#desert times

[butterflydudescape]

——- ⏳

Golden jackal stimboard, with sandy desert themes, for a dear friend! Hope you enjoy.

——- 🎞️

My request box is closed. Exceptions may apply.

[pigin-is-so-rad]

“When Scar fell, so did the first drop of rain.”

The moment he died, the desert was brought to life for the first time since the beginning.

The smell of petrichor had never brought a more bittersweet sense of relief, nor a heavier sadness.”

[proxycrit]

Day 41– Desert rift

The desert flooding’s a bit of a misnomer— it’s more like the gerudo basin refilled with a mysterious source (most likely ground water being pumped up somehow) and is now puddling violently wherever the elevation dips below sea level, creating dangerous wells of quicksand. While sandseals can thrive happily in such watery conditions, other fauna of the desert aren’t as suited to the moisture.

Good thing gerudo town is built on lime rock.

(This totk rewrite au is called Familiar Familiar! It all starts when Zelda doesn’t get sent back in time and the butterfly effect devolved from there.)

((Wanna support me? Check out my patreon, with my throw away sketches and references! Remember to use web or android folks, apple charges 30 percent tax.))

[foxxology]

Just two boys and their llama! Ignore the impending doom looming over their heads

Realized ive never done any 3rd life art before and my discord voted on life series fanart so here we are!

Tumblr killed the quality rip

[demaparbat-hp]

Hey, Spitfire! Try not to kill your brother ahead of time!

.

Looking for Ursa right after being banished had some...wildly unexpected results. One: Zuko actually found her. Two: she wasn't alone. Three: leaving her children behind in order to protect them was, apparently, just something she did.

Looking at the bright side, Zuko now had a three-year-old younger brother to look after. Looking at the dark side, Zuko now had a three-year-old kid he needed to parent while also keeping him a secret from his father because—may Agni help him—the Fire Lord would have to go through Zuko first if he dared to even look at Lu Ten II.

(AKA an AU in which Zuko is a good big brother and doesn't want another kid to grow up like he did.)

[poppyberry]

Everybody NEEDS to listen to the new Wild Life retrospective on Imp and Skizz's podcast. They got Grian called in and they give so many cool insights into the series (and honestly say so many things I think people need to hear)

Highlights for me:

Grian designed each wild card to be weaponized and wanted everyone to take advantage of them. He goes over each individually and all the thought he put into them and all the work the backend team put into their execution. He's rightfully really proud of them. Him gushing about Trivia Bot and how excited he was to show his friends the "coolest snail ever" is particularly sweet.

Skizz says discovering each wild card was a LOT of fun. He says something like "I can't believe as an adult I get to have so much fun." Impulse is really impressed with the execution of each, citing stuff like making it rain when the time one activated and the passive mobs spawning in before being replaced, and how the little details like that built excitement and tension.

Grian says how he understands that some viewers maybe just want more seasons of the essentially the same series, ie six seasons of just Third Life, but it's more important to him that the Lifers get to experience something new and fresh. He also doesn't like comparing each series, preferring to consider each one as its own thing.

Impulse can't wait to do another Life series, Skizz is equally excited but tries to hold discussion about it back since he doesn't want anyone pressuring Grian, who is palpably burned out. Like, you can hear how tired this man is. Grian says there will probably be more series since everyone is still enjoying it, but he's not trying to outdo himself and not to expect him to keep escalating.

Skizz always tries to do something new each season yet feels like he always falls back into the same habits and dynamics, but not this time: he feels like he got to explore a new dynamic with the Spanners and had a blast doing it. He and Grian gush about how much fun they had with their "big brother trying to keep his little brothers alive" routine.

They have a grand time making fun of Impulse and his "Sweats". Impulse is unabashedly still hungry to win a series.

Impulse didn't want to kill zombie Skizz, because of the five minute cooldown, but Skizz makes clear that he was really happy with being a zombie, even if there was a lot of doing nothing in between summons. He says it means a lot to him that he got to help with the burden of facilitating the series, even just a little bit.

Grian gives good insight into his personal life strategy: he does some things to deliberately test his relationship with other players. Standing in the Danger Zone was a trust exercise, testing Jimmy and Scar. Jimmy and Scar failed.

Despite Scar failing the trust exercise, Grian heard the disappointment in Scar's voice about the Snail Bot thing and immediately caved, but he's really happy that it led them to in-canon reconciling and becoming strong allies again.

Grian's favorite moment was making Jimmy pay for the failed trust exercise by blowing up the bunker, particularly pleased with his one liner of "it was always gonna be like this". He says Wild Life as a whole has been the most enjoyable series for him, even though he didn't get to have as much fun as the other players due to knowing all the wild cards.

All three of them gush over the scene of everybody failing to kill Joel as he teleports around, laughing about how it was straight out of a movie or an anime. Impulse feels like Joel took his superpower to a new level, but Grian reminds him the he didn't have an army chasing him around trying to kill him. They're all super impressed with how the finale turned out.

Some of the powers were assigned (Cleo, BigB, BDubs, Scar, Lizzie), some were random (Impulse, Martyn). Some were based on players' names, others on their personal narratives, but coming up with ~16 different powers without including any that would just be exploited for cheap instakills was really difficult, which is why there were so many espionage ones. Hilariously, Grian was hoping Scar would accidentally kill Jimmy by punching him off a cliff because of their ritual of trying punching in the earlier episodes. He also gave Scar that power because he knew Scar wouldn't feel bad about killing people with it.

Grian chose to give himself the mimic so he could show people how their powers worked if he needed to, and so that it wasn't given to somebody else who'd have to spend the whole session figuring out the mechanics of 15 separate superpowers and potentially dying because of it. And because he thinks its the coolest one and he wanted it (lol)

All around there's tons of fun details and stuff in this episode of the podcast and absolutely everybody should listen to it all the way through.

[isjasz]

In these lives 🥀🧵🪻

A collab with @cherrysherin for @flowers-in-the-desert-fanzine , stay tuned for more and check out his parts + the whole insane zine!!! :3

[syquinox]

Do you see my vision

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[sirenetica]

May I request 3rd life desert duo? :3c

Sure

[bigchumpus]

Can you tell I'm incredibly normal :D

[starcurtain]

Teyvat's "Most Down Bad" Award Goes to Alhaitham for a Second Year Running

Seeing everyone making fun of Alhaitham for his "stalkerish" tendencies in this event is funny, because I feel like a lot of people missed that "Be literally everywhere Kaveh is" has been Alhaitham's MO from the day Kaveh appeared in the game.

From only grabbing his house keys after Kaveh returned from the desert (he couldn't have had both sets of keys at the end of the Archon Quest unless he went home and got Kaveh's copy) to ditching conversations to get back to his house only after Kaveh came home, to showing up without any warning or explanation in Kaveh's hangout with some ridiculous excuse about hearing his voice through noise-cancelling headphones... Refusing to offer any help in the Temple of Silence story quest other than staying in the library with Kaveh...

Since when does Alhaitham willingly cover anyone else's duties?

But this trend of "Be everywhere Kaveh is" didn't start when they were adults. It was already in place when they were still Akademiya students--and it's a trend that didn't end even when they had their fight.

Even when they weren't speaking, Alhaitham dogged Kaveh's every step through published responses to Kaveh's research articles in academic journals. He insisted on keeping a line of communication between himself and Kaveh open, even if the only way to do that was through very public ideological clashes. Pulling Kaveh's pigtails to get his attention lolol. It's implied that, for at least the few years between their fight and Kaveh moving in, this was the only communication between them--Alhaitham's refusal to allow their connection to entirely fade away. (And the fact that this is revealed in Kaveh's character stories--through his precious journal that records the moments of his life that had the most impact on him--shows just how deeply he values the fact that Alhaitham didn't give up.)

Another relevant side note: Alhaitham never asked Kaveh to give up his half of their house. Knowing half of it belonged to Kaveh, knowing that Kaveh may one day want to reclaim his part of it, knowing that it was listed as theirs, Alhaitham moved into the house and made zero effort to change its ownership. He was completely fine with living in "his and Kaveh's house." The stories suggest it was only months later (or even longer) that Kaveh even noticed he had the house, and he transferred away ownership of his portion without Alhaitham ever asking him (or even seemingly wanting him) to do so.

Please, let that sink in. Alhaitham actively left his grandmother's (presumably comfortable) house to move into "his and Kaveh's house," with no apparent explanation for why, and after doing so, he made no attempt to change that "his and Kaveh's" label. He moved into the house with no promise that Kaveh wouldn't show up on the doorstep the very next day and move in too. It almost feels like another deliberate provocation--I've moved into our house, are you going to come stop me? LBR, if Alhaitham had had his way, Kaveh would have been living there with him from Day 1...

There's also the fact that Kaveh literally can't write on a single message board anywhere in the entire nation of Sumeru without Alhaitham hunting his messages down and responding to them (which absolutely no one else does, by the way).

"NUH-UH!" "UH-HUH." "NUH-UH!"

Alhaitham's own character stories tell us explicitly that one of Alhaitham's defining character traits is "He is never where you need him to be," yet somehow...

Shot, and chaser:

Any time Kaveh is in the slightest bit of need or danger or just wants Alhaitham near, Alhaitham is "coincidentally" exactly where Kaveh needs him to be, whenever Kaveh needs him to be there.

Alhaitham didn't just "happen" to run into Kaveh in Port Ormos, an entirely different city from where he was supposed to be working. He didn't just "happen" to read the same terrible book as Kaveh when we know he otherwise would not waste a moment of his time on poorly-written literature...

He didn't just "happen" to appear when Kaveh was upset and needed a distraction in the House of Daena during Kaveh's hangout. He didn't just "happen" to be sitting around waiting when Kaveh needed answers after the Archon Quest. He didn't just "happen" to find Kaveh's academic publications and every single message board posting and respond to them at length and in public.

Which is exactly what Kaveh's mother told Kaveh he needed.

What level of down bad is "Abusing your powers as an Akademiya employee to keep tabs on your crush's library loans"? Just asking for a friend.

The only person for whom Alhaitham just "happens" to be available is Kaveh, over and over and over again--because he is very deliberately making himself a constant presence in Kaveh's life.

(Like, out of all things, I think people really underestimate the devs deliberately paralleling the romantic relationship between Kaveh's mother and father with Kaveh and Alhaitham's relationship. If you want to point to one thing that says "These two characters are intentionally queer-coded," it doesn't get any more obvious than this.)

Alhaitham, are you not embarrassed to be this transparent??? 🫣

[daily-sifloop]

Can we have more smitten Siffrin

Day 91: Siffrin loves-

[roe-oo]

🌸 🚂☁️☁️☁️

[kelddaa]

mornings in the desert

[old-desert]

Inktobertale 2024 Day 2: Where it all began