#didn't write this but might as well have

[isalabells]

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[disposal-blueeee]

VARGASTOBER - day 24 : mirror

[stop-breaking-my-heart-telltale]

a brief retrospective on Louis and Violet as love interests, Clementine's bisexuality, and the fandom's continued insistence on fighting over this

In December of 2019, I made a series of posts called "An Explanation of Why Louis and Violet are Both Excellent Love Interests" that explored my feelings on the topic after seeing a lot of fighting in the fandom over who's better; who is the "right" choice for Clementine?

The answer is simple: there isn't an objectively correct choice.

I compared Louis and Violet to the romantic options in other games, including Life is Strange, Persona 4, King's Quest 2015, and Catherine, as well as TWDG: A New Frontier. I wanted to show how much better TFS handled the romance versus those games, why we should be grateful for what we got since it could've been a lot worse, and how the fighting over who's "right" was a waste of time.

I suppose it's only fitting that I'd be driven to revisit this topic after seeing fans continue to argue amongst themselves over this years later in the trenches of a weakening fandom.

Just when I think I'm done writing pieces for TWDG, some random redditor writes an essay about how violentine only exists for "woke points" that grabs me by the throat and throws me down. Then another will insist that clouis is abusive since Louis voted against them in ep2 in their own essay and I'm dragged back here, kicking and screaming.

While I think my previous Excellent Love Interests posts about this are on the juvenile side, I do still agree with my main point: Louis and Violet are excellent characters who make for compelling love interests. The fact that we got them both, that we were given the choice, and that they're as well done as they are, is something I don't think we appreciate enough. Hell, I don't think we even appreciate that Clementine's a canonically bisexual protagonist as much as we should.

We're too busy trying to one up each other with, "Well, actually, clouis is superior because of this and this," and "no, you're wrong, violentine is actually better because of this and this," and sometimes a wild non-shipper will appear out of nowhere to slap down an, "actually, you both suck, singletine is better."

It's sad that this is what fandom inevitably defaults to, always. It stops being about the game we love, the thing that brought us here, and it becomes a pissing match.

Doesn't matter what fandom it is; we end up projecting too much of ourselves onto fictional characters, investing too much of our time into ship culture, hyper-fixating until it becomes part of us... and let's be real, sometimes it's in unhealthy ways.

So, when someone else attacks the things we're attached to, it becomes a personal attack... and when we feel threatened, we become defensive and retaliate... and sometimes, we take it too far and target others out of insecurity, to feel validated, even if it means going after someone who is just minding their own business.

Also, I think some people are just assholes who want to piss on everyone.

Because of this, I would like to discuss Louis and Violet as romanceable characters, why they're both important to TFS no matter who you choose, why Clementine being a bisexual protagonist matters, and the fandom's continued insistence on fighting over this.

For many personal reasons, I've always been trepid about being open with my sexuality as a bi woman. I've done a lot of reflection this year on why that is; internalized misogyny, the biphobia that lingers in the queer community, insecurities, regrets, how I tend to be harsher on female characters over male characters, why it took me so long to not feel afraid of engaging with queer media, admitting I was wrong about so many things I've said in the past, how it's all affected my writing, etc.

When TFS released and I made this blog, I had already accepted my bisexuality but was in no way public about it, not online or in my personal life. But playing the first two episode of TFS, being presented with both Louis and Violet as potential romantic partners struck something inside of me.

Yes, I picked Louis; we all know I'm a major clouis shipper at this point, and if you're new here, then now you know, too.

But it's the fact that Violet's also an option, that with just a few different button presses, Clementine could've fallen for her just as she did with Louis; that there's evidence in game that she shows interested in both of them no matter your choices; that no one in-game judges Clementine for who she chooses to be with... that meant something to me in a way that it hadn't before.

TFS wasn't the first game I played with a bi protagonist; in Excellent Love Interests, I compared Louis and Violet to Life is Strange's Chloe and Warren. I have a lot of mixed feelings about the first LiS game overall, but I've been quite open about my dislike of Chloe and indifference to Warren.

Chloe, to me, is everything I dislike in a love interest, predominately in wlw. 2023 was the year of "CJ dives into sapphic literature and it's a 50/50 chance of striking gold or gettin' hella eaten by disappointment, shaka brah." Meaning I've read a lot of wlw novels, and all the ones I hated featured a Chloe clone, sometimes done even worse.

And Warren? I'll be real honest with you- I couldn't even remember what his name was when I started writing this. I had to go back and check. That tells you what I think of him, no?

So, LiS didn't strike me the same way. Sure, I knew Max was a bi protagonist and that's great, but the choices weren't appealing to me. This was when I was a teenager still somewhat in denial of my sexuality, which most definitely contributed to me being uncomfortable when faced with a wlw relationship portrayed in-game, especially when I found myself wishing Kate was an option for Max... but y'know, "shhhhhhh if I don't acknowledge it, it doesn't exist."

When the first episode of TFS released, I was older, I was no longer in a not-so-great relationship, and had better accepted who I am. The first episode does a great job of introducing you to Louis and Violet, and giving you the opportunity to spend more time with the one you're interested in.

I actually really liked them both when ep1 dropped, but I've always had a preference for a character who is kind, deflects with humor, and tends to be picked on by the rest of the cast... so it was inevitable that I'd stick with Louis. Though I won't discredit Violet in ep1, or the rest of the game, just because I didn't choose her in the end.

That's one of the best things about Louis and Violet as options; they're opposites, yet alike in many ways. They have their appeals and charms. They're flawed. It never feels like a "love triangle" situation where they're fighting over Clementine. Louis and Violet are friends who have known each other from before the walkers came. It's refreshing to have two characters who are interested in the same person but don't go for each other's throats over it. When they do argue over her, it's more to do with AJ shooting Marlon and whether it's safe for the group to let them stay.

I can't fault anyone who struggled to pick between them. When someone talks about who they picked and why, it's all about the player's preferences.

It's your choice to make, and no matter what, you're not wrong for it.

This season concludes Clementine's story, regardless of what some comics will say. It's the last fight. It's her happy ending. She and AJ finally found a home, a family.

I've played these games since S1 came out in 2012, over ten years ago. Clementine holds a special place in my heart. Not only did this important character have a great final season [despite Telltale shutting down and TFS nearly being left incomplete, remember] but she's also revealed to be canonically bisexual.

They didn't release the whole season and then as an afterthought be like, "oh yeah btw she's bi, she has oneline of flirty dialogue with this character so see? we did good rep."

Yeah, I'm side eyeing you, ANF.

They didn't try to hide it. They presented it to the player unapologetically and made a conscious decision to exclude anything biphobic from other characters... which meant a lot to me.

Biphobia is real and it's not that I don't want it explored well in media, but there's something appealing and safe about a game with a bisexual main character who isn't questioned about it negatively; "You're bi? Doesn't that mean you cheat on all your partners?"

To give a compliment to Life is Strange: True Colors, I had a similar feeling in that game, too. Alex is openly bi, she can date either Steph or Ryan and no one questions the "legitimacy" of her bisexuality.

Because that's always a thing on top of everything else, y'know? "You're a bad bi unless you're with the 'gayer option.'" "Bisexuality isn't real, you're just confused." "I don't date girls who've been tainted by a man." "Oh, you're into girls? How about a threesome?"

Violet never turns her nose up at Clementine for admitting she had a crush on Gabe. Louis isn't ever gross about Clementine and Violet getting close. It speaks volumes for their characters and how accepting they, and everyone else at Ericson, are of Clementine no matter who she chooses, if anyone.

That acceptance, even if it's just in a game, means more than words can express to queer players who don't feel that acceptance in their daily lives.

Which means it hurts all the more when it comes to the fandom's own display of biphobia; "You're bi but ship clouis? Why ship something hetero when violentine is right there?" "Well, MY Clementine's straight because she picked Louis! Stop forcing the gay onto MY Clementine!"

Clementine's important to all of us. Why do you think so many people are pissed about the comics to the point of spewing disgusting bile toward Tillie Walden? I've said my piece on that plenty times before, so allow me to say it on this; the representation of bisexuality in Clementine is beautifully woven through TFS in ways that are subtle yet impactful, and I thank TFS for giving that to us.

One argument I've come across recently against Clementine's bisexuality, and violentine in general: "blegh they only included violentine/made Clem bi for lgbt points." y'know... as if that's a bad thing.

It bothers me because A. saying "I'm not homophobic *but*-" and then making a homophobic argument against violentine while insisting that Clementine's bisexuality came out of nowhere and was forced is icky, and B. I know I've said similar things about violentine in the past. I know I used to argue that violentine's underdeveloped, yet the devs pushed it to the forefront over clouis to pat themselves on the back for doing representation, etc.

I don't believe that anymore; remember when I brought up people making arguments out of insecurity? Yeah, that and being lowkey bitter that violentine got more dev attention than clouis sometimes even though like... that doesn't matter? It literally doesn't matter. That's what I meant when I said you get so invested that certain things feel like a personal attack when they're not.

Some of the developers of TFS are queer people. They probably wanted a bi protagonist with a wlw option because that representation is important to them and they had the opportunity to express it, not because they were trying to get "points" with anyone. Go listen to the commentaries for TFS; they talk about violentine with nothing but positivity, and they didn't do that to shade Louis or clouis shippers. And if you do think they did it shade fans, then maybe stop and consider why; do you actually believe that or are you annoyed that your fave wasn't the center of attention?

On the flip side, I also want to say that gloating and insisting that violentine is the better/right choice because of these things is also unpleasant and untrue. It sucks when it feels like things are biased against you and it sucks even more when that bias is weaponized by other fans to beat you down.

But honestly? If you need this much validation on your opinions about fictional characters, maybe you should stop to think about why that is and what it says about you, yeah?

Truly, this whole clouis versus violentine thing is irritating at best, vile at worse. Thankfully it doesn't happen as much on tumblr given the state of the fandom, and everyone's at least agreed that no matter their feelings toward each other, clemricca is worse. So, that's something, I guess.

I think the best way I can put this is you don't get to dictate what other people think and feel. Being passionate is great until it becomes an excuse to be an asshole. Not everyone is going to agree with you and you need to put your big kid pants on and accept that.

I'm under no impression that the fighting will ever stop, even when this fandom is dried up with only bones and memories haunting its desert... but at the very least, I can point some of it out and ask that we do better than this.

The focus gets lost in the fighting, and that focus is Louis and Violet themselves. Y'know, the two this retrospective's about.

Remember when I talked about Persona 4 in Excellent Love Interests and how much it sucks when the person you want to romance isn't actually an option--?

Hmm? What's that? Ah, yes, right- @pi-creates insists I add that TFS and Persona 4 actually are the same because Aasim wasn't an option and they're still bitter about that... but this isn't about Aasim, that's a topic for another day. Sorry Pi, but thanks for the screenshots used in this retrospective👍

Anyway, TFS gave us two excellent choices, and it would've been worse off had it only given us one of them, or none at all.

Louis wears charisma as a mask and uses humor as a shield to deflect. Violet, for as quiet and standoffish as she first appears, has a heart she's both eager and reluctant to share.

Louis is warm curtains of sunlight seeping through the murmuring woods of green leaves and little song birds. A heart carved into the rustic wood of an out-of-tune piano. Music echoing in the early morning hallways.

Violet is the glow of a full moon that illuminates still waters so the stars can dance in its reflection. Paint smeared over finger tips to offer a piece of herself meant to be worn. Constellations of stars named in secret.

They're both lonely people, often misunderstood by the others at Ericson, and sometimes by each other. They want to be known. They want to be seen.

But fear is a powerful wall to overcome.

And that's the beauty of choice. You get the impression of knowing them in the beginning, but it rarely breaks surface tension; Louis is nice and funny but undependable, Violet's rude and reserved and a little awkward. Neither are outspoken about any issues around Ericson, content to keep their heads down.

Clementine has to make the effort to know them, and the game establishes this by asking you an unassuming question: do you want to go hunting with Louis or fishing with Violet?

Clementine either makes an effort to understand Violet's feelings toward Brody and why she's so mean to her, and try to help her through it... or she doesn't listen to what Violet's saying, is dismissive, and ends up making things worse.

When Clementine goes hunting with Louis, she has to make the decision to spend time with him or ignore him in favor of hunting, and should she choose him, he opens up to her just a bit.

Then comes the confrontation with Marlon at the end of the episode where Clementine has to make the choice of who to appeal to. The gravity of this choice is often glossed over, I think.

Marlon has a gun pointed at her head, and she pleas for Louis or Violet to step in and save her. Both are hesitant because of course they are! They've known Marlon longer, he has a gun, and he's using manipulation to scare them into submission; he uses his friendship against Louis, and Minerva against Violet.

But when Clementine gets through to them? They stand between her and Marlon in rather in-character ways; Louis eases in with his hands up, attempting to deescalate the situation while Violet pulls out a weapon and demands he back off.

They risked getting shot. They risked death. They knew what was happening was wrong. They didn't want Clementine to die, they didn't fully believe Marlon's bullshit but were too scared to step forward until Clementine asked them, too. In that moment she basically told them, "I trust you. Instinct tells me you are the one who can stop this. My life is in your hands."

This choice changes them, and this moment ripples through the rest of the season. It makes perfect sense that Louis would be upset over Marlon's death and feel unsafe with Clementine and AJ there whereas Violet sees the death as justified and Clementine and AJ shouldn't be kicked out over it. It's an overwhelming situation for everyone.

I've talked about ep2 and the vote until my lungs nearly collapsed and I saw the gates of Hell over the horizon... but that's fine, I can talk a little more about it and maybe this time the flames with cleanse me of my sins or something.

This is where the fighting really began, and I shouldn't have to say it again, but I will anyway: There isn't an objectively correct answer here, there's only personal preference.

Louis and Violet take very clear, opposite stances on this situation. I think they're both a little wrong and a little right; they shouldn't ignore that AJ killed Marlon, but kicking them out isn't the best solution either.

As a clouis shipper, I happen to like the way these events play out with Louis' vote. But not everyone feels that way. For some, Louis' vote is a deal breaker, making Violet the more appealing option given she voted for Clementine and AJ to stay.

Do you want a girl that's been by Clementine's side from the beginning and was vocal about keeping her and AJ here?

Great, Violet's the choice for you. Enjoy the lovely moonlight and constellation mini-game.

Do you want the extra angst of a boy who made a vote he comes to regret and then does everything he can to apologize and make it up to Clementine?

Wonderful, here's Louis. He'll play you a song he wrote and then name it after Clementine, it's very cute.

While on the topic of ep2, I also want to discuss the episode's final choice of saving either Louis or Violet and the consequences.

You know how in other games, say like massive RPG's with "good" and "evil" choices you can make that end up defining your character? You know how sometimes people question why developers even bothered putting those evil routes in since a majority of people will choose to be good? This isn't a new topic of discussion, but it's relevant to my point- they do it because the option to be evil makes the choice to be good more impactful. If you do choose to be evil, you did it knowing you could've been good and yet you decided chaos was the way to go, and now everyone and everything around your character suffers.

I don't think it only applies to binary "good" versus "evil" choices, either.

TWDG is great with its "You can only save one of them" choices, even if they usually fumble with the consequences in later episodes.

When I'm faced with this choice to save either Louis or Violet, I don't save Louis just because I like him more. Sure, initially that's why I saved him on my first run... but then the rest of the season came out and I learned the consequences of the choices I did and didn't make.

Knowing that he'll get his tongue cut out if I don't save him makes me all the more anxious to choose him. And I know violentine shippers are gutted knowing that if they don't save her, she'll feel so betrayed that she turns on Clementine and in the end is blinded in the boat explosion, so they're just as eager to save her.

But all of us have to live with the consequences of what happens to the one we didn't save, too. We made the decision to save the one we love at the cost of hurting the other we didn't love enough. You can't save them both. You're forced to hurt one of them in order to protect the other.

And it doesn't even stop there. TFS isn't done twisting the knife.

Mere moments before you have to make the choice to save one of them, Lilly's standing over Clementine with her finger on the trigger... only to then be tackled by the person you didn't choose to spend time with.

They just saved Clementine's life only to be dragged away by their neck, and the game asks you what that's worth: They got captured saving you, so do you save them in return or do you remain loyal to the one you chose before?

And when you know the consequences of both routes, when you know Louis will have his tongue cut out and Violet will have her eyes burned?

Louis and Violet are good people at their cores who only wanted to be understood and loved, and no matter what, you have to abandon one of them for the other... and they are left physically and mentally traumatized because of it.

But wait, there's more. The one you didn't save will always survive to the end and act as a constant reminder of what you chose... but the one you saved? If you don't trust AJ, then you'll be forced to watch them get torn apart and eaten alive by a herd of walkers. The only way to save them is to trust AJ so that he shoots Tenn.

A child has to die in order for you to save the one you love again, a choice you indirectly made.

The ending shows you the one you didn't save, and it shows you Tenn's grave... and it presents a quiet question: was it worth it?

Would you make those choices again?

That's the power Louis and Violet bring to TFS.

That's why the choice matters.

We justify trusting AJ because we'd rather see Louis and Violet live over Tenn, knowing we're taking away the best friend AJ's ever had and allowing Minerva to get her way. We save Louis knowing that it breaks something inside of Violet and results in her permanently losing most of her eyesight. We save Violet knowing that we'll find Louis bloody and sobbing in the cell after having his tongue cut out of his mouth.

And we argue about it amongst ourselves even though it's all fucked. There isn't a true happy ending here, not for everyone.

Louis and Violet stand on their own as great characters, but you only get the true depth depending on how you play. They're excellent love interests because they care for Clementine. Through their relationship with her, they grow as people and find the acceptance and love they're starved for.

It's not perfect, but it honestly doesn't need to be. There was care woven into these characters. Both routes have a wide appeal. That means something to so many people.

I know we as fans often will say we wanted more, we wanted this and that, we wish this was different. It's not a dating sim where the main objective is to woo them. It's not a massive RPG with hundreds of hours to explore every nook and cranny of their characters. This is a Telltale game. It's a narrative with Clementine and AJ at the forefront, and it's up to you whether you want Louis or Violet to share that spotlight.

It's a story about Clementine finding a home, about molding what kind of survivor AJ comes. It's about Clementine meeting two broken people with glass shards at their feet, about her glass mixing with theirs. It's a game about choice; which glass pieces do you pick up, and which do you step on?

We should take more time to appreciate Louis and Violet. We should share our appreciation for the development team for giving us a bisexual lead with two great love interests, especially since we almost didn't get TFS in its entirety; we can hate Skybound as much as we want for the Clementine comics, but without them, this team wouldn't have been able to finish the game they were clearly passionate about.

We should have more self-awareness and try to understand why we like and dislike things without targeting others.

In conclusion?

I think they're both neat 👍

[feroluce]

Belobog was my fave main quest but a lot of it is so. Contradictory. It's like they had multiple groups doing different shit and none of them checked in with each other for consistency. And you see this so much in Gepard's profile.

So in the main quest, they made him unfailingly, unquestionably loyal to Cocolia. Gepard's character arc is him learning to question authority etc etc. And this isn't even a bad thing; that's a story worth telling! It makes good conflict between him and Serval! And I love that we got Gepard as a boss battle and I get to see him all the time in SU!

But then you look at his character stories and it's like. The complete opposite.

According to his profile, Gepard has already HAD this awakening, long before the Astral Express, and he'd already decided Cocolia sucks. Even outside of his stories, there's a pretty damning readable between him and Pela.

He even disobeyed direct orders right in front of her- he has been disobeying orders for a while now!

So I've decided I'm marrying the two different sides of this into a 1.5k fic-ish thingy, because I think there's some fun potential there with Gepard not trusting Cocolia, but still having to pretend to be a good obedient little soldier.

Anyway. I love to think of it as like. Gepard knows Cocolia has sunk into her apathy. He can see it in her eyes every time he looks at her. She doesn't care. Not about him, not about Pela, not about all his soldiers on the frontlines giving their lives to protect the citizens. And that's... It makes him bristle a bit, but ok. Gepard can deal with this. Even if Cocolia no longer cares, as long as she does her job then it's fine. Having compassion behind an action doesn't matter as much as the action itself. If Cocolia's heart is no longer swayed, then he'll just have to care twice as hard to pick up the slack. He considers it part of his duty as a captain of the guard anyway. It's fine. Gepard can deal with it.

And then, Cocolia starts coming down to the restricted zone. Issuing direct orders.

And Gepard realizes he is in way over his head.

Because Cocolia orders him to stay back and issue commands from the ramparts, away from all his comrades, away from where he can protect them.

Gepard had thought nothing could be as bad as watching a fellow guard die right next to him. But the first time he watches someone struck by a killing blow, so far away, it hurts. Every defensive scar across his arms itches, his fingers curl in want of a weapon, the cold cannot numb his hands enough as they desperately ache for his shield. It hurts.

Gepard tries to find any reason to stay. Because surely... He knows Cocolia has lost her love for her people, but surely... She wouldn't...

One day, Cocolia orders for their gunners to advance 20 yards. There are no survivors. She almost looks like she smiles.

Gepard doesn't sleep that night.

Pela brings him the report at the end of the first month; and then the month after that, and the month after that. A significant uptick in losses, and all of it started on that first day Cocolia started overriding his authority and issuing her own orders. The ends of Gepard's pens have all been nearly chewed off. Pela outright calls Cocolia an idiot, and Gepard corrects her. Cocolia isn't an idiot. Gepard had known her through Serval, knew her through all her college years and then some, and he knows how intelligent she is. It's not that she's stupid, and it's not that she's inexperienced, it's nothing of the sort.

Cocolia knows exactly what she's doing.

She must, there's no way she could make such a horrible mess of things so badly by accident. And Pela, quick as a whip, sharp as a tack, always too smart for her own good, catches onto the meaning behind Gepard's correction without any further prompting. The tent goes deathly quiet, nothing but the wind howling outside.

"...She's trying to kill us," Pela whispers, her voice swiftly suffocated by the silence.

Gepard swallows. He can't bring himself to correct her this time. There is nothing he could say that he would actually mean.

His gaze drops, back down to his desk and the reports on it. The names aren't listed, just the numbers, but Gepard knows them, knew them, and there must be something wrong, something he's missing, because why, why would she-? What could this possibly accomplish-?

“Gepard! Focus!” Something snaps right under his nose, and Gepard startles, eyes instantly honing in on Pela's irritated face as she leans over his desk. She holds his gaze for a moment before she huffs and begins to pace, wedges a knuckle between her teeth and bites like Gepard hasn't seen her do since cadet school.

Pela angrily strides from one end of his tent to the other, words hissed between her grit teeth. “What are we going to do?” In the dim lighting, Gepard can just barely see the damp spot of blood weeping under her gloves. “We need a plan.”

“A plan?”

“Wh- Yes, a plan! Unless you want more people to die!” Pela rounds on him then, all the wrath of a blizzard, winds roaring and snow sharp enough to cut.

“We don't even know-”

“What does it matter?! She killed-!!” Pela cuts off with a garbled noise when Gepard leaps up from his desk, hastily shoves his hand over her mouth. The prosthetic, not the flesh one, because he knows better than to assume Pela won't seize the opportunity to leave teeth marks in his skin.

“You're right. I'm sorry, I'm sorry; you're right. But you need to keep quiet.” Pela quirks an eyebrow at him and Gepard can read the question in her face. “Because we both saw what she did to Serval,” he hisses.

It's amazing the snow plains haven't thawed out yet, the amount of heat Pela can put behind a glare. The mere mention of Serval, and the smoking ruins Cocolia had made of her life and career, have her bristling up like a riled cat. The sudden hot breath she takes fans fog across his metal skin, and Gepard wisely keeps it in place until Pela finally sighs and reaches up, taps her fingertips against the back of his hand.

The second she's free, Pela bats him away and then her knuckle is right back between her teeth again, Gepard leaning back against his desk with his arms crossed to watch her resume her pacing. “If we spread the word, she'll have us discharged and make sure we can't even touch the frontlines,” Pela's voice seethes like an open sore. Gepard nods but keeps his silence. He knows better than to get in her way.

“And if you and I are both out of the picture, Belobog is fucked.” A little harsher than how he would have put it, but there's no denying that they're both important to the city's survival. Pela has the restricted zone running as efficiently as ever, and Gepard had become the youngest captain on record for a reason. “We need to keep this tight under wraps, at least for now… It can't leak to anyone higher up the chain.” Another nod. “Serval might know other discontents…” Another n-

Gepard's head snaps up. “No.”

“No what?”

“No. We're not involving Serval in this.”

Somehow, even the same tone that leaves entire squadrons shaking in their boots has never worked on her. “You're not deciding that for her, Gepard.”

Pela hadn't seen the worst of it, though, back when his sister had just been banned from the Architects. Serval's pride hadn't allowed it. Pela wasn't the one to find her passed out bottle still in hand, hadn't been the one to wash the sick out of her hair or carry her to bed. 

Serval still has trouble thinking clearly when it comes to Cocolia, still can't quite bring herself to be objective. And Gepard maybe doesn't want her to be purely objective- but he would worry a lot less if she thought twice before she acted more often.

“At least let me be the one to bring it up to her.”

“Whatever, fine,” Pela gestures affirmatively at him as she paces past, and Gepard sighs. Good, at least that's one thing he can help.

From there, it's a lot of hemming and hawing and frustration. Cocolia has them under her boot, and Gepard and Pela both know it. Even with the way she's been cracking down on freedoms lately, Cocolia is still, overall, liked by the people. It's unlikely anyone would believe them. They don't even have solid proof, because most people don't know Cocolia as well as they do and won't see the clues in the same light. 

The Fragmentum has been ramping up in recent years, too. Everyone is struggling just to survive as is, they can't afford a fight on two fronts. Gepard is a damn good captain, one of the best for that matter. But they're at a massive disadvantage, his experience is narrowed to fighting a defensive battle against monsters, that's all he's ever done. That's all anyone there has ever done. He has no way of finding first-hand knowledge for taking the offensive against a human opponent, and if he goes at this blind, there's no way he'll get everyone out unscathed. He's going to lose people. He's going to lose a lot of people.

He'd never thought before that Cocolia would have it in her to have someone killed. And with this new knowledge, he has no guarantee she won't go after Serval or Lynx if she decides to retaliate.

Gepard has to remind himself to breathe when he realizes this.

Pela writes down every name the two of them can come up with. Lists and lists of names and groups and anyone they can think of who might be an ally in all of this. They memorize every bit of it, make their plans of who to talk to and when. Gepard watches the sparks reflect off Pela's glasses as they burn the evidence together.

Pela finally leaves, far too late to make it home, but says she wants to stay in the restricted zone anyway to investigate. Gepard watches her make her way in the direction of Dunn's tent, watches her back until she's out of his sight and squashes down the urge to follow and keep an eye on her. His tent feels empty.

In the morning, Gepard is up before the wake up bells. He drags himself out of bed, leads his soldiers through their morning training. The same people gravitate to each other everyday. Friend groups and training partners. There's an ongoing rivalry between a few squadrons that everyone bets on. Some of them have lockets around their necks, keepsakes, mementos. Some of them wear wedding rings.

Gepard is suddenly, painfully aware of something acidic clawing at the inside of his throat, of a heavy weight low in his chest that blooms, takes up room until it threatens to spread his ribs. His mouth tastes of bile and blood.

He rearranges the schedules. Puts himself down for every open patrol into the Fragmentum, makes sure he'll be on the frontlines every single time Cocolia visits.

He only hopes that it's enough.

[bernardellinewsagency]

short neuvifuri angst idea

"Oh, did you enjoy the script that she wrote? Did you like the role that you were cast as? I hope you were happy in those five hundred years, Neuvillette, because I never was!"

Furina storms off after pushing him, leaving him drenched to the bone and sitting awkwardly in the waters of the Fountain of Lucine with naught to do but contemplate his long lasting memories. Remembering the way she would smile is an easy endeavor. Furina always looked sincere when smiling; perhaps he wasn't looking hard enough, but surely even fleeting moments between just the two of them had to have brought her some amount of happiness, as small as it may be.

He thinks of one long ago night, during the third century of her reign. Actually, right on the cusp of the new milestone, he recalls the Palais had been eerily silent after wrapping up a week of festivities held in Furina's honor. The people of Fontaine were still celebrating, and would be doing so until the early hours of the morning, but all was still within the Palais. Except for them, that is. She had supposedly retired to her bedchambers, and him to his office, yet the two had bumped into each other within the kitchen.

"Let's go to the Opera," she had told him, in lieu of answering when he asked what she was doing. He supposes that the flecks of pastry crumbs on her clothes answered that, and he didn't ask other questions such as why she wanted to go to the Opera. He followed her as willingly as if she had simply asked for the time.

(Their whole relationship had been like that, hadn't it? A duty that extended beyond just an Archon and her Iudex. He once heard the Traveler mention a sea of flowers at the end of the world, and should Furina declare that she would like to see such a sight, he would tear down Celestia just to make it happen.)

Furina had packed a basket of food to bring, and two bottles of wine to go with. Then they partook perhaps more than they should've, and perhaps he should've questioned if Archons can get drunk, or if a Sovereign should be getting drunk with one. He definitely should have stopped her from going into the storerooms of the Epiclese and procuring even more for them. The memories start to get a little hazy after that, but he can vaguely recall a remark she made about the location not being the best choice, and that she wanted to get away from something. He can't recall who made the decision to go up, and have him help carry her as they climb to the roof, but suspects it was still her doing.

As clear as day, though, he can remember her smile, bathed in the light of the slowly rising sun as it crested over the waters of her dominion. Out of every beautiful sight in Fontaine, she is the one he gets to appreciate most often, but never before in a light like this. He could gaze at that moment for another hundred years and never tire of it. "Dragon of the waters," she had called him, "might you allow an Archon to call you theirs?"

Should she have asked him that at the start of her reign, should they have been in a similar situation, the answer would be clear. He might have even wondered, with the walls of the Court to block them from their peoples' sights, if an Archon so in love with her people would fall like one if he shoved her. But they were not in the past, and he already knew by then that he had come to love her, and thus his answer was "I was under the belief that I already was yours, Lady Furina, both within my capacity as your Chief Justice and without. The people of Fontaine adore you, yet it is my love for you that truly knows no bounds. Nothing would make me happier than to be yours."

"They do, don't they," she had whispered, a note he almost lost to time with how he just barely could hear her. "Promise me this, Neuvillette, if you wish to be mine- promise you will never stray from your duties to Fontaine, and you will always, always, do what is best for her people."

"I will."

"And promise that you will stay by my side forever, then, for another three centuries and beyond that, even if you grow tired of me!"

"Of course, Furina, is... is something the matter?"

It was the first time he had seen her come close to crying, droplets of tears clumping her eyelashes together yet disappearing as she blinked, "Oh, you silly dragon, only the fact that you make me ever so happy."

Leaving the warmth of the memory behind, Neuvillette returns to the cold of an overcast sky dripping with sleet, as a blue silhouette leaves him behind and disappears into the cloudy distance.

[vickyvicarious]

Then, with the fear on me of what might be, I drew a ring so big for her comfort, round where Madam Mina sat; and over the ring I passed some of the wafer, and I broke it fine so that all was well guarded. She sat still all the time—so still as one dead; and she grew whiter and ever whiter till the snow was not more pale; and no word she said. But when I drew near, she clung to me, and I could know that the poor soul shook her from head to feet with a tremor that was pain to feel. I said to her presently, when she had grown more quiet:— "Will you not come over to the fire?" for I wished to make a test of what she could. She rose obedient, but when she have made a step she stopped, and stood as one stricken. "Why not go on?" I asked. She shook her head, and, coming back, sat down in her place. Then, looking at me with open eyes, as of one waked from sleep, she said simply:— "I cannot!" and remained silent. I rejoiced, for I knew that what she could not, none of those that we dreaded could. Though there might be danger to her body, yet her soul was safe!

So yesterday I wrote about how the land itself seems to be affecting Mina. Ever since they left the main road behind and began to approach the castle, she has seemed distinctly more vampiric. But this scene marks the start of another change, I think. Before this moment, she's in the same state as yesterday. When they travel, Mina's fully passed out throughout the day, and she gets alert at night. She's extra charming, she refuses to eat. She isn't aggressive, but she seems to hold an unnatural stillness and attention, much like how she lay where Van Helsing asked her to sleep the night before but simply watched him all night long. She's very quiet.

And then as he puts the holy ward around her, Mina starts to get very pale. The way she does so, and the way she gets paler as he completes this task, seems almost like she is being harmed or frozen by what he is doing. In fact, it reminds me a bit of what Lucy did when the men trapped her outside her crypt:

When within a foot or two of the door, however, she stopped, as if arrested by some irresistible force. Then she turned, and her face was shown in the clear burst of moonlight and by the lamp, which had now no quiver from Van Helsing's iron nerves. Never did I see such baffled malice on a face; and never, I trust, shall such ever be seen again by mortal eyes. The beautiful colour became livid, the eyes seemed to throw out sparks of hell-fire, the brows were wrinkled as though the folds of the flesh were the coils of Medusa's snakes, and the lovely, blood-stained mouth grew to an open square, as in the passion masks of the Greeks and Japanese. If ever a face meant death—if looks could kill—we saw it at that moment. And so for full half a minute, which seemed an eternity, she remained between the lifted crucifix and the sacred closing of her means of entry.

There are a couple key differences, of course. Mina lacks the rage that Lucy exhibited, and she isn't trying to get away. But something about the way they both just silently freeze and watch as the holy articles are used to keep them trapped feels very reminiscent to me. Also, Jack's entry says Lucy's color "became livid" - and while that word can simply mean angry, it can also be used to mean either reddened or pallid/pale. Given the association with color in how he uses it, I assume it would be one of those. So this could also be a potential connection here, if Lucy also paled in that situation.

But then when Van Helsing gets close to her (I think after he has finished the circle) Mina's reaction of clinging to him reminds me a lot of an entirely different moment: one between her and Jonathan on October 2.

The dear girl was more affectionate with me than ever, and clung to me as though she would detain me; but there was much to be talked of and I came away.

Jonathan was putting Mina to bed (where Dracula had attacked her and would come again) so he could go talk vampire-hunting with the other men. He was actively trying to convince himself throughout this period that the choice to leave her out was correct despite his own misgivings, and Mina herself was also trying not to show how much it bothered her. Still, the only other time Mina is described as "clinging" to someone was when she tried to stop Jonathan running off after Dracula on the 3rd. It's not something she typically does, and I highly suspect it was not just out of affection in this instance. Instead, there was some part of her, suppressed though it was, that knew she was in danger and was terrified to be alone. Mina clinging to Van Helsing here could be related to her fearing for him (as she does a short while later) but I think given her behavior right before this is more easily aligned to another instance of unconscious dread for herself affecting her. The holy circle has affected her and perhaps she fears it, or maybe she fears what its affect on her means. But it's unconscious. She doesn't know why she's doing it and can't express it in words.

Then Van Helsing asks her to leave the circle. And as soon as she does, she wakes up. She freezes in realization, and then she understands. This is Mina coming back to herself much more than before. The holy circle restraining her sort of acts in the same way seeing her scar in the mirror did in the past, by awakening her to the danger her soul is in. But it also does something else, I think, and this is where I get more speculative.

After Mina is put into the circle, her behavior starts to slowly change back. She's not straight back to normal, of course. But she is no longer being super charming during the night. Instead she sits calmly, knowing why she must stay in here. When the vampire women show up, she knows how safe she is from them - both because of the circle and more importantly because she is becoming like them. And yet she does not reply to them, and she expresses her worry for Van Helsing. She looks at them with revulsion and horror - seemingly unaffected by their sweetness.

And while Mina still falls into a deep sleep during the day, she is able to wake at some point in the middle of the day to let out the wail that awakens Van Helsing from his own trance. I suspect that this was around noon, given the significance of that timing, though we don't know for sure. Regardless, she seems to be acting extra-psychic, knowing when Van Helsing is in danger and knowing of Jonathan's approach. This seems less like vampiric magic and more like Mina's own psychic abilities to me. But the real kicker is how she looks when Van Helsing returns: bad. He tells us "She was looking thin and pale and weak; but her eyes were pure and glowed with fervour. I was glad to see her paleness and her illness, for my mind was full of the fresh horror of that ruddy vampire sleep."

After a day spent within the holy circle, Mina appears more human than she has lately. And perhaps some of that is the effect of the day itself (but that hasn't been mentioned the past few days) or maybe the death of the three nearby vampires has lessened the evil influence of the area (seems quite possible, but the change in her started before this). But I think a big part of that is the holy effect surrounding her helping to cleanse at least a little of the vampiric magic within her. It's not going to be enough to heal her, not without Dracula's death, but maybe it slows the process down a little, or at least protects her somewhat from the ambient evil aura that seemed to make her symptoms so much worse so suddenly.

[furious-blueberry0]

Mandalorian Government (new)

Is someone interested in a revisited and more complete version of the Mandalorian Government I've been workin on for my AU?

Well here it is, beware it's long:

First of all, some extra context: 

This Government was created roughly 2000 years before the era of the prequels.

The difference between the Mandalorian System and the Mandalorian Sector:

Mandalorian System: composed by the nine homeworlds, and the respective moons, of the mando’ade.   Mandalorian Sector: the eleven systems, and respective planets, that the mandalorians conquered during their Crusade, plus the Mandalorian System. Imperialistic colonies, governed by the invasors, and where the people of those worlds had little to no agency or power over their own life. 

To be considered a citizen of age, and have the right to vote, it depends on only one thing: Completing the Verd’goten (whether you are 13 or 35, you have to complete it first)

When you reach the age of 60, you can still vote, but you cannot run for any kind of political office.

Mandalore is not part of the Republic, but the System decided to at least maintain a good relationship between the two, and so every ten years, they invite emissaries of the Republic to the Celebration of the election of the new Governors. 

More often than not the emissaries they send are Jedi, as if the Republic was testing them to see if they cared more about their current peace, or the war of the past, but for now no mandalorian ever attacked verbally or physically any of the Jedi sent there, or at least none of the Jedi ever said anything about it in their reports, so who knows.

There are four main bodies in this government:

The Assembly 

The Committee of the Elders

The Governors

The Council of the People

The Assembly is formed by 30 elements, and with the two Governors they are 32.

To be elected as a member you have to be a citizen of age, so the standard mandalorian citizen can be elected if they're at least 13 years old (since that’s the standard age of the Verd’goten), but not if they’re over 60.

It’s rare to see mandalorians under the age of 18 actually be elected, but some actually managed it.

Obviously the non-human species that have different life spans will have different rules, with their years equating to the human ones. 

Each of the nine planets of the Mandalorian System: Nog, Akaan, Tracyn, Kalevala, Mandalore, Mandallia, Bonagal, Shukut and Werda, who are considered as the homeworlds of the Mandalorians, run elections to choose three mandalorians to represent the planet in the Assembly.

Not only the citizens of the planets can run for elections, but also those who live on their moons, which is a bit tricky for the planets of Bonagal and Shukut, who have 34 and 30 moons, but they seem to manage just fine.

Only one member per Clan can run for election, and more often than not, they are elected based more on the power of their names than their actual worth as a candidate. 

But this doesn’t preclude the way to those who come from less known Clans, who are sometimes even preferred by the citizens, because they are considered more part of the people, and not spoiled kids of powerful families.

This way we have 27 members elected. 

The other 3 are chosen by the Assembly, and are the representatives of the Three Houses: House Vizsla, House Kast and House Kryze.

This was a rule made to avoid internal conflicts, so that the Houses could not complain about losing power or not being represented in the government.

They have the same power as the other members of the Assembly, no more, no less.

For each member their tenure lasts 20 years, but since one can’t keep a political career over the age of 60, for example, if they are elected when they’re 50 then their tenure will only last 10 years, if elected at 45 it will only last 15 years and so on. These cases are actually pretty rare, but they do happen.

They can decide to withdraw from their position, but only after 5 years of service. 

Their position can be taken away with a Vote-of-No-Confidence, who can be called by any individual that brings enough evidence to show their reasoning about the vote.

If any of this happens, their planet is given three months to redo a new election for a new member, if this is not done then the Assembly can choose a new member on their own.

The Committee of the Elders doesn’t have actual political power, their position is more honorary than anything else, they are there to give advice and suggestions to the Assembly and the Governors, but their voice has no power in the actual decision making.

It’s made up of 6 elders, elected by the Assembly, with tenure for life and to be part of it you need to be at least 60 years old.

Most of the time they are former members of the Assembly, who cannot be re-elected there, and so they are given this position.

There have been cases in which some of those elected never held political tenure, but they are rare.

They can decide to withdraw at any moment.

They too can lose their position, but this can be decided only by a Vote-of-No-Confidence made and voted by the Assembly.

The citizens have no say on the Committee, since they have no power and are only used as advice givers.

The Governors are the heads of state of the Mandalorian Sector.

They are chosen with an election done across all the planets of the sector, and are voted by only the citizens of age.

Before the Great Secession of the People, they were only voted by the planets of the system.

To run for the election they need to be at least 20 years old, and anyone from any Clan or House can do so. Their tenure lasts ten years.

When one becomes a Governor, they have to strip their beskar’gam of any kind of paint or symbols on it. 

This is done because the Governors have to represent all Mandalorians, and not just a specific faction or creed, so plain beskar is far preferable to send that message across.

In older times the Governors could not use their surnames for this exact reason, but this is a practice that was then lost to time and never used again.

During official meetings with the Assembly or the Council of the People, they have to wear a purple cloak, to signify their status as head of state and distinguish themselves from the other mandalorians.

The decade of the Mandalorian Calendar in which they governed has the name of the two Governors.

For example the decade of Satine and Arla is called “The Years of Fett and Kryze”, but since in older times the Governors didn’t use their surnames, the older ones used the first names, so another example could be “The Years of Arla and Satine”.

They too can have their power taken by a Vote-of-No-Confidence, that can be called by any individual that brings enough evidence to show their reasoning about the vote, but this happens only if at least 25 members of the Assembly vote against the Governor.

No, challenging one of the Governors to a duel to the death will not give you their position of power, but it will give you the chance to get your ass beaten and obliterated by all the 30 members of the Assembly for even suggesting such a stupid idea.

The Council of the People is formed by the representatives of each of the eleven systems that have been conquered by the mandalorians and transformed into colonies: the Breshig system, the Cheravh system, the Concord Dawn system, the Draboon system, the Gargon system, the Harswee system, the Hrthging system, the Jakelia system, the Ordo system, the Vorpa’ya system and the Zanbar system.

Each system elects 5 representatives, and they follow the same rules of the Assembly, both for the elections and for the tenure. In total the Council has 55 members.

Unlike the Assembly, who can decide anything for anyone, they have no saying on what happens in the other systems, but only on what happens to their respective one. 

So, for example, the representatives of the Concord Dawn system cannot decide new laws for the Ordo system, but the Assembly can for both of them, but not without the representatives of that system present.

This Council has not always existed.

During the times where the Mandalorians still followed the rule of the Mand’alor, these planets had no power of their own. 

The Mandalorian Crusaders were the ones in charge of these worlds, and they exploited the native populations as slaves, to work in their place in taking their own resources and giving them to the planets of the Mandalorian System.

The situation changes throughout the centuries, with the native populations slowly mixing with the mandalorians, leading to the creations of new clans and new subcultures of the Mandalorian one. 

The people are no longer the slaves of the invaders’ clans, now they cannot be sold away from their land, they can own houses and small properties where they can live with their own clans.

They are not allowed to wear the beskar’gam or own weapons, but thanks to a proliferating and well-hidden black market, these things manage to find their way into their homes.

But this does not make them free, the work life they are forced to live is cruel and unfair, the taxes on both their money and their products are terribly high, the vast majority of the people live in poverty, and the overall treatment reserved to them by the settlers is nothing short of horrific.

When the last Mand’alor gets assassinated, the mandalorians ( of the Mandalorian System) created this new government, but with only the Governors, the Assembly and the Committee being part of it.

This goes on for a few decades, but the people of the colonies are tired of not being considered in the political life, of being treated as class B citizens, of the way they were still being treated by those who proclaimed to have killed the Mand’alor to stop his tyrannical rule, but who gave them none of the freedom they were so fond of proclaiming to have protected and saved. And so, they decided to take action.

In what would later be known as The Great Secessions of the People, one day all the populations of the occupied worlds stopped working en masse, they abandoned the cities, all their shops and all the factories. The planets who started the secessions had been those of the Concord Dawn System, and as word spread of these actions across the Sector, the other Systems started to do the same, leading to an unprecedented economical crisis, that led the Mandalorian System to remain without primal resources, since the vast majority of the manpower came from the colonies.

The mandalorians had tried to send armed forces to force the populations to get back to the cities and to their work, but not only were they extremely outnumbered, the people had weapons too, and so they fought and fought, winning all of the battles they had to endure, until the armed forces had to retreat.

Realizing that with brute force nothing would have been achieved, the then Governors decided to find an agreement with all the planets of the Sector.

And so a treaty was written, where the planets would now be allowed to choose their own leaders and govern the planets to their liking, they are given a voice in political life with the formation of the Council and choose their representatives.

They are still under mandalorian domination, and are not free to do whatever they want without the Assembly approval, but it’s far more freedom and power than they ever had since becoming colonies.

Basically each planet can have their own form of govern (monarchy, oligarchy, democracy etc.), but they all have to follow the laws that are imposed by the Assembly.

[crayonturtle]

got some time to kill between missions

[sugarhillpark]

pick a song for each letter of your URL, and then tag that many people

thanks for the tags forever ago @part-time-deranged and @elviehun i do notice <3

s - sugar by brockhampton

u - unfucktheworld by angel olsen

g - going to pasalacqua by green day

a - amity gardens by fountains of wayne

r - rose parade by elliott smith

h - hold the light by lp

i - i wanna be adored by the stone roses

l - love my way by the psychedelic furs

l - lua by bright eyes

p - plasticine by placebo

a - awful by hole

r - rhymes of an hour by mazzy star

k - kids in '99 by death cab for cutie

bold assumption that i'd know 13 of my followers who haven't already done it and actually wanna interact with me to tag and i won't do it but tagging @libraryspectre @beanie-twink @dearings from my recents and @gnome-cleric @pyrchance and @100percent-unimpressed my beloveds in case you wanna(/again).

[wutheringmights]

also i really shouldn't have written stp because now i have a million ideas for spirit's adventures in new hyrule that I will never have time to actually write :((

[msnihilist]

Screenshots somebody’s DNI and has one herself saying no antis or busybodies. Cool. It’s the internet. Anything goes. That means I can rb your fanfics and save them for editing the way you save art that isn’t incestuous.

I mean, if you want to download my fics and comb through all of that incest and underage smut, that's your prerogative, man. Hope you get a boner out of it, then maybe you'll calm down 💕

[silusvesuius]

my nelvas and moraak thought crumblets

[vivacia-18]

I'm about halfway to two thirds through You Feel It Just Below the Ribs, and asdjasdlkajsadjal

The reveals, the implications, I can't even - mentally I'm rolling on the floor frothing at the mouth. I want to go back and listen to season 3 and season 1 all over again, holy shiiiiit

[caramelmochacrow]

Day 2: Gift/Birthday

A Present For You (4.3k words)

A sudden call from Esora causes Yuka and her sister, Maika, to have dinner together on her birthday. It didn't really help that people far above Yuka's social class could listen in and judge the sisters. She had to make sure Esora's birthday dinner was perfect, especially the way she handed in her gift.

non-blurry version under the cut

i used my older sibling's ibispaint to blur it but they forgot to adjust the quality so. yeahhh. oh well!

[destinywillowleaf]

besides legends arceus causing the whole "oh riley is actually really old (and at one point went by rye)" braincell it also led to other Fun Ideas about ancestry and dealing with who people expect you to be contrasting with who you really are :) especially with marley's japanese name (mai) becoming the english name for her ancestor and thus joining rye in being the stat trainer ancestors who share the same name origin as their present-day descendants/selves :) :) (also they were specifically made a team in the BDSP battle tower which might not mean much but i'm thinking about it now anyway)