#didn't get the very last scene though & the flashbacks were just too much
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An unnecessarily detailed analysis of Lenore's face when she realizes how gay she is
(Someone thought to tell me that I wrote "incessantly" instead of "unnecessarily" the last time I did this? Didn't they? You people are terrible).
These two vignettes make me crack up. Partly because it's always funny to see Miss "I can pick fights with the Deans, but thinking about my crush makes me nervous UwU" panic, but also because it's impressive how many things have just clicked in Lenore's head at this point.
Like, this girl must be feeling like when you finish a puzzle. A very gay one.
What she knows so far
At this point, as far as Lenore knows, she and Annabel have not seen each other again. There was a goodbye, and she is aware of how much that hurt her. For me, there are two possibilities:
In this flashback, Lenore has realized that she is in love with Annabel, but it is an unrequited affection.
She interprets these feelings as "oh, I'm attracted to her because she was my only friend and she was painfully ripped out of my life. Yes, friends. Very good friends.
Personally, I prefer to interpret it as the second option (you will see why).
On the other hand, it's impossible not to see how willing Annabel is to give and receive affection when it comes to Lenore: in this scene, she tries to say goodbye with a kiss,
And when they're in the closet, she literally throws herself at her.
And I want to point out one thing: Lenore doesn't remember a romantic relationship, but her body seems to: she instinctively strokes her hair when she cuddles her, even though Annabel didn't ask her to. They have done this before. There is a familiarity to this interaction.
Finally. Lenore learned chapters ago that she burned down her house, stole her dead brother's clothes, cut her hair to look more like a man for…something. She doesn't know what yet, but it had to be something important.
And she remembers it when Ada opens her mouth.
(parenthesis: that comment also makes me laugh a lot, like, Ada, dear, if you knew the CRAZY things this woman has done for love).
Please, appreciate this gay panic
If Lenore had any doubt about her feelings for Annabel (assuming option 2), it has been completely erased: she is in love with her. There is no acceptable way to rationalize this as anything else. She was in the past and she definitely is now. That's what draws her to her, that's why she desperately wants to confide in Annabel, that's why her affection seems familiar.
As if that were not enough, Annabel has that ring on her. Not only has Lenore just been hit by the reality of her own feelings, she has just realized that her love is reciprocated, this is not a one-sided crush, they are going to get married. Suddenly, these invasions of her personal space are understood for what they were: an attempt to have a physical relationship on the terms one would have with a romantic partner. Because Annabel was not her friend.
She was her fiancée.
Also, because Lenore is too pure a cinnamon roll for the world, she must be wondering how much she hurt Annabel with this: how she dodged her attempts to show affection, how she doubted her, and, the icing on the cake, that comment:
And all this mental cocoa is perfectly condensed into the expression she has in these two vignettes.
Honestly, the scene is perfect as it is, with no dialogue, but you can almost hear her thinking, "I…I did…I told my fiancée we're friends, blaze".
#nevermore webtoon#annabel lee nevermore#lenore nevermore#white raven#annabel lee whitlock#lenore vandernacht#annabel lee x lenore#lennabel#If this comic were a comedy I see Lenore arriving with a bouquet of peonies and a box of scones#“Sorry baby I forgot about our engagement. Will you marry me again?”#In my heart Annabel wanted to beat her head against the wall when Lenore told her they were “friends”
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When I sift through my heartbreak about the Agatha All Along finale, the thing I keep coming back to is what a terrible choice it was to make The Road a con.
Now, I've seen folks theorizing (with evidence) that Billy subconsciously created The Road for weeks now, so I'm not going to say that the twist came out of nowhere. The hints were there.
But thematically, episodes 1-7, were about womanhood, sisterhood, and community. We saw Agatha deeply long to be part of a coven, even though she didn't trust anyone and felt so obviously, deeply uncomfortable sitting around that campfire in episode 4.
Episode 8 seemed like it would be continuing that same theme, but once we get to The Twist, episode 9 necessarily has to be all about Explaining The Twist. And so, even though the flashback scenes in episode 9 are truly beautiful, they feel like they belong to another show.
Agatha's Character Development
Think back to everything that episode 1 set up. We've been teased with Agatha and Rio's relationship since the very beginning, but we get nothing about how they met and virtually no backstory for Rio. I had zero illusions that we were going to get some sort of happily ever after for them as a couple, or that the show would be all about them. But this was a seminal relationship in Agatha's life, and given how much the actors were talking things up, I really expected more.
Episode 1 also seemed to set up so much more with regards to Agatha's backstory. There was so much about the Darkhold (and it came back up again in episodes 2 and 3, too), but we never found out how or when Agatha attained it. At one point in episode 1, Agnes tells Rio that every case is always about the specific small town and the secrets buried beneath it, but we don't find out anything new about Agatha's life in Salem or why she was nearly executed, nor do we learn why Evanora thought Agatha was born evil.
In fact, when we look at all nine episodes, Agatha really doesn't have a character arc. Once she breaks out of Wanda's hex, she doesn't grow or change. She doesn't make peace with Rio, or with what happened to Nicky -- she literally chooses to become a ghost because she's too afraid to face him in the afterlife. She clearly longs for sisterhood, but Sharon, Alice, and Lilia are dead, and despite Agatha and Jennifer being incredibly similar as characters, they never make peace with each other. Episode 8 presents Agatha choosing to sacrifice herself for Billy at the last minute as "growth," but she literally drank poison for him way back in episode 3. This was already something we expected her to do.
So we end episode 9 with Agatha in the same position she was in in episode 1, only translucent and filmed through a thick layer of Vaseline. Yes, I know she forms a "coven two" with Billy, but after all the earlier focus on sisterhood, the fact that it's just Billy feels really insufficient. And yes, I know that Agatha will likely return in other MCU titles, but this was her show, damn it, and it felt like a miracle that we even got a show starring a queer character played by a woman over 40. And if Agatha can't even get a character arc in her own show, how am I to believe that she'll get one as a side character?
(On a personal note, I think I have always loved seeing a villain do a heel-face turn because I find something so hopeful about seeing a character overcome and grow beyond behaviors and characteristics that only harm them. I've identified really strongly with Agatha's desire for sisterhood and difficulty opening up and trusting others, and for this show to essentially end with "the only change Agatha is capable of making is dying" is just ... honestly devastating on a truly embarrassing level.)
Breaking the Spell Cast by The Ballad
But beyond the way the need to explain The Twist short-changed Agatha's development, it also retroactively cheapens the ~magic~ of The Road and The Ballad. The Road was presented as a journey that sisters in the craft would embark upon together -- the comics have a really moving storyline where Wanda actually meets her biological mother on The Road -- and in singing along with the ballad, it felt like we the audience were part of that sisterhood, that journey. But now knowing that The Road never existed, and only exists now because of a teenage boy who can't control his magic, it feels like the spell Jac Schaeffer spoke about casting on the audience with The Ballad has been broken. It's no longer something I can sing to make me feel like I'm a powerful witch -- it's something darker and less than what we were promised.
Two Halves That Don't Fit
Because of the shift that had to happen once The Road was revealed to be Billy's creation, so much foreshadowing and character development that were begun in the first seven episodes really seemed to just seemed to have no resolution by episode 9.
Maybe this is the story that the writers set out to tell, with The Twist firmly in place from the beginning. But it just feels like at the 11th hour, someone was like "OMG what if The Road is another hex?" and they shoved it in, sprinkling some breadcrumbs backwards so eagle-eyed fans could spot the clues, but not stopping to make sure that the themes they laid out in the early episodes came to a resolution by the end.
And hey, maybe they originally did that, and Marvel/Disney execs came in and removed stuff at the end to fit better with other MCU properties. (Though if that is what happened, I have very little hope for anyone trying to tell an interesting story within this universe.)
This was obscenely long, and I've begun to ramble. There were parts that I liked about both episodes 8 and 9, but over all I just felt so let down after six weeks of falling in love with this show and the story they told us they were telling. They came so close to perfection and really just dropped the ball at the end.
#agatha all along#marvel cinematic universe#aaa spoilers#mcu spoilers#agatha harkness#the witches' road#i am aware that this is a mess#but i have to get my feelings out or i will choke on them
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Kamiki's feelings towards Ai- an analysis
Chapter 154 was so interesting and it happened just as I imagined the way it would, actually. What I can't fully predict is what'd happen AFTER this- there are so many things left undisclosed and yet to be uncovered, too. But it's allowed me to think about a lot of things.
Today I wrote up an analysis of how I feel Kamiki's character could be and his feelings towards Ai.
I'd speculated on Ai's relationship with him before this chapter was out. I was pretty much on the right track in a general sense (and another analysis on Aqua and how he feels about kana, too.)This seems like the best time to break out how I think about how kamiki would have felt about her from his end- before it's actually going to be told.
(This full post was originally written in a different language and I asked chatgpt-4 to help translate it in bulk because it got so long..! wow, and it did a really great job. I guess I'll use THAT to translate now)
The last episode made it clear how the protagonist's parents ended up the way they did and the deep emotions they had for each other, so I have quite a bit to say about that. Psychology is an area of interest for me. To put it extremely, it's everything in my creations (though it would be embarrassing if I missed the mark after saying this) to the point where I'd go, 'if I can't even do this, I'd wonder what I'm good at...' In other words, it's the area where I'm most confident... I enjoy watching, analyzing, and understanding things. It's a topic I can talk about enthusiastically and endlessly if the opportunity arises.
As I mentioned in a previous post, understanding others' emotions, whether in reality or fiction, is a tricky part to pin down definitively, so I'm always hesitant to speak rashly about it. I keep thinking, "Maybe it's this?" but because I really dislike being wrong, I don't speak strongly about it. And I think how one "feels" something is too personal a realm.
Therefore, when a story confirms things through dialogue, flashbacks, or actions, I get very excited. It’s like, "Now I can talk about it!" That's how I brought this post forth today.
Getting to the point, this manga is very well-written when it comes to emotional aspects (the emotions and the persuasiveness of the situations that evoke those emotions) of well-crafted characters. In my opinion, characters like Ai, Aqua, and Kana are quite well-developed, and other characters, even in their personal episodes or specific points, have at least a desirable level of persuasiveness as needed. In most cases, at least. Some scenes left me a lil confused time to time still, but at most, the scenes written with a clear perspective often show and evoke strong emotions, which I consider a strength of this manga. Considering the author's previous work was a romance manga... I guess someone who comes from writing romance manga is built differently! (I haven't watched Kaguya-sama though).
As for Kamiki, his past was as I expected. Looking at the small hints that were sprinkled earlier, I didn't think it would turn out much different from what was actually depicted. Realistically, a child who became the father of twins at the age of 15 (a highly unusual age by modern standards) couldn't have been so calculating and meticulous in using Ai or intentionally manipulating them to have their children, no matter how crazy he was, even if considering the manga’s verisimilitude. Ai is a smart person. She might not have received a proper education compared to the average person due to her inability to fit into the social safety net, but I think her innate intelligence was quite good... For Ai, Kamiki was someone who could maintain a good relationship with her, with her being the older out of the two, even. Being the cautious and careful person she is. Ai's would have coolly cut ties and walked away rather than being used if there was a need to. So I always thought their relationship would have been genuine at some point, at least.
And looking at his past, as expected... (even if it’s a manga, the whole situation he was in was too dreadful...) looking at his personality, he was a gentle and pure child who was tossed around a lot when he was younger. If an 11-year-old child had a relationship with an adult, the adult is absolutely not a proper human being. There’s no room for another interpretation. Even if the child said "it was okay", there’s no room for leniency. It’s nonsense. Kamiki had been sexually abused from a very young age, so it was almost impossible for him to form a proper concept about it, and he was at a resignation to the things that were happening to him... Ai was the one person who got close to him and wanted to help him escape from that situation. But since Ai was only a middle schooler, she realistically had no power to do anything drastic... Both lacked proper guardians and had a deficiency in love, so when they were fully exposed to an environment where outward attractiveness was heavily utilized, they had no means to protect themselves. The best they could do was create a mask to show others and keep convincing themselves that they were okay with it... They were drawn to each other because they shared that similarity and understood that part of each other. I liked that these two were set as peers around the same aga because, especially for young children, age difference has a significant impact on social experience and individual standing. It's better to have a similar age if they are to have an equal relationship. Adults should be with adults, and children should be with children. Their worlds are different, and even a completely insignificant adult can easily exploit and manipulate a child. I believe that relationships should be with people who share a similar perspective and have similar emotional resources to offer each other.
The scene where Ai goes to Airi and calls her just a sex offender might be exaggerated, but if we say exaggerated... it means there was some face-to-face interaction and that Ai helped Kamiki separate from Airi. Ai probably wanted to do what was depicted in the movie. In reality, you have to deal with the aftermath, and it probably didn’t go smoothly like the adult just backing off or listening to a teenager. However, Ai’s actions had some effect in helping Kamiki get away from Airi to some extent, leading to a period where they officially dated. During this time, Kamiki must have truly loved and been happy with Ai. The adults around didn’t know about the situation, and they never helped Kamiki. The one who listened, understood, and shared the troubling and dreadful situation that Kamiki had grown accustomed to for years was Ai.
For Kamiki, there was only Ai.
When Airi blackmailed and gaslit him into despair, Kamiki’s thoughts were to turn to Ai for help because there was only Ai for him. Ai was indeed everything to Kamiki, supporting and pulling him out of tough situations. Ai was like a light in his life. They already had mutual affection, so it wasn’t surprising.
Meeting someone who truly understands, accepts, and loves you is extremely precious and significant. The statement that he sincerely loved Ai is true because there was truly no one else in the world for him to love. He led a very isolated life.
I won't delve deeply into Ai’s analysis here since I covered that last time. But the statement that Ai wanted to shoulder everything together and share a future with kamiki was absoultely genuine. Then why did he leave and say such heartless things that would break Kamiki’s heart?
That'd be because having a child meant more responsibility for Kamiki, and Ai thought Kamiki couldn't handle it. So Ai decided to leave to lessen Kamiki’s burden, thinking that would be less painful for him than staying together. Ai probably felt that no matter what, Kamiki wouldn't break up with her unless she said something really harsh. Kamiki's mindset at that time, as shown in his thoughts, was that it was just the two of them against the world, and they could bear any pressure together. That feeling is understandable. So pitiable, really. Ai, however, also wasn’t someone who was very mentally healthy. I'm sure she wanted to help him, but her ways of "helping" wasn't and couldn't be so ideal because she too was only a child. Additionally, I feel Ai was quite conscious of being a year older, wanting to take care of the struggling Kamiki (Ai seems to have a maternal instinct despite not receiving such care herself). She wanted to share Kamiki’s burdens but couldn't share her own dark and difficult parts because she felt Kamiki was too fragile. So, to unburden Kamiki, she left with very harsh and definitive words, thinking Kamiki would be better off without her and their children. Hearing such harsh words, Kamiki immediately thought, "Oh... I am the problem," and understood why Ai left, hence couldn’t hold her back. Ultimately, he ended up believing that even Ai couldn’t love and accept him, which led to Kamiki’s self-deprecation, thinking he was the problem all along. After realizing she had clung to Ai, he thought, "Ai didn't love me, she was there because she just couldn't avoid me being too pure and innocent"
However, his love for Ai wouldn’t have disappeared just like that. Ai was too significant for Kamiki. He loved her to the extent that he felt he heard his whole world collapsed from the breakup.
When Kamiki was near the hospital during Ai's delivery, I don’t think he intended to harm Ai. Why would he harm the person he truly loved who was having his children? He was probably heartbroken for a while after Ai’s breakup with him and, upon hearing about Ai’s health issues on the news, worriedly searched for her until he found about the hospital she was admitted to. On the day the children were born, it could be that he couldn’t approach Ai due to him being self-conscious about Ai’s refusal. He just nervously lingered nearby, and that's when he could have encountered Ryosuke, who was stalking Ai. I might be interpreting too favorably...
When Kamiki learned that Ai was going to give birth, even though Ai had said she wouldn't, he was probably surprised but not resentful. He might have been confused and curious about why she decided to have the children, but upon seeing the newborns from afar, he likely felt overwhelmed with emotion, thinking they were his children.
Perhaps he even thought it would have been nice if they could have been a family together. Though Ai intended to show the children to Kamiki for the first time when they were around four, I suspect Kamiki had been concerned and affectionate about them even before that.
If they had kept in touch intermittently and Ai had sent pictures of the children, things might not have become so extreme. Regardless, I believe Kamiki felt affection for their children. Though Taiki was a trauma for him...
The phone call scene should be shown from Kamiki's perspective once. Having kept a distant watch over Ai and the children, he would have felt internal familiarity and gladness, thinking, "Could we meet again?" After being firmly rejected, he might have made bad decisions. It's hard to know how much of what he said regarding Ryosuke is true, but the idea that Kamiki wanted to kill Ai? If that were true, the more detailed confession (that it wasn’t intentional) would not have come out when Aqua had pushed for it. He said that he was the one that clung to her and killed her and tried to leave it at that at first. Kamiki’s willingness to accept lifelong infamy for his actions, by his own child, implies something different. What he's said after he was inquired further by Aqua seems more truthful than what was initially told. There's probably more to this because it still seems illogical and weird to some extent, but we have to remember he was okay with being perceived at being solely responsible Ai's murderer to Aqua in Ch 153, but his detailed explanations that may not have been even told tells to be a bit different from that. That means he probably feels guilty enough to blame himself entirely for what's happened.
Kamiki advising Aqua and Ruby aligns with my interpretation of his character. These actions seem sincere. Given his affection for Ai, he may feel some warmth towards their children, as he once referred to Ruby as "our" children. He's also been able to see through how Aqua is in a very accurate sense, he seems to have watched him intently. Hence, when Aqua approached him, he expressed his feelings honestly.
To Aqua, he says stuff like "you might find me detestable, but I was glad to talk like this with you", and he gives some advice to Ruby too in a pretty kind way, actually. These actions are likely genuine. It's only natural to find the children, who resemble themselves and their loved one, adorable. Just as Ai told the twins, while dying, that she was glad to have given birth to the children, I think Kamiki, even if they didn't love the children as much as they do for Ai, would at least be happy about their existence. I believe Kamiki would have kept a distant watch over them all along. It's just that he couldn't approach them. As I mentioned before, if he really is a god or possesses some powers, he, along with Ai, who's become a star, might have been supporting the children together in their own respective ways. Though the children were not born intentionally, they were still born out of love.
I got it right, didn't I? In my post about Ai, I wrote that Kamiki might have wanted to take responsibility for the children, but Ai could've had hid and left to avoid burdening him. When Kamiki heard about the pregnancy, he immediately proposed marriage, didn't he? If they had been in their early twenties, they might have really been able to get together. They might have raised the children well as a young couple, finding them quite adorable. If they had become parents at a more typical age, they wouldn't have been incapable of raising the children. In fact, Ai contacted him when the children were about four years old, and she was twenty. She couldn't reunite with Kamiki because of her thriving idol career and the potential scandal.
From Ai's perspective!! If she had hoped for and imagined raising their children together, it means she believed Kamiki would take good care of them, and she was probably right. Also, Ai's idea of happiness included this. Ai, when you look closer, was inexperienced due to her youth but still loved the children in her own way and had a maternal instinct. Talking to Ryosuke to distract him when the door chain wasn't on and he could have invaded and harmed the children was a wise choice.
Haha, speaking of that, maybe because I fell asleep thinking about this manga, I had a terrifying dream last night. I was threatened by a crazy person with a razor blade in a large shopping mall, walking with them like a hostage. I kept talking to avoid being killed, seized the blade, and ran for my life. I got in a car, thinking I was safe, but people were fleeing in panic. The person had more than one blade and started swinging it when their hostage escaped. I felt guilty. I'm so glad it was just a dream.
It's my first time having such a dream. Even though it's not real, experiencing it in a dream makes me respect Ai's response. She managed to calm and turn away Ryosuke, protecting the children. Ai is smart and thoughtful. Her ways of speech to induce not getting back together was really blunt and hurtful not not exactly the best in terms of the emotions it could bring forth, but understandable. Her character is often lacking in emotional responses but sharp in thinking. Between the two, Kamiki is the more emotional one, but Ai was more mature in their relationship. Still, Ai loved Kamiki to the point of wishing he would rely on her and wanting to be his support and that says a lot. That was her way of loving.
Back to Kamiki, what are his current feelings about Ai? He still loves her and was once(and even now) is willing to give everything for her. His feelings for Ai were genuinely deep. Even when he resigned himself to believing Ai never loved him, he was willing to be avenged by Aqua if that's what she wanted. This wasn't a lie. He wouldn't lie to his children. His parental feelings are also genuine.
But there's something more. Kamiki has something in common with Aqua. There's something vast that he carries without revealing everything. After breaking up with Ai, he might have done a lot of wrong things, but his base nature actually seems to be on the timid side, even gentle. He couldn't properly communicate with Ai when she decided to break up all of a sudden, and just let her go, indicating his mild nature. For someone like him to take extreme actions, something extreme must have happened. Ai's death would be such a trigger. If he were to act extremely, it would be related to Ai. He lived a life of being pushed around, with little attachment to himself, being saved by Ai and deeply wanting to be with her. Ai caused him pain but was also his savior. For Kamiki, Ai was his reason for living.
When I saw the lyrics of "Fatal," I immediately had a huge hunch. The psychological state reflected in the song perfectly matches Kamiki's feelings towards Ai. It's very blind and desperate, with what he's originally had twisted negatively. The narrator of the song keeps trying to give and do something, feeling it's still not enough. This song fills in the gaps in Kamiki's character that were hinted at but not explicitly described. The narrator couldn't be anyone but Kamiki.
I understood why Kamiki came to love Ai so deeply through the flashbacks. Given their backgrounds, it made sense that he would love Ai immensely. So when I heard the song and read the lyrics, I immediately felt it was right. Do you think my analysis will be way off?
It seems like Ai and Kamiki's story draws motifs from Japanese mythology. One motif comes from the gods of entertainment, Ame-no-Uzume and Sarutahiko (in terms of abilities), and the other from the couple Izanagi and Izanami (with Amaterasu—she has something to do with Ruby-, Tsukuyomi, Susanoo—the sea god—Aqua). In the myth, Izanagi tries to bring back Izanami, who died giving birth, from the underworld but ultimately fails to revive her.
This narrative aligns with the first season's ending song "Mephisto" and the second season's opening "Fatal," which are about wanting to save someone and meet them again. So far, all efforts have been in vain, and the songs mention continuously offering something. If these songs reflect Kamiki's feelings, then Kamiki must still love Ai and desperately wish for her to come back to life. This seems very likely.
The concept of the "stage" is also mentioned in both songs. The protagonist struggles on stage, which won't let them go. They don't actually want to live that way, but their only purpose for enduring it is to reunite with their loved one. These songs seem like spoilers, hinting at future developments. Otherwise, why would such lyrics appear? It feels like there's a stage set by the gods, and the characters are trapped within it.
The first season's ending is titled "Mephisto," referring to a demon who grants wishes in exchange for one's soul.
Whether it's Aqua, Kamiki, or both, there's clearly a deal involving risking their existence or life to see Ai again. But it can't be Aqua because he was told by the Tsukuyomi girl that Ai could no longer reincarnate. Aqua's goal would be to fulfill Ai's wishes, not to meet her again. However, the songs' themes are clearly different from that. Something is up.
There are definitely suspicious gaps in Kamiki's actions, but thinking this way brings consistency to his sparse psychological reveals. One way or another, this character is obsessed with Ai, and Ai wants to help him.
When he realizes that the person he loved loved him back, he should be either sad or happy. But there's a reason for his shock (which is, also natural, but he's in utter shock). It might be that he's in a state where he cannot be saved.
When this character asked Ai for help as a child, Ai sincerely wanted to help but couldn't do enough alone. So, she wanted to help him along with their children. Comparing now to then, he might have walked into a much deeper pit on his own, for Ai's sake. Depending on the extent of what he did, he might end up still being unforgivable.. or maybe he might not have actually committed something as serious as it's been hinted and have a chance to be actually brought back to happiness But I can't envision a future where Kamiki lives happily for now. His life has been too miserable, so unfortunate.. and it's probably really messed up at this point too, so sacrificing himself for his children and following Ai might be his happy ending. Ai wants to see him, so it could be most happy if she came to take him with her. Considering the scenes shown so far, it's unclear if he deserves a happy ending. But anyhow, there's likely some special circumstance the guy's in that's going to bring a new light about his character
That's it. I had to talk about it all before the next episode comes up! If I'm wrong, well, that's that! But it was so fun analyzing him~
#oshi no ko#hikaru kamiki#hikaai#ai hoshino#kamiai#oshi no ko spoilers#spoilers#I really like looking at character's psyches and stuff..#I think I'm not too bad with them actually!#oshi no theories
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The Double ep 15-16 reaction
I'm glad they added another flashback of her brother and included his escort friend from the novel. Minor character and a small tragedy but it humanizes him for me. He was just a sincerely nice guy who wasn't kind to her as an aim to possess her, but because he was a good person. And so she never forgot him. She thinks he forgot her - only to learn he never cut ties with her; he was killed. Little tragedies, small people that royalty step on like ants.
To me it feels important that as much as the drama gives her husband depth and makes us sympathize with his situation, it shouldn't allow us to forget that her family was destroyed. We didn't see it happen, like the shovel to her head, but her father was his teacher. Xue Zhao was his brother in law. Their names may no longer matter to anyone else, but our protagonist will not allow them to go unavenged. [lil note from the novel I liked - novel!Duke Su being perplexed and unable to figure out how FL is getting this successful escort to assist her, when even he seems to respect how impossible it is to get a handle on the woman - because she has a secure position as a popular escort & enough money & is satisfied being exactly where she is (doesn't want to fight for favor as someone's treasured concubine), independant and unable to be threatened or bribed. so what could possibly move her?]
(Now this is sorta thematically tying in with the backstory drama created for ML with this bandit. ML's general dad was a good person and so he wasn't forgotten by this person whose life he touched, so presumably he'll do ML a favor. FL and ML have turned into schemers and are willing to get their hands dirty; but are aided in their quest by the fact that their dead family had a positive impact on some people who still remember it?? Be interesting to see if this does become a minor theme 🤔)
ANYWAY let's get to the good stuff: Last episode ML started realizing he's catching feelings. This episode FL feels jealousy and isn't shy about it ('can't I?'). We're making real shippy progress here!
He very much still enjoys watching her strut and perform. But the distance between them is slowly closing. That whole drinking game scene was pure gold.
"Are you not upset now? "Huh?" THE LOOKS THEY EXCHANGE AT THIS.
He's entered the play, joining her on stage instead of coldly manipulating from a high vantage point. Her walls are down for a moment and he's not even hiding his bias. Blatant flirting and she has him smiling. Yes, he has 2 agendas here but unlike the last failed 'date' they were playing together, not her in the role of pawn. I love a smart ML. Boy is not gonna fumble this chance to have his schemes AND a woman who's perfect for him.
I found this subplot of FL foiling the Li clan's plans for Ye clan her most clever manuveuring in the translated novel (up to ch 113). Though it's being compressed for time & tweaked, still satisfying to see her outflank the corrupt local government. As well, very glad to see the ML point out that she has a double-motive... to intentionally make the Jiang and Li irreconcilable. (They're not her real family, they're her enemies!) Nooooooo don't have multiple layers to your plans, it's too sexyyyyyy
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I have made up from last time that was about only one chapter, this time we have 5 in a row. We finished act one, fam!
previously, in harrowbean the ninth:
this happened
I want to also thank you for all your nice comments and replies, I read every single one, I promise ♥
ch. 7 to 11 summarized terribly, here we go:
it's time to cross the river
difficult task to perform
as someone who lives literally surrounded by rivers, in every direction, I can relate
my rivers don't carry ghouls though, as far as I know
I mean, there are ghost and cryptid legends, but not ghouls that stick to the windshield of a spaceship like bugs
like these ones do
so harrow and yandere twin aren't doing fantastic
yandere twin loses it in like the first 2 seconds
harrow sees the ghosts of all the ninth kids who died for her to be alive
there's water also, but that part sounds very relaxing, actually
getting covered by water but not needing to breath
I'd be there forever tbh
but we can't, because ghoulies
mercygirl is still doing sound effects like kronk
btw we're changing her name to mercygirl because it's what I've been calling her now
I have been told by a number of you that mercygirl is your camilla so I apologize for disrespecting your blorbina
I might do it again, if the situation arises, though
mercygirl is piloting the ship and emperor the fool is just chillin' until he realizes harrow is walking about and doing theorems, which they didn't think she'd be in a state to do, so they didn't tell her not to do it
these people half-assing plans, who would have thought
mercygirl calls the emperor john
emperor johnnyboy tries telling harrow to come back from her state because she's in too deep and it's becoming dangerous
mercygirl stars talking about the death of cassiopeia (another name that's easy to remember)
says cassiopeia had a ceramics collection, which makes her worthy of all my respect
harrow was thinking "five", idk what it's about
next thing we know, we're back to our gideonless retelling of gideon
in this version, teacher explains things
he says the house was inhabited previously by "ten normal human beings of the Resurrection, though half were blessed already with necromantic gifts"
I'm tired of MATH
he says they left blueprints, he tells them about the Sleeper, he tells them how not to awaken it, he tells them about the trap door, he tells them what's under the trap door, he asks them to work together...
you know what this is like
it's like reading gideon was entering a new game and skipping every tutorial they give you
and reading this is like clicking every NPC's info and reading all that they say
ANYWAY, here is where ortus 1...
wait, this is going to be confusing
I want to call ortus from the ninth "ortus 1" and the new guy "ortus 2"
because ninth ortus was the first to show up
but new ortus is actually older and also is ortus the first
we're gonna go with ortus and lyctor!ortus, for now
so, as I was saying, this is were ortus starts becoming much more insistent in these "flashbacks" about him not being the right choice
which, he's not wrong
we know he's not wrong
and harrow is saying stuff like "unless you can summon matthias nonius" (matthias nonius is becoming a recurrent thing, let's remember harrow compared gideon to him at one point)
and ortus goes "I don't understand why you chose me" to which harrow says "there was nobody else" and ortus exasperatedly says "you never did posses an imagination"
VERY IMPORTANT THING
a skeleton turns around when they're walking and says "is this how it happens?"
we'll come back to that shortly
REMEMBER IT
(I know you all remember it, you've read this already, just act like I'm dora the explorer and play along)
next chapter starts in not!dulcinea's funeral
I'm sad I used the oliver queen grave meme already, I can't use it again to express my feelings
I'm gonna use the steel magnolias scene where they laugh at the funeral instead
so, we are introduced to the famous augustine who's name I will remember
there's some conversation about first and second generations and about not!dulcinea being chosen, and Emperor Johnny Bravo says "we were all there to meet her, all sixteen of us"
MORE MATH
I guess she was the last one of these, but maybe we knew that already, I feel we knew that already
apparently, not!dulcinea was the most reluctant to slurp her cavalier, but that didn't stop any of them, not even her, so
Emperor Johnny Quest says "for god's sake" and harrow thinks "the god who became a man and yet still invoked himself, apparently"
when she's right, she's right
that's better commentary than I could make
I have to respect augustine a little bit because he asked "which one of the kiddies did her in?" and I thought that was hilarious
he is called the saint of patience, which makes my previous comment about them being named via sarcasm very correct
it's like captain planet or the power rangers but chosen as funnily as possible
they start summoning lyctor!ortus by saying that he's interested in "you-know-what", which is both suspicious and childish and the vibes of these lyctors are all over the place
augustine thinks something's wrong, which is an understatement at this point, but ok
lyctor!ortus comes in as if summoned by the gossip and harrow calls him "the next terrible part of your life" which is saying something
lyctor!ortus comes with news of the seventh beast or whatnot that's trailing them
harrow bleeds from her ears and smashes her head on the next available surface to pass out
the mood
who could blame her
this lyctor job is terrible
it's like the end of drop dead gorgeous and harrow is kristen dunst
I'm not explaining that, in case you haven't watched a classic
we are back to the "flashbacks" and we've got a special appearance from the fifth
*studio audience claps and cheers*
they say they prefer to look into books than going downstairs, which is something one would consider if one had known what the fuck was downstairs from the start
abigail also does sound effects like mercygirl, it's catching on
abigail finds a piece of a recipe note that mentions an M and a Nigella
still no G&P
we know nigella is the cav of cassiopeia, the ceramics collector
I remember nigella's name because of the cook, which makes it funnier that it's a recipe
M could be mercygirl
abigail also gives harrow a note
abigail says that she'd like to summon the ghost of a lyctor but she's not sure how that could work or where they go when they die
ortus, magnus and abigail, in this gideonless version, are a polycule
I am convinced of that
while they're talking, magnus says "is this really how it happens?"
REMEMBER I SAID WE'D BRING THAT BACK
IT'S BACK
abigail starts telling harrow that she's got the energy of a lot of dead kids in her and harrow storms out
harrow gets angry when ortus calmly agrees about things and she doesn't want to look into why
I WONDER WHY THAT IS
harrow looks at abby's note again and now there's text on it
it's a longer version of the note she found before
it's a rant
it mentions dead eggs, implantation, some guy being sent after the OP, said guy taking pity on OP
OP is mad about all of this and doesn't use punctuation
what ortus reads isn't what harrow reads, once again
NOW THIS BIT
"ortus, I need a cavalier with a backbone" "You always did and I am glad, I think, that I never became that cavalier"
the gideon points keep adding up
harrow then goes to sleep and is like this
final thing in act I, in chapter 11, is harrowbean stabbing not!dulcinea again, which
always make sure, it's like resident evil in here
just in case, let's stab her a bunch of times
so, are these "flashbacks" happening in real time whenever harrow isn't conscious?
is it her trying to remember what actually happened?
or is it her trying to hide it?
was there actually a longer period of time between the defeat of not!dulcinea and the emperor Jon Arbuckle coming to pick them up?
a period of time in which harrow learned things that made her write those letters?
and in which something happened regarding gideon?
is the note of the implantation also related?
why was gideon born in space?
of course I'm not asking you, please don't spoil anything, I'm just asking the void of desperation and chaos right now
we'll see if any of this gets answered soon or if I just get more questions
also, guess who wasn't mentioned
see you on the next one!! I'll try to get back to the awesome replies I've been getting soon ♥
#luly reacts to tlt#harrow the ninth#harrow the ninth spoilers#tlt spoilers#the locked tomb#long post#gif cw
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So it seems everyone thought it was awkward. And interesting observations.
Q. I have random questions but after I re-watched the episode I was just confused. The lack of any kind of physical contact at all between Buck and Tommy, and full disclosure I have liked them together so far, was noticeable and weird. If the show thought no one would notice they were wrong. Lots of chatter about it, and from both fan groups. I think they could kind of get away with it in an episode where Buck had something you could say Tommy didn't know wasn't contagious but they won't be able to get away with it anymore. If we're actually to the point where they can't write them as even kind of coupley then what are we even doing here? And I don't understand why they needed to stop all the BTS stuff when they started filming this episode there was nothing big in that episode. And the preview using something cut from season 7 was just insane. What are they doing? And the Buddie stuff I can't make heads or tales of.
A. Lol this was a lot of random thoughts but they were questions lots of other people seemed to have as well, anon so I get it. I think lots of us required a rewatch to really kind of appreciate the episode more. First things first though the writer for that episode is not one of their stronger writers, in my opinion. Taylor's writing tends to be random at times. She is after all the same writer who had Buck tell Eddie Diaz 'she really sees me'. So I don't put a lot of stock into her work, but I do think this episode had some genuinely nice stuff, especially for Buck. Should it have been as hyped up as it was, probably not, but I get why Oliver enjoyed it so I have no problem with him being excited about it. The lack of any kind of physical contact between Buck and Tommy was glaringly obvious and very awkward. I know there are lots of theories as to why they were written that way and we'll probably never know the real reason, but they definitely can't work as a couple if they're going to be written like that going forward. But I don't think the plan is to keep them as a couple so I don't think it's going to be an issue much longer. I do think the working relationship between Oliver and Lou is stilted at best though, and it is noticeable in their scenes. They don't have chemistry and no amount of screaming in people's ask boxes is going to change that. I have said since last season that Ryan and Lou have the better chemistry. It's not spectacular chemistry, but it's certainly better than Oliver and Lou. I genuinely don't believe he will be around for more than a few more episodes though so I don't foresee them putting much effort into trying to force anything at this point either. And people also need to remember that Lou himself said in an interview that he told Tim he wasn't interested in doing any heavy kissing or intimate scenes so I also think they're writing his scenes at his intimacy comfort level. But again he's short term so they're not going to try too hard to force anything.
ABC is the one who cut the BTS stuff because something for one of their other shows got spoiled. The show has been very closed off regarding future episodes though, you are correct there. But it had nothing to do with the episode we just saw. They were filming things for episode 6 while they were filming episodes 4 and 5 though and that's the reason for the secrecy. I don't know why they needed to film episode 6 so out of order and so all over the place, but for whatever reason the show believed they needed to, so I guess we will see. There are only two justifiable reasons for using the cut call from season 7 in the preview. It was either because they believed the real scenes and stills were more spoilery than they were comfortable with or the call is actually being used as a flashback. There is still a really big part of me that believes the Eddie storyline was supposed to start last season prior to the renewal, and Tim deciding to slow things down. They cut lots and lots of scenes last season and it's possible the call with the divorced dad was the cut call from last season, and they need whatever they filmed during that scene to provide context for another scene. Tim definitely over inflates his own hype from time to time but I don't think even he would believe he could get away with passing off a scene that is more than a year old as new content. Buck looks entirely different and Eddie doesn't have his mustache so it would be ridiculous to try that, and just expect the audience to pretend they don't notice. So I believe it's a flashback or they didn't want to show anything from the episode but the well. Those are really the only two options.
I genuinely don't understand why anyone would believe the Buddie stuff would or should happen in one episode. Buddie won't officially start until Eddie has his moment. There is nothing wrong with the way the show is pacing things so far. Eddie isn't out and Buck is technically dating someone. Everyone screaming about how it's been 6 years and that's long enough are intentionally ignoring the fact that it hasn't been 6 years of waiting as far as Buck and Eddie themselves are concerned. They aren't aware yet. The pacing is fine. I know that people have wanted this since season 2 but Buck and Eddie haven't, and while the story is of course for the audience the pacing needs to be fair to the characters and the storyline. Let them tell the story. I'm hoping once Tommy is gone people will calm down, and will stop demanding Buddie kiss and declare their love in the span of one episode. No one should want it rushed. Let them build up to it. Let them each come to their own realization and then build up to the relationship. That is by far the more satisfying way to go. Let the story build.
Thank you Nonny! As always!
This was a very interesting post with lots of topics I talked about as well the last couple of days.
The last one is so crucial though. Give the Buddie storyline time to breathe you guys! I know that it has been years for us, but for the characters there'll be a lot of new emotions coming up or even older emotions that will resurface. All of this cannot be resolved in one single episode. This is the kind of story that needs to percolate to be brought to perfection. It can't be rushed.
Now I'm not saying they should draw it out for seasons, because we all know how easy it is for shows to get cancelled these days. But let them use the entirety of season 8 to show us the story we've been longing to see for so long.
It'll be sooooo incredibly satisfying to watch these two men finally get it right. I want to savour every single morsel of that storyline. It will be so rewarding to see it unfold, knowing that we were right for all those years.
Let's give the show the time to do this story justice.
IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!
Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.
Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.
If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.
#anonymous blog I love#buddie speculation#BT speculation#T speculation#season 8 speculation#insight into 911 fandom & season 8#nonnies galore
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The Forgotten Nest (Part 6) - Rooster
Pairing: Bradley "Rooster" Bradshaw / Mitchell!OC (Cora)
Word Count: 3.6k
This work, all my works, and my entire blog are 18+ Only
Warnings: Past Unplanned Teenage Pregnancy; Angst; Absent Parental Figures; The 'He Didn't Know About the Pregnancy' Trope; Repeating Trauma Cycles; Crying; Character Death (Sorry, Ice); Named Mitchell Daughter OC (Cora) and Named Mitchell-Bradshaw Son (Nickie)
Summary: Nickie finds some direction after Ice's death. Rooster and Cora talk.
A.N. There are references to a previous unplanned teenage pregnancy (between two eighteen-year-olds) in this fic. There won't be any flashback scenes to the pregnancy, but the references are still there, so if that makes you uncomfortable, please do not read.
Part 1 Part 2 Part 3 Part 4 Part 5 Part 7 Part 8 Epilogue
Master List
Nickie stared out at the crashing waves behind the Hard Deck, still dressed in his suit that was just a little small on him. It was the reception after Ice’s funeral and Nickie just wanted to be away from it all. It was over. Ice was gone. And Nickie didn’t want to talk about it with people who didn’t know the first thing about him.
He was tired of it. All of it. He just wanted to go home and let his bed swallow him whole.
Staring down at the metal tin that his Aunt Sarah gave him after the funeral, Nickie ran his thumb over the thin metal. The tin used to hold gum based on the stamped logo—though Nickie admittedly had to Google it—and there was something rattling around in there. There was a letter too, burning a hole in his pocket, but Nickie definitely wasn’t ready to read Ice’s last words to him. Not yet. Not for a while.
“Is that seat taken?” a familiar voice asked, causing Nickie to slowly turn around.
Viper stood behind the bench, dressed in a black suit. Although he retired from the Navy some years ago, Viper still resided in Miramar. He still saw Ice and Maverick at least on a yearly basis. And he still had that same knowing look about him every time that he ran into a new generation of Mitchell mess.
Nickie shook his head and gestured to the seat next to him. Viper walked around and slowly lowered himself onto the wooden bench. Leaning back, he folded his hands in his lap and stared out at the crashing waves, causing Nickie to do the same.
Viper was very much a part of Nickie’s life. He wasn’t in it as much as Ice or even Slider was, but Viper and his wife always had a party around the Fourth of July that Nickie and Cora would attend. And Viper picked up a babysitting shift here or there to make sure that Cora could work or go to school to support her and Nickie when he was still very young. There was no way that Viper would let Duke’s granddaughter get stuck in that position.
“Did you know?” Nickie croaked out, causing Viper to turn to him.
“Did I know what?”
“About . . . Ice,” Nickie clarified, earning a solemn sigh from Viper.
“No, I didn’t. From my understanding, the only people who knew were himself, Sarah, and a few souls here and there.” Viper studied Nickie’s expression for a moment before adding, “He wouldn’t have wanted you to worry.”
“I know,” Nickie whispered out, begrudgingly sniffling as he stared at the ground. Wiping another tear away, Nickie turned back to Viper. “How’s my mom?”
“She’s fine,” Viper assured Nickie, nodding towards the Hard Deck. “Slider’s looking after her.”
“That’s good,” Nickie replied, looking back down at the ground. “She always finds a way to blame herself for things that go wrong. Even when it’s not her fault.” Picking his head up to look out at the waves, Nickie let out a shaky breath. “I’m worried about her.”
“She’s a strong woman, Nickie. And she wouldn’t want you worrying about her.”
“I know, but with everything that’s happened this week . . .” Nickie trailed off, straightening up as he slowly turned back to Viper. For his part, Viper waited patiently for Nickie to ask the question that Viper knew he was going to ask. “Did my grandfather tell you?”
“I always knew,” Viper responded honestly, staring down Nickie for a moment. “You look too damn much like him for me to not know.”
“Like . . . Bradley?” Nickie suggested quietly.
“No,” Viper corrected Nickie, shaking his head. Nickie frowned a bit, looking confused for a moment. “Like his dad. Goose. Who he also looks the spitting image of.”
“Oh.” Nickie stared down at the ground again, gently swaying back and forth. “I guess he had some strong genes then.”
“Don’t worry,” Viper continued, leaning back again. “You got the Mitchell eyes.”
“My eyes are brown,” Nickie pointed out, turning back to Viper with a frown.
“I wasn’t talking about the color. I was talking about the look. The one that instantly makes people nervous because they’re waiting for the next thing you do,” Viper quipped, causing Nickie to pause. “I saw that look in your great-grandfather’s eyes some time ago.”
“You mean a century ago?”
“And there it is,” Viper replied without missing a beat.
The two of them sat in silence for a few moments and when Viper saw the small smile gradually slipping from Nickie’s face, he turned back to face him. Thinking over his words carefully for a moment, Viper wore a somewhat grim expression.
“Have you talked to him yet?”
“Besides telling him to fuck off? No,” Nickie replied bluntly.
“Do you want to?”
“No,” Nickie blurted out without much thought. “He hurt my mom. He hurt my grandfather. Why the hell should I want to be around someone like that?”
“There could be many reasons,” Viper returned, staring out at the waves. “And I have a feeling that all of them have something to do with that look in your eye.”
“What look?”
“Like you’ve got something to prove,” Viper stated, turning back to Nickie. “That’s wasn’t there before.”
“I don’t have anything to prove to him.”
“No, you don’t,” Viper agreed, nodding along. “So, don’t go around doing something stupid that you’ll regret because you feel like you have something to prove.” Viper turned back to Nickie with a more serious expression. “Whatever happens with Bradley, you are who you are. He doesn’t change that. No one changes that. You understand me?”
“Yeah,” Nickie replied quietly, causing Viper to pause for a moment.
“Your grandfather did that. Bradley does that. I don’t want you continuing the cycle.” Viper turned and watched the waves for a moment. “They flew like they were competing with a ghost. Trying to impress someone who’s not around to impress. And where does that lead them?” After a beat of silence, Viper turned back to Nickie. “Nowhere good. Nowhere your mom would want you to be.”
“There’s a lot of places that my mom doesn’t want me to be.”
Viper sat there for a moment, simply staring out at the waves. His expression didn’t give anything away and after a brief silence, Nickie picked his head up and turned back to Viper.
“I’m not shocked, if that’s what you’re wondering,” Viper replied, still staring at the waves.
“Are you going to tell my mom?”
“I think that I’m a little old for a tattletale,” Viper responded calmly, leaning back once more. “And besides, if you’re going down that path, there are going to be far more challenging moments in your path than talking to your mom about it.”
“You don’t think that she’ll freak out?”
“I think that she knows more about you than she lets on,” Viper stated honestly. “Mitchells are not exactly known for their subtly.”
“No, I guess not,” Nickie sighed, rubbing his face. After a moment, he straightened up. “And let me guess, you think I should talk with him, don’t you?”
“I think that you should have any conversation that you feel that you need to have so that you get that look out of your eye. Permanently.”
Nickie sighed, dropping his head until his chin practically rested against his chest. Taking a few shallow breaths, Nickie picked his head up and stared out at the waves.
“So, you think I should talk with him?”
“I didn’t say that,” Viper defended himself.
“But you think that.”
“I didn’t say that,” Viper repeated, causing Nickie to sigh again. Slowly moving to stand up, Viper shot Nickie a look when Nickie moved to offer him a helping hand. “I’m old, Cadet, but not that old.”
“Sir, yes, sir,” Nickie replied with a small smile.
“And Nickie?” Viper asked as he straightened up.
“Yeah?”
“When it comes to flying, it’s best to trust your instincts and not get caught up in your thoughts.” Viper’s face grew more serious for a moment. “But when it comes to relationships, you should take some time. Alright?”
“Yes, sir,” Nickie replied to Viper with a nod.
Viper gave Nickie’s shoulder a meaningful squeeze before turning back for the Hard Deck. Nickie turned back to the ocean, once again alone with his thoughts. Reaching for his pocket, Nickie pulled out the old tin of gum that Ice passed down to him. After a moment of delay, Nickie finally popped the tin open and pushed back the top.
Reaching into the tin with a shaky hand, Nickie pulled out a set of wings. Ice’s wings. The note placed at the bottom of the tin read a simple explanation in Ice’s loopy handwriting:
My first pair of wings. May you get your own one day, kid.
~~~~~
Cora walked slowly around the Hard Deck, greeting people that she knew from long ago that she hadn’t seen in a long time, and hugging and chatting with those people that she missed over the years. She could feel Slider’s concerned glance every five seconds, but Cora held herself poised and together in front of the crowd. In front of her family.
When she was alone in her room at home, she would deal with her emotions then.
Avoiding the group of aviators gathered in the corner, Cora walked over to the window to look out at where Nickie was sitting on the bench. Viper was standing now and appeared to be heading inside, leaving Nickie alone again. Cora thought about going out there, though she knew that Nickie was getting overwhelmed with the day.
Ice was practically Nickie’s idol growing up and now he was gone. Nickie needed time to process it. So, she would give him some space. But he was still her baby and she was still going to keep a close eye on him during this time.
Rooster, from his spot in the corner that Cora was avoiding, stared after Cora as she stood at the window. He followed her gaze and spotted Nickie sitting out on the bench, staring down at his hands. Phoenix, who was sitting beside Rooster, glanced out the window too before turning forward and reaching for her beer.
“Why does Mav’s grandson look like your twin?” Phoenix asked quietly, not looking to cause a scene. “And before you answer, do I need to be drunk to hear this?”
“It’s a long story,” Rooster replied, turning back to look at Cora.
“And the tall guy over by Mav who keeps glaring daggers at you?” Phoenix added on.
“That would be Slider,” Rooster explained, not even having to look over at him. “He used to fly with Mav and Ice and . . . my dad for a bit.”
Phoenix nodded slowly, reaching for her beer again. Taking a slow sip, she turned back to Rooster, who was still staring at Cora, looking like he was itching to get up and talk to her.
“Did you fuck up?”
“Massively,” Rooster replied, causing Phoenix to nod again.
“Well, if you want to fix it, you have about a week to do it. Probably less,” Phoenix reminded Rooster. Sharing a look with Bob, who heard their whole conversation, but would be sworn to secrecy, Phoenix got up from the table. “We’ll give you some space.”
Phoenix and Bob walked off, chatting between themselves as they made their way over to where some of the other Daggers were sitting. Rooster sat alone for a moment, lost in his thoughts, before he slowly stood up from his seat. Holding his dress cap in his hand, Rooster made his way over to the window where Cora was still standing, watching Nickie out on the bench.
If she felt his presence or noticed him walking over, she did not acknowledge him. She just kept her gaze focused on Nickie.
“Cora?” he gently called with his voice barely above a whisper.
“Yes, Bradley?” she answered, not moving her gaze from her son.
“Can . . . are you alright?” Bradley questioned, earning a long exhale from Cora.
“I can take care of myself, Bradley. Don’t worry about me.”
“And . . . Nickie?”
“I am more than capable of taking care of my son,” Cora practically hissed, turning back to Bradley with a sharp, defensive look in her eye.
“I didn’t mean it like that,” Bradley replied, bowing his shoulders a bit under the weight of Cora’s glare. “I just . . . can we talk? Please?”
Cora glared up at him and for a moment, Bradley wondered if she was going to reel around and smack him straight across the face. She certainly looked like she wanted to do that. But eventually, she broke the eye contact and looked back out at the bench, where Nickie was sitting alone.
“Fine,” she breathed out, turning for the door.
They walked outside of the Hard Deck, well aware of the number of eyes trained on them. Cora quietly asked Penny to keep a close eye on Nickie while she was gone, before leading Bradley down the boardwalk and away from prying ears and invading eyes. Cora didn’t say anything. She just simply wrapped her arms around herself and kept walking forward with Bradley trailing behind her.
Once they were towards the end of the parking lot and closer to the beach, she turned around sharply, the small heel of her shoe clicking on the worn wood of the boardwalk. Her pose was defensive and her gaze was hardened, like she was gearing up for a fight.
“What do you have to say?” Cora demanded, causing Bradley to look at the ground for a moment.
“I’m sorry,” he stated, earning a sharper glare from Cora.
“You’re going to have to be a little more specific there,” Cora responded sharply.
“For the whole . . . incident. At your house,” Bradley added, lamely in Cora’s opinion.
“The one that you caused?” Cora suggested harshly. When Bradley didn’t respond, Cora let the maternal anger that she felt ever since she watched Nickie’s face crumble that night just come bursting out. “Why the hell did you decide to show up after seventeen years and traumatize the kid that you already fucked up by never showing up in the first place!?”
“I didn’t mean—”
“—I don’t give a shit!” Cora interjected, cutting off Bradley before she could hear any more of his ridiculous excuses. Because then she might have actually throttled him. “Do you have any idea of what it feels like to be rejected by one of your parents? To be tossed aside!?”
“I never—”
“—You have no idea what it feels like to have one of your parents just decide that they don’t give enough of a shit about you to stick around! You have no idea what it’s like going through your whole fucking life wondering why you weren’t good enough for someone to stick around, blaming yourself for other people’s actions!”
Bradley knew that Cora wasn’t talking about Nickie so much anymore, but rather herself. It was hard to forget the conversations that a much younger Cora had with Carole and with Maverick about her birth mother. And he remembered holding her as she cried when she found out that the woman who gave birth to her went on to get married and have three kids with another man.
And, based off the limited interactions that he saw between Nickie and Cora, she didn’t leave much room for doubt about the lengths she would go through to protect Nickie.
“You have no idea what it feels like to just think you’re a giant asshole because hey, one of your parents stuck around and loved you and cared for you and you have plenty of people in your life who stepped up to be there for you, but all you can think about is the one person who was always supposed to be there who didn’t bother to give a single shit about you in the first place! You don’t Bradley!”
Cora pointed a finger straight at Bradley’s face and he quickly noticed how hard it was shaking.
“You decided to walk away and never look back! You decided to leave! That wasn’t my choice, that wasn’t my dad’s choice, that wasn’t Nickie’s choice, that was yours. So, the only person that you have to blame for this is yourself, Bradley!”
“I know!” Bradley raised his voice, causing Cora’s glare to intensify. But the tension slowly seeped out of Bradley and his shoulders sunk a bit more as he dropped his head. After a few moments of silence, Bradley picked his head up. “I know, Cora.”
“Great,” Cora replied, somewhat sarcastically. “What are you going to do about it then?”
“I changed my will,” Bradley stated, causing Cora to stare at him incredulously. “Look, we both know what can happen in this line of work and I still have all of the money that my mom and grandparents left me and—”
“—You think I want your money?” Cora practically hissed, sending him a look that instantly made him feel stupid. “What? You think that the only reason I wanted you around was for money? You think that low of me?”
“I didn’t say that,” Bradley defended himself. “But I’m assuming that Nickie’s going to go off to college in a few years and I can help.”
“I don’t want your money, especially if you think that all of this bullshit is just going to go away in an instant because you decided to pay for something for the first time in seventeen years,” Cora replied, waving her hands angrily around.
“I know that it won’t,” Bradley assured her, causing Cora to fold her arms across her chest again. “I know, Cora.” Bradley glanced back at the Hard Deck and in the direction of the beach, where Nickie was still sitting out on the bench. “But I . . . I want to make it right. With you. And with Nickie. And I know that there’s not a lot of time left, but I want to try.”
“Well, in addition to a lot of other traits that he inherited from you, he got your ability to hold a grudge,” Cora somewhat snapped, causing Rooster to wince and look away for a moment. “And frankly, he’s been through enough today. This century, actually.”
“I understand,” Rooster replied softly. He looked down at the ground for a moment before picking his head up again. “Do you think that . . . he would want to talk to me?”
“I don’t know,” Cora stated quietly, honestly not sure about the answer herself. “That’s a question for him, not me. But I’m not going to force him to have a relationship with anyone. Dad or not. He’s not a baby anymore. He’s more than old enough to make those kinds of decisions for himself.”
Rooster nodded slowly, staring down at the ground again. Sniffling, he turned back to Cora, who stared evenly back at him. She had cried all of the tears that she had to cry over this. And now, she just wanted the pain, the suffering, the angst to be over. She wanted it over for herself. And she definitely wanted it to disappear for her son.
“Why did you name him after my dad?” Rooster asked Cora, causing her to pause.
“It wasn’t a tough decision,” Cora replied after a few moments. “I mean, I couldn’t count the number of times that you said you wanted to name a son after your dad. And with all of the stories that my dad and your mom told us . . . I wanted Nickie to have those same kinds of traits. Kind and caring. Smart. Loyal. Someone that people trusted and knew that they could turn to when they needed help.” Cora looked down for a moment. “A good, honest man. That’s who I wanted my son to be.”
“I’m sorry, Cora,” Bradley repeated again, causing Cora to breathe in and out to steady herself. “I’m so sorry.”
“All you had to do was come back,” Cora whispered out, her voice breaking with emotion. “That’s all I wanted you to do.”
She tried to compose herself when the sound of footsteps caused her and Bradley to turn. Slider approached them slowly, clearly not trying to sneak up on them. Cora took a step away from Bradley to face Slider, discreetly wiping her tears away.
“Nickie’s looking for you,” Slider stated, causing Cora to nod.
She spared one last glance for Bradley before walking back towards the Hard Deck. Bradley watched her go before turning to meet Slider’s sharp glare. Spinning his cap in hand, Rooster straightened up a bit as he met Slider’s stare.
“Slider,” Rooster greeted him stiffly.
“Rooster,” Slider returned, with quite a bit of sass behind it.
With one last harsh look, Slider turned and walked back the way that he came, leaving Rooster alone with his thoughts.
Cora, meanwhile, stepped back into the Hard Deck to grab Nickie and Maverick and head home. Walking through the dwindling crowd, she paused when she spotted something pinned to Nickie’s suit jacket that wasn’t there before.
Wings. A set of wings.
Nickie stared at his mom, more than a bit nervous about how she would react to his choice. His grandfather hadn’t really shown any emotion since they got the news that Ice passed, so Nickie wasn’t expecting a reaction out of Maverick today. But Cora? Nickie was really worried about her reaction.
Cora slowly walked over to where Nickie was standing beside Penny and Sarah. She didn’t say anything at first, staring at the wings on his lapel. And then she simply pulling Nickie into her arms and gave him a squeeze.
“Did you want to go home?” she asked quietly, holding her son for a moment.
“Yeah,” Nickie replied, just as quietly.
“Then let’s go home.”
Tags: @xoxabs88xox @eternallyvenus @mygyn @kmc1989 @thegoddessc @midnightmagpiemama @badasspizzalover @praline357 @oatmealisweird @a-court-of-roscoe-and-baby @abaker74 @avengersfan25 @yogabigooby @daisydaisygoose @sgt-barnesveins @angelbabyange @percysaidnever @artemissunn @indiestrashfire @kidd3ath @luv4kani @lt-spork
(If I forgot you in the tags, don’t be afraid to ask again because I’m definitely scatterbrained when it comes to that but please have a reference to your age somewhere on your blog (bio, pinned post) or just message me!)
Part 1 Part 2 Part 3 Part 4 Part 5 Part 7 Part 8 Epilogue
#top gun fanfiction#top gun maverick#top gun: maverick#top gun#tgm#tgm fanfiction#bradley rooster bradshaw#rooster fanfic#bradley bradshaw#bradley rooster x oc#bradley rooster bradshaw x oc#bradley bradshaw x oc#rooster top gun#rooster#rooster x oc#rooster bradshaw#rooster bradshaw fic#rooster angst#top gun rooster
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Ok so the black book episode.
I finally watched it.
It could have done with a double feature. There was so much going on. And it worked, emotionally, but it was a lot. The plot was so fucking condensed.
Fuck when they do something they do it right, don't they. The deaths of the three were fucking harrowing. No fanfare or dramatics, just realistic and dead.
I'm so goddamn impressed by Sophie playing 12 different people. I love her. I know she gets a lot of recognition, but she deserves some more. Holy shit her voice training skills must be off the rocks.
I thought they would have hired Quinn for the police officer, he looked kind of similar, and then i thought it was him and Tara. But with Sophie being on phone theatre, of course Nate was free.
I wonder how fast Sterling figured it out. I think about half a minute into the room with Nate. The rest was just playing along, and hesitating whether to actually go through with the con, while setting up an outcome for both decisions. Usually i really don't think he has it all immediately figured out, but usually he isn't at quite that high alert, and the target isn't that clear and big a deal.
It really should have been a double feature, or a movie length episode. There needed to be more time, to really lay it all out.
I like what they used as the contents and method of collection for the black book. I watched another show (can't remember which) where it was some unsourced collection of various evil people, and that was soo shady and frustrating.
I've come across a bunch of Sterling/Nate shipping by now, and I'm starting to agree. Like that is genuinely a love story for the ages. However i am firmly convinced that it is entirely mental and intellectual. I just really can't see them having any relationship type. Not that Sterling wouldn't fuck Nate but that's just Mark Sheppard's insane gay flirting aura. But mentally, those two are having mind sex, and are tragic soulmate lovers. Also because they have divorced vibes. I'm convinced of the headcanon that they were in a couple friendship driven/held up by their wives socialising, and played 6d time travel chess mind games over barbecue (aka having a mind sex love affair right in front of the salad) (but really low key because they wouldn't actually cheat on their wives).
The way the con failed and they died was really realistic and well done and really stressed me out :(((( not over that.
Also the way this confirmed the Hardison-Eliot ship (platonic or romantic) was. Very much canon thank you. Not to mention the "till my dying day". Like hello??? Also the ice cave and rundown job train scene having already confirmed the depth of Eliot-Parker's bond earlier in the season. (But toxic masculinity and being a show from 2009 impeding the Hardison-Eliot part till the last episode/them dying (rituals to touch other mens skin etc etc flashbacks to superhell love confession sth sth bury your gays (except they lived bitch)).
Also the setup with "do you think you could live a normal life" earlier in the season. Also², annotation to that one: Eliot talking about having to help Hardison's restaurant, as if Hardison didn't buy it for him.
I liked the part about order vs justice. Very 'keeping the peace with an abusive person causing more harm than upsetting status quo'.
It's a good ending for a show. Seriously, it's both end of an era and not destroying everything that was before. Still glad we got leverage redemption tho obviously.
Parker being the new mastermind is great
Her monologue ajsbsjjd. I was cackling so bad. It was a fantastic way to really cinematographically tie up the show though, and she is great for the job. Both Hardison (who already has enough to do) and Eliot (who really doesn't like leading) always get way too deep into stuff, including their respective jobs for it, which is one reason why they're so good though don't get me wrong.
Why did she have slicked back hair with no bangs, and weird eyeshadow :( Awful 1/10. One point for her clearly thinking she needs to put on hair gel for stepping into a Nate role for a con, like that is exactly a logic she would have.
Eliot's blue tinted glasses, love it.
I like that they're not having one of the guys do it just for misogyny reasons, and that at the same time her doing it is very well supported and set up by their characterisations, and not as some sort of disrespectful shoehorned girlboss feminism move. Which ends up with a woman being the new mastermind being actually well done too. Because they never do annoying stereotypes at leverage, and thank fuck for that.
I love that Sterling was there for the last episode. Also, i swear, getting used by Nate for a con (while getting something out of it himself) is a kink thing for him. It happens genuinely almost every goddamn time we see him, while he knows and actively plays along.
I want to see more of Sophies telephone theatre :(
How the fuck did they fake the car accident, they should have shown sth on it.
Only because i knew very securely that they were fine did i not get completely freaked out at Hardison lying there on the ground. And i never ever want to see Eliot gargle up blood ever again. :((((
I was 100% convinced that Parker can hold him with just one hand, i was so shocked. Honestly one of the first clues from the story itself that it was fake. Yes i have that much trust in her. Second clue was the balloon.
No actually, first clue was Nate looking at the cameras. Can't remember which first clue came first in the episode.
I thought Nate gave Sterling something when he distracted him from the trio, and clearly Sterling also thought so, he probably took like several seconds to check if he had gotten anything slipped into his pockets afterwards.
I wish we could have seen more of the "you lied to us?" conversation at the end. Not that that wasn't the tldr of it or needed change, but i want to see the whole conversation.
The tunnels were great. I again wish to have gotten even a crumb more information on that.
It might have done well, and I'm just throwing out ideas here, to be a two parter episode, they could have really used some extra space. The plot was really condensed.
It was q good episode, and a very good ending, something oh so rare in tv shows.
#own post#leverage#the black book#eliot spencer#parker#parker leverage#alec hardison#sophie devereaux#nate ford#I'm definitely not thinking about supernatural with my last bullet point#why would you think that
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DRDT EP 13/14 ANALYSIS/THEORIES
I said I'd do this once I collected my thoughts! haha Warning! This is super long…
To start, I'm going to pick apart all the stuff I predicted for ep. 13 (I'll try not to make it too long…)
Levi's Secret
Well. Levi sure did admit to. All that! I think this eliminates any last doubts I personally had about him being the killer… (your honor just because I'm a serial killer doesn't mean I killed that specific person /ref) I really like that he isn't shown as a bad person just because he lacks empathy, and he's actually actively trying to be a good person… the fact that he just admitted his secret because he thought it was the right thing to do is so funny though, there go all my theories lol! (I'm still a little worried about rule 14 though…)
Ace's (Almost) Murder
Yeah!! This is probably what we're gonna spend episode 14 talking about, with murder method and alibis, etc. I still don't think it was Nico though! (I want to say I called that it'd be relevant, but it felt a little obvious…)
The Murder Method
I think we can say this has been all figured out, with the method being exactly what several people much smarter than me all figured out.
The Possible Culprits
Rose was still acting a little odd, but I think Whit on the other hand, despite whatever all that was, is off the hook for now, so my number 1 suspect is still Hu! I'm like 90% sure she was the one who tried to kill Ace, at least, and that's become very important now!
Secrets
Well, we got all the secrets figured out! (Hu :( ) The fandom interpretation was pretty much correct, except for Teruko's (we'll get to that later…) I do hope that after this trial, some of the secrets that are not relevant/haven't really been discussed do get adressed, because I could even see them becoming motives for murder again. But also, I just want the characters to talk about them! (gimme that juicy juicy angst…)
Ace
He didn't re-open his injury or really freak out like I expected, but we got some vulnerability (and a new sprite!) from Ace, and considering next episode is probably gonna focus a ton on him, I'm still expecting at least one of the two to happen…
Teruko
Luckily for Teruko, we didn't have anything unlucky happen to her this episode! But she sure did get her time in the protag spotlight anyway, I'm glad she didn't let the mistake from last episode get her down!
☆ ☆ ☆
Also, my bingo card! I got a bingo!! (ft. my messy tiny notes if you want to read them)
A few of my other bingo predictions I'm still going to hold on to for the next (few) episodes, but now, onto some new stuff!
Final Arei Flashback
Whoooah boy was that scene a doozy. I'm starting to think David's murderous rage towards the blackened at the start of the trial was genuine, because me too, man. I'm really glad Arei got at least a little bit of closure before she died, though! She also had an interesting take on the "good person" role, something that has been very important to this trial thus far and will likely continue to be. (I'm thinking that the killer may have had a "good person"-related motivation for killing, which is why it's the chapter's overarching theme?)
Also, to adress the elephant in the room… EDEN??? Well, no wonder Xander "didn't expect her to attack [him] like that" - and from her expression I wonder if she expected it either - I'm really looking forward to learning more about what, exactly, happened before the killing game that involved them! I didn't really believe in Mastermind!Eden before this, but it's starting to look pretty plausible... (Also Xander is the king of haunting the narrative oh my god lol)
Teruko's Secret
Many of us, myself included, were hoping/guessing/assuming that when all the secrets were figured out, David would reveal that he actually had Teruko's, not Xander's. While that didn't happen, the way he reacted after she claimed "her" secret essentially confirms it, as does a lot of other evidence:
That secret being hers would complete a secret circle of Teruko -> Rose -> Whit -> David -> Teruko and a secret pair of Xander <--> Min, which makes sense considering all other secret swaps are either circles of four or in pairs.
Xander and Min would have each other's secrets logically since neither of them can receive secrets, so theirs would probably be separated from the rest.
MonoTV's line about not knowing whether they're all correct feels like a reminder/a hint that some of the secrets are incorrect, and those two feel like the most likely options.
Teruko apparently has no idea which secret is actually hers, so may have just guessed the one that sounded more like her, except we know she never knew her parents and only had one sibling (as does Charles… I wonder if he'll notice)
EDIT: I cant believe I almost forgot, but I feel like David’s attitude towards Xander (and Teruko) makes more sense with these secrets, because why would he idolize Xander if the killing game was his fault, but he would idolize him if he thought Xander was trying to end the killing game by killing Teruko, the person David now thinks/knows is at fault.
However, since David didn't claim out loud that Teruko was lying, it's likely that this piece of information will become relevant much later in the series, and he'll be keeping it to himself for now.
Veronika and Hu
When did Veronika and Hu make their pact? And how did Hu, presumably the one who wanted to make the pact, know that Veronika had her secret? Also, what on earth do you mean, Veronika, that your secret isn't the worst thing you've done???? This little section with the two of them could just be entirely innocent and a way for the dev to get the rest of the secrets on the board, and let Veronika be a little unhinged as she tends to be, but I get the feeling at least some of this is relevant. (I'm betting on either Accomplice!Veronika or Veronika's actual "worst thing" being important to a later trial…)
David
Ohhhhh, David. I feel like Veronika with how much I want to psychoalanize this guy. He is on the verge of a breakdown, and I can feel it! The question being, of course, whether Arei's death was enough to make it happen this chapter, or whether this is something that's gonna last another chapter or two before coming to a head. My money's on the second option, because I think this trial is about to be about Ace and his impending breakdown :)
I do hope after this trial we do get to see a little more of what David's actually like beyond his facades/the roles he's been playing! Also, as much as I'd like to see David survive and have to deal with the consequences of revealing his "true" personality on live television, I think it's more likely he'll go the way of DR antags trying to end the killing game via self-sacrifice.
(We also better keep a close eye on anyone who tries to befriend or help David in Ch3, because they're gonna die next! /j)
J's Morality
This is a short one, but I just wanted to comment on another analysis I saw point out that J has been one of the most vocal people anytime murder has been brought up. I think that behind her rougher personality, J is a more empathetic person, and/or has very strong morals, making her a narrative foil to Levi now, so I do hope the two of them interact in Ch3!
Whit??
Whit. Whit why do you know so much about hanging??? Being serious though, I saw someone else bring up that his mother might have died by hanging and he researched it afterwards as a coping mechanism or something? That's the saddest possible explanation, but it does make the most sense by far… I honestly don't think that Whit is the killer, because then why would he be being so helpful in figuring out the murder method, but he's still so weird and suspicious sometimes.
Nico!
Even though I still don't think it was Nico (crime scene makes more sense if seen as Nico trying to help Ace, they may have just admitted to it because it was the less confrontational option, next ep is def not the last one and I think it'll be about proving who it was other than Nico, and if you look at Nico's secret quote…) I still do hope they get the chance to get mad! Get mad at Ace! Get mad at David! Get mad at whoever the (attempted) killer was for putting the blame on them! Idk I just want them to have their moment.
☆ ☆ ☆
And finally, here are my new bingo cards for the next episode:
(I can't believe ep14 is gonna be 40 mins + there's a "non-spoiler" thumbnail rn oooooh I'm so nervous)
#godd i missed being in a fandom w weekly episodes + theorizing its soooo fun#drdt#drdt spoilers#danganronpa despair time#hu jing#nico hakobyan#ace markey#arei nageishi#teruko tawaki#david chiem#drdt theory
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Does anyone else feel like the Della that was set up and the Della we actually got were two different characters.
Primarily I think Della's just dumber than we were initially lead to believe. And I think there's something in one of the first things we knew about her was that she had pretty handwriting, where I struggle to believe the Della is patient enough to have neat handwriting. The last Crash of the Sunchaser implied she designed the Spear of Selene. Scrooge said someone who "sees the angles". Like I get that don't speak ill of the dead was in play. And I also get wanting Della's legacy to not match perfectly with her true self, but some of the literally flashbacks we saw implied she was clever (she figured out Dewey was from the future, again, she was sketching the Spear). Having the characters stretch the truth is one thing, but flashbacks is another. I mean we literally saw her Scuba-Diving in a flashback, but in show she hates fish.
Not helped by the fact I assumed she named her children, and was using that as a gauge of her personality. And like. Turbo is very funny. I get why you'd make it a surprise reveal. Recontextualize her personality. But we already were introduced to her in the episode before. Also I just didn't like it tbh. (And kinda like my beef with the whole April May and June thing, I'm not a duck fan, I have no horse in this race, and things can be different, but considering to my understanding the few glimpses of previous iterations of Della, she definitely named her sons, and changing one of the few things that previously existed about the character felt weird to me, cheap even. On one hand I get wanting to show just how disconnected from her son she is and how much the incident cost her. But on the other hand it was just salt in the wound at that point, for a few jokes about the boys names… which have generally been changed to be even more embarrassing than they were previously for more jokes).
I really did like Whatever Happened to Della Duck. The only "Weird' things to me was how technically and artistically unsavvy she seemed to be, when we had scene her sketching the spear of Selene. Like that was a whole ass plot point. And also how oblivious she seemed to what was happening with the Moonlanders when she was presumably "sharp". But y'know. I can excuse one misunderstanding, and she was probably just a bit crazy from being alone on the moon for so long (and any prior mental health issues) and when she gets back other characters will probably be unnerved by her a bit because she's changed. But this was apparently normal Della (aside from not liking her reflection). If someone had spelled out in show the ways she had changed while on the moon I think it would have made all the difference. (Though Ducktales in general has an issue for completely neglecting to state important information until its necessary but long after it was relevant, so the fact no one says that doesn't mean it can't be true tbh).
I think the core of the character, and thus why she caught my attention remained. She's a traumatized woman who did something impulsive (that should have been fine), that had disproportionately huge consequences. And now has to get to know her children. She has to learn to parent on the fly. She has to establish herself as an adult when she's otherwise been stuck in place. She has to reestablish herself with her family, and a new sense of identity in a world that's changed without her.
And looking some of the Della description from the pitch bible we got recently, and the Della described there is closer to the one I thought we were getting prior to her debut. It makes me wonder when that changed. I know early on, in the Moorshire episode, they realized they made Launchpad too dumb after they finished it. To me it feels like they did that with Della (and to a certain extent Donald as well), but then never made the realization about what they did. We already had launchpad as the stupid adult. We didn't need more. Also, to be honest, I struggle to name any strengths over other characters besides the pragmatic "better at flying than Launchpad". Now, don't get me wrong, I still like canon Della. She had a lot of great moments. But to be honest I think all of her best moments, would have also worked with the Della I thought we were getting. Her fears about losing the kids, so lying to them about participating in the fight. Her song. Her punishing Louie for being stupid. The bit where she talked about being unable to look at her reflection and breaking her glass. Teaching Dewey to fly. Realizing how much her kids looked up to her and to what extents they might be idiots to prove themselves to her. I don't want her not to be reckless, just more thoughtful. That said, the way the other characters treated her didn't really help. It felt like at least for a while she was being ignored. Like she wasn't being treated seriously, but also no one was trying to help or understand her. (Which we got Donald blasted off into space after being ecstatic to see her, made me feel like Donald might actually see her... but then 5 episodes in to S3 Donald gets a girlfriend and the twins rarely appear together).
Liking those elements of the pitch bible might be a bit of the classic "the grass is greener" nonsense. And the fact it's just a barebones description not a full fletched character, and to be fair I don't care for every detail in it. But even before the pitch bible, I was bothered by the fact Daisy, not Della was the person who understood Donald best. (My aromantic self does not appreciate the prioritzation of romantic relationships). And here in the pitch bible. It says Della knows Donald best. We didn't get a single glimpse of "was scared to be a mom", even though I'd solidly developed the head canon that the Spear of Selene ride was a form of post-partum fear even before reading this, and I understand that might have been difficult to work into the show, the lack of support for Della in general, or any hints of empathy for why she did what she did doesn't help. Even of dealing with trauma from the instance. I can't say the "stuff just happens" angle is objectively bad. But this is still a story. A narrative. Not reality. It feels cheap as a character, for her biggest mistake to basically boil down to "oops", rather than a huge character flaw. Like yes, being reckless is a flaw. But considering what the family is USUALLY doing, it… isn't? It really isn't any worse than what they family does normally so for her to be punished so harshly for it is a bit unfair.
In the finale the fact it's revealed that Bradford told Della about the spear, also feels kinda cheap to me. I think its an interesting reveal… but considering this is information one of our main protagonists knows it feels bizarre that it is a reveal to the audience. (Or that no one asked Della before). Also it feels a bit like it's trying to absolve Della of blame, but it doesn't address the core problem of (sure the show never states there's a problem but Scrooge makes reference to Della's "one last big adventure" and it's hard not to see this as an attempt to break out of some sort of mental funk. And it again, needlessly victimizes Della. She got stuck in space for 10 years, couldn't even name her own children, loses her leg, gets betrayed, loses her plane kinda-sorta, and is kind of treated like an idiot by many of the other adults around her. Because some guy was trying to mess with Scrooge. Della's moon trip sucks, I don't think they needed to make it worse by making it not even her fault.
I wish we had gotten a scene of Donald telling the boys what Della was like from his perspective. He's her twin. And I really don't want to welcome the comparisons between DT17 and GF. But the lack of any character drawing the parallels between Donald & Della and Huey, Dewey and Louie is absurd. But they don't utilize it. Like at all. No one ever looks at Donald and goes, oh. He lost his twin. That really sucks. The triplets never go. What would it be like if I lost one of you. Like twins are sometimes just siblings. They don't need to have "super special relationship", but in a show about family it's sure awkward that they don't. I am so mad that Huey, Dewey and Louie didn't get to see another side of their Uncle Donald brought out by Della. Or alternatively a Della struggling to connect with her brother. Even better both.
I know the "is the character acting ooc or do you not actually know the character" is well, a thing. I am aware that the post-partum depression, actually clever and observant Della is mostly made up by me. But I also know where in canon it came from to me. Della never acts out of character from once she's introduced. But that character is still a bit off from the character we had come to expect in the first season and a half. She's not completely divorced from what we were told about her. But still. Do I love Della, or the idea of Della. Honestly, I don't know.
This is definitely very OPINION, and not really anything objective.
#I feel like I'm being nothing but negative#Ducktales has fantastic characters who bounce off each other really well#a great sense of humor#and some beautiful animations and moments of pure emotion#But the poor plot#worldbuilding and thematic cohesion really hurts it#I keep feeling like the Della in my head is nothing like the canon one#I can recognize when I'm not talking about the character in canon#But I think my head Della is the way she is because of how she was set up#and how the set ups weren't meaningfully addressed#I take solace in the fact that their Della seems little like previous Della's so I feel free to change her in my fics#But it is really frustrating when looking at canon#tbh I'm not even entirely sure that I didn't force myself into liking Della considering the difficulty I had getting through some of those#I really do like Ducktales#but also...#Anyway#ducktales#ducktales 2017#Della duck
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Chapter 45 Uh, Seriously?! Posting
So! Full speed ahead it is, internet void! What a dense chapter.
First up, John Hishaku and the Samurai Murderer Guy that was at Chihiro's house in chapter 2.
Guess we'll see more of him soon, how fun! It's not quite clear how many people are talking here, but Hishaku scheming is afoot and the game is on. The only question is how fucked the Kamunabi is going to be by the end of the arc IMO.
And don't think I missed that vase reappearing. My nemesis. The spiky boi on the mid-left drove me insane as soon as the raws dropped but I would like to tentatively propose that it is a kiku (chrysanthemum). Different colors have very different meanings so I still admit defeat on that front. But kiku are usually associated with mourning or Imperial imagery, so that's cool. I demand a treat if this flower arrangement turns out to be the world's subtlest hint that the Hishaku are related to an old regime or breakaway faction of the government.
But yeah... so much cuteness this week. Very welcome after the rich drama from the past few chapters.
Boys who commit patricide together fall asleep mid-conversation wake up together, apparently. And for all the fan artists/fanfic writers out there, it's now canon that both of them are wearing long-sleeved shirts under the other layers. I was kind of hoping for Chihiro to be wearing one of his dad's shirts but this is more in character...
Fine, okay, it's probably for convenience's sake since apparently these guys can only rest for one night before jumping into the lion's den. But I'm flabbergasted by their soulmate coding. I kind of expected Hakuri to pass out, but Chihiro conking out at the same time in the same pose is too damn cute! Barely over a week together and they've already perfectly synced their sleep schedules and postures lol.
I find it deeply amusing that the entire flashback sequence at the end of chapter 44 was purely for the reader's benefit though. Seriously! Hakuri asked Chihiro "So... what comes next?" and then they both immediately passed out sitting up. So the last four pages were there just to spare us from even more infodumping in this chapter, which is much appreciated.
That's something that Hokazono-sensei also did at the end of the vs. Sojo arc in chapter 18. 10 pages to him exploding, 7 to the situation at the Kamunabi (which will now come into play! EXCELLENT LAYERING OF DETAILS!). I don't know if I'm smart or educated enough to do a full analysis on the techniques he's using, but I love the style. He doesn't let the emotional points linger too long or waste a single goddamn panel in this manga. Yeah, I want more time with the characters outside of serious plot moments, but there's not much else for me to complain about. The need isn't particularly dire anyway since every scene is efficient in giving us characterization and info at the same time (example later this rant).
So yeah. Thanks to that excellent pacing decision, we get to witness this crowning moment of heartwarming:
LOOK AT THESE DORKS. LOOK AT THEM. I LOVE EVERY SINGLE ONE. Thank you for this moment of Team Goldfish x Hiyuki and Tafuku bliss.
And look at the food on the table! Hiyuki and Tafuku have earned a measure of trust with Team Goldfish! Just a bit, but Shiba definitely wouldn't have let them stay the night and eat with them if he felt they were dangerous.
It's also so sweet that Char's comfortable sitting in big bro Tafuku's lap... she's come a long way since her debut as a scared, scruffy orphan. Wonder where the gang is hanging though. Someone's apartment, I guess? A nearby hotel? More insignificant details this annoying reader wants to know...
TW for SF5-era tournament enthusiasts: That Stage appears in the first panel.
Did anyone have bets on Shiba wrecking Hiyuki in Street Fighter while waiting for Hakuri and Chihiro to wake up? I didn't, but I love it. And this scene highlights something I've really come to appreciate about Kagurabachi's writing: it's incredibly efficient. Almost every scene has more than one thing being conveyed at a time. For instance, here we learn that Hiyuki sucks at Street Fighter compared to Shiba but is too stubborn to quit (comedy & character consistency) and still doesn't know he's ex-Kamunabi (serious). This in turn tells us that Shiba's probably got something to hide from active Kamunabi personnel. After all, it's not like the org itself is a secret, and we wouldn't see Hiyuki questioning him twice if his circumstances weren't suspicious. So Shiba's subplot thickens while we laugh at the gag- peak efficiency.
The cuteness, though... the sweetness of this chapter, man!
Chihiro respecting Yuu's nickname and correcting Hakuri with such a gentle expression is incredibly adorable. He's so relaxed here... but oh wait, there's... chibi Hakuri and Chihiro apologizing for worrying Uncle Shiba?!
Chihiro and his new #1 enabler owe more than an apology but it's good enough for now.
This break wasn't quite long enough to reset the tension in my opinion, but it absolutely delivered on character moments. We definitely needed this after all the big feels from the previous few chapters. I wish there was more time devoted to letting us calm down before ramping up again but what we got here is pretty good.
And so we jump feet-first into laying the groundwork for the Kamunabi arc. A nice, efficient recap of the situation leads us into some additional context and a surprising bit of Shiba characterization. Whatever beef he's got with the Kamunabi feels quite personal for a guy who plays it cool and loose most of the time. We know he's glad he quit because they're too uptight, but there's gotta be more to it than that- he's subtly trying to steer Chihiro away from them while Hiyuki is having none of it here. I want to gently snap this man in half to make him spill his secrets...
At the end of the day, though, Shiba's not going to stop Chihiro from joining the Kamunabi. That's been his thing since Chapter 1: if Chihiro makes up his mind to do something, Shiba will offer advice and make suggestions but ultimately leave the decisions up to him. I wonder how much of his guilt over Kunishige's death plays into that...
Then!
PFFT. "I know what I'm doing here seems risky and unwise but It's fine, trust me. I've got Hakuri." OKAY BUDDY. You've been able to do a hell of a lot since you met this kid haven't you? It's like meeting him changed the trajectory of your life as much as you changed his.
Shiba's expression is very interesting to me. He's like "ah, I get it..." and he's not thrilled in the slightest. Adding Hakuri to the team means Chihiro can be even more reckless than ever before; what little influence he had over Chihiro's safety is all but gone now. And Hakuri himself won't try to stop Chihiro from putting his life on the line- he'll risk his own to help him do it! All this while they're poised to go somewhere he probably can't follow... poor Mr. Shiba.
And then!! AND THEN!!!
Chapter 32: Smile Unlocked (once has no meaning...)
Chapter 36: Smile Lost (twice is a coincidence...)
Chapter 38: Locked In (three times is a pattern...)
Chapter 45: Smile Restored (four times is fate)
The one pulling the other forward is always on the right, leading the reader as well.
When one calls, the other answers. What one starts, the other finishes. A and Un. And this time Hakuri echoes Chihiro's "you got it" catchphrase back to him! I hope this is their thing now, like the "How's my timing?/Perfect" bit that Shiba and Chihiro had.
I'm going absolutely insane over this interaction though. It's the first time Chihiro's gotten to hear someone affirm that they'll see things through with him at his own request (on-screen at least). The first time he's outright said he needs someone, even. And of course Hakuri responds so enthusiastically- he's finally wanted. Just a few days ago he thought he'd never amount to anything. But he's got so much hope thanks to Chihiro's faith in him now.
"What I need in my life is a samurai! THAT'S YOU!" is finally answered with "I'm going to need your help again." hnnnngh what in the hell is this chapter.
Platonic, familial, romantic- however you want to see their relationship, these guys are meant to be together. If I ever start to doubt Hakuri's importance again just smack me right upside the head- he's truly Chihiro's other half now. Let's cheer them on and hope nothing horrible happens to Hakuri ever again! Protect the smile of the boy who would die for you on command, Chihiro. You've been warned.
Protected Bearers
Cool stuff ahead, and tough times to go with them. I doubt things will be as simple as Chihiro successfully making his case and being allowed to start trying to Talk no Jutsu the former wielders. This arc seems like it could easily be longer and more complicated than the previous two combined. I kind of hope it is, just to get more time with everyone. I've never loved a cast of characters this much.
That said... In another series I'd be sure Chihiro would visit each area one by one in their own mini arc, but Kagurabachi is probably going to subvert the expectation somehow. We got previews of the areas so we'll be seeing all of them. Probably (we goddamn better after that gorgeous spread showing them off.), but not in the way we'd expect. This story is so fast I kind of expect us to blitz through all of them in a handful of chapters each... guess it depends on how in-depth we get with the bearers themselves.
As we originally saw them in chapter 18. The slightly updated designs from this chapter are pretty nifty.
I'm 100% sure the order they're presented here corresponds with the areas shown on the spread immediately afterwards. So eye scars is stuck in a temple, the girl is stuck in an onsen, kabuki monk guy is stuck in what looks like a floating shrine, and sushi chef is in... a sushi restaurant. Wow shocker.
I'm going to make the assumption that they got to choose where they were imprisoned for the rest of their lives. Maybe it was the government's way of expressing gratitude for helping the war effort? Which makes Magatsumi's wielder (the Sword Master) being sealed up like a nasty curse all the more intriguing... he's clearly fucked up but was he always that way or did the sword corrode his mind? Is there more to the lifelong contract with these swords than just being the only person who can use them? I better get some answers!
Anyway.
So Kunishige personally knew and chose these people... I wonder how meeting them will deepen Chihiro's understanding of his father's legacy. I sincerely doubt that all of them will make it easy for him to recover the blade they're tied to, but we'll hopefully learn a lot while Chihiro makes his attempts. Really seems like we are set up for Kunishige and Seitei War backstory so I am hype. Dead DILF lore! DEAD DILF LORE!
Hiyuki and Kamunabi Thoughts
Hiyuki also had some interesting moments this chapter. She understands that the current stalemate with the Hishaku has tied the Kamunabi's hands for the most part, forcing them to do less than savory things (like bidding on the Shinuchi) to keep the peace. And despite her hotblooded outburst before the auction, she still has rock solid faith in her org's mission. So I don't think she'll defect easily so as long as she believes the mission is doable under better circumstances.
And it seems like she thinks Chihiro might be the right catalyst for change... hmm. She's essentially using him as a chaos agent to shake up the status quo because he proved himself to her. She finds him worthy of deciding how to handle the blades, so now she's giving him and Hakuri the opportunity prove themselves to her leaders. Very cool. There's some rather deep stuff going on with her.
Hiyuki's much more establishment-oriented than her personality and actions suggest. I get the sense that she's there as an idealist who is willing to upset the status quo to see the mission through. A true believer in a bureaucratic institution- love that type of conflict. Can't wait to see more of her in this arc!
So now we're set to see Chihiro's philosophy and methods on trial. Super intriguing stuff and I'll definitely be looking at the questions each Kamunabi leader is asking to try and suss out their allegiance. Playing Guess the Traitor this arc is gonna be a lot of fun (I hope)!
Speaking of which... Azami as the traitor allegations don't move me, but I do think he'll be restricted this arc due to the ongoing investigation into his clandestine activities. Chihiro could well be on his own without an adult to watch out for him. At least he and Hakuri will be there for each other. ...With no one to try and stop them from doing reckless stunts. Uh oh.
So that's a wrap on this fuckhuge ramble. Hope the breakneck pace slows down just a smidge but I'm still very onboard with whatever is coming next. Thanks for allowing me to ramble as always, void.
#kagurabachi#long post#Don't lose hope Kazane fans he's gonna come back soon I just know it#Sorry for referring to Kunishige as a dead DILF once again#An onsen episode? In MY “no sexy fanservice” action manga? It's more likely than you think.#I caved and read the raws this week but I'm glad I did for the discussion around the sushi restaurant's name#It's not my own discovery so I don't feel right posting about it but there's intriguing stuff involving archaic and bizarre kanji choices
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『The moment the world was finished, the author had to descend from the position of creator.』
They say that before you die, you live through the events of your entire life for 7 minutes.
Naturally, for writers, this meant the tear-jerker flashback scenes written to make a character's death hurt for the readers.
Han Sooyoung belatedly wondered if her death would be recorded as such. Well, she had written this very world but it had long left her hands by now.
The void rushed to take what was left of her, which wasn't much at all. She thought that it felt familiar. She couldn't seem to remember why though.
--
A small bit of her consciousness managed to survive.
She didn't know why, and could barely feel anything than the coldness of the void surrounding her.
The ghost of a body remained after her physical body crumbled away - it was something, but it wasn't anything, defined more by the fact that it wasn't the void, like white ink on a black page or stars in the dark night.
She curled into herself with barely any strength, eyes closing and her hand floating uselessly around her, as if trying to reach something.
Before she knew what she was reaching out for, she felt a grasp on her hand.
It was warm, unlike the desolate void around her. For some reason, she was afraid to open her eyes. Maybe it was because she recognized that hand holding hers, or that warmth, or maybe it was because she's scared that opening her eyes would reveal it all to be a dream.
"Sooyoung-ah."
She fought back tears and found it useless in the end. Silently, her grip tightened, unwilling to let go.
If this was her final moment, if this was a last-minute hallucination or dream conjured up by her mind, she decided that she wouldn't let this bastard leave before her again.
"You dumbass..!"
Her voice came out shaky. Anger, hurt, and relief all spilling out in multitudes. She kept her eyes tightly shut.
"I know. I'm sorry."
If she could punch him, she would - there were too many questions, too much grief between the two of them. God knows how many times she wanted to beat some sense into him.
"Why couldn't you just come back?"
"..."
"Do you know all we did just to get you back?!"
"..."
"We all tried to move on with our lives but no matter what I did, I couldn't."
"..."
"I couldn't even write anymore. I wanted to throw up at the sight of the subway."
"..."
"I hate you so damn much, do you know that?"
"I know. I'm sorry."
"Don't just say that!"
"What do you want me to say?"
"I.."
What did she want him to say? What words could fix all the hurt he's caused? What words could repay her for all she did to get him back?
Her throat felt strangled now.
"What..what did you think of the story I wrote?"
"It was good."
Han Sooyoung didn't know whether to laugh or cry. She felt her heart bursting with joy at such half-baked praise.
"..That's it? That's 500 chapters of work!"
Banter that would've made the two of them laugh previously now felt like a parting gift. A last chat, a few jokes and the warmth of laughter before everything fades to nothing.
"It was perfect."
"Of course it is! The genius writer wrote it, so obviously."
Her voice was still shaky, but there was a smile to it now.
"You did good until now. Thank you, Sooyoung-ah."
"Ha..ha.."
Shaky laughter turned into teary sobs. Han Sooyoung didn't bother to wipe the tears sliding down her face.
She was content here, in her final moments, knowing that this story reached the person it was written for.
#orv#orv spoilers#kdj#hsy#doksoo#orv side story#I'm going through it#I'm not letting go of my hope no matter what happens#(I will also be going through the 5 stages of grief)
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I was thinking about how Kendra really should've been mentioned in Fool For Love given its an episode where Buffy wants to learn about previous Slayers' final battles so Top 5 episodes in which Kendra should've been mentioned in?
Ignoring the episodes I'd have liked to actually see Bianca Lawson return in (either in flashback or some alternate dimension or in a dream sequence or as the First) and ignoring Fool For Love as well since you mentioned it already (but I agree that's a good call otherwise).
S3E07 Revelations -- obviously Angel didn't personally kill Kendra, but he played a very major role in her death (she came back to Sunnydale to stop his plan to wake Acathla, he lured Buffy away from the library so she wasn't there to protect her, he sent Drusilla to kidnap Giles and Kendra tried to stop her). So it would have been nice, in a way, if anybody had thought to bring Kendra up during that scene in the library where they're arguing about Buffy keeping Angel's return a secret and how he killed Jenny Calendar and tortured Giles. Especially when they're doing so mere feet away from the spot where Kendra was murdered. It would have nice to suggest that Buffy wanted to talk to Faith about Kendra at the end, too (even though I think Faith still brushes her off the way she does in canon).
S3E08 Lovers Walk Relatedly, it would have been nice if -- while Spike was busy feeling sorry for himself and remembering all the nice spots in Sunnydale where he and Dru had murdered people in better times -- the writers had remembered Buffy had reminded him that one of the people his ex had fun murdering was Kendra. Or that, way back in Becoming Part 2, the very last time Buffy said Kendra's name out loud in the show came with a threat to kill Drusilla ("Forget about Drusilla. She doesn't walk. She killed Kendra.")
S3E15 Consequences. Don't think this even needed Kendra to be mentioned by name, but it would have been nice if the show had acknowleged that this is in the third time in barely a year than Buffy has been questioned by the police in a murder investigation. And by the same guy all three times! Detective Stein doesn't seem to be part of the town-wide conspiracy to cover up the supernatural, so what does he think really happened to Ted and to Kendra? I get that the show at this point wasn't trying to be too serialized (but Ted, at least, will get brought up at least one more time in Season 4's Fear Itself), but ... I dunno, I just think it would have been a nice bit of continuity to have Stein tell somebody (Buffy? the Mayor?) that not only does he think Buffy was involved in Finch's death but that he still hasn't ruled out her being involved in Kendra's death too (whatever his bosses told him to make him drop it).
S5E14 Crush. This isn't actually a very good episode (as indicated by the words 'written by David Fury' that appear on the screen at the beginning) so we can't expect too much from it, but ... look! It's Drusilla! Back in town for the first time since Becoming! And Spike's talking about killing her, even. "Why do I care?" Buffy asks him, which would be a perfectly fine way for Buffy to express her disinterest in Spike and demonstrate her refusual to be swayed by his attempts at coercing her to 'admit' her romantic feelings for him if this were any other random vampire, but this is meant to be a vampire Buffy has a strong preexisting personal grudge against. She killed Kendra, David. That's why Buffy should care. You could, I dunno, at least have Spike bring that up again? ("If you don't admit there's something there ... I'll untie Dru, let her kill you instead. Just like she killed that other Slayer.")
S7E17 Lies My Parents Told Me. I mean, not the canon version of the episode, which is basically unsalvagable, but in some other better version of this episode where Buffy finds out that Robin was Nikki's son it might have been nice to contrast Robin's years long quest for revenge with the fact that Buffy didn't allow herself to leave town and hunt Drusilla down for revenge. Not because she didn't care about Kendra (at least, she cares about Kendra in my version of the show...), but because she had a responsibility to everyone alive in Sunnydale. That would, at least, be a better way to echo Nikki's "the mission is what matters" line than the gross way the episode settles on ("You're trying to get revenge on a man who doesn't exist anymore! Also, isn't it cool and fitting he got 'his' coat back?")
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LAST TIME ON MIGHTY MORPHIN POWER RANGERS: THE RETURN: Depressed milf Kim just got finished traumadumping onto Trini's relative Selena about all the shit that happened on the Moon 22 years ago, just to find out that this wasn't Trini's relative at all, but some mysterious white-haired witch out for revenge???? I guess it makes sense it would never be the simpler option. MMPR: The Return #3!
= So here's the reveal of the dialogue that was blacked out in the previews! Selena Repulsa, the daughter of Rita Repulsa and Lord Zedd, is official! There's something very funny about the fact that she didn't even use a fake name for her Kwan family disguise. She heard Sylvia had an S name and was like sweet, I can just play the alliteration card
= I mentioned before in the first issue that this series was already discussing the topic of secret identities in a more nuanced way than the main series' "Zordon is a tyrant for having rules" strategy so I'm happy that's being continued here. YES public use of the powers can be used for good in society but ALSO it can make it really, really, REALLY easy for your enemies to pick you off the street
= also UNCLE HOWARD SPOTTED
= YEAH BABY
= Selena is hilarious btw. YOU BUILT A BOMB AND ARE SURPRISED IT KILLED PEOPLE?
= this is Dungeon Meshi
= I already made the Paul Dano does he know?.png joke but I can't help it. It's too perfect. Alternatively: Kimberly Hart Dreamworks Face
= Zedd is noticeably less involved in this story than Rita is (as per the usual with BOOM books, admittedly) but I do like how this plan still uses him in some way. Part of me is still curious as to what Dad Zedd would have been like, though
= she's meditating, guys she's died
= he was literally born to be a girl dad and the fact that his "main universe" child is a son makes me fucking sick
= also off-subject but I see the occasional comment about how the civilian forms for these flashbacks look too young and it's like.....guys. They're only 22. If anything, drawing them like how they looked on the show is ACCURATE to their age, considering how old the actors themselves were when they were on the show kjdkfjdkfjd and anyway Dino Thunder lied to you. Tommy would absolutely be wearing tank tops as an adult. Those long sleeves were the devil's work
= I still say I don't want to get attached to any theory about Tommy and whether or not he'll end up alive but Rita seeming to be aware that he saved her daughter and getting his attention before doing the spell...........that's probably going to be important
= You guys don't understand how much I need the scene where Tommy and Kim discovered she was pregnant and the conversations they had afterwards. Every "ranger kid" story has been so bad about "what does the parent think about their kids one day inheriting their ranger powers" and The Return is the one closest to understanding this is a very logical and rational conversation to have!!!!!!!
= also Olivia was 100% unplanned this i just the vibe i get. And props to my gender-inclusive king Tommy Oliver
= "no more Power Rangers.......except my daughter who's COOL as FUCK"
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Hello!
(I have a nasty habit of wanting to write only about bad things so let's talk about something else)
I've somehow read all of Dungeon Meshi within the last two days or so. Time well spent I'd say...
The first time I've even heard of Dungeon Meshi was seeing all the Twitter clips from the first episode of the anime. I thought the premise was cute so I decided to take a peek at the anime with a friend.
The first two episodes were alright but at the time it didn't quite grip me as much as I thought it would. While I loved all the characters doing their thing, it was missing something that would really hook me in you know what I mean?
=======SPOILERS I SUPPOSE======
If you haven't seen any of it yet, please go and check it out it's pretty good. I wouldn't want to ruin anything about it for the blind.
After the second episode I just put it off for a bit but a month to so later, I saw a twitter clip or maybe it was a teaser that was about Falin's resurrection. I was astonished to see not a digested corpse coming out of the dragon but a goddamn skeleton of what's left. That was what I was missing in order to get hooked so my interest was fully piqued.
So now I've gotten around to reading the whole thing and MAN was I surprised. The world is so interesting, the characters are all loveable and it gets surprisingly dark every now and then. It touches on alot of themes that I like involving death and the stains of time.
My favorite manga of all time is Berserk so the moment the manga started getting into that stuff I was fully invested.
One of scenes that really stood out to me were Marcille's nightmare and how it sets up that bit near the end. I don't really know much about elf lore and I just beat Baldur's Gate 3 so it was interesting to learn more about how an increased lifespan is just sadness for the elf in question.
Seeing Laois get touched by her nightmare and immediately starts aging and freaking Marcille out just made me go "OH NO IS THAT WHY SHE'S AFRAID" and it makes me sad to think about life without your loved ones.
Another one is Senshi's backstory with the Griffin and how he had to live a long time with that gnawing thought at the back of his head. It thoroughly explains why he's so adamant about eating a balanced meal and how living as healthy as can be is so important to him. I honestly teared up pretty bad seeing those final panels of him eating the hippogriff stew.
I suppose my only nitpicks is that we never really got to hang out with Falin enough. I would have loved to see more of the gang interact with her since from the flashbacks and what little time we do get with her, she's a sweetheart too.
There's also Itsuzumi and how I personally don't think her arc was fully done but at least she had her moment with the succubis.
These are very minor and there are even more minor ones and honestly I don't mind them very much because the story is already like a 10/10.
=========SPOILERS END=========
The volumes kept ending at cliffhangers so I couldn't stop wanting to read more and more so I ended up binging the whole thing.
I'm glad I did though because the manga went into detail a couple of things I've been thinking about recently too. It just nice to see and read thoughts about the little things that bother me right now. Even if it is through a silly manga about eating monsters.
Honestly, the manga influenced me maybe like 10-30% as to doing a bit better with how I treat myself and my health.
To close it off, I gotta say I really loved it and I'm excited to go through it again with the anime. Hopefully my friend won't mind if I drag them with me since I left them at ep2 hehehe.
TLDR: FARCILLE IS REAL DON'T LET THEM TELL YOU OTHERISE
#dungeon meshi#delicious in dungeon#how is this now one of my favorite things ever#please watch it or read it#it's good#dungeon meshi spoilers#dunmesh spoilers
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I did finish binging the Alexander docuseries last night but by the end I had a migraine so I went to bed early and just hung out on my phone cause my mind was so not up for bed but it was the most light my head could handle(If I didn't move).
Overall, I did really enjoy it and I learned a lot. I didn't care much for the battles of Alexander in my fandom days, caring more for the relationships and people around him. I also just find imagining action pretty hard. I'm semi okay with Star Wars battles in space but I've like. grown up with them. They don't count. So I learned a lot about Alexander the tactician I think.
And I really did love the acted parts. Like can we get a full drama on Alexander, some TV network???? It could be SO LONG. Cause if there's one thing about Alexanders, they will never sastifyed. The Great, Hamilton, Claremont-Diaz, Kallus. Also: I hated the nicknames Heph and Alex(It's Phai and Xander thank you very much) but the stupid nickname Ptol grew on me. Ptol is so stupid but so cute. But I will never shut up about the lake make out scene cause it's so perfect and Phai giving Xander a place to be human and back out is so perfect.
I really did love the Persian parts too. It was great contrast, and perhaps happiness. Love between Stateira and Darius, luxury, Stateira's actions driven to protect her daughter in contrast to Phillip disowning Alexander when Alexander didn't like him siding with Attalus hoping his new wife would grant him a son, Barsine having to grow up so quickly. Memnon is always love for me and they did him very well. Darius deserved so much better than to be slain by a traitor. I could rant about Hephaestion being in Babylon after the death and how if that was accurate then in my fanfic where he and Drypetis fell in love during the Persian campagin then I could've used that for a good scene but it wasn't accurate so it was all hurt/no romantic comfort :(((((( And I'm kinda salty they changed that up not knowing what they were missing. But I'm not going to rant. (She had Bagoas though at least!)
I wanted so much more. Wanted Aristotle and the boys at Mieza and the flashbacks to taming Bucephalus(I cannot be bothered to check if that is the correct spelling) and more of the Persian royal family(Drypetis! Being strong during Stateira's death! Sisygambis!) and Bagoas and mentions of Phai being Xander's Patroclos and oh and Darius's brother and his daughter Amastris in the baggage train and more of the companions(Not including Leonnatus is a crime imo. Just cause I like Leonnatus).
Like I recognize they needed a small cast but also-a girl can dream. A girl can dream of what she was teased with. One day, maybe we'll get a proper series. *le sigh* I did really like that Lloyd historian guy too.
#alexander the making of a god#alexander the great#i'll probably do a meta post on phai and xander's relationship#overall very good#VERY salty at the post darius death in babylon scene#and them being nice about the barsine and mazeus engagements#that is what headcanons get you ya'll#Official stuff will be criticized for not adhering to stuff that doesn't exist outside your google drive
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