#delmar daves

[cantsayidont]

Haterating and hollerating in the 1950s:

SUDDEN FEAR (1952): Inventive but unsatisfying thriller about a middle-aged playwright and heiress (Joan Crawford) who discovers that her new husband (Jack Palance) and his ex-girlfriend (Gloria Grahame) are plotting to do away with her, and decides to concoct her own elaborate trap for the would-be killers, which doesn't go as planned. Palance is well-cast, walking an interesting line between charm and sociopathy, and the film gives Crawford one of her better '50s roles, but the script fails to pay off its own clever plot twists while allowing Crawford too many opportunities for her customary histrionics — particularly in a pair of over-the-top dream/fantasy sequences and in a crucial scene where the heroine has to express, without dialogue, that she's having second thoughts about her own plan. The finale, while undeniably tense and featuring striking nighttime cinematography by Charles B. Lang Jr., also feels like it belongs in a completely different movie.

THE GIRL NEXT DOOR (1953): Bright, attractively staged Fox musical (with two animated interludes) about the burgeoning romance between a successful stage star (June Haver) and her handsome new next-door neighbor (Dan Dailey), a comic strip artist and widower with a young son (Billy Gray) who's none too happy at this new competition for his father's attention. Haver and Dailey are great, and their easy repartee is very appealing. It's also interesting to see Dennis Day outside of his more familiar role as Jack Benny's idiot stooge. However, Billy Gray's character never quite rings true; there's no real reason for Joey to dislike the charming, good-humored Jeannie other than childish jealousy, so the story depends on his eventually getting over it rather than on Jeannie winning him over, which might have been more fun.

A SUMMER PLACE (1959): Overwrought Delmer Daves adaptation of a Sloan Wilson novel about two one-time lovers (Richard Egan and Dorothy McGuire), now unhappily married to others (Constance Ford and Arthur Kennedy), who decide to divorce their respective spouses so they can finally get married, only to face endless angst because their college-age kids (Sandra Dee and Troy Donahue) are also in love, in A Society That Just Doesn't Understand™. The story might have been considered daringly blunt by the standards of 1958–59, but to modern eyes, it succeeds mostly in putting the "turgid" in "dramaturgy." The script and direction are so unrelentingly heavy-handed that the actors seem like they're mining coal, with only Constance Ford (whose character is an unmitigated bitch) allowed to be anything other than laboriously tormented.

[jauntworksstudio]

My Bogie and Bacall poster collage.

[misterparadigm]

A full major cast piece for Mallory Bash.

From left to right (top):

Ira Lloyd, Mark Aldo, Cyrus Jones, Odran Bash, Olivia Tsukino, Eve Parker

From left to right (bottom):

Amber Tamlin, Ava Baker, Isaac Aldo, Mallory Bash, Saki Tsukino, Animus, Delmar Wood

[citizenscreen]

Kay Francis at dinner with Delmar Daves in the Beverley Wiltshire Hotel, 1940

[rotteneldritchhorror]

I never even fucking thought of that- Bryce being so excited to work cause it’s the only thing she had left and then being treated like shit because she was a woman- I didn’t even think of it on that level and now I’m upset-

I get what you’re saying but I have seen intersex people be FTF- but yeah- she’s just woman, what kinda woman doesn’t really matter (unless you write the shit I write and then it matters a lil bit- but still)

But YES- I hate gross out humour but Brandon decided to make Delmar’s voice soft and threatening and make him a deranged murderer so now I have to sit through those videos (also yes- the fucking date me or die clip is just JFIDHCJSKGJEJJDD pls show me ur crawlspace and bury me there pls :) <3)

I fully get Dave being up there- as a person he’s kinda terrible (sure, due to childhood trauma, but still tried to kill the whole cast) but as a character he’s fascinating

I can’t bring myself to like him very much because I’m too deep in love with arlo but I see you, and I understand you (and arlo did kinda deserve some of it-), though I do have the little part of me that wishes they never made up and kept hating each other, but also it’s nice that they kinda had a small resolution

By “you know who” I’m assuming you mean Jimmy- and I hope this doesn’t get me reemed or cancelled or whatever but I kinda find him as a character fun— obviously if he was a real person he should be buried under a prison, but as a character he’s funny and has fun dynamics with Sacha (and arlo but also his thing for arlo is gross cause of obvious reasons- but the fact that they made a deal about how many times arlo is allowed to hit him in a week is so funny to me-) also I find the fact that Brandon has created at least two characters with the same exact concept (a receptionist who’s a predator named Jimmy Rustler and hates their job) incredibly funny, I love seeing where he’s clearly reused character concepts (can you tell I’m over explaining because i don’t want to be misconstrued? :))

this might be a controversial take but fuck it

drawing any brandon character white or super light skinned weirds me out

[your-lovers-and-drifters]

3:10 to Yuma, 1957 (dir. Delmar Daves) 

[killedbydeth]

Hawkwind

[velostl]

The Damned 40th Anniversary Tour. Shot for St. Louis Magazine at Delmar Hall, April 2017 in St. Louis.

[shakespeareanqueer]

Psych (Part 2 - Do A Flip)

Summary: It’s the plot of Spider-Man: Homecoming, but if Carol Danvers and Maria Rambeaux were there solving it like a case because Carol is a fake psychic detective (like the TV show Psych)

WC: 2,170 words 🍍Contents: Minor violence, fake psychic-ing, real alien weapons

A/N: I love Psych; it is my favorite show in the whole wide world. I’m going through and re-watching and I love it so much! This is a Psych AU where Carol Danvers is Shawn Spencer, Maria Rambeau is Burton Guster, Maria Hill is Carlton Lassiter, Phil Coulson is Juliet O’Hara, Nick Fury is Chief Karen Vick, and Talos is Woody. Also featuring Peter Parker and my own OC, Dave the sketch artist. Enjoy!

This is for Ladies of Marvel Bingo! L2: Genre-Police Procedural. I saw advice not to put links in fic posts, so I’ll reblog tagging them, my taglist, and also with a link to my masterlist and my taglist.

After some delicious jerk chicken from their favorite joint, Carol and Beau made their way to the police station to keep working on the Delmar’s case. Since Carol wasn’t actually a psychic, she needed to surreptitiously do some snooping around the evidence, witnesses and detectives working on the case. She usually disguised this activity by acting like an idiot who was just fooling around. Which wasn’t out of character, per se, but she was also working.

Just as they walked in, Coulson was dropping a teenage boy off at the reception desk to fill out his check-out paperwork. Coulson and/or Hill must have been questioning him, but the forms he was being presented weren’t bail forms, so it was purely investigative and he wasn’t a suspect.

Something was off about the kid, but Carol couldn’t put her finger on what it was. He was skittish and clearly anxious, a relatively short boy, and despite the lack of spectacles, he was clearly a huge nerd (he had a t-shirt on with Einstein’s face and some pun about gravity that went over Carol’s head). He was brunet with big, emotive brown eyes and a cute nervous smile; the word “puppy dog” came to Carol’s mind as an apt descriptor.

“Hey, hey, hey!” Carol greeted Hill at her desk. She was greeted back with a roll of the eyes.

“What do you want, Danvers?” Hill asked.

“You know I need to be close to the action to get the tinglies going.” Carol wiggled her fingers near her head.

“Never say that combination of words ever again,” Beau advised Carol with her own eye roll. “Who’s the kid?” she asked Hill.

“Why don’t you ask the psychic?” Hill asked sarcastically, but Carol was seemingly distracted ‘listening’ to the stapler.

Hill sighed and explained, thinking Carol wasn’t paying attention, but she was. “The kid was brought in as a witness on the Delmar deli fire-slash-21st Street bank robbery. Peter Parker. His DNA was all over the deli, but it’s just from his visit there that afternoon. He’s a regular and it must not have been the most sanitary of establishments.”

Beau pointed a finger in Hill’s face. “Hey, Delmar’s had the best damn sandwiches in Queens, and was the pinnacle of good business practice.”

Hill put up her hands in surrender. “I’m just relaying the facts.”

“Did he provide any information useful to the case?” Beau asked.

Hill shrugged. “Nah, he wasn’t there at the time, obviously. All he had was a lot of praise for Delmar,” she answered. “Just an antsy and annoying kid, honestly.”

The ‘antsy and annoying kid’ was finishing up his paperwork, and Carol had the distinct feeling he knew more than he had let on.

“He might have been more helpful if Hill hadn’t made him so nervous,” Coulson admonished, approaching the desk with an armful of paperwork for her superior to proofread. “I told you intimidation wasn’t the right play; he’s just a kid.”

“Bah.” Hill brushed her off and snatched the files out of her hand.

Parker’s bulging backpack was open slightly, and Carol could see the insane number of books inside. Huge, brick-like textbooks and also an antique computer with a battery the size of a small car. The satchel should have broken the back of any reasonable person without Captain America’s strength, but Peter picked it up and slung it over his shoulder like it was no heavier than an empty garbage bag.

Carol clutched Beau’s elbow and began to move them both towards the door without a word.  

While observing him exit the building, Carol thought she figured why he seemed so off: he was reacting to stimuli he shouldn’t be able to perceive. Carol was uncannily observant, more so than the average un-enhanced person, but she didn’t have superpowers; she simply noticed things. Small things, like the single ant scurrying inside as Peter opened the door, or the vibration of the phone of the officer manning the desk from deep inside her purse. Peter was noticing these things too, Carol could tell by his reactions, but he was also noticing things he shouldn’t have been able to sense at all. Carol could hear a uniformed officer’s music through his headphones very, very, very faintly behind her. Peter was far enough in front of her that there was no reason he should have been able to hear the melody whatsoever, and yet he was tapping his fingers against his thigh to the rhythm, and as they neared, Carol realized was humming along under his breath.

Once through the doors, Carol held Beau back and they lingered at the top of the precinct stairs while Peter loitered at the bottom, glancing occasionally at his phone. Waiting for his ride, Carol supposed.

Through the gap in the zipper of his backpack, Carol spotted something made of red stretchy fabric, and a flash of bright blue. The pieces clicked.

Carol leaned into Beau and whispered in her ear, so softly no one even a foot away from them should be able to hear, let alone someone at the bottom of the stairs,”What was it you you were saying about Spider-Man earlier?”

“What?” Beau asked at an equal whisper, though not yet understanding why they were keeping their voices soft. “That he shoots webs out of his ass?” she asked, and Carol observed the tiniest twitch of a subconscious reaction out of the teenage boy who should have been entirely out of hearing range. “Or that he has super hearing?” Beau continued.

Carol smirked. “The second one,” she said. “Which I can now confirm. And I’m pretty sure I can categorically deny the first thing, which is honestly just disappointing. What’s the point of having spider-related powers you can’t even shoot webs out of your butt?

“Don’t you agree, kid?” she called down to Peter.

He winced, a large enough movement for even Beau to notice, then finally turned and looked up at the pair of private detectives.

“How did you know?” he asked dejectedly.

“I’m a psychic,” Carol declared. “I know a lot of things.”

“You’re saying that’s…?” Beau whispered furiously to Carol. She nodded, as did Peter, though he had no business hearing her hushed inquiry from the distance. “But he’s just a kid!”

Carol shrugged. “Is there any evidence from all we’ve seen of Spider-Man that he isn’t a kid?”

Beau considered this. “He does do an awful lot of backflips. No self-respecting adult does that many backflips.”

Carol jogged down the stairs and Beau followed after.

“Please don’t tell anyone,” Peter whined once they reached him.

“We won’t,” Beau promised. “If you tell us everything we need to know.”

Peter sighed in defeat. “Ok, what do you need to know?” he asked Beau.

Carol leaned against the railing, trying to look suave. It only sort of worked. “Tell us about the bank robbers.”

“They had fancy tech,” Peter began. “A really powerful weird blaster thing that they used on the ATM, and an anti-gravity gun.”

Carol and Beau exchanged a look. “And where did they get their hands on that kind of tech?”

“That’s what I want to know!” he exclaimed.

Peter hiked his backpack further up his shoulder, and fiddled with all the zippers, making sure they were shut. The panicked look in his eyes that flashed when he realized one of the zippers was open made Carol suspicious. That wasn’t just about the suit; they already knew he was Spider-Man. There was something in his bag he didn’t want them to see.

Carol closed her eyes and put her fingers on her temple. “I’m sensing some of this tech is closer than we think.”

Her eyes shot open and she glared at Peter. Beau picked up on her insinuation and leaned in, whispering, “You mean he has some on him?”

“Yes, my bonnie Beau, that is exactly what I mean,” said Carol, still not taking her eyes off of Peter, who had begun to squirm under her gaze. She crossed her arms.

With great reluctance, Peter put his bag on the ground and began to rifle through it. He had to pull out some books, a sweatshirt, his laptop, his laptop case (which his laptop was not in), and a Nalgene water bottle, but underneath all of that he finally found what he was looking for.

It was a strange looking device, clearly part of something larger, maybe a charger or base of some kind. It was glowing an eery red hue.

Peter scratched the back of his head. “I’ve just been calling it the glowing thingy,” he said. “I have no idea what it is.”

Without asking, Carol scooped it from his hands. “Thankfully, I know someone who may be able to help us out.”

“Hey!” the teenager pouted.

“You’d get in a lot of trouble if someone found out you had this, kid,” Carol said, passing it to Beau.

Beau carefully placed the device in her large purse. Then, she pulled out a small card. She handed it to the spider-kid.

“Call us if you think of anything else,” she said. “Or if anything else comes up.”

Peter frowned. “Um, this is a card for an interior design firm.”

“You still haven’t had the Psych cards made?” Carol admonished her partner.

“I can’t use the company printer for shit like that; I told you! Do it yourself at Staples!” Beau defended. “It’s still my number, kid. Just call us if anything happens.”

The pair walked away and towards the subway. After an overly cautious distance had stretched between them, to be certain she was not overheard even by enhanced ears, Beau asked, “So how did you know he was Spider-Man, anyway?”

Carol shrugged. “A number of things. His suit was hanging out of his backpack, for one. Also, every single thing he owned was second-hand, clothes, books, everything—except for a stupid expensive looking Stark Watch. His form said he had an internship there—“

Beau cut her off. “Why did his form say anything about it?”

“He seemed confused how to fill it out,” Carol answered. “He checked off that he was a student, then filled it in under ‘employment’ anyway.”

“So he has an internship at Stark Industries and they gave him a watch,” Beau accepted.

Carol stopped dead in the middle of the sidewalk. “Are you serious? I worked as a sales rep for Hammer Tech—a real job, not an internship—and I didn’t get shit.”

“To be fair, you only lasted a week,” said Beau. “Maybe it was a bonus.”

“Interns don’t get bonuses, they get coffee and ‘experience,’” said Carol cynically, continuing to walk again. “Anyway, the point is, I was right.”

Back at the Psych office, Carol and Beau examined the gadget. Beau turned it this way and that on the desk, squinting.

“You know,” she said. “This bottom piece looks exactly like what I charge my toothbrush on.”

That comment caught Carol’s attention. She lifted the thing closer to her face. Sure enough, the metal was different in the bottom piece that Beau recognized as the charging plate versus the top piece that held what Peter had called the ‘glowing thing.’ It was subtle, and the welding that brought them together was masterful, but upon closer inspection they were indisputably different metals. The one at the base seemed normal; Carol couldn’t identify it, because she was a normal person with a normal range of knowledge on most things. But the top bit was too shiny, too smooth, too bright, too perfect to be of this world.

By the time they brought it to Carol’s weird friend Talos, who had a lab in his basement with some pretty weird stuff that made this thing look as normal as apple pie, they’d received an email from Peter thoroughly describing the circumstances under which the ‘glowy thing’ had come into his possession. Carol read the email aloud from her phone as Beau drove them back from the laboratory, where Talos had promised to call them as soon as he found anything out about the device.

“Ok so that was definitely some kind of weird advanced tech arms deal,” Beau asserted after hearing the explanation of the encounter.

“Yuperz,” Carol agreed.

Only a few minutes after that, Talos called to confirm that the device was definitely part alien. The glowy bit was explosive, a quality that would be activated if it were exposed to radioactivity.

“Isn’t the Spider-Kid, like, low-level radioactive himself?” Carol had asked. “Since he was bit by a radioactive spider?” But Talos said it wasn’t the right kind to activate the device.

The bottom part was 100% just a toothbrush charging plate, produced by Colgate and manufactured in Korea. But the top part was alien, a type of metal Talos had never seen before. “Impossible to manufacture from the Earth’s natural elements,” Talos said. “Undoubtedly alien.”

[rishicat]

list of people who i want confirmed as being dusted or not after the Snap

General Ross

Nakia

Okoye’s husband

Valkyrie (did she escape the ship before Thanos came? how is she there in Endgame? hmm???)

MJ

Luis, Dave and Kurt

Ava Starr/Ghost 

MCU Sebastian Stan and Robert Downey Jr. (Sebastian’s movie ‘Hot Tub Time Machine’ was mentioned in Endgame, and that one documentary in Far From Home that Peter saw listed RDJ as playing Tony Stark)

Quentin Beck/Mysterio (or whatever his real name is, i can’t trust him)

Jane Foster 

Adrian Toomes

Liz Toomes

Mr. Delmar

Mr. Harrington and Mr. Dell

Jason Ionello and Betty Brant

Kraglin

Talos and the Skrulls

Maria and Monica Rambeau

Agent Woo

MCU J. Jonah Jameson

Gary from Iron Man 3

MCU Stan Lee 

[russiancircles]

Russian Circles Announce New LP, “Blood Year”+ Track “Arluck”

Chicago-based post-metal trio Russian Circles seem to release nothing but pure, body-moving gold, and their latest track "Arluck" proves once again they dominate the instrumental scene with their unmatched musicianship and songwriting capabilities.

Kicking off with a mighty walloping foundation from drummer Dave Turncrantz, the song quickly opens up into a hypnotizing dance of brain-tickling licks and chugging, staccato riffs. Punctuated snare slams and an unshakeable bass line from the masterful Brian Cook hold down a steady groove while guitarist Mike Sullivan's spaced-out plucking is allowed to explore, leading to an exalted segment where the bottom falls out, drawing focus before bringing back the leaden assault of the trio's combined powers.

Along with this gorgeous track comes the announcement of a new album by the group titled Blood Year, out August 2nd via Sargent House. Pre-orders and digital pre-saves are available at this location.

To gear up for the release, Russian Circles will hit the road this summer for an extensive North American tour alongside acts like Windhand and FACS. See below for dates and the new record's track list.

Blood Year — Track Listing:

1. Hunter Moon 2. Arluck 3. Milano 4. Kohokia 5. Ghost on High 6. Sinaia 7. Quartered

North American Tour Dates: SEP 11 Madison, WI @ High Noon Saloon * SEP 12 Minneapolis, MN @ Cedar Cultural Center * SEP 14 Bozeman, MT @ Rialto Bozeman * SEP 16 Seattle, WA @ Neumos * SEP 17 Portland, OR @ Wonder Ballroom * SEP 19 San Francisco, CA @ August Hall * SEP 20 Ventura, CA @ Discovery Ventura * SEP 21 Los Angeles, CA @ The Teragram Ballroom * SEP 23 Mesa, AZ @ The Nile * SEP 24 Santa Fe, NM @ Meow Wolf * SEP 25 Denver, CO @ Bluebird Theater * SEP 28 Chicago, IL @ Thalia Hall *
 OCT 18 Grand Rapids, MI @ The Pyramid Scheme + OCT 19 Detroit, MI @ El Club + OCT 20 Toronto, ON @ Lee's Palace + OCT 21 Montreal, QC @ Theatre Fairmount + OCT 23 Portsmouth, NH @ 3S ArtSpace + OCT 24 Cambridge, MA @ The Sinclair + OCT 26 Brooklyn, NY @ Warsaw + OCT 27 Philadelphia, PA @ Union Transfer + OCT 29 Washington, DC @ Union Stage + OCT 30 Richmond, VA @ The Broadberry + NOV 01 Durham, NC @ Motorco Music Hall + NOV 02 Charlotte, NC @ Neighborhood Theatre + NOV 03 Atlanta, GA @ The Masquerade + NOV 04 New Orleans, LA @ One Eyed Jack's + NOV 06 Houston, TX @ The Secret Group + NOV 08 Austin, TX @ Levitation NOV 09 Dallas, TX @ Deep Ellum Art Company + NOV 11 St. Louis, MO @ Delmar Hall + 
w/ FACS * 
w/ Windhand +

[stephaniemarlowftw]

RUSSIAN CIRCLES ASCEND TO THE PINNACLE OF “KOHOKIA” ON NEW SINGLE

Listen to the trio’s final reveal until the release of Blood Year on August 2nd.  // Catch Russian Circles on tour throughout North America this fall.

With the steady reveal of their forthcoming album Blood Year, Russian Circles continue to remind the world why they have reigned as one of post-rock’s most stalwart forces. Their latest single, “Kohokia,” finds the trio in one of their most exploratory modes, capturing Slint-esque negative space in one moment, and blizzards of ashen metal in the next.

Listen to Russian Circles’ blistering seven-minute track “Kohokia” today on Loudwire (or directly on YouTube).

“Kohokia” is the final glimpse into Russian Circles' forthcoming Blood Year, due out in just a few weeks. Serving as a reminder of their dominion over the metal and rock worlds, Blood Year retains the dexterity, technique, and drama that Russian Circles have become synonymous with, fully embracing the most forceful facets of the trio’s repertoire.

Capturing the lightning-in-a-bottle verve of their live storied shows, Blood Year thrives with its organic feel and rampant energy. Showcasing Brian Cook’s grinding bass lines, Mike Sullivan’s deep-diving guitar leads, and Dave Turncrantz’s pounding rack and floor toms, Blood Year finds Russian Circles in the midst of pushing past their already astronomical limits of timbre and volume. Completing the formula is Kurt Ballou’s engineering prowess and Steve Albini’s world-famous wonderland Electrical Audio.

Blood Year will be released via Sargent House on August 2 and Russian Circles will be on tour in North America this September, October and November in support of it. FACS and Windhand will appear on select dates — check out a full itinerary below.

Blood Year is available for pre-order here.  

Blood Year — Track Listing: 

1. Hunter Moon

2. Arluck

3. Milano

4. Kohokia

5. Ghost on High

6. Sinaia

7. Quartered

Russian Circles - On Tour:

September 11 Madison, WI @ High Noon Saloon *

September 12 Minneapolis, MN @ Cedar Cultural Center *

September 14 Bozeman, MT @ Rialto Bozeman *

September 16 Seattle, WA @ Neumos *

September 17 Portland, OR @ Wonder Ballroom *

September 19 San Francisco, CA @ August Hall *

September 20 Ventura, CA @ Discovery Ventura *

September 21 Los Angeles, CA @ The Teragram Ballroom *

September 23 Mesa, AZ @ The Nile *

September 24 Santa Fe, NM @ Meow Wolf *

September 25 Denver, CO @ Bluebird Theater *

September 28 Chicago, IL @ Thalia Hall *

October 18 Grand Rapids, MI @ The Pyramid Scheme +

October 19 Detroit, MI @ El Club +October 20 Toronto, ON @ Lee’s Palace +

October 21 Montreal, QC @ Theatre Fairmount +

October 23 Portsmouth, NH @ 3S ArtSpace +

October 24 Cambridge, MA @ The Sinclair +

October 26 Brooklyn, NY @ Warsaw +

October 27 Philadelphia, PA @ Union Transfer +

October 29 Washington, DC @ Union Stage +

October 30 Richmond, VA @ The Broadberry +

November 1 Durham, NC @ Motorco Music Hall +

November 2 Charlotte, NC @ Neighborhood Theatre +

November 3 Atlanta, GA @ The Masquerade +

November 4 New Orleans, LA @ One Eyed Jack’s +

November 6 Houston, TX @ The Secret Group +

November 8 Austin, TX @ Levitation 

November 9 Dallas, TX @ Deep Ellum Art Company

 November 11 St. Louis, MO @ Delmar Hall + 

 w/ FACS *

w/ Windhand + 

[reinerbraaun]

2018 in review!

Tagged by: @sapphic-wanda and @ii-mpulse , thanks guys!!

Top 5 films you watched in 2018:

1. Bumblebee

2. Antman and the Wasp

3. Spiderman: Into the Spiderverse

4. Aquaman

5. Venom

Top 5 TV shows in 2018:  I watched none lol

Top 5 songs of 2018: 

1. Sunlight on your skin | Lil Peep

2. no tears left to cry | ariana grande

3. Funky Friday | dave + fredo

4. E-lo | Los unidades\Coldplay

5. Flames | David Guetta

Top 5 books you read in 2018:

I didn’t read much books but I did read the cruel prince by holly black which was amazing and I highly rec!

Five Good/Positive things that happened to you in 2018:

- met my bf who has made life so amazing and got me into dc

- started social sciences which I love doing!

- reconnected with some old friends and finally got over some old ones.

- met vic mignogna and in the process met my good tumblr friend @ejkenway which was awesome!

- saw dan and phil live which made me incredibly happy <3

Tagging: @ironmacn, @tonvrogers, @awstark, @sielustaja, @acherik, @l-p-r-o-c-k, @arthurcsrry, @okayloki, @msmar-vell, @delmars and @hopespym

[speedyortizmusic]

did you know speedy ortiz is named after a character created by jaime hernandez for the comic book series love and rockets? those comics changed my life, and it’s so unbelievably cool to have a portrait of the band by jaime. pick up an illustrated poster while supplies last.  

Participating Stores (UK):

Rough Trade

Resident - 28 Kensington Gardens, Brighton BN1 4AL, UK

Piccadilly - 53 Oldham St, Manchester M1 1JR, UK

Jumbo - Merrion Street, 1-3 Merrion Centre, Leeds LS2 8NG, UK

Drift - 103 High St, Totnes TQ9 5SN, UK

Participating Stores (US):

Music Millennium - 3158 E Burnside Street Portland, OR

The Record Exchange - 1105 West Idaho St Boise, ID

Easy Street - 4559 California Ave SW Seattle, WA

Graywhale - 1773 West 4700 South Salt Lake City, UT

Graywhale - 208 S 1300 E Salt Lake City, UT

Graywhale - 824 E 9400S Sandy, UT

Graywhale - 4062 Riverdale Rd Ogden, UT

Skips Records - 3215 W 11th Ave Eugene, OR

Silver Platters - 2930 1st Avenue South Seattle, WA

Silver Platters - 3715 196th St. SW, Lynnwood, WA

Silver Platters - 2616 Bellevue Way NE Bellevue, WA

Streetlight Records - 980 S Bascom Ave San Jose, CA

Streetlight Records - 939 Pacific Ave Santa Cruz, CA

Boo Boo Records - 978 Monterey Street San Luis Obispo, CA

Ear Candy - 624 S Higgins Ave Missoula, MT

Sonic Boom - 2209 NW Market Street Seattle, WA

Everyday Music - 1313 W. Burnside Portland, OR

Everyday Music - 1931 NE Sandy Blvd Portland, OR

Everyday Music - 3290 SW Cedar Hills Blvd Beaverton, OR

Everyday Music - 115 E. Magnolia Bellingham, WA

Everyday Music - 1520 10th Ave. Seattle, WA

Dimple - 2499 Arden Way Sacramento, CA

Watts Records - 1211 Grant Ave Novato, CA

Sound & Vision - 3444 Main St SLC, UT

Hungry Ear - 675 Auahi St Honolulu, HI

Groovacious Platters - 195 W 650 S Cedar City, UT

The Long Ear - 1620 N Government Way Coeur D'alene, ID

Resurrection Records - 921 W Northwest Blvd Spokane, WA

Obsession Records - 2213 E Tudor Rd #53 Anchorage, AK

Siren Records - 527 Ramona Avenue Monterey, CA

Jackpot Records - 3574 SE Hawthorne Blvd Portland, OR

Albums on the Hill - 1128 13th St Boulder, CO

Amoeba - 1855 Haight Street San Francisco, CA

Amoeba - 2455 Telegraph Ave Berkeley, CA

Cactus Music - 2110 Portsmouth Ave Houston, TX

Euclid - 19 N Gore Ave, St. St. Louis, MO

Fingerprints - 420 E. 4th St. Long Beach, CA

Freakbeat - 13616 Ventura Blvd Sherman Oaks, CA

Good Records - 1808 Greenville Ave Dallas, TX

Guestroom - 125 E Main St. Norman, OK

Guestroom - 3701 N. Western Ave OKC, OK

Independent - 3020 Platte Ave Colorado Springs, CO

Josey Records - 2821 Lyndon B Johnson Fwy #100 Farmers Branch, TX

Josey Records - 1814 Oak St. Kansas City, MO

Lou’s Records - 434 N Coast Highway 101 Encinitas, CA

Mills Record Co - 4045 Broadway Blvd. Kansas City, MO

Moldy Toes - 221 S Ola Vista San Clemente, CA

M-Theory - 827 W Washington St, San Diego, CA

Ralph’s Records - 3322 82nd St, Lubbock, Lubbock, TX

Rhino Records - 235 Yale Ave, Claremont Claremont, CA

Salzer’s - 5777 Valentine Rd, Ventura, TX

Stinkweeds - 12 W Camelback Rd Phoenix, AZ

Vintage Vinyl - 6610 Delmar Blvd. St. Louis, MO

Vinyl Renaissance - 7932 Santa Fe Dr. Overland, KS

Vinyl Renaissance - 111 S 9th St Columbia, MO

Zia Records - 3839 N 16th St. Phoenix, AZ

Bull Moose - 219 Waterman Drive, Attn: Sebastian Grass South Portland, ME

Scotti’s Record Shop - 351 Springfield Ave, Summit, NJ

Songbyrd - 2475 18th St NW, Washington, DC

Main Street Music - 4444 Main St Philadelphia, PA

Darkside Records - 611 Dutchess Turnpike Arlington, NY

Record Archive - 33 1/3 Rockwood St, Rochester, NY

Vintage Vinyl - 51 Lafayette Rd Fords, NJ

The Sound Garden - 1616 Thames St Baltimore, MD

Princeton Record Exchange - 20 S Tulane St Princeton, NJ

Angry Mom Records - 115 E State St Ithaca, NY

Creep Records - 1050 N Hancock St #76, Philadelphia, PA

Juke Records - 4526 Liberty Ave, Pittsburgh, PA

Hill & Dale Records - 1054 31st St NW #010 Washington, DC

Pure Pop - 115 S Winooski Ave Burlington, VT

Ka-Chunk Records - 78 Maryland Ave Annapolis, MD

Flat Black & Circular - 541 E Grand River East Lansing, MI

Reckless Records - 3126 Broadway Chicago, IL

Reckless Records - 26 E Madison Chicago, IL

Reckless Records - 1379 N Milwaukee Ave Chicago, IL

Shuga - 1272 N Milwaukee Ave Chicago, IL

Drastic Plastic - 1118B Howard St Omaha, NE

Toxic Beauty Records - 220 Xenia Yellow Springs, OH

Shake it - 4156 Hamilton Cincinnati, OH

Homer’s - 1210 Howard St Omaha, NE

Strictly Discs - 1900 Monroe St Madison, WI

Luna Music - 5202 N College Av Indianapolis, IN

Landlocked Music - 202 Walnut Bloomington, IN

Used Kids - 2500 Summit St Columbus, OH

Plaid Room Records - 120 Karl Brown Way Loveland, OH

Mile Long Records - 350 W Front St Wheaton, IL

Lucky Records - 126 S Market St Wooster, OH

Electric Fetus - 2000 4th Ave So Minneapolis, MN

Electric Fetus - 12E. Superior Duluth, MN

Exclusive Co - 318 E Main St Oshkosh, WI

Dearborn Music - 22501 Michigan Ave Dearborn, MI

Culture Clash - 4020 Secor Rd Toledo, OH

Laurie’s - 4639 N Lincoln Ave Chicago, IL

Finders - 128 N Main St Bowling Green, OH

Magnolia T- Pussy - 1155 N High St, Columbus, OH

Record Den - 7661 Mentor Rd Mentor, OH

ZZZ - 2200 Ingersoll Ave Des Moines, IA

Rolling Stone - 7300 W Irving Pk Rd Norridge, IL

Waiting Room - 113 W North Normal, IL

Wazoo - 336 ½ S State Ann Arbor, MI

Spoonful - 2960 N High St Columbus, OH

Down In The Valley - 8020 Olsen Memorial HWY Golden Valley Shopping Center Golden Valley, MN

Indy CD - 806 Broadripple Av Indianapolis, IN

Dave’s - 2604 N Clark St Chicago, IL

Lost Weekend - 2960 N High St Columbus, OH

Radio Kaos - 968 Min St Stevens Point, WI

Records Per Minute - 2579 High ST Columbus, OH

Karma Records - 21 N Post Rd Indianapolis, IN

Wooden Nickle Records - 3422 Anthony Rd Ft. Wayne, IN

Technique Records - 853 NE 79th Street Miami, FL

The End Of All Music - 103A Courthouse Square Oxford, MS

Criminal Records - 1154-A Euclid Avenue NE Atlanta, GA

Park Ave CDs - 2916 Corrine Dr Orlando, FL

Monster Music - 946 Orleans Rd Charleston, SC

Grimey’s - 1604 8th Ave S Nashville, TN

SchoolKids Records - 2237 Avent Ferry Rd Ste. 101 Raleigh, NC

Sweat Records - 5505 NE 2nd Ave. Miami, FL

Oz Music - 506 14th St, Tuscaloosa, AL

Arkansas Record Exchange - 4212 Mac Arthur N Little Rock, AR

Daddy Kool Records - 666 Central Ave St. Petersburg, FL

T-Bones - 2101 Hardy St Hattiesburg, MS

CD Cellar - 913 Noble St Anniston, AL

CD Central - 377 S Limestone Lexington, KY

Lunchbox Records - 825 Central Ave Charlotte, NC

Decatur CD - 356 W. Ponce de Leon Ave., Decatur, GA

Earshot - 3254 Silas Creek Pkwy Salem, NC

Wax N Facts - 432 Moreland Ave NE Atlanta, GA

Wuxtry - 197 E Clayton St Athens, GA

Wuxtry - 2096 N Decatur Rd Decatur, GA

The Groove - 1103 Calvin Ave Nashville, TN

East West Records - 4895 Orange Ave S Orlando, FL

Radio Active - 845 N Federal Hwy Ft. Lauderdale, FL

Seasick Records - 5508 Crestwood Blvd Birmingham, AL

Horizon Records - 2-A West Stone Ave, Greenville, SC

Central Square - 89 Central Sq, Santa Rosa Beach, FL

Guestroom Records - 1806 Frankfort Ave. Louisville, KY

Al Bums Record Shoppe - 4606 S. Main St.  Acworth, GA

Fantasyland Records - 360 Pharr RD. NE Atlanta, GA

Mojo Books & Records - 2540 E Fowler Ave Tampa, FL

Magnolia Records - 214 W. Magnolia Ave Knoxville, TN

Vinyl Tap - 2038 Greenwood Ave Nashville, TN

[wheelsgoroundincircles]

1936 Auburn Custom Roadster All-Steel '36 Auburn, Top 5 Winner at Delmar It takes creativity and craftsmanship beyond the norm to produce the level of quality achieved by this all-steel 1936 Auburn convertible, which was transformed into a top candidate for the Grand National Roadster Show’s ultimate prize: the award for America's Most Beautiful Roadster. Hours could pass appreciating all the sublime features of this car that was one of 12 to qualify for the 2011 AMBR competition. It begins with custom-mixed BASF Glasurit Sunset Pearl and Champaign paint sprayed by Richard Lindgren, and continues in the incredible Italian leather interior and lift-off top by Dave Putnam. A 454/375 HP Chevrolet V-8, 700R4 transmission and Ford 9-inch rear end power the car, with TCI air ride suspension regulating the ride. Among this outstanding rod’s many achievements are a top 5 finish for the Delmar, CA Street Rod de Elegance award, 2012 Best in the West award in Monterey and 5 Best in Show awards. - Real all steel 1936 Auburn convertible - Made into a roadster for the America's Most Beautiful Roadster award for the Grand National Roadster Show - 1 of the 12 cars in the country to qualify for the 2011 AMBR competition - Featured in Street Scene, Street Rodder and GoodGuys - Chevy 454/375 HP engine - 200R4 automatic transmission with overdrive - Ford 9" rear end - TCI suspension with air ride - Interior by Dave Putnum, all Italian leather, French stitched with lift off custom top - Custom mixed paint, Sunset Pearl and Champaign

[therockinryan]

Since @kaaboodelmar announced the lineup today I will be posting some of my favorite photos from last years Kaaboo :) here is Dave Mason #like#follow#music#musicjunkiepress#awesome#badass#sweet#bands#davemason#traffic#mjp#rocker#guitar#guitarist#bands#photo#photography#kaaboo#delmar#kaaboodelmar (at KAABOO Del Mar)