#director: stephen williams

[blackinmotionpictures]

CHEVALIER (2023) dir. Stephen Williams

[thekenobee]

Part 2 of MANY

[guillotineman]

[rwrbmovie]

Variety: Stephen Fry on Reprising the King in ‘Red, White & Royal Blue 2’ and Why Prince William and Harry Are ‘Very Gay-Friendly’

You played King James in “Red, White & Royal Blue.” I always tell younger people that it still astonishes me that something like this could get made.

It’s wonderful — shout out to [director and co-writer] Matthew López, who’s an extraordinary talent — and indeed that I would ever play Oscar Wilde in a film. That was an extraordinary idea. My little self would say, “No, this is fantasy. Fantasy is dangerous. The hope is what kills.” But part of me wants to fly back through time and just sort of rest on the shoulder of my young unhappy self and say, “It’s going to be all right. Don’t worry.”

When you’re on a set of something like “Red, White & Royal Blue,” do you think, “I am making the most mainstream queer story. As mainstream as queer could get.”

Yeah. We have reason sometimes to doubt the sense of the younger generation in some respects. And there’s that typical old fart behavior of myself. But I’m so impressed by their willingness and openness to play those roles, those two boys [Nicholas Galitzine and Taylor Zakhar Perez]. They were terrific at it. That’s the openness that I really treasure because I can remember when Rupert Graves and James Wilby were in “Maurice.” They were brilliant in the E.M. Forster adaptation, but I can remember how the business looked down on them and said, “But they’re both straight and doing that. That must be so embarrassing for them. How could they. Oh, gosh! How would they prepare for that?”

Will you play the king again in the “Red, White & Royal Blue” sequel?

Matthew’s become a friend and he’s told me he’s doing it. I’m hoping that he hasn’t left me out. We need the king. You’ve got to have the king.

🔗 full interview

[jaimeshanice]

"Geoffrey Rush was never meant to look like Vincent Price (star of the original film House on Haunted Hill (1959)). The original screenplay described Stephen Price as a regular looking businessman. Rush didn't care for this, so he suggested that his character look like the film director John Waters. The director agreed to test this look out. After his transformation, he ended up looking so much like Vincent Price the director decided to keep the look."

House On Haunted Hill (1999) dir. William Malone

[glennk56]

William Hootkins in the 2000s

In 2001 William Hootkins worked with Director Peter Chelsom for the third time in the comedy Town & Country starring Warren Beatty and Diane Keaton.

He also appeared in vampire movie The Breed in 2001.

In January 2002, he appeared in TV Movie The Magnificent Ambersons.

These photos are from the Screening of The Magnificent Ambersons. Notice the difference in height between William Hootkins and James Cromwell. Hootkins was a foot shorter. 5'7" vs 6'7".

In 2004 Hootkins was in Blessed, a supernatural Horror Thriller starring Heather Graham. Filmed in Romania, November 2003.

William Hootkins was in an episode of The West Wing as a translator. Hootkins learned Mandarin at Princeton University and that is what most likely got him this job but he was never shown speaking Mandarin or even got a close-up. This episode was shown in December 2004, one month before he was diagnosed with pancreatic cancer. I don't know when it was filmed but he must've been dealing with symptoms (pain, jaundice, worsening diabetes) at the time.

William Hootkins made 3 appearances on film in 2005. He was diagnosed with Pancreatic Cancer in January and passed away in October. There was the comedy film Dear Wendy that was shown at the Sundance Film Festival in January 2005 but it was filmed in late 2003. There was an episode of Absolute Power starring Stephen Fry that aired in August 2005. I don't have photos of these two. The last credit is from Colour Me Kubrick (photos above) which was shown in France at the Dinard Festival of British Cinema in October 2005, however this was filmed in early 2004. So his last appearance on film was either on the TV shows The West Wing or Absolute Power.

In 2003, William Hootkins played Alfred Hitchcock in Hitchcock Blonde in the London Theatre to great acclaim. Hootkins worked hard for this role learning Hitchcock's mannerisms and accent. There were plans to bring the production to Broadway in 2005 where he would've been eligible to win a Tony Award. This never happened once he was diagnosed with Cancer.

[religion-is-a-mental-illness]

Published: Jul 13, 2023

As experienced professionals involved in direct care for the rapidly growing numbers of gender-diverse youth, the evaluation of medical evidence or both, we were surprised by the Endocrine Society’s claims about the state of evidence for gender-affirming care for youth (Letters, July 5). Stephen Hammes, president of the Endocrine Society, writes, “More than 2,000 studies published since 1975 form a clear picture: Gender-affirming care improves the well-being of transgender and gender-diverse people and reduces the risk of suicide.” This claim is not supported by the best available evidence.

Every systematic review of evidence to date, including one published in the Journal of the Endocrine Society, has found the evidence for mental-health benefits of hormonal interventions for minors to be of low or very low certainty. By contrast, the risks are significant and include sterility, lifelong dependence on medication and the anguish of regret. For this reason, more and more European countries and international professional organizations now recommend psychotherapy rather than hormones and surgeries as the first line of treatment for gender-dysphoric youth.

Dr. Hammes’s claim that gender transition reduces suicides is contradicted by every systematic review, including the review published by the Endocrine Society, which states, “We could not draw any conclusions about death by suicide.” There is no reliable evidence to suggest that hormonal transition is an effective suicide-prevention measure.

The politicization of transgender healthcare in the U.S. is unfortunate. The way to combat it is for medical societies to align their recommendations with the best available evidence—rather than exaggerating the benefits and minimizing the risks.

This letter is signed by 21 clinicians and researchers from nine countries.

FINLAND Prof. Riittakerttu Kaltiala, M.D., Ph.D. Tampere University Laura Takala, M.D., Ph.D. Chief Psychiatrist, Alkupsykiatria Clinic

UNITED KINGDOM Prof. Richard Byng, M.B.B.Ch., Ph.D. University of Plymouth Anna Hutchinson, D.Clin.Psych. Clinical psychologist, The Integrated Psychology Clinic Anastassis Spiliadis, Ph.D.(c) Director, ICF Consultations

SWEDEN Angela Sämfjord, M.D. Senior consultant, Sahlgrenska University Hospital Sven Román, M.D. Child and Adolescent Psychiatrist

NORWAY Anne Wæhre, M.D., Ph.D. Senior consultant, Oslo University Hospital

BELGIUM Em. Prof. Patrik Vankrunkelsven, M.D. Ph.D. Katholieke Universiteit Leuven Honorary senator Sophie Dechêne, M.R.C.Psych. Child and adolescent psychiatrist Beryl Koener, M.D., Ph.D. Child and adolescent psychiatrist

FRANCE Prof. Celine Masson, Ph.D. Picardy Jules Verne University Psychologist, Oeuvre de Secours aux Enfants Co-director, Observatory La Petite Sirène Caroline Eliacheff, M.D. Child and adolescent psychiatrist Co-director, Observatory La Petite Sirène Em. Prof. Maurice Berger, M.D. Ph.D. Child psychiatrist

SWITZERLAND Daniel Halpérin, M.D. Pediatrician

SOUTH AFRICA Prof. Reitze Rodseth, Ph.D. University of Kwazulu-Natal Janet Giddy, M.B.Ch.B., M.P.H. Family physician and public-health expert Allan Donkin, M.B.Ch.B. Family physician

UNITED STATES Clin. Prof. Stephen B. Levine, M.D. Case Western Reserve University Clin. Prof. William Malone, M.D. Idaho College of Osteopathic Medicine Director, Society for Evidence Based Gender Medicine Prof. Patrick K. Hunter, M.D. Florida State University Pediatrician and bioethicist

Transgenderism has been highly politicized—on both sides. There are those who will justify any hormonal-replacement intervention for any young person who may have been identified as possibly having gender dysphoria. This is dangerous, as probably only a minority of those so identified truly qualify for this diagnosis. On the other hand, there are those who wouldn’t accept any hormonal intervention, regardless of the specifics of the individual patients.

Endocrinologists aren’t psychiatrists. We aren’t the ones who can identify gender-dysphoric individuals. The point isn’t to open the floodgates and offer an often-irreversible treatment to all people who may have issues with their sexuality, but to determine who would truly benefit from it.

Jesus L. Penabad, M.D. Tarpon Springs, Fla.

[ Via: https://archive.today/IRShy ]

==

The gender lobotomists just got called out.

[paigegonerogue]

TLOU s2: Behind the Camera

One of the most anticipated shows of 2025, The Last of Us (my favorite show of all time), is likely getting an official teaser trailer this month for the absolutely stacked season 2! If you’ve been keeping up with the news around it, you’ll know the incredible new actors added like Kaitlyn Dever, Isabella Merced, Jeffrey Wright, Katherine O’Hara, and Young Mazino, but they’re not the only rockstars stepping onto the set.

(Super long post)

Directors:

Aside from the amazing returning directors, TLOU has added four prestige legends to the lineup. Thank you for your service, Ali Abassi, if you’re past work directing stories about blonde sex-offenders is any indication, your Trump biopic will be fantastic.

The four directors added to the lineup are Stephen Williams, Kate Herron, Nina Lopez-Corrado, and the legend himself, Mark Mylod.

Stephen Williams, the director who’s known for constantly directing episodes with an 8.7 score on IMDB (that’s not what he’s actually known for). He’s directed episodes of Westworld (one in s1 and one in s2, both with an 8.7 score) and Lost (in which he has two more 8.7s, and I believe over 10 other episodes in the range of .2 points of 8.7), so he’s pretty good with time-skips and flashbacks. He’s also worked on Persons of Interest in which he directed another, you guessed it, 8.7 episode, as well as two more win the .2 range of it. Recently he’s broken out of the “almost nine” range with HBO’s Watchmen, in which he directed episodes 3 and 6. (He’s directed 9s before, but this was the first time where they weren’t surrounded by 8.7s). His work with time shenanigans, and the fact that TLOU is rated 8.7 on IMDB, make this a fantastic match.

Kate Herron is next up, known best for her work on Loki. She directed the entirety of season 1, which includes my favorite episode of the show ‘The Variant’, in which Loki and Mobius go to the location of a disaster in the near future to find a sinister variant. It’s practically a demo real for TLOU, since a lot of it takes place in a supermarket filled with people waiting out a disaster that none of them survive, showing she’s got the skill to pull of apocalyptic. She also delivered us the absolute gold of the salad scene. Other than that, she directed multiple episodes of Sex Education back when it was still beloved and acclaimed.

Third we have Nina Lopez-Corrado. While she hasn’t directed shows quite as high-caliber as some of the other directors, she’s proven she’s good at found family through her work on Agents of Shield, in which she delivered one of the highest rated, and roughest episodes of the show ‘Devil Complex’, in which our favorite characters get put through absolute hell (so she’ll be perfect for TLOU s2!). She’s also shown that she can get Tumblr obsessed with queer ships with her work on Supernatural…

Last and certainly not least is the most well known and acclaimed of the new directors, Mark Mylod. I believe he will be directing the most episodes of this list, but I’m not entirely certain. Mylod is probably best known for his amazing work on Succession, which he won an Emmy for. He’s directed all of my favorite episodes except Panic Room and America Decides. While he’s worked on other projects like Game of Thrones, Entourage, and The Menu, it’s his directing for Succession that gets me most excited for his work on TLOU. He’s proven he can elevate emotional scenes, and his directing is consistently incredible across all spectrums of human feeling. His thematic work with grief, trauma, and the cycle of violence will very much carry over into TLOU, and I can’t wait to see the absolute emotional brutality and heartbreak of his direction paired with Bella’s acting. Actually I can wait because holy shit I’m not going to make it… He directed Kendall’s traumatizing car crash in the s1 finale, Shiv’s self-destructive decisions in Ternhaven, Kendall’s breakdown in s3 when he admits to Roman and Shiv what he did, Roman’s grief and self-harming behaviors at the funeral, the bittersweet bonding in the finale of the show, and obviously Connor’s Wedding. If you’ve seen Succession or know the plot of TLOU part 2 you’ll know exactly how that might carry over…

You thought this was the end? Hell no! Directors aren’t the only ones behind the camera!

Writers:

Craig Mazin and Neil Druckmann wrote season one. Their brilliant writing elevated the show and led to some truly unforgettable moments, and this season they’ve brought in some more incredible writers to help!

Halley Gross co-wrote The Last of Us part 2 alongside Neil Druckmann. No one was particularly surprised by this news, but it’s still great nonetheless. It’s clear how much Mazin respects the source material, and I love how TLOU brings in the people who wrote the games to help adapt it for television. She also wrote episodes for Westworld s1.

The other writer is more unexpected. Bo Shim joined the writers room of TLOU s2, but we don’t know much about him. He currently has no official writing credits, which either means it’s a pseudonym (which I doubt), or, more likely, they found a young, talented writer who hasn’t made it big yet and decided to give him his big break and use his skills for TLOU. If you’re looking, Craig, I know a film student who’d love to join the writing room for TLOU…. She’ll do it for free… she’ll pay you… please??

Cinematographers:

Cinematographers work with directors to create the look of the show, the shots, the lighting, etc.

Ksenia Sereda, who did the cinematography for TLOU episodes 1, 2, and 7 will be returning along newcomer Catherine Goldschmidt who worked on the always-gorgeous House of the Dragon.

Some of her amazing HotD shots:

Finally, Emily Mendez and Timothy A. Good are returning as editors. Set designers Austin Chuqiao Wang, Kyle White, and Shannon McArthur are returning as well.

There are wild amounts of other crew members who work on everything from lighting to costumes to vfx to storyboards. If I mentioned all of them this post would be as long as the credits, but every single one of them is important to the show and helps make it as incredible as it is!

I can’t wait for season 2!

[brokehorrorfan]

Abigail will be released on Blu-ray and DVD on July 9 via Universal. The 2024 vampire film will first be available on Digital on June 25.

Matt Bettinelli-Olpin & Tyler Gillett (Scream 5, Scream VI) direct from a script by Guy Busick (Scream 5, Scream VI) and Stephen Shields (The Hole in the Ground). Melissa Barrera, Dan Stevens, Kathryn Newton, William Catlett, Kevin Durand, Angus Cloud, Alisha Weir, and Giancarlo Esposito star.

Special features are listed below.

Special features:

Audio commentary by directors Matt Bettinelli-Olpin & Tyler Gillett and editor Michael P. Shawyer

Blood Bath featurette

Hunters to Hunted featurette

Becoming a Ballerina Vampire featurette

Directing Duo Matt & Tyler featurette

Deleted & extended scenes

Gag reel

A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they're locked inside an isolated mansion with no ordinary little girl.

Pre-order Abigail.

[citizenscreen]

Miriam Hopkins, William Collier Jr., and director Stephen Roberts during filming of THE STORY OF TEMPLE DRAKE (1933).

[asgoodeasgold]

💥New Role💥

Matthew Goode is credited in IMDB as having a role in monster horror film Abigail, due for release in April this year. I assume Matthew filmed this in May while in Ireland shooting Freud’s Last Session. His exact role is not specified in IMDB credits but it is likely to be small.

Plot: After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.

The film is based on a reimagining of the 1936 Universal Classic Monsters film Dracula's Daughter.

Directors: Matt Bettinelli-Olpin and Tyler Gillett. Writers: Stephen Shields and Guy Busick

Other cast members: Melissa Barrera, Dan Stevens, Kathryn Newton, William Catlett, Kevin Durand, Angus Cloud, Alisha Weir, and Giancarlo Esposito.

World premiere: Overlook Film Festival on 7 April.

World theatrical release: 19 April (Universal Pictures)

📷 Film poster and still: Universal Pictures, photograph of MG-Getty.

Read more here:

[justinspoliticalcorner]

Judd Legum at Popular Information:

Project 2025 is a radical blueprint for a potential second Trump administration, spearheaded by the right-wing Heritage Foundation. The plan calls for withdrawing approval for the abortion pill, banning pornography, slashing corporate taxes, abolishing the Department of Education, replacing thousands of experienced federal workers with political appointees, imposing a "biblically based… definition of marriage and families," and placing the Justice Department and other independent agencies under the direct control of the president.  These and other provisions of Project 2025 are quite unpopular. As Project 2025 has gained notoriety — thanks to actor Taraji P. Henson and others — Trump has sought to distance himself from the effort. On July 5, Trump posted on Truth Social that he knows "nothing about Project 2025," has "no idea who is behind it," and has "nothing to do with them." 

This is false.  The co-editors of Project 2025, Paul Dans and Steven Groves, both held high-ranking positions in the Trump administration. Under Trump, Dans served as Chief of Staff at the Office of Personnel Management, the agency responsible for staffing the federal government, and was a senior advisor at the Department of Housing and Urban Development (HUD). Groves served Trump in the White House as Deputy Press Secretary and Assistant Special Counsel.  Project 2025's two associate directors, Spencer Chretien and Troup Hemenway, are also tightly connected with Trump. Chretien was Special Assistant to President Donald J. Trump and Associate Director of Presidential Personnel, "helping to identify, recruit, and place hundreds of political appointees at all levels of government." Previously, Trump appointed Chretien to a position at HUD. Hemenway also served as an Associate Director of Presidential Personnel and previously worked on Trump's 2016 campaign and Trump's 2016 transition team.  

Project 2025's 922-page policy agenda has 30 chapters and 34 authors. Twenty-five of Project 2025's authors served as members of the Trump administration. Another Project 2025 author, Stephen Moore, was nominated by Trump to the Federal Reserve but forced to withdraw "over his past inflammatory writings about women." Further, William Walton, the co-author of the chapter on the Department of the Treasury, was a key member of Trump's transition team.  All told, of the 38 people responsible for writing and editing Project 2025, 31 were appointed or nominated to positions in the Trump administration and transition. In other words, while Trump claims he has "nothing to do" with the people who created Project 2025, over 81% had formal roles in his first administration. 

Here is the complete list of the 31 authors and editors of Project 2025 that have formal connections to the Trump administration. 

In addition to a detailed policy agenda, Project 2025 also involves the training and recruitment of political appointees for a potential second Trump administration. One key component of this effort is the "Presidential Administration Academy," which Heritage bills as "a one-of-a-kind educational and skill-building program designed to prepare and equip future political appointees now to be ready on Day One of the next conservative Administration."  Among the program instructors is Karoline Leavitt, the national press secretary for the 2024 Trump campaign and an assistant press secretary during the Trump administration. Leavitt co-teaches a video course on "The Art of Professionalism." She also appears in a promotional video for the academy. 

Also appearing in the video is top Trump advisor Stephen Miller. Despite his role in the academy, Miller claims he has "never been involved with Project 2025." Miller's organization, America First Legal, is a member of the Project 2025 advisory board. 

Popular Information exposes Donald Trump's deranged lie that he has "nothing to do with them", as 31 of the 38 authors of Project 2025 were in the Trump Administration in some capacity, including Paul Dans, Peter Navarro, Stephen Moore, Ken Cuccinelli, and Russ Vought.

See Also:

Right Wing Watch: Trump Team Lies About Project 2025 Reveal its Potential to Cost Him the Election

MMFA: Donald Trump on Heritage’s Kevin Roberts, who oversees Project 2025: “He’s going to be so incredible”

[guillotineman]

[theersatzcowboy]

A.I. Artificial Intelligence (2001)

Adapting an incomplete script from Stanley Kubrick, Stephen Spielberg delivers one of his darkest films to date (which may make it secretly one of his best), dependent on a stunning, heartbreaking performance by Haley Joel Osment (and an equally moving turn from an always underrated Jude Law).

Director: Steven Spielberg

Cinematographer: Janusz Kamiński

Starring: Haley Joel Osment, Jude Law, Frances O'Connor, Brendan Gleeson, and William Hurt

[uhlikzsuzsanna]

The BBC and Prime Video have announced further cast joining Tom Hiddleston in The Night Manager, which was recently announced to return for two new series. Made by the award-winning London and LA-based independent studio The Ink Factory (The Pigeon Tunnel, The Little Drummer Girl) in association with Character 7, Demarest Films and 127 Wall, and in co-production with Spanish partner Nostromo Pictures, series two will star Diego Calva (Babylon, Narcos: Mexico) and Emmy Award nominee Camila Morrone (Daisy Jones & The Six) alongside Indira Varma (Obsession, Obi-Wan Kenobi), Paul Chahidi (Wicked Little Letters, The Serpent Queen), and Hayley Squires (Adult Material, Beau Is Afraid).

The new series of The Night Manager will premiere on BBC One and BBC iPlayer in the UK, and, outside of the UK, globally on Prime Video, in a deal negotiated by FIFTH SEASON, which is handling global distribution of the series.

Inspired by the characters in John le Carré’s best-selling novel, the upcoming second series will once again be written by show creator David Farr and will be helmed by BAFTA winning director Georgi Banks-Davies (I Hate Suzie, Paper Girls). Tom Hiddleston (Loki, The Essex Serpent) reprises his celebrated role as Jonathan Pine, eight years after the explosive finale of series one.

Series two director Georgi Banks-Davies says: “I wrote my dream list of actors to join The Night Manager, and I can’t quite believe that I am now welcoming that list of talent to the show. What an incredible cast joining the brilliant Tom Hiddleston for this next chapter… I cannot wait to get them in front of the camera now and see the magic come to life.”

The acclaimed first series of The Night Manager was nominated for more than 30 awards and won multiple BAFTAs, Emmy Awards, and Golden Globes – including Best Actor for Tom Hiddleston. Commissioned by the BBC, in the UK it was watched by more than 10 million viewers, making it one of 2016’s most watched TV shows.

The Night Manager series two is created and executive produced by David Farr, based on the characters created by John le Carré. Further executive producers include lead non-writing EP Stephen Garrett for Character 7, Georgi Banks-Davies, Hugh Laurie, and Tom Hiddleston; Joe Tsai and Arthur Wang for 127 Wall; Stephen and Simon Cornwell, Michele Wolkoff, and Tessa Inkelaar for The Ink Factory; Adrián Guerra for Nostromo Pictures; William D. Johnson for Demarest Films, Nick Cornwell, Susanne Bier, Chris Rice for FIFTH SEASON and Gaynor Holmes for the BBC. The series is produced by The Ink Factory in association with Character 7, Demarest Films and 127 Wall, and in co-production with Nostromo Pictures.

The Night Manager series one is available to stream on BBC iPlayer.

[awardseason]

2023 Critics’ Choice Awards — Film WINNERS

Best Picture “Avatar: The Way of Water”  “Babylon” “The Banshees of Inisherin”  “Elvis”  “Everything Everywhere All at Once” — WINNER “The Fabelmans”  “Glass Onion: A Knives Out Mystery”  “RRR”  “Tár”  “Top Gun: Maverick”  “Women Talking” 

Best Actor Austin Butler – “Elvis” Tom Cruise – “Top Gun: Maverick” Colin Farrell – “The Banshees of Inisherin”  Brendan Fraser – “The Whale” — WINNER Paul Mescal – “Aftersun”  Bill Nighy – “Living”

Best Actress Cate Blanchett – “Tár” — WINNER Viola Davis – “The Woman King”  Danielle Deadwyler – “Till”  Margot Robbie – “Babylon”  Michelle Williams – “The Fabelmans”  Michelle Yeoh – “Everything Everywhere All at Once” 

Best Supporting Actor Paul Dano – “The Fabelmans”  Brendan Gleeson – “The Banshees of Inisherin” Judd Hirsch – “The Fabelmans”  Barry Keoghan – “The Banshees of Inisherin” Ke Huy Quan – “Everything Everywhere All at Once” — WINNER Brian Tyree Henry – “Causeway” 

Best Supporting Actress Angela Bassett – “Black Panther: Wakanda Forever” — WINNER Jessie Buckley – “Women Talking” Kerry Condon – “The Banshees of Inisherin”  Jamie Lee Curtis – “Everything Everywhere All at Once” Stephanie Hsu – “Everything Everywhere All at Once”  Janelle Monáe – “Glass Onion: A Knives Out Mystery” 

Best Young Actor/Actress Frankie Corio – “Aftersun” Jalyn Hall – “Till”  Gabriel LaBelle – “The Fabelmans” — WINNER Bella Ramsey – “Catherine Called Birdy”  Banks Repeta – “Armageddon Time”  Sadie Sink – “The Whale” 

Best Acting Ensemble “The Banshees of Inisherin” “Everything Everywhere All at Once” “The Fabelmans”  “Glass Onion: A Knives Out Mystery” — WINNER “The Woman King” “Women Talking”

Best Director James Cameron – “Avatar: The Way of Water” Damien Chazelle – “Babylon”  Todd Field – “Tár” Baz Luhrmann – “Elvis” Daniel Kwan, Daniel Scheinert – “Everything Everywhere All at Once” — WINNERS Martin McDonagh – “The Banshees of Inisherin” Sarah Polley – “Women Talking”  Gina Prince-Bythewood – “The Woman King”  S.S. Rajamouli – “RRR”  Steven Spielberg – “The Fabelmans” 

Best Comedy “The Banshees of Inisherin” “Bros” “Everything Everywhere All at Once” “Glass Onion: A Knives Out Mystery” — WINNER “Triangle of Sadness” “The Unbearable Weight of Massive Talent”

Best Animated Feature “Guillermo del Toro’s Pinocchio” — WINNER “Marcel the Shell with Shoes On” “Puss in Boots: The Last Wish” “Turning Red” “Wendell & Wild”

Best Foreign Language Film “All Quiet on the Western Front” “Argentina, 1985” “Bardo, False Chronicle of a Handful of Truths” “Close” “Decision to Leave” “RRR” — WINNER

Best Original Screenplay Charlotte Wells – “Aftersun” Martin McDonagh – “The Banshees of Inisherin”  Daniel Kwan, Daniel Scheinert – “Everything Everywhere All at Once” — WINNER Steven Spielberg, Tony Kushner – “The Fabelmans” Todd Field – “Tár”

Best Adapted Screenplay Rian Johnson – “Glass Onion: A Knives Out Mystery”  Kazuo Ishiguro – “Living”  Rebecca Lenkiewicz – “She Said” Samuel D. Hunter – “The Whale” Sarah Polley – “Women Talking” — WINNER

Best Cinematography Russell Carpenter – “Avatar: The Way of Water” Linus Sandgren – “Babylon”  Roger Deakins – “Empire of Light” Janusz Kaminski – “The Fabelmans” Florian Hoffmeister – “Tár” Claudio Miranda – “Top Gun: Maverick” — WINNER

Best Production Design   Dylan Cole, Ben Procter, Vanessa Cole – “Avatar: The Way of Water” Florencia Martin, Anthony Carlino – “Babylon” — WINNER Hannah Beachler, Lisa K. Sessions – “Black Panther: Wakanda Forever” Catherine Martin, Karen Murphy, Bev Dunn – “Elvis” Jason Kisvarday, Kelsi Ephraim – “Everything Everywhere All at Once”  Rick Carter, Karen O’Hara – “The Fabelmans” 

Best Editing Stephen Rivkin, David Brenner, John Refoua, James Cameron – “Avatar: The Way of Water” Tom Cross – “Babylon”  Matt Villa, Jonathan Redmond – “Elvis”  Paul Rogers – “Everything Everywhere All at Once” — WINNER Monika Willi – “Tár” Eddie Hamilton – “Top Gun: Maverick”

Best Costume Design Mary Zophres – “Babylon” Ruth E. Carter – “Black Panther: Wakanda Forever” — WINNER Catherine Martin – “Elvis”  Shirley Kurata – “Everything Everywhere All at Once” Jenny Eagan – “Glass Onion: A Knives Out Mystery”  Gersha Phillips – “The Woman King”

Best Hair and Makeup “Babylon”  “The Batman”  “Black Panther: Wakanda Forever”  “Elvis” — WINNER “Everything Everywhere All at Once”  “The Whale” 

Best Visual Effects “Avatar: The Way of Water” — WINNER “The Batman”  “Black Panther: Wakanda Forever”  “Everything Everywhere All at Once”  “RRR” “Top Gun: Maverick” 

Best Song “Lift Me Up” – “Black Panther: Wakanda Forever” “Ciao Papa” – “Guillermo del Toro’s Pinocchio” “Naatu Naatu” – “RRR” — WINNER “Hold My Hand” – “Top Gun: Maverick” “Carolina” – “Where the Crawdads Sing”  “New Body Rhumba” – “White Noise”

Best Score Michael Giacchino – “The Batman” Justin Hurwitz – “Babylon” John Williams – “The Fabelmans”  Alexandre Desplat – “Guillermo del Toro’s Pinocchio”  Hildur Guðnadóttir – “Tár” — WINNER Hildur Guðnadóttir – “Women Talking”