#depends on s2 but so far

[starlooove]

No one is asking you to like cops IRL, not even the show. If you look at Arcane and what you see is copaganda, if you look at Cait and only see PoLiCe OfFiCeR and not the character, the problem is YOU.

1. I never said anyone asked me to like cops irl

2. I know that’s what I said.

[aroaceleovaldez]

I'm actually 99,9% certain Disney will not care about finding an actor with any disability for Tyson just like they didn't care for any disabled character so far. Or, tbh, just like they didn't care for any non-typical character so far. They couldn't have a fat actress play Clarisse, that's like minimal level representation of someone who is "different". To have Disney care for intellectual disabilities when they can't even have a fat girl in their cast? That's so unrealistic :(

They did appropriately cast Hephaestus with Timothy Omundson (stroke survivor, uses mobility aids - Hephaestus is very notably disabled with mobility issues/uses mobility aids in mythos), so there's some hope, but I agree I was also disappointed we didn't get a plus-sized actress for Clarisse. That's kind of a notable part of her character and physical description. I do like Dior Goodjohn's acting as Clarisse a ton - i think she absolutely nails it. But particularly since there's such a noticeable lack of plus sized actors - or even just like, slightly larger actors - in the show even for characters where that's a notable aspect of their description, it's really sad to see them shying away from that so much. It doesn't leave me feeling optimistic for how they're gonna handle Tyson (particularly since he's also a very bulky character, alongside his down syndrome coding).

[notachair]

ARCANE S2 SPOILERS

btw 🤗🤗🤗 to me being right about jayce using the hexcore to save or "save" viktor after being deadly (or apparently *dead* I think) injured after the attack against the council and it leading to jayvik divorce 🤗🤗🤗 happy birthday to me 🥳🥂

[patronsaintofelsewhere]

Thoughts on Angel Crowley & Healing from Trauma

(Minor Good Omens S2 Spoilers)

As someone who’s endured my own Trauma and dealt with the resulting PTSD, watching Crowley’s journey from a joyful, silly, and entirely innocent angel to a withdrawn, lonely, hyper-vigilant demon as a result of the Fall both shattered my heart and confronted me with the fact of myself, and I’d like to talk about it. 

When you* experience Trauma, you experience an existential disorientation and a profound sense of grief over the world you thought you knew–one where you were safe and nothing bad had ever happened to you. “Innocence died screaming,” and all that.

You're also therefore mourning the loss of who you were, and struggling to make sense of who you are now. Which is why this conversation is so gut-wrenching:

“I know you.” “You do not know me.” “I knew the angel you were.” “The angel you knew is not me.” 

This dialogue admittedly still makes my eyes swim. It’s reminiscent of the many conversations I’ve had with people close to me who knew me Before and After. Not only are you grieving the loss of your own innocence, so are those around you, and it feels like you’re wearing their loved one’s face like a mask.

And then underneath the grief, there’s a river of–what you’ll later discover is misplaced–guilt. They want you to be who you were. Fuck, you also want to be who you were -- to not have experienced what you did -- but you can’t.

And when they catch a glimpse of something that reminds them of Before-You -- because it's not like that you has just up and vanished, you've just changed -- they say things like, “I feel like I have you back!” Like the After-You is a consolation prize, something to be tolerated while they wait for the Before-You to return.

It’s not malicious. They love you. They want you to be happy. But it just serves as a reminder of your loss and suddenly you’re acutely aware of how alone you are with the Thing that hurt you.

After trauma, you’re lonely and you're afraid. But those emotions make you feel quite naked, because both of those things would require you to depend on other people to feel better and, at this point, the thought of doing that is far too scary, so to the world, you’re angry. Thus begins the cyclical self-fulfilling prophecy.

And that cycle goes a bit like this: People see the mistrust and the bitterness and the volatility (the shield that keeps people at an arm's length and helps you feel safe). They don't see the profound sustained fear underneath, the desperate need to feel seen and accepted. And so people pull away.

And that real or perceived abandonment feeds the monster that’s taken up permanent residence in your ribcage and screams at all hours that you’re not worthy of love, that you’re irreparably broken, and you’ll always be alone. And you pull away from the people that love you. And the cycle repeats. And you start to believe all of the bad things about yourself that the monster tells you.

Being confronted with a character who you adore and who you also relate to closely is bittersweet in that it’s both immensely painful, but also offers you an opportunity to interrupt that cycle, to explore a different -- perhaps more forgiving -- lens through which to view yourself. To practice self-compassion by proxy, if you will. After all, we tend to extend far greater empathy and forgiveness to others than we do to ourselves.

Angel Crowley, "who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty,” (joycrispy) reminded me a lot of “Angel T,” or rather myself before Trauma.

And Crowley's story is tragic. I was heartbroken and angry for him; I felt the depth of the betrayal he experienced at the hands of someone he loved who he'd believed loved him; I found myself wanting to protect him, to comfort him. Crowley did not deserve what happened to him.

And, over a decade later, I realized that I’d finally accepted that I’d been an innocent, just like Crowley had, and I didn't deserve what happened to me, either.

And -- if you find yourself relating to this post -- neither did you.

Once we can tell ourselves that and actually believe it, we can start to lower the shield. We can allow people closer, including ourselves. We can bring the parts of ourselves we may have hidden away back to the surface. We can soften again. We can truly start to heal.

Crowley, at his core, remains the same. He is still kind, deeply loving, playful, silly, and – against all odds – hopeful. But his trauma has changed him; his innocence is gone.

He struggles to trust others; fears abandonment; engages in unhealthy coping mechanisms; finds it easier to prioritize and tend to Aziraphale's needs and desires than his own; and has difficulty expressing his emotions.

But he also gained an abundance of empathy, a deep love for humanity, and a strong sense of justice.

We adore Crowley exactly as he is now; we don't wish for him to be who he was before the Fall. And neither does Aziraphale.

In kind, we won’t be who we were — nor should we try to be — but we can be something new, a different version of ourselves that is equally good, equally worthy, and equally deserving of love. 

After over a decade, I think my Trauma wound has mostly healed, as much as Trauma wounds can, anyway; it’s a dull ache rather than an acute pain. Yet Crowley's story assuaged that remaining hurt like a salve I hadn’t realized I needed.

So thank you to @neil-gaiman for giving us such a beautiful story, and to David Tennant, Michael Sheen, and the rest of the cast and crew who bring the characters we love to life on screen.

Good Omens truly is a gift. May it continue to inspire us to offer kindness and love to ourselves and one another. 🖤

* I am aware that I say “you” when I should use the singular first-person “I,” but I still struggle with this when talking about my own trauma. So I’m using “you” and you, reader, will deal with it x

[littlespoonevan]

Okay I am officially taking stock of every age drop they give us in the first few seasons so my own personal timeline can always be correct ❤️

So far in season 1:

Abby: 42 (1x01)

Bobby: 50 (1x01)

Buck: 26 (1x06 and 1x09)

Athena: 50 (1x09)

in season 2:

Christopher: 7 (2x02)

Harry: 10 (2x14, according to Bobby)

in season 3:

Buck: 28 (3x01)

May: 17 (3x02)

Albert: 20 (3x11)

in season 4:

Hen: 40 (4x03)

Buck: 29 (4x04)

Additional notes:

Michael says Athena had May at 37 in 1x01 and Athena also says in the scene where she calls herself 50 that she got married 14 years ago so it’s possible she could actually be 51/52 depending on May’s s1 age

Bobby's dating profile in 1x10 says he's 52

In 2x05 Athena tells Hen that Nathaniel (Denny's dad) met Eva in rehab seven years ago, suggesting Denny has, at most, just turned 7 at the start of s2

Chimney's birthday happens in 3x11, suggesting Chim's birthday is some time in march but no age is given

Hen says in 4x03 she joined the fire department at 30 and med school at 40, suggesting she was 30 during most of the events of Hen Begins

Edit/Correction: In 4x04 Chimney says Maddie was told to keep the secret about Daniel when she was 9 and in 4x05 Maddie says Daniel died a year after Buck was born, meaning there's an 8 year age gap between Maddie and Buck. So if Buck is 29 in season 4 then Maddie is 37 (thank you @slightlyobsessedwitheverything for also catching this!)

in 4x10 when may listens to athena's 911 call from her overdose, athena tells the dispatcher may is 14, confirming her s1 age

[fuckyeahgoodomens]

I am not ready for the season 3 poster for GO!!! Help.

In s1 we had them next to each other. In s2 they were leaning against each other. What is s3 they're so far away... If them even being on the same poster???

I. Am not. Ready! 😭

(my brain: oooh I am fucking ready :D)

HIya! :) No worries, still about 3(-4 years*) before we get the season, plenty time to get ready :D <3

*Neil said some time ago if we shot it in 2024 it would probably be released in early ‘26." so it depends when they start shooting - and Michael and David I think have some commitments in the first half of 2024 :).

[writersblockedx]

Dependency Problem

Pairing - Conrad Fisher x Fem!Reader Summary - When you return to Cousins this year, you find that Conrad has picked up similar bad habits you once had. Warnings - Use of drugs and alcohol, good bit of angst, NO SPOILERS FOR S2 Words - 2.6k

A/n - Possible part two if people want? Let me know!

Masterlist

Every Summer was spent in Cousins. And every Summer, it was spent with the Fisher and Conklin clan. It was always refreshing, that slow drive back up to the house. The air was sprinkled with salt and the skies seemed always clear, a blue-painted ceiling that you could bathe in all day if you so pleased. But, the most important part of the drive was the reunion.

To see them little differences that had changed in everyone in between the last ten months. For Susannah, she had chopped a good bit of her hair off as her golden locks hung close to her shoulders. Laurel had started wearing less make-up, settling into a more comfortability with herself. Your mom had been the opposite, she was experimenting with makeup and style like she was a teen again; you blamed it on a midlife crisis. Belly had hit puberty, no longer plagued by a pair of glasses. Steven even more relaxed that he had been the year prior, and slightly taller. Jere's hair had grown, giving his curls the space to spiral over his forehead. And then there was Conrad - you noticed it instantly.

It was a familiar essence that was loitering over him. The unironed hoodie he had crowded his more lean figure into. His eyes were dragged down by the black bags, irritated with patches of red within the whites of his eyes. His posture was low, tired, aching. And his expression, while uplifted with a smile of welcome, was a facade. You caught it in a moment.

"Finally!" Jeremiah called as he rushed over to his friends, capturing Steven in a bro-hug first, then Belly and leaving you for last. "Good to have you back." He told you as his head sat on your shoulder before pulling away.

From there, you met Conrad's gaze.

You ignored the way your heart felt heavy. You weren't sure what had happened between now and when you had last said goodbye, but you felt far than enough sympathy. "Hi," You breathed, trying to not let out your surprise at the changes the boy had made.

He greeted you in reply with a, "It's good to see you." And took you into an embrace. It was loose and short-lived, leaving you desperate for more once he finally pulled away.

As the first day back went on, it soon all started coming out. Conrad had left football, barely sailed anymore and, as of this moment, wasn't doing anything at all. Compared to Steven and Jere who already had part-time jobs lined up. Something was wrong and you were beginning to wonder about would you could do. Such was confirmed after dinner came to an end. The boys rushed to play video games and Belly went upstairs to catch up with her friend, Taylor.

Which left you and the mums, clearing up the plates from the dining room table and taking them into the kitchen to be washed. For a moment, you stood alone at the kitchen sink while the others grabbed what was left at the table. And there, your eyes wandered to the window which looked upon the pool. There sat Conrad, legs dangling in the flickering water that reflected the moonlight. His eyes were down, his back facing you but even so you caught the cig he placed between his lips, lighting it and letting his lungs inhale the smoke.

It was there you felt that sympathy, that desperation with the lingering feeling of betrayal. The same exact thing Conrad had felt all of last Summer; it was a role reversal.

"He could really use you right now, you know?" That sweet voice almost made you jump.

A part of you felt flushed as you turned to face Susannah who was standing in the doorway; you'd just been caught staring at her son. "Hmm?" You resulted in responding.

The blonde let a smile grace her lips for a moment, "You two bring out the best in each other." She stated like the wise woman she was. "I think he could really use that right now."

You nodded in understanding, "I'll talk to him." That was a promise.

Once the table was cleaned up, the moms travelled towards the living room, wine glasses and blankets in hand. It hadn't taken them very long to get comfy as they switched the tv on. Though, it was made for only background noise, as their chatter rose above it. It left you with that nagging curiosity, the question that you hadn't stopped asking yourself since you had arrived: what had changed?

Before you could stop yourself, your feet were dragging you to the outside, where Conrad had thought nobody was watching. He didn't care enough to jolt when he heard the back door rattle open. Rather, he simply turned his head and huffed before looking back at the pool and the joint in his hand.

You didn't say anything. Not for at least two minutes as you occupied the space next to him, dipping your bare legs into the water below, almost close enough they could brush along Conrad's. "Theres about a hundred things I could repeat that you told me last year." You didn't look at him when you spoke, you didn't dare glance at the expression you were sure painted his face.

"But you're not going to?" He questioned, brows raised, plucking at his never-ending wonder when it came to the girl he had grown up beside.

You shrugged, swallowed the lump that was growing in your throat and finally looked over at the boy you had known since childhood. "What's the point?" You said, almost with a laugh you ended up suppressing. "You know it's not good, you know everything wrong with it. You're making the decision to do it anyway."

His expression was blank. It didn't seem as if there were many thoughts being processed. "Then what are you doing sat here?" There was a snap in his tone, a way to protect his bad habits from any helping hands.

The answer for you was simple: "Because I care for you, Conrad." As easy as that.

But such statement had prompted an incentive you hadn't meant it to. Rather than something thoughtful in reply, Conrad had started leaning in. You were too close and he was too fast for you to stop it. Within a moment, the sentiment you had just said had been cut off by the boy's lips as he met your own in a deep, yet rushed, kiss.

One hand reached his shoulder, tearing his lips from you. You breathed like you had been gasping for it and looked him in the eye. All that stared back at you was a regret that wasn't fading. "You're high." You reminded him.

"I didn't mean to-" Your other hand took the joint that was still caught between his fingertips. An action which made him shut up as he followed your hands quickly. "What are you-" Once in your grip, you chucked the substance into the pool, making it impossible to smoke again. "What the hell Y/n!"

When you stood, so did he. "Please, just go to bed." You advised him. Though, you highly doubted he would listen. You never did.

"You're not my mother!" His voice rose.

And you didn't step down, "No, but I'm sure she'd tell you the same thing." You took a breath to fight off the fury that was bubbling within the pit of your stomach. "If you can't go the rest of tonight without smoking the rest of that joint, then maybe accept you've got a dependency problem."

He scoffed as he took a step closer. "You can say all you want, I'll just call you what you are: Hypocrite." His tone was laced in more than just a snappy manner, now it was toxic, it wasn't a tone you ever saw Conrad use and it pained your heart to have it aimed at yourself.

You sucked up the tears that were brimming at your eyelids and made your last statement of the night, "What have you turned into?" You left him with that, turning your back before he could spit any more insults your way, making a B-line for your room again.

There, you let the tears fall. You wondered yourself, who had replaced the gentleman, sweet boy you once knew? You wondered if he was okay, if he would go back to normal? Truth being, you couldn't be sure. The year before, Conrad asked himself the same things. You had been just as angry, just as snappy, with a bad temper that could blow at any given moment. It was like living with weights on your back that tired you into a shell of a person until you felt utterly transparent in this world.

You didn't much talk to Conrad after that encounter. To be fair, Conrad hadn't really been talking to anyone other than the odd grunt if you were lucky. It wasn't until Belly's birthday when things got shaky again. This year, the birthday girl had taken the decision for everyone to go to Nicole's party. Nicole who also happened to be Conrad's not-girlfriend.

As much as you lied to yourself, being in her home felt wrong. Being on her territory knowing what Conrad had done two nights prior. The lingering ghost of his lips had never felt more prominent than right in that moment as you stepped foot into her house. You felt guilty being there. And not just because of the kiss, but because you had been yearning for Conrad to kiss you for a long time now. You just hated the fact such a big moment was ruined by the stench of weed on his mouth that soon caught onto your own.

Steven budged your shoulder, "You alright?" He asked, a sweet smile hanging from his lips, breaking you from the oblivious stare you had been making.

You nodded forcefully, "Yeah, yeah I'm good."

Steven wasn't convinced but a feminine voice broke him from his concern, "Steven!" His head spun around and his lips twisted even further upright like a Cheshire cat.

"Shayla." And like that, the boy was gone.

With a sigh, you followed in Taylor's footsteps to get a drink. She filled herself a cup of some red beverage and then grabbed one for you too. She huffed and you watched as her eyebrows raised, "Well look how quickly we've been forgotten." You would have been annoyed if she hadn't been right. Belly had left her for Nicole as had Conrad left you for her too.

You raised your red solo cup, "Cheers to that." Your tone was flat but Taylor clinked your cup anyway.

You weren't sure what the night had planned, but you could tell something was brewing.

Three or four hours later, a good few drinks down (you had lost count) and you were on the hunt for another one. The night was still lively, music blaring through the house, struggling against the volume of eccentric, drunk teenagers. When you reached the kitchen, you became hungry for something that wasn't tequila and juice. Thinking the kitchen was empty, you waltzed in. Only then to find yourself face-to-face with the one person you were avoiding.

You came to an abrupt stop as your gaze clung to one another. He was leant against one of the counters, his own glass in his hand, so casual in his checkered shirt and wavy hair. A thousand pictures ran through your head. You almost became nervous that Conrad could see you replaying that kiss in your mind. It was all you had been able to think about all night with the booze and having him dancing around you all night.

It took resilience for you to tear your eyes from him as you continued around the kitchen, searching the cupboards for something that suited your tastes better. It took a minute of you shuffling through cereal boxes and plates before Conrad spoke up. "Top right." He nodded to the cupboard he was talking about and you dared to catch a glimpse of him.

You nodded and pushed yourself from the floor to your tip toes as you opened the cupboard. A selection faced you of liquors and beers. You took the bottle of your choice and poured it into your red solo cup. Conrad didn't let his eyes leave you. "You're not gonna say anything this time?" He pushed.

You thought about whether it was best to reply or whether he was just picking another argument. "Why? So you can yell at me?" You raised your brow at him, and let your hip fall to lean on the counter as you faced Conrad, a good three meters between the two of you. But you cut it short, taking a step as your eyes narrowed with your next words, "Or so you can kiss me again?"

As if he were scared of the very word, he stepped from the counter, "Don't-" His finger was lingering towards you as he bit down on his tongue.

"What? Scared your girlfriend's gonna overhear it?"

"She's not- my girlfriend." He almost couldn't say it. "I didn't mean to do that." Once again, you found you lied to yourself thinking you weren't hurt by that fact.

You swallowed that pain and looked him right in the eye, "I'm not gonna argue with you if that's what you want. But, if you ever just want to talk, you know where I am."

You stared at him, waiting, willing, for him to say something. To do as you had offered and talk to you like a human being, to open up about whatever was driving him to make all these reckless decisions. The moment fell and you realised he wasn't going to say anything. You accepted it and went to leave, "Okay, I'll see you around Conrad." Said so disinterested.

You were almost out the door when his voice stopped you again, "Wait." It was hesitant but, somehow it was sure it was the right decision to make. When you met his eyes, they were like a child's. Somehow filled once more with innocence, but mostly, desperation. "I don't wanna talk, I just-" His gaze flickered to the floor for a second. "I just want you to be there...please." This time, he was the one on the edge of tears.

Once that left his mouth, you were in front of him, taking him into your embrace. He had never hung on so tightly to you like he didn't dare let go like you were keeping him afloat. Partway through the hug, you heard him sniffle, causing you to rub his back. "It's okay," You soothed. "It's okay."

"Conrad?" The voice cut through your's and Conrad's bubble like a blade.

You spilt from one another, turning to the doorway to find Nicole standing there. There was a familiar look on her face; the same one you had been wearing all night. You could only imagine what she must have been thinking.

Nicole left, taking half the girls with her. And, not long after, so did you and Conrad. Maybe you were drunk and he was drunk, or high, or both, but it didn't matter. He had let that shell open only slightly and because he had asked for you to be there, you would be. That night, you found yourself in his bed, soothing him as he fell asleep in the crook of your neck. It pained you to see him with the same habits you had once plagued yourself with. And, as tonight had shown, it had only gained him consequences. Ones of which you would worry about another day. For now, you would be there for him.

[artymcartist]

can we see more of your S3 ideas... ( 100% not biased )

Pretty sure ive posted all my doodles thus far, so heres a fresh one >:]

I've only drawn sculked Lukas... Time for sculked Petra

It depends on your final choice in S2 who gets sculked (Lukas if you chose to stay, Petra if you chose to go with her)

I have a lot more to work with, with the new trials being out hehe

[journey-to-the-attic]

started lesson 48 and then changed my mind after the first part, so this isn't entirely up-to-date, BUT

there's a weird dissonance in nb s3 where the characters very frequently behave/talk to you with a weird disconnect as if you're still in the past, despite the fact that you returned to the present at the end of s2

like, you and lucifer have known each other for a good few years at this point. you would KNOW this about him. why is he telling you this like it's early on in an otome game and he's making his personality clear to you before you pick his route.

(and depending on your preferences, or even from a character relationship view, wouldn't it make more sense for mc to walk home with him semi-frequently at this point in the story??)

and i'm not going to shut up about it: where did the main mystery of obey me nightbringer - namely, nightbringer himself - go?? we still don't know who he is, what his motivations were, why he sent mc to the past, what barbatos's fucking deal in the opening movie is, nothing??? we're just back to silly school shenanigans with the simeon subplot lurking? and i haven't seen any posts about it so i can only assume it's not in any of the new lessons that i haven't done, though i'd love to be proven wrong

the only way i can see this working is (as i might have mentioned) simeon's subplot relating to nightbringer somehow, but even if that's the case, the execution so far has been so lacking that i'm not sure they'd see that firecracker of a plot point through to a satisfying resolution. if you want to drop something like that, you don't preface it with half a season of tensionless school competition bullshit

the dialogue has also just been.... incredibly dry? very surface level observation-of-the-plot that's the bane of many a poorly written visual novel. "we need to do this now." "i am going to explain this bit of worldbuilding to you." "wow, something is happening. i wonder what's going on." "this thing just happened??!?!"

my favourite parts of obey me aren't even the drama-heavy parts, it's when the brothers banter with each other in a way that feels genuine and fun, and those moments have been real thin on the ground as of late

[muzetrigger]

In celebration of Nevermore S2, I feel the need to explain why I’m hoping for more Ada page time/development and why she’s my absolute favorite character, despite the series being absolutely stuffed with quality.

Oh and also why MorellAda is peak. I WILL TAKE NO ARGUMENTS ON THIS POINT.

So yeah, MAJOR SPOILERS Y’ALL

Okay, so when we’re first introduced Ada, she’s a minor antagonist, not just in the sense that she’s not the main villain, but that literally, she’s just kind of an annoyance to both Lenore and Prospero. That being said, shortly after the Labyrinth arc, we see her genuinely impressed with Lenore and trying to make amends.

Now at that point, there’s no real reason for us to believe that Ada is telling the truth. Yeah, she seems like she’s being genuine, but so far, we also know that she’s been playing some social games to get ahead.

That’s where we get this first piece of insight into her character (not actually the first piece but whatever):

Ada chooses caviar as her last meal, despite not liking it, or ever having had it before. She is the only student who doesn’t enjoy her final meal, and that tells us that one, Ada doesn’t know what’s good for her; two, that she probably comes from a lower class background that never would have had access to caviar; and three, that she aspires to that upper class position. She is exactly what Morella would call a “phony” but while her phoniness impacts her social behavior in the ways that Morella criticizes, she’s also lying to herself without even realizing it.

Okay, but that’s a bit of subtle character development, so Red and Flynn hit us with this:

(In case you didn’t hate Montressor already)

This moment is so critical to understanding Ada because it shows that she has absolutely no limits when it comes to proving her worth to other people. Why? Because Ada has no sense of self-worth. She is completely dependent on other people’s thoughts to feel adequate. That’s why she clings so hard to Prospero and Annabel Lee, which makes this preceding exchange even more brutal.

Ada reaches out to Annabel for support, and Annabel ignores her.

Annabel BETRAYS her, and this is going to become something of a running theme for Ada.

Now, of course, Annabel has problems, but this is COLD.

So cold even Prospero is surprised, and this sets up why Ada crumbles so easily, because the one person she thought was her friend at this school, literally her roommate (and we know what happens when you’re not on good terms with your roommate), the person who gave her (fake) love advice, just left her out in the rain.

No one is on her side, not Annabel who’s ignoring her, not Prospero (who is rightly) annoyed with her clinginess, not Will who is supporting Montresor, and certainly not Montresor who is verbally abusing her.

The only person by Ada’s side is Morella, partly because she’s being targeted too, but also because Morella is trying to protect Ada.

(Look at that hug. That is a small puppy trying to cheer up her depressed friend.)

Chapter 39-40 firmly cemented Ada as my favorite character because we get a deconstruction of this preppy, pompous, phony personality into someone with crippling self-worth issues, and I don’t know about anyone else, but I relate HARD to those feelings of inadequacy and needing external validation. Will might be the doppelgänger, but Ada is the one with Imposter Syndrome.

Anyway, now we’re going to have to skip a few chapters, because while the haunted house arc is great, it doesn’t really do much with Ada’s character. We do learn that Ada was almost definitely a servant in her past life because she’s able to navigate the house’s secret passages, and we learn that yes, she’s a romantic who clearly doesn’t understand TPO (time, place, and occasion).

Those details are important to understanding Ada, because they help contextualize why her confidence is so abysmal (servants aren’t to be seen or heard) and why she clings so strongly to ideas of ladyhood and romance (the women she served would certainly have appeared to be more comfortable than her, though I’m sure Lenore and Annabel would disagree).

We also get this feast for the MorellAda shippers:

At this point, it’s implied that Morella has stonewalled dozens of students into Prospero’s death trap, but she makes one exception that she will not stand for, and it’s Ada.

At first, I thought this was a little weird, because why wouldn’t Morella protect Lenore? I mean, she’s the protagonist and clearly treats Morella better, but looking back, it’s telling that Ada is the one who Morella chooses.

Morella’s whole deal is that she wants to protect people, and Lenore isn’t vulnerable, Ada is.

Red and Flynn do a lot of excellent foil work in Nevermore, most prominently with Lenore and Annabel, but the contrast between Ada’s dependence on what other people think of her and Morella’s dependence on what she can do for other people is just another reason why I think MorellAda is so good.

But the real interesting events happen post-house.

Prospero has had it.

Now, was Ada being clingy? Yes.

Was she being totally oblivious to all of Prospero’s signals? Yes.

Did she deserve to be told directly that Prospero was just not that into her? Hell. Yes.

But did she deserve THAT much of a verbal beat down? Probably not, especially keeping in mind that Annabel told her this:

So now that I’ve thrown Annabel under the bus for her hand in this disaster, I want to look at one line from Prospero in particular:

“Nothing you say will make you good enough.”

It’s not the final line of Prospero’s diatribe, but it’s definitely the one that hits the hardest for Ada. She is trying SO hard to play the part of a lady in order to be loved, and she is being told that at a fundamental level, she is inadequate.

And she takes that about as well as someone who’s had this happen to them could:

A hatchet to the stomach’s going to ruin anyone’s day, but we can reasonably infer that the person who axe’d Ada was probably the young master she was serving and was having an affair with, and that he aimed for her stomach to abort any kind of child she might have carried.

Again, we see this theme of betrayal and rejection. Ada might not have been able to be a lady, but in an affair, she might been able to pretend that she genuinely had her master’s affection, even though she was just there at his convenience.

This was foreshadowed all the way back with Ada’s first confrontation with Montressor and it’s a great example of how thoroughly planned Red and Flynn’s writing is (Annabel Lee’s panic attack at Lenore’s death in the Labyrinth and the House Fire is another amazing example).

But, it’s also super traumatic which means we finally get Ada’s Spectre!

First, let me gush about how AMAZING this design is. Just aesthetically, it’s great. But it’s also amazing because of how it showcases so much of Ada’s identity. If you look at the spectre’s skirt, you’ll notice it has two distinct parts, a larger back that mimics a lady’s hoop skirt, and a pleated miniskirt, which wouldn’t be out of place in a skimpy maid costume. In her spectre form, we can clearly see Ada attempting to match a lady’s silhouette but upon closer inspection, we can also see the part of Ada that might have sparked her fatal affair, this symbol of risqué servantile behavior.

It’s also worth mentioning what ISN’T in the Banshee’s design, her abdomen. Obviously, this might be a reference to the fact that she was killed by a hatchet to the gut, but if we get dark with it (and it’s Nevermore, we can’t not get dark with it), what men traditionally (and unfortunately still do if the 2024 US elections are anything to go by…) value in a woman, her reproductive ability, is absent.

Ada, who places so much importance on what others think of her, is literally is worthless to them. (I want to clarify, I DON’T personally believe that, but from a 19th-20th century male perspective, that tracks.)

We could also read her abdomen’s absence as another attempt for Ada to play into feminine expectations. Because she’s missing her stomach, she has a tight hourglass figure. I don’t personally believe Ada has an eating disorder, but as the last dinner scene clearly indicates, she has a complicated relationship with food and what stigmas are attached to specific cuisines, and unfortunately many people do metaphorically throw away their stomachs to pursue beauty goals like Ada’s spectre does literally.

Stepping away from design, I also love how Ada acts immediately after getting the slightest bit of power.

She is PETTY.

She taunts Prospero (and let’s face it, you cheered. Don’t lie to me!), which I find so interesting because suddenly, Ada is the one giving opinions.

Ada is finally allowed to express herself.

Here, she takes it out on Annabel, which makes total sense. Annabel abandoned her and is the embodiment of what Ada craves outwardly. But Ada also recognizes that she herself is a servant who was forced to serve people like Annabel and denied their comforts because of her status. If Ada hadn’t been a maid, if maybe she had been a noble or a “true lady”, maybe should would have been allowed a romance or allowed to keep her child or at least allowed to live.

The Banshee is such a perfect moment, because until this scene, Ada has bottled up her insecurities and played the part of a loyal lackey and been this “phony”. As a servant, her entire livelihood would have revolved around keeping up appearances (or disappearances) around her masters, but as a ghost, Ada is more genuine than she has ever been.

And that’s so wonderfully displayed by how Annabel defuses the situation:

To the very end, we see Ada being vulnerable. Annabel takes advantage of her insecurities, and as the Banshee, Ada doesn’t try to hide the fact that it devastates her.

If the Montressor moment didn’t guarantee a place in my heart for Ada, Episode 71 definitely did. I’m not going to argue that characters in Nevermore haven’t experienced worse, but I will argue that no character in season one ever gets close to how pathetic and distraught Ada is here.

And what’s so heart-wrenching about this for me is that Ada is aware of how pathetic she is. She knows she’s been acting like an idiot and throwing a tantrum like a child, which is a surprising amount of insight and maturity for someone we have been led to believe is quite frankly an idiot. And yeah, I relate to those feelings of self-loathing and not knowing what to do or even where to start triaging a disaster I made myself.

Now, Montressor takes advantage of this like the abuser he is by swooping in and wooing Ada, but before that, I’m going to rewind like the shipper I am to replay this:

Again, we see Morella trying to help Ada! And obviously, that’s not what Ada needs at that moment, but it’s worth keeping in mind that out of everyone in the lecture hall then, Morella is the first and really only one to reach out to Ada. (Montressor is a manipulator. He doesn’t count.)

Last time skip, I promise!

The end of the Wall arc doesn’t quite reach the highs (or is it lows?) of Ada’s character development, but I’m so excited for what it sets up in season two.

So, Lenore and the gang find where Montressor has Cask of Amantillado’d Duke and they dig their favorite French man out while beating the shit out of our cowboy(?). There’s a ton of great moments (hell yeah, Pluto! Get him!) but the battle really swings in the misfits’ favor when Duke hypnotizes Ada to traumatize Montresor.

One, this is just an amazing display of Duke’s spectre, two, it shows that Montressor has reasons (maybe not great reasons but at least they’re reasons) for being such an asshole, and three, it shows us that mental spectre powers are straight up busted.

We already knew from Prospero that Ada’s fear factor could trap a person inside a vision of their own trauma so realistic they can feel the physical effects of it, but she can also send a man with a broken Fibula into a full blown frenzy, AND Duke’s hypnosis is something even he can’t dispel.

(Does this look like the face of a man who has things under control?)

It also sets up this exchange:

Morella is able to break through Duke’s hypnosis, and she does it without attacking Ada’s insecurities like Annabel did. Now, I’m a hopeless MorellAda shipper, so of course I reading into this, but even then, it showcases how important Morella is to Ada. After all, Morella is basically the only person who has stuck by Ada’s side this whole time.

…At least until this happens:

Morella has had enough of Ada’s excuses, and just like Prospero basically tells her to shove off.

But the painfully ironic part about this is, Ada is telling the truth. This ONE time, it really isn’t her fault. It’s Duke’s.

But Morella won’t let her get a word in and I love how Flynn drew Ada’s face. It’s a different kind of fear than when Ada was groveling in front of Montresor or reeling from Prospero’s rejection. Here, she isn’t afraid of being abandoned by Morella; she’s afraid of losing Morella.

I know that difference might sound REALLY contrived to some people, but in this case, Ada has a way to keep Morella in her life that doesn’t involve debasing herself and believes that Morella will listen to her. For the first time ever, Ada thinks she has a little control over the situation together with a friend, not an enemy. They can talk things out, and that really shows how close her connection with Morella is and how that connection can be the catalyst for Ada to start developing some self-respect.

Except Morella totally shuts her down.

Of course, I’m disappointed that there’s this “divorce arc” but it makes sense in context and it’s healthier for Morella to make a clean break from the posh crew (even though Ada clearly needs her wife more than ever, like come on, don’t leave her in Monstresor’s clutches!)

Speaking of which, I’m much more disappointed with how Ada immediately crawls back to Montresor and Annabel after being chastised. If there’s one thing I have on my season two checklist, it’s Ada learning to have some confidence in herself (and maybe tossing Montresor to the Hunt).

And I really want an apology from Morella and Duke to Ada. Now THAT’S delusional, and I might be the only one who thinks Ada deserves those apologies, because let’s face it, Ada is a wreck, but it would be nice, especially if she gives out the several dozen apologies she owes the misfit crew too, so that she can hang with them and spend more time with her wife Morella.

Anyway, yeah.

I really like Nevermore.

And I really like Ada. I think she’s severely underrated.

Of course I love Lenore and Annabel, and Morella is a precious and badass cinnamon roll, and Duke is so SO cool, and Pluto is cute as hell, and Eulalie is basically manga-Orihime (which is amazing), but there’s something so HUMAN about Ada.

I empathize with her in ways that I just can’t with the rest of the cast because… they’re just too awesome. I have difficulty believing Lenore or Annabel will ever feel something as fundamentally devastating as Ada has. At their core, they’re just stronger people. Ada is someone who needs more support and it’s nice to see those weaker characters treated with the same amount of care as a protagonist who we typically see stumble a lot but ultimately succeed. With side characters, there’s a genuine chance that they fail permanently and that adds so much to Ada’s stakes.

And honestly? I’ll say it. I think a lot of the students had alright lives or even good lives, they just happened to be cut short traumatically. Exceptions for Lenore (obviously) and Pluto (baby, you deserved so much better than your deadbeat dad), possibly Eulalie for having to live through WWII, but you’re not going to tell me that Montresor didn’t have a good run being awful, Duke didn’t have a successful performance career, and Prospero wasn’t a wealthy bastard. But who knows? We haven’t delved too much into the others’ backstories, so I could be very wrong.

Anyway, I guess this was just a very long-winded way of me saying I love Ada because I’m a total girl-failure and also I’m super excited for season two.

[crismakesstuff]

so from what ive been seeing in the show so far it seems they’re gonna pair off paul with debbie and here’s why I don’t rly like it

btw in case anyone is wondering yes this happened in the comic and here’s comic paul vs show paul for comparasion

(At least they wont have debbie fucking a hospice patient in this)

while im normally all for “yes girl get that dick” in terms of Debbie’s character it just seems ,, cheapening to chain her to another man to show she’s “whole” now. Debbie as a character/person has little to nothing to gain out of this relationship realistically. Women can live without “needing”a relationship to make them complete. Especially after what she’s gone through, like thats a 20 year relationship its gonna leave emotional scars.

Also the show seems to have this AVERSION to giving debbie actual female friends for longer than 1 scene at a time. Like im happy she has Art as a friend but she needs a woman in her life. Like I loved the scene with Olga at the start of s2 and the interaction w Carol of the SOS group but! Olga went back to Moscow and debbie can’t return to the group of bc of alana’s ugly ass ex husband. Like if they MUST pair her off with Paul just like the comic at least idk show that her past trauma is affecting her? Show her being messy and making mistakes or even Paul pointing out like “hey I don’t think you’re in the headspace for this” and breaking it off

Maybe then have debbie realize she’s better off single and begins to focus more on herself now! She could get a good friend group (or at least one female bestie pls) and in that stability of being single and with more immediate support in new friends! Show her taking up new hobbies to occupy her time outside of her job and enjoying life without ‘needing’ a partner, no characters growth should be dependent on a romantic partner!

It will make whenever nolan drags his sorry ass back to earth to see her that much more hard hitting because she doesn’t need him, he needs her. it’ll add so much more depth and struggle to him just trying to regain her trust and then if the show does do them getting back together it’ll actually feel more earned instead of happening off screen which I hated.

Also bc in the comic debbie breaks it off with paul bc after she sees nolan again she says “it didnt feel right being with paul anymore” like,, its so bs. Comic debbie has no self respect.

Ok thats all bye bye

[genericpuff]

Seeing how there only 10 episodes left do you think Rachel will rush the ending?

The way I see she needs to somehow resign Apollo reign, reawaken the God's, have Persophone defeat Kronos, have Persophone create Elysian, stop the entered winner/killing of nymphs and humans, hell we don't even know what is Leto end goal and what is her whole role in this series other than manipulating Apollo to be king. We don't even know what exactly she did with Zeus (but knowing Rachel she made Leto the other woman despite the fact she was another respectable goddess)

Imo I think Rachel is officially done done with her series and know her viewers are fed up with her constant milking of the series. You can even see it in some of her work where you know she just gave up (unless it's her self insert scenes)

On a side note another thing I should point out is the anti climax of Leuce and Thetis. Besides the fact she made Leuce another other woman the way she made Leuce expression during Persophone home Invasion made it look like she wasn't going to back down. Only for her to make be forgotten 3/4 of the final arc and is never mention again. Persophone didnt even ask Hades how does he even know Leuce. So unless Rachel has plans for her again that was the last time we saw her making that whole plot unless.

While Thetis plot.........

I'll be honest she just got a slap on a wrist and Rachel just insert Achilles as a way to bait her audience/trying to make a cultural reference. Tbh I thought Thetis would have a bigger story like fast-forward she believes she gotten everything she wanted and is now Queen only for the Trojan war occur and she only lost her status bur her son. Thus making the scene a poetic justic/tragedy.

I'll finish this off since I don't want to run my mouth about this series so here's my 2 cent. Rachel is putting to many Greek mythologies in her series that a) she has forgotten about characters b) everyone is now expecting her to have this series be all wrapped up in a nice bow when it actually be worse c) and because she has so many subplots they are left unresolved or unsatisfied

Oh, Persephone created Elysium already. It was literally just this LMAO

Okay in all honesty I don't know if that was actually meant to be Elysium, but I remember seeing people comment on the S2 finale when she was bee-burping at Kronos that she was creating Elysium at the same time as fighting Kronos and I just... yeah okay? But they literally haven't even name-dropped it since the trial. This is what I mean when I criticize Rachel's writing for depending WAY too much on reader headcanon, because not only will she just roll with whatever her fans theorize, she'll do so without actually writing it into the comic so unless you're in the FB groups and Discord, you're probably not gonna pick up on every little decision Rachel made because she's making them with half a thought and a quarter of the effort needed to express it. It means people can say whatever and she'll just take credit for it like "yeah! that was Elysium! totally! you get it! okay moving on-"

As for the Leuce thing, Hades deadass met Leuce when Zeus offered her up as a bride, which Zeus explained to Persephone during the S2 finale arc-

-but again it suffers from a lot of the same issues of Rachel not expanding on her ideas and just resolving them with some other random plot convenience. Why would Leuce be so obsessed with getting with Hades that she'd make up fake text messages? Rachel just really didn't want Hades to be interacting with other women in the 10 years that Persephone was gone, so she had to make Leuce delusional for it to work ?? Why would she go so far as to tell Hades about the text messages if they weren't real the whole time?

-but then of course before Hades can respond to this, Persephone interrupts, meaning the plotline can be put on the backburner until Rachel comes up with a solution to it-

-and then we got to see Persephone 'resolve' the issue by harassing Leuce in her home, and it was only until after THEN that Rachel finally went "no it's fine that Persephone vandalized her home, the text messages weren't real!!! see??? Leuce is just a delusional nimwit! She deserves it!"

And yeah the Thetis and Achilles thing is yet another 'plotline' that Rachel only introduced to try and legitimize her comic as a Greek myth retelling. Just about every myth she tries to portray is done vaguely and without any thought for the world they're inhabiting, it's all just lip service.

At the end of the day, a lot of the writing in LO is 1.) trying to make up for the lack of plot development in the first two seasons (hence why we're now getting sudden lore dumping about how the seasons work) and 2.) trying to make up for its lack of Greek myth set pieces because Rachel has now been openly called out for being arrogant in her 'knowledge' of Greek myth and it has people analyzing just how little Greek there is in this Greek myth "retelling". It's especially apparent in the second season when the whole thing is just self-insert fantasies about Hades and Persephone living together until the plot finally has to get moving again. Every now and then Rachel remembers that this is supposed to be a retelling, so she'll throw in some random Greek myth reference like the Colchian dragon or Aphrodite marrying Hephaestus or Thetis and Achilles.

It's very evident that Rachel never learned how to write a longform story or planned to make LO as long as it is and the story has suffered all the more for it. And it sucks because that's not the story I got onboard with back in 2019-2020, but that's where we are. Ironically, as much as I criticize LO for not having enough Greek myth influence in it, I do think the story would have been far better off if it just stayed as a cheesy office romance fluff fic. It's clearly what Rachel wanted to write but either she or WT (or both) got ahead of themselves and took on more than what LO - and Rachel - were equipped to follow through on.

[cerastes]

Are there any notable supporters you reccomend? I kinda ignore the class except for gnosis (and I do use scene and deep color in IS a bit) and I wonder if I'm actually sleeping on some fun units.

YOU CAME TO THE RIGHT NEIGHBORHOOD, MOTHER FUCKER, I LOVE SUPPORTERS.

Suzuran - 6* Decel Binder. The moral of Arknights is that children make excellent soldiers, and Suzuran proves this. Her two Talents are really good, as she serves as an incredibly potent SP accelerator for Supporters (+0.4 extra SP per second, so Supporters will charge 40% faster, herself included), and all enemies suffering from Slow (the actual status effect Slow, not the movement speed reduction effects one can find on Manticore or Chung the Hung, for example) in her range are also inflicted with 20% Fragile (so, they take 20% extra Phys, Arts and True damage from all sources). It doesn't have to be Slow inflicted by her, any Slow will do, so Angelina's S2 machinegun Slow will render an enemy vulnerable to an ass kicking quite effectively, as will Podenco's S2, and any source of Slow additional to Suzuran herself. S2 gives her an extra target on every attack, 2 extra targets with Masteries, alongside a minor Attack buff and, more importantly, infinite duration, meaning she can control more enemies at once and better prevent Slow Dilution (what I call when you Slow an enemy, then the next enemy passes them, making them the next target, and so on, diluting damage and clustering them; this isn't necessarily bad but it can be undesired depending on you strategy). Her spotlight stealer, however, is her S3, which expands her range, provides strong passive healing (so unhealables can be healed), doubles her Fragile Talent (40%), and Slows everything in range. Gnosis Fragile is bigger (50%) but he only maintains it in comparatively shorter bursts, Suzuran's S3 last 35 whopping seconds, and enemies that are Slow-immune are far fewer than Freeze-immune. This section is particularly big because, yeah, Suzuran just really does that much, she combos VERY well with other Supporters, can be slotted in any team, and just generally works, I'm not even a Suzuran fan, she's just that jacked.

Podenco - 4* Decel Binder, real name GODenco, also slots easily into any team, can switch to healing on her S1, or provide bursts of Silence, AoE Arts damage and Slow on good upkeep with her S2. She also provides a minor passive buff to other Supporters. If you need to Silence things, you think of the best Silencer, Lappland, but sometimes you need to Silence a LOT of things, enough that Lapp might get overwhelmed, well, that's when you use GODenco S2 and suddenly that entire cluster of 8 exploding spiders won't go boom no more. She's really good for Slow Dilution because of her single target into AoE skill, so she combos really good with AoE hitters like Artillerymen, Fortresses, Chain Casters, Qiu Bai S2, etc.

Shamare - 5* Hexer, a good execution support, as she applies 30% Fragile to enemies in range under 40% HP. Her main hat trick, however, is her S2, her signature Cursed Doll. At S2M3, the Cursed Doll, which you deploy on the field and it affects its tile and the 8 surrounding tiles, will provide an absolutely ungodly debuff of -50% ATK and DEF to all enemies in said range. One of the rare ATK% debuffs in the game, and in my opinion the best, it'll make even Gopnik hit like a wet noodle. What's more, since it's not an active skill, the moment you drop your Cursed Doll, Shamare will immediately begin charging the next one! With a charge of 30 and a doll timer of 15 seconds, her true charge time is 15 seconds. Basically, you can cycle 15 seconds of regular enemy stats and 15 seconds of halved enemy stats. This is legitimately insane. Since Shamare's stats are also unimportant, you can just leave her at E2Lv1 (unless you want her Module, which imo is not worth the lv2+ and I'd only get the lv1 if you really like her) so she can be a cheap and powerful investment.

U-Official - NUMERO UNO CAMPEAO DA PENTA

Quercus - 5* Abjurer. I'll keep it simple here: Her healing with Module is bonkers, and she provides Shelter (damage reduction%) to units in range above 70% HP, 60% with Module Lv3. S1 is her permanent Healer mode, toggable on a long cooldown, while S2 is her burst healing window skill, notable in that it provides SP to healed units throughout its duration. Quercus is sleeped upon, she's a REALLY strong Supporter that provides SP, healing and bulk.

Orchid - 3* Decel Binder. I include her here if you want to play Integrated Strategies, because she's always a good free pick there. She's the Slower that Slows.

Roberta - 4* Artificer. I include her here because my stream audience will disembowel me and chain my flayed corpse outside the Museum of Modern Arts if I don't, she's my meme unit. THOUGH, her Shield-providing, DEF enhancing tools can come in handy.

Valarqvin - 5* Ritualist. The IS4 free unit. Significantly stronger in IS4 due to built-in Necrosis Damage on autoattacks, but even outside of IS4, she can be useful for bursting or key enemy elimination with S2, as Necrosis is a strong effect with a built in, decaying ATK% debuff (again, rare) and unmitigated DoT (total of 12000 damage over 15 seconds, 800 dmg per second). Nothing so far in the game resists this, so go ham.

Angelina - 6* Decel Binder. Angelina's whole thing is that she's not a standout unit in any regard, but she can support practically every team, can so strong sustained damage and Slow against single targets with S2, strong multitarget Slow and reduced Weight for Shifting with S3, and passively increases party ASPD and gives them passive healing (works on unhealables). Angelina is kind of like a crowbar or a length of rope in that she's as useful as you can be creative with her, never as a stand out, but as a good brick in the overall house.

Ling - Limited 6* Summoner. Kind of an obligatory mention, but basically, God Mode. One of the gamebreakers, as she can produce 4-Block replenishable immensely powerful summons with multitarget equal to block, Arts damage, and damaging auras. Yeah. Even without that monster of an S3, she can sub Burst Damage and crowd control really well with S2. Her applications are insane, she's so strong that we can be here all day, so we won't do that, she's a very well documented unit.

Skadi the Corrupting Heart - Limited 6* Bard. Again, another well documented unit, but she can basically E3 your units with the sheer stat heft she provides through her S2 buff, can deploy an extension to this range with her Seaborn Summon, and if you really want to go ham, she can enter Microwave Mode with S3 so True Damage cook the shit out of anything, in addition to providing a really big Attack bonus to units in range while at it. Well documented unit so I'll keep it brief but yeah, godlike unit.

There's a few more, like Proviso and Scene, but that's enough for now. "Your forgot to mention--" I didn't forget, you do it.

I hope this helps, anon!

[indieyuugure]

Officially asking your timeline for the 2012 series!

Feel free to answer in two parts if that's easier (and/or less confusing) considering the first three seasons are less convoluted than the last two.

Thanks!

Yeah! Of course here you go:

So this is assuming that the Turtles’ birthday is in the spring, I could of course be wrong, but it seems unlikely it’s a different time.

Okay so first thing you probably notice is that the time line doesn’t start in 2012, it starts in 2011. It’s weird but according to Rocksteady’s résumé, they joined the foot clan in 2013, but they do that in season 3, which should be about 3 years later.

There’s also a few other things, including the fact that Kraang Prime states I believe in season 3 that it has been 2 years since their first invasion. I’m not as certain on that one as someone told me about that, if you have an episode number that’d be great.

If you can prove me wrong on this really weird error I would be genuinely delighted.

So I guess starting with season 1 and 2’s distance, there’s a line between Casey and Raph during the episode The Invasion Part 1 where Casey states it’s been 1 year since the last invasion: (source: turtlepedia.fandom.com)

So that means that season 1 and 2 have to span 2 years. Mikey also states there was a month gap between the first and second season heard in The Mutation Situation: (as in season 2 episode 1, not my comic)

After season 2, stuff starts getting a bit weird. Assuming we ignore the animation error that there is no snow on the ground and the trees have green leaves in early December in Massachusetts, then it’s definitely true that 3 months have passed since December so now it’s March, which makes sense for there to be no snow.

There’s another really odd error in The Croaking, where Michelangelo introduces himself as being 15 years old, when actually he’s 16 almost (or is, depending on their birthday) 17. I figure though that’s probably an error with the script writers and not related to the actual timeline.

Then of course there’s the time travel dilemma. At the end of season 3 it ends with the planet being blown up and they travel back in time an amount that Donnie claims to be 6 months given the Earth’s position in comparison to the sun.

However, there are a few issues to this. One being that in the episode Trans-Dimensional Turtles(season 4, ep 10) the turtles go back in time. The time is unclear until the end when a Kraathatrogon pops out of a portal that is the same one that they threw into a portal back in the episode The Manhattan Project(episode 13, s2)way back in season 2. Unfortunately this means that either A) all of season 2 and 3 covers 6 months, which is definitely not true, or B) Donnie was wrong about how long they were actually in Space.

Now the tricky part is the question “Well if Donnie was wrong, then how long were they ACTUALLY in space.” Now I made the guess that maybe it’s more like 1 and a half years because that way Donnie was still right, he didn’t realize how many times the Earth had made a full circle, so it’s more plausible.

I have some issues with how he guessed 6 months, because they are right next to the Earth, but the Earth has an elliptical orbit around the sun, so 6 months would be half a circle, so unless they were also following the earth in it’s orbit, it would actually need to be 1 or 2 years—one or two full circles to the same position—but whatever I guess. Diagram of what I mean:

The other issue is that yes, now we have a point of reference in the first timeline, but where was that in the Space timeline. There’s not a clear answer, but given that there are 14 episodes in the space arc, The Manhattan Project taking place at episode 10, and the fact that the turtles bemoan the fact that the last few episodes are actually incredibly far spaced because of travel time, I’m going to assume it’s somewhere between the first 1/3 and middle of their time in space.

(In this diagram it’s more like 1.667 years, but whatever)

So after that you have season 4 which is even harder to pinpoint the length of be about half of it is the space arc, now, you could say that the remainder 2013 is also the rest of season 4, however another question arises with Rocksteady’s résumé where he states that he stopped working for the Foot in 2016, though I’m not sure when he’s considering their work for the foot to have ended (if you have an episode that’d be great) so I’m not really sure.

So unfortunately, everything after the end of the Space arc I have no clue on, though it seems you were mostly interested in the first half.

I basically have no clue for season 5, but most of it is silly “what-ifs” so I doubt most of it has a time line placement.

So yeah, that’s my wacky timeline research, please nit-pick as much as you can. My goal is to create an official timeline so if you have more stuff to add to this that might clarify things, or prove things differently, I’m all ears!

Hopefully that made any amount of sense, feel free to ask more questions :]

[lady-griffin]

My Arcane Season 2 Theories

I’m going to try and post some of my theories for Arcane S2 in more depth before it airs, but the chances of that seem to be less likely with each passing day.

So, here’s a list of some of my bigger theories.

I will admit, since this is the last season, I’m not as confident in some of these as I was before, so the theories are largely listed in order of how likely I think they are (more or less).

Also, if I happen to be right or wrong - please don't confirm either way with information from the leaks, as I want to watch the show and see for myself.

Theory 1

Heimerdinger didn’t just neglect the Undercity he took direct action against the “Undercity” or the group of people before there were even the Fissures.

Basically, Heimerdinger has a very dark past and he’s not exactly the sweet, grandfatherly wise-figure S1 made him out to be.

To be clear, I don’t think he’s putting on an act and I also don’t think he’s evil (necessarily), but I 100% believe he's done some truly horrific and objectively evil things, maybe not himself, but he certainly ordered them.

He’s justified his actions by telling himself and others it was necessary for the greater good, but that's rather subjective, especially when others who aren't you are suffering for this supposed "greater good."

There are dangerous threats and realities to this world, but that doesn’t justify the cruelty that’s happened to Zaun.

Some theories fall under this one

Theory 1A

A big part of “for the greater good” was to protect people from the ‘Arcane’ or to keep it hidden.

But because of his and Piltover actions, the 'Arcane' will now be found and used.

Heimerdinger has created an extremely vulnerable population of people who are suffering and are in dire need of help, and I think Viktor will try to help these people, but they will just become 'victims' of the Hexcore and the 'Arcane.' What exactly that means, I have no idea -

Nonetheless, Heimerdinger’s past actions will directly lead to what he was trying to prevent.

Theory 1B

A decent amount of Piltover’s history has been edited, erased, or straight up rewritten for the “greater good” and “keeping the peace.”

Theory 1C

Heimerdinger and Ekko will fall apart because of Heimerdinger’s actions in the past.

I think Heimerdinger will want Ekko to ignore the past (the opposite of what he was saying last season) and instead just look towards the future, but Ekko won’t.

Or even better, Ekko will realize you can't move forward until you address the past.

Theory 1D

Piltover may be 200 years old, but “Zaun” (Kha’Zhun or Osha Va Zaun) is significantly older; perhaps not 3,000 years old like in league lore, but it’s definitely older than Piltover.

Theory 1E

Genocide of mages. Lots of genocide.

Theory 2

Jinx and Ekko will team up and be allies.

Maybe this new found partnership won’t last until the end of the season, but I think their relationship will end on a far better point then it did in S1.

It might not be perfect or super happy, but there will at least be an indication of hope for these two.

Theory 3

Jinx won’t be immune to mind-control or mind-fuckery BUT it will be nearly impossible to keep her in that state.

While Jinx might easily succumb to someone taking over or messing with her mind, she will break free of it eventually and whoever (whatever) has done that to her should be terrified.

Obviously, this depends on who or what is going to be doing this and how they’ll do it, but unlike the majority of the other characters, Jinx doesn’t blindly trust her reality.

Because she can’t.

She's well aware that what she sees and hears isn’t always real, which is very unique to her.

The other characters have never had to question their reality let alone doubt what they’re seeing and hearing and that’ll make them even more vulnerable to this potential mind-fuckery or control than even Jinx is.

I also think Jinx is far more observant and intelligent then whoever (whatever) is going to be trying to control her thinks she is. Plus, her way of thinking and viewing the world is very unique to her and it won’t be easy to replicate and that’s not even including the fact she is very crazy.

Basically, I think Jinx’s mental instability is going to make her very vulnerable, but also give her a chance to fight back or really the life and experiences she’s had due to her mental instability will help her in one way or another.

A mini theory that's really more of a hope

BLANK will try to control or hurt Jinx using the memory or image of Silco, but this will be their downfall, as it won't work and they'll have a very furious Jinx to deal with.

Using Silco won’t work because Jinx can’t pretend she didn’t kill him, her guilt and self-loathing won’t let her. In addition, Jinx knew Silco better than anyone, certainly better than BLANK will know him, even if they are using Jinx's mind or memories.

What I’m really hoping for is Jinx won’t let anyone take Silco’s love away from her.

Silco’s love for his daughter will ultimately be a positive thing and help her when she’s at her lowest point – I'm imagining a similar scene to Vi being down for the count, but then “Vander” encouraged her to get up.

Theory 4

Vi won’t become Vi from the game; rather than becoming Piltover’s enforcer, she’ll end up as an enforcer for the Undercity – as in she’ll be a protector of Zaun.

Theory 5

Mel will be badly injured from Jinx’s bomb, but is ultimately saved by the Hexcore.

It will “heal” her, which won’t be a good thing in the end, as it will likely “corrupt” her and we’ll see her become a loyal servant to it or even controlled by it.

This could be why we see Ambessa in the area where that stained-glass bubble thing is, seemingly telling her men to charge while she has tears in her eyes.

Theory 6

Kino Medarda is alive.

Ambessa definitely think’s he dead, she wasn’t lying or trying to manipulate Mel, but Kino is alive and well (relatively speaking).

He’s either acting against his mother or whoever Ambessa thought killed him, or both. I think he will be an ally to his sister and if I'm right about Theory 5, important to her story and waking up from the Hexcore's control.

Theory 7

Jinx brought Fiddlesticks into the world in S1, Ep5 “Everyone Wants to Be My Enemy”

I’m sticking by this theory until the very end, even as it becomes more and more unlikely.

I just think it’s weird the first time we’re told how hextech works - basically opening up a gateway to the realm of the heebie-jeebies (Jinx’s words) and then after that explanation there’s a giant blast from Jinx's attempt at hextech, and then suddenly crows are very, very interested in Jinx.

Also let’s be real, Jinx is the one person whose luck is so bad that the first time she officially tries to use hextech, she opened a gateway or created a big enough rift which allowed Fiddlesticks back into the world.

Jayce and Viktor can play around with the stuff all they want without ever bringing forth any kind of demon, but Jinx does it ONCE and she summons the one and only primordial demon of fear, because of course she did. Of course, her luck is that bad.

And while not so much literally (though maybe, but I doubt it) there could be a bit of a Fiddlesticks vs Janna kind of thing with Jinx – as in who is Jinx?

Is she Fiddlestick’s Crow of Death or Janna’s Bluebird of Freedom?

I think if this were to happen it would be a symbolic “battle” more than anything, but this is a world where this stuff does indeed exist, so it's technically possible.

So, there we have it.

Some of these are pretty obvious, but I would feel remiss if I didn’t mention them. And others...

Listen if I happen to be right, I just want to point to this post and say – SEE!!! Look, I Was Right!!!!

But we shall see as November 9th (my birthday) approaches ever closer.

[eerna]

Just finished arc 2! I liked it but I also very much agree with your critiques of it. It felt like they didn’t flesh this out nearly enough.

I was waiting the whole time for the other shoe to drop with Isha. I felt like in season 1 we saw a lot of how Silco DID love Jinx but his own goals & traumas skewed that love and negatively impacted her. Also in S1 seeing that Jinx (especially as a kid) just wanted to be helpful/feel like she was worth keeping around, and the toll that took on her. At the beginning of S2 I felt like I was kinda seeing potential of that cycle/parallel continuing with Isha. But then it just fizzled out. Instead of “oops, jinx learned unhealthy relationships from Silco and now she is accidentally continuing that cycle” or parallels of “a child taking on responsibilities that she shouldn’t have to/a parent figure being too dependent on their child” I got more of the message of “by the power of innocence, Isha can heal Jinx!” and it’s treated as the magic solution. She’s a child who can’t fully comprehend the complexity of Jinx but idolizes her and the downsides of that arent really explored (maybe the ending of ep6 kinda did but I don’t think the full tragedy really came through). I’m trying not to write an essay in ur inbox but I have so many thoughts on this aghhhh

There’s still a lot to come with arc 3 I’m sure. Something big sure will happen next with Jinx considering how arc 2 ended, but I don’t think they’re gonna go where I hoped they’d go. Also was I not paying attention or did Sevika disappear halfway through the arc?

FEEL FREE TO ESSAY BC YOU ARE SO CORRECT!!!!! Jinx didn't make Silco love her by the power of innocence and childhood. Much the opposite is true. He loved her because 1) she was Vander's kid, and he had the opportunity to replace Vander, 2) he saw himself and his own trauma reflected in her and saw her as the only person in the world who truly understands him, and 3) knew Jinx would love him despite all the abominations he did because she too feels like a monster. It makes sense why she would be the only thing in the world he would be willing to put before himself!

Now, compare it to why Jinx loves Isha. Because 1) Isha follows her around and they have fun, and 2) Isha is a child, and therefore innocently believes Jinx. Like. We're supposed to care because she is a kid, and sure, it is very sad that she is a kid, but it's a very cheap reason to care for a character, and not one Arcane supported before. Powder was 11 and written as a fully realized person. She had unique mannerisms, patterns of thinking, and flaws, while acting like a kid. It's the correct way to approach a child character - treating them as any other character, just aged down. Isha has none of that. And that is by far the most obvious in how no one in the show has a relationship with her except Jinx. Powder existed in context with everyone else! Everyone had an opinion on her! Vi slapped Isha once and that's the only attention she'd ever given her. Warwick allowed her to lead him by the hand, but it's not like he had any special tenderness for her. Sevika (you're RIGHT she just DISAPPEARED) saved her, but it read more like "Sevika is supporting Jinx' final wish to save the kid Jinx loves" than her having any actual investment in the kid. Honestly, next arc they could reveal Isha was nothing but a figment of Jinx' imagination, and it wouldn't surprise me.