#deni ponty
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I dreamt this was Lestat
#interview with the vampire#lestat de lioncourt#the vampire lestat#sam reid#samstat#iwtvamc#wolfkiller#lepidoptera pintora#deni ponty#inspired by
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Deni Ponty
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"Sleeping nude male", by Deni Ponty. Contemporary Dutch-American artist. oil on panel
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"Sleeping nude male", by Deni Ponty. Contemporary Dutch-American artist. oil on panel
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inspiration/reference: lovers on a sofa by deni ponty
#disco elysium#harry du bois#kim kitsuragi#kimharry#harrykim#traditional art#don't have the energy to do more than a pencil drawing 😵💫#apologies to Harry for cutting off his feet :| should've paid more attention to placement and all that when i was starting this
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I have to keep jumping up and pacing around the room and shaking tensing my entire body because Maurice Merleau-Ponty’s “perceptual faith” is exactly what the fuck I’ve been scratching at. Instinctual faith, animal faith, a corporeal, prereflective faith, a “natal pact” that none of us can affirm or deny because it (literally) grounds the very ability to affirm or deny anything at all; a faith none of us ever fully relinquish no matter how much we doubt what carries us
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Does Ponti have ANY redeeming qualities?
um yes i think the fuck he does for starters how about his relationship with Abby and how he helped Abio better accept himself and made him discover more about himself through their love and bond and how he allowed Abby to teach him how to love and care for the first time in his life and gave Abby the space to figure out how to express love himself, something Abby denied himself his entire life out of shame; or how he's now Ollie's partner in crime and how they bond over horrible childhoods and helped Ollie open up about his own trauma and also challenged Ollie about leadership whilst being challenged himself thus maturing both of them as to what it means to be a true leader and good influence; or how he helped Kari overcome her feeling of embarrassment of having a giant "obnoxious" dragon form and helped her become more comfortable in her own skin since they can bond over reptilian similarities and they help each other embrace their harder to handle forms and also made Kari break out of her guilty feeling of having to be sweet and nice all the time and encouraged her to stand her ground no matter how mean she has to be and how he makes her feel 100% safe while skating at night if Ollie is unable to be there; or what about how he has grown fond of Vinny and practices being mostly gentle with him and strives to give Vinny a healthier childhood than he did and despite having rough and blunt ways of showing positive reassurance still tries to be an older brother for Vinny; if none of those what about the fact that Every Single Person in his entire life up until Ollie has had a horrible influence on him and, despite being the wretched monster he was literally deliberately raised to be, still managed to try to change his life that he loathed for the better and do a 180 and that's without spoiling as much as i can
#ur lucky i suck at articulating any words ever bc i wouldve torn ur ass a new one with his intricate character development#cause i know for a damn fact im forgetting something else very important but my brain is that of a goldfish#ponti
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2024 olympics Switzerland roster
Athletics
Charles Devantay (Zurich)
William Reais (Chur)
Timothé Mumenthaler (Geneva)
Felix Svensson (Versoix)
Lionel Spitz (Adliswil)
Jonas Raess (Zurich)
Jason Joseph (Basel)
Julien Bonvin (Sierre)
Tadesse Abraham (Geneva)
Matthias Kyburz (Rheinfelden)
Ricky Petrucciani (Locarno)
Simon Ehammer (Stein)
Emma Van Camp (Bern)
Annina Fahr (Schaffhausen)
Catia Gubelmann (Zurich)
Lena Wernli (Zurich)
Julia Niederberger (Buochs)
Giulia Senn (Bern)
Géraldine Frey (Zurich)
Salomé Kora-Joseph (St. Gallen)
Mujinga Kambundji (Bern)
Ditaji Kambundji (Bern)
Léonie Pointet (Jongny)
Audrey Werro (Fribourg)
Rachel Pellaud (Biel/Bienne)
Valentina Rosamilia (Aargau)
Yasmin Giger (Romanshorn)
Fabienne Schlumpf (Wetzikon)
Helen Eticha (Geneva)
Sarah Atcho-Jaquier (Lausanne)
Angelica Moser (Andelfingen)
Pascale Stöcklin (Basel)
Annik Kälin (Zurich)
Badminton
Tobias Künzi (Würenlingen)
Jenjira Stadelmann (Bern)
Canoeing
Martin Dougoud (Geneva)
Alena Marx (Bern)
Climbing
Alexander Lehmann (Bern)
Cycling
Stefan Bissegger (Weinfelden)
Marc Hirschi (Ittigen)
Stefan Küng (Wil)
Alex Vogel (Frauenfeld)
Mathias Flückiger (Bern)
Nino Schurter (Tursnaus)
Cédric Butti (Thurgau)
Simon Marquart (Zurich)
Elise Chabbey (Geneva)
Noemi Rüegg (Schöfflisdorf)
Linda Zanetti (Lugano)
Elena Hartmann (Grisons)
Aline Seitz (Basel)
Michelle Andres (Baden)
Alessandra Keller (Ennetbürgen)
Sina Frei (Männedorf)
Nikita Ducarroz (Sonoma County, California)
Nadine Aeberhard (Bern)
Zoe Claessens (Echichens)
Equestrian
Robin Godel (Fribourg)
Felix Vogg (Waiblingen, Germany)
Steve Guerdat (Elgg)
Martin Fuchs (Zurich)
Edouard Schmitz (Wangen An Der Aare)
Pius Schwizer (Oensingen)
Andrina Suter (Schaffhausen)
Mélody Johner (Cheseaux-Sur-Lausanne)
Fencing
Alex Bayard (Sion)
Pauline Brunner (La Chaux-De-Fonds)
Golf
Joel Girrbach (Kreuzlingen)
Albane Valenzuela (Dallas, Texas)
Morgane Métraux (Lausanne)
Gymnastics
Luca Giubellini (Rebstein)
Matteo Giubellini (Rebstein)
Florian Langenegger (Bühler)
Noe Seifert (Sevelen)
Taha Serhani (Hutwill)
Lena Bickel (Ticino)
Judo
Nils Stump (Uster)
Daniel Eich (Fribourg)
Binta Ndiaye (Bern)
Pentathlon
Alexandre Dällenbach (Saint-Denis, France)
Anna Jurt (Bern)
Rowing
Scott Bärlocher (Würenlos)
Dominic-Remo Condrau (Zurich)
Maurin Lange (Bern)
Jan Plock (Zurich)
Patrick Brunner (Zurich)
Kai Schaetzle (Lucerne)
Joel Schurch (Schenkon)
Raphaël Ahumada (Lausanne)
Jan Schäuble (Bern)
Andrin Gulich (Zurich)
Roman Röösli (Neuenkirch)
Tim Roth (Zurich)
Célia Dupré (Plan-Les-Ouates)
Lisa Lötscher (Meggen)
Fabienne Schweizer (Lucerne)
Pascale Walker (Zurich)
Aurelia-Maxima Janzen (Bern)
Sailing
Elia Colombo (Bern)
Arno De Planta (Pully)
Yves Mermod (Zurich)
Sébastien Schneiter (Bern)
Elena Lengwiler (Hinwil)
Maud Jayet (Lausanne)
Maja Siegenthaler (Spiez)
Shooting
Jason Solari (Malveglia)
Christoph Dürr (Zurich)
Nina Christen (Stans)
Audrey Gogniat (Le Noirmont)
Chiara Leone (Frick)
Swimming
Tiago Behar (Lutry)
Antonio Djakovic (Frauenfeld)
Thierry Bollin (Bern)
Roman Mityukov (Geneva)
Noè Ponti (Locarno)
Jérémy Desplanches (Geneva)
Nils Leiss (Geneva)
Lisa Mamié (Zurich)
Tennis
Stan Wawrinka (Stans)
Viktorija Golubić (Zurich)
Triathlon
Adrien Briffod (Vevey)
Max Studer (Kestenholz)
Sylvain Fridelance (Vaud)
Julie Derron (Zurich)
Cathia Schär (Lavaux-Oron)
Volleyball
Tanja Hüberli (Thalwil)
Nina Brunner (Steinhausen)
Esmée Böbner (Hasle)
Zoé Vergé-Dépré (Berne, Germany)
#Sports#National Teams#Switzerland#Celebrities#Races#Boats#Animals#Germany#Fights#Golf#Texas#France#Tennis
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The Philosophy of Relational Ontology
Relational ontology is a branch of metaphysics that focuses on the idea that entities exist and gain their meaning through their relationships with other entities, rather than being independent and self-contained. It challenges the traditional, substance-based ontology, which views entities as possessing intrinsic properties that define them in isolation. In relational ontology, the essence or identity of things is shaped by the web of relations in which they are embedded.
1. Core Concepts of Relational Ontology
Being-in-Relation: The foundational idea of relational ontology is that entities are defined by their relations rather than their inherent qualities. In this view, no entity exists in isolation; rather, all beings are interconnected, and their existence is shaped by their relationships with others. This contrasts with the traditional substance ontology, which sees entities as having intrinsic, unchanging properties.
Relational vs. Substantial Ontology: Substantial ontology posits that things exist independently and their identity is determined by their internal characteristics. Relational ontology, by contrast, holds that the essence of a thing arises from its relations to other things, making these relations central to the understanding of existence.
2. Historical and Philosophical Roots
Process Philosophy: A key influence on relational ontology comes from process philosophy, especially the work of Alfred North Whitehead. In process philosophy, reality is understood as a series of interconnected events and processes, with entities constantly in flux, shaped by their interactions with others. Whitehead’s concept of actual occasions and the interrelatedness of events is foundational to relational thinking.
Phenomenology and Existentialism: Philosophers like Martin Heidegger and Maurice Merleau-Ponty also emphasize the relational nature of existence. Heidegger’s concept of being-with-others (Mitsein) highlights how human existence is fundamentally relational, and Merleau-Ponty explores how perception and embodiment are shaped by our relationships with the world and others.
Eastern Philosophy: Relational ontology is often compared to ideas from Buddhism and Taoism, which emphasize the interconnectedness of all things. The Buddhist notion of dependent origination (pratītyasamutpāda) states that all phenomena arise in dependence on causes and conditions, denying the existence of independently existing entities.
3. Relational Ontology in Social and Political Philosophy
Identity and Social Relations: In social philosophy, relational ontology is applied to understand how personal and social identity is formed through relations. Feminist philosophy and social constructivism often draw on relational ontology to critique individualistic and essentialist understandings of identity, emphasizing that identity is shaped by social, cultural, and historical contexts.
Interpersonal Ethics: Relational ontology informs ethical discussions about the self and others, suggesting that ethical behavior arises not from abstract principles, but from the recognition of our interdependent existence. Philosophers like Emmanuel Levinas argue that ethics is grounded in the relationship between self and the other, where the face of the other demands a response that acknowledges their humanity.
Communitarianism: In political theory, relational ontology is aligned with communitarianism, which critiques liberal individualism. Communitarians argue that individuals are deeply embedded in social and communal relationships, and these relationships are essential for understanding justice, rights, and responsibilities.
4. Relational Ontology in Science and Environmental Ethics
Quantum Physics and Relational Ontology: Some philosophers argue that modern physics, particularly quantum mechanics, supports a relational view of reality. Quantum entanglement, for instance, suggests that particles do not have definite properties until they interact with other particles, supporting the idea that entities are defined by their relations.
Ecological and Environmental Ethics: Relational ontology also plays a significant role in environmental philosophy. It challenges the anthropocentric view that humans are separate from nature, emphasizing instead that humans are part of a larger ecological web. Deep ecology and other environmental movements adopt relational thinking to advocate for the intrinsic value of ecosystems and the interdependence of all life forms.
5. Critiques and Challenges
Objectivity and Relational Ontology: Critics of relational ontology question whether it can account for objective knowledge. If entities are only understood through their relations, it may be difficult to establish an objective foundation for truth. Relativism is a potential problem if all meaning is seen as dependent on particular relationships and contexts.
The Problem of Individual Autonomy: Another critique focuses on the implications for individual autonomy. If entities, including persons, are fully constituted by their relationships, critics argue that this could undermine the idea of personal freedom and responsibility. Relational autonomy attempts to address this by emphasizing that autonomy itself is relational, shaped by social interactions and dependencies.
6. Relational Ontology in Contemporary Philosophy
Poststructuralism and Deconstruction: In poststructuralism, relational ontology resonates with philosophers like Jacques Derrida, who emphasize the instability of meaning and the play of differences. Deconstruction challenges the notion of fixed identities and emphasizes the relational nature of language, meaning, and existence.
New Materialism: In new materialist thought, relational ontology influences discussions about the agency of matter and the interconnectedness of human and non-human entities. Philosophers like Karen Barad draw on quantum physics to argue that matter itself is relational, challenging the traditional divide between subjects and objects.
7. Relational Ontology in Religion and Theology
Theology and Relationality: In theology, relational ontology has been influential in discussions of the nature of God and divine action. Process theology builds on the relational ideas of process philosophy to argue that God is not a distant, unchanging entity, but is dynamically involved in the unfolding of the world through relationships with creation.
Interfaith Dialogue and Relational Being: Relational ontology also plays a role in interfaith dialogue, where understanding religious differences requires an appreciation of the relational context in which beliefs and practices develop.
Relational ontology challenges the traditional notion of independent entities with fixed identities, proposing instead that existence and meaning are fundamentally shaped by relationships. This approach has profound implications across philosophy, from metaphysics and ethics to politics, science, and theology. By focusing on interconnectedness, relational ontology offers a framework for understanding the complexity of identity, ethics, and existence in a world defined by interaction and interdependence.
#philosophy#epistemology#knowledge#learning#education#chatgpt#ontology#metaphysics#ethics#psychology#Relational Ontology#Metaphysics of Relations#Process Philosophy#Interconnectedness#Social Ontology#Environmental Ethics#Relational Identity#Quantum Relationality
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DENI PONTY
Lovers on a Sofa.
Oil on canvas. 460x610 mm; 18 1/8x24 inches. Signed and dated in oil, lower left recto. 1992.
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Liste culturelle 2023
JANVIER
LIVRES
Le mur invisible de Marlen Haushofer
Histoire du Protestantisme de Jean Baudérot
FILMS
Godland de Hlynur Palmason
Dune de Denis Villeneuve
FEVRIER
SERIES
Tuca and Bertie de Lisa Hanawalt
Demon Slayer de Koyoharu Gotoge
FILMS
Le Retour des hirondelles de Li Ruijun
Wasabi de Gérald Krawczyk
All of Them Witches de Mona Panchal
LIVRES
Chaque geste compte. Manifeste contre l'impuissance publique de Dominique Bourg et Johann Chapoutot
La cabane magique. Panique à Pompéi de Mary Pope Osborne
Assassination classroom de Yusei Matsui
MARS
SERIES
Hollywood de Ryan Murphy
Supernatural de Eric Kripke
LIVRE
L’existentialisme est un humanisme de Jean-Paul Sartre
FILM
Fight Club de David Fincher
AVRIL
LIVRES
Peter Pan de Barrie
Informal beauty. The photograhs of Paul Nash de Simon Grant
Perceptions de Nathalie Man
La société des personnes vulnérables. Leçons féministes d’une crise. de Najat Vallaud-Belkacem et Sandra Laugier
Les hommes sont absents de Nathalie Man
FILMS
Bullet Train de David Leitch
Atonement de Joe Wright
Porco Rosso de Hayao Miyazaki
BlacKKKlansman de Spike Lee
Hokusai de Hajime Hashimoto
MAI
FILMS
It follows de David Robert Mitchell
Midsommar de Ari Aster
Little women de Greta Gerwig
Guardians of the Galaxy. Vol.3 de James Gunn
LIVRES
Le chat noir et autres histoires de Edgar Allan Poe
Déclaration des droits de la femme et du citoyen de Olympe de Gouges
JUIN
LIVRES
Émotions, souffrance, délivrance de Doctor Tuan Anh Tran
Capital: Vientiane de Guez, Pichelin and Troub's
Something to hide. Exploration des messages cachés du rock de Diego Gil et Johann Guyot
FILMS
Air de Ben Affleck
Eating our way to extinction de Kate Winslet
Susan, jour après jour de Stéphane Manchematin et Serge Steyer
Palm Springs de Marx Barbakow
Mike and Dave need wedding dates de Jake Szymanski
Clueless de Amy Heckerling
Spider-Man : Across the Spider-Verse de Joaquim dos Santos, Kemp Powers et Justin K.Thompson
JUILLET
LIVRES
Bathory. La comtesse maudite d'Anne-Perrine Couet
Une rainette en automne (et plus…) de Linnea Sterte
FILMS
Prisoners de Denis Villeneuve
Tarzan de Kevin Lima et Chris Buck
Turning Red de Domee Shi
AOUT
FILMS
Mercenaire de Sacha Wolff
Behind every good man de Nikolai Ursin
The Fast and the Furious de Rob Cohen
Born behind stones de Carina Freire
Lands that Rises and Descends de Moona Pennanen
LIVRE
Des âmes et des saisons : Psycho-écologie de Boris Cyrulnik
SEPTEMBRE
FILMS
Body Samples de Astrid de la Chapelle
Galb'Echaouf d'Abdessamad El Montassir
La ciudad de los fotógrafos de Sebastian Moreno
Happiest Season de Clea DuVall
En communauté de Camille Octobre Laperche
Barbie de Greta Gerwig
Encanto de Byron Howard et Jared Bush
Mon amour, mon ami d'Adriano Valerio
Bottoms d'Emma Seligman
LIVRES
Lettres à un jeune poète de Rainer Maria Rilke
Ich de Martina Weinhart
Poèmes à la nuit de Rainer Maria Rilke
SERIE
Downtown Abbey d'après l'oeuvre de Julian Fellowes
OCTOBRE
FILMS
Downtown Abbey de Michael Engler
Downtown Abbey : Une nouvelle ère de Simon Curtis
Sur le rocher de Sandrine Rouxel
Dangereuse Alliance d'Andrew Fleming
Folie douce, folie dure de Marine Laclotte
The Craft : Les Nouvelles sorcières de Zoe Lister-Jones
Trois mille ans à t'attendre de George Miller
The Crow d'Alex Proyas
Le jardin des planches de Monique Barrière
On vous parle du Chili : Ce que disait Allende de Chris Marker et Miguel Littin
LIVRES
L’œil et l'Esprit de Maurice Merleau-Ponty
Vivian Maier en toute discrétion de Françoise Perron
Des histoires vraies de Sophie Calle
Henri Cartier-Bresson des collections Photo Poche et introduction écrite par Jean Clair
Palm Springs 1960 - Robert Doisneau par Jean-Paul Dubois
Vivian Maier Self-Portraits de John Maloof et Elizabeth Avedon
NOVEMBRE
FILMS
Crimson Peak de Guillermo del Toro
Astérix et Obélix. Mission Cléopâtre d'Alain Chabat
Le Garçon et le Héron d'Hayao Miyazaki
Hamama & Caluna d'Andreas Muggli
Journal de Sébastien Laudenbach
In Paris Parks de Shirley Clarke
LIVRES
Ces hommes qui m'expliquent la vie de Rebecca Solnit
Pulp Poiesis : Écriture(s) en suspens(ion) d'Alizée Pichot
Enfant de la nuit polaire de Julia Nikitina
DECEMBRE
LIVRES
Nouveaux poèmes suivi de Requiem par Rainer Maria Rilke
Pampilles de Florentine Rey
Notes sur la mélodie des choses et autres textes de Rainer Maria Rilke
FILMS
Willy's Wonderland de Kevin Lewis
Family Switch de Joseph McGinty Nichol
Skyscraper de Shirley Clarke
Le monde après nous de Sam Esmail
Sensitive Content de Narges Kalhor
Snow Job : the Media Hyteria of Aids de Barbara Hammer
They Are Lost to Vision Altogether de Tom Kalin
Autour d'eux, la nuit de Vassili Schémann
Blight de John Smith
Tér d'Istvan Szabo
Chicken Run : La Menace nuggets de Sam Fell
SERIE
Lupin de George Kay et François Uzan
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“But intellectual life is flourishing in the cafés, institutes and academies, as refugees forge community in exile. And at the École Pratique des Hautes Études, one of France’s most prestigious research universities, Alexandre Kojève has taken over Alexandre Koyré’s seminar on The Phenomenology of Spirit (1807) by G W F Hegel. Between 1933 and 1939, Raymond Aron, Georges Bataille, André Breton, Gaston Fessard, Jacques Lacan, Maurice Merleau-Ponty, Éric Weil, Hannah Arendt, Jean-Paul Sartre, Simone de Beauvoir, Frantz Fanon, Raymond Queneau, Emmanuel Levinas all come to hear his lectures. A collection of the most renowned thinkers of the day, who would come to lay the intellectual foundations for 20th-century philosophy, political thought, literature, criticism, psychology and history. It is said that Kojève’s lectures were so intricate, so deft, that Arendt accused him of plagiarising. Bataille fell asleep. Sartre couldn’t even remember being there.
(…)
The short answer is that Kojève made Hegel accessible by bringing to the surface one of the essential elements of his work: desire. Kojève did not deny he was providing a reading of Hegel that transformed the text. His interpretation has been described as ‘creative’, ‘outrageous’ and ‘violent’. The question Kojève placed at the centre of his lectures was: ‘What is the Hegelian person?’ And he answered this question through a discussion of human desire by centring a brief section in the Phenomenology titled ‘Independence and Dependence of Self-consciousness: Lordship and Bondage’, which is popularly rendered as ‘the master/slave dialectic’. And by centring this nine-page section of a 640-page work, Kojève offered readers a way to grasp an otherwise elusive text.
Poetic in its opacity, perplexing in its terminology, Hegel’s work offers an understanding of the evolution of human consciousness where the finite mind can become a vehicle for the Absolute. But what does that mean? Kojève took the lofty prose of Hegel down from the heavens and placed it in human hands, offering a translation: this is a book about human desire and self-consciousness. Or, as the philosopher Robert Pippin writes:
Kojève, who basically inflates this chapter to a free-standing, full-blown philosophical anthropology, made this point by claiming that for Hegel the distinctness of human desire is that it can take as its object something no other animal desire does: another’s desire.
What was Kojève’s reading of the master/slave dialectic?
In Kojève’s reading, human beings are defined by their desire for recognition, and it is a desire that can be satisfied only by another person who is one’s equal. On this reading, Kojève unfolds a multi-step process: two people meet, there is a death-match, a contest of the wills between them, and whoever is willing to risk their life triumphs over the other, they become the master, the other becomes a slave, but the master is unable to satisfy his desire, because they’re recognised only by a slave, someone who is not their equal. And through the slave’s work to satisfy the master’s needs, coupled with the recognition of the master, ultimately the slave gains power.
What is essential for Kojève is that one risk their life for something that is not essential. The one who shrinks before the other in fear of death becomes the slave. The one willing to die – to face the inevitability of their own non-existence – becomes the master. In other words, desire is an exertion of the will over an other’s desire. Or, as the French psychoanalyst Jacques Lacan would come to say: ‘Desire is the desire of the Other’s desire.’ It is not an attempt to possess the other person physically, but to force the other person in that moment of contest to make the other give, to bend their will, in order to achieve superiority. And in this moment, Kojève writes: ‘Man will risk his biological life to satisfy his nonbiological Desire.’ In order to gain recognition in this sense, one must be willing to risk everything – including their life. It is a struggle for mastery of the self.
Instead of Hegel’s roundabout of self-consciousness that exists in itself and for itself but always and only in relation to another, Kojève gives us: self-consciousness is the I that desires, and desire implies and presupposes a self-consciousness. Thinking about the relation between the finite mind and Absolute knowledge is opaque, but desire is human. People know what it feels like to desire, to want, to crave to be seen, to feel understood. Desire is the hunger one feels to fill the absence inside themselves. Or, as Kojève put it: ‘Desire is the presence of absence.’
(…)
Perhaps most importantly, what Kojève understood was the extent to which we humans desire to exercise some control over how other people see us differently from the ways in which we see ourselves. However tenuous or certain our sense of self-identity may seem, it is our very sense of self that we must risk when we appear in the world before others – our identity, desire, fear and shame. There is no guarantee that we will be seen in the way we want to be seen, and feeling misrecognised hurts when it happens, because it wounds our sense of self. But this risk is vital – it is part of what makes us human, it is part of our humanity. And whereas Kojève’s reading drives toward an ideal of social equality that affirms one’s preexisting sense of self when confronted by an other, for Hegel, one must take the other’s perception of the self – whatever it may be – back into their own self-consciousness. In other words, whereas for Hegel freedom rested upon the ability to preserve difference, for Kojève it rested upon the ability to preserve one’s own identity at the expense of difference.
In bringing the lofty language of Hegel down from the heavens, Kojève offered readers a secular understanding of human action, which requires each and every individual to reckon with the inevitability of their own death, their own undoing. And in doing so he shifted the focus toward the individual as the locus of social change, where history unfolds toward an aristocratic society of equals, where all difference is destroyed. Influenced by Karl Marx’s account of class struggle as the engine of history, and Martin Heidegger’s understanding of being-toward-death, Kojève’s reading of the master/slave dialectic presents another form of contest between oppressor and oppressed, where mastery over another in order to master oneself becomes the means to equality, and ultimately justice within society. Kojève adopted the master/slave dialectic in order to develop what Michael Roth called ‘a schema for organising change over time’, to think about the movement of history. And the master/slave dialectic unfolds at the level of the individual and the level of society, where the self gains recognition as a desiring subject through the endless battle for recognition that is appearing in the world with others, and the level of society where all past historical movements will be judged within a framework of right, which is the end of history.
This has been in part the legacy of Kojève. Influenced by Kojève’s reading of the master/slave dialectic, Sartre argued in Being and Nothingness (1943) that man’s freedom is found in negation. In The Second Sex (1949), Beauvoir turned to Kojève to think about women’s oppression in relation to man and the need for intersubjective recognition. Lacan’s ‘mirror-stage’ follows Kojève’s reading of Hegel to understand the role of desire as a lack in the formation of human subjectivity. Bataille turned to Kojève to argue that one could experience full self-sovereignty only in a moment of pure negation. For Foucault, it led to the belief that there is no desire free from power-relations – his central theme. And for Fukuyama, this historical contest of wills evolving along a linear temporal plane toward an equal and just society has become the much-mocked ‘end of history’ thesis – the idea that Western liberal democracy has evolved as the final form of human government in the postwar world. The postwar world Kojève himself helped to shape, before his untimely death in 1968. Ultimately, Fukuyama’s thesis captures the difference between Hegel and Kojève’s Hegel: for Kojève, the ideal of universal equality won through an endless battle for recognition was always an individualist notion that required domination when confronted by otherness. But for Hegel, human freedom could be won only through collectivity by embracing the opacity of otherness that we are constantly confronted with in ourselves, and in the world with others. It is an acceptance of that fact that self-mastery will always remain an illusion.”
#kojeve#kojève#alexandre kojève#philosophy#leo strauss#francis fukuyama#stalin#hegel#hegelian#sartre#bataille
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Le 19, CRAC Montbéliard : programme d'avril 2024
Voici le programme du 19, Centre Régional d’Art contemporain, de Montbéliard d'avril 2024 : Cum Panis : le pain et ses écologies Une exposition collective, du 10 février 2024 au 5 mai 2024 au 19, Crac Co-curatrices : Grace Gloria Denis et Adeline Lépine Avec des œuvres de : Amanny Ahmad, Broudou Magazine, Grace Gloria Denis, Ymane Fakhir, Sameer Farooq, Anna Bella Geiger, Alison Knowles, Valeria Mata, Gordon Matta-Clark, Julia Morlot, Claude Ponti, Lúcia Prancha, Marie Preston, Lexie Smith et Louise Johansson Waite. Avec des objets issus des collections du Musée de Grenoble et du Musée de la Résistance et de la Déportation de Besançon. Une exposition collective rassemblant des pratiques artistiques internationales à propos du pain, de ses écologies et de ses effets sociaux, politiques, économiques, culturels et esthétiques. Dernière visite commentée de l'exposition le dimanche 7 avril à 15h30. Entrée libre. Dans le cadre de Pays d’Agglomération de Montbéliard Capitale Française de la Culture 2024. Avec le soutien du Centre Culturel Canadien et de l'Institut Français à Tunis. ADOS - ATELIER POV : mercredi 10 avril 2024 de 14h30 à 16h30 Tu sais pitcher une anecdote en 3 minutes et tu te sens l’âme d’un·e critique d’art ? À l’image d’un vrai journaliste, viens découvrir le pain et son histoire sous ses aspects même les plus extravagants et donne-nous TON point de vue sur l’exposition Cum Panis. Atelier d’analyse critique à partir de 14 ans. Entrée libre. CLUB DU LEVAIN : samedis 13 et 27 avril 2024 à partir de 16h00 Participez à la constitution d’une bibliothèque de levain. Déposez, échangez, nourrissez, dégustez les levains et mettez la main à la pâte lors de rencontres organisées deux samedis par mois avec les artistes et médiateurs de l’exposition. Basés sur la libre initiative, l’échange et le partage d’expériences, ces temps conviviaux sont ouverts à toutes et tous, petits et grands, boulangers aguerris ou amateurs. Samedi 13 avril 2024 : l'artiste de l'exposition Sameer Farooq proposera une présentation de son travail et de ses recherches autour des pains plats dans les pays utilisant des fours tandoor. Entrée libre. VISITE EN FAMILLE : samedi 6 avril 2024 de 16h00 à 17h30 C’est une catastrophe ! Ne pouvant résister à sa gourmandise, Tadoramour a dévoré la baguette magique d’Isée. Pour remédier à ce problème aidons Tadoramour à préparer une nouvelle baguette en retrouvant sa recette oubliée. Résolvons ensemble les énigmes du 19 et retrouvons les ingrédients essentiels à la préparation d’une bonne baguette magique ! Gratuit, réservation au 03 81 94 13 47 ou [email protected] STAGE VACANCES : Bienvenue au Pain Palace ! Du mardi 16 avril 2024 au vendredi 19 avril 2024 , 14h00-17h00 Pendant les vacances, c’est toi l’artiste ! À l’occasion de sa nouvelle exposition consacrée au pain, le 19 ouvre son tout nouveau restaurant, le Pain Palace ! Pour cela, nous avons besoin de ton aide. De la création de son enseigne à l’élaboration d’un menu hautement créatif nous t’invitons à rejoindre cette nouvelle aventure et convier ta famille pour une performance culinaire originale en fin de semaine. Atelier arts plastiques pour les 7-12 ans, tarif 30 €. Sur réservation au 03 81 94 13 47 ou [email protected]. BUS TOUR TRAC* spécial familles : samedi 20 avril 2024 de 14h00 à 18h00 Le Bus Tour TRAC* (Tiny réseau d’art contemporain de l’axe Belfort-Montbéliard) reprend du service avec un circuit spécial familles : visites d’expositions, rencontre d’artiste et propositions ludiques adaptées au jeune public au 19, Crac, à l’École d'art de Belfort et à l'Espace multimédia Gantner (visites ludiques et jeu de piste - à partir de 6 ans), le tout en transport en commun. Réservation par mail à [email protected] ou en cliquant ici. Départ 13h00 de Besançon et retour à 19h00 ou départ 14h00 de Montbéliard et retour à 18hOO. infos > 03 81 94 13 47 ou [email protected] ou www.le19crac.com Read the full article
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36 Critique of theoretical reason
principle, in the different areas of practice. Sometimes the anthropologist
presents as the objective principle of practice that �hich is obtained and
constructed through the work of objectification, projecting into reality
what only exists on paper; sometimes he interprets actions which, like rites
and myths, aim to act on the natural world and the social world, as if
they were operations designed to interpret them. 5 Here too, the so-called
objective relation to the object, which implies distance and externality,
comes into contradiction in a quite practical way with the practical
relationship which it has to deny in order to constitute itself and by the
same token to constitute the objective representation of practice :
'His vision [that of a simple participant in a rite] is circumscribed by
his occupancy of a particular position, or even of a set of situationally
conflicting positions, both in the persisting structure of his society, and
also in the role structure of the given ritual. Moreover, the participant is
likely to be governed in his actions by a number of interests, purposes,
and sentiments, dependent upon his specific position, which impair his
understanding of the total situation. An even more serious obstacle against
his achieving objectivity is the fact that he tends to regard as axiomatic
and primary the ideals, values, and norms that are overtly expressed or
symbolized in the ritual. . . . What is meaningless for an actor playing a
specific role may well be highly significant for an observer and analyst of
the total system' (V. Turner 1967: 67).
Only by means of a break with the theoretical vision, which is experienced
as a break with ordinary vision, can the observer take account, in his
description of ritual practice, of the fact of participation (and consequently
of his own separation from this) ; only a critical awareness of the limits
implied in the conditions of production of theory can enable him to include
in the complete theory of ritual practice properties as essential to it as the
partial, self-interested character of practical knowledge or the discrepancy
between the practically experienced reasons and the 'objective' reasons of
practice. But the triumphaliJill of theoretical reason is paid for in its
inability, from the very beg�nning, to move beyond simple recording of
the duality of the paths of knowledge, the path of appearances and the
path of truth, doxa and episteme, common sense and science, and its
incapacity to win for science the truth of what science is constructed
against.
Projecting into the perception of the social world the unthought content
inherent in his position in that world, that is, the monopoly of 'thought'
which he is granted de facto by the social division of labour and which
leads him to identify the work of thought with an effort of expression and
verbalization in speech or writing - 'thought and expression are constituted
simultaneously', said Merleau-Ponty - the 'thinker' betrays his secret
conviction that action is fully performed only when it is understood,
interpreted, expressed, by identifying the implicit with the unthought and
by denying the status of authentic thought to the tacit and practical thought
that is inherent in all 'sensible' action.6 Language spontaneously becomes
the accomplice of this hermeneutic philosophy which leads one to conceive
Objectification objectified 37
action as something to be deciphered, when it leads one to say, for example,
that a gesture or ritual act expresses something, rather than saying, quite
simply, that it is 'sensible' (sense) or, as in English, that it 'makes' sense.
No doubt because they know and recognize no other thought than the
thought of the 'thinker', and cannot grant human dignity without granting
what seems to be constitutive of that dignity, anthropologists have never
known how to rescue the people they were studying from the barbarism
of pre-logic except by identifying them with the most prestigious of their
colleagues - logicians or philosophers (I am thinking of the famous title,
'The primitive as philosopher'). As Hocart (1970, 32) puts it, 'Long ago
[man] ceased merely to live and started to think how he lived; he ceased
merely to feel life : he conceived it. Out of all the phenomena contributing
to life he formed a concept of life, fertility, prosperity, and vitality. ' Claude
Levi-Strauss does just the same when he confers on myth the task of
resolving logical problems, of expressing, mediating and masking social
contradictions - mainly in some earlier analyses, such 'La geste d' Asdiwal'
(1958) - or when he makes it one of the sites where, like Reason in history
according to Hegel, the universal Mind thinks itself, 7 thereby offering for
observation 'the universal laws which govern the unconscious activities of
the mind' (1951).
The indeterminacy surrounding the relationship between the observer's
viewpoint and that of the agents is reflected in the indeterminacy of the
relationship between the constructs (diagrams or discourses) that the
observer produces to account for practices, and these practices themselves.
This uncertainty is intensified by the interferences of the native discourse
aimed at expressing or regulating practice - customary rules, official
theories, sayings, proverbs, etc. - and by the effects of the mode of thought
that is expressed in it. Simply by leaving untouched the question of the
principle of production of the regularities that he records and giving free
rein to the 'mythopoeic' power of language, which, as Wittgenstein pointed
out, constantly slips from the substantive to the substance, objectivist
discourse tends to constitute the model constructed to account for practices
as a power really capable of determining them. Reifying abstractions (in
sentences like 'culture determines the age of weaning'), it treats its
. ' 1 " " ' 1 1 " d f d constructions - cu ture , structures , socia c asses or mo es 0 pro uc-
tion' - as realities endowed with a social efficacy. Alternatively, giving
concepts the power to act in history as the words that designate them act
in the sentences of historical narrative, it personifies collectives and makes
them subjects responsible for historical actions (in sentences like 'the
bourgeoisie thinks that . . . ' or 'the working class refuses to accept
. . . ') . 8 And, when the question cannot be avoided, it preserves appearances
by resorting to systematically ambiguous notions, as linguists say of
sentences whose representative content varies systematically with the
context of use.
Thus the notion of the rule which can refer indifferently to the regularity
immanent in practices (a statistical correlation, for ex amp-Ie ), the model
constructed by science to account for it, or the norm consciously posited
38 Critique of theoretical reason
and respected by the agents, allows a fictitious reconciliation of mutually
contradictory theories of action. I am thinking, of course, of Chomsky,
who (in different contexts) describes grammatical rules as instruments of
description of language ; as systems of norms of which speakers have a
certain knowledge; and finally as neuro-physiological mechanisms ('A
person who knows a language has represented in his brain some very
abstract system of underlying structures along with an abstract system of
rules that determine, by free iteration, an infinite range of sound-meaning
correspondences' ( 1 967)). But it is also instructive to re-read a paragraph
from the preface to the second edition of The Elementary Structures of
Kinship, in which one may assume that particular care has been taken with
the vocabulary of norms, models or rules, since the passage deals with the
distinction between 'preferential systems' and 'prescriptive systems' :
'Conversely, a system which recommends marriage with the mother's
brother's daughter may be called prescriptive even if the rule is seldom
observed, since it says what must be done. The question of how far and
in what proportion the members of a given society respect the norm is
very interesting, but a different question to that of where this society
should properly be placed in a typology. It is sufficient to acknowledge
the likelihood that awareness of the rule inflects choices ever so little in
the prescribed directions, and that the percentage of conventional marriages
is higher than would be the case if marriages "jere made at random, to be
able to recognize what might be called a maH'ilateral operator at work in
this society and acting as a pilot: certain alliances at least follow the path
which- it charts out for them, and this suffices to imprint a specific curve
in the genealogical space. No doubt there will be not j ust one curve but
a great number of local curves, merely incipient for the most part, however,
and forming closed cycles only in rare and exceptional cases. But the
structural outlines which emerge here and there will be enough for the
system to be used in making a probabilistic version of more rigid systems,
the notion of which is completely theoretical and in which marriage would
conform rigorously to any rule the social group pleases to enunciate' (Levi
Strauss 1969 : 33, my italics).
The dominant tonality in this passage, as in the wh()le preface, is that
of the norm, whereas Structural Anthropology is written in the language
of the model or structure ; not that such terms are entirely absent here,
since the metaphors organizing the central passage (,operator', 'curve' in
'genealogical space', 'structural outlines') imply the logic of the theoretical
model and the equivalence (which is both professed and repudiated) of the
model and the norm : 'A preferential system is prescriptive when envisaged
at the level of the model, a prescriptive system can only be preferential
when envisaged at the level of reality' ( 1 969 : 33).
But for the reader who remembers the passages in Structural A nthropology
on the relationship between language and kinship (for example, "'Kinship
systems", like "phonemic systems", are built up by the mind on the level
of unconscious thought' [Levi-Strauss 1968 : 34]) and the imperious way
in which 'cultural norms' and all the 'rationalizations' or ' secondary
Objectification objectified 39
arguments' produced by the natives were rejected in favour of the
'unconscious structures', not to mention the texts asserting the universality
of the fundamental rule of exogamy, the concessions made here to
'awareness of the rule' and the dissociation from rigid systems 'the notion
of which is entirely theoretical', may come as a surprise, as may this
further passage from the same preface : 'It is nonetheless true that the
empirical reality of so-called prescriptive systems only takes on its full
meaning when related to a theoretical model worked out by th e natives
themselves prior to ethnologists' ( 1 969: 32, my italics) ; or again :
'Those who practise them know full well that the spirit of such systems
cannot be reduced to the tautological proposition that each group obtains
its women from 'givers' and gives its women to 'takers'. They are also
aware that marriage with the matrilateral cross cousin (mother's brother's
daughter) provides the simplest illustration of the rule, the form most
likely to guarantee its survival. On the other hand, marriage with the
patrilateral cross cousin (father's sister's daughter) would violate it
irrevocably' ( 1 969 : 32, my italics).
It is tempting to quote in reply a passage in which Wittgenstein effortlessly
brings together all the questions evaded by structural anthropology and,
no doubt, more generally by all intellectualism, which transfers the objective
truth established by science into a practice that by its very essence rules
out the theoretical stance which makes it possible to establish that truth :
'What do I call ' the rule by which he proceeds'? - The hypothesis that
satifactorily describes his use of words, which we observe ; or the rule
which he looks up when he uses signs ; or the one which he gives us in
reply when we ask what his rule is ? - But if observation does not enable
us to see any clear rule, and the question brings none to light ? - For he
did indeed give me a definition when I asked him what he understood by
'N', but he was prepared to withdraw and alter it. So how am I to
determine the rule according to which he is playing? He does not know
it himself. - Or, to ask a better question : What meaning is the expression
'the rule by which he proceeds' supposed to have left to it here ?' ( 1 963 :
38-9).
To slip from regularity, i.e. from what recurs with a certain statistically
measurable frequency and from the formula which describes it, to a
consciously laid down and consciously respected ruling (reglement), or to
unconscious regulating by a mysterious cerebral or social mechanism, are
the two commonest ways of sliding from the model of reality to the
reality of the model. In the first case, one moves from a rule which, to
take up Quine's distinction ( 1 972) between to fit and to guide, fits the
observed regularity in a purely descriptive way, to a rule that governs,
directs or orients behaviour - which presupposes that it is known and
recognized, and can therefore be stated - thereby succumbing to the most
elementary form of legalism, that variety of finalism which is perhaps the
most widespread of the spontaneous theories of practice and which consists
in proceeding as if practices had as their principle conscious obedience to
consciously devised and sanctioned rules. As Ziff puts it :
40 Critique of theoretical reason
'Consider the difference between saying "The train is regularly two
minutes late" and "As a rule, the train is two minutes late" . . . There is
the suggestion in the latter case that that the train be two minutes late is
as it were in accordance with some policy or plan . . . Rules connect with
plans or policies in a way that regularities do not . . . To argue that there
must be rules in the natural language is like arguing that roads must be
red if they correspond to red lines on a map' ( 1 960 : 38).
In the second case, one acquires the means of proceeding as if the
principle (if not the end) of the action were the theoretical model one has
to construct in order to account for it, without however falling into the
most flagrant naiveties of legalism, by setting up as the principle of practices
or institutions objectively governed by rules unknown to the agents -
significations without a signifying intention, finalities without consciously
posited ends, which are so many challenges to the old dilemma of
mechanism and finalism - an unconscious defined as a mechanical operator
of finality. Thus, discussing Durkheim's attempts to 'explain the genesis
of symbolic thought', Levi-Strauss writes :
'Modern sociologists and psychologists resolve such problems by
appealing to the unconscious activity of the mind ; but when Durkheim
was writing, psychology and modern linguistics had not yet reached their
main conclusions. This explains why Durkheim foundered in what he
regarded as an irreducible antinomy (in itself a considerable progress over
late nineteenth-century thought as exemplifi� by Spencer) : the blindness
of history and the finalism of consciousness. Between the two there is of
course the unconscious finality of the mind' ( 1 947: 527, my italics).
It is easy to imagine how minds trained to reject the naivety of finalist
explanations and the triviality of causal explanations (particularly 'vulgar'
when they invoke economic and social factors) could be fascinated by all
the mysterious teleological mechanisms, meaningful and apparently willed
products without a producer, which structuralism brought into being by
sweeping away the social conditions of production, reproduction and use
of symbolic objects in the very process in which it revealed immanent
logic. And it is also easy to understand the credit given in advance to Levi
Strauss 's attempt to move beyond the antinomy of action consciously
oriented towards rational ends and mechanical reaction to determinations
by locating finality in mechanism, with the notion of the unconscious, a
kind of Deus ex machina which is also a God in the machine. The
naturalization of finality implied in forgetting historical action, which leads
one to inscribe the ends of history in the mysteries of a Nature, through
the notion of the unconscious, no doubt enabled structural anthropology
to appear as the most natural of the social sciences and the most scientific
of the metaphysics of nature. 'As the mind is also a thing, the functioning
of this thing teaches us something about the nature of things ; even pure
reflexion is in the last analysis an internalization of the cosmos' (Levi
Strauss 1 966: 248, my italics).
One sees the oscillation, in the same sentence, between two contradictory
explanations of the postulated identity of mind and nature : an essential
i I
I
J
Objectification objectified 4 1
identity - the mind i s a thing - o r a n identity acquired through learning
- the mind is the internalization of the cosmos. The two theses, which are
merged with the help of the ambiguity of another formulation, 'an image
of the world inscribed in the architecture of the mind' ( 1 964 : 346), in any
case both exclude individual and collective history. Beneath its air of radical
materialism, this philosophy of nature is a philosophy of mind which
amounts to a form of idealism. Asserting the universality and eternity of
the logical categories that govern 'the unconscious activity of the mind',
it ignores the dialectic of social structures and structured, structuring
dispositions through which schemes of thought are formed and transformed.
These schemes - either logical categories, principles of division which,
through the principles of the division of labour, correspond to the structure
of the social world (and not the natural world), or temporal structures,
imperceptibly inculcated by 'the dull pressure of economic relations' as
Marx puts it, that is, by the system of economic and symbolic sanctions
associated with a particular position in the economic structures - are one
of the mediations through which the objective structures ultimately structure
all experience, starting with economic experience, without following the
paths of either mechanical determination or adequate consciousness.
If the dialectic of objective structures and incorporated structures which
operates in every practical action is ignored, then one necessarily falls into
the canonical dilemma, endlessly recurring in new forms in the history of
social thought, which condemns those who seek to reject subjectivism, like
the present-day structuralist readers of Marx, to fall into the fetishism of
social laws. To make transcendent entities, which are to practices as essence
to existence, out of the constructions that science resorts to in order to
give an account of the structure and meaningful products of the accumulation
of innumerable historical actions, is to reduce history to a 'process without
a subject', simply replacing the 'creative subject' of subj ectivism with an
automaton driven by the dead laws of a history of nature. This emanatist
vision, which makes a structure - Capital or a Mode of production - into
an entelechy developing itself in a process of self-realization, reduces
historical agents to the role of 'supports' (Trager) of the structure and
reduces their actions to mere epiphenomenal manifestations of the structure's
own power to develop itself and to determine and overdetermine other
structures.
2
The Imaginary Anthropology of
Subjectivism
J ean-Paul Sartre deserves credit for having given an ultra-consistent
formulation of the philosophy of action that is accepted, usually implicitly,
by those who describe practices as strategies explicitly oriented by reference
to ends explicitly defined by a free project or even, with some interactionists,
by reference to the anticipated reactions of other agents. Thus, refusing to
recognize anything resembling durable dispositions or probable eventualit
ies, Sartre makes each action a kind of antecedent-less confrontation
between the subject and the world. This is seen clearly in the passages in
Being and Nothingness where he on the awakening of revolutionary
consciousness - a 'conversion' of consciousness p roduced by a sort of
imaginary variation - the power to create the sense of the present by
creating the revolutionary future that denies it:
'It is necessary to reverse the common opinion and acknowledge that it
is not the harshness of a situation or the sufferings i t imposes that lead
people to conceive of another state of afftirs in which things would be
better for everybody. It is on the day tJiat we are able to conceive of
another state of affairs, that a new light is cast on our trouble and our
suffering and we decide that they are unbearable' (1 957: 434-5, my italics ;
cf. also 1 953).
If the world of action is nothing other than this imaginary universe of
interchangeable possibles, entirely dependent on the decrees of the
consciousness that creates it, and therefore entirely devoid of objectivity,
if it is moving because the subj ect chooses to be moved , revolting because
he chooses to be revolted, then emotions, p assions, and also actions, are
merely games of bad faith:
'It is no accident that materialism is serious ; it is no accident that it is
found at all times and places as the favourite doctrine of the revolutionary.
This is because revolutionaries are serious. They come to know themselves
fi rst in terms of the world which oppresses them . . . The serious man is
'of the world' and has no resource in himself. He does not even imagine
any longer the possibility of getting out of the world . . . he is in bad
faith' ( 1 957: 580).
The same incapacity to encounter 'seriousness' other than in the
disapproved form of the 'spirit of seriousness
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Study for the Edge of the West, 1992
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