#delicate.

[newtlesbian]

going further. franks child self was living in that one room with a strange weirdo boy he dreamed up but never really had. now his inner child isn’t alone anymore. he plays games with his real charlie in their terrible one room apartment. getting weird with it and being okay with being weird no matter what everyone on the outside might think. sharing a bed together to feel the comfort in being close to that

macs child self had charlie the whole time. inseparable. a package deal. the most genuine connection and comfort in both of their neglected tiny lives. not just because they were otherwise alone. decades later theyre not going anywhere. now their inner child rides bikes together they throw rocks at trains together they teach each other about the world just like they needed so desperately in old times

dennis’ child self never had charlie. not until highschool. but that was exactly when he experienced his csa. his inner child found charlie at the exact right moment. caught him when he fell. he got his child self back through charlie just as he lost feeling. and now what do the two of them do together? they go recreate memories and recapture lost youth with a mutual unspoken understanding of why

they all need charlie. relaxing into his genuine youthful energy lets them feel that way again.

[maria-ruta]

the thought i had inspired by this post

[sunshinem0ths]

club meshis

[batcels]

[academic-vampire]

𝔠𝔬𝔪𝔢 𝔰𝔦𝔱 𝔞𝔫𝔡 𝔢𝔫𝔧𝔬𝔶 𝔱𝔥𝔢 𝔞𝔱𝔪𝔬𝔰𝔭𝔥𝔢𝔯𝔢 :)

[ofburntorangesuns]

Rex ol' boy

[kyri45]

Sometimes you just need to break all your walls…

Shadowpeach Bio Parent AU (PREV / FIRST / NEXT )

Mac is just- I'm not normal about this character. I think for a long time, he felt like he had to always be the voice of reason, the one who always stopped his companion into stupid situation, the helicopter mama when it comes to MK, the mature one between him and Wukong. Probably as a way to stand out of Wukong shadow, trying to compensate the areas he lacks, or to try to hide what he thinks are weakness

While, most of the time, he's just- so scared. like a little kid. I feel like sometimes, he just needs to be held.

[kensatou]

liberté, egalité, fraternité et yaoi

[k-0re]

Happy chimera Falin day everyone

[fiiib1]

Chilchuck bullies Marcille

[maria-ruta]

based on this tweet

[kratereyes]

KABRU EAT WHERE IS YOUR PLATE?! YOU CANT JUST DRINK!!

[sermna]

Just thinking about what their necromancer/cavalier relationship would've been like if they hadn't been pressed into lyctorhood :')

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[isabelleadjani]

ASSAD ZAMAN as The Vampire Armand INTERVIEW WITH THE VAMPIRE (2022-)

[egophiliac]

was this anyone else's first thought, or