#designated walkway
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hazelleewood · 1 year ago
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Exterior - Stone Large trendy brown two-story stone exterior home photo with a metal roof
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simsforevermore · 1 year ago
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Brick - Exterior Example of a large classic beige two-story brick exterior home design with a shingle roof
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uebow · 1 year ago
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Traditional Landscape in Toronto Photo of a large traditional full sun backyard brick landscaping in summer.
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whitewizard89 · 2 years ago
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Mid-sized trendy two-story mixed siding exterior home photo
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shortwings · 2 years ago
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Porch Side Yard in Chicago
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vintagehomecollection · 2 months ago
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The Cottage Book, 1989
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arc-hus · 10 months ago
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Metropol Parasol, Seville - J. Mayer. H
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inspiredlivingspaces · 9 months ago
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jougestudios
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keodraws · 1 month ago
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before.
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im-fckn-threaded · 7 months ago
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Hey, I know this blog is about knitting and the people following me would like to see knitting stuff, or so I guess. But I'm also a transportation engineer and urban planner by day and there is a lot of cool stuff out there that I thought some of you might want to see.
Therefore, HIGH LOOP be upon ye (image is clickable and takes you to the project website):
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This is the Puji Road Bridge in Shanghai, that is supposed to be transformed into an elevated park "offering a unique urban journey". It connects the districts of Zhabei and Jing’an. From an architectural point of view, this walkway is fun, creative and has a unique and interesting aesthetic. The different colors are supposed to indicate different functionalities. Yellow indicates social activities like sitting and chatting or gastronomy. Magenta areas are supposed to invite the pedestrians to meander and enjoy the view of the river and cityscape. Green is a fast lane for scooters and bikes. And blue is just the background color and space for pop-up stores or event space. Cool cool....
I had to do a bit of digging around on google maps, but this is what it currently looks like and on the other side what it is supposed look like one day:
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Except, from a transportation engineering perpective this thing is a nightmare!!! You wanna know why? Safety and order! Three things are just going to cause lots of issues and that are the colors, the road markings and the assigned spaces for the different groups of road users and the way they mingle.
The following is not supposed to be bashing cool new concepts for the fun of it, but is based on serious knowledge and experience from a professional and practical point of view.
We know from experience and recent research, how pedestrians decide where to walk. For example by sending them through a virtual reality environment or using eye tracking technology in the real world. Generally they are the ones most sensitive to detours, because they are the slowest group of road users. So, red is for pedestrians? Imagine being the wheelchair user or their companion in the lower right corner of the picture, having to walk the red line:
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First of all, noone in their right mind is going to do that, not even when taking a walk and taking in the scenery. That's going to take forever.
Secondly, we know that pedestrians as well as any other participant in traffic need some kind of visual aid to know, what their designated space to use is, where does other participants' space begin and end etc. Even on streets dedicated to cars only, we need a division in lanes, as soon as a certain width is reached. That creates a feeling of safety and also gives people a general sense of order (which is what the brain wants in almost all kinds of situations in life). Usually in urban and transportation planning we try to work with axes. This bridge, I don't even know where to place this in terms of axes. There is not a single axis. You have to change direction all the time or you bump into something. Everything is all over the place. Look how many times the different paths cross. And then they want to let city scooters drive there? And what is that green line in the middle of the road? The murder lane? Dissecting the entire space into three parts, so you have to cross even more times, from left to right, from the yellow sun loungers on the right to the yellow sitting area on the left (which is probably catering or a pop-up store or whatever), from one view point to the sitting area? There are these flower pots (seemingly random), sometimes round, sometimes oblong. And people walking on the blue parts???? Which are dedicated to what exactly?? Just think of how annoying it is to walk somewhere and having to bypass even the smallest obstacle, inconveniently placed.
Lastly, no road marking on the entire thing looks like established standards. Most people don't even know the meaning of road markings, they don't see very often. Let alone something they have never seen before. What is the difference between the red and the white dashed line? Why is the white one left and then right on the fast lane? Why does it stop and start again in the middle of nowhere? Does it make a difference for me and my scooter, where the white stripes are? Where do the bikes go, whre the scooters? What if you are faster and have to overtake? And why do the stripes suddenly stop and the regular doted line divides the lanes?
I dream of this design at night and wake up crying. But it's fun to look at.
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m-eltdown · 1 year ago
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flyingspicerack · 2 years ago
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just.... wanted to draw some of the cute s/is ive come across recently
@oh-gh0st @yosomats @ichikos
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pir8 · 4 months ago
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imagine if i owned a house and i designed and fired a bunch of unique ceramic tiles and retiled the whole bathroom with them (<- statements dreamed up by the utterly deranged)
objectively it would be a huge time and money sink just to. yknow. severely lower the resale value of the house. but oh my god it would be so so so cool
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vintagehomecollection · 9 months ago
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At Home With Japanese Design: Accents, Structure and Spirit, 1990
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arc-hus · 7 days ago
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Elion-Hitchings Building, North Carolina, USA - Paul Rudolph
Photography by Iwan Baan
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jeremybolm · 1 year ago
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Landscape Philadelphia Inspiration for a mid-sized traditional partial sun backyard brick vegetable garden landscape in summer.
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