed. It further strengthens the idea of the students learning to get along and Yuu being there to facilitate that while also keeping the ghost camera relevant.

More time where Yuu actually bonds with/“changes” the other characters. One huge gripe I have with the main story is that we’re TOLD that Yuu’s presence changes and improves the boys for the better, that they teach them how to get along. Very little of the actual main story supports this (outside of the prologue). At best, Yuu has a very short chat with some of the OB boys at the end of their respective book. Yuu should have a little more time in this regard. I don’t know, maybe Idia is still struggling to socialize when he comes over to play video games at Ramshackle so Yuu has to gently encourage him to give it a try or says something to help include him in the conversation. Little things like that! Keep the strong interactions the other characters have in changing the OB boys (like Trey being the one to rush to Riddle’s side, the twins teasing Azul, etc.), but have Yuu help facilitate them opening up emotionally and being vulnerable with one another.

This last point is debatable (I keep changing my mind about it), but possibly make a point of showing how Yuu is adjusting to this new world. This honestly might mess with the self-insert aspect (which is why I debated to leave this out), but I also feel like it might be interesting to reinforce Yuu’s desire to go home h demonstrating homesickness or issues with settling into Twisted Wonderland.

To summarize, the changes I’d make largely involve making TWST commit to briefly mentioned details (that they largely don’t follow through on) and making Yuu actually do a little more to warrant crediting them with resolving issues + fostering friendships. A lot of the problems that exist now are due to promising a lot but then poorly executing on what was promised.

[kstarsarts]

LOOK AT HIM GLOW

Asha and star boy from that Wish concept art is going to be my whole ✨personality✨ next month

I have been stalking the small Wish reimagined/rewrite fandom for awhile and eating everyone’s contributions 👹👹👹

So imma contribute as well ᕕ(ᐛ)ᕗ

[peapeapeapa]

My Seven Friends redesigns c:

This is how they look in my AU/headcanons

Their clothes are inspired by what culture I think they're from based on their names.

Gabo - Spaniard (since Rosa is set somewhere in Spain, I gave him a nicer Spanish tunic. He works in the Castle Kitchens so he shouldn't be able to afford it, but Bazeema made it for him for his birthday)

Hal - North African. (Nothing against her pants, but I gave her a dress because she's look really pretty in one)

Safi - Arabian (I didn't really change his clothes to match his culture. He just wears the coziest clothes he can find as long as they don't trigger his allergies. Bazeema is his sister in my hc, and she made his clothes for him to help with his easily irritable skin)

Dahlia - Taiwanese (I didn't change her clothes much, I liked her design. I gave her a bandanna because she placed her hands on top of her head while thinking and doesn't want to get flour in her hair)

Bazeema - Arabian (Bazeema and Safi are siblings, and Bazeema likes to reflect her culture more in her clothing than Safi does. She's a seamstress and works at her mother's shop, and made Safi's clothes for him to help with his allergies and irritable skin)

Simon O'Donohue - Irish (Simon is a Hebrew name, but O'Donohue is derived from an Irish name, and because that's his last name I'm going with that one. Because this is his Knight outfit, its just the one from the movie without any Irish influences)

Dario - German (Dario is an Italian name, but his mother named him that after already arriving at Rosas and seeing others with the name, liking it)

[annymation]

Shout out to this one concept artist that was just throwing some amazing ideas for Star left and right, you can tell they were really into it.

Don’t know their name unfortunately but you can find these screenshots on the Wish: Behind The Scenes video, whoever this artist is I hope Disney hear them out next time