#discount on all my illustrations
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rosefuckinggenius · 10 days ago
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If you want a special Holidays present or a BDay gift for a special one 🫶🏻🌸
Or just want to support me!
My DMs are very much open ✨
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Hi, my friends ❤️
Here again to ask for help… recently, a lot of things happened and I had to take the decision to re-open my commissions sooner that I thought.
I had some medical problems in the last few weeks, I adopted an abandoned little cat (couldn’t find a proper home with trusted people tbh) and I’m still trying so hard to help people in G*za as much as other people and countries in need!
So I need to take some commissions in order to keep up with everything and even if you can commission me, a little like or a share is enough 😊🌸
I’ll wait you in my DMs ❤️
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artingtonkisihita · 4 months ago
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hiya everyone!!! im holding a 15% off discount for all of my commissions for a week!!! im a lil bit low on cash rn so im tryna fix that pfft, heres the link!! https://ko-fi.com/ashingtonkisihita/link/15OFFER And heres some recent art examples of commissions i have done!! Painted icon for kkay/callie
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Shaded pngtuber for Ivy:
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please commission me if you have the spare cash!!!<3
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stil-lindigo · 11 months ago
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I am so sorry to bother you with this stupid question, but Bisan has asked for a complete stop in economic activity. Can I still donate to help Palestinians or is it better to avoid any transactions for the week ? Thank you so much for what you're doing
hello anon. don't apologise, you're a breath of fresh air after the recent visitors in my inbox. I think a slightly more accurate description of Bisan’s ask is to stop or minimise all economic activity not in direct support of Palestine. Now more than ever, I would encourage people to donate to escape funds for Palestinians, to direct aid organisations like CareforGaza and the PCRF, and to buy e-sims as they’re running low.
Below I’ve compiled a list of resources below but this is definitely just a small sample size of what you can do to help during this strike. This post here is an extremely comprehensive resource that I’d recommend you have a look at.
credible organisations that are doing work on the ground in Palestine:
Care for Gaza:non-profit charity that distributes money, food and other resources directly to families in Gaza.They maintain a regular presence on Twitter and Instagram. You can donate to them via Paypal here.
PCRF / Palestine Children's Relief Fund: non-profit organisation that distributes essential food and resources to families in Gaza. Most recently, they delivered 30 tons of vital medicine, and 82,000 pounds of flour.
Medical Aid For Palestinians: deploys medical teams to treat Palestinians suffering under Israel's malicious bombardments.
Donate e-sims to Palestine: massive post with tutorials and relevant links, with discount codes included in the post and in the replies.
help people leave palestine (donate what you can)
Help a Family Evacuate Gaza (GoGetFunding)
Save Sanaa and her Family (Gofundme)
Save Amjad Saher and his family (Gofundme)
Help a family of 13 escape Gaza (Gofundme)
Help a Palestinian children's book illustrator save her family of 12 (Gofundme)
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ad-melioraart · 2 days ago
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One of my favorite comics that I've ever done fghkasghsdjj Inu's bath time
Also, new Christmas discount week in subscriptions for Patreon, 35% off!
Thank you all for the support <3
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superscourge · 7 days ago
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reminder that my commissions are still open for the month!!! i also still offer a 15% discount on all but three items--check the carrd below for info!
also, i want to announce that i'm doing JOINT COMMISSIONS with my good friend lorenzo hall, including illustrated fics and comic pages !!! info for those on the carrd as well ^^
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PRICES/INFO/ETC | KO-FI (DONOS)
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bohoteacher · 5 months ago
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Navigating Betrayal: Reconciling Admiration with Disillusionment
Like many Neil Gaiman fans this month, I've been shocked and distressed by the news regarding the SA allegations. I won't go over the details, as they're readily available online. I'll start by saying that I believe the accusers, and even the most lenient interpretation of events is still troubling enough to discredit Gaiman. For a long time, I didn't know what to say. I was just shocked and, somewhat naively, felt betrayed. I don't typically idolize actors, authors, or other public figures—I'm here for the characters, they're who I love and believe in. So, how did I end up believing in this man and his rhetoric?
I only had a parasocial relationship with him, which is to say no real relationship at all. But I took his Masterclass on writing, spent hours taking notes, and learned from him. I feel betrayed by someone I saw as a beloved teacher. I know this is insignificant compared to what the women who came forward experienced, but it's a valid feeling, and I needed time to process it. My initial reaction was to throw out and discount everything he’s ever written or done—of course it was.
This isn't just about my love for Good Omens, although how can it not be? I learned so much from this man—about writing, about not being too hard on myself, about the creative process. I read his books to my middle school classes, and we all learned how to be better people from them. Today, I saw and bought Instructions, a children’s book by Neil Gaiman illustrated by Charles Vess, from the used bookstore where I volunteer. It was a used copy, so no royalties will go to him. It’s a beautifully illustrated book where the main character walks through a land that clearly symbolizes life, learning lessons like saying please and "if any creature cries to you that it hurts, if you can, ease its pain." How could someone write this and then do what he did? I asked myself. "What an evil hypocrite," was my first thought. But then I recalled a line from another author, Stephen King. In The Stand, a character is described as "awake at the lectern, but asleep at the switch," meaning they know the right thing to do and can talk about it, but in the moment of choice, they act without integrity.
I don’t know if I’m making sense, but I think it’s too easy to label Gaiman as simply evil, as if he intentionally manipulated us by saying the right things just to make us read or watch his creations. The reality is likely far more complicated. Within this man is the amazing, thought-provoking, life-affirming wisdom that many of us have tried to live by, but also the hard, thoughtless, selfish cruelty that led him to abuse young, vulnerable women. The wisdom does not justify the abuse, and the abuse does not nullify the wisdom.
I think it's too simplistic to say Gaiman is despicable and always has been, hiding it from us all along. This doesn't acknowledge the complexity of human nature—that there is potential for both good and bad within us all. As it’s said, possibly by Terry Pratchett or possibly by Neil Gaiman, “It may help to understand human affairs to be clear that most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people.”
Gaiman is a man who has done some fundamentally good things and some fundamentally bad things. I can’t forget either one.
This is just my opinion. I know some people want to cancel him, while others want to exonerate him. You do you. As for me, I will continue to love Aziraphale and Crowley. I will continue to read and create fan-fiction. I will continue to find comfort and wisdom in books that have meant so much to me over the years. But I will also remember that they were created by a very flawed man whom I can no longer trust.
I understand that opinions on this matter vary widely. I know some people might feel that not discarding everything associated with him is wrong, but this is where I stand. I’m not looking to debate this or be told how I should react. I just needed to process my thoughts in writing and move forward in the way that feels right for me.
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gabrielleragusi · 3 months ago
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For Artists: My Experience with Commission Platforms and Illustration Agencies
Hi there! I’ve been wanting to compile a list of commission platforms that I’ve personally used for the longest time, and I finally did it! I’ve highlighted the still-active commission platforms in bold and struck those that don't exist anymore so you can jump to the sections that interest you without needing to read my entire story.
Let me start by briefly introducing myself.
I’m Gabrielle, a fantasy illustrator. Since 2014, I’ve been working on book covers and illustrations for publishers, authors, and book subscription boxes. Early on, work wasn’t as frequent as it is now. I had to search for opportunities myself, and even small private commissions were important for building my portfolio and earning some money, which I’d spend on materials, books, and online courses. Like many other artists, I started out by trying my luck with the biggest art community available at the time.
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DeviantArt
2009-2018
Once upon a time, there was a virtual haven called DeviantArt. To my teenage self, it was a magical place. I signed up in 2009 and thought I’d never leave!
At first, I created an account just to share my work and learn. I didn’t even think about commissions for four or five years. But when that first inquiry finally landed in my inbox, things took off! My mum swears she remembers my excitement when I got my first commission, but for some reason, I’ve completely forgotten about it. I can't remember what it was or how much it paid. It might have been a portrait of a fantasy character.
Commissions on DeviantArt were fairly frequent, especially considering my cheap prices at the time. I used to offer discounts and post my rates in my DeviantArt journal, or in Commission groups that featured artists either monthly or weekly. After checking out my profile, a client could simply send me a private message and from there, we’d discuss payment, deadlines, and other details, and the platform didn’t take any fees, much like how ArtStation works today. Everything happened through private messages or email, with direct contact between artist and client.
The downside of this process was that there was no dispute resolution system on the platform. I had to handle all issues myself, and unfortunately, problems did arise sometimes: there were clients changing their minds about commissions, asking for refunds after work was delivered, refusing to pay, or just ghosting me. These issues didn’t happen because clients were evil, but rather because I was inexperienced and allowed some to take advantage of my naivety.
However, all that frustration helped me develop my commission process through trial and error (mostly error). And despite the challenges, I can say with satisfaction that most of the commissions I received through my DeviantArt profile were positive experiences.
DeviantArt eventually introduced a commission feature for Core (Premium) users, which came with a platform fee, but I didn’t use it much, and I’m not sure if it still exists.
The real beauty of dA, though, was the connections I made. I was able to meet people, both artists and clients, that I’m still in contact with today, and some of whom I still collaborate with.
I closed my account in 2018 or 2019, but by that time, I hadn’t really used it for a couple of years. The new user interface was a bit of a turn-off for me. I had always loved the geeky, and dare I say cozy, look of the old green and grey aesthetic, with its customisable panels that you could move around and personalise with HTML code... But I digress.
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Artists and Clients
2013-2016
While taking small commissions on DeviantArt, I discovered Artists & Clients. It was a nice platform for clients to get things like their D&D characters or groups illustrated for relatively cheap. I think my highest price was $50 for a single character portrait, with the platform taking a 15% cut. I used it for about two or three years before the platform started to change.
As more artists with hentai art styles flooded in, the homepage shifted, and so did the clientele. There’s nothing wrong with drawing naked anime girls, of course, but you can understand that if a client is looking for a fantasy, semi-realistic painting of their female orc character, or a realistic portrait of their spouse, it's more than likely that they won't bother sifting through a sea of anime girls to find the style they want, imagining it isn't here. Let's just say that, at the time, the website took a definite direction that wasn't in line with my genre, but this direction didn't make the different, more realistic art styles stand out either.
Soon, commissions slowed down for me, so I closed my account, but by then I was already working elsewhere.
That said, this platform could still be a useful tool if you’re looking to take on smaller commissions.
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DreamUp
2014-2015
DreamUp wasn’t an AI generator back then. It was actually a subsidiary of DeviantArt, where clients could post projects and artists could apply. It was a competitive platform that offered well-paid work–very well-paid. I remember seeing jobs posted that ranged from $300 to $1,200. DreamUp was a very professional platform for clients with a mid to high budget.
I believe I landed my very first book cover commission through this website when I was in my last year of high school. I remember getting the job and going to school the next morning, excited to share the news with my classmates. Everyone was super thrilled for me (we were a really close-knit class!), and I felt like I was walking on air.
Unfortunately, as far as I know, that book was never released, but it didn’t matter because I was moving forward, and fast.
I’m not sure when DreamUp was shut down, but I do know that DeviantArt held onto the copyrighted name, assigning it to something so anti-old DreamUp that it still boggles my mind.
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ArtCorgi
Now Artistree
2014-2019
When I received an invitation to join ArtCorgi from its founder, I already had a somewhat consistent portfolio. I was painting portraits and fantasy illustrations, and the clients on this platform were looking for both–your typical wedding and pet portraits, as well as book covers, which were what really interested me. To get to the latter, I had to do the former. Over the years, I’ve painted so many realistic portraits that now I have a strict rule for my own sanity not to do them any more. I have great respect for portrait artists, but it’s just not me.
When I first submitted my prices to the person I was in contact with, she kindly suggested that I raise them... a lot. That was a major step forward in my professional career. I went from charging $50 to $100/$200 overnight. And to my surprise, people actually wanted to commission me at those prices!
From 2014 to 2019, I took nearly every commission that came my way. I never spoke directly with the clients; all instructions and feedback went through my point of contact, which helped maintain a level of professionalism, although now that I’m used to working directly with clients, I’m not sure I’d want to go back to having an intermediary.
Sadly, as with all good things, this chapter came to an end. My point of contact eventually left communication in the hands of someone else, and shortly after, the commission fee changed to, I believe, 30%.
Simply put, 30% is an unrealistic cut for a website like this. For an agent that gets you all kinds of big work in the publishing industry, sure, but since this was not the case I had to stop taking commissions. Despite that, my overall experience with ArtCorgi was very positive.
Today, ArtCorgi joined another platform, Artistree. As far as I can tell, Artistree doesn’t take any fees from artists, with clients covering a small cost instead.
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Sketchmob (?)
2016-2020
This was probably the platform I used the most. I’ve lost count of how many commissions I received through Sketchmob. Many. Enough to generate a steady income at the time. With reasonable fees and a variety of art styles available, clients contacted me almost daily. Communication was direct between artists and clients, and payments could be split. The review system also worked very well… for a while.
Once I raised my prices, requests became fewer and farther apart. But by then, I was already working with my own clients.
Is this platform still active? Who knows. The website is still up and the chat feature works, but I’ve seen users complain that money available for withdrawal never arrived via PayPal (the only payment method the platform accepted, if I remember correctly). Personally, I wouldn’t risk completing a job through Sketchmob right now, at least not until they release an update.
If you’ve used the platform recently and successfully received payment within the last six months, please let me know, and I’d be happy to update this section!
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Upwork
2017-2019
In 2017, I was determined to break into the book publishing industry. After trying out Fiverr and Freelancer.com with no success (the competition was too fierce for someone just starting out), I decided to give Upwork a shot. The platform looked very professional, and while the process sounded a bit complicated, I wanted to land the interesting projects I saw featured in my category. I really wanted to work with a big client… but big clients didn’t seem to want me, despite having the Rising Talent badge.
In two years of bidding for jobs and submitting proposals, I only landed two projects: a small commission from a private client who actually reached out to me, and another project that I bid on.
Don’t get me wrong, I was ecstatic at the time and truly appreciated every opportunity that came my way. But looking back, I can see why Upwork didn’t work out for me. The platform just wasn’t the right fit for my style and niche, which is fantasy illustration. Graphic design, however, was (and still is) in much higher demand.
The commission process on Upwork wasn’t as simple as on other platforms. For instance, at the time, costs were calculated hourly, which was a challenge for someone like me who prefers working with flat fees (having already calculated my average hours spent on an illustration). From what I’ve seen, this has since changed.
One positive aspect of Upwork is its current 10% cut on what artists earn. I don’t recall if this has changed over the years, but 10% is quite reasonable in my experience. Of course, 0% would be even better, but for a platform as large as Upwork, 10% is fair.
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Illustration Agency
2019-2021
By 2019, I had built a solid, consistent portfolio thanks to my personal work and commissions. I had a simple website in place, my Instagram following was growing… I was steadily working toward my goal of illustrating covers for big publishers (which didn't happen until two years ago).
So, when an illustration agency reached out to me one day, I was over the moon. I had always heard that artists were the ones who had to approach agencies, not the other way around.
Well, that should have been my first red flag.
I won’t name this agency because, unfortunately, I have nothing positive to say about it. In fact, the word “nothing” perfectly describes my involvement with them. Nothing came of this barely there experience.
The agency invited me to sign up, not on an exclusive basis, but they assured me they’d get me work. That work never came. Once in a while, I’d receive messages saying they were trying to pitch my portfolio to a French publisher or another client, but... nothing.
Please understand that meanwhile I was already working directly with shops and authors, so I don’t believe my portfolio was the problem. The real issue was something I didn’t realise at the time: some agencies do this. They feature talented artists in their catalogue without having actual clients lined up, just to appear more professional and credible to potential clients. Did this strategy work for them? Maybe. I’ll never know.
In 2021, I politely asked them to remove my portfolio from their website, and that was the end of it.
After that, I never actively sought out an agent again. By the time my portfolio was strong enough to approach a serious agency, I just didn’t need representation anymore.
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Hireillo
2019-2022
My experience with Hire an Illustrator, or Hireillo, is mixed. At the time, Hireillo was a platform that hosted artists' portfolios, featured artist-submitted news, provided useful articles, resources, and directories of artists and agents. I joined the site hoping to catch the eye of publishers, but I was mostly contacted by authors and one fellow artist for a graphic novel.
Unfortunately, most inquiries didn’t go beyond the first couple of messages due to budget constraints. I did, however, have fun sharing news about my painting process and projects I landed on my own, which were often featured by the website. Additionally, if I had questions about 'complicated' things like copyright, or just needed advice, I could ask the website’s owner and that was incredibly helpful.
Despite these benefits, I didn’t see any real results, which was a little disappointing. The subscription fee was also... odd, for lack of a better word. $5 per week. In the end I just couldn’t justify the cost, so I stopped using the website altogether.
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Reedsy
2019-2022
Finally, we come to the turning point.
I remember stumbling upon Reedsy randomly. It wasn’t very well known at the time, and I think it still isn’t. I was nervous when I submitted my portfolio because their catalogue features the best of the best: designers who’ve created covers for bestsellers, THE bestsellers, people who’ve worked on Stephen King covers, or George R.R. Martin's. Designers, editors, and marketers who are veterans. I didn’t have high hopes for my application. So, I was in shock when it got accepted.
I had an introductory Skype call with a representative from Reedsy, who explained how everything worked. Before the call ended, I remember asking if there was a good chance I’d get work through the platform. The rep laughed and said, “Yes.”
A few weeks in, I understood that laugh.
Reedsy has an overwhelming demand for book covers and commercial projects. For every designer there are many more clients. In peak seasons, I was getting requests almost every day. I’m not exaggerating.
Reedsy transformed my portfolio and my pricing structure. Thanks to the income I earned through the platform, I was finally able not to take everything that came my way but be selective and choose only the projects that really interested me.
The commission process is simple: artists pretty much decide how to split payments, what to include in agreements, and the best part, the most beautiful and helpful feature of all, they can request and adjust deadlines. For someone like me who's terrible with deadlines, this feature was a lifesaver. The admins are also very kind and responsive, available via email or chat.
Unfortunately (this is my last 'unfortunately', I promise), my time on Reedsy came to an end for personal reasons. I’ll explain since it’s no secret.
All my images on Reedsy were watermarked with my signature (my full name), which apparently violated the platform’s rules. Why? Because if a client saw my last name, they could contact me directly and bypass Reedsy, which meant the platform lost potential fees. I’ll admit this did happen a few times, but I had the good sense to redirect the client back to Reedsy.
After three years, an admin finally noticed and asked me to remove my full name from the watermark and any text on my profile. It was a simple and reasonable request, but here’s where the problem started. Profiles on Reedsy are public, and images appear in search engines like Google Images, meaning anyone could download my work and use it without permission. Sure, watermarks can be removed, but uploading my work without one in the first place felt like a bad idea. Btw, not only do I use watermarks, but I also use Glaze to protect my illustrations before sharing them online.
Anyway, for this reason, and also because I couldn’t get over the fact that full names were public at the time, something I won’t get into because, believe me, I tried over email, and my reasons went into the void (now, last names are just initialised, like Gabrielle R. Okay. Sure.), I had to close my account–they would have done it anyway because it was already 'flagged'.
Overall, if you’re willing to overlook the last name conundrum, I can’t recommend Reedsy enough. If you have a killer, solid portfolio and a love for books and editorial projects, go for it!
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I hope you'll find this useful! If you have any questions, please don't hesitate to ask (: Oh, and here's an old article I wrote in 2020, titled:
Tips to freelance illustrators to avoid being screwed over
Who knows, maybe I'll write another 'article' post in four years!
Instagram  - ArtStation - Website - Inprnt - Etsy - TikTok
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brynwrites · 2 months ago
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Pretty sure this post will go nowhere because I haven't been on in ages so... IF YOU REBLOG THIS, message me and I'll give you an ebook copy of my TRANS M/M VAMPIRE NOVELLA*
Anyways...
Guides For Dating Vampires Hardcover Special Editions are HERE! (for now)
They have sexy jacket art by @houdabelgharbi (as seen below) and romantic cover art by @oblivionsdream (as seen here), sprayed edges, bookend art, and a full-color illustration inserted inside each book, as well as all the bonus content and free shorts I've written for the characters printed at the back of the books!
You can order your own set at my kickstarter!
You can also grab a discounted set of the ebooks and/or fandom goodies if you don't collect physical books.
* Up to the first 50 people who contact me, though I'm not expecting that many frankly. Just gotta disclaimer it in case.
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taylor-titmouse · 4 months ago
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I'm Taylor Titmouse, I write and illustrate queer erotica featuring freaks and monsters. I also draw a lot of porn that I can't post here, so those will be posted as crops with links to my various uncensored locations.
You can find my illustrated novellas and artbooks on Itchio. I've published a Lot of them. If you don't know where to start, I recommend the Dragon Double Feature series or Roger Crenshaw, or Spring with the Unicorns--that one's free! I've also written up a guide to all of them here!
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Some of my latest releases, try The Long Road if you like gender-based worldbuilding!
You can find the most complete collection of my uncensored art on Patreon and Subscribestar (both are equally served.) I post high resolution art regularly, and everything is neatly organized going back to 2022 (that's longer than I've been posting here!) $5 patrons get access to over 180 exclusive illustrations, and can vote in monthly polls from suggestions made by the $10 tier--who can also commission me at any time with a 10% discount!
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Just .05% of the exclusives you unlock by subscribing!
You can also follow me on Twitter or Bluesky, where I post my art uncensored. Below the cut is a list of story tags, which will link you to art and posts about those stories, and provides some context to what they're about. Thanks for checking out my work!
TT Art: my art tag TT Talks Drawing: my tag for talking about the art-making process TT Talks Writing: my tag for talking about the writing process TT Testimonials: my tag for asks reviewing how good my books are :^) TT Asks: my tag for answering asks
Story Tags Barnyard Bound: F/M, human/furry, bondage, breeding kink, Harvest Moon also for some reason. Cherry Brilliant Ryder: M/F, aliens and medical play (The Xenosexuality Conference) Brilliant, Dr. Lindon, Dr. Odonata, Dr. Pinkie, Dr. Menura, Councilman Somato, Zeal-and-Duty Cadogan: Trans masc wizard, fantasy monsters, predicaments and situations. Cadogan, Madog, Myrddin Chique: NB/Various, fantasy monsters, elves, nudism, catch/fuck (The Sunken City, The Wild Woods) Chique, Lien, Lutin, Fuck-elves The Dragon Double Feature: M/F, M/M, M/M/F, dragon/human, oni/human, plus size. Fantasy princess/dragon CNC, Edo era Japan (The Dragon Double Feature, The Dragon Double Feature 2) Eveline, Gundrid, Wakatake/Taki, Kenta, Mrs. Arakawa, Jerund Eternella 7: M/M/M, Gundam-inspired space opera erotica. (Eternella 7 Parts 1-3) Risk, Turn, Engel House Gerhardt: F/F/M, vampires, trans women, femdom, male humiliation, 1800s. Lady Cygnet, Countess Gerhardt, Conrad House of the Risen King: M/F, old god, exhibitionism/nudism, sex cult. (House of the Risen King) Vee, Zihbeh Knight of Thorns: M/F, giant faceless knight/petite princess forced marriage. Rosaline, Knight of Thorns Laurestine: Trans unicorns, monsters, bondage/stuck in situations, catch/fuck (Spring with the Unicorns) Laurestine, Barberry, Mazereon, Edelweiss The Leylic Sea: M/M, historical fantasy, pirates, university wizards (The Captain of the Tybaltine, The Boy from Karkutt) Mr. Todd, Oliver Bullock, Lucas, Mirza The Long Road: Goblins, dwarves, bandits, a princess and a knight. Gangbangs, rope bondage, CNC (The Long Road) Tourmaline, Angre, Vanesse, Samwell, Georgie and Markie (the Twins), Jarett, Bingo, Goblina. Lover Rescue: F/F/Genderfluid, magical girls, monsters, plus size, cam girling. Lover Pink (Momoka), Lover Gold (Hikari), Lover Blue (Aozora), Lord Heteracuto (Hiroto) The Masson Circle: M/M, M/F, 1970s crime romance, multiple ships, femdom, trans male character (The Masson Circle) Ezra, Tessa, Leonard, Lionel/Nell, Jean, Mathieu Max and Mortis: M/F, exhibitionism, naturalism, photography, nudism. Max, Mortis/Daisy Monsterfuck Mountain: Fantasy monsters, WIP erotic CYOA (You're A Mage on Monsterfuck Mountain) The Mage, Trolls The Night Guest: M/F, young man/older woman, oni/human (The Night Guest) Mrs. Arakawa, Tōru Objects of Affection: M/F, F/F, robot girls and people being weird about them. Touma, Shima, Mari-ko, Ratna, Mari Mouse, Samart, Marinette Season's Breedings: Gnomes, Imps, and probably other critters, and their biology/breeding habits. Applecore. The Sleeping Garden: M/Agender, alien, science. Dr. Arbor, The Flower Starbuster: M/M, a WIP novel-length superhero romance. Mitsuo, Tom, Starbuster Roger Crenshaw: Trans M/M, monsters, occultism, early 1900s (The Vampires of New Haven, The Wolves of the West, The Shadow in the Shelves, The Dogs at Duskfall) Roger Crenshaw, Professor Reed, Grigori, Mateo, Johnny, Sweet Nate, Jackie-Ralph, Cam Ellis, George Adler, Combe Hooper. Romick: Evil wizards, obedient doll, magical sex, experimentation kink, dungeon bondage, monster sex (The Tenebrous Tower) Romick, The Doll, Osmund, Vester
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doumadono · 11 months ago
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hiii!!
hope it's okay if i request a little something for sinful sunday (i'm 19)
would it be okay to ask for dumbification kink with aizawa?
thank you anyway!
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SINFUL SUNDAY
The room echoes with nothing but your sweet moans and Shota's heavy breaths, well, if you discount the occasional creaking of a wooden desk, wet noises and the enticing sound of skin slapping against skin.
The ceaseless clinking of his leather belt buckle coaxes forth a weighty sob from the depths of your throat, a blend of lust and despair intertwining. The anticipation in your belly unravels at a leisurely pace, and the looming orgasms skulk back into their corners, denied their moment of reckoning yet.
"Love, come on," your endeavor to pull Shota closer is abruptly thwarted. "H-Harder."
Aizawa's rhythmic thrusts into your dripping core momentarily erase any grasp on how limbs and words function. Instead, he intertwines his fingers with yours, directing your hands back beneath his grasp, once again pinning them above your head as they were just moments ago. "Apologies, love," his snicker drips with wicked delight, "but this time, you're not the one setting any rules here."
Even in your half-defunct state of senses, you sense the man leaning over you, your leg draped over his shoulder feeling the stretch of his movement – and then he pauses as he reaches his intended destination. A sharp nip to your earlobe clears the fog, and as his tongue glides over the tingling skin, a ragged mewl escapes you. "S-Shota!"
"You're familiar with the rules, baby," Shota purrs into your ear, his silky voice contrasting sharply with your disheveled state. He remains nestled in the crook of your neck, thrusting harder into your dripping core at a new angle. Pulling you into a fervent kiss, he licks into your mouth with unbridled lust. "I'm in charge. Your only job is to sing for me. Just the way I like it the most. That's it, kitten."
Aizawa gazes into your bewildered eyes, a smile so sweet and angelic that, for a moment, you almost buy into the idea that he's about to make things smoother for you, especially as he releases your arms.
Frantically, you search for something to grasp onto, an opportunity to seize control, to set the pace — but your autonomy is short-lived.
A hefty glob of saliva makes a precise landing on your swollen clitoris, followed by the nimble, skillful fingers of your husband working the drool around your sensitive bundle of nerves.
"O-Ooooo," your lips form a perfect "O" as you cast a gaze up at Shota with teary eyes; a solitary tear makes its way down your flushed cheek, landing on your naked breast.
"You brought this upon yourself, didn't you," Shota coos into the air, delivering a few playful slaps to your slicky folds, followed by an indulgent rubbing that elicits an arch in your back toward him. "My little, naive girl didn't think things through, hmmm? What did you expect when you sauntered in here in that skimpy skirt, tempting fate by presenting your beautiful ass while filing documents into a cabinet, hmm? I've had a taxing day, dealing with class 1-A for just an hour, and I needed a release for the accumulated stress. And what better way to do that than fucking with my stunning wife?" The black-haired man mused.
You're itching to protest, to inform him that he could exercise more self-control and that you didn't intentionally provoke this.
However, as he resumes relentlessly pounding your throbbing and drenched pussy, hoisting both your legs over his muscular shoulders, and murmuring about your brainlessness for him, your comebacks meet an untimely demise. All you can manage is to nod along with the intensity of his thrusts, fervently moaning, "m-more, mo-more, moooore, p-please, p-please, p-please, Shota."
Aizawa's momentum doesn't show any signs of slowing down, a primal rhythm that vividly illustrates the depth of his own arousal. Shota thrusts into you with precision, a raw hunger guiding every move. His robust arm envelops your thighs as you plant your heels atop his shoulders, and Shota tenderly glides his calloused hand up and down the plush, warm skin, squeezing wherever he pleases, urging your legs closer to his chest adorned with a long-sleeved, black shirt. With each forceful thrust, with every instance his rock-solid cock glides against your tender, spongy walls, his midnight-black, tousled locks cascade onto his forehead, a few damp strands clinging to his temples.
With a final cry, your orgasm crashes over you, a powerful force that brings forth unintentional tears. "O-Oh! Shota! Yes!"
Shota relentlessly pursues his own climax, the tight grip of your pussy on his member leaving him little room for endurance. He only relents when he's completely spent, his cum erupting deep in your warmth. Soon, the man's leaning forward to press a little kiss to your forehead.
You both are panting, and you're left undeniably senseless.
"I never asked for this, you little devil," you playfully scold the man, earning a small snort from him.
"Mhm, yeah, sure, I'll believe you, kitten. We both know well you're the one with the insatiable desires in our marriage."
Your mouth drops open with a loud gasp, a frown appearing on your forehead as he assists you off his desk, handing you your clothes. "Excuse me, Shota, you're just making things up now. You're the needy one. If you weren't, we wouldn't have… done that… now, in the teachers' lounge…"
He helps you get dressed and presentable again, tucking a strand of hair behind your ear. "It doesn't matter, kitten. Thank you for helping me ease the stress down."
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tomriddlehyperfixataion · 3 months ago
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The Diary of Tom Riddle- Diary! Tom Riddle x Reader - P3
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pairing: Tom riddle x Fem reader
warnings: Horcruxes, Manipulation, Tom being Tom, side effects of being possessed.
summary: 16-year-old (y/n) finds a mysterious black book on the floor of after it slips out of Ginny Weasleys caldron, curious, she picks it up and keeps it-which leads to one thing after another and discovers the book is far more than it seems.
-Part 1- -Part 2- -Part 4-
=
Thankfully, as she woke up, (y/n) hadn't moved from her bed throughout the night. She sighed and slowly sat up, rubbing her face, drawing back the curtains of her bed, seeing her roommates all up and getting dressed for the day. It was a Sunday, so it was Hogsmeade day for years 3 and up.
Hogsmeade sounded fun.
(y/n) looked at the diary and grabbed it, popping open her ink well and grabbing her quill, flipping open a book to the now blank page she’d been writing in the night before.
“Morning Tom.”
Tom took a moment to respond, her ink disappearing into the page as his elegant scrawl appeared in its place.
‘Good morning (y/n), did you sleep well?’
“yes I did, thankfully. Woke up where I should be too, in my bed.”
‘Very good. Are you feeling better?’
“yeah, much better, thank you. Im going to go to Hogsmeade today, would you like to come with?”
‘Well, I wouldn’t be able to do much, would I?’
(y/n) hummed in thought, Tom had a point, as he could only see what she wrote/illustrated in the book.
“good point, but I could maybe bring you to the bookstore there and get some ink you’d like?”
‘I don’t eat the ink (y/n)’
“not what I meant but that’s a very funny visual thank you.”
(y/n) giggled to herself, imagining the book eating the ink instead of just absorbing it to write back to her.
“I meant like, would you like some fancy ink? I saved up some money from my allowance and can get some good ink from the store if you would prefer it?”
‘How…generous of you, (y/n)’
“thank you :)”
Tom took a very long moment to respond, as if he was thinking long and hard about her offer. Finally, after a few minutes, he wrote back-though he did so while (y/n) was getting dressed for her outing to Hogsmeade, putting on an oversized sweater for maximum comfort.
‘I suppose it couldn’t hurt if you brought the diary along, I certainly don’t mind good inks to write with, I myself was never able to afford more than the most basic brands.’
(y/n) tilted her head a bit, a smile growing on her face. Tom was opening up to her a bit! Okay-play it cool-don’t overreact.
“aww really?”
‘I don’t need your pity (y/n)’
Oops.
“not pity! Im sorry! Just…idk”
‘What in the merlin does ‘idk’ mean?’
“Oh-I don’t know-its an abbreviation.”
‘Why don’t you just write ‘I don’t know’, it’s not hard?’
“idk, just easier.”
She felt like she could hear him sigh, which made her giggle and she finished getting dressed before writing to him again.
“okay okay, im going to go eat, ill be back to grab you before everyone heads out to Hogsmeade.”
Tom didn’t respond so (y/n) closed the diary and put it back on her bedside table, capping her ink well and cleaning her quill before leaving her room, heading out to the great hall for breakfast.
-
Hogsmeade, thankfully, took the rest of the events from the night before off (y/n)’s mind as she went from store to store, starting at the book store and writing down ink brands and types to Tom, who eventually picked out a non-expensive India ink, but it was definitely more costly than the usual ink she got.
She closed the diary and put it back in her bag, taking the new ink to the front and buying it, the shopkeep wrapping it in paper and then giving it to her in a paper bag.
She counted how much money she had left as she walked down the main path of the village, nodding to herself as she pocketed the coins. She had enough to do someday after Halloween candy shopping.
She hopped straight into Honeydukes, where loads of other students were buying their own discounted candy, and quickly got some candies that were under the discount.
Including a bag of candy corn, and it was the type made in shop-which was even better.
“What is it with you and candy corn (n/n)?” one of her friends that had accompanied her to Hogsmeade asked teasingly, attempting to steal one of the candies (y/n) had bought.
“It’s good!” (y/n) defended the candy, holding the box to her chest. She knew candy corn wasn’t a worldly liked candy-but it was hers and her dad's favorite, so it not only tasted good to her, but it also was nostalgic.
(y/n)’s friend snickered, taking a caramel apple lollipop from (y/n)’s bag full of discounted Halloween candy. (y/n) rolled her eyes, the two catching up with the rest of their friends, hanging out at the three broomsticks for a while before heading back to the castle.
Upon getting back to her dorm room, (y/n) poured out the candy onto her bed and spread it out, sorting it and eating a few pieces here and there as she separated the chocolates from the hard candies, and the lollipops from the taffy.
She took out the diary and the new well of ink, opening the wax around it and setting it aside, testing the ink on her actual notebook before writing to Tom.
“back from Hogsmeade! Using the new ink as well :)”
‘I can tell, it’s far smoother than the ink you were using before.’
“I’m glad you like it! I also got a lot of candy from honeydukes, they were having a day after Halloween sale, I got nearly 5 pounds of candy for one galleon.”
‘Sweet tooth?’
“big one.”
(y/n) smiled brightly as she continued her conversation with Tom, which turned to her asking Tom what his favorite candy was…is.
‘I haven't tried much candy if I must be honest, though I do like treacle tarts.’
“yum, those are pretty good”
“great now Im craving treacle tart thanks Tom.”
‘You’re welcome, (y/n)’
­-
(y/n) happily painted on some Slytherin green and silver face paint onto her cheeks, today was the first quidditch game of the year, and the Slytherin team had gotten a new seeker-the spoiled as fuck Draco Malfoy, who everyone knew bribed his way in but he still wasn’t a terrible flyer-and brand new brooms.
The whole Slytherin house was excited, ready to win the first match of the season against Gryffindor, since they hadn’t won a game against Gryffindor since Harry Potter joined the team the year before.
“You almost ready (y/n)?!” her friend called from the bathroom as she herself finished her makeup.
“Yeah!” (y/n) said, hopping to her feet after pulling away from her desk mirror. “I’m all done!” she wrapped a scarf around her neck and hooked her arm with her friends and they all went down to the quidditch pitch together, the roar of excitement already humming through the stands.
The game started quickly after that and it was exciting! The Slytherins were walloping the Gryffindors easily-quickly overtaking them 90-30. (y/n) whistled and cheered for her team, throwing her fists into the air with each score. “Woah what the fuck?!” she heard her friend suddenly exclaim and (y/n) turned to see where she was looking, her brows furrowing as a bludger began to deliberately chase Harry Potter.
“Is that a rouge bludger??” (y/n) said, her lip curling in confusion. “What the hell they’re like-impossible to tamper??” (y/n) and her friend stopped paying attention to the game as a whole, watching in near horror as Harry was chased around by a bludger.
The Weasley twins tried to bat it away from him but it kept coming back.
“that’s not good-we should tell a teacher-“ (y/n) stuttered, turning to head off the stands, maybe catch Madam Hooch’s attention and stop the game before someone got hurt. (y/n)’s friend nodded and followed her through the crowd of Slytherins and down the stands.
Just as they reached Madam Hooch, the bludger had slammed into Harry’s arm as he reached for the snitch and he hit the dirt soon after; though he had the snitch in hand, Gryffindor had won the game. “Oh shit,” (y/n) muttered under her breath, looking at Harrys very broken arm, as Madam Hooch blew the whistle, ending the game.
The Weasley twins somehow caught the tampered bludger, getting it back into the box and locking it down. Madam Hooch instantly saw to it, and while that all happened-the idiot Lockhart…erm…mended Harry’s arm.
“Ew,” (y/n) muttered as her friend gagged at the rubber look Harry’s arm had taken. Lockhart hadn’t mended shit; he’d removed Harry’s bones!
“That is so nasty,” (y/n)’s friend muttered, and (y/n) nodded in agreement, heading back to the castle after Headmaster Dumbledore told everyone the match was over and to head back to the castle while Harry, and any other injured players, went to Madam Pomfrey.
“Gotta be honest, Gryffindor deserved that win, I mean-odds stacked against them, with those new brooms and that bloody bludger, they won. Shame Potter’s arm got broken for it though.” (y/n)’s friend ranted as they walked back to the common room, (y/n) nodding in agreement. “I have to wonder who tampered the bludger? I mean Madam Hooch checks them right before the game, and if it wasn’t tampered then, how could’ve someone hexed it within the minutes before the game began?”
(y/n) shrugged as her friend continued to rant. “Maybe someone tampered with it mid-game? Because it wasn’t doing it at first, if it was tampered with before the game-it would’ve gone after Harry straight away? Wouldn’t it?” (y/n) suggested, walking into the common room after several other students and her friend nodded, tapping her chin.
“That does sound logical, though I’m not sure how or why anyone would do that, I mean-he’s just a 12-year-old kid? Who’d want to charm a bloody iron magic ball to hurt him?” (y/n) shrugged in response to her friend's rhetorical question.
“Someone fucked up,” (y/n) answered anyway and her friend sighed, the two entering their dorm room. Her friend went to wipe the Slytherin-themed makeup off her face while (y/n) went to her bed and grabbed the diary.
“Potter almost got killed by a bludger at the quidditch match today.”
(y/n) could almost feel the sense of ‘!!?!?!’ from Tom as he hurriedly wrote back to her.
‘Who starts a conversation like that? also what? how? I never liked Quidditch but I’m sure those Quidditch gear chests are impossible to get into?’
“that’s what I said, I think someone jinxed it mid game because it wasn’t going after him at first.”
‘How odd. And it was going after Potter specifically?’
“yeah! Only him, the Weasley twins kept batting it away from him but it would go right back after Potter. Its really weird.”
‘I cannot tell you it isn’t, because it is very odd.’
“yeah”
(y/n) perked up as her friend came back out of the bathroom. “I’m going to go get lunch, you coming?” her friend asked and (y/n) nodded.
“Yeah, lemme just wash my face,” (y/n) said, looking back down at the diary and telling Tom she had to go, setting the book down on the bedside table and going into the bathroom to wash her face.
-
(y/n) woke up very late that night, a ringing in her ears as she opened her eyes, feeling kinda nauseous. She groaned lightly, realizing she’d fallen off her bed, her head pounding as she attempted to get up, pressing her palms to her eyes as they ached.
“What the fuck,” she muttered, rubbing her face. She’d never fallen off her bed before, but considering the odd dream she had-she wasn’t surprised. She eventually got to her feet after the nausea had passed and climbed back into bed, yawning.
She laid back down, but couldn’t get back to sleep. Her mind kept going back to that odd dream. She had been walking through the halls of Hogwarts, at what seemed to be a late hour, and went into one of the bathrooms and…spoke a strange language-a hissing language, and the…sink had come apart??? After that she woke up, having fallen off her bed mid weird dream.
She huffed and drew the curtains around her bed, grabbing her wand, the diary, and her quill. “Lumos,” (y/n) murmured and the tip of her wand began to glow and she opened the diary, flipping through pages and pages of notes, and doodles.
She dipped her quill and began to write to Tom.
“I fell out of my bed,”
‘And why is that so important to tell me? It’s late I’m sure, you should be asleep.’
“you’re right but I cant get back to sleep, I had a weird dream and woke up after falling out of my bed, which ive never done”
“or at least I havent done since I was a kid?”
‘Interesting. What was your dream about if I may ask?’
(y/n) wrote down what she remembered from the dream, and then added a small detail she hadn’t realized till now.
“it felt like I was having an out of body experience, or like I was watching through someone elses eyes? You get what I mean?”
‘I suppose I do, though im sure there’s nothing to worry about, everyone has odd dreams sometimes.’
“have you ever had an odd dream?”
‘Yes, I’m not divulging that information though, you’ll tease me relentlessly about it.’
“no I wont!”
(y/n) huffed as Tom didn’t respond, and she could imagine the expression of ‘sure you wont’ on his face. She wished she knew wha the looked like…wait maybe she could find him in the gallery! He did say he was a prefect in his time, maybe there was a picture somewhere of the 1942-1943 prefects.
“you’re no fun.”
‘Go to sleep (y/n),’
“fiiiine, goodnight Tom.”
‘Goodnight, (y/n)’
-
“A first year got petrified?!” (y/n) asked in a hushed tone, her eyes wide as she gripped her friend's hand tightly as they walked to breakfast Monday morning.
“Yeah, apparently it happened Saturday night, or well, early Sunday morning if you think about it that way-but Professor Dumbledore found him in the middle of the night-just-stone still, petrified.” (y/n)’s friend rambled and (y/n) frowned, squeezing her friend’s hand tighter.
Early Sunday morning…she’d had that weird dream and fell out of her bed Sunday morning.
“What time did the first year get petrified?” (y/n) asked and her friend shrugged.
“Dunno, I’m only telling you what I heard from the grapevine, all I know is Sunday morning, a first year got petrified.” (y/n) huffed nervously in response, swallowing harshly, that weird feeling of paranoia returning to her gut.
Just a coincidence, just a coincidence. It had to be; besides, she’d just fallen out of her bed this time, she hadn’t sleepwalked, she hadn’t even left her dorm room.
…right?
-
“I’m leaving.” (y/n) huffed as dumbass Lockhart came onto the long dueling stage that was set up lengthwise in the great hall, replacing the house tables. Her friend grabbed her arm as she attempted to escape, tugging her towards the edge of the stage-making them be front and center.
“Oh, come on (y/n)~ it’ll be fun!” her friend said cheerfully, she’d didn’t understand why (y/n)…disliked ‘Professor’ Lockhart, even thinking he was hot.
It was one of the few things (y/n) vehemently disagreed with her on.
“it’ll be cringe as fuck that’s what it’ll be.” (y/n) grumbled, crossing her arms as she pouted. She expected maybe Professor Flitwick to be the head of the dueling club, but noooo it had to be the obvious fake Lockhart.
Though-Professor Snape had agreed to…help Lockhart in a demonstration, and that, was going to be fun.
(y/n) couldn’t help the peal of laughter that came from her as Snape sent Lockhart across the dueling stage, her friend gasping as Lockhart landed with a thump. “Is he okay?” her friend asked and (y/n) just snickered with the rest of the Slytherin members of the club.
“Who cares? That was funny.” (y/n) chuckled, smirking as her friend gave her a glare. After that everyone got paired into groups, Lockhart nearly putting the little 1st and 2nd years with the 5th and 6th years attending, Snape correcting that mistake and putting (y/n) against a fellow 6th-year Slytherin, though (y/n) hardly knew his name.
“Remember, disarm only!” Lockhart said and (y/n) rolled her eyes, bowing her to dueling partner with her wand at her side and then holding it out in front of her, her other arm over her head for balance.
The dueling began moments later, and spells shot out of their wands every other moment. (y/n) began with the disarming charm, expelliarmus, but her opponent blocked it and returned with a Stupefy. (y/n) went to block but it felt like she wasn’t in control of herself anymore, she stepped to the side-avoiding the spell-and held out her wand in a grip that wasn’t her own.
“Relashio!” With a wave of her wand her dueling opponent was forced to drop their wand and then (y/n) twirled her wand again. “Depulso!” A blast of white magic flew towards her dueling opponent and they flew back, hitting the ground with a loud thud.
There was an intense satisfaction that ran deep in her bones for a split moment, and an odd feeling to finish her opponent off-but that quickly went away and (y/n) pocketed her wand, rushing over to her dueling partner. “Are you okay?” (y/n) asked, offering her hand and her dueling partner chuckled painfully, rubbing their lower back as she helped them stand.
“I’m okay-that was wicked casting though,” (y/n) only nodded in response, licking her teeth as the dueling groups were stopped, a green haze in the air from the dueling 2nd years. She began to leave the great hall as Potter and Malfoy began to duel, only stopping when she heard a strange hissing coming from the stage.
She turned, the hissing sounding too familiar, coming from Potter as he…hissed at a black snake? Her ears began to ring, her vision going a bit blurry as she stared at Potter, the boy hissing at the snake before Snape destroyed it.
What the fuck?
That was the same hissing she’d heard in her dream on Sunday.
-end of p3-
im very happy with this part and i hope you guys are too-taglist!!!
@dracosslxt4eva @dream-your-own-way @slaggylemon
@slytherinbackintomyroom @starryhiraeth @larallott
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dollgxtz · 19 days ago
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okay but can we talk about the illustrations in the new event??! like they’re only silhouette drawings but they capture the bond and love between mc and sylus so well like i’m going to cry i love this man so much!! and mephisto in them is so adorable too😭😭
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YESSS IVE BEEN WAITING FOR SOMEONE TO SAY THIS. This event is super cute and I’ve been trying my hardest to unlock them all cause I’m impatient 😭.
I think I clicked on one today where MC said she’d give Sylus a “friends discount” for her bargaining services and he straight up was like “I don’t think friends is the right word for us”
THE WAY I SQUEALED 😭😩
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stephpotterart · 25 days ago
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Vaguely Leyendecker-esque illustration of Louis de Pointe du Lac from probably my favourite moment of season 1. I’m hoping to get stickers and acrylic charms of this piece made in the new year, so let me know if that’s something you’d be interested in!
Wanna see the occasional NSFW art I create, and the other art that I don’t post on social media? Some sketches, some full artworks, and wanna get some perks like discounts on commissions and other merch? Then please head on over to my Patreon! Where for just $6 USD a month you can get all those perks!
Or head on over to my ko-fi, where you can get most of the same perks for the same low price! There you can also check out my available merch!
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ad-melioraart · 20 days ago
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Hello hello! I come with exciting news! During the month of December, starting today, I will have discounts all month long for subscriptions to my Patreon- I thought it would be nice to offer the chance for anyone interested to be part of it! This week is the highest discount, 45% off, on two of the most important tiers! Thank you so much for your support, it means a lot as always. Whether it's from Patreon or tumblr, I appreciate all of you<3
Check it out here:
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greater-than-the-sword · 1 month ago
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Commissions Open!
Hello everyone! I'm struggling to get work these days due to my inflammation limiting my driving and standing ability (especially during the winter X( ) and I've recently finished all my other contracts, so I am once again open for commissions.
Pricing:
Single character portraits with standard digital reproduction (online posting) rights run between $30-40 with $10-$20 per additional character.
Background / concept artworks range $40-$150. Additional fees apply for combinations.
Still life is on discount!!!
Still lifes are $25-$40 depending on complexity. I love doing them so please ask, I will cut you an additional deal if it sounds fun.
Black and white animation as seen in the gallery is also available with pricing starting at $28 depending on number of frames and complexity (about $7 per frame)
For book covers and print or merchandising rights, please contact [email protected] or message evelynmlewis.tumblr.com and we can work something out that works for your budget. I have experience with cover formatting for multiple published books & meeting file compatibility standards with various publishers, and can offer a full cover design service or an illustration for your use depending on your needs.
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My website:
https://evelynmlewis.com/
Ask box is open to start a conversation, or email [email protected] :)
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pigdemonart · 3 months ago
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Hi, hi, hi! I realize because I post more consistently on Patreon I tend to slack behind on other social media, so here’s my attempt at announcing what I’m doing over there! 🙇‍♂️
- I post every week, usually every two to three days. All the posts are always available since it’s basically functioning as archive of my work since it opened.
- All the art is posted approximately A WHOLE MONTH in advance from when it is public! This is including all of my comics and illustrations.
- Most of my doodles, wips and commentary time-lapses are usually exclusive and only available on the site.
- Members also get access to the discord server, where members have successfully kungpowpenis’d me to death recently
AND every now and then I offer my patrons exclusive YCH poses at discounted prices, and all the previous YCH poses are always available to members even at the primary $3 tier!
This month’s common theme for the SFW and NSFW YCH is dance 💃! Which anyone can purchase, just so long as they’re a member!
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Teehee, thanks for reading! 🙇‍♂️💖💖💖💖
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