#desired for me and not just what i do

[explanationpoint]

..

[desire-mona]

the time jumps in i saw the tv glow make me so fucking insane and i can never let it go. 2 years, 8 years, then 20, each jump taking more and more out of owen as we watch him decay into a painstakingly unvariable excuse of a protagonist. no matter how big of a jump in time, we never really feel like we've missed out on anything at all. the only real change we experience is what monotonous, yet colourfully and visually overstimulating job he's trudging through, all to live the unfulfilling life he feels is the most safe. no known ambitions, no known lasting relationships, even the family he says he loves more than anything feels less like a feat, and more like a giant step back in the journey we know he needs to go on.

3 decades pass in the span of an hour and 40 minutes, a speed that would seem overwhelmingly fast, yet we stay tuned into the comfortability of that perpetual survival. we know what's going on, and we dont need to play catch up if there's nothing to catch up on. yet despite that comfortability of knowing where and when owen's stuck, it is killing us to know that the potential of what he could be and experience goes unacknowledged through the painstaking amount of years. and it's made all that much worse when we're forced to remember that the slow death we're watching is all the more real, both literally and figuratively, to owen.

[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[ellieputellas]

pretend | alexia putellas x reader

Alexia contemplates her feelings as you pretend a drunken kiss between you two never happened.

contains: angst, some making out, barçafemeni!reader, avoidant!reader, just a lot of angst tbh | word count: 2k+

a/n: not proofread, just wrote this cause i couldnt sleep and was listening to lizzy mcalpine's hate to be lame which gave me this idea

it's always on the tip of my tongue but i stop myself from saying it tell myself it's not the right time or something dumb

The last night of the Champion's League celebration was supposed to be just like any other victory party—loud, drunk, messy. On nights like this, it was natural to make a fool of yourself.

Alexia was never immune to the drunken stupidity — the typical drunken dancing and singing, foolish antics that got the team laughing. (In one victory party, Alexia found herself dancing with someone else's sports bra wrapped around on her head.)

But on that particular night, her drunken act of stupidity wasn't just loud karaoke or making a fool of herself. No, it was way different.

At some point, during the night, you two had gotten drunk and began grinding on each other at the dance floor. It was normal for teammates to get a bit touchy during parties so no one bat an eye but Alexia knew this thing happening between you two was different.

It started with playful dancing then you somehow found a way to plant a few kisses on her neck. It didn’t take long until you two ended up stumbling into the vacant restroom, kissing each other desperately.

Some kind of tension has always lingered between the two of you before but Alexia always chalked it up to the two of you being newly single. She always brushed it off, thinking it might just be her reading into things. Afer all, you have always been her type and she figured she might be interpreting your dynamic through wishful thinking.

But that night, that small tension she felt burst into something more, and she understood that this meant it wasn't just her who felt attraction towards the other.

She felt your hands desperately cling onto her as you locked lips. Your tongue glided on her bottom lip before ultimately finding its way into her mouth. You took turns pinning each other against the flimsy walls of the cramped stall.

Alexia's hand has found it way to your neck, gently tilting your head up with it before pressing her mouth against your neck to kiss, lick, and bite at you. You gasped in satisfaction as the taller girl kissed your neck.

You grabbed her face again to kiss her deeper, more intensely. Alexia felt that this was the type of kiss that could lead to something more; the likelihood of you crossing that line increasing with every minute that passed.

You gently pushed her off of you, as you tried to catch a breath. Your eyes remained locked as you stayed within close proximity. After a while, you noticed the hunger in Alexia's eyes simmer down into something more... soft and intimate.

This time, Alexia gently touched your face and moved to capture your lips again but this time, you looked away and avoided her kiss. You sighed before hurriedly unlocking the stall, walking out the restroom, and leaving Alexia all alone without even a goodbye.

Alexia felt dumbfounded. She thought that this kiss was your way of addressing the tension, a way of telling her that maybe you felt attracted to her too. But with the sudden exit, she began to doubt herself.

She wanted to talk to you about it the next time you saw each other but it became immediately evident to her that you were set on pretending like nothing happened.

You still joked with her in training, still bantered with her, tell stories like normal. You acted exactly like you did before; it was as if she dreamt up the kiss.

She played along like nothing had shifted, like your kiss had been meaningless. She even laughed at your jokes during training. But every word felt like a lie, every shared laughter felt like a stab.

In her mind, she wished you'd at least act different. She would rather you hated her or avoided her, something—anything to confirm that there was something real, something more.

But you acted like it was nothing.

She felt like she was going crazy, even doubting her own sanity at some point. She spent the past few months trying to forget it ever happened. But the more she tried, the more it hurt her. Because how could you pretend that all of that was nothing... when it felt like everything for her.

But then you kiss me like you do And we're right back where we started from

It was Pina’s birthday.

Alexia initially didn't want to go. It was in the middle of the season and she knew that the team captain being there meant everyone would be too hesitant and shy to drink, knowing she was around.

But she knew how Pina was, and she knew Pina would pester her endlessly if she didn't at least make an appearance.

So, she did. She went to the place late and much to her surprise, most of the team was behaving. A few of the players were nursing a bottle of beer but nothing excessive. She figured she must have done something right for her teammates to be so well-disciplined even without her hovering around them.

Well... she thought that until she saw you.

Of course, she's drunk. She thought to herself.

You were already tipsy, practically glowing, and laughing too loudly. The sight of you sent a jolt of something unfamiliar through her.

You had your arms wrapped around Caro, who was trying too hard to help you sober up by making you drink from a bottle of water. Alexia sighed and made her way to save Caro from your drunkenness.

Caro gave her a thankful look as she took over in aiding to you. She let you drape your arms around her as she wiped the stray hairs that stuck to your face.

"In the middle of the season?" She asked you in a stern voice. "Really?"

You frowned at her. "You wouldn't get it."

Alexia just sighed as she continued what Caro was doing, desperately trying to get you to sober up. "Did something happen?"

You stayed silent but you were too easy to read when you were drunk. Your glazed expression gave away that you were going through something. You still had an arm wrapped around Alexia, as if to keep yourself balanced, but you were also trying to avert your gaze away from her.

Alexia sighed. "I should take you home."

You bit your lip but you nodded. Alexia sighed and held your waist as you kept an arm around her; she was afraid if she let go, you'd fall over.

The car ride was silent. She wanted to talk to you about why you were getting irresponsibly drunk, why you seemed upset and... why you acted like your kiss never happened. But instead, she stayed silent, and as did you.

Alexia pulled up to your apartment building. After she parked, you unclasped your seatbelts but neither of you made a move to exit the car.

Alexia sighed. "Do you wanna talk... about anything?"

You shifted your gaze towards her, taking in how pretty she looked tonight. She was wearing a leather jacket on top of a cropped shirt, revealing a sliver of her abdomen. Your eyes now fluttered to her face. You took in her warm eyes, her nose, her lips. She looked so besutiful even under the dim lighting. You thought, fuck, why does she have to be so gorgeous?

You hummed. "I'm sorry I took you away from the party... especially since you look so good tonight."

Alexia started growing anxious as you said those words. "Well, I didn't really plan on going anyway..." Alexia said.

Drunkenly, you reached out to cup her face and guiding it upward so she'd meet your gaze. You stayed that way for a bit, just looking at each other's eyes. Until finally, you couldn't take it.

You leaned in and captured her lips in a kiss. It was more gentle than before, more intentional. As you pulled away, you studied her expression but Alexia just looked pained.

She sighed and looked away, causing your hand on her cheek to drop. She took a deep breath as she gripped the steering wheel with her hands and rested her head on top of it.

Emotions were overwhelming her. This was the long overdue confirmation she wanted from you so bad yet... it felt so wrong.

After a minute, Alexia finally spoke. "Why?"

"Huh? Why what?" You asked back.

She lifted her head slightly and locked eyes with you again. "Just... why?"

You sighed. "I don't know... I just want to kiss you."

Alexia looked exasperated. She took a moment to think. Do you remember last time? Why did you act like it never happened? Why do you want to kiss me now? Why do you only want to kiss me when you're drunk? Do I mean something? Do the kisses mean something? Do you... like me like I like you?

She had a million questions flying around her head but she settled on one. "Tell me honestly. Do you remember the last time we kissed?" She locked eyes with you and this time, you could see pain behind them. She tried to be firm with the way she asked but the vulnerability seeped through.

You blinked at her. “I think about it all the time,” you admitted before you could even consider lying; your inebriation made you too honest.

Alexia chest tightened as she felt hurt by the admission. Am I not supposed to be happy... that she thinks about it too like I do?

Before she could react, you were trying to lean in again as your face cupped her cheek, trying to kiss her. And that's when Alexia snapped into clarity.

No. You were drunk. This wasn’t... healthy. She couldn’t let herself do this again, not when everything between you was so confusing, so undefined.

“No,” Alexia whispered, gently pushing you away, though her hands shook with the desire to do exactly the opposite.

You looked at her with an expression that could only read as upset to Alexia but she tried to ignore it as she unlocked your car door. "I think you should go."

You stayed steady for a minute, twiddling your thumbs then staring at her but she kept her head low, trying so hard not to look at you until you finally stepped out without another word.

Hate to admit but it might be true Hate to admit but I think you knew Hate to be lame but I might love you

After that night, as expected, you didn't acknowledge the kiss. But this time, you started acting cold.

No more joking around. No more banter. You'd be laughing it up with the other Barça girls but as soon as Alexia came over, you'd bail and make an excuse to avoid her.

It was killing her, just being like this. Mapi had taken notice and pulled Alexia aside to ask if she was alright, which Alexia just hesitantly nodded.

Mapi didn't believe it for a moment. "Is it because of..." Mapi trailed off as she discreetly turned her gaze towards you as you were busy on your phone in the locker room.

Alexia sighed and said nothing but that was enough confirmation for Mapi. She sighed. "You need to talk it out," She said. "It's kinda affecting your dynamic on and off the pitch."

Alexia knew Mapi was right. Not only was it taking a toll on her emotions to be dealing with this awkward tension and silent avoidance, it wasn't long before shit gets worse and the team performance is affected. If it was only affecting her, she would have dropped the whole issue but she knew this was beyond you and her.

She caught you before training the next day, her voice sharp but shaking as she confronted you. "Can we talk?"

You sighed and nodded. "Yeah, Capi?"

She winced at the nickname, knowing that it was your tactic to distance yourself from her. Just another subtle way of deflecting.

“I know you feel the same way,” Alexia blurted it out, her words tumbling out too quickly. She regretted being so outright but she also no longer wanted to waste time. She had to do what she had to do.

Alexia sighed as she ran her hand through her hair. “And... it hurt when you acted like nothing happened. Like it didn’t matter.” Her chest heaved with the weight of everything she hadn’t said.

You stayed silent which just forced Alexia into doing all the talking. "I don't know what's going on with you but... why me? Why are you roping me into this?"

"It's nothing." You muttered.

Alexia grew frustrated. "Bullshit."

"What do you want me to do, Alexia?" Your eyes finally met hers.

"I don't know." She groaned. "Admit you like me too... or even just admit you kissed me. Tell me why you did. Tell me if it mattered. Fuck, I'd settle with you telling me it was a mistake. I just... need to hear from you that..."

"Nothing happened,” you said firmly, almost as if to convince yourself as much as her.

Alexia’s heart sank. She was there just begging for you to admit it did, even if you say it was a mistake; she just needed to hear it from you. Instead, you denied her again.

“But—”

“Drop it,” you snapped, turning quickly, rushing away before she could say anything more.

She watched you go, her hands shaking at her sides. There was nothing more she could do. She was left standing there, confused and hurt, unable to understand why it hurt so much. How could you pretend it meant nothing when everything inside her screamed that it meant everything?

Do I love her? Do I need her? Do I want her? Do I care enough to say That I love her, that I need her? 'Cause I don't but I wanna feel okay

Days turned into weeks and weeks into months and Alexia still couldn't forget what happened.

Your dynamic on the pitch suffered for a bit but it recovered. And pretty soon, you were acting normal again around her.

As if nothing, nothing at all, had happened.

For a while, Alexia had convinced herself she had moved on from it. It was just two kisses, she told herself on multiple occasions. You don't even like her that much.

But there were nights when she couldn't help but be consumed with confusion and frustration. She hated how it happened—how you treated her, how you pretended nothing was real.

On most days, she hated you. She acted normal around you, sure, but there was an added layer now. Everything was more guarded. Even if she asked you often how you were and laughed at your jokes, your relationship was hurt and it could never go back to how it was.

And even if she did despise you for what you did... she still couldn’t stop the way her heart raced when she saw you. She couldn’t shut off the part of her that still hoped that maybe, one day, you'd admit to her that it did happen and maybe that you feel a certain softness for her too.

But she knew it wasn't happening any time soon and now, all she can do is what you do best — pretend.

[fictionadventurer]

I have to talk about Chester Arthur. His story makes me go crazy. A mediocre president from the 1880s who's completely forgotten today has one of the best redemption stories I've ever heard and I need to make people understand just how cool his story is.

So, like, he starts out as this idealist, okay? He's the son of an abolitionist minister and becomes famous as a New York lawyer who defends the North's version of Rosa Parks whose story desegregates New York City's trolley system.

Then he starts getting pulled into politics and becomes one of the grimiest pieces of the political machine. He wants money, power, prestige, and he gets it. He becomes the right-hand man of Roscoe Conkling, the most feared political boss in the nation, a guy who will throw his weight around and do the most ruthless things imaginable to keep his friends in power and destroy his enemies.

Because Arthur's this guy's top lackey, he gets to be Controller of the Port of New York--the best-paying political appointment in the country, because that port brings in, like, 70% of the federal government's funds in tariffs. He gets a huge salary plus a percentage of all the fines they levy on lawbreakers, and because he's not afraid to make up infractions to fine people over, he is absolutely raking in the dough. Making the rough equivalent of $1.3 million a year--absolutely insane amounts of money for a government position. He's spending ridiculous sums on clothes, buying huge amounts of alcohol and cigars to share with people as part of his job recruiting supporters to the party, going out nearly every night to wine and dine people as part of his work in the political machine. He's living the high life. Even when President Hayes pulls him from his position on suspicions of fraud, he's still living a great life of wealth, power, and prestige.

Then in 1880, his beloved wife dies. While he's out of town working for a political campaign. And he can't get back in time to say goodbye before she dies. Because he's a guy who has big emotions, it absolutely tears him up inside, especially because Nell resented how much his political work kept him away from home. He has huge regrets, but he just moves in with Roscoe Conkling and keeps working for the political machine.

And then he gets a chance to be vice president. The Republican Party has nominated James Garfield, a dark horse candidate who wants to reform the spoils system that has given Conking his power and gave Arthur his position as Port Controller. Conkling is pissed, and he controls New York, and since the party's not going to win the election without New York, they think that appointing Conkling's top lackey as vice-president will pacify him.

They're wrong--Conkling orders Arthur to refuse--but Arthur thinks this sounds like a great opportunity. The only political position he's ever held is Port Controller--a job he wasn't elected to and that he was pulled from in disgrace. Vice President is way more than he could ever have hoped for. It's a position with a lot of political pull and zero actual responsibilities. He'll get to spend four years living in up in Washington high society. It's the perfect job! Of course he accepts, and Conkling comes around when he figures out that he can use this to his advantage.

When Garfield becomes president, Arthur does everything he can to undermine him. He uses every dirty political trick he can think of to block everything that Garfield wants to do. He refuses to let the Senate elect a president pro tempore so he can stay there and influence every bill that comes through. He all but openly boasts of buying votes in the election. He's so much Conkling's lackey that he may as well be the henchman of a cartoon supervillain. On Conkling's orders, he drags one of Garfield's Cabinet members out of bed in the middle of the night--while the guy is ill--to drag him to Conkling's house so he can be forced to resign. He's just absolutely a thorn in the president's side, a henchman doing everything he can to maintain the corrupt spoils system.

Then in July 1881, when Arthur's in New York helping Conkling's campaign, the president gets shot. By a guy who shouts, "Now Arthur will be president!" just after he fires the gun. Arthur has just spent the past four months fighting the president tooth and nail. Everyone thinks he's behind the assassination. There are lynch mobs looking to take out him and Conkling. The papers are tearing him apart.

Arthur is absolutely distraught. He rushes to Washington to speak with the president and assure him of his innocence, but the doctors won't let him in the room. He gets choked up when talking to the First Lady. Reporters find him weeping in his house in Washington. Once again, death has torn his world apart and he's not getting a chance to make amends.

Arthur goes to New York while the president is getting medical treatment, and he refuses to come to Washington and take charge because he doesn't dare to give the impression that he's looking to take over. No one wants Arthur to be president and he doesn't want to be president, and the possibility that this corrupt political lackey is about to ascend to the highest office in the land is absolutely terrifying to everyone.

Then in August, when it's becoming clear that the president is unlikely to recover, he gets a letter. From a 31-year-old invalid from New York named Julia Sand. A woman from a very politically-minded family who has been following Arthur's career for years. And she writes him this astounding letter that takes him to task for his corrupt, conniving ways, and the obsession with worldly power and prestige that has brought him wealth and fame at the cost of his own soul--and she tells him that he can do better. In the midst of a nationwide press that's tearing him apart, this one woman writes to tell him that she believes he has the capacity to be a good president and a good man if he changes his ways.

And then he does. After Garfield dies, people come to Arthur's house and find servants who tell them that Arthur is in his room weeping like a child (I told you he had big emotions), but he takes the oath of office and ascends to the presidency. And he becomes a completely different man. His first speech as president mentions that one of his top priorities is reforming the spoils system so that people will be appointed based on merit rather than getting appointed as political favors with each change in the administration. Even though this system made him president. When Conkling comes to Arthur's office telling him to appoint his people to important government positions, Arthur calls his demands outrageous, throws him out, and keeps Garfield's appointees in the positions. "He's not Chet Arthur anymore," one of his former political friends laments. "He's the president."

He loses all his former political friends. He's never trusted by the other side. Yet he sticks to his guns and continues to support spoils system reform. He prosecutes a postal service corruption case that everyone thought he would drop. He's the one who signs into law the first civil service reform bill, even though presidents have been trying to do this for more than ten years, and he's the person who's gained all his power through the spoils system. He immediately takes action to enforce this bill when he could have just dropped it. He becomes a champion of this issue even though it's the last thing anyone would have expected of him.

He oversees naval reform. He oversees a renovation of the White House. He still prefers the social duties of the presidency, but he's respectable in a way that no one expected. Possibly because Julia Sand keeps sending him letters of encouragement and advice over the next two years. But also because he's dying.

Not long after ascending to the presidency, he learns he's suffering from a terminal kidney disease. And he tells no one. He keeps going about his daily life, fulfilling his duties as president, and keeps his health problems hidden. Once again, death is upending his life, and this time it's his own death. He's lived a life he's ashamed of, and he doesn't have much time left to change. He enters the presidency as an example of the absolute worst of the political system, and leaves it as a respectable man.

He makes a token effort to seek re-election, but because of his health problems, he doesn't mind at all when someone else gets the nomination. He dies a couple of years after leaving office. The day before his death, he orders most of his papers burned, because he's ashamed of his old life--but among the things that are saved are the letters from Julia Sand, the woman who encouraged him to change his ways.

This is an astounding story full of so many twists and turns and dramatic moments. A man who falls from idealism into the worst kind of corruption and then claws his way back up to decency because of a series of devastating personal losses and unexpected opportunities to do more than he could have ever hoped to do. I just go crazy thinking about it and I need you all to understand just how amazing this story is.

[avocadoraisin]

A vampire and a werewolf walk onto a crime scene...

[chalkrub]

thank you for a great art fight! here's some of my final attacks. had a blast, already missing it - see you next year!

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[wombpala]

the tragedy of Dean to me is he steps into the controlling patriarch role bc he is wired to capitulate to gendered hierarchy (bc it reinforces the image of Family, protector/protected) but I don't think he wants to be on the top rung of that ladder. it's where he positions himself but I don't think he desires or prefers control. to have desires at all is a disgusting concept to him and he LOVES following rules in fact half his life is making up little rules for himself and following them as meticulously as he can all while believing he has no choice. he takes the shape of his container. ok what if you were the goodest bravest hero what if you were the best most dutiful little soldier and served your commander so well he became like God for you. I'm a good son I take care of Sammy that's my JOB. but then the guy who gives you orders dies and bc of how gendered hierarchies work you inherit his position. and all you wanna do is find somebody else to take orders from but nobody else is ever gonna be good enough you can't just pick a new God! that's sacrilegious. it's insulting. so you take the shape of your new container.

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

[starry-bi-sky]

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[nicollekidman]

realizing that people who equate cynicism with intellectual rigor are often just being lazy and pathetic has been so helpful tbh

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[shorthaltsjester]

it is quite funny to me as someone who studies philosophy and has had to have the conversations that bh and ludinus have been having many times over and often with people who like ludinus do not have any reading comprehension and truly like. the notion of “this shouldn’t exist” is almost always one that comes up regardless of whether it’s a discussion on the metaphysics of a potential God(s) or divinity, high political powers, or vehicles of systemic oppression. and what anyone who cares about people more than their ideals (even, sometimes, ideals that started out being about people but quickly come to be about the ideals themselves) realizes very quickly in a philosophical discussion about what should and shouldn’t exist is that it does not matter if what you’ve decided ‘shouldn’t’ exist does in fact already exist. like that tends to be the difference between sociopolitical philosophy that actually has teeth and substance in the world — a willingness to engage with the world as it is, not as it should be. because you can have the perfect image of a just and wonderful future world, but if you do not at every step reckon with the unjust world from which you are aiming at that future, you’re doing nothing. ideals are helpful because they aim us toward goals and hopes, but they’re nothing without a reality that grounds them.

and so people like ludinus, who in the real world would play the role of a graduate student with critical thinking skills that make every professor he comes across question how he arrived at his level of study, they don’t have Wrong ideals, there’s obviously plenty of reasons why an exandria without gods might in fact be a better place for mortals (there are also many Many reasons why it would not). but ludinus has also chosen his ideals to weigh heavier than the mortals he claims to uphold them with. i think ashton is also interesting, because i think a lot of their positions have a fun fluctuation between being ideal focused and person focused, where sometimes they’re focused on how unfair life is in a very nihilistic position, and at other times they seem quite clear about how much ideals help no one if they’re not second to the desire to help others. and i think that made their role in the convo with ludinus in 102 especially interesting and irritating (but in a narratively fulfilling way). anyway, truly so fun watching ludinus argue with the amount of fallacies and undeserved confidence of like right wing first year students in an ethics class explaining how actually the ends justify the means and thanos had the right idea actually if it means no more starvation. get a grip old man.

[uncanny-tranny]

Whenever people who are entrenched in diet culture talk about how terrible chemicals are, I just want to whip out this: