#depending on who it is I let him

[furshrimps]

Sammy is actually learning to enjoy strangers a little 🤭

[poorly-drawn-mdzs]

ghost horses

GHORSES

[starrysharks]

maybe this is a stupid question but it's been on my mind and i want to know what other people think;

examples: the creator of my life as a teenage robot supporting the trans jenny headcanon, voice actors in general stating that the character they voice is a certain LGBT+ identity, etc. i really want to see people's views on this so reblogs are appreciated!

[sotiredmostnights]

i know everyone likes to put tharja in the "yandere goth girl" category but tbh i feel like pigeonholing her into one specific archetype does a huge disservice to her character. is she obsessed with curses and robin? yes. is she constantly shoved into a fanservice role by intsys? absolutely.

but i think a lot of people forget just how impactful a lot of her supports are...there's something about tharja that makes nearly everyone who interacts with her divulge their deepest secrets and points of anxiety with her. we see this with libra, who tells her of the abandonment he endured at the hands of his parents. we see it with nowi, whose cheerful demeanor slips off as she tells tharja of her missing parents. and although tharja is not the only one lon'qu confides in regarding ke'ri, their support is notably the only one in which lon'qu divulges that there was romantic involvement between he and his childhood friend.

and despite her antisocial exterior, she always listens mindfully and offers to help! she even goes out of her way to discreetly help the shepherds (getting virion to do odd jobs that benefit civilians, interrogating henry to make sure he bears no ill will towards ylisse, etc).

a big thing about tharja is that she IS kind. she IS considerate. she just also has a reputation to uphold as a dark mage and that (paired with her overall awkwardness ofc) makes her true nature hard to see at first glance

[starry-bi-sky]

mmmm musical cultivator shen yuan again. Feng Xuanlu, the Wind Song. He has this well-loved wooden pipe he inherited from is adoptive father that he uses on occasion. When the traveling day gets slow and he doesn't feel like singing, when he's stressed, when night falls and he's sitting around a fire with his troupe and they've all had a little bit to drink.

His hair is long and black, always tied up into a ponytail or a braid of some sort. When he's in camp he loosens it up until its splayed messily over his shoulder. He has crows feet around his eyes that scrunch up when he smiles. His eyes are bamboo green and his hands are rough and callused from years of plucking strings and work. He has scars on his back that he won't explain the origins of.

His voice is low and warm like a fire, it gets raspy in the mornings or when he's been humming or singing for too long. He speaks like there's sunshine dripping off his tongue. He speaks soft, he speaks and his voice takes up the entire room. He's spent over a decade hearing his praises getting sung and he still gets shy over it sometimes.

Whenever he goes into town he has to have at least three other musicians with him at all times -- not his decision of course, but the unanimous choice of his companions. Shen Yuan gathers admirers everywhere he goes, and his companions have long since learned that their dear friend and leader is completely unaware of it. So they have to beat off these suitors with sticks.

[pali-and-proud]

Would Buddy hurt anyone? Why was Buddy shocked when he hurt Chase with the spear? AND WHY THE COMPLETE DIFFERENCE WITH THE SPEAR AND DEACON WITH THE WOLVES?!?

I GET TO TALK ABOUT BUDDY AND DEACON. AHAHA.

Thank you for the Q <3 I love and respect you, but I am going to bypass the first two questions because I am filled with thoughts on Buddy and Deacon's dynamic. Because I don't know if more people noticed (I'm 100% sure others have noticed) but Buddy and Deacon absolutely parallel each other.

What's Buddy's big motivator, as established by the Dreams By Night episode? To escape Ex Libris. To be free, essentially.

What's Deacon's big motivator, as established by The Book of Deacon? To lead his own story, without his parents controlling everything. To be free, essentially.

Buddy, from the beginning, harps on Chase's lack of preparation. Deacon, from the beginning, gripes about Chase's lack of preparation. Deacon over-prepares, to the point where Chase asks him what different scenes mean and what happens in the story. Something he used to do with Buddy, because both Deacon and Buddy indulge Chase in their explanations.

Deacon gets caught off-guard by Chase's perceptiveness, and Buddy gets caught off-guard by Chase's personality. And Chase might gripe about both, sure, but often about superficial, irrelevant details. Complaining about Deacon always being busy, or complaining about Buddy being pretentious. (Not about things of substance, like Deacon having enough money to attend college AND disliking the experience, or about not even knowing Buddy's name.)

We all laugh about Buddy being paranoid, but Deacon matches him pretty well. Deacon isn't spilling any names. Deacon, like Buddy, understands the necessity for secrets. Who makes the plans to hide Prunella? Who keeps telling Chase not to talk to Buddy about her?

(A thought for another time, but--something about kids of strict parents being sneakier, and something about Deacon always convincing Chase into keeping secrets.)

Deacon's being reasonable, and we know that, because we're listening to his reasoning, and his reasoning is nothing like Buddy's. (Buddy's all "EVERYONE is out for themself," while Deacon is a lot more subtly judging the shirtless Hot Topic wanna-be.) But their ACTIONS match each other.

Are they the same character? lmao absolutely not. They have different experiences, different mentalities, different perspectives. Deacon has a support system, whether financial (parents) or emotional (Bronze) or even social (Chase). Buddy has a bright eyed, stubborn kid who sees a vampire and somehow therapizes him, and sees someone covered in thorns and reciprocates their hug because he knows it was needed.

But how similar they are really shines in the Requiem arc. Deacon and Buddy match the other's barbs seemlessly, and they call out the other with ease. Deacon insults Buddy's fashion sense + teeth, Buddy tricks Deacon into nearly getting mauled by wolves, which is probably an escalation, and Deacon immediately starts plotting a revenge. "When I get my hands on him," he outright says, implying some retaliation, and yet he sees Buddy and Chase wrestling a vampire to the ground and immediately asks "What're we doing?"

He immediately joins them. He has no idea what they're doing or why they're doing it, but they're doing it, so he alas has to ascribe to it. And then you remember that Chase is the one who jumped Vamp, and Buddy ALSO has no idea what they're doing or why they're doing it, but Chase's doing it, so he alas has to ascribe.

They get each other, is what I'm saying. They're foils in methods (Deacon annoys Buddy verbally, Buddy annoys Deacon physically////Deacon chooses to maintain peace via secrecy, Buddy prefers honest communication despite the impacts/////etc etc etc) but they're mirroring the other. They're two beams of light, coming from the same source, going in completely opposite directions.

Buddy hurting Chase risked everything Buddy had gained, all the trust and the companionship and the grossly genuine friendship he gained. The physical pain risked ripping the emotional connection between them. Buddy hurting Deacon DOESN'T rip open anything, because however far Buddy takes things, Deacon's prepared to follow out of annoyance and spite alone. They have the same priorities: keep themselves (+ Chase/others) safe, and humble the other when necessary.

And Buddy has an embarrassing crush or something. everyone point at the idiot and laugh

[christakisbang]

kim daengdaeng my little puppy ㅋㅋ thank you for always teasing me and thank you for taking care of me ㅋㅋ gukbap ㅋ

[krotiation]

i'll genuinely never stop thinking about codependency in rhack and how it's mostly coming from jack's side. both jack and rhys treat their relationship like rhys is the one who needs jack to not just survive but also thrive, but it's really the opposite and i think that REALLY adds to how much jack twists the narrative to make it seem like rhys can't do anything without him just to keep giving rhys a reason to keep him around and trust him

[twentyfivemiceinatrenchcoat]

cult leader!geto could fix you entirely but he could also make you sooooooooooo much worse

[theshslpumpkinghost]

(Warning for pink blood- If you don’t wanna see that-)

Y’all, what if this- Was David

Because like- I always assumed it was Xander, but- What if it was David-

(if it’s actually him im gonna be so happy with myself-)

But yeah, uh- David is apparently sort of the mc which is cool- Him copying Xander’s sprite is so ahfjwuviwkvodo

DRDT is getting so good rn and Ch2 isn’t even done yet I’m so excited for the next ep-

[gingermintpepper]

I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)

SO do you have any favorites among the paintings that represent this story??

OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS

I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).

Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀

Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.

(Photo. Marie-Lan Ngyuen)

(Photo. Museo Claudio Faina)

Also the one in the Theoi.com archives is a real classic - perfect energy.

[callixton]

i think the thing to understand abt martha jones is that even after she leaves she is five seconds away from dropping everything and traveling with the doctor at any given time. bc that itch to blow everything up and damn her personal duty to hell in search of a higher call never leaves her. but martha is smart. and rational. and has spent a long fucking time needing to keep herself safe. (bc he comes when she calls but never before.) and so she has gotten very good at keeping herself on the right side of those five seconds. but i do think if ten was a different person (if he could acknowledge how much he needed her instead of just how much he liked her) (if he didn’t feel this righteous martyrdom when it comes to being left alone) (if he cared enough about her to beg. if he cared enough about himself.) i think that her answer no would come crumbling down pretty quickly is all.

[sallymew4]

kids when they hear that their dad is back in town VS. kids when theyre hanging out with a conman that accidentally stole their wallet once

im not even joking btw

bonus heres me being crazy about them in dms ^^^

[zukkacore]

Something about a Pygmalion take on Jaceporter is so appealing to me… in that way that Porter reveres power and domination… the tension between his desire to seek out and keep a Jace as a perfect spineless compliant lackey vs a need to remake Jace in the image of someone who is powerful and dominant and assertive. Jace that is complacent and cowardly and passive is a Jace he can use and control but never respect, and he loves what that Jace can do FOR him. But as Jace is transformed by rage, a Jace who is furious and oppositional and autonomous and actualized and powerful and is able to stand in the face of Porter and tell him he cannot stay even if it means death is a Jace he can respect and maybe even admire but no longer control. In the same way Henry Higgins cannot truly make a Lady until she has outgrown him, (“Eliza you’re magnificent. 5 minutes ago you were a millstone around my neck and now you’re a tower of strength. A consort battleship. I like you this way Eliza” “goodbye professor Higgins”). Because conflict is at the heart of war, Porter cannot truly anoint a Saint of the God of War until Jace has outgrown him.