#directed by christopher nolan
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viesanterieures · 10 months ago
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remember when oppenheimer was announced and film critics were like "who‘s gonna watch a 3 hour biopic about the creator of the atomic bomb in the middle of summer"
dude, people would go to the cinema to watch cillian murphy painting a brick wall for 3 hours and i‘m one of these people
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rivercloak · 2 years ago
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so, you're telling me that big-time millionaire director christopher nolan knew löded diper but not one direction??? that's a win for music in my eyes
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multifxndomedits · 10 months ago
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✧ DIRECTED BY... headers ✧
- like/reblog if you save/use
(requests are closed: sorry! at the moment my routine is hard to deal with! i'll do my best!)
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super-lupus · 2 months ago
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Bring back Christian Bale to play Thomas Wayne Flashpoint Batman I'm not fucking kidding
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comicchannel · 12 days ago
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DC Multiverse DC Direct Batman The Dark Knight (2008) Cowl Replica - McFarlane Toys
Link para compra BR: *Possível importar pelo Link abaixo
Buy here: https://amzn.to/407THhY
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The Dark Knight (2008, Christopher Nolan)
03/11/2024
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scarecrowismybabygirl · 1 year ago
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Forget everything I ever said about not shipping real people. They’re boyfriends.
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By the way, this is taken from an actual interview from Entertainment Weekly: "Not at all," says Nolan, with a laugh. "If I could cast Cillian in every film I ever do, and just lean on him for the rest of my career, I'd be a happy man.""Well, I'm here for you Chris," says Murphy. "Just call me up!”
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feyinvestigations · 20 days ago
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Superhero movie Directors will say "I love the Watchmen comic" And then proceed to make the most thematically disconnected adaptation youve ever seen
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theofficialuriel · 29 days ago
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I found out Christopher Nolan was going to direct an adaptation of the Odyssey at a Walmart. I fell to my knees in the cereal aisle in horror
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i-didnt-hate-it · 7 months ago
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I just realized that Kenny Ortega did the spinning hallway thing in High School Musical 3: Senior Year before Christopher Nolan did it in Inception.
2008:
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and 2010:
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cctinsleybaxter · 9 days ago
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Adaptation anon from before, I think that makes sense. I didn’t like the Hulu adaptation, for the obvious reasons, but I do think there is an opportunity for Catch 22 to resonate with a broader audience of this generation. How would you adapt it?
Thanks! 💜
I think so too! Personally I'd want to see a Sean Baker adaption, but the dream would be for any director who truly wants to adapt it to have a go. I don't love the Nichols movie but it at least feels like art made by someone who read the book and had a directorial "vision" rather than something aiming for marketability; I want that to happen again.
...And THEN, once a bunch of people from different backgrounds/levels of experience make a movie we pick a favorite and that adaptation gets turned into a collaborative animated special like 'Shrek retold.' The ideal final form?
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femme-foucault · 27 days ago
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Award Season Guesses - late December 2024
Alright, well I still haven't seen The Brutalist (or Nickel Boys) because it's not releasing outside NYC and LA until sometime in January and I have no intention of seeing A Complete Unknown precisely because I am a Bob Dylan fan. So I haven't really updated my list of predictions from about a month ago or so. I am tempted to include The Substance but it is a sliiiiiim possibility given how the Oscars snubs work in horror. So here are my predictions as of late December 2024.
Above the Line Awards:
Alphabetical order as usual. My suspected winners in bold and runner-ups/potential "upsets in italics.
Best Picture:
Anora*
The Brutalist
A Complete Unknown
Conclave
Dune Pt 2
Emilia Perez
Nickel Boys
A Real Pain
Sing Sing
The Substance (????)
Wicked Pt 1
I am going on a limb and guessing The Substance does get in even though I think it is reeeeally a stretch. The Academy snubs horror films all the time, especially in acting (see Toni Collette in Hereditary and Mia Goth in Pearl). But the GG noms made me reconsider even though the GG is a critics/journalism awards show and the Oscars are an industry awards show and like any "election," demographic patterns vary. But actually if anything I think critics are snobbier about horror than industry people so that's a good sign. No idea what will win -- which is fun! 2024 was not nearly as good as 2023, which was an unusually packed year for great movies. But in a way, that makes Awards Season more fun because there isn't a clear front runner. I am leaning Anora right now for BP like I have been all year, but I would NOT underestimate either Wicked or Emilia Perez. I don't like the latter movie very much and while I did really enjoy Wicked I wouldn't say it was the best of the year. But don't underestimate the Oscars leaning populist because all three of the last BP winners in awards season were very much "crowd pleasers" over more "artsy" choices like Power of the Dog or Poor Things. (It feels odd to call Oppenheimer a "crowd pleaser" as that movie is so bleak, but technically, it counts in the sense that many people saw it and both general audiences and industry people liked it. So I'd put it next to EEAO and CODA as a "crowd-pleaser" Best Picture winner and a "populist" choice due to it making so much money because of Barbeheimer despite being, technically, a kinda weird movie when you dissect it. So don't underestimate Wicked!).
Best Director: Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), maaaaybe Coralie Fargeat, but ONLY if The Substance gets into Best Picture. I have taken Denis Villeneuve (Dune Pt 2) out of my predictions even though he deserves it because Dune Pt 2 was better than the first one. But until I see The Brutalist, I can't evaluate it. I wouldn't be surprised if we got a rare Best Picture and Best Director split.
Best Actress in A Lead Role: Cynthia Erivo (Wicked), Karla Sofía Gascón (Emilia Perez), Angelina Jolie (Maria), Mikkey Madison (Anora).....and if and only if The Substance The Substance gets into picture, maaaaaybe Demi Moore. She probably deserves it (I haven't seen The Substance because I'm squeamish), but the Academy is awful about nominating horror performances (see Toni Collette for Hereditary). The alternative might be Nicole Kidman for Babygirl.
Best Actor in a Lead Role: Adrian Brody (The Brutalist), Timothee Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave).
I am leaning Brody based on trailers alone (the Academy loves an accent and a WWII-post Holcaust drama) but even if Chalamet is mid -- and apparently he is quite good -- the Academy isn't above rewarding lame music biopics. See Austin Butler's nomination for Elvis and Rami Malek winning for Bohemian Rhapsody. ACU is apparently good -- I really hate that kind of biopic so I am not there for it -- so all Chalamet has to do to be decent for the boomer crowd who likes Dylan to vote for him.
Best Supporting Actress: Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldana (Emilia Perez), Margaret Qualley (The Substance).
Still leaning Saldana but Grande is not to be underestimated (the Academy are more likely to award comedic performances in supporting -- see Ryan Gosling's nom last year. He might have won if RDJ didn't have The Narrative). I am putting Rosselini in there now that she got into GG and if I am going to lean towards The Substance, maybe Qualley. Felicity Jones isn't doing well in critics circles but I think if The Brutlaist is popular, she could be the Emily Blunt of the season (the person who gets nominated for being in a popular movie and tags along but doesn't win anything, which is what happened with Emily Blunt last year because Oppenheimer was so popular with the industry and critics that she got a lot of "tag along" noms but no real wins).
Best Supporting Actor: Kieran Culkin (A Real Pain), Clarence Maclin (Sing Sing), Guy Pearce (The Brutalist), Denzel Washington (Gladiator II)...and someone else. Idk maybe one of the Anora guys (Yura Borisov (Igor?). I don't see the supporting performances from Conclave aside from Rosselini getting in because while everyone was good...that is part of the problem. No one but her really stood out because everyone in the supporting cast was so solid and I think Anora is a bit similar in that regard except that Borisov's character sticks out as having a sliver of decency. It's weird to think that the sentence "Oscar winner Kieran Culkin" might be a thing. As much as I like Culkin from Succession, my actual vote would be Maclin. But no one saw that movie :( I am including Washington even though Gladiator II got poor to mixed reviews because he's Denzel. He is such a great actor who was snubbed for his best performances that now they nominate him all the time to make up for it, and it's such a weak year in this category that I'm not complaining.
Original Screenplay: Idk what is original and adapted, but I think Anora wins Screenplay, especially if it doesn't win Best Picture. The recent trend is sometimes to throw a movie that won't be awarded anywhere else a screenplay award (see last year with both American Fiction and Anatomy of A Fall). The other possibility might be A Real Pain if they decide to award it.
Other than Anora, I think: The Brutalist, A Real Pain, The Substance, and maybe September 5 if they follow the Globes (which they don't always do because the Golden Globes are a press/critics award and the Oscars are industry so different voting demographics).
Adapted Screenplay: No idea what is even in this category. The distinction between Original and Adapted is pretty arbitrary at times (see: Barbie in Adapted last year). My guesses are A Complete Unknown (based on a specific Dylan bio apparently), Conclave (based on a novel), Emilia Perez (I think inspired by something?), Sing Sing (loosely based on a true story) and idk what the fifth slot is.
Who I think will win in the tech categories:
Best Production Design: Wicked. Dune Pt 2 might be an upset.
Costume: Obviously Wicked.
Special Effects: Probably Dune Pt 2 but it could be something I haven't heard of that the effects branch likes, because that happens often.
Hair and Make Up: If The Substance gets in, maaaybe. This is the one category that horror is recognized so I wouldn't be surprised if The Substance and maybe even Nosferatu gets in. But it might be Wicked if the Academy does what it often does and people outside the nominating branches just vote for the movie they like more, in which case it would be Wicked. Dune Pt 2 should get at least a nomination for Rebecca Ferguson's possessed henna.
Cinematography: Either Conclave or Anora. It really depends how 1) Anora does in general and 2) if it does well, if there is a "share the love" vibe. The Academy doesn't do the massive Titanic/Lord of the Rings sweeps anymore (and I'm fine with that) -- see last year giving Zone of Interest the Sound award and American Fiction got Adapted Screenplay when a lot of people thought Oppenheimer was a lock for both because it was the BP frontrunner and, if this was the 2000s, probably would have taken them by default. In the EEAAO year, an Edward Berger film (All Quiet on the Western Front) won cinematography over EEAAO in an upset, so it wouldn't be unprecedented if that happened again with Conclave.I hope it's not Emilia Perez. That movie is very flashy but I don't like the cinematography much. It's all flash no style. Dune Pt 2 will definitely be nominated but I feel like its spring release hurt it.
Score: It'd be cool if Challengers got nominated but I don't see it, unfortunately. The score branch is not that cool and prefers instrumental scores over tech/synth music, even though Trent has been nominated before. I don't know what will win, since Dune 2 is not even eligible.
Sound Design: It better be Dune Pt 2. I think Wicked and probably A Complete Unknown will get nominated because of the music mixing (which, in Wicked, was very subtle and well done and apparently ACU sounds great too). But I really don't like biopics about musicians so I'd rather it not. I wouldn't mind a Wicked nom here, but Dune Pt 2 is so inventive in its sound design that I am rooting for it.
#And to clarify why I say I hate biopics but Amadeus is one of my favorite movies of all time#and Oppenheimer was my pick for BP last year#those movies are quite different than the typical musical/celebrity biopic#when you watch Elvis or Spencer or Jackie or Frost/Nixon (which is a good movie!)#or Bohemian Rhapsody#you have a clear idea of what Elvis and Princess Diana and Jackie Kennedy and Nixon and Freddie Mercury sounded like#how they talked how they moved their image and I get tired of the very baity impressions#not many people go into Oppenheimer (even if you have read books on the subject) with a clear idea of what he sounded like#or his posture. Sure if you look at photos and video Cillian Murphy DID his job but it's not a direct impression#and no one cares because you aren't silently comparing his voice the whole film so I don't see it as a baity biopic role the way Ana what's#her name was a Marilyn Monroe#and in Amadeus...well....aside from the fact it is mostly fictional we don't have a recording of what the real Mozart sounded like#we just have second-hand accounts and that movie exaggerated it bc so much of it is from Salieri's POV#So I would put Murphy and Tom Hulce's performance in Amadeus in a different category#bc they are playing real people but they aren't trying that hard to do an impression and that is refreshing#also I am not a massive Christopher Nolan fan but he said something either last summer or in Oscar campaigning about biopics that hit the#nail on the head. Something along the lines of how *biopic* is not a genre#Lawrence of Arabia is an adventure story Citizen Kane is a psychological drama#Oppenheimer is part origin story part heist movie part court drama#the context was Nolan talking about his influences not bashing anyone#but in doing so he accidentally articulated precisely what i DON'T like about most biopics#there is no drama there is no GENRE and no internal impetus to care about the story unless you like the music of the person or are invested#and no even for musicians I like or stories I find interesting in terms of film making a lot of biopics are pretty lazy in that regard#then again my biggest issue with Maestro was how LITTLE Cooper cared about Bernstein's music so there's a line#lior liveblogs awards season
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pinkeoni · 2 years ago
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I think the party would all be team Oppenheimer because they all love science. Personally
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nonsenseofyesteryear · 11 months ago
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comicchannel · 24 days ago
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DC Multiverse DC Direct Batman Begins Cowl Replica - McFarlane Toys
Link para compra BR: *Possível importar pelo Link abaixo
Buy here: https://amzn.to/3C1Emay
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refridgerators · 2 years ago
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i watched oppenheimer today and it was kinda good actually
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